Uncategorized
In a twist, German rabbi at scandal’s center cedes rabbinical school ownership to Berlin Jews
(JTA) — In a shocking development, the embattled founder of Germany’s non-Orthodox rabbinical schools has relinquished his ownership stake in them to the Jewish Community of Berlin.
The 25,000 euro transaction means that Rabbi Walter Homolka is no longer in control of the Reform Abraham Geiger College and the Conservative Zacharias Frankel College at the University of Potsdam.
The sale achieves a result that the Central Council of Jews in Germany, the seminaries’ main funder, has been trying to reach openly since late last year, after two investigations confirmed that Homolka had abused his power at the seminaries.
The Jewish Community of Berlin had not publicly been part of the efforts to overhaul the schools launched after allegations against Homolka broke into public view last May. The allegations initially related to a sexual harassment scandal involving his husband, who was also his employee, but widened to implicate other aspects of Homolka’s leadership.
The group’s announcement late Wednesday of the purchase, executed the day before, initially alarmed some who have been advocating for changes at the seminaries, because the plan did not clearly rule out a role for Homolka. The Central Council of Jews in Germany issued a statement lambasting the fact that the deal “took place without consultation with the students, employees, or the donors” and said the new arrangement would not improve rabbinical education in Germany.
But in a hastily arranged meeting Thursday, Berlin Jewish Community President Gideon Joffe assured Josef Schuster, the council’s head, that Homolka would not be part of the seminaries going forward. The meeting left Schuster prepared to collaborate with Joffe’s group, a spokesperson for the council confirmed.
Now, the path is clear for the official Jewish community to seize authority over non-Orthodox rabbinical training in the country where Reform Judaism was born in the 19th century.
“This may not be the ideal situation, but it is a compromise that allows almost everyone to live with the results,” Cantor Itamar Cohen, the graduate whose complaint kicked off the scandal, told the Jewish Telegraphic Agency. He said he would fully embrace the offer “if it is accepted by Klal Israel, the majority of the Jewish community as encapsulated in the main representing bodies.”
Concerns about the surprise announcement largely reflected worries that Homolka could have structured the deal in a way that benefits him.
Rabbi Walter Homolka, then rector of the Abraham Geiger College, in the Liberal Jewish community’s synagogue in Hanover, Germany in December 2016. (Julian Stratenschulte/picture alliance via Getty Images)
Two separate investigations — one by the university and the other by lawyers commissioned by the Central Council — recently determined that Homolka had created an “atmosphere of fear” among students and staff in the very institutions he launched more than 20 years ago. The final report from the Central Council investigation is expected to be released in the coming weeks. Homolka has steadfastly maintained his innocence.
In the wake of those findings, there was an increasing appearance of desperation on the part of the old guard to hold on to control of the two seminaries. In December, days after the damning Central Council interim report was issued, the Union of Progressive Judaism in Germany — with a newly elected board friendly to Homolka — announced it had replaced the interim director of the Geiger College with its own appointee. The Central Council promptly nixed that plan, calling the Union of Progressive Judaism a puppet of Homolka and announcing its appointment of the scholar Gerhard Robbers to work on restructuring the two colleges.
Skeptics of the latest development said they were sure Homolka’s influence would emerge somewhere, for example in appointments to the reconstituted institutions.
“I don’t find this reassuring,” said Nick Hoermann, a current student at Frankel College. “It has been clear for a while now that Homolka’s only way to act in the future would be through back doors.”
But for now at least, the Central Council — which initially called the sale announcement “astonishing” — says it is ready to work with the Jewish Community of Berlin.
Though the official community’s move came as a surprise to many, Joffe and his team had been considering some kind of rescue maneuver since the scandal broke last May, Ilan Kiesling, a spokesperson for the community, said in an email to JTA. The concrete plan emerged only after the damning preliminary expert opinion came out in December.
Joffe approached Homolka directly at that point and convinced him “that a completely fresh start at [Abraham Geiger College] was indispensable – together with a complete renunciation of all his leadership positions. Rabbi Homolka agreed to this renunciation and transferred all shares of the non-profit limited company to the community,” Kiesling wrote.
The legally binding takeover took place this week, and did not cost the community anything beyond “the capital contribution of the limited company in the amount of 25,000 euros,” Kiesling said.
He added that the community “guarantees a complete and transparent new start” for the Geiger seminary. “There will no longer be an accumulation of offices” under one person, one of the habits for which Homolka has been criticized. There was no specific reference to the Frankel College, which until now has appointed its own academic leadership.
The community plans to establish an international advisory board and an external contact point for students to report any problems. Early on in the scandal, it emerged that Cohen’s complaint had been investigated internally, by parties beholden to Homolka.
Kiesling also told the JTA that the community had engaged a former community president, Rabbi Andreas Nachama, chair of Germany’s liberal rabbinical conference, known as ARK, to advise them from a rabbinical perspective. Nachama was ordained by the U.S.-based Alliance for Jewish Renewal movement and leads an egalitarian Reform congregation in Berlin.
In his statement Wednesday, Joffe said, “The top priority for us at the moment is to bring the Abraham Geiger College into calm waters and pave the way for the students to continue their education in a stable structure.”
—
The post In a twist, German rabbi at scandal’s center cedes rabbinical school ownership to Berlin Jews appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
