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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.
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I’m a Student at UChicago — I See Antisemitism Thrive Among Young Chinese Students
Chinese Foreign Minister Wag Yi stands with Russian Deputy Foreign Minister Sergey Ryabkov and Iranian Deputy Foreign Minister Kazeem Gharibabadi before a meeting regarding the Iranian nuclear issue at Diaoyutai State Guest House on March 14, 2025 in Beijing, China. Photo: Pool via REUTERS
Recently, a popular AI meme has begun circulating in Chinese online discourse in the Chicago area. The image features a stereotypical Jewish-looking man with a beard, a long nose, and a Star of David necklace, holding the K visa and standing next to a model of China.
While many laughed at the surreal sarcasm, others took it seriously and warned, “Watch out! They will come in masses and take over China!”
The meme’s spread reveals how casual humor has disguised deeper prejudice and how misinformation about China’s K-visa policy is feeding new antisemitic narratives among young Chinese students.
The antisemitism of China may seem like a tree without roots, since the Chinese people do not have a relatively long history of engaging with large Jewish populations.
The fact that Jews as foreigners explains the emergence and manifestations of the “International Jewish Conspiracy Theory,” which positions Jews as symbols of capitalism who will bring foreign capitalist influence into China and degrade China to a miserable state.
Clearly the origins of this modern Chinese antisemitism are influenced by Western culture, as can be seen every time voices in Chinese discourse accuse Jews as a collective of controlling the banks. This, coupled with stereotypes about Jews being global capitalists that have survived within China’s rich tradition of Communism — and the Chinese people’s concern about foreign influence — has been the main vehicle for Chinese antisemitism.
This fusion of foreign conspiracy and local economic fear doesn’t just misinform — it risks normalizing hatred among a generation that should know better.
The current rumor making the rounds centers on China’s so-called “K-visa,” a new policy intended to attract highly skilled young foreign professionals and scholars with advanced STEM degrees or professional experience.
The program is open to any applicant who meets China’s professional criteria, regardless of religion or ethnicity. But the lack of clear, accessible explanations in Chinese-language media has left a vacuum that rumors eagerly fill. These rumors are particularly antisemitic, pointing directly at Jews for implementing the K visa.
Online, however, interpretations of this visa have been twisted into baseless conspiracy theories. The comment sections of various posts from WeChat and RedNotes are filled with outcries from Chinese students all around the world, claiming that the visa was “designed for Jews to penetrate, corrupt, and eventually control China” and that “Jews abroad are cheering over this victory,” evidence, they say, of a secret plan for mass immigration.
This opinion is fundamentally wrong. Not only is the conspiracy fundamentally irrational, but this kind of antisemitic scapegoating has been used to manipulate the public. There is a long history of Western and Middle Eastern leaders blaming their failures on the Jews instead of acting responsibly. If the K-Visa program does not strengthen the country as hoped, what benefit is there to waste time blaming the Jews instead of learning from the experience and improving the program?
Additionally, what exactly is the harm they imagine will occur if a small influx of Jewish scientists choose to bring their knowledge and energy to benefit the people of China? The last time China was introduced to Jewish innovation, we gained the drip irrigation system, an innovative method of agricultural science that has helped feed China’s 1.4 billion people.
Unfortunately, merely debunking these myths is not enough to combat antisemitism in mainstream Chinese culture.
What is needed is dialogue and more opportunities for fact-based education. Firstly, UChicago and the local Chinese Students and Scholars Association chapters should organize and support events that facilitate cross-cultural conversations and host more intellectually and culturally diverse speaker events where scholars, religious figures, and students can openly discuss intersections of Jewish and Chinese culture and history.
My hope in writing this piece is not to condemn the Chinese overseas population, but to help my peers understand that antisemitism is not unique to the West; it comes in all shapes and forms, and from many cultures.
Many who share or believe antisemitic narratives do so without realizing the harm they perpetuate. As a Chinese person myself, I used to have very stereotypical views of the Jewish people, but my curiosity to learn more about Jewish life and culture led me to attend Shabbat dinners where I experienced first hand what it’s like to face hostility and aggression for no other reason than expressing someone’s identity. Only through awareness and self-reflection can we all refrain from falling into the traps of hatred.
