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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Attacks in South Lebanon Strain Ceasefire on Eve of Washington Talks
Smoke rises after an Israeli strike, amid escalating hostilities between Israel and Hezbollah, as the US-Israeli conflict with Iran continues, in southern Lebanon, March 24, 2026. Photo: REUTERS/Stringer
An Israeli strike killed two people in southern Lebanon on Wednesday, Lebanon‘s state news agency reported, and Hezbollah said it launched an attack drone at Israeli forces in the south, further straining a ceasefire between the Iran-backed terrorist group and Israel.
On the eve of talks in Washington between Lebanese and Israeli ambassadors, Lebanese President Joseph Aoun said Beirut would seek an extension of the 10-day, US-mediated ceasefire, which is set to expire on Sunday.
Hostilities between Hezbollah and Israel reignited on March 2, when the Lebanese Islamist group opened fire in support of Iran.
The US-brokered ceasefire in Lebanon emerged separately from Washington’s efforts to resolve its conflict with Tehran, though Iran had called for Lebanon to be included in any broader truce. The United States has denied any link between the tracks.
Lebanon‘s state-run National News Agency said the Israeli strike hit a car in al-Tiri, a village in south Lebanon, killing two people inside. The Israeli military didn’t immediately respond to a request for comment.
Hezbollah said it attacked an Israeli artillery position in southern Lebanon with a drone, in response to what it said was an Israeli violation of the ceasefire. The Israeli military said it had intercepted “a hostile aircraft” launched by Hezbollah toward Israeli soldiers in south Lebanon.
More than 2,400 people have been killed in Lebanon since Israel launched an offensive in response to Hezbollah’s March 2 attack, according to Lebanese authorities. Israel says the vast majority of those killed have been Hezbollah terrorists, who often embed themselves in civilian areas.
Israeli forces have seized a belt of territory at the border where troops remain, saying they aim to create a buffer zone to shield northern Israel from attacks by Hezbollah, which fired hundreds of rockets at Israel during the conflict.
BEIRUT TO SEEK END TO ISRAELI DEMOLITIONS
Aoun said Beirut’s envoy to Thursday’s talks, Lebanese Ambassador to Washington Nada Moawad, would seek a ceasefire extension and a halt to demolitions being carried out by Israel in villages in the south, according to a statement.
A Lebanese official said Beirut wants a ceasefire extension as a prerequisite for talks to expand beyond the ambassadorial level to the next phase, in which Lebanon would push for an Israeli withdrawal, the return of Lebanese detained in Israel, and a delineation of the land border.
Hezbollah, which says the Lebanon ceasefire was the fruit of Iranian pressure, has condemned Beirut for seeking talks with Israel, reflecting wider splits with the government that has sought Hezbollah’s peaceful disarmament for a year.
Israeli Foreign Minister Gideon Saar, in a speech, said Israel had taken a “historic decision to negotiate directly with Lebanon after more than 40 years” whilst also calling it a “failed state.”
“I call on the Government of Lebanon: Let’s work together against the terror state that Hezbollah built in your territory. This cooperation is needed by you even more than by us,” he said.
The Israeli military said it had killed two terrorists who had crossed its “Forward Defense Line” in south Lebanon on Tuesday and approached Israeli soldiers, saying they had violated the ceasefire.
DRUZE LEADER URGES CLEAR AGENDA, INCLUDING WITHDRAWAL
US Secretary of State Marco Rubio is set to attend Thursday’s meeting. Israel will be represented by its ambassador to Washington, Yechiel Leiter.
Aoun has cited goals including halting Israeli attacks on Lebanon and securing the withdrawal of Israeli troops. In a speech on Friday, he said a ceasefire should be transformed into “permanent agreements that preserve the rights of our people, the unity of our land, and the sovereignty of our nation.”
Announcing the ceasefire on April 16, US President Donald Trump said he had instructed Rubio, Vice President JD Vance, and Chairman of the Joint Chiefs of Staff Dan Caine to work with the two countries to achieve lasting peace.
Lebanon and Israel have remained in an official state of war since the establishment of Israel in 1948.
