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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.
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Israeli Christian Leader: Tucker Carlson ‘Doesn’t Want the Truth,’ Endangers Christians Elsewhere by Lying About Israel
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
Firebrand podcaster Tucker Carlson drew a barrage of heat from Israelis after claiming he was “detained and interrogated” during a brief stop at Ben Gurion Airport on Wednesday, with former Prime Minister Naftali Bennett calling him “a chickens**t” and “a phony” and an Israeli Christian leader describing him as “an enemy of Israel” for lying about the country’s treatment of Christians.
Shadi Khalloul, founder of the Israeli Christian Aramaic Association and a former Knesset candidate, accused the former Fox News host-turned-far-right conspiracy theorist of “destroying Christian-Jewish relations” all over the world and “endangering the persecuted Christian community in the Middle East” by portraying Israel as hostile to Christianity.
“The truth is exactly the opposite,” he said, describing Christians in Israel as enjoying freedom and equal opportunity.
In Khalloul’s telling, Carlson is choosing scenes and storylines that travel well online, then skipping the reporting that might complicate them.
“Tucker Carlson doesn’t want the truth. The truth doesn’t exist in his lexicon,” Khalloul told The Algemeiner.
Earlier this month, Khalloul invited Carlson to a tour of Christian communities and holy sites in Israel, including a meeting with his brother-in-law, the head of the Maronite Church of Israel, but received no response.
I invited @TuckerCarlson to take advantage of his upcoming visit to Israel and meet our thriving Christian community – to see with his own eyes the people and realities he speaks about so confidently and so often on his platform.
This letter was sent a week ago to every email… pic.twitter.com/lcBiecCtUx
— Shadi khalloul שאדי ח’לול (@shadikhalloul) February 17, 2026
“If he [Carlson] was really willing to help, he would come interview us, hear our views, our narrative,” Khalloul said, adding the podcaster would then be able to “expose the oppression of Christians in Lebanon, in Iraq, in Syria, and under the Palestinian Authority by a radical Islamic propaganda agenda,” rather than “talking about me and my community as being persecuted by Israel.”
He pointed to anti-Christian violence in Syria, including a recent church bombing in Damascus, and to the arrest of Maronite official Moussa el-Hajj in Lebanon after he was arrested by Hezbollah operatives at the Lebanese border carrying money and medicine sent from Israel’s Christian community.
Christian communities all over the region are continuing “to shrink while we here are thriving and increasing in numbers and happily living in Israel,” Khalloul said.
Khalloul’s comments came after Carlson spent only a few hours in Israel on Wednesday for an interview with US Ambassador Mike Huckabee and chose not to leave the Ben Gurion Airport facility before flying out of the country.
Bennett described the polemical commentator’s visit as a staged drive-by meant to give him a basis for future anti-Israel commentary.
“Tucker Carlson is a chickens**t,” Bennett posted on the social media platform X.
Tucker Carlson is a chickenshit.
The guy who’s been spouting lies about Israel for the past two years,
landed today at Ben Gurion airport,
took a quick picture in the logistics zone,
tweeted it to pretend he’s actually IN Israel (so he can later claim that he’s a serious… https://t.co/ZWZ8aY7BAG— Naftali Bennett נפתלי בנט (@naftalibennett) February 18, 2026
Carlson, who has been “spouting lies about Israel for the past two years,” didn’t even step foot in the country, Bennett wrote, and instead posted a photo taken in the airport logistics zone to “pretend he’s actually IN Israel (so he can later claim that he’s a serious reporter who toured Israel).”
He “whined” and “made up a story that he’s being supposedly harassed by our security (didn’t happen),” he continued.
“Next time he talks about Israel as if he’s some expert, just remember this guy is a phony!” Bennett concluded.
Carlson’s version, carried by outlets including the New York Post and the Daily Mail, said airport security took passports and “hauled” his executive producer into a room and interrogated him about the interview Carlson had just recorded with Huckabee.
Huckabee pushed back publicly, writing on X: “EVERYONE who comes in/out of Israel (every country for that matter) has passports checked & routinely asked security questions.”
