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In Turkey, a festival revives a jewel of the Sephardic world and aims to break stereotypes

IZMIR, Turkey (JTA) — Prague has the dubious honor of being chosen by Adolf Hitler to be a record of what he hoped would be the vanquished Jews of Europe. The Nazis left many of the city’s synagogues and Jewish sites relatively intact, intending to showcase them as the remnants of an extinct culture.

That has made Prague a popular tourist destination for both Jewish travelers and others interested in Jewish history since the fall of the Iron Curtain: the city provides an uncommon look into the pre-war infrastructure of Ashkenazi Europe.

Could Izmir, Turkey’s third largest city, become a Sephardic version, in terms of history and tourism? That’s the goal for Nesim Bencoya, director of the Izmir Jewish Heritage project. 

The city, once known in Greek as Smyrna, has had a Jewish presence since antiquity, with early church documents mentioning Jews as far back as the second century AD. Like elsewhere in the Ottoman Empire, though, its community grew exponentially with the influx of Sephardic Jews who came after their expulsion from Spain. 

At its peak, the city was home to around 30,000 Jews and was the hometown of Jewish artists, writers and rabbis — from the esteemed Pallache and Algazii rabbinical families, to the musician Dario Marino, to the famously false messiah, Shabbetai Zevi, whose childhood home still stands in Izmir today. 

Today, fewer than 1,300 remain. The establishment of the state of Israel, coupled with a century of economic and political upheaval, led to the immigration of the majority of Turkish Jewry. 

“From the 17th century, Izmir was a center for Sephardic Jewry,” Bencoya told the Jewish Telegraphic Agency. “We can’t recreate that, but we cannot forget that either.”

Izmir is located on Turkey’s Aegean coast. (David I. Klein)

Celebrating in the former Jewish quarter

Bencoya, who is in his late 60s, was born in Izmir but spent most of his adult life in Israel, where he led the Haifa Cinematheque, but he returned to Izmir 13 years ago to helm the heritage project, which has worked to highlight the the culture and history of Izmir’s Jewish community.

Over nine days in December that included the week of Hanukkah, thousands attended the annual Sephardic culture festival that he has organized since 2018. The festival included concerts of Jewish and Ladino music, traditional food tastings, lectures on Izmir’s Jewish community, and — since it coincided with Hanukkah and also a Shabbat — both a menorah lighting ceremony and havdalah ceremony were conducted with explanations from Izmir’s leading cantor, Nesim Beruchiel. 

This year’s festival marked a turning point: it was the first in which organizers were able to show off several of the centuries-old synagogues that the project — with funding from the European Union and the local municipality — has been restoring. 

The synagogues, most of which are clustered around a street still called Havra Sokak (havra being the Turkish spelling of the Hebrew word chevra, or congregation) represent a unique piece of cultural heritage. 

Nesim Bencoya speaks from his office next to the restored Sinyora Synagogue in Izmir. (David I. Klein)

Once upon a time, the street was the heart of the Jewish quarter or “Juderia,” but today it is right in the middle of Izmir’s Kemeralti Bazaar, a bustling market district stretching over 150 acres where almost anything can be bought and sold. On Havra Sokak, the merchants hock fresh fruits, and hopefully fresher fish. One street to the south one can find all manner of leather goods; one to the north has markets for gold, silver and other precious metals; one to the west has coffee shops. In between them all are other shops selling everything from crafts to tchotchkes to kitchenware to lingerie. 

Several mosques and a handful of churches dot the area, but the synagogues revive a unique character of the district that had been all but lost.  

“The synagogues here were built under the light of Spain. But in Spain today, there are only two major historic synagogues, Toledo and Cordoba, and they are big ones. You don’t have smaller ones. Here we have six on one block, built with the memory of what was there by those who left Spain,” Bencoya said. 

Those synagogues have been home to major events in Jewish history — such as when Shabbetei Zvi broke into Izmir’s Portuguese Synagogue one Sabbath morning, drove out his opponents and declared himself the messiah (he cultivated a large following but was later imprisoned and forced to convert to Islam). The synagogue, known in Turkish as Portekez, was among those restored by the project. 

Today, only two of Izmir’s synagogues are in regular use by its Jewish community, but the others that were restored are now available as exhibition and event spaces. 

Educating non-Jews

Hosting the festival within Izmir’s unique synagogues has an additional purpose, since the overwhelming majority of the attendees were not Jewish. 

