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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Europe Moves to Toughen Stance on Antisemitic Incitement After Bondi Beach Massacre
A pro-Hamas march in London, United Kingdom, Feb. 17, 2024. Photo: Chrissa Giannakoudi via Reuters Connect
In the wake of last weekend’s deadly attack on a Hanukkah celebration at Sydney’s Bondi Beach, some European authorities are stepping up efforts to crack down on antisemitic incitement, with Britain and Germany targeting certain slogans and ramping up legal and security measures.
On Wednesday, London and Manchester police warned that anyone publicly chanting to “globalize the intifada” — a popular slogan among anti-Israel activists that has been widely condemned as a call for violence against Jews and Israelis — will be arrested.
Local law enforcement said the crackdown comes as the “context has changed” in the wake of Sunday’s massacre in Australia, where gunmen murdered 15 people and wounded at least 40 others who gathered at Bondi Beach to celebrate the first night of the Jewish holiday of Hanukkah.
The British government’s latest effort to confront rising antisemitism comes after a series of deadly attacks earlier this year, including the Yom Kippur terrorist assault in Manchester, which left two Jewish men dead; the firebombing of a march for Israeli hostages in Boulder, Colorado, which killed one person and injured 13 others; and the murder of two Israeli Embassy staffers in Washington, DC.
“We know communities are concerned about placards and chants such as ‘globalize the intifada,’” London’s Metropolitan Police and Greater Manchester Police said in a joint statement, pledging to “be more assertive” and take decisive action against anyone inciting violence.
“Violent acts have taken place, the context has changed, words have meaning and consequence. We will act decisively and make arrests,” the statement read.
Britain’s Jewish community welcomed the government’s latest measure, with UK Chief Rabbi Ephraim Mirvis describing it as “an important step toward confronting the hateful rhetoric on the streets that has fueled acts of violence and terror.”
Phil Rosenberg, president of the Board of Deputies of British Jews, also praised what he called a “necessary intervention” to tackle the growing hostility and hatred that Jews and Israelis have continued to face over the last two years, following Hamas’s Oct. 7, 2023, massacre across southern Israel.
“We have seen the result of hate-filled slogans in murderous attacks around the world, including in Manchester, the Capital Jewish Museum in Washington, DC, Boulder Colorado, and this week in Bondi Beach,” Rosenberg said in a statement.
After repeated urging from the Board of Deputies and others, the Met and Greater Manchester Police have announced a tougher, clearer approach to chants and placards such as “Globalise the Intifada”. We strongly welcome this necessary intervention.
Our full statement: pic.twitter.com/kem7RhunRU
— Board of Deputies of British Jews (@BoardofDeputies) December 17, 2025
The Embassy of Israel in the UK also welcomed the government’s move, expressing hope that real action will now be taken “before it can lead to further radicalization and violence against Jews.”
“Calling to ‘globalize the intifada’ is clearly incitement to violence, and a direct line can be drawn between these antisemitic chants and the acts of terror that we have seen against Jewish people worldwide,” the statement read.
“It is disappointing it has taken such a long time for British authorities to recognize this, and it should not have been on the Jewish community to plead with the authorities to take these threats seriously, only being done so after more Jews have been killed,” it continued.
Press statement:
The Embassy of Israel in the United Kingdom welcomes the joint announcement by the Metropolitan Police and Greater Manchester Police forces that they will arrest people promoting the phrase ‘globalise the intifada’.
As Israel and the Jewish community have been… pic.twitter.com/0eGn5yvlhl
— Israel in the UK
(@IsraelinUK) December 17, 2025
However, this latest initiative has also faced criticism from some, with opponents arguing that it constitutes political repression and violates the right to free speech.
“The statement by the Met and GMP marks another low in the political repression of protest for Palestinian rights,” Ben Jamal, director of the Palestine Solidarity Campaign, said in a statement ahead of a planned pro-Palestinian protest in central London on Wednesday.
“The horrific massacre in Sydney, Australia should not be used as a justification to further repress fundamental democratic rights of protest and free speech in this country,” he added.
UK police have already ramped up security around the country’s synagogues, Jewish schools, and community centers, increasing patrols and implementing additional safety measures to protect communities amid rising tensions.
Shortly after the new measure was announced, local police arrested two individuals “for racially aggravated public order offenses” after they allegedly “shouted slogans involving calls for intifada” at an anti-Israel demonstration in central London, while a third person was detained for obstructing the arrests, the Metropolitan Police said.
UK Prime Minister Sir Keir Starmer also announced on Wednesday that the government had increased funding for Jewish security to approximately $34 million.
