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Holocaust novel by Jodi Picoult removed as Florida school district purges libraries to comply with state law

(JTA) – A Holocaust-themed novel by bestselling author Jodi Picoult was among dozens of books removed from a South Florida school district library’s circulation last month, in the latest example of books with Jewish themes getting swept up amid a larger conservative-led effort to police potentially inappropriate material in classrooms.

“The Storyteller” was removed from the library last month at a high school in Martin County, a southeast Florida district, owing to a parental complaint. According to a list of removed books published by local media. the novel was among several others by Picoult that were taken off the shelves. Other removed books by Jewish authors include the coming-of-age novel “Forever,” by Judy Blume, and “Extremely Loud and Incredibly Close,” by Jonathan Safran Foer, which is about a boy whose father was killed on 9/11.

Nationwide, book removal campaigns have sought to purge schools and public libraries of what opponents have deemed “critical race theory,” “pornography” and “gender ideology.” Notable instances of Holocaust-themed books getting ensnared in such efforts include Art Spiegelman’s “Maus” being removed from a Tennessee middle school curriculum; a graphic novel adaptation of Anne Frank’s diary being briefly removed from a Texas district; and several young-reader histories about the Holocaust also being briefly removed from a Missouri district. 

Florida in particular has required additional scrutiny of the books that are available to schoolchildren. While Gov. Ron DeSantis has denied that the state is banning books, activists say his “Stop W.O.K.E. Act” encourage parents and educators to take license in purging schools of material that could carry a hint of impropriety. Some districts have covered or removed their classroom libraries entirely to comply with the law, while other Florida districts have removed picture books that trigger concern, including one about Shabbat that was part of a diversity package and another about a Jewish family with two dads.

Blume’s and Foer’s books have been frequent targets of other school bans and removals, as have many other books on Martin County’s list — including Toni Morrison’s “Beloved” and Margaret Atwood’s “The Handmaid’s Tale.” But Picoult, who grew up in a secular Jewish household, told the Washington Post that this was the first time, to her knowledge, that “The Storyteller” has been targeted. She said the removal was “shocking, as it is about the Holocaust.” 

First published in 2013, “The Storyteller” follows the Jewish granddaughter of a Holocaust survivor who learns that her neighbor is a former Nazi officer who served in concentration camps. Her neighbor also asks her to help him commit suicide.

The Post reported that most of the Florida district’s book complaints originated from one parent: the head of the local chapter of the conservative group Moms For Liberty. 

“At this point, we believe we have challenged the most obscene and age inappropriate books,” the parent, Julie Marshall, told the Post.

Marshall did not immediately respond to a Jewish Telegraphic Agency request for comment on why she sought to remove “The Storyteller,” but she previously told the school board that the vast majority of her challenges were based on what she deemed sexually explicit content. The book contains several sexually graphic scenes, including depictions of sexual assault by Nazi guards.


The post Holocaust novel by Jodi Picoult removed as Florida school district purges libraries to comply with state law appeared first on Jewish Telegraphic Agency.

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Jewish Chef Eitan Bernath Sets New Guinness World Record for Making Largest Matzah Ball Soup

Eitan Bernath set a new Guinness World Record for making the largest serving of matzah ball soup on Feb. 27, 2026. Photo: Eric Vitale

Jewish chef and cookbook author Eitan Bernath recently set a new Guinness World Record for making the largest serving of matzah ball soup.

The matzah ball soup weighed in at 1,356.9 pounds and was verified by Guinness World Records in Brooklyn, New York, on Feb. 27. The soup contained 847 hand-rolled matzah balls, and it took 10 chefs about 11 hours to prepare the soup, according to the Guinness World Records. All the soup was donated to City Harvest, New York City’s largest food rescue organization, which will serve it to thousands of hungry New Yorkers in food pantries and soup kitchens.

“There’s no food that brings back more memories of being surrounded by family than matzo ball soup,” Bernath, 23, told The Algemeiner in a statement. “So, when I set out to make the world’s largest version of a dish, choosing matzo ball soup was a no-brainer. Every bowl is a bowl of comfort. Being able to create a giant version was both an incredible challenge and a thrill. It meant even more to me that after setting the record, we were able to donate all the soup to New Yorkers in need — sharing the comfort of matzo ball soup even further.”

