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How HaZamir youth choir serves as ‘an on-ramp to Jewish life’
(New York Jewish Week) — All across the country, groups of Jewish teenagers meet each week to rehearse as a choir. In groups as small as two and as large as 18, they gather in synagogue basements, Jewish community centers, senior centers and even churches to sing together. For many, it’s their only involvement with Jewish life.
These 450 young people, who range in age from 13 to 18, are members of HaZamir, an international choir for Jewish high school students. With 26 chapters in the United States and 10 in Israel, they convene each year for a spring concert in New York City.
But this coming concert — to be held on Sunday, March 19, at Lincoln Center’s Frederick P. Rose Hall — will be different than most years. This weekend’s celebration, which includes more than 300 student and alumni singers, will commemorate HaZamir’s 30th birthday as well as the 75th anniversary of the founding of the State of Israel.
“The idea behind the creation of HaZamir was to give Jewish teenagers the opportunity to have a high-level music experience and to express their Jewish selves and their music selves,” said Mati Lazar, HaZamir’s conductor and founder. “At that point, and even now, [that] is not really a given.”
Sunday’s concert will include performances by the entire ensemble, as well as songs performed by the Israeli cohort and members of the Chamber Choir, an elite group of HaZamir singers. (Students have to audition to join HaZamir, and select singers are invited to audition for the Chamber Choir.) The highlight is always the “senior song” — “Yachad Na’Amod” (“Together We Stand”) — that closes out the concert, said Vivian Lazar, Mati’s wife and the director of HaZamir.
“This is a problem with any high school teacher — you fall in love with your 12th graders,” Vivian told the New York Jewish Week. “They’re adults already. They’re smart, and they’re intuitive and then they leave you. For the last verse, they put their arms around each other. Some of them don’t sing because they’re crying so hard.”
HaZamir singers at the 2013 Gala Concert. (Courtesy HaZamir)
Mati Lazar, who declined to provide his age, founded HaZamir in 1993 as the high school arm of the Zamir Chorale, a professional Hebrew-language choir and Jewish choral performance group in North America that was established in 1960. A native of Brooklyn, he had been a member of Zamir Chorale as a teenager, and wanted to create an opportunity for other young people to have the same experience.
Starting with just one small chapter in New York — which Mati personally ran — he watched it grow, and grow, over the next three decades. “I knew it would be important — I knew it would evolve into what it has evolved into,” Mati said. “The surprise for me was how successful it would be in Israel.” The first Israeli chapter was founded in 2006.
He is also the founder and director of Zamir Choral Foundation, the umbrella organization that operates HaZamir and Zamir Chorale, as well as a choir for middle schoolers and a choir for young adults in their 20s and 30s.
Though HaZamir is an extracurricular activity for these high schoolers, the Lazars place serious demands on their members. “We empower these teenagers,” Vivian Lazar said. “When they go and have free time together, they’re kids. When they’re sitting in rehearsal, we treat them like professionals, and so they behave that way.”
As a result, participating in the choir can often become a lifelong commitment — and sometimes even a family affair. Sophie Lee Landau grew up in New York listening to her mother perform as a member of Zamir Chorale. Landau joined HaZamir in seventh grade and stayed with the group throughout high school. In college, she became a member of Zamir Chorale for a number of years until she moved out of New York in 2015.
For the past six years, Landau, 29, has been the conductor for the Houston-based chapter of HaZamir. “It’s an opportunity to connect with your peers who have come from a similar faith and to connect more to Jewish text,” Landau told the New York Jewish Week. “It’s really special to be able to give [students] an outlet to connect to their heritage and to find peers and friendships with similar interests and similar backgrounds. It’s about not feeling like you’re alone.”
HaZamir singers performed a concert at the Tree of Life synagogue in Pittsburgh to commemorate the one year anniversary of the deadly shooting that took the lives of 11 synagogue members. (Courtesy HaZamir)
The Lazars see the choir as “an on-ramp to Jewish life” with an emphasis on pluralism, community and Zionism. HaZamir is not designed to be religious, Vivian explained, though she suggested that singing together in harmony is often a spiritual experience.
