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In ‘Mapping Jewish San Francisco,’ a treasure trove of Bay Area Jewish history goes on display

(J. The Jewish News of Northern California via JTA) — The year was 1968. Young people from around the country were descending on San Francisco looking for ways to express themselves, making efforts — sometimes heroic, sometimes tragic — to free themselves from the bonds of American society.

At the same time, a group of Jews came together in the city to create something new.

“After painfully realizing that the Jewish leaders and especially, in San Francisco, are only interested in lectures on the terrible lost generation, but have no wish of giving them a helping hand, we opened, on our own, a house of love and prayer in San Francisco.”

Those words, by Rabbi Shlomo Carlebach, are on a handmade brochure from 1968. It’s only one artifact in a treasure trove of documents and photos displayed in a new, online exhibit out of the University of San Francisco called “Mapping Jewish San Francisco.” Much of the historical material is being seen publicly for the first time.

“We really want people to get a sense of the unique elements of Bay Area Jewish life,” said Oren Kroll-Zeldin, lead curator of the project and assistant director of the Swig Program in Jewish Studies and Social Justice at the university.

The first part of a brochure advertising the House of Love and Prayer, 1968. (Mapping Jewish San Francisco)

The San Francisco project was inspired by “Mapping Jewish Los Angeles,” a UCLA endeavor that for more than a decade has been bringing multimedia stories of L.A.’s diverse Jewish neighborhoods to life.

“I thought, oh my goodness, we need to do this about San Francisco!” Kroll-Zeldin said.

He brought the idea to Aaron Hahn Tapper, director of USF’s Swig Jewish studies program.

“He was immediately excited and supportive of it,” Kroll-Zeldin said.

They got to work, but executing the projects was a bit more daunting than expected, including making sure the multimedia elements of the website worked perfectly.

But now the site has launched with two inaugural exhibits: Kroll-Zeldin’s deep dive into Carlebach’s synagogue and religious commune known as the House of Love and Prayer, and a comprehensive look at the Karaite Jewish community in the Bay Area and beyond.

“Through ‘Mapping Jewish San Francisco,’ we aim for people to better understand how today’s Bay Area Jewish community came to be and the role that Jews have played in the creation of this major American city,” Hahn Tapper said in an email.

Kroll-Zeldin said a key factor in the effort was the access he had to personal papers, stories, photos and anecdotes, provided to him by the people who were there. He calls it “one-of-a-kind archival material.”

“This is only possible based on the willingness of these people to tell these stories,” he said.

There are also videos, including a series of oral histories with locals who experienced communal living, and archival audio recordings of Carlebach’s teachings and music. The exhibit covers the reach of the rabbi’s impact, but also touches on the controversies around Carlebach, who was accused of sexual assault by many women.

The second exhibition, led by Hahn Tapper, highlights the history of the Karaite Jews, a small but distinct and vibrant community of Jews who are the inheritors of a little-known branch of Judaism.

It is a custom among Karaite Jews to pray kneeling on the ground, as seen here in the sanctuary of Congregation B’nai Israel in Daly City. (Courtesy Kararite Jews of America)

They split from the mainstream, theologically, somewhere between the eighth and 10th centuries. While they follow Torah, they do not follow the rabbinic interpretations in the Mishnah and Talmud. Karaite Jews have many customs and prayers that set their religious practice apart.

The largest group of Karaites lived in Egypt until the 1950s, when tensions, violence and war drove many of them out. Some moved to Israel and others to the Bay Area, where they built a tight-knit and active community.

Only 50,000 or so Karaites are left in the world today, with an estimated 1,000 in the Bay Area, site of the only Karaite synagogue in the Western Hemisphere.

“They are a very important subcommunity of Jews,” Hahn Tapper said. “In addition, as a religious studies scholar who focuses on contemporary social identities, the ways this Jewish community has re-established itself here in the Bay Area is astounding.”

