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In long-isolated Australia, festivals bring out Jewish celebrants in Sydney and Melbourne

When things finally began returning to normal in Australia after nearly three years under one of the world’s strictest Covid protocols, Australian Jews didn’t hesitate to celebrate.

In November, Jews with the roots in the former Soviet Union who live in Australia heralded their heritage with a pair of long-awaited festivals in the country’s two biggest cities, Nov. 6 in Sydney and Nov. 13 in Melbourne. Each event attracted about 200 people. Limmud FSU Australia hosted both festivals in close partnership with the Zionist Federation of Australia or ZFA, marking the FSU Jewish community’s first in-person, large-scale events since 2018.

“For a while, we couldn’t travel more than 5 kilometers from our homes,” said Ukrainian-born Inna Polura, who worked logistics for Limmud FSU’s first Sydney festival back in 2015 and now volunteers at the Sydney Jewish Museum. “This last event was very successful, and at least 50 kids attended. We see a huge potential here.”

Moscow-born real estate agent Elena Sladkova, 25, added, “Finally we were able to do it, and this was one of the best festivals our community has seen in a very long time.”

About a quarter of Australia’s 120,000 Jews were born in the former Soviet Union or are children of immigrants from the former USSR. Limmud FSU organizes gatherings all over the world to strengthen Jewish identity and a sense of Jewish community among Jews with roots in the USSR.

At the Limmud festivals in Australia, which were held in both English and Russian, representatives of three nonprofit groups — the Blue Peony Foundation, the Svoboda Alliance and the Russian-Speaking Jewish Community Association — shared tips on how to assist Ukrainians suffering from the war that has devastated their country.

The Sydney event, held at New South Wales University, featured such presenters as Amir Maimon, Israel’s new ambassador to Australia; Leon Goltsman, Waverley Councillor for Bondi Ward, Sydney; Ron Weiser, former president of the ZFA; Diana Ulitsky of the social service agency JewishCare NSW; and Rabbi Yehoram Ulman of the Sydney Beth Din. The Melbourne event took place at the Crowne Promenade Conference Centre, with such prominent speakers as MP David Southwick, deputy Victorian Liberal Party leader; and Sebastian Inwentarz, ZFA Birthright’s Australia director.

Some of the festivals’ sessions focused on uniquely Australian themes, such as Professor Ludmila Stern’s history lecture on the World War II-era prosecution of two elderly Ukrainians and a German in the Australian city of Adelaide for atrocities against Jews. Jeremy Jones, director of international and community affairs at the Australia/Israel & Jewish Affairs Council, spoke of local efforts to secure the emigration of Soviet Jews to Australia in the 1970s and ’80s. In Melbourne, Simon Holloway, head of education at the Melbourne Holocaust Museum, spoke on the dramatic emergence of Holocaust research in the former Soviet Union.

There were plenty of lighter sessions among the three dozen or so at each festival. At the Melbourne event, Orthodox psychotherapist Miriam Dolnikov talked about myths and facts about Orthodox sex. Rabbi and chef David Trakhtman spoke about “spiritual gastronomy.”

Volunteers, like these ones in Melbourne, are an indispensable part of those who organize Limmud FSU conferences. (Yuri Peress, PY-PHOTO)

In between sessions, entertainment was provided by the Russian School Lider Dance Ensemble as well as students from the AMS Music Centre and VulgarGrad, a seven-piece, Melbourne-based band that plays unique funk and punk renditions of traditional folk songs from the former Soviet Union. A special performance was held in Sydney by Ukraine-born Israeli singer Vladi Balyberg, and both events featured a unique concert by a prominent Israeli actor and singer, Vladimir Friedman. There were also workshops on challah baking and martial arts for kids.

“The last three years have shown that everything in the world can change overnight. But the fact that Limmud FSU continues to work and be active is priceless,” said Marina Rozenberg Koritny, head of the World Zionist Organization’s Aliyah Promotion Department. “This organization does wonderful, significant work in Jewish education in the Diaspora, and continues to remind us all the time that we are all one people.”

