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In ‘Jewish Matchmaking,’ a diverse set of Jews experience Orthodox dating practices
(JTA) — According to Jewish lore, God has been making matches since the creation of the world. Aleeza Ben Shalom has been at it only since 2007 — but the Jewish matchmaker is about to bring what she calls “the most important job in the world” to the masses.
As the host of “Jewish Matchmaking” on Netflix, Ben Shalom adapts the model of Orthodox arranged matches to Jewish singles from a variety of religious and cultural backgrounds, including secular, Reform and Conservative Jews from across the United States and Israel.
Formal matchmaking, known as shidduch dating and considered de rigueur in haredi Orthodox circles, has been depicted as oppressive and constricting on Netflix dramas such as “Shtisel” and “Unorthodox.” But Ben Shalom believes her basic approach to love and marriage makes sense for a wide array of people — and she’s out to prove it.
“I’m hoping that people will see that matchmaking and Judaism is not just something that’s old, but that’s timeless, that’s relevant,” Ben Shalom told the Jewish Telegraphic Agency.
“We can use this beautiful, ancient tradition of matchmaking and bring it to modern life, and help people to find love from any age, stage, any background. It doesn’t matter. It’s universal,” she said. “The wisdom that I share is from Judaism. It’s based in Torah, but it’s for the world. Anybody of any background, of any culture can watch this, can learn something from it and can implement it in their lives.”
Ben Shalom isn’t the first to make the case that matchmaking services can help a wide array of Jews find lasting love. Ventures such as YentaNet, a pluralistic matchmaking service that arose about a decade ago, and Tribe 12, a Jewish nonprofit working with young adults in Philadelphia where Ben Shalom got her start, have sought to pair Jewish singles who might be a good fit for each other.
But the practice is most common in haredi Orthodox communities, where the norms around shidduch dating are well known and closely followed. Daters have a “shidduch resume” outlining their education, interests and family background; parents are involved in the process; and dating is intended to move quickly toward marriage. Dates typically take place in public spaces and couples are expected not to touch until they are married.
In formal Orthodox matchmaking, the shadchan, or matchmaker, is usually compensated by the parents, receiving around $1,000 upon a couple’s engagement, although higher-end services may charge more. Some matchmakers may charge a smaller amount for the initial meeting with a client, while Ben Shalom’s company, Marriage Minded Mentor, charges $50 to $100 an hour on a sliding scale based on the client’s salary. (Sima Taparia, the star and host of “Indian Matchmaking,” the Netflix show that inspired “Jewish Matchmaking,” reportedly charges her clients around $1,330 to $8,000 for similar services.)
Matchmakers keep records of who in their communities is looking for a match, but they can also tap into networks of other matchmakers and databases of singles as they seek to pair their clients. “We don’t believe in competition, we believe in collaboration,” said Ben Shalom, who is currently based in Israel.
Ben Shalom grew up in a Conservative Jewish community where matchmaking was not the norm, and later became Orthodox. She knew her husband for three weeks before becoming engaged, then touched him for the first time during their wedding four months later.
She knows that most participants on “Jewish Matchmaking” are unlikely to follow those same restrictions. Still, she encourages them to at least try.
“I’m really trying to have you guys touch hearts,” Ben Shalom tells Harmonie Krieger, a marketing and brand consultant in her 40s, as she explains why she wants Krieger to abstain from physical contact for five dates. “You will gain clarity. If there’s no physical glue holding the relationship together, then there’s actually value-based glue that’s holding the relationship together.”
“I will accept the challenge,” Krieger says. “Maybe. Let’s see how it goes.”
Harmonie Krieger, one of the clients and cast members of the show, is challenged not to touch her dates for their first five dates. (Netflix)
Krieger is one of a number of non-Orthodox Jews who opted to be cast on “Jewish Matchmaking” after being unsatisfied with their own dating efforts. There’s Nakysha Osadchey, a Black Reform Jew who is desperate to get out of Kansas City, Missouri, where she hasn’t had luck finding a partner who understands her multicultural background. Living in Tel Aviv via Rome, Noah Del Monte, 24, is the youngest of the group, an Israeli army veteran and diplomat’s son who wants to transition from so-called “king of nightlife” to husband. In Los Angeles, Ori Basly, who works for his family’s wedding planning business, is looking for a blue-eyed, blonde-haired Israeli woman to fall in love with and bring home to his family.
