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Just in time for Hanukkah, an irreverent Jewish adaptation of ‘A Christmas Carol’ debuts on stage
(New York Jewish Week) — A selfish social media influencer, an all-knowing, benevolent ghost known as “Harry the Hanukkah Fairy” and “Tiny Tim” Cratchet, the good-natured ill child from Charles Dickens’ “A Christmas Carol” may seem like they all come from different worlds, but each appears as a character in “A Hanukkah Carol, or GELT TRIP! The Musical” — a show its creators hope will become a winter tradition for years to come.
For co-creators Harrison Bryan, Rob Berliner and Aaron Kenny, the lighthearted “A Hanukkah Carol” is their answer to inundation of Christmas material and cheer throughout December.
“There is a plethora of Christmas entertainment options that we get every holiday season, especially in New York City,” said Jewish actor and playwright Bryan, a native of Brooklyn. “For me, growing up, there was a sense that Hanukkah is the second-place holiday.”
His new musical, however, “feels like this is an opportunity to join the party in a way that feels authentic,” he said. “It’s just allowing the season to feel more inclusive in a city that prides itself on being a melting pot.”
The plot of “A Hanukkah Carol” centers around Chava Kanipshin, a cruel and manipulative social media influencer who hides her Jewish identity because she was bullied as a child. But on one memorable Hanukkah, Chava is visited by spirits of the past, present and future to reckon with her life’s work — namely, her pursuit of internet fame by posting mean and embarrassing videos of her friends and family — before it is too late.
It’s a very obvious Jewish take on Dickens’ 1843 novella “A Christmas Carol” — which has already been adapted into various plays, movies and more in what feels like a thousand times over. (Did anyone else suffer through the 2009 Matthew McConaughey flick “Ghosts of Girlfriends Past”?) But to remake this classic in a Jewish way feels refreshing, adding new depth by exploring themes of Jewish pride, tradition, family and tikkun olam. After all, what is “A Christmas Carol” if not a guilt trip (or, erm, a “gelt trip”) — that stereotypical purview of Jewish mothers everywhere?
Bryan claims the show is “authentically Jewish, but not exclusively,” meaning he and partners want their version of “A Christmas Carol” to be something Jews can participate in and love for themselves. At the same time, however, due to the musical’s inclusive and heartwarming holiday message, it can be appreciated by anyone.
“There’s no Hanukkah classic yet — there’s not a Hanukkah film or show that people go to see as a matter of tradition,” lyricist Berliner told the New York Jewish Week. “We have the opportunity to take our decades of Jewish life and pop culture and comedic sensibilities and love of musical theater and sense of what’s commercial and merge it all together and see how we could present something that even non-Jewish friends would love.”
Perhaps unexpectedly, the show is rife with references to “Fiddler on the Roof,” both implicitly and explicitly. For example, main character Chava, the Scrooge-like social media maven, has nearly lost her parents’ goodwill due to continually blowing them off for holidays and acting superior to them. When Chava has a visit from the ghost of Hanukkah future, she hears her father say: “She’s dead to us.” This, of course, is a callback to “Fiddler,” when protagonist Tevye says something similar when his third daughter — also named Chava — marries a non-Jew.
The creators of “A Hanukkah Carol” see their musical as “in conversation” with the classic Jewish musical. “There are no smartphones in Anatevka, but exploring what it means to be Jewish — both in a contemporary moment and looking backwards and forwards — is a core part of ‘Fiddler,’” Berliner said. “It asks, ‘what is tradition and how can we change with the times?’ Oddly, the framework of ‘A Christmas Carol’ is perfectly aligned with that.”
Bryan, for his part, describes “A Hanukkah Carol” as “Dickens meets ‘Fiddler’ meets Mel Brooks.”
The show, which had an “industry reading” at a Midtown rehearsal studio on Tuesday, has been a long time coming — the trio has been working on it since 2018, all while juggling day jobs and navigating a hiatus during the worst months of the Covid-19 pandemic in 2020.
Kenny, a composer, and Berliner, a lyricist, met as songwriters through the BMI Lehman Engel Musical Theatre Workshop, which is considered a “top training ground” for up-and-coming theater artists. The two loved working together, and wanted to find a playwright to collaborate with. Kenny, an Australian — whom the group calls their “token goy” — reached out to Bryan, whom he had worked with on his masters thesis film at NYU. Bryan immediately sent over 20 short plays he had written — “A Hanukkah Carol” rose to the top.
