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Jewish institutions awaken to climate crisis, with hundreds pledging action
(JTA) — For a decade starting in 2002, Jennifer Laszlo Mizrahi devoted herself to pro-Israel advocacy. After that, the Jewish philanthropist and activist from Annapolis, Maryland, went all in to fight for disability rights, working in the field for the next decade. Now, Mizrahi is focused on climate change.
“Let me put it this way: In 2021, we donated to one climate organization, and in 2022, we donated to 17 of them,” Mizrahi said, referring to the small charity fund she runs with her husband, tech entrepreneur Victor Mizrahi. This year, the couple made their largest climate-related donation yet, sending a group of nine climate reporters to Israel to meet tech startups working on ways to reduce greenhouse gas emissions. Mizrahi and her husband have also begun commercially investing in such startups.
“I was hoping other people would solve it,” she said. “But the pace of the change is not nearly meeting the demand at the moment. I felt that even though I don’t know the subject, I’m just going to have to do it because I have kids and I don’t want this world to fall apart.”
Climate change has long ranked at or near the top of a list of issues concerning Jews in the United States, according to multiple surveys, and Jews have been heavily involved in the wider climate movement. But until recently, the issue had a marginal place on the agendas of Jewish communal organizations, which neglected climate even as the subject took on importance in the activism and policies of other religious communities and in the larger philanthropic world.
Mizrahi’s newfound emphasis on climate is an early example of a larger shift that is underway in Jewish philanthropy, a multibillion-dollar world made up of thousands of individual donors, charitable foundations and nonprofit organizations.
“It’s the beginning of what will become a more widespread focus among Jewish groups,” said Rabbi Jennie Rosenn, the founder and CEO of the Jewish climate group Dayenu. “We’re seeing an awakening to this as a profoundly Jewish issue, and awakening to the role that the Jewish community has to play in addressing the climate crisis.”
Scientists say that decisions regarding carbon emissions made in the next few years will affect life on Earth for thousands of years to come. The most recent warning came in March, when leading global experts with the Intergovernmental Panel on Climate Change published a new report, stating that “there is a rapidly closing window of opportunity to secure a liveable and sustainable future for all.”
The large Jewish populations living in the coastal United States are vulnerable to extreme storms, sea-level rise, severe heat and other weather disruptions — a situation dramatized in the recent Apple television series “Extrapolations,” in which a rabbi contends with rising sea waters infiltrating his Florida synagogue. Meanwhile, Israel is experiencing a slew of impacts from drought and floods to security threats tied regional climate-related instability.
A flooded road after heavy rainfall in the central Israeli city of Lod, Jan. 16, 2022. (Yossi Aloni/Flash90)
Israeli officials visit the site where a road collapsed into a large sinkhole at Mineral Beach in the Dead Sea on December 7, 2017. Many facilities and beaches have been closed or shut down in recent years following the increase in sinkholes caused by ever-declining sea levels, as climate change strains the country’s water resources. (Mark Neyman/GPO)
The last few months have seen a flurry of new initiatives aimed at both greening Jewish institutions and directing collective action on climate.
In December, for example, Rosenn’s group published a report calculating that endowments of Jewish organizations, from family foundations to local federations, are invested in the fossil fuel industry to the tune of at least $3 billion. The report launched an ongoing campaign called All Our Might that urges Jewish leaders to withdraw these investments and put the money toward clean energy instead.
Meanwhile, many of the most prominent Jewish organizations in the country — representing local federations, Hillel chapters, summer camps, community centers, day schools and nearly every religious denomination — had already joined a new green coalition organized by another Jewish environmental group and were preparing to unveil pledges to do more in the fight against climate change.
The unveiling of the climate pledges happened in March, under the leadership of Adamah, a nonprofit created through the merger of two stalwarts of Jewish environmentalism, Hazon and the Pearlstone Center.
