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Major address by ADL chief omits mention of Trump and followers among antisemitic threats
WASHINGTON (JTA) — In a major policy speech, Anti-Defamation League CEO Jonathan Greenblatt doubled down on his argument that anti-Zionism is antisemitism, emphasized the threat to visibly Orthodox Jews and accused The New York Times of an “antisemitic attack” in its coverage of Hasidic movements.
One topic he didn’t discuss: former President Donald Trump and his extremist supporters, a frequent topic of concern for the ADL and Greenblatt in recent years.
The speech Monday morning, at the ADL’s annual leadership summit in Washington, D.C., was remarkable for barely mentioning what has, for years, been the group’s focus: the threat from the far right, spurred in part by Trump’s ascendance. Instead Greenblatt, in prepared remarks, tacked to the center, remaining focused on a message he sounded at the same summit a year ago — that anti-Zionism is unquestionably antisemitism.
“I know that for bigots — especially those who self-style as “anti-Zionists” — Israel’s Independence Day is a day to redouble their efforts to make sure it is Israel’s last Independence Day,” he said, adding later, “To underscore what I said at this event last year: Anti-Zionism is antisemitism. Full stop.”
His speech last year drew criticism from the left for marginalizing parts of the Jewish community that criticize Israel, and for equating that sector with a stream of extremism on the other end of the political spectrum that has fueled deadly attacks on Jews.
Despite not featuring in Greenblatt’s speech, the threat from the right was nonetheless very much embedded in the conference agenda; one session was dedicated to the surge of the far right on social media and another was dedicated to ties between the the extremes of the conservative movement today and the John Birch Society, the seminal extremist movement founded in the anticommunist fervor of the mid-20th century.
The conference will culminate on Tuesday with a Capitol Hill rally against antisemitism, held together with the ADL’s traditional partners from minority, LGBTQ and civil rights groups. Its featured speakers include Susan Rice, the former national security advisor who now serves as a domestic policy advisor to the Biden administration, as well as Maryland Gov. Wes Moore, Israeli President Isaac Herzog and Reza Pahlavi, the son of the deposed shah of Iran, who has positioned himself as an advocate of Iran-Israel ties.
Greenblatt emphasized in his speech that antisemitism knows no single ideological home. He noted what the ADL has documented as an alarming spike in antisemitic attacks and that more than half of violent attacks have targeted visibly Orthodox Jews.
“This year, we find that the dramatic increase in antisemitic incidents is not due to any single ideology fueling violence, or one group becoming more accepting of antisemitism than another,” he said. “It’s due to every ideology becoming more comfortable with anti-Jewish hate.”
Since he took the ADL’s helm in 2015, Greenblatt has been under fire from conservatives for the organization’s emphasis on threats emerging from the extreme right, though the organization has always focused on far-right antisemitism. On Monday, Greenblatt’s speech touched almost exclusively on themes that have troubled Jewish conservatives: the perceived threat to pro-Israel Jews on campuses, attacks on visibly Orthodox Jews in the northeast, and defending haredi Orthodox Jews from perceived attacks on their lifestyles and education system.
Greenblatt took the New York Times to task for its series of articles reporting on deficiencies and malfeasance in Hasidic schools in New York.
“Our Orthodox brothers and sisters are constantly under threat,” he said. “It is one that needs solidarity and support from everyone – Jewish and non-Jewish alike. So to see this community singled out by elite institutions, like the New York Times, arguably the most important paper in the world, depicting them as clannish and using power to manipulate events … that represents an antisemitic attack on their community.”
Absent from his speech was any mention of Trump, although the former president is seen as the leading contender for the Republican presidential nomination in 2024 and has intensified his attacks on “globalists” and on progressive Jewish billionaire George Soros, tropes that the ADL and other groups have said fuel antisemitism. Greenblatt was outspoken last year in criticizing Trump for having dinner with Kanye West after the rapper, who now calls himself Ye, embarked on a string of antisemitic comments. That dinner also included Nick Fuentes, the Holocaust denier and far-right provocateur.
Greenblatt also didn’t mention Ye in a section of his speech on the ADL’s work with corporations, even though the ADL led a campaign last year urging Adidas to end its partnership with Ye. After Adidas ended the collaboration, it announced a partnership with the ADL.
Greenblatt began his speech by celebrating Israel on the occasion of its 75th birthday, despite what he acknowledged as “complexity, worry, anxiety and concern” about the country’s future. A large part of that concern, within the country, has centered on the debate over the government’s effort to weaken the judiciary, which has brought hundreds of thousands of Israelis to protest in the streets. Greenblatt called the protests “something really special,” and “the triumph of Zionism.” He urged compromise on the judicial overhaul.
