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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Jewish New Yorkers rally outside Park East Synagogue, 2 weeks after anti-Israel protest there
(JTA) — Hundreds of New York City Jews and their allies braved the cold Thursday evening for a rally outside Park East Synagogue, where pro-Palestinian protesters had demonstrated two weeks prior shouting chants like “Globalize the Intifada” and “Death to the IDF.”
Thursday’s demonstrators carried signs distributed by organizers that read “Proud New Yorkers, Jews, Zionists.” Others brought signs from home with messages including “Proudly Park East” and “Anti-Zionism is Jew hate is not OK.” Messages from speakers focused mostly on the protesters’ rhetoric and embracing Israel as an important part of Jewish life.
“This evening we come together representing the scale, strength and diversity of our incredible New York Jewish community,” said Eric Goldstein, CEO of UJA-Federation of New York, which spearheaded the rally. “And we gather outside the sacred space that was so violently targeted a few weeks ago.”
In referring to “sacred space,” Goldstein was using the language that Mayor-elect Zohran Mamdani used when he responded to the protest in a way that many of his Jewish critics found disappointing. But if it was meant to be an allusion, Goldstein didn’t say. In fact, no one mentioned Mamdani directly from the speaker podium as a number of Jewish elected officials and community leaders addressed the crowd and denounced the rhetoric used by the protesters.
Joanna Samuels, CEO of the Marlene Meyerson JCC Manhattan, came the closest with comments that appeared to allude to criticisms of the incoming mayor, a longtime and staunch devotee to the pro-Palestinian cause.
“The great leaders of our city have sought to unite people of all backgrounds around broad common goals,” she said, adding that New York’s greatest leaders “have not been ideologues.”
“Our great leaders have had the maturity and discipline to get rid of divisive language and rhetoric in service of their love of our city and their love of New Yorkers,” Samuels said. “I invite all of our leaders and our future leaders to uphold these values, and to demand them from those who speak in your name and on your behalf.”
The rally, which also featured a performance by the musician Mastisyahu, drew both critics and allies of Mamdani in politics. It represents a show of force as Jewish leaders in the city ready themselves for Mamdani’s inauguration on Jan. 1, when the city will go from having a mayor who prides himself on being pro-Israel to having one who has called for its boycott.
Mamdani was asked about the pro-Israel solidarity rally at an unrelated event earlier on Thursday.
“On those who are rallying today, and on Jewish New Yorkers across the five boroughs, I look forward to being a mayor for each and every one of them, and each and every person who calls the city home,” Mamdani said. “And being that mayor means protecting those New Yorkers, it also means celebrating and cherishing those New Yorkers.”
A spokesperson for Mamdani said two weeks ago that he would continue to “discourage” the language used at the Park East protest. But speakers on Thursday called out the protesters in far more explicit terms, saying they used antisemitic rhetoric.
Those speakers included Mark Levine, the comptroller-elect who traded endorsements with the mayor-elect, and will be one of the most powerful officials in the city government alongside Mamdani.
“We are out here in the cold to denounce the hatred that was directed at our fellow Jewish New Yorkers outside of this synagogue,” Levine asserted. “It is never OK to call for the death of anyone, as these protesters did. It is not OK to obstruct and threaten people entering a house of worship, as these protesters did.”
Levine himself has been the subject of protests by left-wing groups such as Jewish Voice for Peace, which endorsed Mamdani and, like the mayor-elect, opposes Levine’s intention to invest city funds in Israel bonds.
Levine also defended attendees of the event inside Park East, which was organized by Nefesh B’Nefesh, a nonprofit that facilitates North Americans’ immigration to Israel, saying, “You can be interested in immigrating to a country even if you don’t agree with every policy of the government of that country.”
He added, “And in the case of Israel, one of the most common reasons people are interested in immigrating is to flee antisemitism, which is on the rise in New York and America — a fact perhaps lost on the protesters, who were busy trying to make the attendees feel unsafe.”
Jewish State Assembly member Micah Lasher, who is running for Congress in the 12th district which includes Park East, commended Levine on social media for his “powerful words.”
Lasher arrived at the event alongside Brad Hoylman-Sigal, the Jewish state senator and incoming Manhattan borough president who endorsed Lasher in October.