“Climate and sustainability have not been on the list of priorities for the vast majority of Jewish organizations; this coalition and these climate action plans reflect a deep paradigm shift and culture change moving forward,” Adamah CEO Jakir Mandela said at the time.
The commitments made by members of Adamah’s Jewish Climate Leadership Coalition include sending youth leaders to global climate summits, reducing emissions of buildings and vehicles and lobbying the federal government to pass climate policies.
More than 300 congregations and nonprofits have joined. For Earth Day, Adamah announced a million-dollar fund offering interest-free loans and matching grants to Jewish groups for projects to reduce their greenhouse gas emissions.
If any single event can be said to mark the debut of the climate issue as a top Jewish communal priority, it is probably the recent annual conference of the Jewish Funders Network, which took place in March in Phoenix, bringing together thousands of donors and charity executives.
For the gathering’s first event, before the formal opening of the conference, a group of participants went on a field trip to downtown Phoenix to learn about the local effects of the climate crisis. Far more people signed up than organizers anticipated, and with about 55 passengers, the tour bus chartered for the occasion reached capacity. Mizrahi, who was among the participants, said the trip was helpful as a networking opportunity for like-minded philanthropists.
“We wanted to expose them to how the existential threats posed by climate change are not long term, but are already here,” Yanklowitz said. “People down in the Zone are dying every summer from heat exhaustion and dehydration.”
Based on his debrief with the group afterward, Yanklowitz feels the trip left an impact on participants.
“I didn’t hear anyone say, ‘Oh, I’m changing my commitments.’ But I did get the sense that climate change was kind of abstract for many people, and that now it really hit home,” Yanklowitz said.
The rest of the conference featured multiple talks and gatherings dedicated to climate, including on the main stage, and an announcement that Birthright, which offers free trips to Israel for young Jews, was increasing its own climate activism with the help of a new donation.
In an interview, Ellen Bronfman Hauptman and Stephen Bronfman, children of Birthright founder Charles Bronfman, said their $9 million gift is meant to honor their father on the occasion of his 90th birthday, while also bringing Birthright more in line with the values of a new generation that is environmentally-minded.
Birthright organizers will use the funding to develop programming focused on climate that could, for example, expose participants to Israel’s clean tech scene. The money is also intended to help Birthright lower its own carbon footprint, potentially by switching to electric buses or adding more vegetarian meals.
The Bronfmans hope that Birthright’s significant purchasing power in Israeli tourism will nudge the industry toward more ecologically sustainable practices.
“To me, Birthright is like Walmart — everyone wants to do business with them,” Stephen Bronfman said. “They have the power to dictate terms to their service providers and affect the supply chain.”
The widespread interest in climate mobilization among Jewish groups comes after years in which the issue languished outside the mainstream. Rosenn, the head of Dayenu, who has attended about 15 conferences of the Jewish Funder Network, noticed a change this year.
“There used to be half a dozen people at a breakfast before the program talking about climate. And it wasn’t even climate, necessarily — it was the environment writ large,” she said.
The Jewish world is, in many ways, still lagging behind the larger climate movement. Divesting endowment funds from the fossil fuel industry, for example, is seen as a bold step among Jewish groups even though at least 1,590 institutions representing nearly $41 trillion in assets have already publicly committed to doing so, according to a website tracking such pledges. About a third of the groups on the list are defined as faith-based organizations, but only three are Jewish: Kolot Chayeinu, a congregation in Park Slope, Brooklyn; the Reform movement’s pension system; and the American Jewish World Service, a global justice group.
Rabbi Laura Bellows, now Dayenu’s director of spiritual activism and education, waves matzah as she encourages major financial organizations to divest from fossil fuels at a rally in Washington, D.C., April 20, 2022. (Bora Chung | Survival Media Agency / Courtesy of Dayenu)
Adamah’s own climate plan doesn’t include a pledge to divest but only a promise that it will investigate the option of doing so for its endowment and employee retirement funds. Instead, the plan touts the group’s education and advocacy efforts, and focuses on reducing emissions at its retreat centers.