An ADL report from two weeks ago noted another worry — that Israel’s government includes politicians who “have polluted Israeli public discourse with chilling racist expressions that would have led to the immediate termination of their political careers in other democracies.” The report added that “Jewish racism is as deplorable as other forms of racism, and should never be excused or tolerated.”
Greenblatt did not mention that concern in his speech, though he called for Israel to have “a civil society where non-Jews enjoy the same rights and fulfill the same responsibilities as their Jewish neighbors.”
“There are challenges in Israel right now – and there will be challenges and difficult conversations to come, but ADL will never waver in its support of a democratic, Jewish state,” Greenblatt said in the speech. “Israel is a miracle, and I will never apologize for being a proud Zionist.”
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The post Major address by ADL chief omits mention of Trump and followers among antisemitic threats appeared first on Jewish Telegraphic Agency.
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‘Growing Pogrom-Like Atmosphere’: German Antisemitism Commissioner Issues Warning After Synagogue Arson Attack
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
The commissioner to combat antisemitism in the German state of Hesse has sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
In an interview with the German newspaper Tagesspiegel, Uwe Becker — who has served in his role since 2019 — condemned the latest attack, saying it occurred “in a poisoned antisemitic climate that is steadily worsening.”
The horrific act occurred in a “growing pogrom-like atmosphere that, as a society in Germany and Europe, we are currently not doing enough to counter,” the German official said.
On Tuesday, a 32-year-old man was arrested after allegedly setting fire to a trash can outside a local synagogue in Giessen, west-central Germany, in an attack that damaged a roller shutter and entrance gate, though no one was harmed.
According to local reports, a Giessen district judge has ordered the suspect to be placed in a psychiatric hospital, citing signs that he may be suffering from a mental illness.
However, the suspect remains in police custody as local authorities investigate the circumstances and motive of the attack, including whether it was politically motivated.
This latest attack came just a week after Andreas Büttner, the commissioner for antisemitism in Brandenburg, northeastern Germany, was targeted for the second time in less than a week after receiving a death threat.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter earlier this month threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
Authorities are now probing the incident as part of an ongoing investigation into threats against the German official, after his private property in Templin — about 43 miles north of Berlin — was also targeted in an arson attack and a red Hamas triangle was spray-painted on his house.
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on Büttner’s personal car.
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How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me
My last semester of college, I had an Alvin Ailey phase.
My time in Philadelphia was rapidly coming to a close and I felt an urge to make it to as many of the performing arts venues in the city as I could (not an easy feat). With a close family friend, I attended my first Alvin Ailey performance at the Forrest Theatre. Soon after, I went to a talk at the African American Museum in Philadelphia about Ailey and the piece The River. That weekend, I also watched the 2021 documentary Ailey. Then I found myself doing a sociolinguistical analysis of Ailey’s most famous work, Revelations, for a class.
To call my interest in Ailey a phase is actually a misnomer since, two years later, I am still an Ailey fan — and now the owner of an actual Alvin Ailey-branded hand fan. Last June, I attended a performance during their run at the Brooklyn Academy of Music and fell in love with Grace, choreographed by Ronald K. Brown. I bought a ticket to see it again, along with Revelations and two shorter works, during their winter season at New York City Center.
While the end of Grace — in which a dozen dancers take a nearly 30-minute-long journey to a promised land — made me tear up, it wasn’t until Revelations that I actually began to cry. It happened during the duet “Fix Me, Jesus,” in which a female dancer searches for spiritual guidance and a male figure depicts divine support.
I was aware of the irony. As a lifelong Jew, I have never wanted Jesus to “fix” me. But the piece moved me to tears nonetheless. Within the gospel music, New Testament themes and African American cultural imagery of Revelations — composed of multiple smaller pieces — is a universal story of desire for redemption and turning to faith in times of great suffering.
The choir that accompanies the dance sings “fix me for my long white robe,” a reference to Revelation 6:11, where those that have lived their life without sin are told they will be given white robes for their ascension to Heaven. I was reminded of the kittel, a plain white robe some in the Ashkenazi tradition wear on Yom Kippur. Some rabbis have interpreted the robe to symbolize the blank slate we are creating for ourselves in the new year. Dressing plainly can also be another way of resisting earthly pleasures on the Day of Atonement. Since some people are also buried in their kittel, another interpretation is that wearing it helps one consider their death and what legacy they want to leave behind, thinking of how they may “fix” themselves to be ready for when they will be brought before G-d.