The Jews cast on the show are all in different places in their lives, some grieving serious breakups or committed to specific religious identities, some picky about looks or hoping their partner will be OK with riding motorcycles. Some of them are looking for particular Jewish commitments to concepts such as tikkun olam, which means “repairing the world” and has come to represent a social justice imperative for many liberal Jews; others want to be sure they’re matched only with people who share their approaches to observing Shabbat and keeping kosher.
Nakysha Osadchey from Kansas City, Missouri is looking for someone who understands her multicultural background as a Black Reform Jew. (Netflix)
Pamela Rae Schuller, a comedian whose material frequently centers on living with Tourette syndrome, a nervous system disorder, demurred when Ben Shalom first offered to set her up about seven years ago, after attending one of Schuller’s shows in Los Angeles.
“I was picking career first. And there are a lot of complicated feelings around dating and disability,” said Schuller, who stands 4 feet 6 inches tall and frequently barks because of her syndrome. “And I never even thought about a matchmaker.”
But in 2022, Ben Shalom reached out again, this time with a possible match, and a catch — it would be for a new Netflix show she was set to host. This time, Schuller was ready.
“I have this life that I really, really love. I’m just at the point where I’ve realized I’d like someone to start to share that with,” she said. “I’m not going into this looking for anyone to complete me.”
Pamela Rae Schuller, a comedian whose material frequently deals with living with a disability, makes an appearance on “Jewish Matchmaking”. (Courtesy Pamela Rae Schuller)
Getting back into dating and then appearing on the show, which Schuller hasn’t seen yet, was both scary and exciting, she says
“I’m about to put myself out there. I think that’s scary for everyone, disability or otherwise,” Schuller said. “But I also want to see a world where we remember that every type of person dates.”
Plus, she added, “I love the idea that Netflix is willing to show diversity in Judaism, diversity in dating.”
Ensuring that she show accurately represented American Jews was the responsibility of Ronit Polin-Tarshish, an Orthodox filmmaker who worked as a consulting producer on “Jewish Matchmaking.” Her role was to ensure that Judaism was portrayed authentically. She also worked to help the Orthodox cast members feel more comfortable with their involvement on the show.
“Being Orthodox is who I am, and of course it infused every part of my work,” said Polin-Tarshish, who herself used a matchmaker to find her husband.
Multiple recent depictions of Orthodox Judaism in pop culture — including the Netflix reality show “My Unorthodox Life” — have drawn criticism from Orthodox voices for getting details of Orthodox observance wrong or seeming to encourage people to leave Orthodoxy. Both “My Unorthodox Life” and “Unorthodox,” based on the Deborah Feldman memoir of the same name, depict formerly Orthodox women who left arranged marriages they described as oppressive.
Meanwhile, other depictions of Jews have been panned for botching details. Those include a grieving widow (herself not Jewish, but mourning a Jewish husband) serving hamantaschen at the shiva in the 2014 film “This is Where I Leave You,” and a storyline on the Canadian show “Nurses” about an Orthodox man rejecting a bone graft from a non-Jew.
“So many times we watch shows as Jews and we kind of gnash our teeth, and are like, ‘They got it wrong! They got a basic thing wrong!’” said Polin-Tarshish, who previously produced the first-ever feature-length film by Orthodox women and worked on another reality show about arranged marriages across cultures. “That was my whole job, to make sure that they got it right. And thank God, baruch Hashem, I think we really did.”
Asked if her involvement on “Jewish Matchmaking” has received any pushback, Ben Shalom said she had gotten questions about how she could know whether the showrunners will accurately represent who she is.
Ben Shalom said she was confident in the production based on what she saw on “Indian Matchmaking,” but also because she believed she could pull off the delicate balance needed to represent her own community and make for great entertainment.