“Most of the people who come to the festival have never been to a synagogue, maybe a small percentage of them have met a Jew once in their lives,” Bencoya said. 

That’s particularly important in a country where antisemitic beliefs are far from uncommon. In a 2015 study by the Anti-Defamation League, 71% of respondents from Turkey believe in some antisemitic stereotypes

The festival included concerts of Jewish and Ladino music, traditional food tastings and lectures on Izmir’s Jewish community.(David I. Klein)

“This festival is not for Jewish people to know us, but for non-Jews,” Bencoya said. Now, “Hundreds of Turkish Muslim people have come to see us, to listen to our holidays and taste what we do.”

Kayra Ergen, a native of Izmir who attended a Ladino concert and menorah lighting event at the end of the festival, told JTA that until a year ago, he had no idea how Jewish Izmir once was. 

“I know that Anatolia is a multicultural land, and also Turkey is, but this religion, by which I mean Jewish people, left this place a long time ago because of many bad events. But it’s good to remember these people, and their roots in Izmir,” Ergen said. “This is so sad and lame to say out loud, but I didn’t know about this — that only 70 years ago, 60% of this area here in Konak [the district around Kemeralti] was Jewish. Today I believe only 1,300 remain. This is not good. But we must do whatever we can and this festival is a good example of showing the love between cultures.”

“I think it’s good that we’re respecting each other in here,” said Zeynep Uslu, another native of Izmir. “A lot of different cultures and a lot of different people. It’s good that we’re together here celebrating something so special.”

Izmir’s history as a home for minorities has not been all rosy. At the end of the Ottoman period, the city was around half Greek, a tenth Jewish and a tenth Armenian, while the remainder were Turkish Muslims and an assortment of foreigners. In the Greco-Turkish war of 1919-1922 — remembered in Turkey as the Turkish War of Independence — the Greek and Armenian quarters of Izmir were burned to the ground after the Turkish army retook the city from the Greek forces, killing tens of thousands. A mass exodus of the survivors followed, but the Jewish and Muslim portions of the city were largely unharmed.

Izmir is not the only city in Turkey which has seen its synagogues restored in recent years. Notable projects are being completed in Edirne, a city on the Turkish western border near Bulgaria, and Kilis, on its southeastern border near Syria. Unlike Izmir, though, no Jews remain in either of those cities today, and many have accused the project of being a tool for President Recep Tayyip Erdogan’s government to assuage accusations of antisemitism, without actually dealing with living Jews. 

Losing Ladino and a ‘quiet’ mindset

Bencoya lamented that he is among the last generation for whom Ladino — the Judeo-Spanish language traditionally spoken by Sephardic Jews, but only spoken by tens of thousands today — was at least a part of his childhood. 

“When you lose language, it’s not only technical, it’s not only vocabulary, it’s a whole world and a way of thinking,” Bencoya said. 

The project is challenging a local Jewish mentality as well. Minority groups in Izmir, especially Jews, “have for a long time preferred not to be seen, not to be felt,” according to Bencoya.

That mindset has been codified in the Turkish Jewish community’s collective psyche in the form of a Ladino word, “kayedes,” which means something along the lines of “shhh,” “be quiet,” or “keep your head down.”

“This is the exact opposite that I want to do with this festival — to be felt, to raise awareness of my being,” Bencoya said. 

The Bikur Holim Synagogue is one of the few still functioning in Izmir. (David I. Klein)

One way of doing that, he added, was having the festival refer to the community’s identity “as Yahudi and not Musevi!” Both are Turkish words that refer to Jews: the former having the same root as the English word Jew — the Hebrew word Yehuda or Judea — while the latter means “follower of Moses.”

“Yahudi, Musevi, Ibrani [meaning Hebrew, in Turkish] — they all mean the same thing, but in Turkey, they say Musevi because it sounds nicer,” Bencoya said. “To Yahudi there are a lot of negative superlatives — dirty Yahudi, filthy Yahudi, and this and that. So I insist on saying that I am Yahudi, because people have a lot of pre-judgements about the name Yahudi. So if you have prejudgements about me, let’s open them and talk about them.”

“I am not so romantic that I can eliminate all antisemitism, but if I can eliminate some of the prejudgements, then I can live a little more at peace,” he added.

So far, he feels the festival is a successful first step. 