However, “to be Jewish is to be literate,” Vivian said, adding part of being in the choir and learning to sing the Hebrew music includes learning the texts and their meanings.
“The more you know about your history and your tradition and your culture, the better human being you can be,” Vivian said she tells her students.
For participants, these principles culminate during “Festival,” a Shabbat sleepover that takes place in the days leading up to the annual concert. This year, the group will congregate at the Sleepy Hollow Hotel in Tarrytown, New York.
“Festival” is the first time chapters from around the world meet after having rehearsed the same songs as individual groups throughout the year. “It is a spiritual kind of experience singing music together: You’re breathing together, you’re thinking about the same text at the same time, and you’re making harmony,” Mati Lazar said. “All differences really subside.”
According to Landau, the weekend is especially rewarding for participants who hail from smaller Jewish communities. “This is the one opportunity for the kids to all get together,” she said. “Once you get together and you sing with 300 other kids, the sound is overwhelming. It’s the thing that they look forward to most, after working hard all year they finally get to put it all together and hear what the music can do.”
Over 400 students attended HaZamir’s “Festival” in 2019. (Courtesy HaZamir)
Though it’s meant to be a rehearsal boot camp for the teenagers, Festival also aims to nurture the cross-country and international friendships that are made on Zoom throughout the year. Activities include a Thursday-night jam session, hours of rehearsals during the day and a range of Shabbat services on Friday night and Saturday morning — egalitarian, Orthodox, Reform, and all-women services are among the options. For many participants, Vivian said, it’s the first time they can explore these different types of Jewish religious expression.
For Milo Shaklan, a senior in HaZamir’s Brooklyn chapter, whose ninth and tenth grade concerts were canceled due to COVID-19, going to Festival and the Gala concert for the first time last year was “a moment of understanding,” he said.
“I got to connect with all these other Jews,” Shaklan said. “I had no idea how big the community was. When I’m interacting with people in my synagogue community, I am interacting with people who more or less observe like me. At HaZamir, I’m interacting with Americans who are less observant than me and Americans who are more observant than me, and then Israelis who are both more and less observant than me.”
Landau concurs. “To be able to establish such a network is really incredible, and that’s why this weekend is so important,” she said.
For the Lazars, it’s alumni like Landau — who has maintained a long-term relationship with the choir — who are the biggest reward for the efforts. This year, 14 HaZamir alumni are now conductors of their own chapters, and all HaZamir alumni will be invited on stage to sing during the second half of the two-hour concert.
“It’ll be a very, very beautiful moment,” said Vivian.
The HaZamir 30th Anniversary Concert will take place on March 19 at 3:00 pm. Buy tickets here.
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The post How HaZamir youth choir serves as ‘an on-ramp to Jewish life’ appeared first on Jewish Telegraphic Agency.
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Who’s responsible for deadly antisemitism? Everyone will hate the answer
Twenty Jews outside of the state of Israel were murdered for being Jewish in antisemitic attacks across three continents in 2025, the highest death toll among diaspora Jews in more than 30 years. In every country surveyed, antisemitic incidents of all kinds — including beatings, vandalism, threats and online harassment — remain dozens of percentage points higher than they were in 2022, before the Gaza war began.
This information, released in a report from Tel Aviv University on the eve of Yom HaShoah earlier this week, should haunt everyone, regardless of political affiliation.
Neither left nor right is wholly responsible; instead, the report concludes that “rather than a backlash to a specific geopolitical crisis, high levels of antisemitism have become a normalized feature in societies with large Jewish minorities.”
What the left should hear
There is a strain of progressive opinion, particularly vocal since the Hamas attack of Oct. 7, 2023, that dismisses accusations of antisemitism as, essentially, a political weapon — a tool wielded by pro-Israel voices to silence legitimate criticism of Israeli government policy, shut down protests and conflate opposition to political Zionism with hatred of Jews.