“You have to be smart about how you share who you are with the world, and you have to be authentic, and you have to be real, and you have to be true,” she said. “And you have to do that on reality TV with strangers that you’ve just met, and you have to do an interview. So only because I saw it done beautifully before, I knew that I had the ability to do that as well.”
Polin-Tarshish is excited for viewers at home to identify with the cast of “Jewish Matchmaking,” and to even get frustrated by some of the cast members’ actions. But most importantly, she says she is excited to have real, three-dimensional Jewish characters on screen.
“They’re real people in every sense of the word,” Polin-Tarshish said. “There are characters you’re going to love, there are characters you might even love to hate. But that’s life.”
—
The post In ‘Jewish Matchmaking,’ a diverse set of Jews experience Orthodox dating practices appeared first on Jewish Telegraphic Agency.
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Even Adam and Eve weren’t satisfied
האָסטו אַמאָל געטראַכט: „ווען איך וואָלט נאָר געהאַט דאָס אָדער יענץ, אָדער ווען מײַן מצבֿ וואָלט נאָר געווען אַנדערש, וואָלט איך געווען גליקלעך…“?
עס איז זייער אַנטמוטיקנדיק צו גלייבן אַז עס פֿעלט אונדז דאָס וואָס מיר דאַרפֿן כּדי צו דערגרייכן אונדזערע צילן און צו זײַן גליקלעך. און נאָך מער: ווען מען קומט צו אַזאַ מסקנה, פֿילט מען זיך ווי אַ קרבן פֿון די אומשטענדן, אוממעכטיק צו בײַטן די מציאות צום גוטן.
אָבער איז עס טאַקע אַזוי?
אין טיפֿן איז דאָס אַ פֿאַלשער חשבון. פֿרייד איז ניט אָפּהענגיק פֿון דעם וואָס מיר האָבן אָדער האָבן ניט, נאָר פֿון דעם ווי מיר קוקן אויף וואָס מיר האָבן און אויף וואָס עס פֿעלט אונדז.
אין דער וואָכעדיקער סדרה, בראשית, לייענען מיר וועגן בריאת־העולם און איר שפּיץ — די באַשאַפֿונג פֿון אָדם און חוה.
וואָס קען זײַן אַ בעסערער בײַשפּיל, אַז גליק איז ניט אָפּהענגיק פֿון אויסערלעכע אומשטענדן, ווי אָדם און חוה אין גן־עדן?
האָט זיי עפּעס געפֿעלט? ניין.
און דאָך האָבן זיי אַליין באַוויזן צו פֿאַרפּלאָנטערן דעם מצבֿ.
עס איז געווען בלויז איין בוים, פֿון וועמענס פֿרוכטן ג־ט האָט זיי פֿאַרווערט צו עסן, און זיי האָבן זיך ניט געקענט אײַנהאַלטן פֿון עסן דווקא פֿון יענעם בוים!
און נאָך מער: לויט דעם תּנא רבי מאיר איז דער בוים געווען אַ ווײַנשטאָק. זיי האָבן זיך געדאַרפֿט אָפּהאַלטן פֿון זײַנע פֿרוכטן בלויז עטלעכע שעה, ביז שבת וואָלט זיך אָנגעהויבן; דאַן וואָלטן זיי געקענט מאַכן קידוש אויפֿן ווײַן און אַזוי אײַנפֿירן אַן אייביקן שבת.
פֿאַר וואָס האָבן זיי ניט געקענט זיך אײַנהאַלטן?
עס איז אַ טייל פֿון אונדזער נאַטור צו וועלן דווקא דאָס וואָס מיר קענען ניט האָבן, און ניט אָפּצושאַצן ווי געהעריג דאָס וואָס מיר האָבן יאָ.
עס קלינגט כּמעט אומגלייבלעך — כאָטש דאָס געשעט צו אָפֿט — אָבער ווען ג־ט קומט צו אָדם און פֿאָדערט בײַ אים אַן ענטפֿער פֿאַר וואָס ער האָט געגעסן פֿון בוים, באַשולדיקט ער „די פֿרוי וואָס דו האָסט מיר געגעבן צו זײַן מיט מיר“, ווײַל זי האָט אים געגעבן צו עסן פֿון בוים.