This year alone, Limmud FSU has held festivals in New Jersey; Niagara Falls, Canada; Baku, Azerbaijan, and Boston. A Dec. 1-3 gathering in Tiberias, Israel, was the year’s biggest event, with some 1,100 participants.

“It has been a long time since we last gathered in Australia,” said Limmud FSU founder Chaim Chesler. “But the post-Covid Australian Jewish community, whose roots lie in the countries of the FSU, is just as vibrant and hungry for community and learning opportunities as before. We are delighted to return.”

Events for children were part of the Limmud FSU conference in Sydney, Austrlia, on Nov. 6, 2022. (Veda Kucko)

Among Limmud FSU Australia’s key supporters are the Conference on Jewish Material Claims against Germany, the ZFA, the World Zionist Organization, Genesis Philanthropy Group, the Jewish National Fund-Keren Kayemet LeIsrael and Wilf Family Foundations. Since Limmud FSU’s first conference in 2006, the group has hosted more than 80 events worldwide, drawing over 80,000 participants. The group’s co-founder is Sandra Cahn; Matthew Bronfman is its chairman; and Aaron Frenkel is president.

“I think the best way to expand your network is by volunteering and participating in the community, and that’s why I’m involved with Limmud,” said Russia-born Maria Gelvan, 38, who coordinated the activities of the 28 volunteers at the Melbourne festival. “It’s an absolutely amazing opportunity for unifying the Jewish community.”

Luiza Levenfus, 44, who immigrated to Israel from the former Soviet republic of Azerbaijan at age 12 before moving to Melbourne when she was about 20, says Jewish identity is at risk in Australia’s multicultural society.

“There is a big risk of losing our connection to Judaism,” Levenfus said. “I feel like my kids don’t understand the Jewish side of things, even though their mom is Jewish and their dad is half-Jewish and half-Russian — especially in the suburb where we live.”

That’s why taking the time to go to the Limmud FSU festival was so important, she said.

“People there get me. I don’t have to explain to them why I have tears when I hear Hebrew songs,” Levenfus said. “We’re all on the same page.”


The post In long-isolated Australia, festivals bring out Jewish celebrants in Sydney and Melbourne appeared first on Jewish Telegraphic Agency.

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Spike Lee says his pro-Palestinian NBA All-Star Game fit wasn’t meant as a dig against Deni Avdija

(JTA) — The director Spike Lee says he was not targeting the first Israeli NBA All-Star when he wore a pro-Palestinian outfit to the All-Star Game on Sunday.

Lee’s outfit which featured a keffiyeh-patterned sweater and flag-themed bag strap. Some of his critics charged that he had chosen the outfit especially because Deni Avdija, the Israeli star of the Portland Trail Blazers, was taking the court.

Lee put that idea to rest in a post on Instagram late Tuesday, saying that he had not known Avdija was Israeli because the Trail Blazers are a West Coast team. (Lee is a New York Knicks superfan.)

“There has been some conjecture about what I wore to the games on Saturday and Sunday. The clothes I wore are symbols of my concern for the Palestinian children and civilians, and my utmost belief in human dignity for all humankind,” Lee wrote. “What I wore was not intended as a gesture of hostility to Jewish people or to support violence against anyone, nor was it intended as a comment on the significance of Deni being an an All-Star.”

About his lack of familiarity with Avdija, whose World Team fell short in the round-robin contest featuring 28 NBA stars, Lee added, “He can BALL. NOW I DO KNOW.”

 

The post Spike Lee says his pro-Palestinian NBA All-Star Game fit wasn’t meant as a dig against Deni Avdija appeared first on The Forward.

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Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year

(JTA) — Eli Sharabi’s memoir “Hostage,” recounting his experience in Hamas captivity after the Oct. 7, 2023 attack, has been named Book of the Year by the National Jewish Book Awards, organizers announced Wednesday.

The awards, presented by the Jewish Book Council and considered among the most prestigious honors in Jewish literature, recognize outstanding English-language books of Jewish interest across dozens of categories. Founded in 1950, the program is the longest-running North American awards initiative devoted to Jewish books.