Both politicians had endorsed Mamdani in the general election, as did Assemblymember Alex Bores, one of Lasher’s opponents in the 12th district; Sen. Liz Krueger, who is Jewish; and City Council Member Gale Brewer, who were all present. Meanwhile, another notable attendee — Jonathan Greenblatt, CEO of the Anti-Defamation League — has had an antagonistic relationship with the mayor-elect, who is the subject of the ADL’s “Mamdani Monitor.”
While Mamdani was alluded to in Samuels’ remarks, some attendees said they felt that he should have been discussed explicitly.
Aaron Herman, a former New York City resident who commuted in from White Plains, in Westchester County north of the city, said he and his rabbi were discussing the subject.
“He brought up to me, like, ‘There’s one thing that was missing during this incredible rally: No one actually mentioned our mayor-elect, Mamdani,’” Herman said. “The mayor-elect said something wrong. It needs to be addressed.”
Herman shared a video he took at the rally of Rabbi Avi Weiss, the founder of the Hebrew Institute of Riverdale, in which Weiss noted that Mamdani had not been mentioned. “We’re 15 minutes into this rally and I’ve not heard the word Mamdani,” Weiss said. “He’s the problem. … I’m so proud of this rally and the people who planned it but don’t be afraid to stand up to the challenge that we face in the future — and that is the mayor elect, Mamdani.” He then sought to lead others in the crowd in chanting, “Mamdani, we are Israel.”
Still, Herman and other attendees said they appreciated the event altogether, which brought Jews from around the city to the Upper East Side. Buses were chartered from areas like Riverdale, a Bronx neighborhood with many Israeli and Orthodox Jewish residents.
“It was nice to see everyone come together,” said Allison Levy, who was also among the pro-Israel counter-protesters outside the Nefesh B’Nefesh event. “I wish we could do this more often because it seems like we’re really divided, so it was nice that people showed up — especially considering how cold it is.”
The rally included performances from Jewish musician Matisyahu, who has been a vocal supporter of Israel, and Park East Synagogue’s youth choir. Park East’s 95-year-old senior rabbi, Arthur Schneier, spoke, imploring lawmakers to implement a law prohibiting protests directly outside houses of worship.
Schneier’s son Marc, also a rabbi, has urged Mamdani to support such legislation, to which Mamdani’s team has expressed openness. Lasher co-introduced a bill banning protests within 25 feet of houses of worship on Wednesday.
Other speakers included Rabbis Joseph Potasnik and Sara Hurwitz of the New York Board of Rabbis, and 92NY’s David Ingber. Potasnik is one of five rabbis sitting on Mamdani’s transition committees.
Police blocked off the entire block of 68th Street between Lexington and Third avenues, accompanied by security from Hatzalah and the Community Security Service, Jewish security groups. Multiple speakers commended the NYPD, which had previously drawn criticism for not properly responding to the initial protest, leading commissioner Jessica Tisch to apologize at a Park East Shabbat service.
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JD Vance rejects claims that antisemitism is growing inside the GOP, breaking his silence on the topic
(JTA) — Vice President JD Vance said Thursday that he does not believe antisemitism is surging inside the Republican Party, pushing back on prominent conservatives who have raised alarms about hostility toward Jews among young right-wing activists.
“I do think it’s important to call this stuff out when I see it. I also, when I talk to young conservatives, I don’t see some simmering antisemitism that’s exploding,” Vance told NBC News in an interview marking his first year in office.
Vance said antisemitism is wrong, stating that “judging anybody based on their skin color or immutable characteristics, I think, is fundamentally anti-American and anti-Christian.” (Vance himself is a convert to Catholicism who recently said he hopes his Hindu wife chooses to become a Christian in the future.)
Vance added, “In any bunch of apples, you have bad people. But my attitude on this is we should be firm in saying antisemitism and racism is wrong. … I think it’s kind of slanderous to say that the Republican Party, the conservative movement, is extremely antisemitic.”
These remarks amount to Vance’s most direct response to Sen. Ted Cruz and other prominent figures on the right who have in recent weeks have warned of rising antisemitism among conservatives especially after Tucker Carlson, a Vance ally, hosted Holocaust denier Nick Fuentes on his podcast.
Vance’s comments land amid a larger, unresolved debate inside Republican circles over how seriously to treat the rise of explicitly antisemitic figures such as Fuentes, whose online “groyper” movement has attracted a following among young GOP staffers and activists. Jewish conservatives and other right-leaning commentators have expressed alarm at Fuentes’ influence, estimating that significant numbers of junior Republican staffers consume his content. Fuentes has described “organized Jewry” as a threat to American unity.