Hahn Tapper said he went through mounds of documents and hundreds of hours of video interview footage to put together the online exhibition, called “Out of Egypt.” He said the videos are invaluable because so many of the Karaites who immigrated to the United States have died in recent years.

“Through this exhibit we have documented their lives, lives of Jews in Egypt that no longer exist,” he said. “These interviewees paint a picture of what it was like to celebrate Jewish holidays in Cairo, some of whom did so with their Muslim neighbors.”

Kroll-Zeldin said each exhibit takes up to two years to prepare, in collaboration with academics, students and community leaders; scholars first collect and digitize the material, then do the research, writing and bibliography work.

The next project is being led by Rabbi Camille Angel, USF’s rabbi in residence, who is working with her students to collect stories of Jewish LGBTQ life in San Francisco. Their research and findings will help tell that chapter of Bay Area Jewish history, a form of storytelling that will continue to be central to the project as it unfolds.

“People like stories,” Kroll-Zeldin said. “Stories connect people. And there are so many interesting stories to tell.”

A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.


The post In ‘Mapping Jewish San Francisco,’ a treasure trove of Bay Area Jewish history goes on display appeared first on Jewish Telegraphic Agency.

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They told Willy Loman he was everything; ’twas a great American lie

The great innovation of Shakespeare’s King Lear is that its patriarch has no sons. This problem — Lear has a vast estate, and only daughters to inherit it — marks the onset of a disaster. Because the king has no obvious heir, he is able to remake his world as he sees fit. But his choice to split his kingdom between his three daughters, based on the degree of fealty they express toward him, is catastrophic. It can be argued that Lear suffers from an excess of liberty. Without a rulebook to follow, he wreaks destruction on the country he had hoped to preserve in his image.

Arthur Miller’s Death of a Salesman is a kind of American Lear. In the midcentury United States, every man can be his own king, leaving Willy Loman suffering from a version of Lear’s affliction. Willy has arrived at a time in life at which he is keen to secure his own legacy. Unlike Lear, he has only sons, and is painfully committed to having his first-born take on his mantle. But in the land of the free, he has perversely and perhaps unconsciously spent his life glorying in his ability to make the wrong choices.

Spoilers: Willy’s choice of how to bequeath his kingdom, such as it is, will work out almost as tragically as Lear’s.

A new Broadway production of Death of a Salesman, starring an excellent Nathan Lane as the archetypal failed American father, leans into the quasi-Biblical nature of this story. It is a tale for Americans to pray over: May we become wiser and stronger as a people by learning from our forefather’s mistakes. And it is a tale to atone over, as well. Just shy of eight decades since the play’s debut in 1949, there is a great and ever-mounting body of evidence to suggest we have done very little learning at all.

Death of a Salesman follows two days in the life of the Loman family, who live in Brooklyn and have, at long last, very nearly paid off their mortgage. But they have perhaps never felt more insecure. Bills are piling up. Willy’s job as a traveling salesman has stopped paying him a salary. In his 60s, he is beginning to feel his age, and as he works for scant commissions, he’s started to exhibit a faltering grasp on reality, and an increasingly vigorous drive toward self-destruction. His wife Linda — played by Laurie Metcalf, who is, as always, stellar — senses terrible possibilities just around the corner.

Meanwhile, adult sons Biff (Christopher Abbot) and Happy (Ben Ahlers, although I caught Jake Silbermann in a fine understudy performance) are in the midst of the sort of drawn-out coming-of-age crisis that each generation seems to invent anew. They don’t know who they are. They can’t see a way toward making enough money. They’re unwilling to commit to anything or anyone. They yearn for big American lives — cattle ranches, an endless stream of available women, the dream of finally pulling one over on the boss — and are only just beginning to question whether that yearning has anything to do with the big American emptiness they feel.