Israel’s Airports Authority also rejected Carlson’s account, saying he and his team were not “detained, delayed, or interrogated” and were only asked “a few routine questions” in a side room inside the VIP lounge “solely to protect their privacy.”
“No unusual incident occurred,” the authority said, adding that it “firmly rejects any other claims.”
Carlson’s airport detention story was “another lie” by “someone who is always inventing stories,” according to Khalloul.
Carlson’s own platform promoted the trip as a fact-finding mission. In a monologue titled “We’re headed to Israel. Here’s why,” his site said he was traveling to “get answers to questions that no one will answer.”
His show page also carried an episode billed as “Israel’s Purging of Christians From the Holy Land and the Plot to Keep Americans From Noticing,” part of a series focused on Christian treatment by the “US-funded Israeli government.”
Commentators on social media pointed out that Carlson’s posting “Greetings from Israel” from an airport logistics zone, then flying out, does not amount to visiting the country in any ordinary sense.
Carlson’s brief trip to Israel contrasts with his interview of Russian President Vladimir Putin in 2024, when he spent multiple days in Russia praising the country on video and infamously marveling at the use of locks on shopping carts — a common feature in Europe.
The podcaster’s visit to Israel also differed from his trip to Doha in December, when he interviewed Qatari Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani and revealed his plans to purchase a home in the country. Qatar has been a long-time backer of the Muslim Brotherhood, including its Palestinian offshoot Hamas, an internationally designated terrorist group.
Carlson has ramped up his anti-Israel content over the last year, according to a study released in December by the Jewish People Policy Institute (JPPI), which tracked the prominent far-right podcaster’s disproportionate emphasis on attacking the Jewish state in 2025.
In September, for example, the podcaster appeared to blame the Jewish people for the crucifixion of Jesus and suggest Israel was behind the assassination of American conservative activist Charlie Kirk.
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Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute
(JTA) — Israel’s highest court has delivered a unanimous rebuke to state and municipal authorities over long-stalled plans to upgrade the Western Wall’s egalitarian prayer section, intensifying a dispute that has come to symbolize broader tensions over religious pluralism in Israel.
In a decision issued Thursday, an expanded seven-justice panel of the High Court of Justice ordered the national government and the Jerusalem Municipality to move forward with building permits needed for repairs and infrastructure improvements at the Ezrat Israel prayer platform, the area designated for mixed-gender and non-Orthodox worship south of the main Western Wall plaza.
The ruling imposes strict procedural deadlines aimed at ending what the justices described as years of exceptional delay following a 2016 deal to permit egalitarian prayer at the holy site. Acceding to pressure from haredi Orthodox politicians, Prime Minister Benjamin Netanyahu froze the deal the following year, triggering a legal petition by Judaism’s Reform and Masorti/Conservative movements, Women of the Wall and Israeli religious pluralism advocacy groups.
Today, the groups say, area remains difficult to access, lacks adequate facilities, and does not provide meaningful proximity to the Wall’s stones — conditions they view as discriminatory toward non-Orthodox worshippers.
“For nine years, the state and the municipality have been dragging their feet and refusing to promote an egalitarian, respectful, and accessible alternative in the Ezrat Israel,” Attorneys Ori Narov and Orly Erez-Likhovski, who represent the Reform Movement in Israel, one of the petitioners, said in a statement to Times of Israel. “Now, the court is ordering an end to the foot-dragging.”
The court did not revisit legal questions surrounding prayer rights at the site, emphasizing that the decision focused on the “practical implementation” of matters already litigated. Instead, the justices targeted bureaucratic obstacles that have repeatedly slowed or blocked construction, particularly disputes involving planning approvals and the Israel Antiquities Authority.
The court ruled that existing government approvals are still valid and that any remaining sign-off from the Antiquities Authority must be decided within 14 days, removing key grounds for further delays. After that, the state must file new building permit requests within 14 days. If officials don’t respond within 45 days, it will count as a rejection and the state must appeal. The state and city must also update the court within 90 days.