Adamah’s chief climate officer, Risa Alyson Cooper, acknowledged that Jewish community institutions have been “largely absent” from the divestment movement and said her group regards divestment as one of several required tools for addressing the climate crisis.
She said the Jewish community hit a milestone when 12 of the 20 founding members of Adamah’s climate coalition said in their climate plans that they would consider amending their financial practices. That was significant, she said, in light of the organizations’ complex and deliberate governing structures, which can make executing such changes onerous.
“While the Jewish community may have lagged behind in years past, we are catching up quickly,” Cooper said.
Such a shift would mark not only a milestone for Jewish climate activism but also a departure from how the Jewish community has historically done philanthropy, said Rabbi Rachel Kahn-Troster, executive vice president of the Interfaith Center on Corporate Responsibility.
She said wielding financial holdings for social impact has been a hallmark of advocacy by Christian groups. Last year, the Presbyterian Church (U.S.A.) opted to divest from fossil fuels in light of the climate crisis.
The Jewish community, meanwhile, has tended to act primarily through charitable donations. One of the reasons for the difference, she said, is that the Jewish community is much less centralized with communal assets spread across many endowments, making the actions of any single group relatively less impactful.
“Adamah had done some really important work to change individual behavior and grow people’s connections to the environment, but the bigger piece of bold collective action to fight the climate crisis was missing,” Kahn-Troster said. “The overall community is late to respond to the urgency of the problem. But I do think that the work of these organizations is very significant, so I’m excited to see it.”
Kahn-Troster’s historical view is informed by the legacy of her father, Rabbi Lawrence Troster, an environmental activist who had pushed for communal Jewish action on climate, and by the passion for climate justice displayed by her 15-year-old, Liora Pelavin, a member of the Jewish Youth Climate Movement, an arm of Adamah.
“Finding a meaningful Jewish space to do grassroots-level climate advocacy that many young people are demanding has been really important to Liora,” Kahn-Troster said.
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In Britain, a Jewish Culture Month aims to move the conversation beyond Oct. 7
(JTA) — In the almost three years since the Oct. 7, 2023, Hamas invasion of Israel, Great Britain has seen “a relentless focus on everything to do with the Jewish community in the public domain, and it’s about antisemitism or Israel,” said Adam Ma’anit, the communications manager for the Board of Deputies of British Jews.
Over the past four weeks, a flurry of performances, lectures and art exhibits has been an opportunity to move past that.
The Board of Deputies, which represents a community of diverse and often competing views under its umbrella, created Jewish Culture Month, a first-of-its-kind series held under the banner of “Less Oy, More Joy.” The month was designed to bolster Jewish communal confidence and to introduce wider audiences to aspects of Jewish life that rarely make headlines.
The month, which wrapped up Tuesday, sought to make clear that British Jewish identity is, and always has been, about far more than conflict. “We’re not defined as a community by pain,” Ma’anit told the Jewish Telegraphic Agency. “We’ve got great architects, writers, and musicians as well.”
Those artists were featured in more than 150 events over four weeks across the country at major museums and galleries , including London’s British Museum, Oxford’s Bodlein Library, Bath’s Little Theatre Cinema, Nottinghamshire’s National Holocaust Museum and local synagogues and private homes nationwide.
Among them was The Klezmer Village Band, which introduced Jewish culture to primary schools in Plymouth. “We wanted to bring Jewish culture back into the community,” Plymouth Jewish Community Director Louise Clements said. “This is the first time in many years that something like this has happened here.”
One of the band’s musicians, Ilana Cravitz, also noted after the event that “music is a wordless language. People respond from inside — they stop thinking, they feel. And we really saw that today.”
Notables featured throughout the celebrations included British broadcaster and television personality Vanessa Feltz, who spoke at the opening at London’s Freud Museum; comedian Bennett Arron, who performed stand-up routines in Hampstead, London; and acclaimed British artist and vocal Israel critic Anish Kapoor, whose exhibit opening on Tuesday closed out the month.