The pressure created by the family’s unfulfilled dreams — of financial security, a sense of purpose, a bit of rest — turns most explosive between Willy and Biff. Willy yearns for his eldest son, once a promising boy who idolized his father, to become the business bigshot he never quite managed to become himself. But, at 34, Biff no longer seems able to stand anything about his father — up to and including the flashy American brilliance Willy sees himself as bequeathing. The tension between the father with a dream, and the son who refuses to fulfill it, comes to tragedy.

In this way, Willy’s problem is an inversion of Lear’s: His obsession with his firstborn son drives him and his family to a kind of ruin. (Youngest child Happy’s story is the quietest tragedy in Death of a Salesman; he is an overgrown boy, developmentally frozen by his desire for Willy’s never-forthcoming approval, or even attention.) And as Shakespeare’s great tragedy illustrated certain formative flaws in the English national character — I cannot recommend James Shapiro’s The Year of Lear enough — so Willy’s obsession casts a damning light on the country that created him.

Willy is all-American: He loves cars, football, fantastic get-rich-quick schemes and womanizing. He sees his chosen profession as evincing great American values: “respect, and comradeship, and gratitude,” not to mention the glory of the open road.

He’s also an individualist who has abundantly reaped the costs of that posture. He has exactly one friend, a neighbor called Charley, whom he appears not to actually like. He sees himself in constant competition with his fellow man, and carries a strain of exceptionalism that borders on the delusional. His conviction that he lives in a land of boundless opportunity has poisoned him against reality. He understands, on some level, that he hasn’t completely succeeded in achieving glory, but he can’t let himself accept that understanding. As it turns out, he would rather die.

These flaws are particularly painful to encounter at this moment, when the country has less a president than a salesman-in-chief. Willy’s preoccupation with a certain kind of smoke-and-mirrors business success now seems less like a reflection of the country Miller knew than a prediction of the ways in which it would decline. The fallacy that liberty is inherently tied to financial success has warped the nation, just as it warped Willy himself.

Biff rejects the exceptionalist mindset Willy strives to instill in him: “Pop, I’m a dime a dozen, and so are you!” he rages in a climactic argument. But Happy buys into his father’s worldview, celebrating him as a great possessor of “the only dream you can have — to come out number-one man.” When Happy insists that he will follow in Willy’s footsteps and “beat this racket” — the obscure American system that seems to keep the common man down, despite the country’s promise — the audience can easily imagine what will follow: a lifetime of disappointed entitlement, and, in the end, a legacy as meager as his father’s.

Willy might see it as an insult for Happy, whom he’s always treated as an afterthought, to seize the title of his true heir. Like Lear, his preoccupation with the question of what he’ll leave behind, and who will treasure it, has prevented him from understanding the truth about his children and himself. Lear is too attached to the concept of his own majesty to bother with effective governance; Willy is so devoted to his false idol of success that he departs the world without knowing much about it. In both cases, the playwrights understood what their characters couldn’t: that children, like countries, learn by example.

The post They told Willy Loman he was everything; ’twas a great American lie appeared first on The Forward.

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UK Counterterrorism Police Investigate Arson at Jewish Memorial Wall

An Orthodox Jewish man walks by at a wall showing pictures of protesters killed during anti-government demonstrations in Iran, in Golders Green, London, Britain, March 7, 2026. Photo: REUTERS/Jack Taylor

Police said on Tuesday they were investigating suspected arson at a memorial wall in a part of north London that is home to a large Jewish community, amid a recent spate of such incidents in the British capital.

London’s Metropolitan Police said the investigation was being led by Counter Terrorism Policing, though it was not being treated as a terrorist incident. They said no arrests had been made.

The incident occurred on Monday at the site of a memorial wall dedicated to people killed in Iran in a bloody crackdown after anti-government protests spread across the country in January. Police said the memorial wall had not been damaged.

“We recognize that this incident will heighten concerns in the Golders Green area, where residents have already faced a series of attacks,” Detective Chief Superintendent Luke Williams said in a statement.

