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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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As Political Lines Blur, Republican Jewish Coalition’s Matt Brooks Warns of a Deeper Shift Facing American Jews
Matt Brooks, CEO of the Republican Jewish Coalition, holds a kippah in support of former US President and Republican presidential candidate Donald Trump as he speaks on Day 2 of the Republican National Convention, at the Fiserv Forum in Milwaukee, Wisconsin, US, July 16, 2024. Photo: REUTERS/Mike Segar
At some point, the question stops being which political party you belong to — and becomes what, exactly, you believe that party stands for.
That was the underlying tension in a recent conversation with Republican Jewish Coalition CEO Matt Brooks, who offered a stark assessment of the changing political landscape for American Jews: the erosion of bipartisan support for Israel, the reemergence of antisemitism across ideological lines, and a growing sense that long-held assumptions about political alignment no longer cleanly apply.
For decades, support for Israel functioned as one of the few durable points of agreement in American public life. It transcended party, survived shifts in leadership, and provided a kind of baseline continuity in an otherwise volatile political system. That consensus, Brooks suggested, has now meaningfully weakened.
“There is only one pro-Israel party today,” he said on The Algemeiner‘s “J100” podcast. “And that’s the Republican Party.”
It is, in his telling, less a triumph than a warning — a sign that what was once shared ground has become contested terrain.
The shift did not happen overnight. Brooks, who has spent nearly four decades at the intersection of Jewish communal life and Republican politics, described a long internal effort to strengthen pro-Israel sentiment within the GOP — one that has, by his account, succeeded.
What concerns him now is not where the Republican Party has landed, but where parts of the Democratic Party have moved.
Yet the more unsettling dynamic, he argued, is not confined to partisan drift. It is structural.
Invoking the “horseshoe theory,” Brooks pointed to a phenomenon that has become increasingly difficult to ignore: the convergence of the political extremes. While the far left and far right often present themselves as opposites, he argued, their rhetoric — particularly when it comes to Jews — can begin to mirror itself in striking ways.
“The language may be different,” Brooks said, “but the themes are familiar.”
On one end, Jews are cast as agents of capitalism, landlords, or power brokers within systems of inequality. On the other, they are portrayed as shadowy manipulators of media, finance, or political institutions. The ideological framing shifts. The underlying instinct does not.
That convergence, he warned, creates a more diffuse and unpredictable threat environment — one in which antisemitism is no longer easily located or dismissed as belonging to a single fringe.
The implications of these changes, Brooks suggested, extend into the political behavior of American Jews more broadly.
For much of the modern era, Jewish voting patterns have been closely tied to identity, history, and inherited political affiliation. But Brooks indicated that those patterns may be undergoing a quiet but significant recalibration — one driven less by ideology than by a more immediate question: security.
“It’s not about who you like,” he said. “It’s about who you trust to keep you safe.”
That framing, he noted, has proven especially resonant in recent election cycles, where data-driven outreach efforts have shown that concerns about personal safety, antisemitism, and the security of Israel can outweigh longstanding partisan loyalties — particularly among undecided voters.
It is, in many ways, a shift from expressive politics to consequential politics — from signaling identity to assessing risk.
And yet, for all the instability he described, Brooks did not frame the moment as one of inevitable decline.
On the contrary, he returned repeatedly to the idea of resilience — not as a slogan, but as a historical pattern.
“We’ve faced adversity before,” he said. “We’re a resilient people.”
That resilience, in his view, is what underwrites his long-term optimism about American Jewry.
Still, optimism, as Brooks articulated it, is not the same as comfort. It is contingent. It requires recognition — of shifting alliances, of emerging threats, and of the limits of assumptions that may no longer hold.
The deeper question raised by his analysis is not simply which party is more aligned with Jewish interests at a given moment. It is whether the framework through which those interests have historically been understood — bipartisan consensus, stable coalitions, predictable boundaries — is itself in the process of being rewritten.
If so, then the challenge facing American Jews is not only political, but conceptual. It is to understand where they stand in a landscape that is less fixed than it once was — and to decide, with greater clarity and less nostalgia, what matters most when the ground begins to shift.
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Federal Complaint Alleges Antisemitic Housing Discrimination at Williams College
Williams College in Massachusetts. Photo: Wikipedia commons.
