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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Les Wexner testifies that he was ‘conned’ by Jeffrey Epstein and did not know of his crimes
(JTA) — Leslie Wexner, the Ohio retail billionaire whose association with Jeffrey Epstein has shadowed his philanthropic legacy, spent six hours Wednesday answering questions in a closed-door congressional deposition that Democrats later derided as implausible and evasive.
Wexner, 88, appeared before staff of the House Committee on Oversight and Government Reform at his home in New Albany, Ohio, where he sought to rebut years of scrutiny tied to Epstein, the disgraced financier and convicted sex offender who once managed Wexner’s personal finances.
In a prepared opening statement submitted to the committee, Wexner cast himself as a victim of deception.
“I was naive, foolish, and gullible to put any trust in Jeffrey Epstein,” Wexner said. “He was a con man. And while I was conned, I have done nothing wrong and have nothing to hide.” He added: “I completely and irrevocably cut ties with Epstein nearly twenty years ago when I learned that he was an abuser, a crook, and a liar.”
Wexner’s testimony comes amid renewed attention to his relationship with Epstein following the release of previously redacted federal investigative records. Wexner, long celebrated across the Jewish communal world for his business achievements and billion-dollar philanthropy, has never been charged with a crime connected to Epstein’s sex-trafficking operation and has consistently denied knowledge of Epstein’s misconduct.
In his statement, Wexner presented that denial in unequivocal terms. “Let me be crystal clear: I never witnessed nor had any knowledge of Epstein’s criminal activity,” he said. “I was never a participant nor co-conspirator in any of Epstein’s illegal activities.” He continued, “At no time did I ever witness the side of Epstein’s life for which he is now infamous.”
Wexner also addressed the emotional toll of the scandal and expressed sympathy for survivors. “Before going any further, though, I want to acknowledge the survivors of Epstein’s terrible crimes and the devastation that each of them has endured,” he said. “The pain he inflicted upon them is unfathomable to me. My heart goes out to each of them.”
Throughout the document, Wexner portrayed Epstein as a master manipulator who carefully curated an image of elite credibility. “Epstein lived a double life. He was clever, diabolical, and a master manipulator,” Wexner said, describing how Epstein “revealed to me only glimpses into the life in which he was a sophisticated financial guru.”
Wexner reiterated longstanding claims about the unraveling of their relationship, saying that after Epstein’s legal troubles surfaced, his wife Abigail Wexner reviewed financial records and concluded Epstein had misappropriated “vast sums” from the family. “Once I learned of his abusive conduct and theft from my family, I never spoke with Epstein again. Never,” he said.
But Democrats who participated in the deposition emerged sharply skeptical.
“He’s claiming there was no friendship with Jeffrey Epstein,” Rep. Robert Garcia of California, the committee’s top Democrat, told reporters during a press conference outside Wexner’s residence, calling the claim “bogus.”
Garcia went further, arguing that Epstein’s wealth and influence were inseparable from Wexner’s patronage. “There would be no Epstein island, there’d be no Epstein plane, there would be no money to traffic women and girls … without the support of Les Wexner,” he said.
Rep. Stephen Lynch of Massachusetts struck an even harsher tone. “There’s no question in my mind, given the evidence so far, that Les Wexner knew about this and failed to stop it,” Lynch said.
Other Democrats questioned the credibility of Wexner’s repeated assertions that he had neither seen nor suspected misconduct. Rep. Yassamin Ansari of Arizona said his claims of not recalling key details about Epstein strained belief. Rep. Dave Min of California summarized the testimony as a case of “see no evil, hear no evil,” calling it “really just not credible.”
Committee Republicans did not attend the deposition, citing a medical procedure for Chairman James Comer. A committee spokeswoman said Wexner “answered every question asked of him” and pledged that video and transcripts would be released.
For Wexner, the proceeding marked another chapter in a saga that has complicated his public image and tarnished his name in the Jewish world, where countless rabbis and other professionals have received fellowships bearing his name. In his statement, he framed the deposition as an opportunity for to help the Epstein’s victims.
“I hope you are successful in uncovering the truth and bringing closure to all survivors,” Wexner said. “If I am able to assist you in that effort by answering your questions, I am grateful for the opportunity to do so.”
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Quietly sold by Jewish library, letter by famed 18th-century rabbi surfaces at auction, fetching $400,000
(JTA) — A decade ago, amid a financial crisis, the Jewish Theological Seminary turned to its assets, selling real estate as well as rare books from its world-renowned library. The book sales were private, and the institution has never detailed what was sold or for how much.
Now, a lost treasure from the library has once again emerged at auction: this time, a letter written and autographed by the 18th-century Jewish luminary Moshe Chaim Luzzatto, also known as the Ramchal.
When it was housed at the library, the letter belonged to a Ramchal collection numbering hundreds of pages. Removed from the collection and marketed to the auction house’s Orthodox clientele as a profound text by “a great and holy Kabbalist,” the letter sold on Sunday for nearly $400,000. The identities of the seller and buyer are not publicly known.
