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Marvel’s Troubling History of Erasing Jewish Characters
Marvel Studios, which was founded by various American Jews, recently released the first trailer for Captain America: Brave New World.
Amid the excitement for the legendary Captain America saga to continue with Sam Wilson at its helm, Jewish and Israeli Marvel fans noticed something odd: Sabra, Israel’s Captain America, will be portrayed as a former Black Widow instead of the superhuman Mossad agent she was originally intended to be.
However, erasing a character’s Jewish identity is not something that is entirely new to Marvel.
Although a recent Wrap report indicates that Sabra will retain her Israeli background in the film following a backlash from fans, Marvel’s approach to dealing with Sabra highlights a complex relationship between the studio and its portrayal of Jewish characters. In short, Marvel has a history of minimizing Jewish representation in its works.
In Captain America: Brave New World, the Israeli-born Mossad super-agent Ruth Bar-Seraph, known as Sabra, has been reimagined as a Russian spy. Her powers include super strength, speed, regenerative healing, and the ability to transfer her life energy to others.
Sabra, an Israeli cactus that’s prickly on the outside and sweet on the inside, is symbolic of the Israeli mindset. This significant reinvention intentionally deprives her of her full Israeli identity and the deeply rooted Jewish trauma embedded in her story, replacing it with a more convenient narrative.
By sidestepping these crucial elements of Sabra’s heroism, Marvel chooses to sanitize complex identities rather than embracing their power. In light of the ongoing war in Gaza, this erasure is particularly painful, as Israelis and Jews worldwide continue their struggle for authentic representation in the media.
Marvel’s deliberate decision to whitewash Sabra’s identity ignores the genuine, contemporary trauma and historical persecution faced by the Jewish people. The decision underscores that the delegitimization of the Jews and their homeland cannot even be escaped on the big screen.
Marvel’s latest attempt at a Jew-free superhero lineup doesn’t begin with Sabra. It has roots in the X-Men, Avengers, and Moon Knight — all major Marvel movie standouts.
Magneto and Hydra
Magneto, born Max Eisenhardt to a Jewish family, was taken by Nazi soldiers to Auschwitz alongside his family. Surviving due to his mutant ability to control metal, he later assumes the identity of Eric Lensherr and befriends Professor Charles Xavier.
In one of the most poignant Jewish scenes in Marvel movies thus far, X-Men: First Class depicts Magneto drawing strength as he remembers lighting candles with his mother before the Nazis uprooted his life and sent his family to Auschwitz. In X-Men: Apocalypse, Magneto returns to the concentration camp and uses his powers to destroy it.
As arguably the most famous Marvel character visibly rooted in his Jewish identity, Magneto exemplifies meaningful representation.
However, he is also one of the most infamous villains in comic book history. Jews have a long history of being demonized and scapegoated, and Marvel’s choice to perpetuate this narrative rather than challenge it is troubling.
Magneto’s mutant legacy lives on in his two children; Wanda and Pietro Maximoff. Wanda possesses intense telepathy and telekinesis, while Pietro can move at superspeed. In the Marvel comics, their Jewish heritage is integral to their identities. With a Romani mother and Jewish father, both Holocaust survivors, the twins are armed with a powerful legacy of resilience. Having fought both with and against the Avengers, the Maximoff twins are among the most compelling characters in the Marvel universe.
However, in X-Men: Days of Future Past, devout fans debate Wanda’s blood relation to Magneto. The fact remains that the Marvel Cinematic Universe (MCU) has presented Wanda and Pietro without a religion, hailing from the fictional country of Sokovia, and devoid of any connection to their Jewish identity.
In the MCU, Wanda and Pietro’s powers result from experiments by the evil Hydra scientist, Baron von Strucker. Originally, Hydra served as the advanced technology and weaponry arm of the Nazi regime during World War II. Hydra soldiers share the fascist red and black, the straight-armed salute (performed with both arms), and an eerily familiar “heil Hydra” chant with their mainstream Nazi counterparts.
