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In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn
(JTA) — Throughout his career, actor Adam Goldberg has been associated with iconic Jewish roles, from the hero in the kitschy 2003 action comedy “The Hebrew Hammer” to a Jewish soldier in Steven Spielberg’s Oscar winner “Saving Private Ryan.”
But for his latest role, on CBS crime procedural “The Equalizer,” Goldberg didn’t know his character had Jewish ancestry until recently, even though the show is in its third season.
On Sunday night, “The Equalizer” will air an episode called “Never Again,” in which a wave of hate crimes strikes Midwood, a heavily Jewish neighborhood in Brooklyn. These incidents hit close to home for Harry Keshegian, Goldberg’s character, a computer expert and Brooklyn native who is part of the show’s team of vigilante justice-seekers. (The series, which is set in New York and stars Queen Latifah, is a reboot of the show from the 1980s, which also spawned a series of films starring Denzel Washington.)
The Harry character has long been established as being of Armenian-American heritage. But for this episode, co-showrunner Adam Glass decided to add to Harry’s backstory, giving the character a Jewish mother as well as a complicated relationship with that side of his faith.
This comes to the forefront when the hate crimes, including vandalism and antisemitic threats, start to pile up. “Growing up with a Jewish mom and Armenian dad, I can’t say I knew where I stood in the community,” Harry says during the episode. “But I definitely know where I stand on hate crimes.”
Harry later describes himself as “someone who’s got a history of genocide on both sides of my family.” And like a lot of Jewish Americans, he was of the belief, at least until recently, that antisemitism in everyday life was mostly a problem of the past.
In dealing with a rabbi (played in the episode by veteran Jewish actor Richard Masur), who tries to react to the horrific events with humor, Harry gets some surprising answers about his family’s past and reconnects, to some degree, with his mother’s faith.
The episode was co-written by Glass and Ora Yashar, who are two of several Jewish writers on the show’s staff.
In working on the show, “we’re really lucky and fortunate that we not only get to entertain, but we get sort of tackle… subject matters that are in the news, and, unfortunately, are part of our society,” Glass told the Jewish Telegraphic Agency. “And obviously antisemitism is one of them.”
Goldberg, 52, whose extensive list of credits over the last 30 years also includes “Dazed and Confused” and a memorable guest arc on “Friends,” told JTA that, earlier in his career, he might not have been as comfortable with this sort of storyline, since it’s subject matter that he has explored before in other high-profile Jewish roles. In 2017, he attempted to put together a crowdfunding campaign to produce a “Hebrew Hammer” sequel inspired by the spike in online antisemitism at the time.
Adam Goldberg in character in a video promoting a crowdfunding effort for a planned sequel to “The Hebrew Hammer.” (Screenshot from YouTube)
“Given just the unbelievable horrific uptick in hate crimes at large, and antisemitism in particular, it just felt like certainly my duty to go there, and also just keep it as grounded as possible,” he said.
The episode was shot at a synagogue in Brooklyn — for security reasons, the team’s publicist would not identify which one — and the team consulted with a rabbi about getting the Jewish touches right.
“I think one of the things that we wanted to just be mindful of is when we’re actually in a synagogue that we were getting things correct,” Yashar said. At the same time, she added, they wanted to get right the way Harry would behave, as someone who hadn’t been inside a synagogue or the Jewish community for many years.
“I found myself being much more sort of moved [and] affected by it than maybe I thought I would,” Goldberg said. “Particularly having explored this terrain in the past.”
Goldberg, like his character, has one Jewish and one non-Jewish parent; he describes his mother as a “hardcore disavowed Catholic.” He went to Jewish day school in Los Angeles from first through sixth grades, and like his character Harry, he drifted away from Jewish education prior to having a bar mitzvah.
“I certainly thought of myself as a Jewish person,” Goldberg said. “I think this is the thing which I grappled with, and I think many Jewish people grappled with — which is how they see themselves, and where they fit in in a world where people have so many different ideas about what it is to be a Jewish person.”
“Grappling with all that as an actor has made that all the more confusing, how to balance all of that,” he added.
Goldberg said he has gotten mostly positive reactions over the years from people who recognize him from his Jewish roles. But he’s mindful of the idea of being typecast as a “neurotic Jew” or “nice Jewish boy,” both of which he sees as tropes. And the reactions he has gotten have not always been as positive.
“I think in many ways I’ve been sort of forced, and then sort of proudly have come to own my Jewish identity,” he said, “and in the last several years and I’ve been on the receiving end of just an incredible amount of hate on social media.” Goldberg added that he has a photo album on his phone titled “Nazis,” featuring “screenshots of just the most horrific shit you can imagine.”
In “Saving Private Ryan,” Goldberg’s Jewish soldier character taunted Nazi prisoners by waving his Jewish star at them. Around that time, his name was featured on a white supremacist website, which in the late 1990s was a single page.
