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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.
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What It’s Like in Israel — During ‘Operation Lion’s Roar’
An Israeli air defense system intercepts a ballistic missile barrage launched from Iran to central Israel during a missile attack. Photo: Eli Basri / SOPA Images via Reuters Connect
I haven’t been sleeping much.
It starts with an (intentionally) obnoxious screech on your phone that overrides all your “leave me alone” settings, and harangues you that a missile alarm has gone off. The radar and satellite tech behind this disruptive howl is almost magical, but in the moment, no one cares.
Then the promised air raid sirens sound all around: you have 90 seconds to reach a bomb shelter.
Fortunately, there’s a bomb shelter in my building. Some aren’t so lucky: they run down the block to public shelters, or to Tel Aviv’s new underground subway, which was built with this exact scenario in mind.
The attacks come in waves of an hour or two.
Imagine having a baby that wakes you up all day and night, except instead of a baby it’s a homicidal Islamist regime, and instead of wanting to be changed or fed, it wants to kill you.
Emergency notifications from the Israeli Home Front Command indicating the approach of Iranian missiles. Photo: Daniel Pomerantz.
Israel has the most advanced, multi-layered missile defense system in human history, but it’s only about 88% effective — and that remaining 12% takes out entire apartment buildings. Iran already claimed its first victims in Israel and across the region.
This war is horrible, but there are many reasons Israel needed to wage it:
1. Iran is developing nuclear weapons.
This isn’t some Iraq era claim of “WMDs” — we know this is true because (among other reasons) Iran essentially says so. The regime very publicly insists on enriching uranium up to levels that have no possible use other than making warheads, all while paradoxically claiming “peaceful purposes.”
And if all that weren’t enough, Iran hides its “peaceful” nuclear program hundreds of feet under a mountain. Make of that what you will.
2. Iran is also developing ICBMs (intercontinental ballistic missiles) capable of reaching the United States. We know this because (again) the regime says so. A lot. They brag about it. This is not a question mark.
3. Iran’s terror proxies have killed thousands of Americans, Israelis, Europeans, and Arabs, including the Beirut barracks bombing that took the lives of 220 US Marines, and the unimaginable October 7 Massacre in Israel. Claiming that the work of proxies isn’t “really” Iran’s doing this is like hiring a hitman and then claiming that you didn’t “personally” murder anyone.
4. Of course, the greatest victims are the Iranian people, 80% of whom want to overthrow the regime — after 47 years of unimaginable suffering. This regime murdered thousands of its own people just last month, most for protesting, some for using Star Link terminals.
We seem to forget that military might can be used appropriately and effectively.
For every nightmare of intervention, such as Iraq or Afghanistan, there are also success stories, such as Libya, Kosovo, and most recently, Venezuela. And this isn’t even “intervention,” this is self defense. The regime’s President Masoud Pezeshkian declared in December, “we are in a full-fledged war with America, Israel, and Europe,” as Iranian officials continued to scream “Death to America” in the halls of Parliament, and on the streets.
And Iran puts its money where its mouth is: backing up its homicidal rhetoric with actual homicide. Lots of it.
Iran is now spreading a distorted history, claiming that all of its problems can be traced to America. That isn’t true: it’s a psyop, designed to weaponize our democracy against us. One can debate whether America should have helped affect a coup in Iran in 1953, but the leadership America helped bring to power back then (the “Shah”) is the very same leadership whose return the Iranian people are now risking their very lives to demand. America and the Iranian people are completely aligned in this, and the death of Ayatollah Khamenei was met by cheers and celebrations.
Genocidal maniacs have a way of telling us exactly what they plan to do: we ignored Hitler in the run up to World War II, we ignored Al-Qaeda in the years before 9/11, and we now ignore Iran at our peril.
But we’re not ignoring Iran.
We must hope that the people of Iran are ready to take back their country, and institute a new, organized government. It is entirely possible that Iran, the Middle East, and the world at large are on the verge of greater peace and stability than we have seen, or even imagined, in any of our lifetimes.
But we aren’t there yet, and we need the united support of all our allies, and our entire democracy, in order to succeed.
Daniel Pomerantz is the CEO of RealityCheck, an organization dedicated to deepening public conversation through robust research studies and public speaking.
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Family of Former FBI Agent Robert Levinson Demands Iran Be Held ‘Accountable,’ Return His Remains
People walk near a mural featuring images of Iran’s Supreme Leader Ayatollah Ali Khamenei and leader of Iran’s 1979 Islamic Revolution Ayatollah Ruhollah Khomeini, on a street in Tehran, Iran, Feb. 17, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
The family of former FBI agent Robert Levinson, who disappeared in Iran in 2007 and is believed to have died while in Iranian custody, is calling on the Trump administration to make sure Tehran returns his remains and is held “accountable” for its actions following this weekend’s US-Israel airstrikes on the Islamic Republic.
Washington has maintained that Levinson, a retired FBI special agent, was taken by Iranian officials on March 9, 2007, while working as a private contractor for the CIA on the Iranian island of Kish, where he had traveled to meet a source. His family was never informed of what officially happened to the American citizen, but in 2020, the US government officially concluded he had died while in Iran’s custody. The details and circumstances surrounding his death remain unknown. Levinson was a father of seven children.