וואָס פֿאַר אַן אומדאַנקבאַרקייט!
ג־ט האָט אים געגעבן אַ פֿרוי, ווײַל ער האָט געזען ווי שטאַרק אָדם לײַדט פֿון זײַן איינזאַמקייט. און אַנשטאָט אָפּצושאַצן דעם אוצר וואָס ער האָט באַקומען, קריטיקירט ער זי און באַשולדיקט זי.
אין אַ בריוו צו איינעם וואָס פֿלעגט זיך אָפֿט באַקלאָגן וועגן זײַן לעבן, שרײַבט דער ליובאַוויטשער רבי — זכותו יגן עלינו:
„אין דער וועלט אין וועלכער מיר לעבן, געפֿינט זיך אין אַלע זאַכן אַ געמיש פֿון גוטס און שלעכטס. דער מענטש דאַרף אויסקלײַבן אויף וועלכן פֿון די צוויי צדדים ער וויל לייגן דעם טראָפּ, אויף וועלכן ער וויל טראַכטן, און וועלכן ער וויל נאָכגיין…
„ווי באַלערנדיק איז דאָס וואָס אונדזערע חכמים זאָגן וועגן דעם וואָס אָדם איז געווען אַן אומדאַנקבאַרער: נאָך איידער ער איז פֿאַרטריבן געוואָרן פֿון גן־עדן — ווען ער האָט זיך נאָך געפֿונען אין אַ ממשותדיקן גן־עדן — האָט ער זיך שוין באַקלאָגט וועגן זײַן מצבֿ.
„פֿון דער אַנדערער זײַט זענען געווען ייִדן, מענער און פֿרויען, וואָס האָבן געדאַנקט און געבענטשט דעם באַשעפֿער, און געזאָגט די ברכות השחר יעדן אינדערפֿרי, בשעת זיי האָבן געלעבט אונטער די שרעקלעכסטע באַדינגונגען אין די דײַטשישע קאָנצענטראַציע־לאַגערן.
„אין דער ווירקלעכקייט וועט דער מצבֿ פֿון יעדן מענטש זיך געפֿינען ערגעץ צווישן די צוויי עקסטרעמען.
„מײַן כּוונה איז ניט אײַך צו מוסרן, נאָר אונטערצושטרײַכן אַ מציאות: וואָס פֿאַר אַ לעבן מיר לעבן — אַ לעבן פֿול מיט צופֿרידנקייט און באַדײַט, אָדער פֿאַרקערט — איז אין אַ גרויסער מאָס אָפּהענגיק פֿון אונדזער ווילנסקראַפֿט, וואָס באַשטימט צי מיר וועלן לייגן דעם טראָפּ אויף דעם פּאָזיטיוון אָדער אויף דעם נעגאַטיוון.“
מיר זײַנען מסוגל זיך צו באַקלאָגן אויף די באַדינגונגען אין גן־עדן און צו פֿילן הכּרת־הטובֿ, דאַנקשאַפֿט, אַפֿילו אין די אוממענטשלעכסטע באַדינגונגען פֿון אַ קאָנצענטראַציע־לאַגער.
איינער פֿון די פּערזענלעכע געהילפֿן בײַם רבין, הרבֿ בערל ע״ה יוניק, האָט דערציילט, אַז דער רבי האָט אים אַמאָל פּריוואַט געזאָגט:
„איך האָב געאַרבעט אויף זיך צו זען שטענדיק די זאַכן אין אַ פּאָזיטיוון ליכט; ווען ניט, וואָלט איך ניט געקענט איבערלעבן.“
ווען מען ווייסט וויפֿל פּערזענלעכע ליידן פֿון פֿאַרשידענע מינים דער רבי האָט אַליין דורכגעמאַכט, אין צוגאָב צו דעם ווייטיק פֿון די המונים מענטשן וואָס האָבן מיט אים געטיילט זייערע פּערזענלעכע צרות, קען מען פֿאַרשטיין, אַז אַזאַ בליק אויפֿן לעבן איז גאָר ניט קיין קליינע דערגרייכונג.
