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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Nearly half of young Americans view US relationship with Israel as a burden, survey finds
(JTA) — Nearly half of young Americans, 46%, believe that the United States’ relationship with Israel is mostly a burden to the United States, according to a new survey from the Institute of Politics at the Harvard Kennedy School.
The Harvard Youth Poll, which polled 2,018 Americans aged 18 to 29, found that just 16% of those surveyed described the U.S. relationship with Israel as mostly a benefit.
Respondents were asked about their view of other U.S. alliances, including Canada, which 53% saw as beneficial, and Ukraine, which 21% saw as beneficial. Israel received the lowest perceived benefit of any country tested.
The survey also found that 55% of young Americans believe the U.S. military action in Iran is not in the best interest of the American people.
It comes as attitudes about Israel among young Americans in recent years have grown sharply negative. Earlier this month, a Pew Research Center survey found that 70% of Americans aged 18 to 49 held a somewhat or very negative opinion of Israel. That view was split among partisan lines, with 84% of Democrats in that demographic holding a negative view of Israel, compared to 57% of Republicans.
The Harvard survey was conducted by Ipsos Public Affairs between March 26 and April 3 and had a margin of error of 2.74 percentage points.
The post Nearly half of young Americans view US relationship with Israel as a burden, survey finds appeared first on The Forward.
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Long Island father and teen son arrested after investigation into swastika drawn in school bathroom
(JTA) — A father and his teenage son were arrested Wednesday after an investigation into swastika graffiti at the teen’s school led police to search their home, where authorities said they found chemicals used to make explosives.
The arrests stemmed from an investigation into swastika graffiti found in a boys’ bathroom at Syosset High School on Long Island. After police determined that a 15-year-old student had drawn the swastika, the Nassau County Police Department sent officers to his home.
There, the teen told the officers about the explosive materials, according to prosecutors. He said his father had purchased the chemicals for him to build rockets.
During the subsequent search of the home, police found “highly unstable” materials that had been combined to make explosives, including nitroglycerin, multiple acids, oxidizers and fuels. They began to evacuate people in adjacent homes, fearing an explosion.
The teen was not identified by police due to his age. Francisco Sanles, 48, who was arrested at the scene, has pleaded not guilty to seven criminal counts, including criminal possession of a weapon and endangering the welfare of a child. His son was charged with five counts, including criminal possession of a weapon, criminal mischief, aggravated harassment and making graffiti.
Swastika graffiti is relatively commonplace in schools, with the Anti-Defamation League reporting over 400 incidents in 2024: Syosset High School itself was hit by a spate of antisemitic graffiti, including swastikas, in 2017. But it is relatively rare that incidents result in arrests.
In an email to the school district Wednesday night, the Syosset School District — which enrolls a large number of Jewish students — said its investigation had identified the student for the police, and he would face “serious consequences pursuant to the District’s Code of Conduct.”
“Antisemitism and hate speech have no place in our communities or in our schools,” the district said. “Syosset has long been proud of being a welcoming, empathetic, and inclusive community and those values remain firm. We protect those values and this community by confronting and holding accountable those who traffic in any form of hate.”
In January, New York City Police arrested and charged two 15-year-old boys suspected of spraying dozens of swastikas on a playground in a heavily Jewish Brooklyn neighborhood with aggravated harassment and criminal mischief as a hate crime.
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Tucker Carlson calls campaign to shame a country club for barring a Jewish toddler ‘repulsive’
(JTA) — Catherine Rampell, the economist and pundit, likes telling the story about how her father once launched a public campaign against a Palm Beach country club when it banned his 4-year-old son from attending a birthday party because he is Jewish.
Now, Tucker Carlson has turned the anecdote into a sinister and “repulsive” tale of a crusade against folks who just want to hang out together.
Carlson substantially misrepresented Rampell’s anecdote, turning it into what Rampell on Wednesday said was “a coded story in defense of antisemitic and racist country clubs.”