Sharabi’s memoir, which details his abduction from Kibbutz Be’eri and the more than year he spent in captivity, became a bestseller in Israel and was later released in English in the United States.

“This recognition means so much to me, not only personally, but for the memory of my family and all those we lost,” Sharabi said in a statement. “’Hostage’ is my testimony, a story of my survival, written so others could bear witness. I hope it helps ensure that what happened is never forgotten.”

Other major winners reflect the breadth of contemporary Jewish writing, spanning scholarship, fiction, memoir and children’s literature.

In American Jewish studies, Pamela S. Nadell won for “Antisemitism, an American Tradition,” a look at the forms antisemitism took in the country from the early Dutch settlers to the present day. The Russian-born journalist Julia Ioffe took the autobiography and memoir prize for “Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy.” The book blends memoir, journalism and history to examine modern Russia through the lens of women’s experiences.

Jack Fairweather’s “The Prosecutor: One Man’s Battle to Bring Nazis to Justice,” the story of a Jewish judge and Holocaust survivor from Stuttgart who pursued Nazi perpetrators in post-war Germany, won the biography award.

Fiction honors went to Allison Epstein for “Fagin the Thief,” a retelling of the Dickens novel “Oliver Twist” from the perspective of its Jewish antihero, and Zeeva Bukai received the debut fiction prize for “The Anatomy of Exile,” about the multigenerational echoes of a secret love affair between an Israeli Jewish woman and a Pales­tin­ian poet.

The Hebrew fiction in translation category recognized “Dog,” by Yishay Ishi Ron, translated by Yardenne Greenspan, which also earned a selection in the book club category. The novella’s protagonist is an Israeli combat veteran haunted by his service in one of the Gaza campaigns prior to Oct. 7.

This year’s awards arrive as the Jewish discourse has been reshaped by the aftermath of Oct. 7, a global surge in antisemitism and the polarizing debate over Israel that followed. Last year’s winner for book of the year, “10/7: 100 Human Stories” by Lee Yaron, was also an account of the attacks and their aftermath.

Jewish anxieties in light of Oct. 7 are the subject of Sarah Hurwitz’s “As A Jew: Reclaiming Our Story From Those Who Blame, Shame, and Try to Erase Us,” which won in the contemporary Jewish life and practice category. Hurwitz, a speechwriter in the Obama administration, provides a primer on Jewish history, texts and practices in order to counter what she calls misinformation among Jews, their allies and their critics.

“Especially amid rising antisemitism and Jewish authors facing increased scrutiny, Jewish books have the power to create and sustain community,” said Naomi Firestone-Teeter, CEO of Jewish Book Council, in a statement announcing the winners.

In “Hostage,” Sharabi writes about the terror of his abduction and the daily struggle to survive after Hamas fighters stormed Kibbutz Be’eri. He would spend 491 days in captivity, much of it in tunnels beneath Gaza, before being released on Feb. 8,  2025, as part of a negotiated deal. Throughout the ordeal, Sharabi clung to the hope of rescue, writing: ‘I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I’m getting out of here. I have to. I’m getting out of here. I’m coming home.”

Other nonfiction winners included Elissa Bemporad’s “Jews in the Soviet Union: A History: Revolution, Civil War, and New Ways of Life, 1917–1930, Volume 1,” which won in history; Anna Hájková’s “People Without History are Dust: Queer Desire in the Holocaust,” honored in Holocaust studies alongside translator William Ross Jones; and Tobias Schiff’s “Return to the Place I Never Left,” which won the Holocaust memoir award, with Dani James recognized for translation.

Awards recognizing contemporary Jewish thought and scholarship included Lawrence Grossman’s “Living in Both Worlds: Modern Orthodox Judaism in the United States, 1945–2025,” and Debra Kaplan and Elisheva Carlebach’s “A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe,” which won multiple prizes, including scholarship and women’s studies.

In children’s and young readers’ categories, Alison Goldberg’s “The Remembering Candle,” illustrated by Selina Alko, won for children’s picture book; Janice Shapiro’s “Honoria: A Fortuitous Friendship” took the prize for middle grade literature; and Eugene Yelchin’s graphic memoir “I Wish I Didn’t Have to Tell You This” won in young adult literature.

