Uncategorized
How a standup show at a Chinese restaurant turned into a 30-year Jewish comedy tradition
(JTA) — Just a few years into her comedy career, Lisa Geduldig was invited to perform standup at the Peking Garden Club near Northampton, Massachusetts. She went to the gig assuming it was a comedy club.
It wasn’t.
“I just had the most ironic experience,” Geduldig remembers telling a Jewish summer camp friend on the phone in October 1993. “I was just telling Jewish jokes in a Chinese restaurant.”
As a Long Island native who was by then living in San Francisco, she was very familiar with the tradition of Jews eating Chinese food on Christmas, a product of the neighborhood dynamics between Jewish and Chinese immigrant populations living in New York’s Lower East Side from the end of the 19th century.
After ruminating on it, she thought: why not start a Jewish comedy night on Christmas Eve?
She had enough time before the holiday to find other Jewish comics who liked the idea, write her own press release and partner with a restaurant in San Francisco’s Chinatown with banquet room space open on Christmas Eve to organize the event, which she called Kung Pao Kosher Comedy. (Geduldig liked the alliteration, even though it doesn’t involve kosher food.)
It was an instant hit, with around 400 guests, and Geduldig said nearly 200 people were turned away at the door. The kitchen of the Four Seas Restaurant was completely unprepared for the volume, as Geduldig didn’t expect anything close to the turnout. The show received a heap of local press, and the next year it earned a three-quarter page spread in The New York Times.
Fast forward and this year marks the 30th Kung Pao Kosher show, and the first one back in person since the COVID-19 pandemic. This time, the event has moved into a synagogue — the Reform Congregation Sherith Israel in the Pacific Heights neighborhood, one of the country’s oldest Jewish houses of worship. The Chinese banquet room at New Asia Restaurant, where the show had been hosted since 1997, became a supermarket in 2020.
Over the years, an impressive roster of comedians has performed, including names such as Marc Maron, Margaret Cho, Shelley Berman, David Brenner, Judy Gold, Gary Gulman and Ophira Eisenberg. Many of the show’s comedians return — Wendy Liebman, who has been doing standup for 38 years, has performed at Kung Pao four times.
Geduldig — who is now a publicist and comedy show producer, in addition to a comic — said the show that put her project on the map was when well-known Jewish comedian Henny Youngman headlined in 1997, at 92. Youngman — famous for his quick succession of clever one-liners and interludes from his favorite prop, a violin — died of pneumonia just two months after giving his final performance at Kung Pao Kosher Comedy. For six months after Youngman’s death, Geduldig and other Kung Pao promoters and staff were convinced that they killed him. The SF Weekly published an article titled “The Gig of Death?” But Youngman’s daughter, Marilyn Kelly, exonerated everyone involved in the show, saying the travel was a strain on her father’s health, but he was “delighted to have done it.”
Ten years after Youngman’s final performance, Shelley Berman, then in his 80s, was scheduled to perform at Kung Pao when he called Geduldig complaining of chest pains.
“I go, ‘No! I can’t kill another one!’” she recalled.
It turned out to be just acid reflux, and the emergency room doctor told Berman he could go onstage. (The doctor was extended an invitation to the show, but did not attend.)
In keeping with the Jewish tradition of social responsibility and tzedakah, meaning “charity” or “justice,” Geduldig has given a portion of the proceeds from ticket sales each year to two different charities. Past beneficiaries include a variety of Jewish and secular organizations; this year, the charitable proceeds will go to the San Francisco-Marin Food Bank and The Center for Reproductive Rights.
The charitable aspect is part of what keeps Shelley Kessler, a long-time California labor leader, coming back to the show. She has yet to miss a single one.
“Given what’s going on in the world, this is a very nice way to manage the depression,” Kessler said.
At Kessler’s table, her core group of five always bring tchotchkes and booze — though the synagogue has asked this year’s guests to refrain from red wine, to avoid any accidents on the carpet.
“People bring all kinds of things,” Kessler said. “We once had a humongous menorah. Our table has fun, I’ll tell you.”
This year’s lineup of comics includes Mark Schiff (Jerry Seinfeld’s longtime opening act), Cathy Ladman and Orion Levine. Lisa Geduldig will emcee in her customary tuxedo, accented this year with a Cuban guayabera shirt.
