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In Queens, a Jewish mourning ritual inspires a performance about memory
(New York Jewish Week) — What happens to the places that are no more? To the people who have died? To the events that meant so much but cannot ever reoccur? Is there a way to bring the intangible power of vanished spaces into the physical world?
On Friday, May 19, dancers, musicians, orators and spectators will come together for a performance of “Site: Yizkor” at King Manor Museum in Jamaica, Queens to explore these and other questions.
The brainchild of multimedia artist Maya Ciarrocchi and composer Andrew Conklin, the performance takes its name from the Jewish memorial service that is recited on major holidays. It combines live and pre-recorded readings with improvised music and dance, encouraging the performers and audience to summon their loved ones into the room, to commune with them in an intimate and visceral way.
“It’s about trying to make roots in a place, to map it, and also to honor the dead and the ghosts — not just the ghosts of people, but the layers of buried history, too,” Ciarrocchi told the New York Jewish Week. “It’s like, if you go to a small chapel in Italy and then realize it’s on three layers of pagan temples [and other] sacred sites.”
Ciarrocchi, who is of Ashkenazi Jewish and Italian descent, has long contemplated the spaces her own family lost and how that loss has impacted her lived experience as a queer Gen X New Yorker. “My grandparents were immigrants who tried to establish a home in the new world. My mother has had difficulties finding a place [within the] establishment,” she said. “Plus, growing up on the tail end of the AIDS plague, I really didn’t have any queer mentors. It did create an unmooring, a feeling of being ungrounded.”
Multimedia artist Maya Ciarrocchi. (Joanna Eldredge Morrissey)
The impetus for this specific piece was a confluence of events — people and places disappearing while remaining present in Ciarrocchi’s consciousness. In 2015, she lost both her mother-in-law and an elderly neighbor, the 1930s radio star Elia Braca Rose (aka Lynne Howard). “I was thinking a lot [during that time] about the things we leave behind,” said Ciarrochi. “Especially as I witnessed my neighbor’s apartment [getting] dismantled. I was grieving. Her children took things, the neighbors gathered things, the [demolition] team came in. There was something so devastating about all her history being sucked out of the apartment.”
She and her wife moved a year later, emptying out the apartment she had been raised in, a space in the Westbeth artist’s community. All this upheaval summoned grief and thoughts of the power of rites and ritual.
Yizkor, which means “may [God] remember” in Hebrew, is traditionally performed four times a year — on the three pilgrimage holidays of Shemini Atzeret, Passover and Shavuot, and on Yom Kippur. The communal Yizkor service includes a moment of private reflection during which worshipers can read a prayer that includes the name of a lost loved one and their relationship to the person praying.
“This particular viewpoint is inherently Jewish, but it’s a universal experience of displacement, loss, grief,” Ciarrocchi said. “Really, we’re doing a ritual together. And it doesn’t matter who you are or where you come from; we’re doing this together. Hopefully it brings everyone in, and we can have feelings together. The best way to connect with people is to have conversations with them, to open up space for people to hear each other. I hope that this project can do that.”
Each performance is site specific: Previously, “Site: Yizkor” has been performed at the Chutzpah! Festival in Vancouver and at the Roza Centre for International Art and Cooperation in Ruszcza, Poland, a short distance from where Ciarrochi’s grandmother’s house was burned to the ground during a pogrom.
For the New York iteration, the artist has created a series of videos incorporating drawings and maps specific to King Manor Museum, the former country estate of Rufus King, a 19th-century politician and early abolitionist. The museum says its mission is to highlight King’s antislavery activism and to “promote social change in today’s world.”
“Site: Yizkor” began taking its latest form a few weeks ago with a writing workshop, viewed by the artists as integral to the creative process. Participants were invited to respond to prompts such as “describe a vanished place of personal importance” and “describe your dreams of the future.” The artists then take these reflections and incorporate them into the performance.
The music, born of Conklin’s extensive work in the worlds of folk, bluegrass and traditional music, is improvised live from a graphic score. Similarly, the choreography contains specific modules and instructions but remains open to the interpretation of the performers.
“We come up with a score together but it’s a really open structure,” Ciarrochi said. “An element of a score for dancers might be to ‘walk the periphery of the house connecting with each other.’ You can do a lot of things inside of that, but that is the structure. Because these are skilled improvisers, they’re going to make that happen.”
“This particular viewpoint is inherently Jewish, but it’s a universal experience of displacement, loss, grief,” Ciarrocchi said of the piece. “Really, we’re doing a ritual together.”
“Site: Yizkor” will take place at King Manor (150-03 Jamaica Ave.) in Jamaica, Queens on Friday, May 19 at 8:00 p.m. Register here.
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The post In Queens, a Jewish mourning ritual inspires a performance about memory appeared first on Jewish Telegraphic Agency.
