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How this Jewish refugee became Times Square’s queen of porn
(New York Jewish Week) — “She was the most un-grandma person that anyone could have,” says David Bourla at the beginning of a film about his one-of-a-kind grandmother, Chelly Wilson. “Except for the fact that she was Jewish, we celebrated Christmas in a porn theater. It doesn’t get any weirder than that.”
So begins Valerie Kontakos’ documentary, “Queen of the Deuce,” which tells the unlikely story of how a tough-as-nails Jewish lesbian narrowly escaped the Holocaust in Greece and became the successful owner of several pornographic movie theaters in New York City in the the 1970s. The documentary, which premieres in New York on Friday, Nov. 11, is one of several Jewish films playing the documentary film festival DOC NYC, which runs this year from Nov. 9 through Nov. 27.
Born in 1908, Wilson grew up in a religious Sephardic family in Thessaloniki — also known as Salonika in Judeo-Spanish — and was ambitious from a young age. “She had this fierce desire to achieve something,” said Kontakos. “When she was younger, she wanted to be a doctor. But of course that wasn’t an option for her at that point, and given her circumstances, given the fact that she was a Jewish Sephardic woman in Salonika. She came from a very conservative community.”
Relying on a mix of archival footage, interviews and animated sequences, “Queen of the Deuce” is a wide-ranging look at Wilson’s improbable life: her various business ventures, her marriages to men and romances with women, the pain of the loss of her family and more. Central to the film are Wilson’s now-grown grandchildren, who describe their unconventional Jewish grandmother as tough and eccentric, with the confident body language of a mob boss. (Wilson, who died in 1994, appears in the film through home videos.)
As a young woman, Wilson left Athens just before the outbreak of World War II, narrowly escaping the devastating destruction of Thessaloniki’s Jewish community. According to Yad Vashem, out of the approximate 56,000 Jews who lived in Thessaloniki before the war, some 54,000 were killed in the Holocaust.
Wilson got her start in New York selling hot dogs and soda. She sent some of her earnings to Greece to buy newsreel footage and turned the footage into a film called “Greece on the March” — an effort to raise money in the U.S. for the Greek war effort against the Germans. When she played the film at a New York movie theater she met a Jewish film projectionist named Rex Wilson. Although they lacked a common language, he became her second husband.
“He was nice,” Wilson says of Rex in her husky, accented voice. “He provided me with cigarettes.”
(Her first husband, whom she divorced after having two children, Paulette and Dino, was the product of an arranged marriage in Greece. Wilson compares his kisses to “torture” in the film. Later in her life, after Wilson and her second husband split up, her preference for women became an open secret.)
From there, Wilson fell into the movie theater business — first “regular” movies, and then, by the late 1960s, sensing opportunity, she became the owner of several adult movie theaters. Many of them were located on 42nd Street, nicknamed “the Deuce,” which was New York’s infamously gritty red light district at the time.
“It’s unusual not to be surprised by something that she did,” said Kontakos, who first met Wilson in the early 1970s when, as a teenager, she worked at the Wilsons’ Tivoli Theatre on 8th Avenue. “It showed Greek films on Sundays, which were PG, completely family material. The rest of the week they would show porn.”
“Times Square [in the ‘70s] was like the underworld,” added Kontakos, whose family is Greek though not Jewish. “You had drugs there, prostitution, and then you had porn. It was really quite extreme.”
The Adonis Theater marquee, as seen in “Queen of the Deuce.” (Courtesy of the Wilson family)
Wilson was, by all accounts, an exceptionally tough character — she rarely smiled, and usually had a cigarette or a cigar in hand. She frequently held court reclining on the sofa of her living room — her Times Square apartment was above the Eros, a gay porn theater that opened in 1962 — with bags of cash in the corner. Wilson also owned the Adonis, an all-male adult theater so legendary for cruising that it became the locale for a meta, well-known 1978 gay porno film “A Night at the Adonis.”
In family footage shown in the film, she puffs a cigarette and tells stories in imperfect, Greek-accented English of how she smuggled her children to New York from Palestine and Greece. “I had Dino stolen from Israel, you know?” she says, reclining on her couch in a red silk robe. The story that unfolds is an improbable one, involving secret boat rides, misbehaving children and a chance encounter with a sympathetic official in Athens.