Beginning with Captain America: The First Avenger, Marvel has largely downplayed Hydra’s Nazi roots, transforming it into a generic, timeless evil organization. By downplaying or outright ignoring Hydra’s origins as a Nazi faction, Marvel seeks to avoid the disturbing historical implications and instead focuses on Hydra as a broader symbol of tyranny and corruption.
This revisionist approach not only dilutes the gravity of Hydra’s origins but also conveniently sidesteps the uncomfortable reality of depicting true historical atrocities, thereby diminishing the impact of the narrative and the lessons it could impart about the dangers of fascist ideologies.
The ongoing conflict between Captain America and S.H.I.E.L.D. with Hydra, persisting throughout the MCU, is presented as a battle between American strength, embodied by Captain Steve Rogers, and a vague evil represented by Hydra and its endless heads, minimizing the profound impact of Nazi ideology on World War II.
Considering Marvel’s popularity among young audiences, this depiction misleads impressionable viewers into believing that World War II was merely a struggle between America and a technologically innovative bad-guy. Hydra persists throughout the MCU, threatening the forces of good in Agents of S.H.I.E.L.D. and Captain America: The Winter Soldier.
Yet, as the technology arm of the Nazi party continues fighting, its despicable origins are conspicuously absent. If a young fan beginning their Marvel journey learned lessons about the war from these movies, they would identify a fictional Hydra, not the very real Nazis, as the primary antagonist, thereby doing a disservice to the depravity of the Third Reich.
Kitty Pryde
Kitty Pryde, another mutant in the X-Men universe with repeated movie appearances, is another revealing example of Marvel entirely revising a Jewish character’s identity to be more palatable for the big screen.
Kitty has remarkable phasing abilities, meaning she can pass through solid matter. Various websites, including fan sites and her official Marvel biography, emphasize her commitment to Judaism (see here, here, and here).
In the comics, she has been seen wearing a Star of David, reciting blessings, and drawing parallels between her experiences of being marginalized as a Jew and as a mutant. These sometimes invisible identities deeply influence her worldview.
However, Kitty appears in four X-Men feature films, and her rich cultural and religious background is consistently absent, leaving a void where her Jewish identity should be. This omission not only strips away a layer of her character’s depth but also underscores Marvel’s pattern of erasing Jewish identities to fit a more generalized narrative, thereby failing to represent the nuanced experiences of Jewish characters on the big screen.
I’m Jewish. I don’t have a quote unquote Jewish-sounding name. I don’t look or sound Jewish, whatever that looks or sounds like… So if you didn’t know I was Jewish, you might not know … unless I told you. Same goes for my mutation. I don’t have to wear a visor or have blue fur all over me. I can walk around. Just a young woman of the world. But … I’m not.
— Kitty Pryde, All-New X-Men Vol 1 13
Moon Knight
Unfortunately, Marvel’s belittling of Jewish identity endures on the small screen as well. One of the most highly anticipated TV series on Disney+ was Moon Knight, centered around the titular character, Moon Knight. In the show, Steven Grant is a goofy museum gift shop employee who struggles with dissociative personality disorder. His other identity is Marc Spector, a retired mercenary who becomes the Earthly representative of Khonsu, the Egyptian god of the moon.
Marc’s family embodies the American dream. Having fled Nazi persecution in Europe in the 1930s, Spector’s rabbi father sought a better environment to raise his Jewish family – a story many are familiar with today.
The show switches between Steven and Marc’s perspectives, but hones in on Spector in episode 5, “Asylum.” Spector is immersed in the memory of a shiva from his childhood as a means of confronting his abusive mother. In the scene, mourners can be seen wearing Jewish prayer shawls, and Spector himself is even wearing a kippah.
Given that Oscar Isaac, the non-Jewish actor playing Moon Knight, confirmed Spector’s Jewish identity would be evident in the show, there is no mention of his father’s work, his family’s history fleeing antisemitic persecution, or any significant exploration of his Jewish identity beyond surface-level nods.
This neglect strips away a layer of depth from Marc Spector’s character, reducing his heritage to mere background decoration rather than an integral part of his identity and motivation. Furthermore, it deprives Jewish fans of the same representation Marvel eagerly awards to other minority groups.
Despite its Jewish origins, Marvel continues to sanitize and diminish the Jewish identities of its characters, both on the big screen and in streaming series.
