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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.
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Israel’s Arkia Forges Deal With JetBlue on Flight Connections in US
A JetBlue Airways jet comes in for a landing at Laguardia Airport in New York City, New York, US, Jan. 11, 2023. Photo: REUTERS/Mike Segar
Israel’s Arkia Airlines said on Thursday it signed a deal with low-cost US carrier JetBlue Airways that would allow its customers to connect on JetBlue flights in the United States and to Latin America and the Caribbean.
Privately held Arkia mainly flies domestically and to Europe, but it launched flights from Tel Aviv to New York a year ago in competition with its larger rival and flag carrier El Al Israel Airlines.
Under the so-called interline agreement, Arkia‘s flight schedule of up to seven weekly non-stop flights to JFK Airport will be linked with JetBlue‘s destination network.
“This agreement adds a significant layer to strengthening Arkia‘s long-haul operations and expanding the range of services for customers travelling to North America,” said Arkia CEO Oz Berlowitz.
Dave Jehn, a vice president at JetBlue, the sixth-largest airline in the United States, said the new partnership with Arkia “allows us to expand our global reach and provides customers with a wider range of destinations and seamless connections between flights.”
El Al also has an interline agreement with JetBlue but a codeshare deal between the airlines ended in October.
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Jewish cuisine in Warsaw, 1938
ס׳איז לעצטנס אַרויס אַ העברעיִשע איבערזעצונג פֿון בני מערס בוך וועגן דעם פֿאַר־מלמהדיקן ייִדישן כאַראַקטער פֿון סמאָטשע־גאַס אין וואַרשע. דאָס נײַע בוך, „מורה דרך: ורשה היהודית 1938“, דינט ווי אַ מין וועגווײַזער פֿאַר ישׂראלדיקע לייענער פֿון יענעם באַרימטן ייִדישן קוואַרטאַל, באַטאָנענדיק זײַנע באַזונדערע מנהגים, מאכלים, לשון, ליטעראַטור, קולטור און רעליגיע. קיין שום פּרט אין בוך איז נישט אויסגעטראַכט – אַ חוץ דעם וואָס דער וועגווײַזער אַליין איז געשריבן געוואָרן הײַנט, און נישט אין 1938. אָט איז אַ טייל פֿון דעם קאַפּיטל וועגן דער ייִדישער קיך אין וואַרשע.
אינעם ייִדישן קוואַרטאַל פֿון וואַרשע געפֿינען זיך נישט קיין באַזונדערע מאכלים. די ייִדן וואָס זײַנען אַהין געקומען האָבן מיטגעבראַכט זייערע אייגענע שפּײַזן, און דערפֿאַר קאָן מען דאָ עסן אַלץ, הכּל-בכּל. נישט אומזיסט האָבן מיר אַ שם פֿון „וואַרשעווער פֿרעסערס“, און אויך איר, טײַערע געסט, וועט נישט אַרויס חלילה הונגעריקע.
טרינקען טרינקט מען דאָ קודם-כּל די בײַערישע ביר „האָבערבוש און שילע“ (וואָס ווערט פּראָדוצירט נישט ווײַט פֿון דער „גמינע“ — דאָס קהילה-הויז — אויף גזשיבאָווסקע גאַס), און דערצו טרינקט מען פֿאַרשיידענע וואָדקעס און ספּירט. לשם מצוות-אכילה עסט מען דערבײַ הערינג מיט ציבעלע, האַרטע אייער, אייער-קיכלעך (זיסע אָדער געזאַלצענע), וואַסער-פּלעצלעך, געפֿעפֿערטע אַרבעס (געלע) און אַ שטיקל פּינטאָשוו קעז. אין די קאָנדיטערײַען און קאַפֿעען גיט מען קרעם-, שאָקאָלאַדע- און עפּל-טשאַסטקעס (קוכנס), ווי אויך לעקעך.
אונדזער קיך האָט אַ שם געמאַכט מיט אירע שבתדיקע און יום-טובֿדיקע דעליקאַטעסן. אויפֿן וואַרשעווער שבתדיקן טיש וועט איר געפֿינען יויך, גענדז אָדער בעפֿשטיק, געפֿילטע פֿיש (כאָטש מיר האָבן ליב אויך ליטוואַקעס, דאָ זײַנען זיי צימעס זיס). שבת אין דער פֿרי עסט מען טשאָלנט (ד״ה טשונט, אויף אונדזער לשון), קישקע און פֿאַרשיידענע קוגלען און קאָמפּאָטן.