דערפֿאַר איז די „ווערקצײַג“ פֿון דער וואָך צו טראַכטן וועגן די פֿאָלגנדיקע פֿראַגעס:
זענען די אומשטענדן פֿון דײַן לעבן גוט אָדער שלעכט אומאָפּהענגיק פֿון דעם ווי דו קוקסט אויף זיי — אָדער ווערן זיי פֿאַר דיר גוט אָדער שלעכט דווקא צוליב דעם ווי דו קוקסט אויף זיי?
ס׳איז דאָ אַ וואָרט וואָס מען האָט געהערט אין נאָמען פֿון דעם דריטן חב״ד רבי, דעם צמח צדק זצ״ל: „אַזוי ווי מען שטעלט זיך אַוועק שבת בראשית, אַזוי גייט אַוועק אויף דעם גאַנצן יאָר“. דריק איך אויס די האָפֿענונג אַז מיר זאָלן אין דעם אַלע מצליח זײַן און האָבן אַ גוט געבענטשט יאָר.
The post Even Adam and Eve weren’t satisfied appeared first on The Forward.
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ADL makes a play for the arts with new reports suggesting anti-Jewish bias in culture spaces
(JTA) — The Anti-Defamation League is alleging “systemic exclusion of Jewish and Israeli artists” in a trio of reports released Thursday focusing on the publishing, museums and entertainment spaces.
The reports, which the ADL calls its “State of the Arts” initiative, were shared with the Jewish Telegraphic Agency in advance of their publication and come as Jews have expressed alarm about their treatment in a post-Oct. 7 cultural landscape. They include:
- Grades for 40 museums on Jewish and Israeli representation that the ADL says “reveal a pattern of erasure by omission,” including comparatively few recognitions of Jewish American Heritage Month.
- A “trend report” based on interviews with more than 30 Jewish authors and publishing professionals alleging boycotts and exclusions from the publishing industry based on their identities.
- A survey of 65 incidents of “Jewish, Israeli and openly Zionist artists fac[ing] growing scrutiny, protest, disruption and cancellation” from performance venues or pressure from pro-Palestinian groups since the Oct. 7, 2023, Hamas attacks in Israel.
- ADL-approved guidelines for how venues should host and engage with Jewish artists.
The reports will be accompanied by a launch event Thursday evening at the Jewish Museum in New York, to be attended by ADL CEO Jonathan Greenblatt as well as Jewish entertainers including actor Selma Blair and author and influencer Alyssa Rosenheck.
“We started to hear from patrons of the arts and artists and other people connected to museums that there was a real problem,” Shira Goodman, the ADL’s vice president of public affairs and special initiatives, told JTA in an interview about the genesis of the project.
As a result, the ADL started tracking Jewish and Israeli artists who had been targeted by protests. The group also heard from Jewish authors about the publishing industry, leading to an expansion of the project. Goodman said the team was motivated by the chance to leverage “boards of trustees and boards of directors, and donors, who might be able to have influence.”
“By shining a light on some of this, we might be able to have an effect and an impact,” she said.
The project follows the ADL’s campus antisemitism report cards, which launched in 2024 and assign letter grades to dozens of universities based on how well the group feels they have combated anti-Jewish sentiments. Criticized by many in higher education, and by some major Jewish groups including Hillel International, the report cards have nonetheless prompted several campuses to change or update their policies around Jewish issues.
That success led to the formation of a new ADL unit focused on ratings and assessments. Now, the watchdog’s attention is turning to the art world — at a moment when many eyes are trained on Jews and Israelis in those spaces.
Over the summer, a report from the literary free-speech group PEN America reached similar conclusions to the ADL on the exclusion felt by some Jewish and Israeli authors. The report led to deep internal divisions within PEN and the resignation of its president, who argued that the organization was not standing up for the free-speech rights of boycotters. New Jewish publishing initiatives aim to counteract what they say is the exclusion of Jewish voices in mainstream publishing.
Since Oct. 7, several pro-Israel Jewish artists, ranging from Jerry Seinfeld and Mayim Bialik to Matisyahu, have seen their events targeted by pro-Palestinian protesters. The ADL’s report catalogs all these incidents and more, including demonstrations staged by neo-Nazis against Jewish-themed theatrical shows, which the ADL’s staff said they see as equivalent to pro-Palestinian protests.