Similar to the fate of Thessaloniki’s Jews, most of Wilson’s family died in the Holocaust. But her shrewdness had saved Paulette: Before she departed for the United States in 1939, Wilson left her daughter in the care of a non-Jewish Greek family — with the specific instructions not to turn her over to her Jewish relatives, even if they came looking for her (which, of course, they did).
Still, Wilson kept her difficult past mostly hidden from her children and grandchildren. And in the film’s interviews, her offspring express the pain of their lost family and histories. They remember that Wilson refused to seek out reparations for her murdered family, saying it was blood money.
For Kontakos, it was important to tell this Holocaust story well, noting that the history the persecution of Greek Jews isn’t as well known as other European Jews. “I do feel it’s still not really discussed as openly as it should be,” she said.
Though Wilson may not have been the warm, nurturing type, she had a fierce dedication to her family, and her children and grandchildren reminisce in the film about her creative spirit and zest for life. Kontakos hopes audiences walk away from the film with a sense of “the joy of life, regardless of the hardships,” she said.
“Queen of the Deuce” is screening in New York on Friday, Nov. 11 and Saturday, Nov. 12 as part of the DOC NYC film festival, and will be available for online streaming Nov. 12 through Nov. 27. For details, click here.
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The post How this Jewish refugee became Times Square’s queen of porn appeared first on Jewish Telegraphic Agency.
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Will Anything Change After Bondi — and How Will the Story End?
A man lights a candle as police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, December 15, 2025. REUTERS/Flavio Brancaleone
Jews arrived in Australia with the First Fleet in 1788. That is the Australian equivalent of the Mayflower, albeit with convicts.
From their earliest days, Australian Jews integrated into national life visibly, with patriotism and confidence. They built their shuls without apology, established businesses without resentment, and raised families with great pride.
They were disproportionately represented in the military, academia, medicine, and commerce. They embraced their Australian identity fully, while remaining true to their Jewish faith and seeing no contradiction between the two.
Australia was once a country that understood how integration worked. Newcomers were welcome, but they were expected to participate in a shared civic culture. Loyalty, contribution, and respect for Australian society were not considered controversial demands — they were the price of admission. For more than two centuries, Australian Jews lived by that bargain.
This is why the massacre at Bondi Beach during a public Hanukkah celebration seems like more than an act of terror. It feels like a betrayal. Holocaust survivor Alex Kleytman, 92, shielded his wife of 57 years in the crowd before dying. That is the Jewish-Aussie spirit that symbolized this community.
Hanukkah is, by design, a public holiday. It commemorates a minority preserving its identity while remaining part of a broader civilization. Light is placed deliberately in the public square. Faith without withdrawal. Cultural continuity without separatism. That is the message of Hanukkah.
That such a celebration was targeted in one of Australia’s most iconic public spaces is not incidental. It was an attack on a place and a community that exemplified successful integration during a festival that celebrates cohesion and tolerance.
Speaking to Australian Jews over the past two years, a new theme has emerged — not only of fear, but abandonment. The country they love increasingly hesitates to defend them, is embarrassed by its own culture, and is unwilling to confront hateful belief systems it has imported.
This is not an immigration crisis. It is a governance crisis.
Great countries are built by immigrants. The Greeks, Romans, and Americans all understood that growth comes from outsiders who want to become insiders. But instead of importing entrepreneurs, innovators, and builders, we have incubated an endless supply of cultural resentment. A nation cannot transmit to its citizens what it no longer values. Assimilation requires national pride and confidence in one’s own civilizational values.
Deterrence is dismissed for fear of “sending the wrong signal.” Enforcement is denounced as cruelty. Borders are discussed endlessly but defended reluctantly. Politicians still perform the language of control, but with the conviction of actors reciting lines they no longer believe.
Western governments have not failed to implement their will. They have abandoned the idea that they are entitled to have a will in the first place. The result is a system engineered for failure while absolving those responsible for it. Illegal entry is rewarded. Removal is treated as a scandal. Integration becomes optional.