From reimagining Sabra as a Russian spy to neglecting Marc Spector’s rich Jewish heritage in Moon Knight, Marvel consistently misses opportunities to genuinely represent Jewish experiences and identities.
This pattern not only strips characters of their depth and authenticity but perpetuates a troubling erasure of Jewish culture and history as characters ascend from comics to movies. Marvel has demonstrated their commitment to representation as they bring their characters to life on the big screen, so why do they have a Jewish problem?
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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United Nations ‘Condemns’ Israel for Responding to Houthi Attacks, Decries ‘Escalation’ of Violence
United Nations Secretary General Antonio Guterres speaks to members of the Security Council during a meeting to address the situation in the Middle East, including the Palestinian question, at UN headquarters in New York City, New York, US, April 18, 2024. Photo: REUTERS/Eduardo Munoz
In its latest salvo against the Jewish state, the United Nations (UN) condemned Israel for executing retaliatory strikes against the Houthi terror group in Yemen.
“The Secretary-General condemns escalation between Yemen and Israel,” Stéphanie Tremblay, a UN spokesperson, said in Thursday statements on behalf of UN Secretary General António Guterres.
“The Secretary-General is gravely concerned about intensified escalation in Yemen and Israel. Israeli airstrikes today on Sana’a International Airport, the Red Sea ports and power stations in Yemen are especially alarming. The airstrikes reportedly resulted in numerous casualties including at least three killed and dozens more injured” Tremblay added.
On Thursday, Israel launched a barrage of missile attacks on Houthi bases in Yemen, provoking international outrage. Israel targeted a major airport in Sanaa and ports in Hodeida, Al-Salif and Ras Qantib, and power stations, locations the Jewish state claims were used by the terror group to sneak in both Iranian weapons and high-ranking Iranian officials.
On Friday, the Houthis claimed responsibility for an airstrike aimed at Ben Gurion airport, claiming that the attacks were carried out in retaliation against Israel’s targeting of Sana’a International airport.
The Israeli strikes followed days of Houthi missile and drone launches towards the Jewish state’s airspace. The Houthis have repeatedly attacked the Jewish state in the year following the Oct. 7 slaughters in Israel. Officials associated with terrorist organization claims that it will continue to attack Israel until the so-called “genocide” in Gaza ceases.
In reference to the strikes, Israeli Prime Minister Benjamin Netanyahu said “the Houthis, too, will learn what Hamas and Hezbollah and Assad’s regime and others learned.”
Israeli officials have long accused the UN of having a bias against the Jewish state. Last year, the UN General Assembly condemned Israel twice as often as it did all other countries. Meanwhile, of all the country-specific resolutions passed by the UNHRC, nearly half have condemned Israel, a seemingly disproportionate focus on the lone democracy in the Middle East.
Weeks following the Oct. 7 attacks by Hamas on Israel, the UN adopted a resolution calling for a “ceasefire” between Israel and the terrorist group. The UN failed to pass a measure condemning the Hamas atrocities of Oct. 7.
In June, the UN put Israel on its so-called “list of shame” of countries that kill children in armed conflict. Israel is considered to be the only democracy on the list.
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Israeli Jets Attack Syria-Lebanon Border Crossings to Stop Arms Amuggling
Smoke billows after an Israeli Air Force air strike in southern Lebanon village, amid cross-border hostilities between Hezbollah and Israel, as seen from northern Israel, Oct. 3, 2024. Photo: REUTERS/Jim Urquhar
Israeli jets struck seven crossing points along the Syria-Lebanon border on Friday, aiming to cut the flow of weapons to the Iranian-backed Hezbollah group in southern Lebanon.
Israeli troops also seized a truck mounted with a 40-barrel rocket launcher in southern Lebanon, part of a haul from various areas that included explosives, rocket-propelled grenade launchers and AK-47 automatic rifles, the military said.
The commander of the Israeli Air Force, Major General Tomer Bar, said Hezbollah was trying to smuggle weapons into Lebanon to test Israel’s ability to stop them.
“This must not be tolerated,” he said in a statement.
