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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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US Aircraft Carrier Enters Middle East Region, Officials Say
The USS Abraham Lincoln (CVN-72), a Nimitz-class nuclear-powered aircraft carrier, at Naval Air Station North Island in San Diego, California, US, Aug. 11, 2025. Photo: REUTERS/Mike Blake
A US aircraft carrier and supporting warships have arrived in the Middle East, two US officials told Reuters on Monday, expanding President Donald Trump’s capabilities to defend US forces, or potentially take military action against Iran.
The aircraft carrier USS Abraham Lincoln and several guided-missile destroyers have crossed into the Middle East region, which comes under the US military’s Central Command, the officials told Reuters.
Trump said on Thursday that the United States had an “armada” heading toward Iran, but hoped he would not have to use it.
The warships began deploying from the Asia-Pacific region earlier this month, as tensions between Iran and the United States escalated following a crackdown on protests across Iran.
Trump had repeatedly threatened to intervene if Iran continued to kill protesters, but the countrywide demonstrations have since abated. The president said he had been told that killings were subsiding and that he believes there is currently no plan for the executions of prisoners.
The US military has in the past surged forces into the Middle East at times of heightened tensions, moves that were often defensive.
However, the US military staged a major buildup last year ahead of its June strikes against Iran’s nuclear program.
In addition to the carrier and warships, the Pentagon is also moving fighter jets and air-defense systems to the Middle East.
Over the weekend, the US military announced that it would carry out an exercise in the region “to demonstrate the ability to deploy, disperse, and sustain combat airpower.”
A senior Iranian official said last week that Tehran would consider any attack as an “all-out-war against us.”
The United Arab Emirates said on Monday that it will not let its airspace, territory or territorial waters be used for any hostile military actions against Iran.
The US military’s Al Dhafra Air Base is located south of the UAE capital Abu Dhabi and has been a critical US Air Force hub in support of key missions against the Islamic State, as well as reconnaissance deployments across the region.
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Wikipedia, Qatar, and the Future of Knowledge
Qatar’s Prime Minister and Minister for Foreign Affairs Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks on the first day of the 23rd edition of the annual Doha Forum, in Doha, Qatar, Dec. 6, 2025. Photo: REUTERS/Ibraheem Abu Mustafa
Imagine a world in which facts can be erased from one of society’s key sources of information.
A world where foreign governments and terror-supporters have a say in whether you should know something or not.
A world where truth is malleable and facts are twisted to fit pre-determined narratives.
No, this isn’t an Orwellian dystopia. It’s Wikipedia as it currently operates: one of the world’s most influential websites and a primary source of information for millions.
Because of how it crowd-sources information, Wikipedia is one of the most extensive sources of knowledge on the Internet (and possibly in the entire world). However, this same strength is also Wikipedia’s biggest weakness, leaving it vulnerable to manipulation by autocracies, terror supporters, and other bad actors.
From recently-uncovered Qatari influence to a secret network of anti-Israel activists, we’ll take a look at how the truth is being manipulated on Wikipedia, and what this means for our understanding of the world.
Wikipedia was meant to democratize knowledge, but today it’s a hub for deliberate fake info and erasing documented history by rogue editors – what I call Knowledge Poisoning.
The list of victims is endless:
Iranian protestors in Iran, Iryna Zarutska, Women, Jews and more.The… pic.twitter.com/Ir7WzKfHGD
— Ella Kenan (@EllaTravelsLove) January 17, 2026
In Qatar’s case, the PR firm Portland Communications was hired after Qatar was selected to host the 2022 World Cup. Its job was to edit Wikipedia articles related to human rights, and to suppress other unflattering facts that threatened the state’s international image.
According to the report, between 2013 and 2024 Portland Communications directed a network of subcontractors to edit Wikipedia articles on human rights in Qatar, as well as entries on Qatari politicians and businessmen accused of corrupt or unethical conduct.
The edits were deliberately small and incremental, designed to evade detection and slip past the scrutiny of other Wikipedia editors.
In short, anyone researching Qatar on Wikipedia has not been presented with a full or nuanced picture of the Gulf state.
Instead, they encountered paid-for reputation management designed to polish its image and suppress unflattering facts. In the process, Wikipedia shifted from an information resource to a vehicle for indoctrination.
The @TBIJ just revealed a UK PR firm allegedly paid intermediaries to rewrite Wikipedia pages — burying criticism of Qatar and reshaping public perception.
Hidden edits like these launder reputations, making biased content appear neutral to millions. The Portland case is the… pic.twitter.com/EwZpwS2ODx
— Ashley Rindsberg (@AshleyRindsberg) January 17, 2026
Nor is Qatari influence confined to Wikipedia. Analyst Eitan Fischberger has noted that the Qatar Investment Authority has invested billions of dollars in Elon Musk’s xAI. This is a development that has potential implications for how Qatar is portrayed on Grokipedia, xAI’s alternative to Wikipedia.
If this pattern continues, the result is straightforward: future audiences may encounter a curated version of Qatar that downplays human rights abuses and other reputational liabilities. By strategically funding the platforms people rely on for information, a state need not censor facts outright, as it can simply ensure they are never meaningfully encountered.
I was about to tweet about how Grokipedia is already far better than Wikipedia.
And I was going to illustrate this by comparing their pages on Qatari foreign influence in American universities.
But it looks like Qatar noticed too. Hence the billions now being thrown at xAI, as… pic.twitter.com/0VcCrJlUpx
— Eitan Fischberger (@EFischberger) January 8, 2026
Wikipedia’s Untrustworthiness on Israel
For those who have followed developments around Wikipedia, the revelation that Qatar actively sought to edit articles in its favor came as little surprise. Abuse of the crowdsourced encyclopedia by bad-faith actors has been documented for years.