“Part of Jewish Culture Month is about us celebrating our own culture and being proud, British Jews, and asserting ourselves in an environment where it has been the most challenging to be that very British Jew,” said Ma’anit.
The Holocaust Memorial Day Trust noted another aspect of the festival soon after it kicked off on May 16. “At a time when division and prejudice continue to affect communities across the country, initiatives like Jewish Culture Month can help build understanding and strengthen social cohesion,” it posted social media.
However, some thought it difficult to focus on social cohesion when discussing contemporary British Jewish identity without discussing how that identity dovetails with British Jews’ relationship with Israel.
It’s something that Jewish Renaissance, the online magazine of Jewish culture, raised ahead of the opening. Freelance writer and former Jewish Quarterly editor Matthew Reisz wrote that while there was definitely diversity in the program, “We seem unlikely to hear much about the deep divisions within the community, not least in relation to Israel/Palestine, or the crucial, though often tense dialogue with other minority communities on both shared and contentious issues.”
Ma’anit insisted that the choice was a deliberate one. “It’s not a rejection of Zionism or distancing ourselves from Israel,” he said. “Quite the opposite. The board’s leadership remains openly supportive of Israel and many of the figures involved in the project have deep personal and family ties to the country.”
Israeli-born Ma’anit is one of those figures. He is the cousin of the Idan family of Nachal Oz, a kibbutz close by the border with Gaza. Eighteen-year-old Maayan Idan was shot and killed by Hamas terrorists on Oct. 7 while trying to help her father, Tsachi, hold their safe room door closed. The entire event was livestreamed by the terrorists. Tsachi was abducted into Gaza, where it was believed he was still alive as the war on Gaza raged. It was discovered only later that he had been murdered, with his body finally returned in the hostage deal in February 2025.
Ma’anit, who spent those years lobbying for the hostages’ return, appearing on news programs and organizing hostage vigils in his hometown of Brighton, has been forced to meld the personal with the professional when it comes to the post-Oct. 7 era.
It’s why, he said, Jewish Culture Month is about creating space for aspects of Jewish identity that have been overshadowed post Oct. 7. “The argument is not that Israel is unimportant,” he said, “it’s that Jewish life cannot be reduced to Israel alone.”
Yet even without a focus on Israel and Zionism, the month did not pass without the conflict in the Middle East affecting the program. In May, a culture month lecture titled “Ancient Israel and Judah” at the British Museum had to be postponed, the museum said, because of “security concerns” over potential “disruptions” by protesters who had obtained tickets. The rescheduled event, held June 11, was the best-attended of the entire series, with around 4,000 people joining in person and online.
Ma’anit called the incident “overblown. It was just procedural,” he said. “People fill in the blanks and then it gets out of control.”
However, the speed with which the controversy escalated and elicited angry reactions from many in the community only served to highlight how questions about Jewish visibility and any event with “Israel” in the name — even a reference to thousands of years ago — have become highly charged in the last three years.
“It just shows how on edge the community is,” Ma’anit said.
That has intensified the need for something like Jewish Culture Month in the eyes of many British Jews. Steph Thwaites, head of a group dedicated to helping Jewish publishing professionals navigate an increasingly hostile publishing industry, said after a Jewish Culture Month event on the topic that the professionals felt “a sense of community and a source of comfort,” as well as a space to “combat anti-Jewish racism in publishing and to support Jewish creatives.”
Ultimately, as UK Communities Secretary Steve Reed put it in his speech at the launch of the festivities, Jewish Culture Month “is a time to celebrate Britain’s Jewish community and its contribution to our shared story. It’s a time for coming together. It’s a time for friendship. Jewish experience cannot just be about defending against fear; it also has to be an expression of hope and joy and freedom.”
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This Jewish activist was arrested and deported for her book ‘Lesbian Love.’ 100 years later, will NYC apologize?
