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In Queens, a Jewish mourning ritual inspires a performance about memory
(New York Jewish Week) — What happens to the places that are no more? To the people who have died? To the events that meant so much but cannot ever reoccur? Is there a way to bring the intangible power of vanished spaces into the physical world?
On Friday, May 19, dancers, musicians, orators and spectators will come together for a performance of “Site: Yizkor” at King Manor Museum in Jamaica, Queens to explore these and other questions.
The brainchild of multimedia artist Maya Ciarrocchi and composer Andrew Conklin, the performance takes its name from the Jewish memorial service that is recited on major holidays. It combines live and pre-recorded readings with improvised music and dance, encouraging the performers and audience to summon their loved ones into the room, to commune with them in an intimate and visceral way.
“It’s about trying to make roots in a place, to map it, and also to honor the dead and the ghosts — not just the ghosts of people, but the layers of buried history, too,” Ciarrocchi told the New York Jewish Week. “It’s like, if you go to a small chapel in Italy and then realize it’s on three layers of pagan temples [and other] sacred sites.”
Ciarrocchi, who is of Ashkenazi Jewish and Italian descent, has long contemplated the spaces her own family lost and how that loss has impacted her lived experience as a queer Gen X New Yorker. “My grandparents were immigrants who tried to establish a home in the new world. My mother has had difficulties finding a place [within the] establishment,” she said. “Plus, growing up on the tail end of the AIDS plague, I really didn’t have any queer mentors. It did create an unmooring, a feeling of being ungrounded.”
Multimedia artist Maya Ciarrocchi. (Joanna Eldredge Morrissey)
The impetus for this specific piece was a confluence of events — people and places disappearing while remaining present in Ciarrocchi’s consciousness. In 2015, she lost both her mother-in-law and an elderly neighbor, the 1930s radio star Elia Braca Rose (aka Lynne Howard). “I was thinking a lot [during that time] about the things we leave behind,” said Ciarrochi. “Especially as I witnessed my neighbor’s apartment [getting] dismantled. I was grieving. Her children took things, the neighbors gathered things, the [demolition] team came in. There was something so devastating about all her history being sucked out of the apartment.”
She and her wife moved a year later, emptying out the apartment she had been raised in, a space in the Westbeth artist’s community. All this upheaval summoned grief and thoughts of the power of rites and ritual.
Yizkor, which means “may [God] remember” in Hebrew, is traditionally performed four times a year — on the three pilgrimage holidays of Shemini Atzeret, Passover and Shavuot, and on Yom Kippur. The communal Yizkor service includes a moment of private reflection during which worshipers can read a prayer that includes the name of a lost loved one and their relationship to the person praying.
“This particular viewpoint is inherently Jewish, but it’s a universal experience of displacement, loss, grief,” Ciarrocchi said. “Really, we’re doing a ritual together. And it doesn’t matter who you are or where you come from; we’re doing this together. Hopefully it brings everyone in, and we can have feelings together. The best way to connect with people is to have conversations with them, to open up space for people to hear each other. I hope that this project can do that.”
Each performance is site specific: Previously, “Site: Yizkor” has been performed at the Chutzpah! Festival in Vancouver and at the Roza Centre for International Art and Cooperation in Ruszcza, Poland, a short distance from where Ciarrochi’s grandmother’s house was burned to the ground during a pogrom.
For the New York iteration, the artist has created a series of videos incorporating drawings and maps specific to King Manor Museum, the former country estate of Rufus King, a 19th-century politician and early abolitionist. The museum says its mission is to highlight King’s antislavery activism and to “promote social change in today’s world.”
“Site: Yizkor” began taking its latest form a few weeks ago with a writing workshop, viewed by the artists as integral to the creative process. Participants were invited to respond to prompts such as “describe a vanished place of personal importance” and “describe your dreams of the future.” The artists then take these reflections and incorporate them into the performance.
The music, born of Conklin’s extensive work in the worlds of folk, bluegrass and traditional music, is improvised live from a graphic score. Similarly, the choreography contains specific modules and instructions but remains open to the interpretation of the performers.
“We come up with a score together but it’s a really open structure,” Ciarrochi said. “An element of a score for dancers might be to ‘walk the periphery of the house connecting with each other.’ You can do a lot of things inside of that, but that is the structure. Because these are skilled improvisers, they’re going to make that happen.”
“This particular viewpoint is inherently Jewish, but it’s a universal experience of displacement, loss, grief,” Ciarrocchi said of the piece. “Really, we’re doing a ritual together.”