Bernath — who is also a social media content creator and the principal culinary contributor for “The Drew Barrymore Show” — said the matzah ball soup was comprised of 120 chickens, 300 carrots, and 250 bunches of herbs. The soup also included parsnip, turnip, celery root, onions, parsley, dill, paprika, and salt. Bernath used ChatGPT to scale up his grandmother’s matzo ball soup recipe to a 200-gallon version, and to help him also find the right vessels needed to make such a large portion. To hold more than 160 gallons of hot liquid, he ended up using a water trough, typically used for horses, which was lined with a food-grade liner.

On Instagram, Bernath shared behind-the-scenes photos that show the making of the massive matzah ball soup. In the caption, he explained that creating the record-breaking dish “was one of the most challenging things I’ve ever done.”

“As a proud Jew, creating a record-setting giant version of such an important Jewish dish meant the world to me,” he added. “I couldn’t be prouder of my team and I for pulling this off. I will never look at a bowl of matzo ball soup the same again!!”

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The real reason for the US war with Iran may have nothing to do with Israel

The lack of a clear, coherent reason for this war is bad for the Jews.

Overstatement? Consider that Tucker Carlson is now blaming Chabad — yes, Chabad — for the conflict. Yesterday the watchdog organization The Nexus Project released a series of posts on X clarifying how to have a “robust debate about the U.S.-Israel war with Iran” without veering into antisemitism — because certain parties seem to have come to the consensus that, to put it bluntly, the Jews did it.

Americans need a good reason to shed blood thousands of miles away, and the problem is that while President Donald Trump has taken the United States to war, neither he, Secretary of State Marco Rubio, nor anyone else in his administration has offered a convincing explanation as to why.

So pundits like Carlson are filling the void with poison. As I wrote last summer during the first U.S.-Israel attacks on Iran, if the war goes badly, fingers will point at Israel and its supporters. It’s clear, now, that the blame game is also going to generate a huge amount of antisemitism.

A default explanation

Why strike now? Is it because of the Iranian nuclear weapons program, the one that Trump previously boasted the U.S. “obliterated” last summer? Is it because the Iranian regime has taken American hostages, killed American service personnel and sponsored terror abroad?

All those things are true, but they’ve been true for decades. So why now?

Sen. Tom Cotton, defending the choice to go to war, said on Fox News that “Iran has been an imminent threat to the United States for 47 years.”

That stretch of the word “imminent” only underscored the, um, imminent need for a better reason.

The lack of one has left Israel and its American Jewish supporters as the default scapegoat. Rubio told reporters earlier this week that the U.S. attacked Iran because Israel had decided to do so, and the U.S. had to join in because Iran would then hit back at U.S. targets.

He and the president later tried to clarify that the U.S. was going to attack anyway, and Israel’s intentions only influenced the timing.

Few on the left or right, or around the world, are buying it.

“No war for Israel!” former Marine and Green Party Senate candidate Brian McGuinness shouted during a congressional committee hearing March 4, before Capitol police and Sen. Tim Sheehy dragged him out. (McGinnis claimed his arm was broken in the process.)

“It’s hard to say this, but the United States didn’t make the decision here. Benjamin Netanyahu did,” said Carlson, days before he pivoted to blaming Chabad. The left-leaning investigative outlet The Lever titled its piece on America’s Operation Epic Fury, “Operation AIPAC Fury.”

The China syndrome

The Israeli commentator Haviv Rettig Gur stepped into this mess with a thoughtful and convincing explanation: That the attack is part of a great power game, as the U.S. makes a bid to stop Iran from being a Middle East outpost of Chinese power.

“America is in this fight because of China,” Gur wrote in an essay in The Free Press earlier this week.

After decades of effective American-led economic sanctions, Gur explained, Iran has become economically dependent on China through oil exports, which fund roughly a quarter of Tehran’s budget and sustain its military and internal security. China, which receives 90% of Iran’s crude oil, has used it to build a petroleum reserve that hedges against a potential U.S. naval blockade.

Furthermore, China has armed Iran with advanced anti-ship missiles, hardened its cyber infrastructure, conducted joint naval exercises, and given it the wherewithal to control global trade through the Strait of Hormuz.