“I had no idea how bad shit was until the internet,” Goldberg said. “And how bad it’s gotten [in real life] since the internet.”
The two Jewish writers of the episode come from very different backgrounds. While Glass is an Ashkenazi Jew from New York, Yashar comes from an Iranian Jewish family.
“When I was growing up, I was told, ‘They’re white until they know you’re Jewish, don’t wear your Star of David,’” Glass said, echoing a comment by Harry on the show. “Those were things my bubbe [grandmother in Yiddish] said to me. And now I’m telling my kids the same things my bubbe said to me, unfortunately.”
A comic book store also features in the episode’s plot and is a nod to Glass’ other career: In addition to his work in television, Glass is a prolific author of comic books and graphic novels, having authored more than 150. He takes credit for putting Harley Quinn in the Suicide Squad DC comic series.
“I’m in two Jewish businesses,” Glass joked. “The comic book business, and the Hollywood business. Being creative is something that we as a people have always done.”
Yashar, who previously worked on the Netflix series “Atypical,” describes herself in her Twitter bio as “Iranian/Persian/OY Veyish.”
“One of the big things for this episode was that we can’t fight hate alone,” she said. “All marginalized communities, we all need to come together. Being a woman, being Iranian, and being Jewish, you know just my whole life experience has just been teaching me that all along.”
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The post In episode of CBS’ ‘The Equalizer,’ Adam Goldberg tackles antisemitic hate crimes in Brooklyn appeared first on Jewish Telegraphic Agency.
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Israelis pause for a different kind of siren: the one marking Holocaust memorial day
(JTA) — For the last six weeks, whenever Israelis have heard a siren, they were instructed to run to their nearest bomb shelter. On Tuesday, a siren instead brought them to a halt.
The two-minute siren was the one sounded annually on Yom HaShoah, Holocaust memorial day. In keeping with a national tradition, Israelis stopped whatever they were doing for a moment of silence to remember the 6 million Jews murdered in the Holocaust. Drivers exited their cars on the streets; shoppers froze in grocery store aisles; and people strolling the streets paused where they were.
Even for seasoned Israelis, the dissonance was strong this year. Hillel Fuld, an Israeli influencer, wrote that he was initially unnerved to see so many people failing to follow the guidance about what to do when a missile is incoming.
“I exited my car and was about to lie down when I realized, that’s not a siren warning of a missile. That’s a siren remembering the six million!” he wrote.
“I felt that emotional confusion that every Israeli knows too well. Sadness. Devastation. Hopelessness,” Fuld continued. “And at the same time, tremendous pride, optimism, and unity.”
This year’s Yom HaShoah is the first since all Israeli hostages taken on Oct. 7, 2023, were freed from Gaza. Some of the freed hostages, including Eli Sharabi, participated in small remembrance gatherings known as Zikaron Basalon. Others posted symbols of Jewish survival, including Sagui Dekel-Chen, whose wife posted pictures of him alongside his grandfather, a Holocaust survivor, and Elkana Bohbot, who with his wife announced that he is expecting a child.
This article originally appeared on JTA.org.
The post Israelis pause for a different kind of siren: the one marking Holocaust memorial day appeared first on The Forward.
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Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up.
(JTA) — As each week’s Shabbat morning service comes to a close at Temple Beth El in West Palm Beach, Florida, an unusual tradition unfolds as the congregation prepares to recite the Mourner’s Kaddish.
Rabbi Alan Bell asks to stand all those reciting the prayer on the anniversary of the death of a loved one. He also asks other congregants to stand, too: those who have taken it upon themselves to recite Kaddish for a child up to the age of 17 who was murdered in the Holocaust and for whom there are no living relatives to recite it.
The Conservative synagogue calls the program Remember a Child, and at least a third of members in the 150-family congregation participate. Most recite the mourner’s prayer on the date of the child’s burial as well as on Yizkor, the special memorial prayer for the departed recited in the synagogue four times a year.
But some recite the Mourner’s Kaddish far more often.
Bell and his wife Susan have “adopted” a girl named Renee Albersheim who was born in 1930 in Berlin. They do not know when she died, only that it was in the Kovno Ghetto in German-occupied Lithuania. As a result, Susan Bell said, they recite Kaddish for her each time Kaddish is recited — multiple times a day and sometimes multiple times in a single service.
It’s become a family tradition. “When each of our granddaughters became bat mitzvah we got each a child to show them that children their age were dying [in the Holocaust],” Susan Bell said.
“They were girls from different places in the world — one was from Greece and the other from Romania — and they had the same first name as my granddaughters,” she continued. “I wanted to show the girls how widespread the Holocaust was; it was a learning experience for them.”
The Nazis murdered an estimated 1.5 million Jewish children during the Holocaust, many of whom died alongside everyone else in their family. That left no one traditionally assumed by Jewish law to recite the Mourner’s Kaddish on their behalf — siblings, parents or, for adults, children and spouses.

