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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Tucker Carlson, Candace Owens ‘Significantly Increased’ Anti-Israel Content in 2025, Study Shows
Tucker Carlson speaks at Indiana University in Bloomington, Indiana, Oct. 21, 2025. Photo: Gage Skidmore/ZUMA Press Wire via Reuters Connect
Tucker Carlson and Candace Owens ramped up their anti-Israel and, in some cases, overtly antisemitic content over the last year, according to a new study, which tracked the prominent far-right podcasters’ disproportionate emphasis on attacking the Jewish state in 2025.
The Jewish People Policy Institute (JPPI), a think tank based in Israel, used artificial intelligence to analyze the transcripts from 3,000 videos posted to the YouTube channels of Carlson and Owens, each of whom has collected more than five million subscribers. JPPI researchers looked at keywords around Jews and Israel, comparing how the populist-nationalist presenters spoke about those subjects compared to other nations and peoples.
The report identified February 2025 as when Owens initiated her anti-Israel shift, while noting Carlson intensified his focus on disparaging the Jewish state in April.
“Tucker Carlson and Candace Owens have significantly intensified their focus on Israel in recent months, accompanied by a marked escalation in anti-Israel rhetoric and, in the case of Owens, explicit antisemitism,” the research stated. “While both figures have long been known for their critical stance toward Israel, the study documents a sharp and recent increase in both the volume and intensity of negative content.”
The report described how for Carlson “the share of negative content about Israel rose sharply from 48.9% in the previous six-month period to 70.3% over the last six months,” while for Owens “the primary change in her case is quantitative — a substantial increase in the overall volume of such negative content.”
Specific instances of hate cited in the report included that “across multiple videos, both figures employ sharp rhetoric, including comparisons between Israel and Hamas, use of the term ‘genocide,’ accusations of deliberately killing children, and the circulation of conspiracy narratives alleging Israeli influence over the United States.”
Analysts deployed OpenAI’s o3 reasoning model to make the assessment regarding whether Owens or Carlson’s statements ran afoul of the International Holocaust Remembrance Alliance’s working definition of antisemitism, which has been widely adopted by hundreds of governing institutions, including the US State Department, European Union, and United Nations.
For Owens’ videos fed into the analysis, 45 percent initially came up as antisemitic. However, that number in the past six months “rose to roughly 75% — nearly double the rate for the previous six-month period.”
The report described how many of these videos by Owens described Jews as part of a “cult” or engaged in “Jewish supremacy.”
“Antisemitism on the American far right is now overt and out in the open,” JPPI Director-General Shuki Friedman said in a statement. “The data should serve as a flashing warning light for Israel and its leadership regarding the kind of support it can expect from the right, today and in the future. Only a determined effort to counter this extremism can help preserve this vital base of support in the United States.”
In November, The Algemeiner reported that Owens admitted she had become “obsessed” with the Jewish people.
A user asked Owens directly, “Why are you so obsessed with Jews?”
The longtime associate of Ye, the rapper formerly known as Kanye West, answered, “Because they are so obsessed with me. Feeling is mutual now.”
In March, Owens argued that Jeffrey Epstein-style blackmail plots undergirded the US-Israel relationship and that “this is the reason we don’t get to open the Epstein files, we don’t get to open the JFK files.” She asserted that a special relationship between the US and the Jewish state was actually “a form of gaslighting.”
In recent months, Carlson’s decision to platform white supremacist podcaster Nick Fuentes has roiled the American political right, prompting resignations within the Heritage Foundation following its president Kevin Robert’s choice to support his longtime friend’s decision to platform a vocal advocate of Adolf Hitler.
Carlson also provoked condemnations when appearing to suggest a Jewish hand behind the killings of both Jesus of Nazareth and conservative activist Charlie Kirk.
On Monday, the Combat Antisemitism Movement (CAM) highlighted statements that Carlson had made during a Saturday interview with The American Conservative, the longtime paleo-conservative publication founded by perennial presidential candidate Pat Buchanan.
CAM described how in the interview, “Carlson described pro-Israel supporters as believing they are ‘specially chosen by God’ while viewing others as ‘sub-human.’ Such language echoes long-standing antisemitic stereotypes portraying Jews as inherently supremacist or morally corrupt. Carlson presented these claims as proof of Israel’s alleged ability to manipulate American public opinion. In doing so, he framed Jewish identity and support for Israel as tools of coercive power rather than political belief.”
Earlier this month, Carlson appeared at the Doha Forum in Qatar and announced his plans to purchase a home in the Arab monarchy which has long sponsored the Muslim Brotherhood and its Palestinian terrorist wing Hamas. His brother Buckley Carlson also suggested that the recent Islamist terrorist attack in Bondi, Australia which left 15 Jewish people murdered, was a false flag incident.
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Florida Gubernatorial Candidate Vows to Divest From Israel Bonds if Elected
Florida gubernatorial candidate James Fishback. Photo: Screenshot
James Fishback, a Florida gubernatorial candidate in the 2026 Republican primary, has pledged to direct all state government entities to “divest” from bonds issued by the Israeli government on his first day in office, a move that could pose a range of economic hurdles in Florida and has previously been lambasted by critics for singling out the Jewish state for political punishment.
In a campaign statement over the weekend, Fishback, chief executive of the investment firm Azoria, said that Florida state agencies and taxpayer-funded colleges have invested approximately $385 million in Israel Bonds over the past two years. He argued that public funds should never be invested abroad and vowed to redirect the money toward a statewide housing assistance initiative if elected.
