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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play

(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.

Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.

Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.

I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.

“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.

Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.

Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?

Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)

It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.

“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”

What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”

At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”

Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”

Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.

Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.

“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”

Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.

Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.

In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.

As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.

“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.

“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”

For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”

“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.

Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.

“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here. 

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The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.

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Al Jazeera Forum Platforms Terrorist Leaders and Their Sympathizers

The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon

At the 17th annual Al Jazeera Forum in Doha, Qatar, familiar faces took the stage to discuss the aftermath of October 7 and its broader regional and global implications. These figures are familiar not for their credibility, but because the lineup included terrorist leaders and their sympathizers.

Upon entrance to the forum, an “in memoriam” lined the halls filled with faces of Al Jazeera journalists who died during the Israel-Hamas war.

Eitan Fischberger, who first exposed the terror-filled line up of speakers at the conference, found that five of these so-called journalists are also familiar faces. These “journalists” didn’t become well-known for trustworthy and accurate reporting, but rather because all five of them had well-established ties with terrorist organizations such as Hamas in the Gaza Strip.

Hamas terrorist leader Khaled Meshaal and Iranian Foreign Minister Abbas Araghchi were two of the biggest attractions at the event. UN Special Rapporteur Francesca Albanese, sanctioned by the US for her pro-terror rhetoric, also took part in a session via video call.

Despite the mass slaughter of Iranian civilians, the focus of every speaker at the conference was laser-focused on Israel. This was not accidental. After all, Abbas Araghchi, who, given his position in the Iranian regime, has stood by as thousands of Iranian citizens were murdered, was given a spotlight.

From that platform, Araghchi blamed Israel for regional instability, saying that “Israel’s expansionist project requires that neighboring countries be weakened” and amounts to the “enforcement of permanent inequality.”

For this, he called for Israel to be “punished.” The irony would be laughable if it weren’t so grotesque. A senior official of a regime that jails dissidents, executes protesters, and bankrolls terrorist proxies across the region stood before an audience and positioned himself as a moral authority on justice and stability.

Predictably, in Hamas terrorist leader Khaled Meshaal’s session, he similarly dodged any blame for the ensuing war. What he did was suggest that “the flood” — the operation name chosen for the October 7 massacre — successfully brought the Palestinian cause back to global consciousness. He specifically praised the outrage seen on university campuses and across social media, treating international unrest as a strategic victory.

Naturally, as a terrorist leader, Meshaal deflected the requirement for Hamas to disarm, saying “criminalizing the resistance” is not something it can accept. As long as Israel exists, Hamas will not disarm.

It is the most recent example of Hamas leaders being explicit in their absolute unwillingness to adhere to the ceasefire agreement to which they signed.

Beyond actual terrorists, terrorist sympathizer Francesca Albanese was invited to speak, joining a session abroad via video. Unsurprisingly, her words echoed those of the terrorist leaders listed above, as she spoke of Israel as the “common enemy” of the world.

It is dangerous enough that a UN Rapporteur shared a platform at the same conference as terrorists. That her language is barely distinguishable from that of designated terrorists should probably come as little surprise given Albanese’s previous actions.

Mustafa Barghouti, who has similarly expressed support for Palestinian terrorism in the past, discussed how the Palestinian will could not be broken, and how the fact that people stayed in Gaza throughout the war displayed the “failure of Israel” despite the “genocide.” In reality, this only goes to show that Palestinian civilians were never the target of Israel, which fought tirelessly to root out Hamas and other terrorists, while doing its utmost to avoid harming civilians.

Al Jazeera’s support for terrorism is not new. What makes this moment particularly alarming is the scale of its influence on the world, and how it brings terrorists and their sympathizers onto a stage in light of global events. This was not a conference about the future of the Middle East. It was an echo chamber where terrorism got the platform.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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Erdogan’s Atomic Ambition: Why Turkey Is the Middle East’s Next Proliferation Crisis

Riot police walk outside the Istanbul provincial office of the main opposition Republican People’s Party (CHP), as CHP supporters gather near the office, after a recent court ruling that ousted the CHP’s Istanbul provincial leadership, in Istanbul, Turkey, Sept. 8, 2025. Photo: REUTERS/Dilara Acikgoz

As the global community remains transfixed by the diplomatic theater in Oman, a more ominous atomic shadow is lengthening across the Eastern Mediterranean.

While Western envoys chase a “nuclear framework” with a defiant Iran, Recep Tayyip Erdogan is quietly executing a multi-decade roadmap to transform Turkey into the region’s next nuclear-threshold state.

We are witnessing the birth of a sophisticated, NATO-embedded “Iran 2.0” — yet the international community continues to treat Ankara as a standard ally rather than the primary proliferation risk it has become.

Unit 1 of the Akkuyu Nuclear Power Plant stands at 99 percent completion. While marketed as a civilian energy panacea, Akkuyu represents a strategic Trojan Horse of unprecedented proportions. It is the world’s first “Build-Own-Operate” nuclear project, entirely financed and controlled by Russia’s Rosatom. This arrangement has not only granted the Kremlin a permanent nuclear anchor on NATO’s southern flank, but has also provided the Turkish state with the technical laboratory necessary to master the full nuclear fuel cycle under the guise of commercial cooperation.