Rabbi Alan Bell and his wife Susan Bell lead a Holocaust remembrance initiative at Temple Beth El in West Palm Beach, Florida. (Courtesy)
At Beth El, those who participate in Remember a Child think of themselves as having “adopted” a child who was murdered more than eight decades ago. Cheryl Finkelstein, who helmed the project for many years since it launched as a Men’s Club initiative about 40 years ago, said she found those who opted in tended to “take this very seriously” and grow deeply connected to the child they have committed to remembering.
“When I sent one woman a photo of the child she had ‘adopted,’ she wrapped her arms around it and waited until the paper was warm,” Finkelstein recalled. “It breaks your heart.”
The project has gained attention far beyond the synagogue’s walls, and elicited a range of mourning practices that go beyond reciting the traditional prayer.
“We had a number of people who are not Jewish who felt strongly that they wanted to be engaged in this,” Finkelstein added. “One of those women wrote a poem about her ‘child,’ imagining her as a little girl who chased butterflies, living in a world of innocence. And another woman purchased aging software and used it on a photo of the child she had adopted to see what the child would have looked like as an adult.”
Having taken over the initiative from Finkelstein, Susan Bell has sought to gather as much information as she can about roughly 15 of the children whom congregants have “adopted,” starting with a page of testimony assembled by Yad Vashem, the World Holocaust Remembrance Center in Israel.
Ari Rabinovitch, head of Yad Vashem’s international media section, said the names of the children murdered in the Holocaust and for whom there is no one to say Kaddish are kept in the organization’s online names database, which has 587,226 names of children up to and including age 17.
Rabinovitch noted that Yad Vashem has prepared a list of names — both children and adults — with details about them for use in Holocaust name reading ceremonies. “It is not uncommon for groups to access lists of names on their own for memorial services,” he said. But the memorial does not track how they are used, or how many synagogues may have adopted a practice like Beth El’s.
Bell believes at least some have. A Beth El member promoted the project on business trips, she said.
“Several of those synagogues picked it up but I don’t know if any have continued it,” she said. “It takes a toll on you when you do the research and learn what happened to each of these children.”
Menachem Rosensaft, general counsel emeritus to the World Jewish Congress who was born in 1948 to survivors of Auschwitz and Bergen-Belsen, is an outspoken advocate for such a commemoration. He believes every synagogue should incorporate some mention of the Holocaust during Shabbat services, to ensure that its legacy is woven into the ongoing fabric of Jewish life — and he sees the Kaddish for child victims at Beth El as one powerful way to do that.
“It’s important in whatever way to bring into our consciousness that we are not letting it become just another event in Jewish history, just another occurrence, just another tragedy, just another pogrom,” Rosensaft added. “Because if that happens, in another generation the Holocaust will be a statistic and basically a catchphrase for people to throw around.”
As Holocaust memory is increasingly contested in the public sphere and the trauma of the Holocaust is joined by other tragedies for the Jews, Rosensaft’s vision has grown uncertain. But Finkelstein said she knew of at least one case where Remember a Child is likely to have impact into the next generation.
One Beth El congregant who “adopted” a child murdered by the Nazis “put in his will that his son was to say Kaddish for the child after he dies,” she said. “He put the instructions in his safe deposit box so that his son would take them out along with the keys to his house.”
This article originally appeared on JTA.org.
The post Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up. appeared first on The Forward.
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VIDEO: ’Love was there too:’ A Yom Hashoah commemoration in Yiddish
די פֿאַרגאַנגענע וואָך האָט דער „ייִדישפּיל“־טעאַטער אין תּל־אָבֿיבֿ אַרויסגעשטעלט אַ ווידעאָ פֿון אַ „יום־השואה“־אַקאַדעמיע וואָס די טרופּע האָט דורכגעפֿירט אין 2022. די טעמע פֿון דער פּראָגראַם איז געווען מאָמענטן פֿון ליבע בײַ ייִדן אין די געטאָס און קאָנצענטראַציע־לאַגערן.
אינעם ווידעאָ לייענען די אַקטיאָרן פֿאָר זכרונות פֿון לעבן געבליבענע ווי אויך ייִדישע לידער אָנגעשריבן בשעת דעם חורבן. זיי באַשרײַבן ווי אַזוי געליבטע פּאָרלעך האָבן זיך געטראָפֿן בשתּיקה; רירנדיקע מאָמענטן פֿון געזעגענען זיך און ווי די לעבן געבליבענע האָבן זיך באַמיט מיט אַלע כּוחות צו געפֿינען די געליבטע נאָך דער באַפֿרײַונג.
דער ווידעאָ הייבט זיך אָן מיט אַ באַגריסונג פֿונעם תּל־אָבֿיבֿער בירגערמײַסטער, רון חולדאי, אויף העברעיִש, אָבער די פּראָגראַם גופֿא איז אין גאַנצן אויף ייִדיש.
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