“Site: Yizkor” will take place at King Manor (150-03 Jamaica Ave.) in Jamaica, Queens on Friday, May 19 at 8:00 p.m. Register here.
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The post In Queens, a Jewish mourning ritual inspires a performance about memory appeared first on Jewish Telegraphic Agency.
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The ‘godfather of denim’ was an Italian designer whose Jewish father was murdered at Auschwitz
(JTA) — Adriano Goldschmied became known as the “godfather of denim” for elevating jeans from casual wear to a luxury staple. His own father’s story was equally riveting.
Goldschmied, who died April 5 at 82, following a battle with cancer in a hospital in Castelfranco Veneto, Italy, credited himself with founding or developing at least 50 brands, including Diesel, AG, Replay, Gap 1969, A Golde and Goldsign.
He was just an infant in 1944 when his Italian Jewish father was arrested by the Nazis.
Goldschmied’s mother, Sofia, was in hiding with his sister at the time of his birth on Nov. 29, 1943, in Vico Canavese, Italy. The Nazis had invaded Italy just months earlier.
His father, Livio, had joined the Italian resistance after the Nazis took over. When he tried to visit his wife, daughter and newborn son, he was apprehended en route. One of six people with his last name deported by the Nazis via Milan’s central station, he was ultimately sent to Auschwitz, where he was killed several months later.
According to a testimony made by a survivor to Yad Vashem, Israel’s Holocaust center, Livio was denounced by a midwife and received permission to visit his son briefly after his arrest. The testimony, which cannot be independently verified, said he had rejected an offer to move to the United States to work with the physicist Enrico Fermi because he would not have been able to bring his family, and had also declined an opportunity to escape from the train that took him to Auschwitz.
Following the war, Goldschmied moved with his mother to Trieste. He later spent a stint pursuing skiing in the 1960s in Cortina, the ski resort in the Southern Alps.
He did not speak readily about his family’s Holocaust history, and unlike his sister, he did not connect with his Jewish heritage. Diana was responsible for installing Stolpersteine, small memorials embedded in sidewalks documenting the Jews who lived at that address before the Holocaust, to commemorate their family members who were murdered.
“Like my father, my brother was a man of great intelligence and extraordinary intuition,” Diana told the Italian-Jewish news outlet Moked. “However, he did not want to talk about our family history. I think memory was working inside him, though.”
Goldschmied got his start in fashion in the 1970s, when he launched his shop, King’s Shop, in Cortina d’Ampezzo, and started a denim line, Daily Blue.
“That first production was going to a fabric store in my hometown, buying crazy fabrics for a very high price and going through manufacturing with my tailor,” Goldschmied told Women’s Wear Daily in 2023. “The product was extremely expensive, and in some way, I created a premium denim by accident.”
In 1981, Goldschmied went on to found the Genius Group, a collective that backed emerging labels like Diesel, Replay and Goldie.
Among Goldschmied’s innovations throughout his career were the development of the stonewash technique, experimenting with Tencel fibers, creating super-stretch denim and pioneering sustainable production methods as early as the 1990s.
“He was the architect of a global staple,” Mariette Hoitink, the co-founder of House of Denim, told Women’s Wear Daily. “Adriano didn’t just design jeans; he orchestrated the greatest transformation in the history of apparel. He was the singular force who elevated denim from rugged workwear into a global fashion staple.”
Goldschmied is survived by his wife, Michela; his daughters Sara, Marta and Glenda; two grandchildren; and his sister.
“Adriano and I led very separate lives,” Diana told Moked. “I rediscovered my Jewish identity. He took a different path, but everyone carries the past within them.”
This article originally appeared on JTA.org.
The post The ‘godfather of denim’ was an Italian designer whose Jewish father was murdered at Auschwitz appeared first on The Forward.
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Not Stupidity — Something Worse: Why the ‘Israel Controls America’ Myth Keeps Spreading
US President Joe Biden and Democratic presidential candidate and US Vice President Kamala Harris react onstage at the Democratic National Convention (DNC) in Chicago, Illinois, US, Aug. 19, 2024. Photo: REUTERS/Kevin Lamarque
In a recent post, Donald Trump took aim at Tucker Carlson, Megyn Kelly, Candace Owens, and Joe Kent, calling them “low IQ” and “losers,” and asking — between Carlson and Kent — “who is dumber?”
It was vintage Trump: blunt, theatrical, and calibrated to dominate a news cycle with a single line. He has long relied on that instinct — to compress a dispute into something sharp enough to stick. But beneath the spectacle sits a more serious issue.