The decision arrives amid renewed friction at the Western Wall, Judaism’s holiest site and a focal point of Israel’s long-running struggle over religious authority. It also comes just one day after Israeli police detained two leaders of Women of the Wall during the group’s monthly Rosh Chodesh prayer service marking a new Jewish month.
The activists were briefly held after conducting a Torah reading near the site. Women of the Wall, which campaigns for expanded women’s prayer rights, has clashed for years with authorities over practices permitted under non-Orthodox traditions but restricted in the gender-segregated main plaza.
Pluralism advocates hailed the court’s intervention as a significant victory, noting both the unanimity of the decision and the ideological diversity of the judicial panel.
“An expanded panel of the Supreme Court, including conservative jurists, has unanimously ruled that the Government of Israel and the Jerusalem Municipality must put an end to their foot dragging and get to work,” said World Zionist Organization Vice Chairman Yizhar Hess, a senior representative of the Masorti/Conservative movement, in a statement.
Hess accused authorities of maintaining an “endless, creative litany of excuses” to block repairs necessary to ensure direct access to the Wall’s stones at the egalitarian platform. “This is a victory for those who believe in Jewish pluralism in Israel and that every Jew from every stream should have the equal opportunity to pray according to their custom at our holiest site,” he said.
The post Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute appeared first on The Forward.
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Australian Bar Shut Down for Displaying Posters of Netanyahu, Putin, Trump in Nazi-Like Uniforms
Adolf Hitler in Nuremberg in 1938. Photo: Imperial War Museums.
A live music bar and cafe in Australia was shut down by local police on Wednesday for displaying posters that depict world leaders and others, including Israeli Prime Minister Benjamin Netanyahu and US President Donald Trump, wearing Nazi-like uniforms.
The Dissent Cafe and Bar in Canberra Central said in a Facebook post that ACT Policing, the community policing arm of the Australian Federal Police, shut down the venue for two and a half hours on Wednesday night. Police said they were investigating a complaint about possible hate imagery relating to five posters in the venue’s window display. A scheduled performance at the bar and cafe was also canceled because of the shutdown.
ACT Policing said in a statement on Thursday that it declared the cafe a crime scene and officers would investigate whether there was a breach of new Commonwealth law about hate symbols. Police noted that they asked the venue’s owner to remove the posters and he refused.
“Officers attended the premises and had a discussion with the owner, with officers seeking to remove the posters as part of their investigation into the matter. The owner declined this request and so a crime scene was established,” read the police statement. “Five posters were subsequently seized and will be considered under recently enacted Commonwealth legislation regarding hate symbols.”
The Dissent Cafe and Bar had displayed in its front windows posters depicting Netanyahu, Trump, Russia’s President Vladimir Putin, US Vice President JD Vance and Tesla co-founder Elon Musk in Nazi-like uniforms. The posters were created by the artist group Grow Up Art and underneath them were signs in the window that said “Sanction Israel” and “Stop Genocide.” Grow Up Art displayed the same images as part of a billboard poster campaign last summer and they are also sold on t-shirts. The artist group nicknamed the men in the posters collectively as “The Turd Reich,” a play on the Third Reich, the name for the Nazi dictatorship in Germany under Adolf Hitler’s rule.
Dissent Cafe and Bar has defended the artwork, saying it is “clearly and obviously parody art with a distinct anti fascist [sic] message.”
“In what is obviously harassment the ACT police have declared a crime scene at Dissent and tonight’s gig is unfortunately canceled,” Dissent Cafe and Bar wrote on Facebook when the closure happened on Wednesday.
The posters have since been placed back in the windows of the live music bar, but the images are now covered with the word “CENSORED” in red. ACT Policing said on Thursday they are still investigating the posters and are also “seeking legal advice on their legality.”
“ACT Policing remains committed to ensuring that alleged antisemitic, racist, and hate incidents are addressed promptly and thoroughly, and when possible criminality is identified, ACT Policing will not hesitate to take appropriate action,” police added.