A federal complaint filed with the US Department of Housing and Urban Development accuses Williams College in Massachusetts of practicing housing discrimination against an Orthodox Jewish student whom it allegedly denied kosher foods and other religious accommodations that would have promoted his integration into the mainstream campus culture.
Filed on Thursday by the Louis D. Brandeis Center for Human Rights Under Law, the complaint presents a harrowing portrayal of an observant Jewish student forced to eat vegan cuisine which falls far below the culinary standards of meals prepared for other students, to stand in the cold for hours when observance of the Sabbath prevents his using an electronic keycard to enter residence halls, and to “confine” himself to his room on Saturdays to avoid being locked out.
So indifferent is the college to the student’s situation, the Brandeis Center alleges, that it once discouraged him from moving to campus at the same time as it promised other incoming students a “learning community you live in.” The Brandeis Center adds that the school’s alleged violation of its own values is underscored by the fact that it mandates on-campus residency for most students due to its belief that living at the college is an integral part of the undergraduate experience.
“It saddens me as a proud Williams College alumnus to see my alma mater treat a Jewish student as a lesser member of the community because of his religion, turning him away as he was freezing and hungry,” Brandeis Center chairman and chief executive Kenneth Marcus said in a statement announcing the legal action. “Religious discrimination is discrimination. Jews, as well as other students and people of faith, should be able to practice their religion freely, without prejudice or discrimination. That is what religious freedom in America is all about, and we must continue to stand up when this freedom is denied.”
On Wednesday, the college told The Algemeiner that it has “no tolerance for antisemitism or discrimination” and would “welcome” a “dialogue with the student and Brandeis Center to ensure a welcoming and inclusive educational environment.”
“We are devoted to ensuring that all students have success to appropriate living spaces, dining options, and our full range of learning opportunities,” the college’s media relations director said. “The college’s leaders and chaplains are strongly committed to working with students and their families to address student concerns.”
The complaint trails years of reports that American higher education institutions fail to protect the civil rights of Jewish students even as their leaders proclaim a commitment to promoting equity and inclusion. While many institutions have pledged to combat antisemitism in recent months with new initiatives and policies, surveys of Jewish students continue to suggest that those reforms have not yet produced a meaningful reduction in antisemitic bigotry.
A striking 42 percent of Jewish students report having experienced antisemitism at college, according to a survey released by the American Jewish Committee and Hillel International in February. Of that group, 55 percent said they felt that being Jewish at a campus event threatened their safety. The survey also found that 32 percent of Jewish students believe that campus groups promote antisemitism or a learning environment that is hostile to Jews, while 25 percent said that antisemitism was the basis of being “excluded from a group or an event on campus.”
On Thursday, the Brandeis Center said the specifics of the William College case prompted a “first of its kind” approach to representing a campus antisemitism victim. The group has filed scores of federal complaints alleging antisemitic discrimination in higher education, but the agency petitioned in those cases was the Department of Education’s Office for Civil Rights (OCR). Additionally, the suits demanded redress for violations of Title VI of the Civil Rights Act of 1964. Now, the Brandeis Center contends that Williams College ran afoul of the Fair Housing Act (FHA) and is contesting the matter in the Department of Housing and Urban Development.
“The filing reflects the expansion and strengthening of the Brandeis Center’s legal advocacy efforts to push back against discrimination targeting Jewish Americans wherever their civil rights are threatened,” the group said.
Follow Dion J. Pierre @DionJPierre.
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Democratic Nominee for University of Michigan Regent Refuses to Condemn Hezbollah
Attorney Amir Makled accepts the Michigan Democratic Party’s endorsement for the University of Michigan Board of Regents in Detroit, Michigan on April 19, 2026. Photo: Andrew Roth/Sipa USA via Reuters Connect
A political controversy is intensifying in the race for a spot on the University of Michigan’s top governing body, as Democratic nominee Amir Makled faces mounting criticism for failing to explicitly condemn Hezbollah, the Iran-backed Lebanese terrorist group responsible for attacks against not only Israel but also Western targets — including US soldiers.
Makled, an attorney who last Sunday secured the Democratic Party’s nomination for a seat on the university’s Board of Regents, has come under scrutiny following the resurfacing of social media activity in which he appeared to engage with or amplify content viewed as sympathetic to Hezbollah and hostile toward Israel.
When asked last week by MLive, a local news outlet, to clarify his views on Hezbollah, a US-designated terrorist organization, Makled deflected and refused to criticize the Islamist group. However, Makled stated that he would continue condemning the Israel Defense Force (IDF).