In 1926, New York City police arrested Eve Adams, a Polish-Jewish immigrant who ran a lesbian bar in Greenwich Village, for the crime of being gay.
The formal charges were more euphemistic. Officially, Adams was charged with disorderly conduct — that is, flirting with an undercover police officer who had entrapped her, and obscenity, for writing and possessing the book Lesbian Love.
The following year, the U.S. government deported Adams to Poland, in what was effectively a death sentence: 16 years later, Adams would be murdered at Auschwitz.
Now, a century after Adam’s arrest, Manhattan Borough President Brad Hoylman-Sigal — the first openly gay person to hold the elected position — is urging New York City Mayor Zohran Mamdani to formally recognize the city’s role in Adams’ persecution.
He sent a letter to Mamdani requesting that the city issue a formal declaration acknowledging Adams’ conviction in 1926 “was unjust and rooted in discriminatory law enforcement and affirming that New York City failed her as a pioneer of LGBTQ+ life, as an immigrant, and as a Jewish woman who was ultimately deported to her death.”
“Adams’s story is among the most unjust in our city’s history,” the letter reads. “One hundred years after her arrest, we have the obligation and the opportunity to say plainly that she deserved better.”
In a statement to the Forward, the Mayor’s office said they are reviewing the request.
“The Mamdani Administration is deeply committed to uplifting the stories of New Yorkers that have gone unheard throughout history,” deputy press secretary Sam Raskin said.
A pioneer
Born with the name Chawa Zloczower in Poland in 1891, Adams immigrated to the United States through Ellis Island at age 20.
In America, she adopted the name Eve Adams — a playful nod to her androgyny, invoking the biblical Adam and Eve — and wore men’s clothing.
“She was a vibrant activist, who was daring. She had an androgynous appearance, which immediately identified her as a lesbian,” said Jonathan Ned Katz, author of The Daring Life and Dangerous Times of Eve Adams. “Wearing pants for women was just unthinkable in the time period.”
Adams soon immersed herself in New York’s anarchist circles, befriending prominent Jewish anarchists Emma Goldman and Alexander Berkman. She worked as a traveling saleswoman for leftist publications including Mother Earth, activities that landed her on the Bureau of Investigation’s watch list during the First Red Scare.
In 1923, Adams published Lesbian Love, a collection of essays about the romantic lives of dozens of women in Greenwich Village. Katz described the book as far ahead of its time.
“The word “lesbian” was not used much. It was like a dirty word at the time, so you didn’t say it out loud,” Katz said. “Here she was, putting it on a book jacket.”
Two years later, Adams opened Eve’s Hangout in Greenwich Village. The underground tearoom became a rare refuge where lesbian women could socialize openly.
But the haven proved short-lived. In 1926, an undercover detective named Margaret Leonard visited Eve’s Hangout, where she met Adams. The following day, the two attended a play in Times Square together. Adams gave Leonard a copy of Lesbian Love — evidence of “obscenity” that prosecutors later used against her — and Leonard alleged Adams made sexual advances toward her during the taxi ride to the theater.
Adams was convicted and spent 18 months in jail before the United States deported her to Poland.
She settled in Paris, where she began a relationship with Jewish cabaret singer Hella Olstein Soldner. In 1943, the two women were arrested and sent to the Drancy internment camp. From there, they were deported to Auschwitz, where both were murdered.
Adams’ legacy
Over the years, Adams has come to be recognized as a Jewish LGBTQ icon. Her life inspired the play The Great Lesbian Love of Eve Adams, and she was the subject of a New York Times obituary published as part of the newspaper’s “Overlooked” series, which chronicles the lives of notable people throughout history whose deaths went unreported.
Hoylman-Sigal said he was inspired to commemorate Adams by the NYC LGBTQ Historic Sites Project, a nonprofit that documents local queer history, which asked him to send the letter to Mamdani. The Sites Project also offers historic walking tours of the city featuring Adams’ story.