In 2024, investigative journalist Ashley Rindsberg published an in-depth exposé about a group of 40 activists who had engaged in a coordinated campaign of anti-Israel disinformation since 2020.
According to Rindsberg, this group accounted for 90 percent of the content on dozens of Israel-related articles and made a combined total of more than two million edits on over 10,000 articles.
This coordinated effort has transformed Wikipedia’s Middle East narrative: Zionism is increasingly framed as inherently evil, Hamas’ violent Islamist ideology is softened or obscured, Iranian human rights abuses are minimized, and the Jewish historical connection to the Land of Israel is routinely challenged or erased.
Rindsberg has also identified another coordinated effort: a group known as Tech for Palestine (TFP), which formed during the recent Israel–Hamas war and edited thousands of Wikipedia articles related to Israel.
In its own welcome message on the platform Discord, the group explained its focus on Wikipedia by noting that the encyclopedia’s “content influences public perception.”
Most recently, independent investigative journalist David Collier conducted a deep dive into a Wikipedia claim that the Israeli town of Ofakim was built on a depopulated Bedouin village. He found that the cited books and maps did not support the claim at all, and that the evidence had been effectively fabricated through misrepresentation.
Yet the claim remains on Wikipedia, upheld by a decision from an anti-Israel activist editor, and it continues to feed into AI systems that treat Wikipedia as authoritative, compounding the misinformation.
Wikipedia’s Israel problem is no longer in dispute. As long as activist editors retain outsized control over key articles, the Internet’s largest encyclopedia remains an unreliable source for understanding Israel, the Palestinians, and the Middle East.
Exclusive: A detailed investigation exposes how false claims on @Wikipedia fabricate history – then get laundered into activist and media campaigns used to smear elected officials and demand resignations
Thread— David Collier (@mishtal) January 5, 2026
How Wikipedia Influences Your Life — Even Without Your Knowledge
According to Wikipedia’s own data, the site is viewed nearly 10,000 times per second, totaling close to 300 billion page views annually. In practice, this means a significant portion of the world’s population relies on Wikipedia for basic knowledge, often without realizing how susceptible it is to manipulation by bad-faith actors.
And opting out is not an escape. Even users who never consult Wikipedia themselves are still influenced by it, as many AI systems draw on Wikipedia as an authoritative source, recycling its distortions at scale. And to mark its 25th anniversary, Wikipedia has signed content partnerships with major AI companies, including Meta, Microsoft, Amazon, Perplexity, and Mistral AI.
This influence is already embedded in everyday technology. Google’s search results routinely draw on Wikipedia as a trusted reference, while voice assistants such as Alexa and Siri rely on it to answer basic factual queries.
In practice, Wikipedia now functions as a foundational layer of the modern information ecosystem.
At the center of everything is Wikipedia.
Wikipedia articles appear in 67%-84% of all search engine results & most info boxes
— Ethan Mollick (@emollick) May 30, 2023
Whether you consult Wikipedia directly, ask an AI system for information, or turn to Siri with a question, you are being shaped by the thousands of editors whose collective work forms Wikipedia.
Most of those editors are diligent volunteers committed to accuracy and the pursuit of knowledge. Some, however, are not. They omit facts, introduce disinformation, and quietly reshape narratives to fit an ideological agenda.
The real danger is not Wikipedia’s scale, but the trust it enjoys. Too often, it is treated as neutral while users have no reliable way to distinguish between an article written to inform and one designed to manipulate.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Italy Pushes for EU Clampdown on Iran’s Revolutionary Guard Over ‘Heinous Acts’
Italian Foreign Minister Antonio Tajani speaks during an interview with Reuters in Rome, Italy, April 15, 2024. Photo: REUTERS/Guglielmo Mangiapane
Italy will ask European Union partners this week to place Iran’s Islamic Revolutionary Guard Corps (IRGC) on the EU‘s terrorist register, Italian Foreign Minister Antonio Tajani said on Monday, signaling a shift in Rome’s position.
Until now, Rome had been among the governments resisting efforts to brand the IRGC as a terrorist group, but Tajani said a bloody Iranian crackdown on street protests this month that reportedly killed thousands of people could not be ignored.
“The losses suffered by the civilian population during the protests require a clear response,” Tajani wrote on X, adding he would raise the issue on Thursday at a meeting of EU foreign ministers in Brussels.
“I will propose, coordinating with other partners, the inclusion of the Revolutionary Guards on the list of terrorist organizations, as well as individual sanctions against those responsible for these heinous acts.”
Being branded a terrorist group would trigger a set of legal, financial, and diplomatic measures that would significantly constrain the IRGC’s ability to operate in Europe.
Set up after Iran’s 1979 Islamic Revolution, the IRGC holds great sway in the country, controlling swathes of the economy and armed forces, and is also in charge of Iran’s ballistic missile and nuclear programs.
While some EU member states have previously pushed for the IRGC to be listed, others have been more cautious, fearing that it could lead to a complete break in ties with Iran, harming any chance of reviving nuclear talks and jeopardizing any hope of getting EU nationals released from Iranian jails.
However, Iran’s violent crackdown on protests has revived the debate and added momentum to discussions about adding the IRGC, which is already included in the bloc’s human rights sanctions regime, to the EU terrorist list.
Italian, French, and Spanish diplomats raised qualms during a meeting in Brussels earlier this month about adding the IRGC to the list, EU diplomats told Reuters at the time.
If France continues to object, then the move to sanction the IRGC will fail, diplomats have said.