There is some truth to this narrative. But the Tel Aviv University report reveals it has severe limitations, as well.
The Bondi Beach massacre did not happen because a government defined antisemitism too broadly. The synagogue attackers in Manchester, England did not gun down worshippers because someone misapplied the IHRA definition. The victims of attacks in Boulder, Colorado and Washington, D.C. were not statistics manufactured by an advocacy group. Twenty Diaspora Jews died violent deaths because antisemitism remains a lethal force in the world — a truth that the left, across the globe, needs to do a significantly better job addressing.
The physical assaults, murders, firebombings, and other acts of concrete violence chronicled in the report cannot be rationalized away as mere criticism of Israel. In Canada, incidents rose from roughly 2,000 in 2022 to 6,800 in 2025. In Australia, the total number of reported antisemitic incidents rose from 472 in 2022 to 1,750 in 2025 — nearly a fourfold increase in three years, including multiple arson attacks on synagogues, in addition to the Bondi Beach shooting.
The tendency among some progressives to dismiss most antisemitism complaints as presumed to be in bad-faith unless proven otherwise has real costs. When allegations of antisemitism are reflexively treated as a political tactic, it becomes easier to ignore actual antisemitism, even when it’s claiming lives and burning down religious buildings.
To be clear, there are real and important questions about how to define antisemitism, and where the line between good faith criticism of Israel as a nation-state and antisemitism against Jews as a people falls. Those questions must continue to be asked.
But when Jewish institutions are targeted and a primary political reflex on the left is to search for Israeli wrongdoing that might have “provoked” the attack, the victims are abandoned.
What the right — and the Israeli government — should hear
The Tel Aviv University report challenges progressive denial. But it challenges the Israeli government and its defenders just as directly.
The report’s authors write that Israeli politicians at the highest levels have “expanded the scope of the term ‘antisemitism,’ including through cynical and hasty declarations, drained it of meaning, and damaged the struggle against Jew-hatred.”
The government, they conclude, “has not contributed in any meaningful way to the cause” of fighting antisemitism against diaspora Jews.
This is not a minor complaint buried in a footnote. It is a central finding of the most authoritative antisemitism report on the planet, published by an Israeli university.
Consider what that behavior looked like in practice. When gunmen massacred 15 Jews at Bondi Beach in December, Israeli Prime Minister Benjamin Netanyahu’s immediate political instinct was to blame Australian Prime Minister Anthony Albanese’s government, specifically its decision to recognize Palestinian statehood at the United Nations.
“Your call for a Palestinian state pours fuel on the antisemitic fire,” Netanyahu declared — a response that made it seem like an act of violence motivated by the Islamic State was somehow part of the legitimate pro-Palestinian movement. As former Australian Prime Minister Malcolm Turnbull pointed out, the vast majority of the world’s nations recognize Palestinian statehood. Were they all complicit in Bondi?
This pattern of using the word “antisemitism” as a cudgel against any policy position that Israel’s government dislikes — whether it is recognizing Palestinian statehood, criticizing settlement expansion or questioning IDF military operations — has a corrosive effect on the fight against actual antisemitism. When the term is deployed reflexively and politically, it trains audiences to be skeptical of the label. It gives ammunition to exactly those who want to dismiss Jewish fear as manufactured. It is, in the deepest possible sense, counterproductive.
The Tel Aviv University report goes further, recommending that Israel’s Ministry for Diaspora Affairs and Combating Antisemitism be dissolved entirely, with its funding transferred instead to Israeli embassies and consulates. The author’s argument: only professionals embedded in local communities, working alongside law enforcement and educators, can actually make a difference in combatting antisemitism. Grand declarations from politicians in Jerusalem motivated more by their own domestic political considerations than by the safety of the Jewish diaspora cannot.
