Uncategorized
In fighting antisemitism, Jews can be our own worst enemies. We shouldn’t be.
(JTA) — Unless you have been living under a rock for the past few weeks, and even if you’re not Jewish, you can’t miss the fact that antisemitism is back in the news again: Kanye West, Kyrie Irving, Nick Fuentes; extremists returning in droves to Twitter; President Donald Trump kowtowing to antisemites over dinner at Mar-A-Lago; “Saturday Night Live” opening with a monologue trafficking in antisemitic tropes; members of the Black Hebrew Israelites intimidating Jewish fans coming to Barclays Center, and an endless feedback loop of antisemitism coursing across social media.
Coming at a time when antisemitic incidents already had reached the highest point in recent memory, this is the kind of mainstreaming of antisemitism that we haven’t seen since the 1930s.
If there’s one thing I’ve learned as CEO of the Anti-Defamation League, it is that when it comes to the Jewish people, hatred doesn’t discriminate. When Kanye says Jews control the music industry, he’s not talking about rich Jews or conservative Jews. He’s not singling those who may support Likud or those who back Meretz, two Israeli political parties. He’s not calling out Orthodox Jews versus Reform Jews. He’s talking about us all.
Same with the white supremacists who are circulating Great Replacement conspiracy theories about Jews conspiring to bring more people of color and immigrants into America to “replace” white people. They don’t care if you are a die-hard MAGA voter or a card-carrying member of Democratic Socialists of America. It doesn’t matter: If you’re Jewish, you are in their crosshairs.
Another unfortunate example is the Mapping Project, an insidious campaign that ostensibly accused pro-Israel Jews of conspiring together in Boston. However, it didn’t target only Zionist organizations. They targeted all Jewish organizations, from a nonprofit helping the disabled to a Jewish high school.
And yet, while our enemies see us as one, the Jewish community too often seems riven by discord and infighting.
We are divided around religious practices and beliefs. We are deeply riven by politics. We do not see eye to eye when it comes to the State of Israel, and at times we can’t even agree on the definition of antisemitism itself. At times, absurdly, some Jewish leaders seek to tear down other Jewish leaders even as it tears apart the community, as Steven Windmuller, a retired professor at Hebrew Union College in Los Angeles, recently documented.
I point this out not to diminish the value of debate and dissent — these are fundamental to our tradition. But we need to be mindful of when debate descends into division.
Indeed, when viewed by those on the outside, these internecine divisions within our community can lead to misunderstandings and confusion. Why can’t Jews agree on anything? At best, hostility makes us look petty, mean and foolish. At worst, it allows antisemites to see within us whatever it is that they hate the most.
Usually in the aftermath of antisemitic attacks such as we saw after the Tree of Life shooting or the hostage situation in Colleyville, Texas, Jews from across the political spectrum set aside our differences and come together in a show of unity. We lock arms, proclaim we are one, call on our policymakers to do more, put up our defensive shields and hope for the best.
But at a time when a celebrity with a cult-like following, Kanye West, or Ye as he now calls himself, is using his platform of 38 million-plus social media followers to spread hateful tropes about Jews — the kinds of unhinged and hateful canards, such as Jewish control and power, that have led to antisemitic attacks throughout history — I would argue that the locking-arms response, while effective in the moment, does not have the staying power that we could achieve if we had a more unified and close-knit Jewish community.
What does have staying power? In this uniquely fragile moment, we must choose to embrace our differences, or at least accept them and lean into Ahavat Yisrael, the love for our fellow Jews. We ferociously can disagree internally while standing completely united to external hate.
We are our brother’s keeper, and any Jew suffering from antisemitism is ultimately our responsibility. We must come together, despite our differences, and fight those who hate our people.
How can Jews stand together against antisemitism while respecting our ideological divides?
First, this isn’t a moment to try to win each other over. This is a moment to declare that every Jew matters and is worth protecting. We may disagree on many things, but we can appreciate that difference doesn’t have to equal division. We cannot allow the toxic partisanship that has seeped into so much of our society to poison our communal spaces. There are no “Tikkun Olam” Jews. There are no “Trump” Jews. There are only Jews, and we need to remember the dictum — you shall love your neighbor as yourself.
Second, we should recognize that self-defense starts with self-love and self-knowledge. Jewish literacy is essential to our long-term survival. Many like to remark how Rabbi Abraham Joshua Heschel prayed with his feet — but he did so in part because he wrapped tefillin with his hands. This is not to say that we all need to observe our faith in the same manner. There are plenty of Jewish people who opt out of ritual entirely, and yet their connection to our peoplehood is as strong and as valid as those who daven, or pray, every day. But shared values that emanate from Torah still bind us as a people — we need to redouble, not just our efforts to pass on these values to our children in ways that relate to the next generation, but we also must relearn these values ourselves.
Third, we must never allow our ideological blinders to gloss over or ignore antisemitism from those who are generally our political allies. We must be morally firm and call out antisemitism where we see it, and not just when it is convenient politically. We must be equally fierce in the political circles where we belong, where we ultimately have more influence and clout, as in simply calling out hatred by pointing to those on the other side.
During his lifetime, Rabbi Menachem Mendel Schneerson shared his wisdom about the fact that while every Jewish person is a unique individual, as a people we share a “basic commonality that joins us into a single collective entity.” The Lubavitcher Rebbe understood that this unity has sustained the Jewish people throughout history.
If we look to our ancestors, we can see examples of how holding together at times of strife has made our community stronger. It’s quite possible that we may be living in one of those difficult periods again. I hope we can meet the moment.
—
The post In fighting antisemitism, Jews can be our own worst enemies. We shouldn’t be. appeared first on Jewish Telegraphic Agency.
Uncategorized
Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
The post Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel appeared first on The Forward.
Uncategorized
Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
The post Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late appeared first on The Forward.
Uncategorized
Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
The post Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps appeared first on The Forward.