“That money should have been invested in our communities. Instead, it was foolishly sent abroad to a foreign government,” the statement read.
Despite Fishback’s suggestion that Floridian money was “sent abroad,” however, Israel Bonds are investments, not aid. According to the Israel Bonds website, they are loans that investors make to the State of Israel, which are expected to be paid back in full, with interest.
Israel Bonds have historically yielded a positive return for Florida taxpayers. State and municipal funds across the US have invested in such bonds for years because they are considered low risk, consistent performers, and maintain creditworthiness among democracies with advanced economies. Observers have argued these bonds are valuable because they are predictable interest income and diversify public portfolios.
Fishback’s proposal echoes elements of the global boycott, divestment, and sanctions (BDS) movement, which seeks to isolate Israel economically and has been condemned by lawmakers in Florida and across the US as discriminatory and counterproductive. Florida currently has anti-BDS laws on the books and has repeatedly affirmed its strong political, economic, and security ties with Israel.
Fishback’s antagonistic stance toward Israel represents a stark contrast to sitting Florida Gov. Ron DeSantis, who has repeatedly signaled support for Israel and condemned anti-Israel movements as a symptom of antisemitism. Florida has been among Israel’s strongest allies at the state level, with successive governors expanding trade ties, supporting Israeli innovation, and opposing international efforts to isolate the country. Any attempt to reverse that policy would likely face legal challenges as well as resistance from lawmakers in both parties.
Last month, Florida Atlantic University in Boca Raton purchased $5 million in Israel Bonds, bringing its total investment up to $8.2 million and making it the largest university investor in the US.
Under Fishback’s proposal, the divested funds would be used to create a $385 million down-payment assistance program called “Rise and Shine,” offering $10,000 grants to married Florida couples. The candidate also outlined a broader housing agenda, including restrictions on institutional and foreign ownership of single-family homes and calls to eliminate property taxes and reduce insurance premiums.
Fishback, a successful investor, entered the gubernatorial race on a slate of populist agenda items. He has raised eyebrows in recent weeks by flirting with members of the antisemitic Groyper movement and signaling acceptance of its leader, Nick Fuentes.
During a December appearance on Rift TV, a podcast hosted by antisemitic social media pundit Elijah Schaffer, Fishback said that he finds “the audience of young men who follow and watch Nick Fuentes to actually be incredibly informed and insightful.”
Observers have noted that Fishback’s attempts to entice younger, more online portions of right-wing audiences are a microcosm of the growing rupture between Gen Z and older conservatives on the topic of Israel. Recent polls have indicated a collapse of support for Israel among young Republicans, with this portion of the party expressing more skepticism of providing military aid to the Jewish state. Large swaths of GOP voters under 30 have more broadly voiced vocal criticism of US support for Israel and the supposed influence of the America Israel Public Affairs Committee, a prominent pro-Israel lobbying group, in US politics.
Recent surveys have also shown a substantial rise of antisemitic views among younger cohorts of the Republican Party.
Fishback’s candidacy remains a longshot, however. A recent poll from The American Promise showed US Rep. Byron Donalds leading the field with 38 percent support among likely Republican voters. Lt. Gov. Jay Collins trailed far behind at 9 percent, while Fishback registered just 2 percent and former Florida House Speaker Paul Renner garnered 1 percent. Nearly half of respondents, 49 percent, said they remained undecided.
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Mikveh unearthed beneath Western Wall plaza shows evidence of Temple’s destruction
Archaeologists have uncovered a 2,000‑year‑old Jewish ritual bath beneath the Western Wall Plaza in Jerusalem that bears ash and destruction debris from the Roman conquest of the city in 70 C.E., officials said.
The find, announced Monday by the Israel Antiquities Authority and the Western Wall Heritage Foundation, lies just west of where pilgrims once entered the Temple Mount, offering a rare physical link to everyday life in late Second Temple Jerusalem.
The mikveh, hewn into the bedrock, measures approximately 10 feet long; 4 feet, 5 inches wide; and 6 feet, 1 inch high, with four steps leading into the bath. It was found sealed beneath a destruction layer dated to the year 70 C.E., filled with ash, pottery shards and stone vessels.
“Jerusalem should be remembered as a Temple city,” Ari Levy, the excavation director for the Israel Antiquities Authority, said in the announcement. “As such, many aspects of daily life were adapted to this reality, and this is reflected especially in the meticulous observance of the laws of ritual impurity and purity by the city’s residents and leaders.” Levy noted that stone vessels, which do not contract ritual impurity under Jewish law, were common in the area.
Heritage Minister Rabbi Amichai Eliyahu said the discovery “strengthens our understanding of how deeply intertwined religious life and daily life were in Jerusalem during the Temple period” and underlined the importance of continuing archaeological research in the city.
Mordechai (Suli) Eliav, director of the Western Wall Heritage Foundation, described the mikveh and its contents as a vivid historical testament: “The exposure of a Second Temple period ritual bath beneath the Western Wall Plaza, with ashes from the destruction at its base, testifies like a thousand witnesses to the ability of the people of Israel to move from impurity to purity, from destruction to renewal.”
Researchers say the mikveh likely served both local residents and the many pilgrims who visited the Temple in the years leading up to the Roman siege.
This article originally appeared on JTA.org.
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