Berliner, who is Jewish and grew up in Westchester, was sold immediately on Byran’s “A Hanukkah Carol” script. “The reaction that I had is the reaction that we’ve experienced a lot of folks have when we tell them the title of our show, which is, ‘how does this not exist yet?’” he said. “I would have been drawn to it at any point in my life. I certainly was in this moment.”
After working together on the script and songs, the trio put out an animated “proof of concept” trailer in early 2022. When they saw how much interest the trailer garnered, they opened up a crowdfunding campaign that raised over $33,000 in a month — which will allow them to stage a one-night-only performance at The Green Room 42 (570 10th Ave.) on Sunday, Dec. 18, the first night of Hanukkah. The concert will also be livestreamed.
Meanwhile, Bryan, Berliner and Kenny are in the process of searching for a producer — whether that be for Broadway, off-Broadway or an animated or live-action movie. During the Dec. 6 reading at Ripley-Grier Studios, where an all-Jewish cohort of eight Broadway actors played the more than 80 parts in the show, steady laughter throughout and a standing ovation at the end felt like finally seeing a dream come true.
“It felt amazing,” Bryan said about the first full run-through. “The sky’s the limit!”
“A Hanukkah Carol, or GELT TRIP! The Musical” will be performed at The Green Room 42, 570 10th Ave., on Sunday, Dec. 18. Livestream also available. Tickets from $15.
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The post Just in time for Hanukkah, an irreverent Jewish adaptation of ‘A Christmas Carol’ debuts on stage appeared first on Jewish Telegraphic Agency.
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Trump Says US Will Intervene if Iran Kills Protesters Amid Regime Crackdown: ‘Locked and Loaded’
US President Donald Trump attends a press conference, as he makes an announcement about the Navy’s “Golden Fleet” at Mar-a-lago in Palm Beach, Florida, US, Dec. 22, 2025. Photo: REUTERS/Jessica Koscielniak
US President Donald Trump threatened on Friday to come to the aid of protesters in Iran if security forces fire on them, days into unrest that has left several dead and posed the biggest internal threat to Iranian authorities in years.
“If Iran shoots and violently kills peaceful protesters, which is their custom, the United States of America will come to their rescue, he said in a social media post. “We are locked and loaded and ready to go.”
The United States bombed Iranian nuclear facilities in June, joining an Israeli air campaign that targeted Tehran’s atomic program and military leadership.
Responding to Trump’s comments, top Iranian official Ali Larijani warned that US interference in domestic Iranian issues would amount to a destabilization of the entire Middle East. Iran backs proxy terrorist forces in Gaza, Iraq, Yemen, and Lebanon, among other places.
“Trump must realize that US intervention in this internal matter will lead to destabilizing the entire region and destroying American interests,” Larijani posted on X. “The American people must know that Trump is the one who started this adventure, and they should pay attention to the safety of their soldiers.”
Ali Shamkhani, a senior adviser to Iranian Supreme Leader Ayatollah Ali Khamenei, similarly warned on social media that Iran’s national security was a “red line, not material for adventurist tweets.”
“Every hand of intervention that approaches Iranian security under any pretext will be cut off with a regrettable response before it arrives,” he posted.
The comments came as a local official in western Iran where several deaths were reported was cited by state media as warning that any unrest or illegal gatherings would be met “decisively and without leniency,” raising the likelihood of escalation.
TRUMP COMMENTS
This week’s protests, sparked by soaring inflation and other economic hardships, are so far smaller than some previous bouts of unrest in Iran but have spread across the country, with deadly confrontations between demonstrators and security forces focused in western provinces.
State-affiliated media and rights groups have reported at least six deaths since Wednesday, including one man who authorities said was a member of the Basij paramilitary affiliated with the elite Revolutionary Guards.
The Islamic Republic’s clerical leadership has seen off repeated eruptions of unrest in recent decades, often quelling protests with heavy security measures and mass arrests. But economic problems may leave authorities more vulnerable now.
This week’s protests are the biggest since nationwide demonstrations triggered by the death of a young woman in custody in 2022 paralyzed Iran for weeks, with rights groups reporting hundreds killed.
Trump did not specify what sort of action the US could take in support of the protests.
Washington has long imposed broad financial sanctions on Tehran, in particular since Trump’s first term when, in 2018, he pulled the US out of Iran‘s nuclear deal with world powers and declared a “maximum pressure” campaign against Tehran.
US presidents have been wary of engaging militarily in Iran, but in June, Trump ordered airstrikes against Iranian nuclear facilities. Trump at the time ruled out sending any ground force into the Islamic Republic.
GUNSHOTS, PROTEST CHANTS
Video verified by Reuters showed dozens of people gathered in front of a burning police station overnight, as gunshots sporadically rang out and people shouted “shameless, shameless” at the authorities.