Levinson’s family issued a statement, shared on social media, following Saturday’s killing of Iranian Supreme Leader Ayatollah Ali Khamenei in the US-Israel airstrikes.
“For nearly 19 years, Iran has lied, obstructed, and refused to answer for the kidnapping, detention, and death of our father, Robert Levinson,” the family said in its statement. “Ayatollah Ali Khamenei led the regime responsible for these crimes. His death does not erase what Iran did to our father, and it does not end our fight for accountability. But it is a significant moment for our family and for every family that has suffered at the hands of this regime’s hostage-taking and wrongful detention.”
“Now Iran must do what it has refused to do for nearly two decades: provide full accountability for what happened to our father, return his remains to our family, and disclose the truth about his kidnapping, imprisonment, and death,” they added. “Our family will not stop demanding the truth. And we will not stop demanding justice.”
The family also expressed gratitude to US President Donald Trump and Secretary of State Marco Rubio “for using the power of the United States to confront Iran and to hold it accountable, including by recognizing and addressing Iran’s long-standing practice of wrongful detention.”
Levinson’s son, Dan Levinson, talked to “Fox & Friends” over the weekend about the need for the Trump administration to pressure Iran to take accountability.
“We’re just looking for answers. We still don’t know what exactly happened to him,” the younger Levinson said of his father. “There was no person more responsible for my father’s fate than Ayatollah Khamenei. At any time he could have waved his hand and had my dad released. He chose not to. We begged and pleaded. We sent so many letters. I went over there twice asking for a meeting and his people rebuffed us. Ignored us.”
Levinson said there is still a $25 million reward for information leading to the recovery and return of his father’s remains.
In March 2025, the United States imposed sanctions on three Iranian intelligence officers for their alleged involvement in Levinson’s disappearance.
In December 2020, the US Treasury Department’s Office of Foreign Assets Control sanctioned two other Iranian officials who are accused of authorizing Levinson’s 2007 abduction. The FBI released posters seeking information about them last year.
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The Jewish space lasers are real — well, kind of
Everyone made fun of Marjorie Taylor Greene when she said that Rothschild-funded space lasers had caused forest fires.
But, as it turns out, the space lasers are real. Well, sort of. They aren’t starting forest fires or causing major weather events, as Greene claimed in her post. Israel does, however, have a laser that shoots in the general direction of space. But that’s enough for some conspiracy theorists to feel vindicated.
“No longer a ‘Conspiracy Theory.’ Israel just used a Directed Energy Weapon (DEWs),” reads one viral tweet about the lasers. “During Biden’s term the media worked relentlessly to Fact Check these weapons as conspiracy theories.”
Indeed, as Israel and Iran exchanged missiles over the weekend, videos circulated online purporting to show Israel shooting down missiles using a laser. In the video, missiles launched by Hezbollah from southern Lebanon, near the border with Israel, appear to flame out moments after taking off. (Israel has yet to officially confirm that the rockets were shot down by lasers, and the videos aren’t definitive; the missiles could have been defective and burned out on launch.)
But it is true that Israel has been working on defensive lasers for years. In 2022, Prime Minister Naftali Bennett said, “We have successfully completed a series of tests on our new ‘Iron Beam’ laser air defense system. This may sound like science fiction, but it’s real.” The laser system was reportedly delivered and deployed across Israel in December.
“It has nothing to do with the ‘Jewish space laser’ conspiracy theory,” said Mike Rothschild, a researcher on extremism and author of Jewish Space Lasers: The Rothschilds and 200 Years of Conspiracy Theories. “Conspiracy theorists often take real or in-development technology and twist it around for their own purposes.”
The laser works by shooting a grouping of small beams toward the projectile it is attempting to destroy, explains a report on the system’s development in National Defense Magazine. When one hits its target, the beams concentrate on the target until it is incinerated.
The lasers are less effective than the existing Iron Dome system, which works by intercepting missiles with other missiles and exploding them before they hit the ground. The laser can only reach missiles within about a 10 kilometer range, and, like any beam of light, can be blocked by terrain or atmospheric conditions like haze or clouds. On the other hand, the lasers are cheap to use, since they don’t require a ballistic missile for each engagement, and, for the same reason, they cause less collateral damage from falling debris.
The existence of the laser and its first — or first public — deployment has plenty of people joking about Jewish space lasers being real, and apologizing to Greene, though the Iron Beam has little to do with Greene’s allegations of a laser used to start targeted forest fires for government profit.
Conspiracy theorists may be crowing about the supposedly huge secret they’ve uncovered. But the laser isn’t secret at all. The Iron Beam is a well-funded and well-publicized project that has been in development for years, funded by both the U.S. and Israel. The first model was unveiled in 2014 at the Singapore Air Show. Smaller versions have been used to shoot down drones at close range for the past several years.
The aura of secrecy is key to the world of conspiracy theories. If antisemites can frame anything done by Jews or Israel as an underground, hidden project, it gains an undertone of corruption and danger.
The Iron Beam, however, has its own Wikipedia page. It features 40 sources — which means there are at least 40 other articles, going back over a decade, about the laser defense device. If you think that’s a secret, you’re just not paying attention.
The post The Jewish space lasers are real — well, kind of appeared first on The Forward.