Vance’s silence on antisemitism was a prominent topic of conversation at a recent confab for Jewish conservatives, where speakers questioned his close association with Carlson.
President Donald Trump recently defended Carlson after the podcast host interviewed Fuentes, saying, “You can’t tell him who to interview.” Carlson campaigned for Trump in 2024 and remains influential within the administration. Trump himself met with Fuentes and Ye, the rapper formerly known as Kanye West, at Mar-a-Lago in 2022, later claiming he did not know who Fuentes was.
Vance has taken a similarly restrained approach. He defended Carlson’s son, Buckley, from accusations of antisemitism without addressing Carlson’s interview with Fuentes. In October, he was criticized for responding to a college student’s question about Jews and Israel without acknowledging its antisemitic framing.
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Ireland, Spain, Netherlands announce boycott of Eurovision following failed effort to oust Israel
(JTA) — Ireland, Spain, the Netherlands and Slovenia’s public broadcasters said they will boycott this year’s Eurovision Song Contest after a Thursday meeting of the European Broadcasting Union confirmed Israel’s participation.
The Thursday General Assembly meeting in Switzerland of the European Broadcasting Union, which organizes the annual song competition, was convened to discuss some members’ calls to have Israel ousted from the contest over the war in Gaza and allegations of voting interference.
But despite calls for a vote on Israel’s participation, the EBU instead said that its members approved new rules prohibiting voter interference from governments and third parties. (Several countries called for an audit of Eurovision’s public voting system after Israel’s Yuval Raphael took second place last year after being bolstered by the audience vote.)
While the EBU did not reference Israel in its press release following the meeting, it said that there would be “no need for a further vote on participation.”
“A large majority of Members agreed that there was no need for a further vote on participation and that the Eurovision Song Contest 2026 should proceed as planned, with the additional safeguards in place,” the EBU said in a statement Thursday.
Delphine Ernotte Cunci, the EBU’s president, praised the decision in a statement, saying that the result “demonstrates our members’ shared commitment to protecting transparency and trust in the Eurovision Song Contest.”
Israeli President Isaac Herzog wrote in a post on X that he was “pleased” that Israel will be included in this year’s competition, adding, “Israel deserves to be represented on every stage around the world, a cause to which I am fully and actively committed.”
And Golan Yochpaz, the CEO of Israeli broadcaster KAN, told EBU members during the meeting that “the attempt to remove KAN from the contest can only be understood as a cultural boycott.”
“A boycott may begin today with Israel, but no one knows where it will end or who else it may harm,” continued Yochpaz. “Are EBU members willing to be part of a step that harms freedom of creation and freedom of expression?”
But after the meeting, several public broadcasters that had previously stated their intention to boycott the competition if Israel was allowed to compete followed through on their promises.
The Netherlands’ public broadcaster AVROTROS said in a statement that it had finalized its decision to boycott the competition, citing the “severe humanitarian suffering in Gaza, the suppression of press freedom, and the political interference during the last Eurovision Song Contest.”
RTÉ, the public broadcaster of Ireland, also announced that it was pulling out of the song contest:
“RTÉ feels that Ireland’s participation remains unconscionable given the appalling loss of lives in Gaza and the humanitarian crisis there, which continues to put the lives of so many civilians at risk,” the broadcaster said in a statement. “RTÉ remains deeply concerned by the targeted killing of journalists in Gaza during the conflict and the continued denial of access to international journalists to the territory.”
The secretary general of RTVE, the public broadcaster in Spain, also criticized the EBU for declining some members’ requests to hold a vote on Israel’s participation in a press release announcing its withdrawal.
“We would like to express our serious doubts about the participation of Israeli broadcaster KAN in Eurovision 2026,” RTVE Secretary General Alfonso Morales said in an address at the meeting. “The situation in Gaza, despite the ceasefire and the approval of the peace process, and Israel’s use of the contest for political purposes, make it increasingly difficult to maintain Eurovision as a neutral cultural event.”
In her address to EBU members before the decision, the president of the board of Slovenia’s public broadcaster, Natalija Gorščak, said, “We are hostages of the political interests of the Israeli government.”
“For the third year in a row, the public has demanded that we say no to the participation of any country that attacks another country. We must follow European standards for peace and understanding,” said Gorščak. “Our message is: we will not participate in the ESC if Israel is there. On behalf of the 20,000 children who died in Gaza.”
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