יעדן יום-טובֿ האָט זײַנע אייגענע מאכלים. פּורים, למשל, עסט מען יויך מיט קרעפּלעך, געפֿילטע פֿיש, אייער-חלה, קיכלעך פֿון האָניק און צימרינג, מאַנדלען-קיכלעך, המן־טאַשן, אונגערישן ווײַן און מעד. פּסח עסט מען זיסע מצה-מעל-קיכלעך געטונקען אין ווײַן.
פֿײַנשמעקערס וועלן דאָ אויך געפֿינען די פֿראַנצויזישע קיך מיט אַ ייִדישן טעם. אין אונדזער רעפּרעזענטאַטיווסטן קרוין־רעסטאָראַן, „פּיקאַדילי“, וואָס געפֿינט זיך אויף ביעלאַנסקע 5 (טעל׳ 23-116), לעבן טעאַטער נאָוואָשטשי, דערלאַנגט מען אַ גענדזענעם לעבער, געפֿילטע פּאָמידאָרן, געגליווערטן קאַרפּ, שוואַרצן און רויטן קאַוויאַר (פֿון דרײַ זלאָטעס אַ מיטאָג). אין די מער פּאָפּולערע רעסטאָראַנען (ווי די פֿון י’ עלקענבוים אויף סמאָטשע 27, טעל׳ 77-162) באַקומט איר פֿיש מיט קליסקעלעך, וועמפּלעך מיט קישקע, קרופּניק מיט פֿלייש, קאָטלעטן, זופּן, קלאָפּסקאַלעך מיט פֿערפֿל — און אַלץ פֿאַר איין זלאָטע, מער אָדער ווייניקער. אויך די רעסטאָראַנען „יאַגאָדע“ (טווואַרדע 26, טעל׳ 34-205), „A la minute“, אויף דער שוויינטאָקזשיסקע־גאַס 43 43-341), יעקבֿ אַרבעס, נאַלעווקעס 9 – וועט אײַך גאָרנישט שאַטן.
שפּאָרעוודיקע טוריסטן וועלן הנאה האָבן פֿון פֿאַרשיידענע מיטאָגן וואָס ווערן פֿאַרקויפֿט אין פּריוואַטע דירות. געוויינטלעך וועט איר נישט זען קיין שום שילד; די אינפֿאָרמאַציע געפֿינט זיך אין דער צײַטונג „אונזער עקספּרעס“ אָדער אין די מעלדונגען וואָס ווערן געטיילט צו די פֿאַרבײַגייערס. למשל: אַ מיטאָג פֿון פֿיר שפּײַזן מיט קאָמפּאָט קאָסט דאָ נאָר זיבעציק גראָשן (זאַמענהאָף 26, וו. 11).
די וואַרשעווער אָרעמעלייט עסן נעבעך הערינג, אָדער אַפֿילו שילאַווקעס — פּיצלדיקע גערויכערטע פֿיש. שילאַווקעס קאָסטן אַ פּאָר גראָשן, און מע פֿאַרקויפט זיי אין די הויפֿן (זומערצײַט פֿאַרקויפֿט מען אין די הויפֿן אויך פֿרוכטן און גרינס — בפֿרט אַרבוז און אוגערקעס). אויב איר בלײַבט נאָך הונגעריק מחמת חסרון-כּיס, קאָנט איר עסן „שיריים“ אין איינער פֿון די 400 וואַרשעווער שולן און בתּי-מדרשים.
אויך וועגעטאַריער האָבן דאָ וואָס צו עסן. אין „יענע גאַסן“, די גויִשע וואַרשע, זײַנען פֿאַראַן צוויי וועגעטאַרישע רעסטאָראַנען, אָבער אין דער אמתן זײַנען מיר גיכער מקנא די ייִדישע וועגעטאַרישע רעסטאָראַנען אין לאָדזש און ווילנע („וועגאַ“ און פֿאַני לעוואַנדאָס רעסטאָראַן).