Gur isn’t alone in asserting that what matters to the U.S. isn’t Israel’s immediate needs, but rather the China-U.S. chessboard.

China, wrote Zineb Riboua, a scholar of Chinese-Middle East politics, “bet a decade of foreign policy on Khamenei’s ability to withstand American pressure, and the bet did not pay off.”

Gur, Riboua and others making this argument might be wrong. And their reasoning still raises questions of “why now?” that are hard to answer. But it’s striking that it sounds so much more coherent than anything that’s been offered by our government.

Why we fight

Right now, about 60% of Americans oppose the war. As it drags on, and casualties and costs mount, those polling numbers will get worse — especially without a clear rationale to explain why the suffering is necessary.

One casualty of every modern Mideast war is the standing of American Jews.

After the first Gulf War in 1991, the ADL recorded 1,879 antisemitic incidents — an 11% spike over the prior year. It was the highest number since tracking began, driven largely by “politically related antisemitism” in the war’s opening months.

After the second, far more unpopular Gulf War broke out in 2003, incidents climbed again — reaching 1,821 in 2004, the highest in nearly a decade. Never mind that 70-77% of American Jews opposed the Iraq War, a higher rate than any other major religious group.

Why? Because the right and left converged on the same target: Israel-supporting neoconservatives who supposedly dragged the U.S. into a war for Zionist interests. Researchers called the conspiracy a “Trojan horse” — age-old tropes about Jewish power and dual loyalty wheeled in as foreign policy critique.

And here we are again.

In the scheme of things, now, there are bigger worries. American service personnel, innocent Iranians and their Arab neighbors are in harm’s way, Israelis are once more locked down in shelters, facing the barrages of madmen.

But these sacrifices make it more, not less urgent for the administration to land on a coherent reason for this war, and a clear set of aims.

Just as the U.S. entered into World War II, the director Frank Capa made a series of propaganda films called “Why We Fight”. By then, the title was rhetorical. In early 1941, 68 % of Americans supported the campaign against Japan and Hitler. After the attack on Pearl Harbor on Dec. 7, 1941, support was nearly unanimous.

Now, appropriately for our polarized age, we are fighting over why we are fighting. And so much is riding on the answer.

The post The real reason for the US war with Iran may have nothing to do with Israel appeared first on The Forward.

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Noam Bettan Releases Song ‘Michelle’ He’ll Perform as Israel’s Rep for 2026 Eurovision Song Contest

Noam Bettan in the music video for “Michelle.” Photo: YouTube screenshot

Noam Bettan revealed on Thursday the song he is set to perform when he represents Israel at the 70th Eurovision Song Contest in Vienna, Austria, in May.

“Michelle” is a trilingual song written by Bettan, Nadav Aharoni, Tzlil Klifi, and Yuval Raphael, who represented Israel in last year’s Eurovision and finished in second place. The song features lyrics in Hebrew, English, and French, and premiered during a special broadcast on the Kan public broadcaster.

“‘Michelle’ tells the story of choosing to break free from a toxic emotional cycle. It’s a story about emotional growth and maturity, at the moment when the protagonist realizes they must let go and choose a new path for themselves,” Eurovision stated in its official description of the song.

“Michelle” is largely in Hebrew and French with only one verse in English. “Walking down Florentin/Ocean eyes/Memories/I, I’m losing my mind,” Bettan sings in English. “An angel but it is hell/Trapped in your carousel/Round and round/Under your spell.”

Bettan, who turned 28 on Thursday, was born in Israel and raised in the city of Ra’anana. His parents are French and lived in the French city of Grenoble before immigrating to Israel with their two older sons.

Bettan is fluent in French, Hebrew, and English. He won the Israeli television show and singing competition “HaKokhav HaBa” (“The Rising Star”) in January, which automatically secured him the position of representing Israel at this year’s Eurovision. Bettan will perform “Michelle” during the second half of the first Eurovision semi-final on May 12.

“I’m very proud of the song,” Bettan said in a released statement. “It’s a great privilege to bring such a creation to the Eurovision stage. The song is full of energy and emotion that touches on a wide range of feelings. I feel that ‘Michelle’ will bring us moments of shared joy and pride, and I hope this song can bring a little of that light with it.”

Watch the music video for “Michelle” below.



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