In the southern city of Zahedan, where Iran‘s Baluch minority predominates, the human rights news group Hengaw reported that protesters had chanted slogans including “Death to the dictator.”
Hengaw has reported 29 arrests so far over the unrest, mostly in the west, and including 14 members of Iran‘s Kurdish minority.
State television also reported the arrest of an unspecified number of people in another western city, Kermanshah, accused of manufacturing petrol bombs and homemade pistols.
The deaths acknowledged by official or semi-official Iranian media have been in the small western cities of Lordegan and Kuhdasht. Hengaw also reported that a man was killed in Fars province in central Iran, though state news sites denied this.
Reuters could not verify all the reports of unrest, arrests or deaths.
MAXIMUM US PRESSURE
Trump spoke a few days after he met Israeli Prime Minister Benjamin Netanyahu, a longtime advocate of military action against Iran, and warned of fresh strikes if Tehran resumed nuclear or ballistic work.
A spokesperson for the US State Department said Washington would “continue to put maximum pressure on the regime” in Iran, accusing Iranian authorities of “squandering billions on terrorist proxies and nuclear weapons research.”
The Israeli and US strikes in June last year have cranked up the pressure on Iranian authorities, as have the ousting of Syria’s Bashar al-Assad, a close Tehran ally, and the Israeli pounding of its main regional partner, Lebanon’s Hezbollah.
Iran continues to support groups in Iraq that have previously fired rockets at US forces in the country, as well as the Houthi group that controls much of northern Yemen.
IRAN‘S PRESIDENT ACKNOWLEDGES FAILINGS
During the latest unrest, Iran‘s elected President Masoud Pezeshkian has struck a conciliatory tone, pledging dialogue with protest leaders over the cost-of-living crisis, even as rights groups said security forces had fired on demonstrators.
Speaking on Thursday, before Trump threatened US action, Pezeshkian acknowledged that failings by the authorities were behind the crisis.
“We are to blame … Do not look for America or anyone else to blame. We must serve properly so that people are satisfied with us … It is us who have to find a solution to these problems,” he said.
Pezeshkian’s government is trying a program of economic liberalization, but one of its measures, deregulating some currency exchange, has contributed to a sharp decline in the value of Iran‘s rial on the unofficial market.
The sliding currency has compounded inflation, which has hovered above 36% since March even by official estimates, in an economy battered by Western sanctions.
Conservative cleric Ayatollah Ahmad Alamolhoda said protests over the economy were legitimate, but warned demonstrators they “should not be used as a pretext by the enemy to incite sedition.”
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Yemen’s Southern Separatists Call for Path to Independence Amid Fighting Over Key Region
A flag of the UAE-backed separatist Southern Transitional Council (STC) flutters on a military patrol truck, at the site of a rally by STC supporters in Aden, Yemen, Jan. 1, 2026. Photo: REUTERS/Fawaz Salman
Yemen’s southern separatist movement said on Friday it aimed to hold a referendum on independence from the north in two years, following its seizure of swathes of the country last month in a move that triggered a major feud between Gulf powers.
Southern Transitional Council leader Aidarous al-Zubaidi called on the international community to sponsor talks between concerned parties in the south and north on a path and mechanisms that “guarantee rights of the people of the south.”
The announcement comes as the Saudi-backed internationally recognized government moved to recapture the crucial region of Hadramout from the STC, which is backed by the United Arab Emirates.
RIFT BETWEEN SAUDI ARABIA AND UAE
The STC’s sudden seizure of swathes of southern and eastern Yemen from the government in early December revealed a bitter rift between Saudi Arabia and the UAE and caused a major fracture in the coalition fighting the Iran-backed Houthi movement, which holds Yemen’s capital Sanaa and the heavily populated northwest.
Earlier on Friday, the Hadramout governor under the internationally recognized government said he had launched a “peaceful” operation to restore control over the area.
Saudi airstrikes hit an airport in Hadramout, according to a spokesperson for the province’s tribes, and the governor said his forces had taken control of the most important military base in the area.
Oil-producing Hadramout borders Saudi Arabia and many prominent Saudis trace their origins to the province, lending it cultural and historical significance for the kingdom. Its capture by the STC last month was regarded by the Saudis as a threat.
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What’s funny about living next to a Nazi?
This article contains spoilers for the film My Neighbor Adolf.