“They’re equally disruptive and exclusionary of Jewish voices,” Luda Isakharov, associate director of the ADL’s Ratings and Assessments Institute, told JTA. “We treat them the same in our grading.”
In recent weeks, two Israel-related arts controversies have further complicated the picture of how Jews in the cultural landscape orient themselves around the issue. Jewish mogul Robert Kraft pressured Ed Sheeran to drop Macklemore from his tour over the latter’s onstage rhetoric about Israel. And the Israeli documentary “NAZA” is being targeted by right-wing Israelis over the film’s detailing of the conduct of war in Gaza.
ADL researchers had no involvement in PEN’s publishing report, Goodman said; their own report argues that PEN didn’t go far enough. And while Greenblatt himself posted approvingly of Kraft’s role in the Macklemore dust-up, Goodman said the ADL has not yet thought through how it would record incidents like the Kraft controversy or the “NAZA” disputes, in which Jews or Israelis are the ones leading the protesting.
“We’re encouraging people to let speech go forward, to let concerts go forward,” she said. “Typically we have not been supportive of boycotts.” The report’s incident catalog, the ADL said, instead focuses on Jewish or Israeli artists targeted on the basis of their identities.
Goodman added, “We do speak out because we want celebrities to know how painful their language is, and the examples that they can set and what the impacts are.”
Both the Kraft and “NAZA” incidents occurred after the ADL had finalized its report. An earlier example of attempted cancellation directed at the “NAZA” filmmakers, when the mayor of Miami Beach briefly threatened to evict a theater showing the directors’ previous movie in 2025, failed to make the ADL’s catalog, although the directors are Jewish and Israeli.
One conclusion to draw from entertainment spaces’ relationship to Jews and Israelis, the ADL told JTA, is that many often cite heightened security concerns as a reason not to engage with the topic.
The museum report, similar to the campus report cards, assigns ratings to each of the 40 surveyed institutions, including major museums such as the Museum of Modern Art and the Guggenheim. Grades range from “Gold Standard,” which the ADL assigned only to the Berkeley Art Museum, to “Critically Deficient,” which it gave to 12 museums, including the Whitney and the Los Angeles County Museum of Art.
The criteria include the number of Jewish and Israeli artists in each museum’s collection and whether or not they are presented with “Jewish framing.” Among those approvingly cited as representative of Jewish or Israeli art are left-wing Jewish artists such as Nan Goldin, as well as Arab-Israelis whose “art was very critical of Israel,” according to Isakharov. Goldin’s name does not appear in the early copy of the report shared by JTA, though other Israel-critical Jewish artists do.
The ADL also recorded whether a museum had been the site of a pro-Palestinian protest, and whether it had a process in place for identifying art that had been stolen by the Nazis from Jewish families.
Museum ratings also factor in an institution’s policies around anti-discrimination for Jews and Jewish programming — including for Jewish American Heritage Month, which ADL researchers said only one of the surveyed museums currently observes. Meanwhile, according to the ADL, 60% of the same museums observe other ethnic heritage months.
Some museums have already reached out to the ADL to say they would be sharing more of their policies related to anti-Jewish discrimination, Isakharov said.
Meanwhile, the ADL’s publishing report, similar to PEN’s, relies largely on anecdotal evidence about Jewish authors and subjects reportedly being passed over by agents, publishers or literary venues after Oct. 7.
“Much of what’s going on is happening below the surface,” Isakharov told JTA. “It’s oftentimes a last-minute drop, a gut feeling that authors have, and that makes it so hard to prove.”
One of the authors the ADL plans to spotlight prominently is Rosenheck, a photographer, influencer and author of the memoir “White. Blond. Jew.” She will be speaking at the ADL’s launch event Thursday. Rosenheck has a previous relationship with the ADL, having appeared at its “Never Is Now” summit last year, and has also spoken at the Republican Jewish Coalition.
Rosenheck’s book launch event in Nashville was cancelled by an independent bookseller earlier this year citing security concerns, an incident condemned by the local federation.