ווי עס איז, וועט איר זען און הערן די בייגעלעך־הענדלערס: ייִנגלעך און מיידלעך, און אַמאָל אויך זייערע מאַמעס און טאַטעס וואָס האָבן נישט קיין אַנדערע ברירה ווי אַרויסצוגיין טאָג און נאַכט אין די גאַסן און פֿאַרקויפֿן צוויי ביז פֿינף בייגעלעך פֿאַר צען גראָשן. זײַט אַזוי גוט און קויפֿט-זשע בייגעלעך, איידער די פּאָליציי וועט קאָנפֿיסקירן זייערע סחורה. אין די קריזיס-יאָרן האָבן אַ סך סוחרים באַנקראָטירט, און זייערע קראָמען זײַנען פֿאַרוואַנדלט געוואָרן אין געשעפֿטן פֿון סאָדע-וואַסער אָדער לאָדעס — קויפֿט זשע אויך פֿון זיי.
די וואַרשעווער ייִדן האָבן ליב צו טרינקן טיי – בפֿרט מיט קאַנדל-צוקער און ציטרין, און אַ טיי פֿון אַ גרויסן סאַמאָוואַר איז ממש אַן עונג-שבת. נישט ווייניקער האָבן מיר ליב צו טרינקען קאַווע און זיצן אין קאַפֿעען. „לעצטנס האָט זיך דער מנהג צו גיין אין קאַוויאַרניעס איבערהויפּט פֿאַרשפּרייט אויך בײַ פּוילישע ייִדן,“ שרײַבט ד״ר א. גליקסמאַן, „און פֿיל אַזעלכע ייִדן, וואָס פֿלעגן אין אַמאָליקע צײַטן גיין בטלען אין בית-מדרש — בטלען איצט אין קאַוויאַרניע אויף אַ ציוויליזירטן אופֿן.“(„היינטיגע נייעס“, 13.1.1936).
די קאַוויאַרניעס פֿון דער גוייִשער וואַרשע זײַנען שיין און עלעגאַנט ווי אין אַנדערע גרויסע שטעט אין אייראָפּע. זיי זײַנען קלאַסישע אָדער מאָדערנע, און אויך די קליענטן זײַנען שיינע און עלעגאַנטע. איין חסרון נאָר: זיי האָבן נישט אַזוי ליב אַז מע רעדט ייִדיש, און בפֿרט אויף אַ קול. איז וואָס? איר האָט דאָך צענדליקער ייִדישע קאַפֿעען, ווי למשל די דרײַ קאַפֿע-קאָנדיטאָרײַען פֿון די ברידער סטודניאַ; די קאָנדיטערײַ בומאָוויטש (רינקאָווע 11, טעל׳ 66-405), אָדער פֿלידערבוים (טוואַרדע 26). זיי זײַנען אפֿשר נישט אַזוי פּרעכטיק ווי „אַדריִאַ“ אָדער „בריסטאָל“, אָבער איר וועט זיך דאָרטן פֿילן אין דער היים. ווי זאָגט מען: „וואָס דאַרפֿסטו ריידן גויִיש, מע זאָל זען אַז דו ביסט אַ ייִד?“ אין אונדזערע קאַפֿעען דערלאַנגט מען נישט נאָר פֿריש געבעקס, נאָר אויך לײַכטע מאכלים, ווי למשל הערינג אין אַ זעמעלע פּוטער.
דאָס ייִדישע וואַרשע בענקט אַ ביסל נאָך די אַמאָליקע ליטעראַרישע קאַפֿעען, ווי למשל יחזקאל קאָטיקס קאַוויאַרניע אויף די נאַלעווקעס, וואָס שלום עליכם האָט פֿאַראייביקט אין זײַן „מנחם-מענדל“. אָבער אויך הײַנט צו טאָג האָבן מיר אַ ליטעראַרישן אָלימפּוס: דאָס איז דער בופֿעט בײַ דעם ליטעראַרישן פֿאַראיין, אויף טלאָמאַצקע 13. און וואָס איז שלעכט מיט טרינקען סתּם אַ קאַווע אין רובענטשיק-קאַפֿע, וואָס געפֿינט זיך אין מיטן דער ייִדישער גאָרטן, ד״ה קראַשינסקיס פּאַרק?
****
לאָמיר פֿאַרענדיקן מיט אַ תּפֿילה פֿון אַ וואַרשעווער ייִדענע, אַז דאָס קוגל זאָל איר געראָטן (אויף איר אייגן לשון):
קיגל קיגל יאַך מאַך דיך געטרײַ,
געטרײַ וועל יאַך דיך מאַכן,
מע זאָל אויס מיר נישט לאַכן.