Meanwhile, German authorities have also increased efforts to tackle the surge in antisemitic incitement and attacks targeting Jews and Israelis nationwide.
On Wednesday, the Berlin District Court ruled that the use of the slogan “From the river to the sea, Palestine will be free” is a criminal offense, describing it as a symbol of the banned Palestinian terrorist group Hamas.
The ruling came after a 25-year-old man was convicted for shouting the phrase at an anti-Israel protest, found guilty of using symbols of terrorist organizations and inciting violence.
“Anyone who uses this phrase is backing Hamas and its core objective — the destruction of the State of Israel,” ruled presiding judge Susann Wettley.
Although criminal courts across Germany have issued inconsistent rulings on the use of the antisemitic slogan at protests and demonstrations, the latest Berlin District Court decision could allow the German Federal Court of Justice to establish a clear, nationwide legal standard.
Israeli Foreign Minister Gideon Saar praised the ruling, saying that other countries should follow Germany’s example.
I welcome the Berlin District Court’s decision to once again rule that the slogan “From the river to the sea, Palestine will be free” – a Hamas symbol – is a criminal offense.
The verdict is clear: “Anyone who uses this sequence of words supports Hamas and its primary goal – the…— Gideon Sa’ar | גדעון סער (@gidonsaar) December 17, 2025
“From the river to the sea, Palestine shall be free” is a popular slogan among anti-Israel activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea.
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US Rep. Byron Donalds Opens Wide Lead Over Anti-Israel Candidate, Rest of Field in Florida GOP Primary for Governor
US Rep. Byron Donalds (R-FL) speaks on stage during the Turning Point USA Student Action Summit on July 11, 2025, in Tampa, Florida. Photo: Luis Santana/Tampa Bay Times via ZUMA Press Wire via Reuters Connect
US Rep. Byron Donalds (R-FL) has firmly established himself as the frontrunner in Florida’s Republican primary for governor, new polling shows, building a substantial lead over the field, which includes anti-Israel investment firm CEO James Fishback.
The survey, carried out by The American Promise, finds Donalds leading the field with 38 percent support among likely Republican voters. Lt. Gov. Jay Collins trails far behind at 9 percent, while Azoria CEO James Fishback registers 2 percent and former Florida House Speaker Paul Renner garners just 1 percent. Nearly half of respondents, 49 percent, say they remain undecided.
Donalds, a stalwart conservative and strident ally of US President Donald Trump, has established himself as a firm ally of Israel. Donalds expressed support for Israel’s right to self-defense in the wake of Hamas’s Oct. 7, 2023, massacre across southern Israel. As skepticism about Israel has surged within the Republican Party in recent months, Donalds has maintained strong vocal support for the Jewish state.
During an interview with Fox Business this week, Donalds lamented rising antisemitism and anti-Israel sentiment within the country and around the world.
“This level of antisemitism, this hatred against Jewish people and against Israel, it’s out of control. It’s insane,” Donalds said.
Donalds also reflected on the antisemitic terrorist attack at Bondi Beach in Sydney, Australia on Sunday, connecting the rise of extremism in Western countries to relaxed migration policies.
“I mean, this rhetoric around hating Israel, hating the Jewish people, that has to stop because there are real-world consequences. There are crazy people who will carry this out,” he said.
“And to Joe Biden and what he did on the southern border for four years, this is the reason why Republicans and President Trump, we are taking border security so seriously in the face of Democrats who had no problem leaving our borders wide open. It’s actually put the nation at risk,” he added.
Fishback, a successful investor, entered the gubernatorial race on a slate of populist agenda items. He has raised eyebrows in recent weeks by flirting with members of the antisemitic Groyper movement and signaling acceptance of its leader, Nick Fuentes.
During a December appearance on Rift TV, a podcast hosted by antisemitic social media pundit Elijah Schaffer, Fishback said that he finds “the audience of young men who follow and watch Nick Fuentes to actually be incredibly informed and insightful.”
After receiving substantial blowback over his comment, Fishback released another campaign video in which he reiterated his defense of Fuentes’s supporters.
“I want to clarify some comments I made this week rather abruptly” about “the young men in our country who watch and follow Nick Fuentes,” Fishback said.
“I want to clarify and apologize for absolutely nothing,” he continued, adding that his interactions with Fuentes supporters at his campaign events were “respectful” and “civil.”
“We had a great conversation, and they have a real pulse for what is going on in the country,” Fishback said.
Fuentes, a 27-year-old antisemitic internet personality and provocateur, has experienced an increase of popularity in recent months, propelled by a surge of viewership from young men. Fuentes has repeatedly parroted Holocaust denial talking points and suggested that Jewish people are more “loyal” to Israel than to the United States.
