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I tried a ‘Mrs. Maisel’ pastrami martini. Unlike Midge, I’m speechless.
(New York Jewish Week) — The martini kit arrives in a bright pink box. Nestled among strings of hot pink confetti are two martini glasses and a shaker, two olives, toothpicks, two single-serving bottles of gin and vermouth, pastrami oil and pastrami spices.
What’s that? Pastrami? Martini? Together? Yes, you read it right.
The “Maisel Tov” Martini kit is a specialty item dreamed up by the marketing teams of GrubHub and Amazon Prime to celebrate the premiere of the fifth and final season of “The Marvelous Mrs. Maisel,” which airs on April 14. Starring Rachel Brosnahan as the titular Midge Maisel, the series is set in the very-Jewish world of New York City nightclub entertainers in the late 1950s and early ’60s.
The kit is part of a yearlong “Tune In & Takeout” promotion between the two companies pairing foods with popular shows and movies, said GrubHub in a press release.
Crafted by the mixologist Pamela Wiznitzer, the pastrami-flavored martini combines “a taste of Midge’s two favorite things, Jewish deli fare and a stiff drink.” Why do they need to be combined together in one cocktail? Why not just a regular martini and deli fare on the side? I have no idea, but in the name of journalism I knew I had to try it.
The cocktail kit arrives nestled in a bed of pink confetti. Joy! (Julia Gergely)
First of all, the packaging was adorable. Everything was labeled with the show’s title in its signature cheery font, and the bright pink packaging was a fun homage to Midge’s favorite color.
Per a publicist’s email, “The beverage marries hints of juniper from gin with the briny flavors of black pepper, coriander and caraway classically found in a pastrami sandwich.” Still, they note, the beverage is vegetarian.
After unpacking everything from the box, it was time to make the martini. For some reason, I was nervous. I don’t drink martinis often, nor do I eat pastrami on the reg, but as I poured the pre-made cocktail into the martini shaker and added a few drops of the pastrami oil, I became increasingly conscious of the fact that my life would soon be divided into a “Before” and After” period.
Perhaps a Shehechiyanu blessing (for new beginnings) was in order. Certainly, at least a L’chaim.
As I sipped the martini, I was left speechless. Like I said, I’m no martini or pastrami expert, so I can’t say if this was the best version of either one. The cocktail was definitely strong and had a savory, meaty taste to it. The oil and spices cut the taste of the alcohol in a surprising way. I felt like I had taken a bite of a sandwich and then drunk a martini to wash it down.
The Maisel Tov martini in all its glory, complete with an olive seasoned with pastrami spices. (Julia Gergely)
I could imagine sipping it slowly at The Gaslight Café in the West Village while Midge, a budding stand-up comic, shocks and delights me with her set. In fact, I can imagine Midge might have a whole bit dedicated to the drink while her agent Susie Myerson (Alex Borstein) guzzles it backstage.
The kit came with two pre-made cocktails, so I’ll save the other for the season premiere on Friday night, when presumably we’ll find out if Midge and Lenny Bruce (Luke Kirby) get together again, if Joel has a kid and if Rose’s matchmaking business has taken off.
Luckily for all Manhattan-based Maisel watchers, the cocktail is available to order on April 14 and 15 on GrubHub’s platform from the specially created “Marvelous Café” using the code “MaiselTov.” For $29.95, GrubHub will deliver the cocktail kit (which serves two) and an entree — a choice of turkey, pastrami or corned beef on rye sandwiches, or stuffed cabbage. The meal kit also comes with a mini potato knish, a pickle and a black and white cookie for dessert. (The kits are not kosher.) Honestly a great deal, considering just a pastrami sandwich at Katz’s will run you $25.95.
Per a press release, “Diners can pick their preferred date and time, must be 21+ and have a valid photo I.D. upon delivery.” But get there fast. “With only 1,000 kits available, orders are limited to 1 kit per customer. Available delivery time slots will close as orders fill up.”
So go ahead, order your pastrami martini. Don’t say I didn’t warn you!
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The post I tried a ‘Mrs. Maisel’ pastrami martini. Unlike Midge, I’m speechless. appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