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World Leaders Show Caution on Trump’s Broader ‘Board of Peace’ Amid Fears for UN
FILE PHOTO: U.S. President Donald Trump is interviewed by Reuters White House correspondent Steve Holland (not pictured) during an exclusive interview in the Oval Office in the White House in Washington, D.C., U.S., January 14, 2026. REUTERS/Evelyn Hockstein/File Photo
Governments reacted cautiously on Sunday to US President Donald Trump’s invitation to join his “Board of Peace” initiative aimed at resolving conflicts globally, a plan that diplomats said could harm the work of the United Nations.
Only Hungary, whose leader is a close Trump ally, gave an unequivocal acceptance in response to the invitations, which have been addressed to some 60 nations and began arriving in European capitals on Saturday, according to diplomats.
Other governments appeared reluctant to make public statements, leaving officials to express concerns anonymously about the impact on the work of the U.N..
The board would be chaired for life by Trump and would start by addressing the Gaza conflict and then be expanded to deal with other conflicts, according to a copy of the letter and draft charter seen by Reuters.
Member states would be limited to three-year terms unless they pay $1 billion each to fund the board’s activities and earn permanent membership, the letter states.
“This simply offers permanent membership to partner countries who demonstrate deep commitment to peace, security, and prosperity,” the White House said in a post on X.
Italian Prime Minister Giorgia Meloni, visiting South Korea, told reporters her country was “ready to do our part,” although it was not clear whether she was specifically referring to Gaza or the broader peace.
Canada’s Prime Minister Mark Carney said on Sunday he had agreed to Trump’s Board of Peace for Gaza in principle although details were still being worked out.
The Board of Peace’s mandate was only authorized by the United Nations Security Council through 2027 and was solely focused on the Gaza conflict.
‘DARK TIMES’
The inclusion of a “charter” in the invitation letter stoked concerns among some European governments that it could undermine the work of the United Nations, which Trump has accused of not supporting his efforts to end conflicts around the world.
“It’s a ‘Trump United Nations’ that ignores the fundamentals of the U.N. charter,” said one diplomat.
Three other Western diplomats said it looked as if it would undermine the United Nations if it went ahead.
A further three diplomats and an Israeli source said that Trump wanted the Board of Peace to eventually have a broader role beyond Gaza that would oversee the other conflicts that Trump has said he has resolved.
The leaders of France, Germany, Italy, Hungary, Australia, Canada, the European Commission and key Middle East powers were among those invited to sit on the Board of Peace, according to officials.
“Declaring that durable peace requires pragmatic judgment, common-sense solutions, and the courage to depart from approaches and institutions that have too often failed,” the document showed.
In what appeared to be directed at the United Nations, the document added that there was a “need for a more nimble and effective international peace-building body.”
Trump, who covets the Nobel Peace Prize, said in the letter that the board would convene in the near future, adding: “This board will be one of a kind, there has never been anything like it!”
In public comments in response to a reporter’s question, a senior UN official did not address the plan directly, but said the United Nations was the only institution with the moral and legal ability to bring together every nation, big or small.
“And if we question that … we fall back and very, very, dark, times,” Annalena Baerbock, president of the United Nations General Assembly, told Sky News, adding that it was up to individual states to decide what to do.
The White House on Friday named some individuals who will sit on the board, which would outlive its role supervising the temporary governance of Gaza, under a fragile ceasefire since October.
They included US Secretary of State Marco Rubio, President Donald Trump’s special envoy Steve Witkoff, former British prime minister Tony Blair and Trump’s son-in-law, Jared Kushner.
Israel and the Palestinian terrorist group Hamas signed off on Trump’s plan, which says a Palestinian technocratic administration will be overseen by an international board, which will supervise Gaza’s governance for a transitional period.
TRUMP GOES FOR GLOBAL PEACE ROLE
“It’s going to, in my opinion, start with Gaza and then do conflicts as they arise,” President Donald Trump told Reuters in an interview earlier this week.
Many rights experts and advocates have said that Trump overseeing a board to supervise a foreign territory’s governance resembles a colonial structure, while Blair’s involvement was criticized last year due to his role in the Iraq war and the history of British imperialism in the Middle East.
The White House did not detail the responsibilities of each member of the board. The names do not include any Palestinians. The White House said more members will be announced over the coming weeks.
It also named a separate, 11-member “Gaza Executive Board” to support the technocratic body.
This would include Turkish Foreign Minister Hakan Fidan, U.N. Middle East peace coordinator Sigrid Kaag, United Arab Emirates International Cooperation Minister Reem Al-Hashimy, Israeli-Cypriot billionaire Yakir Gabay and officials from Qatar and the United Arab Emirates.
