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Hitler is alive and in hiding in final season of ‘Hunters,’ Amazon’s series about Jews killing Nazis
Spoilers for the first and second seasons of “Hunters” follow.
(JTA) – When Amazon Prime released the first season of “Hunters” in 2020, it advertised its Nazi-hunting TV show as “Inspired By True Events.”
That was true only in the loosest possible sense of the term. Starring Al Pacino and Logan Lerman and produced by Jordan Peele, “Hunters” told a bloody, souped-up, almost entirely embellished story of a Jewish-led team of multiracial Nazi hunters in the 1970s trying to stop a “Fourth Reich” from rising in the United States.
The show was immediately controversial: Series creator David Weil, the grandson of Holocaust survivors, had to defend his show from the Auschwitz Memorial, which harshly criticized “Hunters” for — among other scenes — depicting a human chess game at Auschwitz that never took place.
Despite all that, “Hunters” still had some basis in reality. There were, in fact, a handful of Jewish Nazi hunters active across the Americas at that time, most famously Simon Wiesenthal (played in the series by Judd Hirsch), who did succeed in bringing several prominent Nazis to justice.
Three years later, “Hunters” has, similarly, used the historical record as a mere suggestion for its second and final season, which debuts Friday and tells an outrageous story about hunting Hitler himself. Here’s how viewers can separate fact from fiction in season 2.
Hitler in Argentina
The end of the first season hinted that things were about to go seriously off the rails, as the “real” Hitler and Eva Braun were revealed to be happily alive and hiding out in Argentina — seemingly validating decades’ worth of baseless conspiracy theories about the Nazi leader’s supposed escape from his Berlin bunker in 1945. (Also throwing things for a loop: the reveal that Pacino’s character, who had presented himself as the hero’s Holocaust-survivor grandfather, was secretly the Nazi “butcher” they had been hunting in disguise, and the man they killed after a season-long hunt was the real survivor.)
In the second season, the disbanded Hunters reunite in 1979 to follow Hitler’s trail to Argentina, where many real-life Nazis did hide out. Meanwhile, in flashbacks to 1975, Pacino’s Nazi “butcher” works furiously to cover his tracks as he poses as a successful Jewish businessman and philanthropist in the United States.
Hitler-survival conspiracy theories seem to, well, keep surviving. In the decades since the war’s end, many conspiracy theories regarding Hitler’s fate have proliferated, and a good number of them coalesce around the unsupported claim that he, like other top Nazi commanders, was ferreted out of Germany and into South America via a secret underground network. “Hunting Hitler,” a recent top-rated History Channel docuseries, milked three seasons out of the idea.
But of course there were Nazis who successfully escaped persecution at Nuremberg by fleeing to South America, and “Hunters” crafts its Hitler narrative on the scaffolding of their real-life stories. The most infamous case involved death camp commander Adolf Eichmann, who hid in Argentina until Mossad agents uncovered his location and kidnapped him in 1960’s Operation Finale to stand trial in Jerusalem.
The Kreisky-Peter-Wiesenthal Affair
In the universe of the show, the fake Meyer played by Pacino is friends with Wiesenthal, a seasoned Nazi hunter. When the two meet in 1975 in an early episode of the second season, Meyer congratulates Wiesenthal on his recent success in Austria.
This is a reference to a real-life 1975 political scandal, in which Wiesenthal and a team of researchers revealed the past Nazi activities of Austrian politico Friedrich Peter as the country’s Jewish chancellor, Bruno Kriesky, prepared to offer Peter’s right-wing party a role in his ruling coalition.
Wiesenthal’s actions led to a falling-out between him and Kriesky, who variously called him a “Jewish fascist” and a member of the Gestapo. But the Nazi hunters declared victory over having rooted out the S.S. past of a prominent postwar politician. (Peter’s party never joined the coalition.)
‘Reclaiming’ Jewish-owned businesses in Europe
In an early scene of the second season, one of the disguised hunters walks into an Austrian candy shop in 1979 and innocently inquires how long the shopkeeper has owned it. The store has been in his family for generations, comes the reply.
But, the hunter muses, there is a strange indentation on the doorpost — almost like a mezuzah. Could the shop have, in fact, been Jewish-owned before the Nazis came to power?
It turns out the hunter is right, and the shopkeeper will pay dearly for his denials. Again, the general arc of this narrative starts with real history, as there are countless examples of Nazis having seized Jewish-owned properties and businesses and destroyed the records of Jewish ownership, making it nearly impossible for surviving Jews after the war to reclaim their properties.
Author Menachem Kaiser recently explored how Nazi property seizures altered his own family history in the nonfiction book “Plunder,” which won the Sami Rohr prize for Jewish literature.
Frank Sinatra’s Jewish activism
As part of Al Pacino’s character’s disguise as a Holocaust survivor in postwar America, he becomes an active philanthropist to Jewish causes. At one point, he can’t help but brag that he convinced Frank Sinatra to make a hefty donation.
In fact, the famous crooner, despite not being Jewish himself, was a vocal and documented supporter of Jewish causes. He was presented with awards from Hebrew schools; visited Israel many times and helped build a youth center in Nazareth; owned a $10,000 yarmulke; and even gave his son, Frank Sinatra Jr., the Jewish middle name of Emmanuel. After Sinatra’s death, to avoid paparazzi, his body was hidden in a Los Angeles Jewish funeral home for decades.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”