Other winners include Miriam Udel’s “Modern Jewish Worldmaking Through Yiddish Children’s Literature,” which won in education and Jewish identity; Raegan Steinberg, Alexandre Cohen and Evelyne Eng’s “Arthurs: Home of the Nosh,” honored in food writing and cookbooks; Ariella Aïsha Azoulay’s “Golden Threads,” which won for Sephardic culture; Elizabeth E. Imber’s “Uncertain Empire,” for writing based on archival material; and Aharon Shabtai’s “Requiem & Other Poems,” translated by Peter Cole, which won the poetry award.

The winners will be honored at an awards ceremony in New York next month hoisted by the entertainer Jonah Platt. At the ceremony, journalist Sam Feedman will be presented with the council’s Mentorship Award, named in honor of Carolyn Starman Hessel, longtime former director of the JBC. Freedman, a former New York Times reporter and professor at the Columbia Journalism School, taught a popular course that helped over 100 students turn their ideas into books, including “When They Come for Us, We’ll Be Gone: The Epic Struggle to Save Soviet Jewry,” Gal Beckerman’s 2010 history of the Soviet Jewry movement.

“Sam Freedman changed my life as a writer,” Beckerman said in a statement. “He believed in me before I believed in myself, pushed me to take my work seriously, and opened doors I didn’t even know existed. With tough love and deep generosity, he guided me through the daunting process of writing a book as if it were his own. What he did for me, he did for dozens of writers.”

The post Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year appeared first on The Forward.

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Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy

(JTA) — An annual festival in Andorra drew condemnation from the country’s small Jewish community after an effigy bearing the Israeli flag was staged in a mock trial and then hung and shot.

The incident was part of the traditional Catalan festival Carnestoltes, which occurs yearly before Lent, the 40-day period that precedes Easter. At Monday’s festival in Andorra, where a mock king is typically tried and burned, organizers instead used an effigy wearing blue with the Israeli flag painted on its face.

During the festivities, the Israeli effigy was symbolically tried, hung, shot and burned, according to social media posts and a report in the Israeli outlet YNet.

The incident drew outcry from the microstate’s tiny Jewish community, which only just got its first full-time rabbi, a Chabad emissary, in the last two years.

“This is a ritual they perform every year as part of carnival, where they mock many things,” Jewish Andorra resident Esther Pujol told YNet. “This time they dressed the effigy in the colors of the Israeli flag, with a Star of David on its face. They put it on trial, sentenced it to death and carried out the sentence by shooting and burning it. It is completely unacceptable.”

Pujol told the outlet that it was the first time she had seen the festival include anti-Israel or antisemitic elements, and that she had contacted Andorran lawmakers to express her outrage. The mayor of Encamp, the city where the incident took place, and local politicians took part in the ceremony, according to YNet.

The European Jewish Congress also decried the display in a post on X, writing that the mock-execution was a “deeply disturbing act that risks normalizing antisemitism and incitement.”

“This incident requires unequivocal condemnation, full clarification of responsibilities and concrete measures to ensure that antisemitism is never tolerated in public celebrations or institutions in Andorra or anywhere in Europe,” the post continued.

Other Lent festivities have also been the site of antisemitism in recent years, with Belgian celebrations in 2019 featuring antisemitic caricatures and a Spanish parade in 2020 featuring a Holocaust-themed display.

The incident marks a rare instance of open turmoil for Jews in Andorra, which is nestled between France and Spain in the Pyrenees mountains. While France and Spain have seen widespread pro-Palestinian protests and antisemitic incidents in recent years, Andorra has largely avoided similar tensions.

In September, Andorra formally announced its recognition of Palestinian statehood alongside a host of other European nations during the United Nations General Assembly in New York City.

But local Jews have also sought to remain under the radar, considering that Andorra officially prohibits non-Catholic houses of worship. The Jewish community calls their gathering place a community center rather than a synagogue. In 2023, Andorra’s parliament elected a Jewish lawmaker for the first time.

The post Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy appeared first on The Forward.

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