“Their jaws drop when we tell them these stories, standing in front of the building where her tea room was,” said Ken Lustbader, co-founder of the NYC LGBT Historic Sites Project.
On Wednesday, the centennial of Adams arrest, the Sites Project is hosting a performance and vigil in Adams’ honor at the former site of Eve’s Hangout — today, home to La Lanterna, an Italian cafe and pizzeria.
The site of Eve’s Hangout has also been recognized by the National Park Service as part of a roundup of Greenwich Village landmarks significant to LGBTQ history.
New York City, however, has never formally acknowledged the injustice of Adams’ arrest, conviction and deportation.
A posthumous apology would be unusual, though not without precedent: In 2019, the NYPD formally apologized for its 1969 raid on the Stonewall Inn, describing the department’s actions as “discriminatory and oppressive.”
“I would love to see the mayor do it, but we could have one from the police department — an apology for sort of framing her,” Katz said. “They sent in a plainclothes policewoman to entrap her, and so that was really beyond a democratic process.”
The NYPD did not respond to the Forward‘s request for comment.
Whether or not the city issues an official acknowledgement, Hoylman-Sigal said he hopes the campaign will help keep Adams’ story alive.
“It’s an extremely poignant story, sorrowful, outrageous, sad — and one that most people don’t know about,” he said. “So I thought bringing attention to it was a righteous cause.”
Jacob Kornbluh contributed reporting.
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Ever the restless spirit, Tel Aviv-born architect and designer Ron Arad is still reinventing himself and his art
When the announcement was made on June 12 that Ron Arad, 75, has been appointed a Commander of the Order of the British Empire (CBE), it marked another step in the Tel Aviv-born architect, artist and designer’s remarkably varied journey. Arad’s mother was the painter Esther Peretz-Arad and his father Grisha was a sculptor and photographer. After industrial design studies at the Bezalel Academy of Arts and Design in Jerusalem, Arad traveled to London to become an architect, and has remained based there ever since. Yet although he won early fame with his piquant, witty concepts for chairs, Arad has proven anything but sedentary over the past half-century. Indeed, a 2010 retrospective at London’s Barbican Art Gallery was titled “Restless.”
Despite this seemingly permanent shpilkes (restless agitation), humane consideration for the pathways of others has been a constant in Arad’s public projects. His design for Beit Shulamit (2025), a cancer treatment center at the HaEmek Medical Center in Afula, northern Israel, intended to serve Jewish, Christian, Muslim and Druze communities in Israel and Palestine, deliberately freed patients and visitors from “horrible hospital corridors,” Arad told an architectural periodical. Patients walking around the site are given views of nature outdoors at every turn, in a facility that is the first to offer specialist cancer treatment for residents of West Bank conflict zones, including the cities of Jenin and Nablus. Named in honor of Dr. Shulamit Katzman, a pediatrician, the building’s gently curved lines embrace the public.
This awareness of social cohesion is also present in an Arad sculpture on the Tel Aviv University campus. “Kesher” is dedicated to the estimated 4,000 Ethiopian Jews who died from adverse conditions in transition camps on the Sudanese border while trying to emigrate to Israel between 1979 and 1990. Composed of dynamically soaring, interwoven metal tubes, the artwork, wrapped around two live palm trees, a ubiquitous symbol of the Middle East, evokes an expedition. A repeated figure-eight symbolizes the endless continuity of the immigrants’ route and the resolve that it communicates.
In England, Arad assisted the National Health Service (NHS) in responding to the COVID-19 pandemic. A flock of UK Jewish celebrities posed for photos wearing Arad-designed cotton masks, including actor Stephen Fry, comedian David Baddiel, and television host Natasha Kaplinsky. Despite lively colors, the masks, intended to be sold for fundraising, retained a somewhat tragic aura, like the grotesque permanent smile of Victor Hugo’s Gothic novel The Man Who Laughs.