The problem is not intelligence. Many of these figures are clearly relatively smart. The problem is that they — along with a growing chorus of voices on the political left such as Ana Kasparian, Cenk Uygur, and Mehdi Hasan — continue to advance a claim that collapses under minimal scrutiny. Strip away the stylistic differences, the accents, and the partisan framing, and the argument is identical: “Israel controls the United States,” or in its updated form, “Benjamin Netanyahu controls Donald Trump.”
That claim has resurfaced repeatedly over the years, sometimes dressed in more sophisticated language, sometimes stated outright. What makes its latest iteration notable is not merely its persistence, but where it is now being voiced.
This weekend, Kamala Harris, speaking at a Democratic fundraiser in Detroit, said that Donald Trump had been “pulled into this war” by Benjamin Netanyahu. That phrasing carries a clear implication: that the president of the United States — the commander-in-chief of the most powerful military in the world — is not acting independently but is being maneuvered into conflict by a foreign (Jewish) leader.
When this idea circulates on the fringes, it is dismissed. When amplified by pundits chasing attention, it’s often ignored. But when it’s echoed, even cautiously, by a former vice president and major presidential candidate, it crosses a different threshold. At that point, the claim can no longer be dismissed as noise. It has been normalized.
This is not a new idea. It is one of the oldest political accusations in circulation, and it is remarkably easy to test against reality. Only last week, Trump effectively dictated that Israel must accept a temporary ceasefire with Hezbollah — an outcome widely opposed within Israel, where many believe the campaign should be completed and remain skeptical that the Lebanese state will ever disarm Hezbollah. If Israel were directing American policy, that outcome would not occur.
Historically, the “Israel controls America” claim has appeared in different ideological forms but with identical substance. On the far-right, figures such as David Duke have advanced it explicitly. On the far-left, figures like Cynthia McKinney have repackaged it in political language. The wording changes, but the core allegation remains the same: that American power is not sovereign, but subject to external — specifically Jewish — control, echoing Henry Ford and his “International Jew” conspiracy theories of the 1920s and 1930s.
The argument collapses as soon as one examines scale and structure. The United States is a $27 trillion economy with unmatched global reach across military, financial, technological, and diplomatic domains. It maintains a permanent seat on the UN Security Council and leads a network of alliances that spans continents. Israel’s economy, by contrast, is approximately $700 billion. Its military is highly capable, but it is not a global force. It does not control sea lanes, command multinational coalitions, or set the terms of global finance. The disparity is not marginal; it is foundational.
This asymmetry is not unique. The United States maintains deep strategic relationships with many smaller allies such as South Korea, Qatar, Saudi Arabia, and Kuwait. In fact, the United States fought a war to liberate Kuwait in 1991, sustaining approximately 150 American combat fatalities in the process. Yet, almost no one claims Kuwait controls Washington, or that Saudi Arabia dictates US foreign policy. Only one small ally is routinely described in those terms.
The historical record reinforces the absurdity of this Israel “controls” America trope.
In 1956, despite repeated attacks on Israel from the Sinai and Egypt-controlled Gaza, Dwight D. Eisenhower forced Israel to withdraw from Sinai following the Suez Crisis; Israel complied. In 1982, Ronald Reagan pressured Israel to halt operations in Beirut, facilitating the evacuation of Yasser Arafat and the PLO leadership to Tunisia. In 1991, George H. W. Bush asked Israel not to respond to Iraqi Scud missile attacks to help preserve the US-led coalition; Israel absorbed 39 Scud strikes, 13 deaths, and stood down.
In 2015, Barack Obama advanced the Iran nuclear deal despite sustained Israeli opposition. Under Joe Biden, Israeli operations in Rafah were delayed for months under US pressure despite Israeli hostages being held there and its centrality to Hamas’ military infrastructure.
More recently, on June 24, 2025, as a Trump-negotiated ceasefire was taking effect, Iran launched multiple ballistic missiles at Beersheba, killing four Israelis. Israel prepared a large retaliatory strike. Trump intervened and effectively ordered Israel to turn its planes around.
This is what an unequal alliance looks like: coordination, pressure, and at times outright constraint. It is not a relationship where the far smaller country exercises “control.”
So why does the claim persist? Not because it is analytically persuasive — but because it is emotionally effective. Political narratives built on grievance often prefer simple explanations to complex realities.
It is easier to attribute outcomes to hidden manipulation than to acknowledge the interplay of strategic interests, risks, and constraints that define foreign policy decision-making.
There is also a deeper historical layer. For centuries, European political culture absorbed and transmitted variations of the same vile accusation: that Jews operate behind the scenes, exercising covert and pernicious influence over institutions and leaders.