The price reflects the massive appeal of heritage items in a newly affluent Orthodox market, where rare texts and autograph material are increasingly treated as both status symbols and investment vehicles. It is a market the auction house, Genazym, has helped supercharge by selling not just books, but proximity to revered rabbinic figures.
Born in 1707, Luzzatto was an Italian Jewish thinker, mystic and writer whose influence far exceeded his brief life. His best-known work, “Mesillat Yesharim,” became a cornerstone of Jewish ethical literature and remains widely studied today. Though his mystical teachings stirred suspicion among some contemporaries, later generations regarded him as a major figure of Jewish thought.
In a famous 1928 essay titled “The Boy from Padua,” the Hebrew poet Hayim Nahman Bialik offered one of the most enduring modern interpretations of Luzzatto’s legacy. Bialik described Luzzatto as a forerunner of three great streams of modern Jewish history: the Lithuanian rabbinic tradition, Hasidism and the Enlightenment.
The auctioned letter, spanning two handwritten pages and addressed to his mentor, captures Luzzatto engaged in a detailed discussion of mystical concepts. He uses the space to explain his reasoning and mentions additional writings then in progress.
For scholars like David Sclar, the quiet removal of Luzzatto’s writings from the JTS library and their transfer to private hands suggests a cultural decline.
“It’s a scandal within the world of scholarship and American Jewish institutions,” Sclar, a librarian at a Modern Orthodox high school in New Jersey, said in an interview. Sclar wrote his dissertation on Luzzatto using primary sources such as the auctioned letter.
He is also a former employee of the special collections division at JTS who left the institution years before the crisis that precipitated the sell-off. He sees the outcome of the auction as evidence of not only wrongdoing but incompetence.
“This is one of the items that they sold through the back door, which means they sold it for probably virtually nothing,” Sclar said. “And the tragedy in all of this, besides JTS sort of destroying cultural heritage, is that it’s also stupid, because if they had decided that they were desperate for money then just do an auction. Don’t do it through the back door.”
The librarian at JTS, David Kraemer, declined a request for an interview, directing questions to the institution’s spokesperson, who offered a brief emailed statement.
“Decisions were made at the time with careful consideration of what was in the best interest of the institution,” the spokesperson wrote.
In 2021, amid earlier revelations of the library’s sell-off, Kraemer told the Jewish Telegraphic Agency that he had been ordered to sell items of his choosing to raise a specified amount of money, which he did not disclose.
In their defense of the sales, Kraemer and other JTS officials said at the time that the deaccessioned materials had been digitized and were deemed to have limited research value, allowing scholars to access their contents even after the originals left the collection. Seminary leaders described the decisions as financially prudent and of minimal impact on the library’s core mission.
Critics, however, argue that digitization does not replace the scholarly and cultural value of original manuscripts.
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International social workers group rejects measure to expel Israeli union amid pressure from Jewish groups
(JTA) — An international federation of social workers has voted not to expel the Israeli Union of Social Workers following weeks of debate and opposition from Jewish groups over their potential ban.
“After careful deliberation, IFSW members voted against this motion,” the National Association of Social Workers, the U.S. affiliate of the International Federation of Social Workers, said in a statement.
The vote to suspend or expel the Israeli union on Wednesday would have required 75% of the union’s 67 voting member nations to vote for the measures.
The vote stemmed from a complaint issued by the Irish, Spanish and Greek affiliates of the federation, who accused the Israeli union of failing to seek an exemption from mandatory military service for its members.
Wednesday’s decision marked the end of weeks of internal debate within the federation, during which the proposed expulsion drew mounting scrutiny from the Israeli union and Jewish groups who warned that the measure would single out Israeli, and Jewish, professionals for discriminatory treatment.
On Tuesday, 12 prominent Jewish organizations, including Hadassah, the American Jewish Committee, the Anti-Defamation League and the Jewish Federations of North America, sent a letter to the American and Canadian members of the international federation calling on them to voice their opposition to the vote.
“Hadassah is alarmed by this blatantly antisemitic maneuver to isolate and exclude Jewish and Israeli professionals solely based on their ethnic and religious identity,” said Carol Ann Schwartz, the national president of Hadassah, in a statement. “We call on the National Association of Social Workers and the Canadian Association of Social Workers to reject this outrageous and grossly discriminatory proposal.”
The same day, the U.S.-based National Association of Social Workers voiced their opposition to the vote for the first time, calling on the other voting members to “uphold the profession’s core values of unity, dialogue, and compassion.”
The motion to expel the Israeli union “directly contradicts IFSW’s mission of promoting international cooperation, unity, and constructive engagement,” wrote the American union in a statement. “Rather than fostering hope and harmony, expulsion would sow division and disharmony, eroding the trust and solidarity that are essential to our global community.”
The Jewish Community Relations Council of Greater Washington, which also signed onto Tuesday’s letter, hailed the vote Wednesday as a “victory for inclusion over discrimination.”
“While it is disappointing that the IFSW even considered such exclusionary motions, we are hopeful that this closes the door on any effort to isolate Israeli social workers initiated by international bodies that should be supporting and lifting them up,” said Guila Franklin Siegel, the chief operating officer of the Jewish Community Relations Council of Greater Washington, in a statement.
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