In the oddball fiction film My Neighbor Adolf, a Holocaust survivor living in 1960s South America believes his new neighbor is Adolf Hitler; in fact he’s so sure, he sets out to prove it. As he researches and compares notes, we learn a lot about Hitler — his aversion to drinking and smoking, his short temper, his love for chess. Yet somehow, the film has little to say about the Holocaust itself.
The film, directed by Leon Prudovsky, opens in 1934; title cards tell us, vaguely, that we are in Eastern Europe, but savvy audiences will be able to recognize it is Poland from the language. There, our protagonist, Marek Polsky (David Hayman), is a champion chess player with a big loving family. Then, the film flashes forward to 1960; now, he lives alone in South America — exactly where is unclear — the sole survivor of his family.
The film’s writers have an aversion to specifics. Most of Marek’s experience during the war is obscured, with the exception of a few small hints. When he’s in the shower, a number tattooed on his arm is visible. He asks his neighbor Hermann Herzog (Udo Kier) to keep his dog — a German Shepherd, of course — under control, because, he says, “I don’t like dogs,” an allusion to guard dogs in concentration camps. That’s about it.
Not all Holocaust films go into graphic details about the horrors their characters experienced. But they generally provide enough basic details to give the story some substance, like what camps they were at, when they were separated from their family, how they ended up in their new country or what kinds of emotional scars they now bear. My Neighbor Adolf skips all of this, making the Holocaust more of a rushed plot point than a source of emotional depth. Even Marek’s Jewish identity feels sidelined; it’s primarily limited to his visits to the Israeli embassy — where he is trying to convince officials that Hermann is Hitler — his penchant for homemade pickles and a few books he owns in Hebrew.
Still, whatever unspecified horror Marek went through in the Holocaust, it made him bitter and paranoid. He decides Hermann must be Hitler after seeing the man’s eyes, which he usually hides behind sunglasses; Marek believes he met Hitler at a 1934 chess tournament and tells the Israeli embassy he could never forget those eyes. While doing intensive research on Hitler — including buying a copy of Mein Kampf — Marek also notes that Hermann shares other qualities with Hitler, such as being left-handed and enjoying painting.
In order to get closer to Hermann and prove he is Hitler, Marek strikes up a friendship with his neighbor. In a series of events that feel more fitting for a buddy comedy than a film about Hitler, the two play chess, share pickles and even spy on an undressing woman together (coincidentally). For the sake of finding the truth, it makes sense that Marek would be willing to play a chess game or two with the person he believes is responsible for the Holocaust. But it seems improbable that it would go as far as sharing heartwarming conversations.
The film’s eventual big reveal is as underdeveloped as the rest of the film: Hermann tells Marek that he was forced to be a Hitler impersonator and now makes money from Nazi fanatics around the world. But he doesn’t quite explain how or to what end. Did the Nazi government force him? Did a non-governmental Nazi fan club see a way to market Hitler?
If the premise wasn’t already confusing enough, Hermann also reveals it was actually him, not Hitler, at Marek’s long-ago chess tournament. Is the film suggesting Hitler died before 1945, and a body double was used to keep the Reich alive? Or was Hermann just a stand-in for Hitler at events the Fuhrer didn’t want to actually attend?
Either way, this implies Hermann was cooperating with the Nazis. Yet for some reason, this revelation seems to win Marek over. Though at the beginning of the film Marek mutters “Bloody Krauts” under his breath multiple times every time he sees his neighbor, even before suspecting he is Hitler, by the end, Marek has become fond of Hermann, even going so far as to warn him that the Israeli Embassy is sending officials to his house.
It seems as though the movie wants us to think that, in the end, both men are victims of the Third Reich in their own ways. They have more in common than they have differences. It’s a lesson in empathy and humanity.
Except for one problem: Hermann is an antisemite.
In what is apparently meant to be a heartwarming moment, he tells Marek: “You may be a Jew, Mr. Polsky, but you are a good neighbor.” But, of course, this indicates that Hermann shares the prejudices that led to the slaughter of Marek’s family. Yes, he’s not the Fuhrer, but how much does that actually matter when the ideology is the same? Even Hitler had Jewish friends — that doesn’t negate his actions. Perhaps Hermann is meant to be the embodiment of the culpability of every German, that they all could be Hitler no matter how congenial they are. But even if that’s the case, it’s unclear how Marek, after losing his whole family due to the culpability of everyday citizens, is able to ignore the man’s prejudices and continue the friendship.
The expectation that Marek would ignore Hermann’s antisemitism trivializes the harm such beliefs can cause. An antisemite that likes homemade pickles is still an antisemite.
My Neighbor Adolf opens in theaters on January 9.
The post What’s funny about living next to a Nazi? appeared first on The Forward.