Over the last month, counterterrorism officers have arrested more than two dozen people as part of investigations into attacks on Jewish-linked premises, including the torching of ambulances belonging to the Jewish volunteer emergency service Hatzola in Golders Green on March 23.

Police said after an arson attack at a synagogue this month that they were investigating possible Iranian links to the incidents. A pro-Iranian government group has said it was responsible.

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Ukraine in Diplomatic Tussle With Israel Over Grain Kyiv Says ‘Stolen’ by Russia

A farmer operates a combine during the start of the wheat harvesting campaign in a field near the town of Starobilsk (Starobelsk) in the Luhansk Region, a Russian-controlled area of Ukraine, July 9, 2025. Photo: REUTERS/Alexander Ermochenko

Ukraine and Israel traded diplomatic blows on Tuesday as President Volodymyr Zelenskiy condemned what he said were grain purchases from occupied Ukrainian territory “stolen” by Russia and threatened sanctions against those attempting to profit from it.

Kyiv considers all grain produced in the four regions that Russia claims as its own since invading Ukraine in 2022 as well as Crimea, annexed by Russia in 2014, to be stolen and has protested over its export to other countries.

Russia calls the regions its “new territories,” but they are still internationally recognized as Ukrainian. Moscow has not commented on the legal status of grain collected in them.

“Another vessel carrying such grain has arrived at a port in Israel and is preparing to unload,” Zelenskiy said on X, adding: “This is not – and cannot be – legitimate business.”

“The Israeli authorities cannot be unaware of which ships are arriving at the country’s ports and what cargo they are carrying,” added Zelenskiy.

Ukraine on Tuesday summoned Israel‘s ambassador over what Kyiv described as Israeli inaction in allowing shipments of grain to enter the country from Russian-occupied Ukraine.

Ukraine‘s foreign ministry said in a statement it handed the ambassador a “note of protest.”

Israeli Foreign Minister Gideon Saar said that Kyiv has not provided any evidence for its claims.

“The vessel has not entered the port and has yet to submit its documents. It’s not possible to verify the truth of the Ukrainian claims,” he told a news conference in Jerusalem.

Saar said Ukraine had not submitted any request for legal assistance and rejected what he called “Twitter diplomacy.”

Israel is a state that abides by the rule of law. We say again to our Ukrainian friends, if you have any evidence of theft submit it through the appropriate channels,” he said.

Ukrainian foreign ministry spokesman Heorhii Tykhyi told reporters that Kyiv has provided “extensive information and proof” that the cargo was illegal before going public. The foreign ministry published a timeline of its actions and contacts with Israeli authorities.

“We will not allow any country in any geography to facilitate illegal trade with a stolen grain that finances our enemy,” Tykhyi said.

Kremlin spokesman Dmitry Peskov declined to comment on Tuesday, saying Russia would not get involved. “Let the Kyiv regime deal with Israel on its own,” he said.

Traders have told Reuters that it is impossible to track the origin of wheat once it is mixed.

UKRAINE PREPARING SANCTIONS PACKAGE

Anouar El Anouni, EU foreign affairs spokesperson, said the bloc had taken note of reports that a “Russian shadow fleet vessel” carrying stolen grain had been allowed to dock at Haifa. He said the European Commission had approached Israel‘s foreign ministry on the issue.

“We condemn all actions that help fund Russia‘s illegal war effort and circumvent EU sanctions, and remain ready to target such actions by listing individuals and entities in third countries if necessary,” he said.

Zelenskiy said Ukraine was preparing a sanctions package against those transporting the grain and the individuals and legal entities attempting to profit from the scheme.

Zelenskiy said Kyiv has taken “all necessary steps through diplomatic channels,” but the ship had not been stopped.

Russia is systematically seizing grain on temporarily occupied Ukrainian land and organizing its export through individuals linked to the occupiers,” Zelenskiy said.

“Such schemes violate the laws of the State of Israel itself,” he added.

Ukraine expected Israel to respect Ukraine and refrain from actions that undermine bilateral relations, he added.

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