Joining Kung Pao on the virtual stage for the third time is Geduldig’s mother, Arline Geduldig, 91, who will Zoom in from Boynton Beach, Florida.
“One of the silver linings of the pandemic was not only living with my mother, but getting to know each other, finding out how funny she was,” Lisa Geduldig said.
In March 2020, the younger Geduldig flew to Florida to visit her mother — and stayed there for 17 months. That was when she launched Lockdown Comedy, a monthly online comedy show where Arline got her start, thanks to some mentoring from her daughter. Arline’s routines are often centered around her fascination with handsome young firemen and the way she calls her husband, Irving, downstairs for dinner.
“I love people saying they like me,” Arline told the Los Angeles Times in 2021. “I have a swelled head already.”
In previous years, Geduldig said she tried to turn “a Chinese restaurant into a synagogue.” She brought inflatable dreidels, giant matzah ball pillows and “Happy Hanukkah” banners, when Hanukkah and Christmas overlapped. Things are trickier now, since she wants to avoid any cultural appropriation while still paying tribute to the show’s origins. For instance, she learned that red paper lanterns are symbolic of good luck in Chinese culture, so she wants to incorporate some into the room.
The restaurant that the show was held in became a supermarket during the height of the COVID-19 pandemic. (Courtesy of Lisa Geduldig)
“This year, I’m turning a synagogue into a Chinese restaurant,” she said.
Although the food will still be provided by a local Chinese restaurant, the usual fortune cookies filled with Yiddish proverbs will not be included. The food isn’t kosher, but because the event is being held in a synagogue there are still restrictions: No pork and no shrimp, despite Geduldig’s 30-year streak of serving treif (or non-kosher) food at Kung Pao Kosher Comedy.
“I was like, ‘How about if I call it kosher prawns?’” Geduldig joked. “They didn’t go for it.”
—
The post How a standup show at a Chinese restaurant turned into a 30-year Jewish comedy tradition appeared first on Jewish Telegraphic Agency.
Uncategorized
Why I’m vibing with the pope’s first big statement
I have long been obsessed with the Vatican and the inner workings of the papacy. (I majored and did my Master’s in religious studies.) But usually other people are not as tickled as I am by analyzing the newest theological statements from the Holy See.
Not this week. Pope Leo XIV just put out his first encyclical — the term used to refer to official statements outlining the church’s stance on a topic — and it has gone viral. “Spitting fire right out the gate,” said one of many similar trending posts, as though the encyclical was a rap song.
The topic is buzzy: AI, which the pope casts as one of the greatest threats to human flourishing and morality. (The encyclical is titled “Magnifica Humanitas,” or “Magnificent Humanity” in English, if that gives you the gist.) “Humanity, created by God in all its grandeur,” it opens, “ is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together.”
The document notes many of the concrete risks of AI — sexual abuse, distortion of facts, job loss — and calls for pragmatic solutions. But it is, at its heart, a testament to what makes humans human, written with palpable adoration for the people of the world: our creativity, our empathy, even our weaknesses. It’s a declaration that machines can never have the ineffable qualities of God’s children.
Structuring our world around technology, Leo writes, reduces “creation to an object of exploitation and human beings to mere cogs in a system driven toward ever greater efficiency.”
Later, in a paean to the importance of deep thought over easy answers, he goes on: “The speed and ease with which answers or summaries can be obtained risk extinguishing the desire to ask questions,” he writes, calling on the world “to protect our young people from the promise of the perfect machine” and warning against rendering “human thought seemingly superfluous precisely when it is most needed.”
“Magnificatus Humanitas” is a major statement, both in length — more than 43,000 words — and in symbolism. A pope’s first encyclical indicates the issues they believe are most important to the church, and signals the likely direction of their papacy.
That direction, for Pope Leo, is to be a voice for moral leadership, writ large. He addressed the encyclical not only to Catholics or even Christians, but “to all men and women of goodwill,” and cited thinkers like Hannah Arendt and J.R.R. Tolkien alongside the Bible.
It’s a declaration of a new — or, arguably, very old — relevance for religious leaders. As people rush through our increasingly fast-paced, frantic world, striving to keep up with the newest technology or geopolitical shift affecting markets and jobs, the slow-moving, zoomed-out perspective of religious leaders seems to be more and more important.