The most alarming development in Turkey’s nuclear trajectory is not found in its power reactors, but in its naval shipyards. By officially prioritizing the “NUKDEN” initiative — Turkey’s nuclear-powered submarine program — Erdogan has discovered the ultimate legal loophole for domestic uranium enrichment. Under the Nuclear Non-Proliferation Treaty, “peaceful” enrichment remains a contentious grey area, but the production of highly enriched uranium for naval propulsion is a recognized military necessity that bypasses many traditional civilian safeguards.

By pursuing a nuclear navy, Ankara is signaling its intent to stockpile the very fissile material required for a warhead, all while maintaining a veneer of maritime sovereignty. This is a tactical evolution of the “Iran Model.” Where Tehran chose a path of open defiance, Ankara is choosing a path of “Legalist Proliferation,” using its status as a naval power to justify a fuel cycle that would otherwise trigger immediate international sanctions.

This “Stealth Proliferation” is backed by a massive, nine-billion-dollar cash injection from Moscow, ensuring that the infrastructure for this “naval requirement” is built with the highest Russian expertise.

A nuclear reactor is merely a forge; its true threat is realized only when paired with a delivery system. In June 2025, Erdogan issued a decree to massively expand Turkey’s production of medium- and long-range missiles. This was not a random military upgrade. When paired with the 2026 commissioning of Akkuyu, the picture becomes clear: Turkey is building the two halves of a nuclear deterrent in parallel.

The “Araghchi Doctrine” currently being debated in Doha — Iran’s refusal to negotiate on its own missile program — finds a mirror image in Ankara’s “National Missile Program.” Erdogan has been vocal in his disdain for the “nuclear OPEC,” arguing that it is unfair for some nations to possess nuclear-tipped missiles while others are barred from the club. By developing indigenous missile technology capable of reaching any capital in the Middle East or Europe, Turkey is ensuring that once its “breakout” occurs, the delivery mechanism will already be in place, tested, and ready.

For too long, Turkey has been granted what can only be described as a “NATO Pass.” Washington has consistently hesitated to enforce the Countering America’s Adversaries Through Sanctions Act with the necessary vigor, fearing the loss of the Incirlik airbase or a total rupture in the alliance. This hesitation has been read in Ankara as a green light. Erdogan views the international order not as a set of rules to follow, but as a set of constraints to be dismantled.

The strategic reality is that Turkey is no longer content to sit under the American nuclear umbrella. It seeks to build its own, potentially in a trilateral partnership with Saudi Arabia and Pakistan. This “Islamic Nuclear Axis” would combine Turkish high-tech delivery systems, Saudi capital, and Pakistani technical blueprints to create a new center of gravity that is entirely independent of Western control.

Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx

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Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit

(JTA) — Iran has erected a map showing Israeli targets for potential strikes in a prominent propaganda spot as another week dawns with uncertainty over whether it will face a U.S. attack.

The map went up over the weekend in Tehran’s Palestine Square, a frequent site for billboards meant to broadcast the Islamic Republic’s bravado when it comes to Israel and the United States. It includes the words “You start, we finish!”

It comes as President Donald Trump continues to weigh military intervention against Iran and as Israeli Prime Minister Benjamin Netanyahu plans to visit the White House to press for his demands in Trump’s negotiations with Iran.

“Prime Minister Benjamin Netanyahu is expected to meet with US President Donald Trump this Wednesday in Washington, and will discuss with him the negotiations with Iran,” Netanyahu’s office said in a statement on Saturday. “The Prime Minister believes any negotiations must include limitations on ballistic missiles and a halting of the support for the Iranian axis.”

A will-he-or-won’t-he air has pervaded for weeks as Trump has considered different strategies for dealing with Iran, which has said it would view both U.S. and Israeli targets as legitimate if the United States strikes to curb its nuclear ambitions, less than a year after the last U.S. attack on Iranian sites, which came during a war between Iran and Israel.

On Friday, Jared Kushner, Trump’s son-in-law and Middle East advisor, and Steve Witkoff, his Middle East envoy, met directly with Iran’s foreign minister in Oman. The foreign minister, Abbas Araqchi, said the talks had gotten off to a “good start” but that Iran was willing to negotiate only about the nuclear program, not the missiles that concern Israel.

Trump, too, told reporters that there had been “very good talks” that indicated that Iran was prepared to make more concessions than it had offered in the past. Still, he said, “They know that if they don’t make a deal the consequences are very steep.”

The next day, Kushner and Witkoff also visited a U.S. naval carrier that has been moved to the region as part of what Trump has called an “armada” that would enable U.S. military action in the event that Trump decides it is needed. Netanyahu has moved up his planned White House visit — which will be his fourth since Trump retook office last year — to advocate for Israel’s interests in the negotiations. It was at a previous visit, last April, that Trump disclosed for the first time that the United States had opened direct talks with Iran. Just over two months later, Trump joined Israel’s campaign against Iran with a bombing attack that came a day after he said he had not decided whether to strike.

The post Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit appeared first on The Forward.

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