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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Israel Says US Gaza Executive Board Composition Against Its Policy
FILE PHOTO: Displaced Palestinians shelter at a tent camp in Khan Younis, southern Gaza Strip, January 14, 2026. REUTERS/Haseeb Alwazeer/File Photo
Prime Minister Benjamin Netanyahu’s office said on Saturday that this week’s Trump administration announcement on the composition of a Gaza executive board was not coordinated with Israel and ran counter to government policy.
It said Foreign Minister Gideon Saar would raise the issue with US Secretary of State Marco Rubio.
The statement did not specify what part of the board’s composition contradicted Israeli policy. An Israeli government spokesperson declined to comment.
The board, unveiled by the White House on Friday, includes Turkish Foreign Minister Hakan Fidan. Israel has repeatedly opposed any Turkish role in Gaza.
Other members of the executive board include Sigrid Kaag, the U.N. special coordinator for the Middle East peace process; an Israeli‑Cypriot billionaire; and a minister from the United Arab Emirates, which established relations with Israel in 2020.
Washington this week also announced the start of the second phase of President Donald Trump’s plan, announced in September, to end the war in Gaza. This includes creating a transitional technocratic Palestinian administration in the enclave.
The first members of the so-called Board of Peace – to be chaired by Trump and tasked with supervising Gaza’s temporary governance – were also named. Members include Rubio, billionaire developer Steve Witkoff and Trump’s son-in-law Jared Kushner.
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Iran’s Leader Khamenei Accuses Trump of Inciting Deadly Protests
Iran’s Supreme Leader Ayatollah Ali Khamenei speaks during a meeting in Tehran, Iran, January 17, 2026. Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
Iran’s Supreme Leader Ayatollah Ali Khamenei on Saturday blamed President Donald Trump for weeks of demonstrations that rights groups said have led to more than 3,000 deaths.
“We consider the US president criminal for the casualties, damages and slander he inflicted on the Iranian nation,” Khamenei said, according to Iranian state media.
The protests erupted on December 28 over economic hardship and swelled into widespread demonstrations calling for the end of clerical rule in the Islamic Republic.
Trump has repeatedly threatened to intervene, including by threatening “very strong action” if Iran executed protesters.
But on Friday, in a social media post, he thanked Tehran’s leaders, saying they had called off mass hangings. Iran said there was “no plan to hang people.”
In comments that appeared to respond to Trump, Khamenei said: “We will not drag the country into war, but we will not let domestic or international criminals go unpunished,” state media reported.
IRAN’S WORST UNREST IN YEARS
Iran’s ultimate authority Khamenei said “several thousand deaths” had happened during the nationwide protests, which are Iran’s worst unrest in years. He accused Iran’s longtime enemies the US and Israel of organizing the violence.
“Those linked to Israel and the US caused massive damage and killed several thousand,” he said, adding that they started fires, destroyed public property and incited chaos. They “committed crimes and a grave slander,” he said.
The US-based Human Rights Activists News Agency, or HRANA, said it had verified 3,090 deaths, including 2,885 protesters, and over 22,000 arrests.
Last week, Iran’s prosecutor general said detainees would face severe punishment. Those held included people who “aided rioters and terrorists attacking security forces and public property” and “mercenaries who took up arms and spread fear among citizens,” he said.
“All perpetrators are mohareb,” state media quoted Mohammad Movahedi Azad as saying, adding that investigations would be conducted “without leniency, mercy or tolerance”.
Mohareb, an Islamic legal term meaning to wage war against God, is punishable by death under Iranian law.
INTERNET SERVICES ARE RESTORED IN PART
Reuters has not been able to independently verify the numbers of casualties or details of disturbances reported by Iranian media and rights groups.
Getting information has been complicated by internet blackouts, which were in part lifted on Saturday.
Iran’s crackdown appears to have broadly quelled protests, according to residents and state media, and the semi-official Mehr News Agency reported on Saturday that internet service had been restored for some users.
The ISNA news website said SMS service had also been reactivated.
“Metrics show a very slight rise in internet connectivity in #Iran this morning” after 200 hours of shutdown, the internet monitoring group NetBlocks posted on X. Connectivity remained around 2% of ordinary levels, it said.