אין אויוון זאָלסטע שטײַן,
אין מויל זאָלסטע צעגײַן,
גיט זאָלסט זײַן ווי יעקבֿ
און רויט ווי עשׂו.
The post Jewish cuisine in Warsaw, 1938 appeared first on The Forward.
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JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground
(JTA) — Vice President JD Vance again downplayed the idea that conservatives should safeguard their ranks against antisemitism, a week after his ally Tucker Carlson hosted yet another antisemitic conspiracy theorist on his web show.
Vance’s latest brief comments, made Tuesday during an interview with conservative radio host and CNN pundit Scott Jennings, came in response to Jennings asking, “Does the conservative movement need to warehouse anybody out there espousing antisemitism in any way?”
“No it doesn’t, Scott,” the vice president replied, toward the end of their interview.
Vance continued by asserting that conservatives, drawing on Christian influences, were welcoming of all backgrounds.
“I think we need to reject all forms of ethnic hatred, whether it’s antisemitism, anti-Black hatred, anti-white hatred,” he said. “And I think that’s one of the great things about the conservative coalition, is that we are, I think, fundamentally rooted in the Christian principles that founded the United States of America.”
He added, “And one of those very important principles is that we judge people as individuals. Every person is made in the image of God. You judge them by what they do, not by what ethnic group they belong to.”
Vance’s comments follow a series of similar remarks by the vice president over the past month as major right-wing groups such as Turning Point USA and the Heritage Foundation grapple with the growing influence of Nick Fuentes and other openly antisemitic forces. Vance has also indicated his own skepticism in the U.S.-Israel relationship and stated that stopping immigration is the best approach to fighting antisemitism.
One Jewish conservative analyst still employed with Heritage — after a slew of employees left for a competing group — criticized Vance’s latest comments.
“Need a better answer from @JDVance on why the conservative movement should not tolerate antisemitism than what is effectively the equivalent of @TheDemocrats’ ‘…and Islamophobia’ response,” Daniel Flesch, a Heritage policy analyst for the Middle East and North Africa, posted on the social network X.
Flesch referenced his contention that Democratic leaders’ stock answer to addressing antisemitism is that it must be paired with addressing Islamophobia, rather than treated as its own unique problem.
Among Jewish conservatives’ biggest areas of consternation within the party right now: Carlson, the media figure who has platformed Fuentes and other conspiracy theorists while also maintaining close ties with Turning Point, Heritage and Vance himself. This week in Israel’s Knesset, a lawmaker in Prime Minister Benjamin Netanyahu’s Likud party denounced Carlson and fellow podcaster Candace Owens by name in an English-language speech.
Last week Carlson continued to fan the flames by hosting Ian Carroll, a conspiracy theorist who has proclaimed “Israel did 9/11”; that “Israel did their best to embellish and enflame the history books” on the Holocaust; and that sex trafficker Jeffrey Epstein was “working on behalf of Israel.”
Carroll has made inroads in the conservative media sphere for a while. He appeared on Joe Rogan’s mega-popular podcast last year and, in 2024, moderated a campaign event for then-presidential candidate Robert F. Kennedy Jr., today President Donald Trump’s secretary of health and human services. Carroll’s appearance on Carlson’s show came after both Trump and Vance refused to denounce Carlson for his friendly interview with Fuentes last year.
In their Jan. 2 interview, Carroll and Carlson primarily discussed the 2017 mass shooting at a music festival in Las Vegas. Carroll shared numerous conspiracy theories about the events of that evening, during which the shooter also fired rounds at a jet fuel tank stored at a nearby airport.
“And then there’s things happening at the airport that are strange, that there’s some shooting happening at the airport. So it’s like, is this a gang war between the Italian mob and the Jewish mob? Is this a CIA operation that went wrong?” Carroll muses at one point. “Is this, like, a Mossad operation? Any of those things would need to fit the facts.”
Carroll continued, “In lieu of enough facts, you can try to fit a perpetrator to the facts and invent explanations that will work.”
Later in the interview, Carlson muses about Carroll directly to him, “I’ve never seen anybody come to prominence faster, ever, in our world. And that’s led to a lot of speculation that you’re, like, a CIA officer in disguise.”
Carroll then offers, “Or I’m like, Mossad.”
To which Carlson concludes, “My personal explanation is you’re just an amazing explainer and a diligent researcher, and you’re really interested in what’s true. And those are the three qualities that make a successful person in our world.”
The post JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground appeared first on The Forward.