Potential tragedy inherent in triumph likewise radiates from another Arad project, the Totzeret HaAretz (ToHA) tower, an office skyscraper in central Tel Aviv which was inspired by the shape of an iceberg. Its angular glass, built as the polar ice caps are rapidly melting and the fate of the passenger liner Titanic’s collision with an iceberg is particularly relevant, the ensemble when complete will include an 80-floor companion tower, Tel Aviv’s tallest building.
Similarly, Arad is aware of the agony of defeat as well as artistic victories he has experienced over the years. When his codesign for a National Holocaust Monument Ottawa in Canada failed to win a competition, Arad published the concept anyway. The result is a highly literary, theological rumination on the impact of the Shoah on modern Jewish history. Ever conscious of the pedestrian’s progress, Arad’s design featured concrete walls framing 22 narrow passageways, one for each country in which Jewish communities were decimated. These walls, spaced around a meter apart, would have allowed only one visitor to fit through at a time. The solitude would have been lessened by an architectural allusion to the covenant of the pieces (Brit Bein HaBetarim), the first of a series of covenants between God and the Patriarchs. In this narrative, God revealed himself to Abram (later Abraham), promising that his descendants would inherit the Land of Israel.
Less loftily or weighty with destiny, Arad’s chief promise as an artist is to his own creativity. He was so inspired by a melody by the American Jewish songwriter Jonathan Richman about shedding personal inhibition and pretension by accepting new, unfamiliar surroundings and contexts, that in all seriousness he informed an interviewer in 2005 that he wanted Richman’s tune, “I Was Dancing In The Lesbian Bar” to be played at his funeral. Another impeded project where dancing might have been at least delayed was a London Holocaust Memorial and Learning Centre design, initially approved in 2017, but later bogged down by objections about its proposed site, Victoria Tower Gardens, next to the Houses of Parliament. However, in January, a Holocaust Memorial Act 2026 received Royal Assent, officially clearing a legal hurdle blocking the construction of Arad’s UK Holocaust Memorial; the recent conferral of a CBE by Charles III, known to take particular interest in Jews and Holocaust victims, represents further establishment endorsement of Arad and his work.
Despite this authorized approval, Arad looks likely to remain an offbeat spirit, drawing inspiration from a wide range of predecessors, including the Czernowitz-born Austrian Jewish creator Friedrich Jacob Kiesler who innovated with 1965’s “Shrine of the Book” in Jerusalem to house the Dead Sea Scrolls and the Aleppo Codex, among other texts. Kiesler was also responsible for an unbuilt architectural concept, the Endless House, a biomorphic, continuous form with no beginning, end, or even boundaries between floor, wall, and ceiling. Some Arad projects resemble completed versions of things Kiesler and his fellow Jewish surrealists might have only dreamed of.
When it is built, Arad’s Holocaust Memorial will pay tribute to several minority groups targeted by the Nazis, in addition to the Jews. The Learning Centre is intended to explore antisemitism, but also extremism, Islamophobia, racism, homophobia and other forms of prejudice in today’s society. Much of it will be underground, drawing visitors down narrow stairs into the exhibition space and learning center, in yet another example of Arad’s obsession with peregrinations, like a modern-day architectural Benjamin of Tudela, a medieval Jewish traveler. Ever shedding past identities, Arad told the 2005 interviewer that the living person he most admired was Bob Dylan, for “reinventing himself and for reinventing us.” In a comparable way, Ron Arad has also reworked his own optic to express modern Jewish identity in a variety of forms, as an excursion hampered by tragedy and ominous echoes at times, but also with the possibility of quick-witted celebration.
At last year’s Royal Academy Summer Exhibition, Arad presented a bronze sculpture titled “I doubt therefore I think” (Dubito Ergo Cogito). Inviting museumgoers to sit on it, the artwork likely referred to a time-honored Jewish tradition of doubt as the mitzvah of questioning. This mitzvah has accompanied Arad’s career-long odyssey in the arts.
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