Angella Tang is a UChicago Biology student and a CAMERA fellow passionate about fostering cross-cultural and interfaith understanding.
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The Palestinian Authority Vowed to Liberate Jerusalem Long Before Hamas
PLO leader leader Yasser Arafat. Photo: World Economic Forum.
When Hamas named its October 7 massacre the Al-Aqsa Flood, it framed its atrocities as an Islamic holy mission to liberate Jerusalem from the Jews. The message was clear: rape and kill Jews for the sake of Al-Aqsa and Jerusalem.
What is less understood is that the Palestinian Authority (PA) and its ruling Fatah movement have been preaching that same message — long before Hamas.
In honor of the anniversary of Yasser Arafat’s death, Fatah’s Information and Culture Commission posted a famous Arafat slogan: “Don’t call out for me, rather call out for Palestine and Jerusalem: With spirit, with blood, we will redeem you, Palestine. Millions of Martyrs are marching to Jerusalem!”
Two days later, also marking the anniversary of Arafat’s death, the PA Ministry of Education published photos of children — with one holding a sign with the identical Arafat slogan.
For all the diplomatic illusions of a “moderate” Fatah that should replace “extremist” Hamas, the truth is simple: both teach the same strategy — Martyrdom to destroy Israel and liberate Jerusalem. The Al-Aqsa Flood is Hamas’ battlefield expression of the same fundamental ideology that the PA constantly feeds its children in its classrooms, streets, and cultural events.
The cult of Martyrdom and violence against Israel long predated Hamas and was spearheaded by Yasser Arafat, as memorialized at this PA school in honor of the anniversary of his death:
Text on sign on left: “They want me dead, exiled, or imprisoned, and I tell them: Martyr, Martyr, Martyr” [an infamous quote from Yasser Arafat]
Text on sign on right: “I am the youngest soldier in Palestine”
The culture of Martyrdom and terror-glorification is still proudly upheld by both the PA and Hamas today, with the message remaining the same: dying for Jerusalem and killing Jews is the highest calling.
As long as Palestinian leaders continue to sanctify this death cult, both the PA and Hamas will be planning the next October 7 “Al-Aqsa Flood.”
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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In Denver, a Jewish day school happily copes with a surge in new students
(JTA) — This article was produced as part of JTA’s Teen Journalism Fellowship, a program that works with Jewish teens around the world to report on issues that affect their lives. Author Drew Kaplan is a student at Denver Jewish Day School.
Denver Jewish Day School’s principal never thought he would spend so much time looking at school furniture catalogs.
Jeremy Golubcow-Teglasi needed to turn a former workspace into a classroom for a middle school math class and occasional Hebrew classes. Between this and needing to increase the capacity in a few other rooms, he was in the market for new desks, chairs, and tables to serve the 37 new students who have joined DJDS over the past two years.
Enrollment in DJDS’ upper division, which is middle and high school, is 19% higher than it was two years ago.
“Space has suddenly become a real constraint,” said Golubcow-Teglasi, who leads the upper school. “When you put 70 more people in a building that normally houses 120, you have to get creative about space.” Currently, the upper division has 189 students, an all-time high.
He and others describe the growth as a reflection of the rise in antisemitism and increase in Jewish identity following the war in Israel, causing many families to seek a larger Jewish community for their children. As a result, enrollment in Jewish schools like DJDS has increased since Oct. 7, following a similar nationwide trend. Now Jewish schools across the country are having to suddenly adapt to surges in enrollment, causing schools like DJDS—where this reporter has been a student for the past 12 years—to hire more teachers, buy more furniture, and adapt their class offerings.
Across the country, more than half of surveyed U.S. schools have seen an increase in students or families considering enrollment since Oct. 7, according to Prizmah, a network of Jewish day schools and yeshivas.
Additionally, 60% of the 72 schools it surveyed last school year, “identified new students who enrolled in Jewish day schools this school year as a result of the change in climate post Oct. 7,” according to a “Trends Update” released in February.
Donna Klein High School in Palm Beach County, Florida, saw an increase of 177 students the year following Oct. 7. Of those students, 35 families said they made the switch due to antisemitism or anti-Zionism.
