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Hitler is alive and in hiding in final season of ‘Hunters,’ Amazon’s series about Jews killing Nazis
Spoilers for the first and second seasons of “Hunters” follow.
(JTA) – When Amazon Prime released the first season of “Hunters” in 2020, it advertised its Nazi-hunting TV show as “Inspired By True Events.”
That was true only in the loosest possible sense of the term. Starring Al Pacino and Logan Lerman and produced by Jordan Peele, “Hunters” told a bloody, souped-up, almost entirely embellished story of a Jewish-led team of multiracial Nazi hunters in the 1970s trying to stop a “Fourth Reich” from rising in the United States.
The show was immediately controversial: Series creator David Weil, the grandson of Holocaust survivors, had to defend his show from the Auschwitz Memorial, which harshly criticized “Hunters” for — among other scenes — depicting a human chess game at Auschwitz that never took place.
Despite all that, “Hunters” still had some basis in reality. There were, in fact, a handful of Jewish Nazi hunters active across the Americas at that time, most famously Simon Wiesenthal (played in the series by Judd Hirsch), who did succeed in bringing several prominent Nazis to justice.
Three years later, “Hunters” has, similarly, used the historical record as a mere suggestion for its second and final season, which debuts Friday and tells an outrageous story about hunting Hitler himself. Here’s how viewers can separate fact from fiction in season 2.
Hitler in Argentina
The end of the first season hinted that things were about to go seriously off the rails, as the “real” Hitler and Eva Braun were revealed to be happily alive and hiding out in Argentina — seemingly validating decades’ worth of baseless conspiracy theories about the Nazi leader’s supposed escape from his Berlin bunker in 1945. (Also throwing things for a loop: the reveal that Pacino’s character, who had presented himself as the hero’s Holocaust-survivor grandfather, was secretly the Nazi “butcher” they had been hunting in disguise, and the man they killed after a season-long hunt was the real survivor.)
In the second season, the disbanded Hunters reunite in 1979 to follow Hitler’s trail to Argentina, where many real-life Nazis did hide out. Meanwhile, in flashbacks to 1975, Pacino’s Nazi “butcher” works furiously to cover his tracks as he poses as a successful Jewish businessman and philanthropist in the United States.
Hitler-survival conspiracy theories seem to, well, keep surviving. In the decades since the war’s end, many conspiracy theories regarding Hitler’s fate have proliferated, and a good number of them coalesce around the unsupported claim that he, like other top Nazi commanders, was ferreted out of Germany and into South America via a secret underground network. “Hunting Hitler,” a recent top-rated History Channel docuseries, milked three seasons out of the idea.
But of course there were Nazis who successfully escaped persecution at Nuremberg by fleeing to South America, and “Hunters” crafts its Hitler narrative on the scaffolding of their real-life stories. The most infamous case involved death camp commander Adolf Eichmann, who hid in Argentina until Mossad agents uncovered his location and kidnapped him in 1960’s Operation Finale to stand trial in Jerusalem.
The Kreisky-Peter-Wiesenthal Affair
In the universe of the show, the fake Meyer played by Pacino is friends with Wiesenthal, a seasoned Nazi hunter. When the two meet in 1975 in an early episode of the second season, Meyer congratulates Wiesenthal on his recent success in Austria.
This is a reference to a real-life 1975 political scandal, in which Wiesenthal and a team of researchers revealed the past Nazi activities of Austrian politico Friedrich Peter as the country’s Jewish chancellor, Bruno Kriesky, prepared to offer Peter’s right-wing party a role in his ruling coalition.
Wiesenthal’s actions led to a falling-out between him and Kriesky, who variously called him a “Jewish fascist” and a member of the Gestapo. But the Nazi hunters declared victory over having rooted out the S.S. past of a prominent postwar politician. (Peter’s party never joined the coalition.)
‘Reclaiming’ Jewish-owned businesses in Europe
In an early scene of the second season, one of the disguised hunters walks into an Austrian candy shop in 1979 and innocently inquires how long the shopkeeper has owned it. The store has been in his family for generations, comes the reply.
But, the hunter muses, there is a strange indentation on the doorpost — almost like a mezuzah. Could the shop have, in fact, been Jewish-owned before the Nazis came to power?
It turns out the hunter is right, and the shopkeeper will pay dearly for his denials. Again, the general arc of this narrative starts with real history, as there are countless examples of Nazis having seized Jewish-owned properties and businesses and destroyed the records of Jewish ownership, making it nearly impossible for surviving Jews after the war to reclaim their properties.
Author Menachem Kaiser recently explored how Nazi property seizures altered his own family history in the nonfiction book “Plunder,” which won the Sami Rohr prize for Jewish literature.
Frank Sinatra’s Jewish activism
As part of Al Pacino’s character’s disguise as a Holocaust survivor in postwar America, he becomes an active philanthropist to Jewish causes. At one point, he can’t help but brag that he convinced Frank Sinatra to make a hefty donation.
In fact, the famous crooner, despite not being Jewish himself, was a vocal and documented supporter of Jewish causes. He was presented with awards from Hebrew schools; visited Israel many times and helped build a youth center in Nazareth; owned a $10,000 yarmulke; and even gave his son, Frank Sinatra Jr., the Jewish middle name of Emmanuel. After Sinatra’s death, to avoid paparazzi, his body was hidden in a Los Angeles Jewish funeral home for decades.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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