What emerges is grievance without gratitude, and hate without consequence. Flags become suspect. History is reduced to a catalogue of sins. Elites perform ritualized shame as a marker of sophistication. A country that cannot defend its own identity cannot plausibly ask newcomers to adopt it.
Bondi was not a random eruption of violence. It was the predictable outcome of a system that encouraged hate, refused to do anything about years of incitement and terror attacks on Jews, and will likely change nothing after this attack.
The bitter irony is that the community that proved integration was possible is now among the first to feel the consequences of a society that has stopped insisting on it.
Nations do not decline in a single dramatic moment. They erode through a thousand small capitulations; each defended as compassion.
Bondi was not an aberration. It was a warning. The only question is whether the warning arrived too late. The story of Hanukkah ends with our salvation and spiritual redemption; how will this story end?
Philip Gross is a Manhattan-born, London-based business executive and writer. He explores issues of Jewish identity, faith, and contemporary society through the lens of both the American and British experience.
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Why Are Greek Media Erasing the Murder of a Greek Priest from the Barghouti Coverage?
Swedish activist Greta Thunberg, who was part of the Global Sumud Flotilla seeking to deliver aid to Gaza and was detained by Israel, gestures as she is greeted by supporters upon her arrival to the Athens Eleftherios Venizelos International Airport, in Athens, Greece, October 6, 2025. Photo: REUTERS/Louisa Gouliamaki
Father Germanos, born Georgios Tsibouktzakis in Greece, was a Greek Orthodox monk-priest who moved to Israel in the early 1990s to serve at the St. George Monastery in the Judean Desert. He was widely respected and known for maintaining warm relations with the local community.
On June 12, 2001, while returning to the monastery from Jerusalem, Father Germanos was ambushed and murdered by Palestinian terrorists. The attack was carried out by Fatah-affiliated gunmen, making him one of more than 1,000 Israelis and foreign nationals killed in Palestinian terror attacks during the Second Intifada.
In 2004, arch-terrorist Marwan Barghouti was convicted in a Tel Aviv court and sentenced to five life sentences for orchestrating a series of attacks that killed five civilians, including Father Germanos.
200+ celebrities want Marwan Barghouti freed. But the man they’re calling a “Palestinian Mandela” is a convicted murderer. pic.twitter.com/b9Ak4vJUAy
— HonestReporting (@HonestReporting) December 10, 2025
Since 2004, calls for Marwan Barghouti’s release have become a cause célèbre among those willing to overlook terrorism and murder, clinging to the idea that he could somehow emerge as a unifying figure in Palestinian politics or even a partner for peace with Israel.
Support for Barghouti has ebbed and flowed over the past two decades, but the past few months have seen a marked resurgence in articles, commentary, and sympathetic profiles of the Palestinian terror leader. His release was floated in the lead-up to the most recent ceasefire between Israel and Hamas, and more recently, 200 artists and celebrities publicly endorsed freeing him.
This renewed wave of attention has not been limited to English-language media. Coverage of Barghouti has been widespread, appearing in news outlets across the world.
The Greek media has been no exception to the renewed global interest in Marwan Barghouti. Over the past few months, several Greek outlets have published pieces spotlighting the imprisoned Palestinian leader.
Yet one striking omission appears across these articles: none of them mention Father Germanos. The last time a mainstream Greek news outlet referenced his murder in connection with Barghouti was in November 2023.
A review of recent Greek-language coverage shows that these articles devote minimal attention to the actual reasons for Barghouti’s imprisonment. Instead, they focus largely on the arguments being advanced for his release, while entirely overlooking Father Germanos and the other victims whose deaths led to Barghouti’s conviction.
These Barghouti-centered pieces have appeared in numerous major publications, including Business Daily, Kathimerini, ERT News, ProtoThema, Naftemporiki, Skai, and Ethnos.
Instead of highlighting Barghouti’s responsibility for the murder of one of their own countrymen, these Greek news outlets dedicated only a few brief paragraphs to Barghouti’s record of terrorism and violence. Their coverage focused largely on the campaign to free him.