“I will continue to talk critically of the policies of the Israeli Defense Forces and of the state of Israel,” Makled said. “But I’m not playing a condemnation game of Hezbollah, because I believe that’s a trap designed to put Arab Americans on the defense simply for existing.”
Makled also dismissed the notion that his Jewish opponent in the Democratic primary, incumbent Jordan Acker, lost his reelection bid due to antisemitism.
“Hatred against Jewish people is wrong, period,” Makled said. “Acker didn’t lose because of antisemitism. People are tired of Islamophobia. They’re tired of being told that standing up for Arab lives is somehow disqualified.”
In the two years following the Hamas-led massacre across southern Israel on Oct. 7, 2023, Acker has been targeted by anti-Israel activists with a relentless barrage of protests. In December 2024, for example, pro-Hamas activists targeted Acker’s home with violent demonstrations, breaking his windows and spray-painting his car with the message “Divest Free Palestine.” The vandals also spray-painted on Acker’s car an inverted red triangle, a symbol used to indicate support for the Hamas terrorist group.
The contest has drawn national attention because of the unusually broad authority held by University of Michigan regents, who are elected statewide and oversee the university’s finances, investments, executive leadership, and major institutional policy decisions. The eight-member board plays a central role in decisions ranging from presidential oversight to responses to campus protest movements and demands for divestment.
Makled, a Dearborn-based civil rights attorney who has been outspoken in support of divestment from Israel, won the party’s nomination for one of two regent seats up for election this year, defeating Acker, who had become a frequent target of pro-Palestinian activists over his opposition to the boycott, divestment, and sanctions (BDS) movement against Israel on campus.
Makled initially came under immense scrutiny after an investigation by The Detroit News revealed that he was found to have deleted social media posts praising leaders of Hezbollah. One of the posts referred to slain Hezbollah leader Hasan Nasrallah as a “martyr.” He also reposted antisemitic messages from far-right commentator Candace Owens which referred to Israelis as “demons” who “lie, cheat, murder, and blackmail.”
While Makled has issued statements broadly disavowing antisemitism, his refusal to emphatically denounce Hezbollah has raised eyebrows among moderate Democrats and Jewish voters in Michigan. Jewish organizations and community leaders have expressed alarm over what they describe as a troubling pattern of ambiguity.
The controversy has already had political consequences. A major labor union withdrew its endorsement of Makled, citing concerns over his past rhetoric and associations. Within the Democratic Party, the episode has exposed widening divisions over how to address extremism linked to anti-Israel activism.
The dispute comes amid heightened sensitivities surrounding the ongoing conflict between Israel and Hamas, as well as increased scrutiny of campus climates across the United States. Further, the controversy remains especially sensitive in Michigan, as a Hezbollah-sympathizing terrorist targeted a major synagogue, Temple Israel, in suburban Detroit last month.
Further, higher education institutions like the University of Michigan have faced criticism over their handling of anti-Israel protests, some of which have drawn accusations of crossing into antisemitic territory. Against this backdrop, Makled’s candidacy has become a flashpoint in a broader debate over whether anti-Israel activism is being sufficiently challenged when it veers into support for extremist groups.
Critics note that as a regent, Makled would help oversee university policy, including responses to campus discrimination and student safety concerns. His reluctance to explicitly condemn Hezbollah could raises serious questions among voters about his judgment and fitness for the role.
Makled’s willingness to frame violent anti-Israel protests as a legitimate expression of grievances and expression further casts doubt over whether he would be willing to dispatch law enforcement to control raucous demonstrations on campus.
The controversy underscores a growing tension within Democratic politics, where progressive activism related to the Palestinian cause has, in some cases, blurred lines that critics say should remain clear—particularly regarding terrorist organizations and incitement against Israel. This issue has become more salient in recent months, as Democrats have increasingly cozied up to individuals that espouse extremist beliefs, such as anti-Israel streamer Hasan Piker.
Supporters of Acker have argued the outcome reflects a broader deterioration in support for Israel and tolerance of antisemitism within Democratic politics, particularly among younger and more progressive voters. Some also noted that Paul Brown, Acker’s non-Jewish running mate who had similarly opposed divestment efforts, was renominated while Acker was not, making the result especially symbolic for many Jewish Democrats.