“The non-Jewish community of Izmir is fascinated,” Bencoya said. “If you look on Facebook and Instagram, they are talking about it, they are fighting over tickets, which sell out almost immediately.” 

Now, he is only wondering how next year he will be able to fit more people into the small and aged synagogues. 

“For Turkey, [the festival] is very important because Turkey can be among the enlightened nations of the world, only by being aware of the differences between groups of people, such as Jews, Christians, others, and Muslims,” he said.


The post In Turkey, a festival revives a jewel of the Sephardic world and aims to break stereotypes appeared first on Jewish Telegraphic Agency.

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Jewish Sites in New York City Struck With Antisemitic Graffiti as Police Report Jews Targeted in 60% of Hate Crimes

Members of the Rego Park Jewish Center flanking swastika graffiti that was sprayed on the building on Sunday, May 3, 2026. Photo: Screenshot

Jewish residents of the Queens borough of New York City were outraged on Monday following an overnight spree of vandalism which left at least four Jewish properties — private homes and synagogues — marked with the swastika and other antisemitic graffiti.

The incidents were discovered as the New York City Police Department (NYPD) released its latest figures showing that Jews continued to be the target of the majority of all hate crimes across the five boroughs last month, despite comprising a small fraction of the total population.

The perpetrators of the latest wave of vandalism struck the Rego Park Jewish Center, the Congregation Machane Chodosh, as well as two private homes late Sunday night, according to local lawmakers and Jewish leaders. Police are still searching for the suspects. At least one lead has surfaced so far in the form of surveillance footage taken by the Rego Park Jewish Center near the site of one of the crimes.

Meanwhile, the graffiti remains a scourge on the buildings — appearing in one case next to a memorial to German Jews who survived Kristallnacht, a November 1938 pogrom when Nazi paramilitary forces launched a coordinated nationwide attack on the German Jewish community. The vandals left no doubt regarding their allusion to that period, graffitiing  “Heil Hitler” at the Rego Park location.

“When rabbis and congregants arrive to pray this morning, they expected to be met with their usual loving community. When a family woke up, they were prepared to begin an otherwise normal week. Instead, they were me with terrifying signals of hatred and threats of violence,” New York City Council Speaker Julie Menin said in a social media post which addressed the incidents. “With antisemitism on the rise here and across the globe, we will always stand up for our Jewish community and fight back against hate.”

Mark Treyger, CEO of the Jewish Community Relations Council of New York, noted on social media that one of the targeted sites houses a pre-K program for young children.

“This is not normal, and we need city leaders to act NOW,” he posted.

The vandalism was discovered as the New York City Police Department (NYPD) reported on Monday the surge in antisemitic hate crimes across the city had continued unabated.

According to the newly released data, Jews were targeted in 60 percent of all confirmed hate crimes last month, despite making up just 10 percent of the city’s population.

In April, the police confirmed 30 antisemitic incidents out of 50 total hate crimes in the city. As for all reported/suspected hate crimes, 38 out of the total of 65 targeted Jews.

The NYPD had previously reported suspected, but unconfirmed, hate crime incidents. In February, the police began reporting confirmed incidents instead. And then after receiving scrutiny, the department began reporting both suspected and confirmed hate crimes in March.

Regardless of the methodology, the majority of all hate crimes in New York City this year have targeted Jews, especially the Orthodox community, continuing a surge in antisemitism that has swept the city after the start of the Israel-Hamas war in Gaza in October 2023.

In just eight days between the end of October and the beginning of November 2024, for example, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.

In November, just days after the election of Zohran Mamdani as mayor of New York City, hundreds of people amassed outside a prominent synagogue and clamored for violence against Jews.

“We don’t want no Zionists here!” the group chanted in intervals while waving the Palestinian flag outside the Park East Synagogue in the Upper East Side section of the borough of Manhattan. “Resistance, you make us proud, take another settler out.”

Mamdani has dismantled key parts of the civil rights architecture his predecessor built to combat antisemitism in the city. Former Mayor Eric Adams adopted the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, enforced a ban on awarding government money to adherents of the movement to boycott Israel, and established as a governing principle the idea that Zionism is central to Jewish peoplehood even as it remains a target of antisemitic activism.