So, when modern commentators repackage that idea — whether in the language of “influence,” “lobbying,” or outright “control” — it does not enter a neutral environment. It lands on fertile soil, reinforcing a long-established and familiar narrative.
Since World War II, the claim hasn’t changed — only its migration from the margins into the mainstream. And once it crosses that threshold, it stops being rhetoric and starts shaping behavior.
As it did in Germany after World War I, if a significant number of people come to believe that their government has been captured, that their leaders are not acting independently but are controlled by a nefarious external force, the range of conclusions and actions they will justify or rationalize expands dramatically. History offers no shortage of examples of where that logic can lead.
Trump attempted to reduce this to a punchline. But this is not a matter of tone. It is a warning sign. And this time, it is coming from closer to the political center than it has in a very long time.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, Zionism, antisemitism, and Jewish history. He serves on the board of Herut North America.
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War or No War, India Stands With Israel
FILE PHOTO: Indian Prime Minister Narendra Modi addresses the nation during Independence Day celebrations at the historic Red Fort in New Delhi, August 15, 2020. Photo: REUTERS/Adnan Abidi/File Photo
In today’s global climate, Israel is a country many are expected to avoid. Turn on the international media — from CNN, to European and Indian broadcasters — and one narrative dominates: Israel as aggressor and pariah, Israel as a place defined by war, or worse, apartheid. Add to this the open hostility of regimes like the Islamic Republic of Iran, Turkey, and a growing hostility among Western leaders, such as Italian Prime Minister Meloni suspending defense cooperation.
The message is clear: Stay away from Israel.
And yet, in the midst of missile fire, media hostility, and geopolitical pressure — they came anyway.
A group of Indian workers, recruited through an Indian manpower agency, chose not to be deterred. Their arrival in Israel a few days ago is more than a labor story. It is a quiet but powerful act of defiance against a global narrative increasingly detached from reality. When I received photos of the team from the Israel-Jordan border, proudly waving the Indian and Israeli flags, my heart was happy.
Their journey was anything but straightforward.
After receiving their visas, these men and women left their jobs in India, stepping into uncertainty. Then came the cancelled flights, closed routes, and more than a month of waiting as airlines suspended operations to Israel. Many may have reconsidered at this juncture.
They did not.
Instead, they flew to Amman, waited again, and then endured long hours of land travel and layered security checks on both sides of the Jordanian-Israeli border before finally entering Israel.
Since the October 7 attacks, Israel has faced an acute labor shortage, especially in sectors such as construction, caregiving, and general services, which were once filled by Palestinian workers. India, with its vast labor pool and long history of global migration, is uniquely positioned to help fill this gap. Following Prime Minister Modi’s historic visit in February, just before the Iran-Israel/US conflict escalated, Israel and India strengthened ties through key Memoranda of Understanding in defense, technology, agriculture, research, and labor.
One visible outcome is the arrival of Indian workers who choose to come to Israel, to see and experience the country for themselves despite the weight of propaganda, fear, and misinformation.
They also came after weeks of watching missile barrages over Israeli cities on their television screens. They came despite a steady stream of coverage portraying Israel as unsafe, unstable, and morally suspect. They came knowing that public opinion in parts of India, influenced by global narratives, has grown more critical of Israel.
I recently interviewed an Indian caregiver documenting life under Iranian missile fire — daily fear, resilience, and routine. Her videos have gone viral in India. Alongside support, she also faces hostility from those echoing distorted narratives, but equally sparks curiosity and a deeper desire to understand Israel.
Together with others working to strengthen Israel-India relations, I recently shared a reel on Instagram about Indian workers arriving via Jordan. The response has been overwhelming from both sides: messages from India expressing support and genuine interest in a country often misunderstood, and Israelis warmly welcoming the new arrivals.
What we are seeing is the rise of a people-to-people alliance. One that is less visible, less celebrated, but potentially more enduring. An alliance that is built on shared values: resilience, pragmatism, and the instinct to move forward despite adversity.
At a time when parts of the international community are distancing themselves from Israel, the arrival of these workers offers another perspective on alliance.
If Israel is wise, it will recognize this as an opportunity to invest in these relationships, amplify these voices, and allow a narrative to emerge not from above, but from those who have seen the country firsthand.
At a moment when the nation is misrepresented, and misunderstood, the decision of these workers from India to come to work in Israel carries meaning beyond economics.
In difficult times, we know who stands with us.
Paushali Lass is an Indian-German intercultural and geopolitical consultant, who focuses on building bridges between Israel, India, and Germany.