Amid the uproar, Fishback released a subsequent video on Tuesday defending the free speech rights of those who believe that Israel is committing a so-called “genocide” in Gaza and that Israeli Prime Minister Benjamin Netanyahu should be considered a “war criminal.” He falsely suggested that those who criticize Israel are facing legal repercussions.
“Is Netanyahu a war criminal? Did Israel commit genocide? If you say either of those statements in public, you could be convicted of antisemitism. Criticizing a foreign government or any government is always protected under our constitution,” he said.
Observers have noted that Fishback’s attempts to entice younger, more online portions of right-wing audiences are a microcosm of the growing rupture between Gen Z and older conservatives on the topic of Israel. Recent polls have indicated a collapse of support for Israel among young Republicans, with this portion of the party expressing more skepticism of providing military aid to the Jewish state. Large swaths of GOP voters under 30 have voiced vocal criticism of US support for Israel and the supposed influence of the America Israel Public Affairs Committee, a prominent pro-Israel lobbying group, in US politics.
Recent surveys have also shown a substantial rise of antisemitic views among younger cohorts of the Republican Party.
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Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light
During the pandemic, teenager Simone Elias found solace in movies from the Golden Age of Hollywood. The glamorous sets, the romantic storylines, the studio-styled movie stars all held a nostalgic appeal.
“There’s something so magical about going back in a time machine,” Elias, 16, said. “Like, wow, I can go back and see the 1930s on my computer randomly at 9 p.m.”
A friend suggested starting a podcast together about old Hollywood in hopes of bolstering their college applications. As Elias began to do research, she discovered that her attachment to the Golden Age of Hollywood was more than just a fun interest — her great-great-grand uncle was the blacklisted Jewish screenwriter H. S. Kraft.
Born Hyman Solomon Kraft, he was known professionally as Hy or H.S. Kraft to avoid antisemitism. Among his best-known credits are the comic musical Top Banana, starring Phil Silvers, and the Lena Horne film Stormy Weather. In the early 1950s, bandleader and author Artie Shaw (born Arthur Jacob Arshawsky) connected Kraft to the Communist Party in comments to the House Un-American Activities Committee. Like many other artists at the time, Kraft found himself blacklisted despite lack of evidence. In order to continue writing, Kraft began working under the pseudonym Harold Kent.
After learning about her family history, Elias threw herself deeper into Hollywood history.
“I reached out to all my family. I looked in all the archives,” Elias said. “It was really kind of another window into the real life working world of Hollywood at the time.”
At 15 years old, Elias’ marshaled her research into a book. The resulting tome, A Teenage Take on Hollywood’s Golden Age, explores the history of classic films and the lessons contemporary audiences can take from them. For Gen Z viewers especially, Elias presents movies that may seem outdated in a way that is more accessible and relatable. She dedicated an entire chapter exploring the prominent role Jews played in creating Hollywood.
Despite the fact that Jews were integral to the Hollywood studio system, their stories were often not shown on television. Elias writes in her book that antisemitism dissuaded writers and directors from having Jewish elements in their movies. Joseph Breen, a censor in charge of making sure films followed the Motion Picture Production Code — a set of rules also known as the Hays Code that forced movies to follow certain moral guidelines — accused Jews of putting “sex, violence, and moral depravity” into films. Some government officials also believed Jewish media moguls were secret Communist agents. Elias said that having her ancestor’s story as an example of the persecution in Hollywood gave her a new perspective on the risks writers had to consider in their work.
Soon after being blacklisted, Kent moved to London, but found much fewer opportunities for film work. “I don’t think his career ever really recovered,” Elias said.
In her research, Elias found that It’s Jews weren’t the only ones pushed off screen by McCarthyism and the Hays Code era of Hollywood. All sorts of stories were written out of Hollywood at the time, as studios attempted to push wholesome, Christian narratives. that Elias is interested in uncovering, but also feminist perspectives that have been erased from discussions of classic Hollywood.
“Culture has always gone in waves and so non-monogamy was actually really popular in the early 1930s in film and so were working women,” Elias explained. “When the Hays Code actually outlawed all that in movies, we sort of forgot that even happened.”
Elias continues to do film analysis on her Instagram page in a series called “Girls on Film” and hopes to write more books about Hollywood. She’s presenting this month on the Turner Classic Moves channel as part of their Kid Fans series. But it hasn’t been easy for Elias to be taken seriously in an industry primarily dominated by men — and people much older than her.
“There’s a certain amount of time that I’ve been alive so I can’t have seen every movie like Leonard Maltin has,” Elias said. “That doesn’t mean that I don’t have something to say about the movies I have seen.”
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