“The connection between Jewish identity and the Land of Israel is not political preference but religious and cultural foundation extending back millennia,” Adams said in one of his final communications as mayor. “The practical consequence of anti-Zionist rhetoric is the dehumanization of Zionists (the vast majority of Jewish people) and the dehumanization of all Jewish people. When Zionism itself is characterized as racist or illegitimate, Jewish people become targets for hostility and violence. This dynamic helps explain why attacks on Israel’s legitimacy correlate with increased antisemitic incidents in the diaspora, targeting all Jewish people regardless of their politics.”

The change in New York City’s climate since Mamdani’s election is palpable, Jewish advocacy groups have said. One his first day in office in January, he voided the city government’s adoption of the IHRA definition, lifted the ban on contracts with companies boycotting Israel, and modified key provisions of an executive order directing law enforcement to monitor anti-Israel protests held near synagogues.

“Mayor Mamdani pledged to build an inclusive New York and combat all forms of hate, including antisemitism,” a coalition of leading Jewish groups said in a statement addressing the new administration. “But when the new administration hit reset on many of Mayor Adams’ executive orders, it reversed … significant protections against antisemitism.”

Follow Dion J. Pierre @DionJPierre.

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Venice Biennale Jury Resigns Amid Israel, Russia Controversy; Organizers Announce New Awards, Ceremony

A poster for the 61st Venice Biennale running from May 9 to November 22. Photo: IMAGO/Frank Ossenbrink via Reuters Connect

The jury for the 2026 Venice Biennale announced their resignation mere days before the 61st edition of the show is set to open to the public on May 9.

The move comes after the five members of the jury, which selects the winners for the exhibition’s top prizes, said on April 22 that they would not consider giving awards to artists from countries accused by the International Criminal Court (ICC) of crimes against humanity, which include Israel and Russia. Both countries are participating in this year’s Venice Biennale, a fact that has caused controversy in light of the Israel-Hamas war and the Russia-Ukraine war.

The ICC issued an arrest warrant in 2023 for Russian President Vladimir Putin, who has been accused of war crimes in Ukraine, and an arrest warrant in 2024 for Israeli Prime Minister Benjamin Netanyahu due to his country’s military actions in the Gaza Strip during its war against Hamas terrorists. Israel, which launched its military campaign in response to Hamas’s invasion and massacre of Israelis on Oct. 7, 2023, has strongly denied the ICC’s allegations, with officials saying the Israeli military has gone to unprecedented lengths to try and avoid civilian casualties.

“As of April 30, 2026, we, the international jury selected by Koyo Kouoh, artistic director of the 61st edition of La Biennale di Venezia ‘In Minor Keys,’ have resigned,” the jurors said in a released statement. “We do so in acknowledgment of our Statement of Intention issued on 22 April 2026.” No further information was provided regarding the resignation.

The Venice Biennale did not respond to The Algemeiner‘s request for comment about the decision but acknowledged the jury’s resignation in a released statement on April 30. Organizers announced in a separate statement that the event’s awards ceremony will be moved from May 9 to Nov. 22, which is the last day of the show. The decision to reschedule the awards ceremony was made in light of the jury’s resignation “as well as the exceptional nature of the current international geopolitical situation,” the Venice Biennale said.

The jury for the Venice Biennale typically selects the winners for the highly coveted Golden and Silver Lion prizes. With no jury this year, the Venice Biennale said it will instead establish two “Visitors’ Lions” awards. Visitors will be able to vote for “the Best Participant in the 61st Exhibition ‘In Minor Keys’ by Koyo Kouoh” and “the Best National Participation in the 61st Exhibition.”

Each Venice Biennale ticket holder who visited both of the exhibition’s venues during this year’s show will be eligible to cast one vote for each of the two new awards. All participants n the 2026 Venice Biennale, including those from Israel, will be eligible for the Visitors’ Lion award for Best National Participation “following the principle of inclusion and equal treatment among all participants.”

“This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship,” organizers said. “La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”

An open letter calling for Israel to be banned from the 61st Venice Biennale exhibition was published in March and signed by 178 Biennale participants. Romanian artist Belu-Simion Fainaru is representing Israel in this year’s show and recently criticized the jury’s April 22 decision not to consider awarding artists from the country.

Because of backlash over Russia’s participation, the Venice Biennale announced on April 28 that the Russian Pavilion in this year’s show will be only open to the public during the four-day preview. The European Union has already decided to withdraw $2.3 million in funding from the Venice Biennale because of Russia’s inclusion this year.