A need for discipline
What this report ultimately demands, from the left and the right alike, is a discipline that both sides have conspicuously failed to practice: the discipline of treating antisemitism as a separate issue from the issues of Israel, Zionism and Palestinian rights.
These issues do overlap. But they are fundamentally individual. Antisemitism is hatred of Jews as Jews, a prejudice that has existed for millennia, operates independently of any particular government’s behavior, and kills people without asking victims what they think about Israeli settlements.
The contemporary state of Israel is a nation-state which commits specific actions, many of which are worthy of criticism.
Conflating the two, in either direction, produces disaster.
On the right, treating any political position unfavorable to Israel as presumptively antisemitic weaponizes Jewish suffering for political ends and corrupts the language we need to name and fight real hatred. On the left, treating the existence of real Jew-hatred as essentially a cover story for Zionist advocacy abandons Jewish communities to violence, and prevents the kind of serious policy response that could actually reduce harm.
The people killed at Bondi Beach were not symbols in a geopolitical argument. They were not collateral in a debate about international law or protest rights. They were Jews who had gathered to celebrate Hanukkah. Their deaths — and those of the other diaspora Jews killed last year — demand better than either cynical exploitation or willful minimization by either side.
The Tel Aviv University report, to its considerable credit, refuses both postures. It counts the dead honestly. It honestly holds the Israeli government accountable. It refuses to let anti-Jewish violence be erased, and it also refuses to let that violence be used as a political instrument. In doing so, it models the intellectual honesty that this moment desperately requires.
The question is whether anyone on either side of this exhausting divide is willing to listen.
The post Who’s responsible for deadly antisemitism? Everyone will hate the answer appeared first on The Forward.
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2026 Tribeca Film Festival to Screen World Premiere of Israeli Films, Including Noga Erez Documentary
A still from “What Is To Come.” Photo: Tribeca Film Festival
Organizers of the 2026 Tribeca Film Festival announced on Thursday the official lineup for this year’s event in June and it includes the world premiere of three Israeli co-productions.
“What Is to Come” will be screened as part of the festival’s International Narrative Competition. The drama from Israel and the United Kingdom is about a woman named Yehudit who unexpectedly loses her husband and is forced to start over on her own. “In the process, she finds that abrupt and painful detours can lead to bright roads,” according to a synopsis of the film. The feature is directed and written by Ruthy Pribar, and stars Ronit Yudkevitch, Yaakov Zada Danielm and Tovit Adis Semay. “What Is to Come” will make its world premiere on June 8.
Pribar’s debut feature film “Asia” screened at the Tribeca Film Festival in 2020 and won three awards, including the Nora Ephron Prize for Pribar, a best actress award for Shira Haas, and best cinematography for Daniella Nowitz. The film also won nine Ophir Awards in Israel.
“Moishe Badhan (or The Tale of a Wedding Entertainer),” will also make its world premiere at the Tribeca Film Festival this year, in the Viewpoints section. Directed by Gidi Dar and written by Shuli Rand, the co-production from Israel and the US is a comedy-drama about a disgraced Hasidic wedding-comedian who is trying to gather enough funds to marry off his daughter. The cast includes Shuli Rand, Tal Friedman, and American Jewish comedian Elon Gold, who is also an executive producer on the film. The world premiere will take place on June 4.
The 2026 Tribeca Film Festival will also feature the world premiere of the documentary “Noga,” about Israeli alternative pop singer Noga Erez. The movie, which was directed and co-produced by Jono and Benji Bergmann, is a c0-production from Austria, Germany, Israel, and the US. It examines how Erez “must redefine her role as an artist on a global stage” after the Israel-Hamas war breaks out in 2023. The film’s world premiere on June 7 will be followed by an acoustic performance by Erez and her longtime partner in music and life Ori Rousso.
Erez is performing twice at the Coachella Valley Music and Arts Festival this month. She has never performed at the festival before and has made history as the first Israeli singer to take to the stage at the annual event in Indio, California.