Israeli Prime Minister Benjamin Netanyahu’s office said the composition of this board had not been coordinated with Israel and contradicted its policy – possibly a reference to Fidan’s presence, as Israel objects to Turkish involvement. Israel’s government also has a tense relationship with Qatar. An Israeli government spokesperson declined to comment beyond the statement.
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How the Israeli police’s first trans volunteer fought bigotry on the force
From the beginning of the biographical documentary The First Lady, Efrat Tilma makes it clear she has mixed feelings about the film, which details how she became the first trans woman to volunteer in Israel’s police department. When asked why she wanted to make the movie, she tells one of the directors, “I didn’t want to. You asked me.” This prickly demeanor persists throughout the film, although she later acknowledges that she wants “to show people that a trans woman is just like any other woman, like any other person.”
Tilma starts her story in 1964, the year she first tried living as a woman. Using archival footage, animation, and present-day interviews, directors Udi Nir and Sagi Bornstein present a moving portrait of Tilma’s life, unveiling how the burdens of her past have followed her into the present.
When Tilma was 14, she often wandered the streets of Tel Aviv to escape her abusive father. There she met another trans woman, Gila Goldstein, who introduced her to a whole network of trans women who taught Tilma about hormones and gender reassignment surgery. That same year, a man held her hostage in his apartment for a day and a half and sexually assaulted her. Not long afterwards, she says, an Israeli police officer threatened to kill her for dressing as a woman.
These experiences made her determined to carve her own path in spite of obstacles or the opinions of others, including the film directors. In one scene, as the team records her coming out of her apartment building, she strikes several poses.
“Natural, Efrat. We said natural!” a director reminds her.
“Kiss my ass!” Tilma responds, before strutting away.
But behind all the bravado is a vulnerable human being, who spends her first moment in the film nervously rehearsing the speech she is going to give at a 2023 Pride celebration in Israel. Tilma acknowledges that she’s not sure she’s been able to process her trauma and still carries it with her.
After leaving Israel in 1967, Tilma spent nearly four decades living in Europe, where she created a new life for herself as a woman. She performed in nightclubs, worked as an airline stewardess, got sex reassignment surgery in Morocco, married a man, and, nearly two decades later, divorced him. In 2005, she finally moved back to Israel and, on a whim, began volunteering with the Israel Police.
She wasn’t open about her gender identity at first, given the negative way she saw her colleagues treat trans women on the street. But when the police captain eventually discovered she was trans, the result ended up being positive: She began leading workshops on approaching the trans community with empathy and respect.
The film jumps between Tilma’s past and the present, as she reacts to Netanyahu’s 2022 re-election and the creation of a far-right coalition in Israel. Convinced that the world is reverting to the hateful days of her youth, Tilma leaves the police force and plans how she’ll kill herself if the government attempts to round up trans people. As protests start to sweep the country, however, she decides to channel her fear into activism. Shots of her among the protesters are mixed with recollections of her 1971 sex reassignment surgery and abuse she faced from a doctor in 1973.
Respecting Tilma’s boundaries while encouraging her to share her life story, the filmmakers capture both Tilma’s toughness and sensitivity, giving the film the honesty and heart that make The First Lady feel so intimate. They get Tilma to open doors into her life — literally.
Several times, the directors try to convince Tilma to bring the film crew into her apartment, where she says that no one else has been for a decade. When she finally lets them inside, they encounter piles of clothing, discarded plastic bottles, and other hoarded objects. The filmmakers tell her that the film crew will help her reorganize the apartment bit by bit, in much the same way they piece together her story: bit by bit.
Even if she approaches the whole process with a bit of attitude, Tilma remains determined to never give up fighting for a better life — or a better apartment.
The First Lady will screen at the New York Jewish Film Festival on Jan. 20.
The post How the Israeli police’s first trans volunteer fought bigotry on the force appeared first on The Forward.
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Exclusive: Israeli Officials Harshly Critical of Steve Witkoff’s Influence on US Policy on Gaza, Iran, i24NEWS Told
US Middle East envoy Steve Witkoff, Washington, DC, Jan. 20, 2025. Photo: REUTERS/Carlos Barria
i24 News – Amid growing disagreements with the Trump administration over the composition of the Board of Peace for Gaza and the question of a strike on Iran, officials in Israel point to a key figure behind decisions seen as running counter to Israeli interests: Special Envoy Steve Witkoff.
The officials mention sustained dissatisfaction with Witkoff. Sources close to the PM Netanyahu told i24NEWS on Saturday evening: “For several months now, the feeling has been that envoy Steve Witkoff has strong ties, for his own reasons, across the Middle East, and that at times the Israeli interest does not truly prevail in his decision-making.”
This criticism relates both to the proposed inclusion of Turkey and Qatar in Gaza’s governing bodies and to the Iranian threat. A senior Israeli official put it bluntly: “If it turns out that he is among those blocking a strike on Iran, that is far more than a coincidence.”