Lebanon‘s most senior Shi’ite state official, Parliament Speaker Nabih Berri, is against face-to-face negotiations with Israel, saying Beirut could have negotiated indirectly.
Lebanon‘s leading Druze politician, Walid Jumblatt, said on Tuesday that the most Lebanon could offer is an update to a 1949 armistice agreement with Israel.
In comments to reporters after a meeting with Berri, Jumblatt said there should be a clear agenda for talks that includes a withdrawal of Israeli troops still in southern Lebanon.
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Dutch Prosecutors Seek 30-Year Sentence for Alleged Syrian Torturer Who Backed Assad
Fighters of the ruling Syrian body inspect the site of a mass grave from the rule of Syria’s Bashar al-Assad, according to residents, after the ousting of al-Assad, in Najha, Syria, Dec. 17, 2024. Photo: REUTERS/Ammar Awad
Prosecutors in the Netherlands on Wednesday demanded a 30–year prison sentence for a Syrian man accused of torturing and raping prisoners when he was a member of a militia that backed the government of former president Bashar al-Assad.
Prosecutors have charged 58-year-old Rafik A., whose last name is withheld by the Dutch court, with 25 counts including torture, sexual violence, and rape as crimes against humanity against nine people in 2013 and 2014.
Rafik A. has repeatedly denied any involvement with the alleged crimes. The case is the first in the Netherlands to deal with alleged atrocity crimes in Syria committed by pro-government forces. It is also the first time Dutch prosecutors have charged sexual violence as a crime against humanity.
Cases against Assad-era security officials have also been brought in other European countries, including Germany.
Witnesses who survived the defendant’s attacks spoke of the physical and psychological torture inflicted by A. during the trial.
“Not only did he tear my body apart, but he trampled on my soul. He was the worst nightmare of my life,” one witness said, recounting that he entered detention as a child and emerged as a traumatized adult.
Prosecutors say Rafik A. was the head of the interrogation unit of the National Defense Forces (NDF) in Salamiyah, Syria, in 2013 and 2014. The NDF was a militia that fought on the side of the government of Assad, who was ousted in December 2024.
Rafik A. was arrested in 2023 in the Netherlands, where he had lived for several years as an asylum seeker.
Under the concept of universal jurisdiction, Dutch law broadly allows cases to be brought against foreign nationals for crimes committed abroad if the perpetrators or some of the victims are present in the Netherlands.
Rafik A.’s lawyers and lawyers for his alleged victims will give their closing arguments on Thursday. The verdict is expected on June 9.
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French Soldier Dies of Wounds After Attack on UN Force in Lebanon, Macron Blames Hezbollah
French President Emmanuel Macron speaks during a press conference in Paris, France, June 12, 2024. Photo: REUTERS/Stephane Mahe
President Emmanuel Macron said on Wednesday that a second French soldier had died following an attack on United Nations peacekeepers in Lebanon last week, which he said was carried out by Iran‑backed Hezbollah.
The soldier, Chief Corporal Anicet Girardin, was severely wounded on April 18 and died of his wounds after being evacuated to France on Tuesday, Macron said in a post on social media platform X.
One of his colleagues was killed immediately while clearing a road in southern Lebanon in the same attack on the UN peacekeeping mission.
Macron blamed Hezbollah terrorists for the attack.
UNIFIL said initial assessments indicated the fire came from non‑state actors, allegedly Hezbollah, and that an investigation had been launched into what it called “a deliberate attack.”
Hezbollah has denied any involvement, expressing its “surprise at positions that rushed to make baseless accusations” against the Islamist group.
During a visit to Paris on Tuesday, Lebanon’s Prime Minister Nawaf Salam said he was personally following the investigation into the incident.
“I have instructed the police force to carry out all necessary inquiries in order to identify those responsible and bring them to justice,” he said.
France, which has deep historical ties to Lebanon, has about 700 troops as part of the UNIFIL mission.
Three French soldiers have now died in the region since the United States and Israel launched strikes on Iran at the end of February. One was killed earlier in northern Iraq after a drone attack on a French‑Kurdish base.
Since 1978, more than 160 French soldiers have been killed in Lebanon.