A resident of Karaj, west of Tehran, reached by phone via WhatsApp, said he noticed the internet was back at 4 a.m. (0000 GMT) on Saturday. Karaj experienced some of the most severe violence during the protests. The resident, who asked not to be identified, said Thursday was the peak of the unrest there.
A few Iranians overseas said on social media that they had also been able to message users in Iran early on Saturday.
ARRESTS HAVE FOLLOWED INTELLIGENCE OPERATIONS, MEDIA SAY
State media has reported the arrest of thousands of “rioters and terrorists” across the country, including people linked to opposition groups abroad that advocate the overthrow of the Islamic Republic.
The arrests included several people Iranian state media described as “ringleaders,” including a woman named as Nazanin Baradaran, who was taken into custody following “complex intelligence operations.”
The reports said that Baradaran operated under the pseudonym Raha Parham on behalf of Reza Pahlavi – the exiled son of Iran’s last shah – and had played a leading role in organizing the unrest. Reuters could not verify the report or her identity.
Pahlavi, a longtime opposition figure, has positioned himself as a potential leader in the event of regime collapse and has said he would seek to re-establish diplomatic ties between Iran and Israel if he were to assume a leadership role in the country.
Israeli officials have expressed support for Pahlavi. In a rare public disclosure this month, Israeli Heritage Minister Amichai Eliyahu said in an interview with Israel’s Army Radio that Israel had operatives “on the ground” in Iran.
He said they aimed to weaken Iran’s capabilities, though he denied they were directly working to topple the leadership.
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Protesters Rally in Denmark and Greenland Against Trump Annexation Threat
A protester takes part in a demonstration to show support for Greenland in Copenhagen, Denmark January 17, 2026. Photo: REUTERS/Tom Little
Protesters in Denmark and Greenland demonstrated on Saturday against President Donald Trump’s demand that the Arctic island be ceded to the US and called for it to be left to determine its own future.
Trump says Greenland is vital to US security because of its strategic location and large mineral deposits, and has not ruled out using force to take it. European nations this week sent military personnel to the island at Denmark’s request.
MARCHING IN COPENHAGEN AND NUUK
In Copenhagen, demonstrators chanted “Greenland is not for sale” and held up slogans such as “No means No” and “Hands off Greenland” alongside the territory’s red-and-white flag as they marched to the US embassy.
Some wore red baseball caps resembling the “Make America Great Again” caps of Trump supporters, but with the slogan “Make America Go Away.”
In Greenland’s capital Nuuk, thousands led by Prime Minister Jens-Frederik Nielsen carried flags and similar banners as they headed for the US consulate chanting “Kalaallit Nunaat” – the island’s name in Greenlandic.
“I’ve come here today because I think it’s important to show that Greenland is not for sale. It is not a toy. This is our home,” said Naja Holm, a civil servant.
By the consulate, Nielsen addressed the crowd, drawing loud cheers.
Organizers estimated over 20,000 people attended the protest in Copenhagen – akin to the entire population of Nuuk. Police did not provide an official figure. Other protests were held across Denmark.
“I am very grateful for the huge support we as Greenlanders receive … we are also sending a message to the world that you all must wake up,” said Julie Rademacher, chair of Uagut, an organization for Greenlanders in Denmark.
TRUMP TRIGGERS DIPLOMATIC RIFT
Trump’s repeated statements about the island have triggered a diplomatic crisis between the US and Denmark, both founding members of the NATO military alliance, and have been widely condemned in Europe.
The territory of 57,000 people, governed for centuries from Copenhagen, has carved out significant autonomy since 1979 but remains part of Denmark, which controls defense and foreign policy, and funds much of the administration.
Some 17,000 Greenlanders live in Denmark, according to Danish authorities.
All parties in Greenland’s parliament ultimately favor independence, but they disagree on the timing and have recently said they would rather remain part of Denmark than join the US.
Only 17 percent of Americans approve of Trump’s efforts to acquire Greenland, and large majorities of Democrats and Republicans oppose using military force to annex it, a Reuters/Ipsos poll found. Trump called the poll “fake.”