Carlson, the far-right firebrand who sits at the center of the Republican Party’s schism over antisemitism, on Tuesday interviewed his brother Buckley on his streaming show about their shared disaffection for President Donald Trump over launching the Iran war. Tucker Carlson was until recently close to Trump, and Buckley Carlson was a speechwriter for the president.
The brothers in the podcast discussed Trump’s purported distaste for WASPs, shorthand for White Anglo Saxon Protestants who are descended from immigrants who arrived in the Americas in the 17th and 18th centuries. Trump’s grandfather was German-born, and his mother was Scottish.
“He’s very fixated on the WASP thing, and does talk about it a lot,” Tucker Carlson said.
“There’s another group in America that’s kind of fixated on the WASPs too,” his brother responded.
“I’ve noticed that,” Tucker said. And his brother continued: “With equal fervor and hostility.”
That led into a discussion of “status anxiety” driving social change, which Tucker Carlson says “everyone lies about.” That’s when Carlson recalled meeting Rampell at Fox News about a decade ago, when he was a host at the network and she was a guest commentator.
Referring to Rampell, who graduated with honors from Princeton University and who was then about 30, as a “girl” and a “liberal neocon person” who was “not smart,” he recalled asking her about her upbringing. She told him she grew up in Palm Beach, the wealthy Florida enclave where Carlson has also spent a lot of time.
“And she’s like, ‘Yeah, we moved there, and my dad sued the Bath and Tennis club for discrimination because they wouldn’t let him in,’” Tucker Carlson recounted.
“Like, that’s repulsive to me,” he continued. “A club should have, you should have the right to hang out with whoever you want to hang out, on whatever basis you want to make that decision. She was, like, bragging about it, and I was like, the hatred behind that, the desire to destroy something is so evident. This girl’s a hater.”
Rampell, who scould only vaguely recall the encounter, set the record straight on Wednesday on the Bulwark podcast. Rampell works for the Bulwark, a centrist political outlet, as well as for the liberal cable news channel MSNOW.
“My father didn’t sue country clubs,” she said. “Tucker is actually right that freedom of association is allowed under the law.”
Instead, Rampell’s father, Richard, a CPA, was moved in 1990 to launch a publicity campaign against clubs in the area that excluded on the basis of race, religion or gender, after his toddler son was told he would not be invited to a preschool classmate’s birthday party.
“We learned this, or my family learned this, because my brother was in preschool at the time, and he was not invited to a birthday party, and was subsequently found out that the reason he was not invited is that the country club that Tucker is referring to, the Bath and Tennis club, did not allow Jews in its doors, even 4-year-old Jews, as it turns out,” Rampell said.
“When your own child becomes a victim, it awakens emotions you never knew you had,” Richard Rampell told the Palm Beach Daily News on May 16, 1993.
Carlson did not say “Jews” when he discussed the topic on his livestream. But Rampell said she detected plenty of codes, including his exchange with his brother about a group “fixated” on WASPs, and the ostensible oxymoron he uses to describe Rampell a “liberal neocon.”
“You’ll understand what that’s a euphemism for,” Rampell said.
“Neoconservative” or “neocon” are sometimes used as anti-Jewish pejoratives, on the left and the right. Rampell’s writing and commentary do not reflect the views of actual neoconservatives, who champion shrinking the welfare state as well as a robustly interventionist foreign policy.
Rampell noted that Carlson is no stranger to euphemisms for Jews, recalling that in his eulogy for the slain conservative leader Charlie Kirk last year, Tucker referred to the killers of Jesus as “a bunch of guys sitting around eating hummus.”
Trump in 1993 sought assistance in turning the Palm Beach estate he had purchased, Mar-a-Lago, into a country club. One lawyer he consulted with advised Trump to emphasize that the new club would be open to all comers – it would not restrict Jews or Blacks or others.
“You’ve got an island with a lot of Jewish residents who have no club to go to,” said the lawyer, Paul Rampell — Catherine’s uncle, and her father’s partner in campaigning against country club bigotry.
Trump agreed and hired the lawyer, who helped him secure permission to launch the club.
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