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All Major Jewish Organizations in Norway Criticize Holocaust Center for Repeatedly ‘Relativizing the Holocaust’

A drone view of the “Arbeit macht frei” gate at the former Auschwitz concentration camp ahead of the 80th anniversary of its liberation, Oswiecim, Poland, Jan. 10, 2025. Photo: REUTERS/Kacper Pempel

Representatives from the largest Jewish organizations in Norway collectively published an open letter on Monday that accused the Norwegian Center for Studies of Holocaust and Religious Minorities (HL-Center) of repeatedly “relativizing the Holocaust.”

The open letter, which addressed the board and director of the HL-Center, accused the institution of using the Holocaust “in direct or indirect connection with the wars in the Middle East and other historical events.” The signatories noted that for “several years” there have been “repeated incidents” of the institution promoting “Holocaust revitalization.”

“When the Holocaust is systematically placed in parallel with other conflicts, there is a risk of relativizing its unique historical status. Over time, we have come to view this not as isolated judgments, but as a pattern,” wrote those representing the majority of Jewish life in Norway. They called on the HL-Center to “exercise far greater scholarly and institutional caution in how the Holocaust is discussed and contextualized.”

On April 30, the HL-Center hosted an event that drew parallels between the Holocaust and the Palestinian “Nakba” and how “they have functioned as competing cultural traumas.” “Nakba,” the Arabic term for “catastrophe,” is used by Palestinians and anti-Israel activists to refer to the establishment of the modern state of Israel in 1948.

Israel’s Embassy in Norway said the center’s decision to host the event was a “grotesque distortion of Holocaust memory.”

The open letter on Monday mentioned the April 30 event and also expressed concerns by Norway’s Jewish community about an upcoming event on June 3, titled “Holocaust Memorial after Gaza,” which will discuss Holocaust remembrance in relation to contemporary politics, specifically the Israel-Hamas war in Gaza.

“We wish to emphasize that it is both legitimate and necessary to acknowledge the suffering of civilians in armed conflicts, including the experiences of Palestinians after 1948,” Jewish community leaders wrote in the open letter, before noting “this is a subject that can be addressed without bringing the Holocaust into it.”

“A more natural parallel would be the consequences for the more than 1 million Jews who suffered in, and were forced to flee from, Arab countries after the establishment of Israel,” they added. “It is essential to maintain that the Holocaust represents a historical event without parallel: an industrial, ideologically driven genocide whose aim was the total extermination of the Jewish people.”

The letter was signed by B’nai B’rith Norway Lodge, The National Council for Jewish Communities in Norway, Kos & Kaos The Nordic Jewish Network, Chabad Lubavitch of Norway, Det Mosaiske Trossamfund (congregation) in Oslo, The Jewish Community of Trondheim, and The Jewish Community of Bergen, as well as The Jewish Community of Norway.

The groups asked the HL-Center board to issue a clarification about its role and mandate, “particularly with regard to comparisons between the Holocaust and contemporary conflicts.” They also want the center to establish clear guidelines about how its leadership and events will reflect “ongoing political conflicts,” most likely referring to the Israel-Hamas war.

“We expect the board to take this communication seriously. Our goal is to ensure that the HL Center remains a unifying and academically credible institution — also for the Jewish minority it was founded to protect and serve,” they noted. “We also wish to remind you of several previous communications concerning this matter, including the open letter from descendants of Holocaust victims and B’nai B’rith’s thorough report on the shortcomings we are again raising here. None of these has been answered in a satisfactory manner.”

Representatives from Norway’s major Jewish organizations said they previously reached out to the board of the HL-Center with their concerns regarding Holocaust trivialization, the director’s public statements, the center’s role in political conflicts, and how “Holocaust memory has been connected to contemporary wars during central commemorative events” at the center. Their concerns “appear to have led to little change,” they noted.

“The center has a particular responsibility to preserve the memory of the millions of Jews who were murdered, and to ensure that this memory is not relativized or instrumentalized for political purposes,” they added, after pointing out that the institution was established partially with funds from a restitution settlement following the liquidation of Jewish property during the Holocaust.

“The point is not to preclude criticism of Israeli policy, but to make clear how easily such parallels can contribute to trivializing the particular character of the Holocaust, and that such rhetoric can contribute to increased antisemitism,” the open letter pointed out.

Norway is a part of the International Holocaust Remembrance Alliance (IHRA). According to the IHRA definition of antisemitism, drawing a comparison between Israel and the Nazis is a contemporary example of antisemitism.

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