The 2026 Tribeca Film Festival will run from June 3-14. The event will feature 118 feature films including 103 world premieres, which is the most in the history of the festival, and 86 short films. The festival this year will represent 143 filmmakers, including 55 first-time directors, spanning 44 countries.
“Tribeca began 25 years ago as an act of healing, a mission to reunite our community through the power of storytelling. Today, that purpose feels more urgent than ever,” said Jane Rosenthal, co-chair and co-founder of the Tribeca Festival. “This year’s incredible feature and short film lineup includes stories from filmmakers who make us think, feel, laugh, cry, and ask why. Tribeca remains dedicated to the artists’ voices and diverse perspectives that challenge us to see one another more clearly.”
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Over 1,000 Entertainment Industry Figures Back Israel’s Inclusion in 2026 Eurovision Song Contest
A photographer takes a picture of a TV screen in Wiener Stadthalle, the venue of next year’s Eurovision in Vienna, Austria, Nov. 18, 2025. Photo: REUTERS/Leonhard Foeger
More than 1,000 members of the entertainment industry have signed an open letter expressing support for Israel’s participation in the 2026 Eurovision Song Contest (ESC) held in May, in response to demands to have the country excluded from the competition because of its military actions in the Gaza Strip during the Israel-Hamas war.
Creative Community for Peace, a non-profit organization comprised of prominent members of the entertainment industry, penned the initial open letter in 2024 in response to efforts by anti-Israel activists to have the European Broadcasting Union, which organizes the ESC, ban Israel from the event and to pressure countries and artists to withdraw their participation from the competition. The open letter voiced support for Israel’s inclusion in Eurovision as well as solidarity with the contest’s participants, while denouncing calls for a boycott of the event.
Hundreds more entertainment industry leaders have since added their names to the open letter, including actresses Amy Schumer and Mila Kunis; singer Matisyahu; actors Jeremy Piven and Jerry O’Connell; television writer, producer, and directors Amy Sherman-Palladino and Matthew Weiner; “Wonder Woman” director Patty Jenkins; and “Nobody Wants This” co-creator Erin Foster.
“We have been shocked and disappointed to see some members of the entertainment community calling for Israel to be banished from the contest for responding to the greatest massacre of Jews since the Holocaust,” the letter stated. “We believe that unifying events such as singing competitions are crucial to help bridge our cultural divides and unite people of all backgrounds through their shared love of music.”
“Music should bring us together,” said O’Connell. “No artist should be silenced for where they are from. These boycott efforts destroy the very connections the arts are meant to build.”
Those who signed the initial open letter back in 2024 include Helen Mirren, Boy George, Liev Schrieber, Sharon Osbourne, Gene Simmons, Debra Messing, David Draiman, Mayim Bialik, Julianna Margulies, and Ginnifer Goodwin.
“Artists and culture are being dragged into the angry, misinformed politics of the moment,” said Osbourne in a released statement. “Attempts to exclude Israelis from the international stage twist art into a tool of division and erode the shared humanity that the arts are meant to preserve. I’ve watched this play out for over three years, and it just breaks my heart.”
The 2026 Eurovision semi-finals will take place on May 12 and 14, and the final live show will be on May 16. The competition is being held in Vienna, Austria.
After the European Broadcasting Union confirmed late last year that it will allow Israel to participate in the 2026 ESC, Spain, the Netherlands, Ireland, Slovenia, and Iceland announced they will not participate in this year’s event.
Spain’s national broadcaster RTVE said it will not broadcast or participate in the event, which marks the first time the country has completely boycotted the ESC since it began participating in the competition in 1961. Spain’s Culture Minister Ernest Urtasun called the move “brave.”
Meanwhile, the EBU confirmed this week that for the first time ever the live shows of the 2026 Eurovision Song Contest will be available to watch for free in the United States. It will air on YouTube but also be available for viewing in the US on the Peacock streaming service.