Under the terms of a Nov. 27 ceasefire agreement, Israel is supposed to withdraw its troops from southern Lebanon in phases while unauthorised Hezbollah military facilities south of the Litani River are to be dismantled.
However, each side has accused the other of violating the agreement, intended to end more than a year of fighting that began with Hezbollah missile strikes on Israel in the aftermath of the Hamas-led attack of Oct. 7, 2023, from Gaza.
On Thursday, the United Nations peacekeeping force in Lebanon called for Israeli forces to withdraw, citing what it said were repeated violations of the deal.
Israel, which destroyed large parts of Hezbollah’s missile stocks during weeks of operations in southern Lebanon, has said it will not permit weapons to be smuggled to Hezbollah through Syria.
Israel has also conducted attacks against the Iranian-backed Houthi movement in Yemen in recent days and pledged to continue its campaign against Iranian-backed militant groups across the region.
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Mila Kunis Says Husband Ashton Kutcher And Their Children Helped Her Embrace Judaism: ‘I Fell in Love With My Religion’
Ashton Kutcher and Mila Kunis at the 9th Annual Breakthrough Prize Ceremony at the Academy Museum of Motion Pictures in Los Angeles, California, on April 16, 2023. Photo: Cover Media via Reuters Connect
Actress Mila Kunis began embracing and feeling proud of her Jewish heritage when she met her husband, actor Ashton Kutcher, and even more so after having children, she told Israeli activist and author Noa Tishby this week.
“For me, it happened when I met my husband,” the “Goodrich” star, 41, said of her former “That ’70s Show” costar, 46, who she has been married to since 2015.
Although Kutcher is not Jewish, he was a follower of Kabbalah and was frequently photographed visiting the Kabbalah Centre in Los Angeles when he was married to actress Demi Moore from 2005-2013. Their wedding was also reportedly officiated by a Kabbalah Centre teacher. It remains unclear if he continues to follow Kabbalah. Nevertheless, Kunis joked that Kutcher is Jewish “by choice,” not by lineage, and that his interest in Judaism sparked Kunis to reconnect with her Jewish roots.
“I fell in love with my religion because he explained it to me,” said Kunis, who voices Meg Griffin on the Fox animated series “Family Guy.”
Kunis made the comments while joining Tishby to light candles on Thursday for the second night of Hanukkah. The two joined forces as part of Tishby’s “#BringOnTheLight campaign,” which is an eight-part video series on YouTube dedicated to spreading the message of Jewish resilience, pride and unity throughout the Jewish holiday.
Kunis and Kutcher together have two children — daughter Wyatt, 10, and son Dimitri, 8. The actress was born in Chernivtsi, Ukraine, and moved to the United States at the age of eight. She told Tishby that she did not adhere to any Jewish traditions while growing up. “I always knew I was Jewish but I was told to never talk about,” she said. “I think because I was in a country that didn’t allow for religion.” The “Bad Moms” star added that her children also helped her tap into the religious side of Judaism.
“I was raised culturally Jewish. So for me, it’s a culture,” she said. “And as I had kids, and my kids very much identity with the religion aspect of it, I was like, ‘Oh, I guess we’re doing Shabbat and the candles. And there are so many beautiful traditions.”
“I never lit Hanukkah candles until I had kids,” she further noted.
When Kunis lit the menorah with Tishby for the second night of Hanukkah, they called Kutcher for some help. Both women were unsure if they needed to light the candles from left to right or from right to left, and asked Kutcher for guidance.
Kunis also talked about being raised with a lot of Jewish guilt and superstition. Listing another things that are culturally Jewish about her, she shared, “I have a fear of not having enough food and my fear of somebody being hungry. The worst thing my kids can say to me is, ‘I’m hungry.’”
“Food fixes everything. You’re tired, eat some food. You’re cranky, eat some food,” she joked. “A health person would say, ‘This is unhealthy and you’re doing something wrong.’ And I understand. I’m working on it. But it’s just something that is embedded in me.”
The post Mila Kunis Says Husband Ashton Kutcher And Their Children Helped Her Embrace Judaism: ‘I Fell in Love With My Religion’ first appeared on Algemeiner.com.