“This is what literary antisemitism looks like,” Rosenheck is quoted as saying in the ADL report, referring to her experience with the bookstore as well as negative posts about her book online.
Some Jewish scholars of publishing trends are critical of reports that suggest Jewish authors and subjects are facing discrimination. Such conclusions, they say, fail to make the case that Jews have been treated unfairly outside of industry norms.
Wellesley College professor Josh Lambert and Emory University professor Dan Sinykin, in a joint report also published Thursday, accuse the ADL’s study of being promoted by “political motivations.”
“The ADL’s report features quotes by a handful of right-wing activists (without acknowledging them as such), conflates Jews and Zionists, and opposes boycotts — all familiar strategies to suppress leftist Jewish and pro-Palestinian expression,” Lambert and Sinykin write in the left-wing magazine Jewish Currents.
The two present their own data suggesting that Jewish- and Israeli-themed fiction, after declining in 2024, actually entered an upswing in 2025. They also challenge some of the claims made by the PEN report’s key interview subjects, including the number of Jewish books one Jewish agent claimed to have signed since Oct. 7. Their story has prompted a correction on the PEN report.
This article originally appeared on JTA.org.
The post ADL makes a play for the arts with new reports suggesting anti-Jewish bias in culture spaces appeared first on The Forward.
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Netanyahu pledges new security measures in wake of FlyDubai attack
(JTA) — President Donald Trump spoke to Israeli Prime Minister Benjamin Netanyahu “at length” about the flydubai attack on Wednesday, while the United Arab Emirates said it was opening an investigation into the incident.
The UAE noted in a statement that the investigation included looking at “any and all possible connection to terrorist intent” after one pilot attacked another on a flight from Dubai to Tel Aviv and appeared to try to down the plane.
Netanyahu also spoke to UAE leaders about the event, acknowledging as of Wednesday night that it couldn’t be ruled out that the attacker was acting out of mental illness rather than political motivations.
He told CBS News that the co-pilot allegedly behind the attack is being interrogated in Saudi Arabia, where the plane eventually landed. “He will be investigated, interrogated, we’ll join the investigation and find out.”
While Netanyahu pointed to Israel having received signs that Iran, particularly through its proxies, was looking to attack Israelis abroad, he told CBS that “It’s too early to say there was Iranian collusion here.”
He noted that Israel is “concerned” about the safety of other flights to Israel and that flydubai flights were suspended for the next few days. At the same time Israel is trying to put in place additional security checks and close the loopholes that had led to this incident. He pointed out that most screening protocols have until now been aimed at passengers rather than pilots.
“We’re going to have Israeli planes fly to Dubai and bring the thousands and thousands of Israelis” back home, he said.
He also referred to reports of terror attacks being planned by Iran before the Oct. 27 national elections, necessitating extra vigilance on the part of the government.
Both Trump and Netauand praised the heroism of Israel passenger Yaniv Hayun, who first entered the cockpit and saved the plane from near-certain disaster.
Trump told the media that Netanyahu had told him “an incredible story” about what happened, though he noted he hadn’t himself verified the details.
“An Israeli plumber, never flew a plane, was rarely in planes, very rarely flew,” Trump said referring to Hayun, “having never flown a plane, he took the stick, lifted the stick and leveled out the plane before it crashed.”
Trump noted that Hayun attributed his knowledge of what to do to being a regular watcher of the TV show “Air Disasters.”
“He happened to be a Jewish plumber,” Trump noted, apparently making the comment to a staffer nearby who is Jewish himself and whom Trump called “very proud” of the passenger.
Netanyahu himself told Fox News that Hayun’s “act of unbelievable courage” saved the plane from disaster.
“It’s incredible heroism. I don’t know how he did it.”
He continued, “He managed to enter the cockpit, he saw the attacker trying to jam the instruments. He grabbed him from behind, pulled the stick back,” and then two other people on the plane headed off the attacker while reserve pilots on the plane took over.
This article originally appeared on JTA.org.
The post Netanyahu pledges new security measures in wake of FlyDubai attack appeared first on The Forward.