Similar to Donna Klein, 80% of families joined DJDS since the 2023-24 school year, citing Jewish Identity & Environment as influencing their decision to transfer. Additionally 67% cited school-wide community as a reason, 61% cited Physical Safety, and 53% cited social-emotional safety. These same reasons, according to Golubcow-Teglasi, also contributed to the higher retention rates seen at DJDS.
Few families cited antisemitism explicitly as a factor for transferring to DJDS, according to Golubcow-Teglasi, who said it was sometimes mentioned as a factor, but he was never entirely sold that Oct. 7 alone is driving DJDS’s enrollment growth. “But I think it’s a reasonable hypothesis.”
Enrollment has increased in two distinct “surges,” Golubcow-Teglasi said. The first was after the Covid-19 pandemic, and the subsequent school year, when families were drawn to a small, largely in-person school. But that accelerated pattern of enrollment flattened out until the second “surge” hit following the Oct. 7 attacks.
The school year after the Oct. 7 attacks in Israel, 21 new students joined the Upper Division. Annabelle Dennis and Hailey Lutz were among the new transfers.
Dennis, a junior, transferred from a private Catholic school. “I really wanted a smaller school and community,” she said, “the kids were questionable — really just antisemitic.”
Dennis struggled as many students came up to her and made hateful comments. “People have asked me why I don’t have horns, and people have told me I killed their Lord and Savior, and they can never forgive me,” she said.
The school’s administration “could have done a better job,” Dennis said. She said that regarding most cases of antisemitism, the administration looked the other way, “sometimes it was handled, but most of the time, they did not handle anything.”
Lutz, a senior at DJDS, transferred the school year after Oct. 7 because she was tired of her schoolmates constantly bringing up the situation in Israel and Gaza. As one of the only Jews at her school, she looked to transfer to a school where she could be herself.
Students at her school “had a lot of questions on what was going on, especially with all the misinformation being spread on social media,” she said. “People weren’t necessarily antisemitic or anti-Jewish, but they were asking questions. She said she felt as if classmates were trying to get her to say that Israel was committing a genocide in Gaza or agree with other assertions that Lutz described as “propaganda or misinformation.”
Holden Demain spent his first semester of 11th grade away from DJDS, the school he’s attended since Kindergarten, attending school in Washington, D.C. as part of the U.S. Senate Page Program.
After returning to DJDS in the middle of the 2024-2025 school year, Demain noticed the changes at the school.
“The hallways are damn crowded, which is great,” Demain said. “There is so much more opportunity to create different kinds of clubs.”
Demain leads one such club, Zemirot, where students sing traditional Jewish songs. This year at DJDS, there is also a new baking club, a Hacky Sack club, and a financial literacy club.
Similar to Golubcow-Teglasi, Demain does not fully attribute the surge in enrollment to Oct. 7; he also credits the population growth in Denver and students switching from other Jewish schools in the area.
“I think it’s been really good. There are a bunch of new opportunities, like you can make new friends that you never would have met before,” said Kaitlin Schatz, a junior entering her fifth year at DJDS. Schatz explains how it has been fun to see new students with different backgrounds.
But at the same time, more students being in the building means that there are space constraints. “We do not have enough gym space,” Golubcow-Teglasi said, to allow both high schoolers and middle schoolers to use the gym during lunch. There has been so much demand for the Advanced Placement United States History class this year that it is being offered in two different periods, whereas before it ran every other year. Last year, AP European History was also offered in two different periods for the first time.
Jerry Rotenberg, an upper-division Judaics teacher and student council advisor, said that teacher workload has definitely increased. “There’s more work to do — more tests and assignments to grade, and preparations take longer,” Rotenberg noted that it isn’t necessarily an added stress, just more on his plate.
Meanwhile, during particularly busy periods, some classes meet in the hallways.
“It’s probably the worst place to have a class,” said Hannah Gruenwald, a senior who is taking her yearbook editor class in the DJDS lobby. It makes sense that the two-student class would be put in this situation, Gruenwald says, “but it isn’t conducive to learning. Having a table would be nice.”
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