The Vatican held massive authority both moral and military for much of Western history. But its sway faded in the modern age. As democracy rose, Christianity broke into factions and religion’s prominence weakened, leaving the Church without the same ability to bestow a divine mandate on nations and rulers.
So many modern popes have kept their sights more narrowly focused on the theological. Even Pope Francis, who was a liberal, modernizing force for the church, and spoke out strongly on topics like the environment and immigration, focused three of his four encyclicals on Christian theological concepts like the Sacred Heart and Christianity as the world’s guiding light.
Pope Leo, however, seems to have found his way to modern, secular relevance by speaking out clearly on major issues of the day. He notes that he drew inspiration for “Magnificatus Humanitas” from Pope Leo XIII, an influential pope in the late 1800s and the inspiration for the modern Leo’s own papal moniker, whose 1891 encyclical “Rerum Novarum,” on the economy and conditions of the working class, was criticized for insufficient focus on the Gospel. The current pope’s own document is remarkably concrete and political.
Making political statements isn’t new for Leo, but the encyclical canonizes his boldness into an official form. In the past few months I’ve written about the ways in which Pope Leo has used sermons and statements to directly counter those made by U.S. leaders. After Pete Hegseth made a speech implying the U.S. military is doing God’s will, the pope gave a homily saying that prayers for war cannot be heard by God. He has made strongly worded comments about the rights of immigrants as Trump announced increased ICE raids, and made a point of appointing foreign bishops in American parishes. He has refused to visit the U.S. despite the fact that he is American and has been invited numerous times, including for the nation’s 250th birthday; he is instead planning to visit an island that serves as a refugee landing point in the Mediterranean.
It’s not all that surprising that Leo is making pronouncements on the justness of wars; popes have always given commentary on the world, albeit often less pointedly. Of course, Catholics have always looked to the pope for moral leadership — though that is increasingly under question, as renegade Catholics doubt the pope. (Even J.D. Vance, a Catholic convert with a book coming out about his conversion, has warned the pope to be “careful” with his theological interpretations — a near heretical statement. That’s how Protestantism came about.) The difference today is that everybody is listening.
I think the reason is that there is a certain ineffable quality that can’t be accounted for in so much of modern-day discourse in our metrics-focused world. Everything needs to be provable with a statistical analysis or some quantifiable indicator, or it needs to be as profitable as possible to extract value. But so much of what is most valuable in the human experience is intuitive — experiences and emotions like love, joy, transcendence. Connection with each other. Religious leaders have been honing the language to talk about these qualities for centuries, and they guard one of the only arenas in which the intangible remains central.
Of course, there are also plenty of issues with religious institutions, and the Vatican in particular is famous as a site where abuses of power were hidden and protected. But “Magnifica Humanitas,” and its virality, points toward a new relationship with religion, and a newly important role for it to play.
Or maybe that’s just wishful thinking, a hope for my own increased importance as a religion reporter.
The post Why I’m vibing with the pope’s first big statement appeared first on The Forward.
Uncategorized
How can I live freely as a Jew in a world where strangers rip my mezuzah off my doorframe?
Twice, the mezuzah on my front door was ripped off.
The first time, I was shocked. The second time, I made a decision that still pains me. I did not put it back up.
This was before the Hamas attack of Oct. 7, 2023.
That is the part I keep coming back to. The fear did not begin after the Hamas attacks. It was already there, intruding with the quiet calculation of whether a small Jewish symbol on my home made me less safe.
A mezuzah is not a political statement. It makes no argument about a government or a war. It is a sacred object, a marker of memory, a tiny declaration that says: Jews live here. I thought about that mezuzah again recently when the Anti-Defamation League released its annual audit showing that antisemitic physical assaults in the United States reached record highs in 2025. That increase reflects something many Jews already feel in daily life: the slow erosion of ease, the daily calculation of whether to speak up or stay quiet — things I have felt since the first time my mezuzah was violently torn off my doorframe.
Since then, the realm in which I feel safe as a visibly Jewish person has been shrinking from all directions.
After the Oct. 7 attack, the bulletin boards in my apartment building began filling with calls to boycott Israel. Campaign flyers for a Jewish political candidate who came to speak there were defaced with Hitler mustaches. I learned to scan the walls before I scanned my mail.
This was not happening on a campus quad or in some distant place. It was happening where I live.