These echoes of Yom Kippur make another appearance in Ailey’s Revelations in the solo “I Wanna Be Ready.” The single dancer dressed in white alternates between contracting and expanding their body, kneeling and prostrating on the ground, as if they are repenting for something. The choir chants that they want to be ready to put on their long white robes and the lead singer explains he has avoided the temptation to sin so his soul will be ready for death.
This deviates slightly from how I think of preparing for the Day of Judgment. For me, Yom Kippur has always been about acknowledging that we will sin, that we are human, flawed, prone to jealousy and gossip and all those other things we list as we beat our chests during the confessional. In the Reconstructionist Press version of the Prayerbook for the Days of Awe, Rabbi Rami M. Shapiro writes that “we freely admit our failings” in order to “create our atonements.” In the confessional, we are instructed not to tell G-d that “we are righteous, and we have not sinned,” for “indeed we have sinned.”
I have always experienced Yom Kippur as an intense emotional journey to find within myself the ability to do better, be better, perhaps with some divine guidance. This is what I recognized in “Fix Me, Jesus,” this burning desire to exceed our own expectations.
But the yearning of Revelations is not just about individual spiritual reckoning. Throughout the work, you can feel Black Americans pushing toward freedom as they emerge from the degradation of slavery and Jim Crow.
I connect with this existential cultural aspiration to escape systemic degradation both as a Black American and as a Jewish American, descended from enslaved people on one side and pogrom survivors on the other. Although Revelations originated in a specific cultural context — born from Ailey’s experiences growing up in the Black church in 1930s Texas — its broader message about redemption feels unifying across cultural divides. I have imagined seeing Revelations with my paternal grandmother, an active and dedicated member of the Black Presbyterian church. Even if we were to appreciate the dance’s spirituality for different reasons — her for the work’s reflection of her faith in Jesus, me for its raw portrayal of an intense desire to improve — it’s something that would move both of us.
Probably my tears were triggered by the intensity of the piece and the beauty of its dancers and not by some spiritual awakening. Still, despite — or really, because of — the emotional unrest Alvin Ailey put me through, they will probably be seeing me again soon.
The post How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me appeared first on The Forward.
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Police Chief in UK Retires After Facing Scrutiny for Banning Israeli Maccabi Tel Aviv Fans From Soccer Match
WMP Chief Constable Craig Guildford speaking before the Home Affairs Committee on Jan. 6, 2026. Photo: Screenshot
West Midlands Police (WMP) Chief Constable Craig Guildford retired on Friday effective immediately after increasing public scrutiny and revelations over his use of “exaggerated or simply untrue” intelligence to justify a ban prohibiting Maccabi Tel Aviv soccer fans from attending a match late last year.
Simon Foster, the police and crime commissioner of WMP, announced Guildford’s retirement in a formal statement delivered outside Birmingham’s Lloyd House, which is the headquarters of the West Midlands police force. Guildford will collect his full pension after three decades of service. Foster thanked Guildford for his service and said he welcomes the chief constable’s decision to retire. He added that Guildford’s stepping down is in the “best interest” of the police force and the local community.
Guildford’s retirement follows the decision of the Birmingham City Council Safety Advisory Group, based on the recommendation of West Midlands Police, to ban traveling Maccabi Tel Aviv soccer fans from attending the Europa League soccer match between Aston Villa and the Israeli team on Nov. 6, 2025, at Villa Park in Birmingham due to “public safety concerns.”
The announcement also comes just two days after British Home Secretary Shabana Mahmood told the British Parliament that she has lost confidence in Guildford. The minister said she came to the conclusion after receiving a “damning” and “devastating” report by Sir Andy Cooke, his Majesty’s chief inspector of constabulary, on Wednesday that revealed several failings by the WMP force in relation to its recommendation to ban Maccabi soccer fans, including “misleading” public statements and “misinformation” promoted by the police.
Foster acknowledged on Thursday that the police forced faced “understandable intense and significant oversight and scrutiny.”
“The findings of the chief inspector were damning. They set out a catalogue of failings that have harmed trust in West Midlands Police,” Mahmood said in a statement following Thursday’s announcement. “By stepping down, Craig Guildford has done the right thing today … Today marks a crucial first step to rebuilding trust and confidence in the force amongst all the communities they serve.”