By omitting Father Germanos from recent reporting on Marwan Barghouti, Greek-language media organizations are doing a disservice to their audiences. They present Barghouti’s potential release as an issue confined to the Middle East, rather than one that also carries profound resonance for Greece. What is lost in this coverage is the simple truth that this story is not distant at all, and it is tied directly to the murder of a Greek citizen whose name deserves not to be forgotten.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Hamas Rejects Disarmament, Threatens Another October 7 — Media Silence
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
Two years after Hamas’ horrific massacre in southern Israel on October 7, 2023 — and barely two months after the terror group agreed to the first phase of US President Donald Trump’s Gaza peace plan — Hamas leader Khaled Meshaal delivered an unfiltered message in Arabic: no disarmament, no relinquishing rule of Gaza, no acceptance of any international authority, and a renewed commitment to Israel’s annihilation.
Yet not a single major Western news outlet reported the speech.
Meshaal’s comments were delivered remotely in Arabic at a conference in Istanbul titled, “The Commitment to Jerusalem.” According to experts, his statements were not rhetorical flourishes. They were a clear repudiation of the peace plan Hamas supposedly accepted.
And the silence surrounding them is staggering.
Hamas in Its Own Words
The speech directly contradicted the commitments Hamas has agreed to or said it would consider under the US-brokered ceasefire deal: disarmament, transfer of Gaza governance to an external body, and cessation of hostilities.
Meshaal instead declared: “The time has come for the nation to decide on the liberation of Jerusalem as a symbol of the liberation of Palestine, the cleansing of the Al-Aqsa Mosque … And Gaza, which started ‘Al-Aqsa flood’ in 2023 and turned into the pride of the nation and the conscience of nations, this mighty Gaza deserves more from us.”
On the ceasefire itself, he dismissed it outright: “Yes, two months ago, a ceasefire was announced, but the war is not over.”
He called for “rejecting all forms of guardianship, mandate, and occupation over Gaza, over the West Bank, and over all of Palestine.”
And on rearming, he was very clear: “The resistance project and its weapons must be protected. It is the right of our people to defend themselves. The resistance and its weapons are the honor and strength of the nation.”
According to researcher Idit Bar, who specializes in the Arab and Islamic world, Meshaal’s words amount to a strategic declaration: “Meshaal, one of Hamas’ prominent leaders, says here very clearly, he puts all the cards on the table: No to disarmament, no to relinquishing Hamas’ rule, yes to the annihilation of Israel, yes to the liberation of Jerusalem. He even uses the term ‘cleansing’ al-Aqsa from impure Jews.”
Bar added: “He also calls for the release of prisoners, which he calls captives, from the Israeli prison, which is literally a call to kidnap hostages, because he saw on October 7 that it’s worthwhile. As far as he is concerned, between the Jordan River and the Mediterranean Sea, there’s space for only one state, an Islamic state, clean of Jews. That’s why he says the war isn’t over.”
What’s Behind the Media Silence
There are only two explanations for the omission: a lack of Arabic-speaking reporters or bias.
But major news organizations do have Arabic-speaking reporters across the Middle East. They could understand Meshaal’s words. They would have known he was speaking — it was all over Arabic social media feeds, and Al-Jazeera covered it. They should have reported it.
Which only leaves the second option as a viable explanation: those “reporters” chose not to publish what they knew. It was easy to hide that choice from editors who do not speak the language. And when newsworthy events or statements go unreported, they effectively cease to exist for the public record.
The bias is all the more striking because the AFP had a reporter covering the conference, yet chose to highlight only the more moderate remarks of Gaza Hamas leader Khalil al-Hayya, who claimed the group would accept governance by a UN force.
The agency even sought clarification from Hayya, who — knowing his comments would be quoted in English — added that Hamas would disarm only if the “occupation” ended. Meshaal’s far more explicit rejection of disarmament and peace was omitted entirely.
Media outlets have committed a journalistic sin — a manipulation of reality. Meshaal’s speech was a rare glimpse into Hamas’ true intentions: unfiltered, unambiguous, and damning. It contradicted diplomatic assumptions, exposed the fragility of the ceasefire, and signaled preparations for future violence.
But Western audiences, including policymakers, never heard a word about it.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.