Then, among my mother’s things, I found a Star of David necklace from the 1930s — marcasite set against black onyx, delicate and old. A boyfriend had given it to her when they were both 14.
I put it on in Florida, where I spend much of my time caring for my mother. I loved wearing it. It felt like more than jewelry. It felt like inheritance, memory, and a small way of carrying my family with me.
But when my mother knew I was going back to New York, she told me to take it off.
My mother is 102. She is not easily frightened. She has lived long enough to know when the temperature in the room has changed. She was not making a political argument. She was trying to protect her daughter.
I still wear that Star of David. But I admit I am selective. In New York, there are moments when I leave it visible and moments when I tuck it under my shirt. That calculation itself tells me something about the world I am moving through.
Recently, in a private Facebook group for women essayists, I shared a personal piece I had written for the United Kingdom-based Jewish Chronicle about how Oct. 7 changed life for my mother and me. It was not a political manifesto. It was a reflection on fear, Jewish identity, aging and visibility.
And still, I was attacked by other writers.“What about Gaza?” I was asked. The message was clear: even my personal Jewish pain had to pass a political test before it could be acknowledged.
That is the narrowing.
This ugliness is coming from more than one direction now. It stems from old conspiracy theories on the right and newer moral certainties in some of the progressive spaces where I once felt most at home. Different language brings about the same result: Jews become less human, less particular, less entitled to fear.
That collapse is what frightens me most: the definitional collapse between Jew and Israeli; Israeli and Israel’s government; Jewish symbol and political provocation; mezuzah and target.
As Jews like me reckon with that collapse, we must reckon with how much we’ll go along with it.
Right now, too often, Jews are being asked to choose between our own safety and our compassion for others. We should be able to prioritize both. I am a Zionist. I believe in the right of the Jewish people to a homeland. I also believe Palestinians are human beings who deserve freedom, dignity, and protection from suffering.
These beliefs should not cancel each other out. They should make us more careful, more humane, more committed to truth.
Yet now we must choose between speaking about antisemitism and being accused of indifference to other hatreds. That is no way to live.
Since Oct. 7, I have found myself going to synagogue on Shabbat, something I never did before. I was a High Holiday Jew. Now I seek out rooms where I do not have to explain why this moment feels frightening. I have learned where I feel seen. I have learned who can hold my fear without turning it into an argument.
The mezuzah I did not put back up is small. It fits in the palm of my hand.
But what it represents is not small: memory, faith, survival, home, and the right to be visibly Jewish without fear.
When I did not put it back up, I told myself I was being practical. But now — after Oct. 7, the bulletin boards, my mother’s warning, and the explosive allegations I’ve seen travel through respected media without sufficient care or verification — I understand it differently.
I was not just protecting a doorframe. I was learning to shrink.
The post How can I live freely as a Jew in a world where strangers rip my mezuzah off my doorframe? appeared first on The Forward.
Uncategorized
Podcast: A lively conversation in Yiddish with actress Lea Koenig
ס׳איז לעצטנס אַרויס אַ פּאָדקאַסט מיט דער באַליבטער אַקטריסע אין ישׂראל, ליאַ קעניג, וועלכע איז הײַנט צום בעסטן באַקאַנט ווי די ייִדיש־רעדנדיקע באָבע פֿונעם פּערסאָנאַזש שלום שטיסל אין דער ישׂראלדיקער טעלעוויזיע־סעריע „שטיסל“.
אינעם שמועס באַטייליקן זיך אויך יניבֿ גאָלדבערג — דער מחבר פֿון אַ נײַער ביאָגראַפֿיע וועגן איר אויף ענגליש; דער איבערזעצער און דראַמאַטורג מיכל יאַשינסקי, און דער ייִדישער זינגער און קולטור־טוער חיים וואָלף. דעם פּאָדקאַסט האָט טראַנסמיטירט די באָסטאָנער ראַדיאָ־פּראָגראַם „דאָס ייִדישע קול“.
ליאַ קעניג גיט איבער אירע זכרונות במשך פֿון איר לאַנגער קאַריערע אין ייִדישן טעאַטער, ווי אויך אינעם העברעיִשן טעאַטער, טעלעוויזיע און קינאָ. כּדי צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
The post Podcast: A lively conversation in Yiddish with actress Lea Koenig appeared first on The Forward.
