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Meet the real-life sister act behind the two new ’90s Jewish American Girl dolls
(JTA) — As children in upstate New York, twin sisters Julia DeVillers and Jennifer Roy went to Hebrew school three days a week, spent their summers at a JCC summer camp and got to know local Holocaust survivors through their father, who survived the Nazis as a child in Poland. They also celebrated Christmas with their mother’s family.
Aware of their dual religious and cultural backgrounds from a young age, DeVillers and Roy personally sent their public elementary school principal a letter asking to place a menorah next to the school Christmas tree. The girls gathered a couple of the other Jewish students together to present the letter to the principal, to resounding success: A real menorah was added to the school’s holiday display.
It was something straight out of an American Girl story. And as of this week, in a sense, it is one.
On Wednesday, American Girl released its first twin dolls, Isabel and Nicki Hoffman, who are also the first characters from an interfaith family. Their stories take place in the late 1990s and were written by DeVillers and Roy, inspired by the sisters’ own childhood experiences. The twin dolls’ parents are, respectively, Jewish and Christian, and their mother, Robin, is named after the authors’ own mother.
“It’s incredibly special to us that the twins bring this Jewish and interfaith representation that so many kids will relate to,” DeVillers told the Jewish Telegraphic Agency.
Roy added, “People are not necessarily one thing or another these days. And while we are Jewish, we did grow up with both holidays and both cultures in our family. And that’s how we wanted our characters to be and to feel.”
Isabel and Nicki’s stories are loosely based on the childhood experiences of authors and real-life twins Julia DeVillers and Jennifer Roy. (Courtesy of American Girl)
The dolls are a milestone in how the lived experience of many American Jews is reflected in popular culture. Recent surveys of Jewish Americans consistently note high rates of interfaith marriage, and show that a significant portion of those couples raise their children either fully or partly Jewish.
Isabel and Nicki are the second and third historical Jewish American Girl dolls, joining Rebecca Rubin. Rebecca’s story reflected an earlier generation’s perception of normative American Jewish identity: Her family immigrated from Russia and lives in New York’s Lower East Side in 1914, while navigating issues of assimilation and religion.
Stories of joint Hanukkah-Christmas celebrations are not exactly new. A TV episode Isabel and Nicki’s character’s might have watched as teenagers, “The Best Chrismukkah Ever” from the drama “The O.C.,” aired nearly two decades ago. But the dolls and their stories are “super innovative and relevant for 21st-century Jewish interfaith families,” said Keren McGinity, the interfaith specialist for the Conservative movement of Judaism and a professor of American studies at Brandeis University.
“Anytime there’s cultural representation that depicts real life, it’s a good thing,” McGinity said, though she added that some depictions of interfaith families are more robust than others.
“On the one hand, it’s terrific that they’re reflecting contemporary American Jewish life by depicting an interfaith family through these characters and reinforcing the fact that it only takes one Jewish parent to raise Jewish children,” she added. “And it remains to be seen how they are Jewish beyond celebrating the December holidays, and how they’re interfaith beyond celebrating the December holidays, plural.”
The new twin dolls are the latest in American Girl’s iconic series of dolls, which hail from different eras of American history and come with novels about their lives. American Girl has historically aimed to present a diverse set of dolls. Other recent offerings include Evette Peeters, a biracial girl who cares for the environment, and Kavi Sharma, an Indian-American girl who loves Broadway musicals.
The new historical characters, Isabel and Nicki, retail for $115 each. Their stories are written by DeVillers and Roy, respectively, and begin on Dec. 11, 1999, when they receive their journals as a gift for the last night of Hanukkah.
They have their own distinct personalities, which the authors say somewhat resemble what they were like as kids: Isabel has a preppy style and loves dancing, and is advertised wearing a pink cable-knit sleeveless sweater over a pinstripe shirt, with a plaid skirt, platform shoes and a beret. Nicki likes skateboarding and writing song lyrics, and appears on the American Girl website wearing a backwards baseball cap, choker necklace, blue T-shirt dress and sneakers, with a flannel shirt tied around her waist.
Isabel’s book begins with a nod to a late-1990s fad: “Hi, New Journal! You’re my present for the last night of Hanukkah!! I was going to save you for after Christmas and New Year’s, but we also got NEW GEL PENS!”
In Nicki’s book, her interfaith identity is mentioned two weeks later: “Did I mention my family celebrates Hanukkah AND Christmas? Well, we do.”
The two journals, “Meet Isabel” and “Meet Nicki” are filled with text and sold with the dolls. The stories take place during the same time frame, as the girls celebrate the winter holidays, face their fears, make new friends and worry about Y2K. A longer novel, “Meet Isabel and Nicki” is set for release in August as the first in the Isabel and Nicki historical series. It will take place during the same month as the shorter journals, but will delve further into the time period. Readers will get to spend the last night of Hanukkah with the Hoffmans, lighting the menorah and playing dreidel.
“Meet Isabel and Nicki,” the first novel in the series about the Hoffman twins, will be released in August. (Photo courtesy of American Girl. Design by Jackie Hajdenberg)
McGinity said she would have to wait until the new book comes out to see what the girls’ representation looks like, given that the journals are so short.
“I feel like we don’t have enough intel other than ‘OK, the authors are Jewish, the characters are Jewish, they grew up in an interfaith household,’” she added.
The crowded flagship American Girl store in New York City has already begun promoting Isabel and Nicki by showcasing the twins’ different outfits and bedroom and accessory collections, with dozens of the dolls positioned throughout the store.
“While we’re not able to provide specific sales information, I can say we’ve been happy to see the positive response for the new characters,” a representative for the company said.
Roy and her sister have previously written a series of children’s novels about twins, and Roy also authored “Yellow Star,” a 2006 children’s book about her aunt’s remarkable survival as one of the only children to be liberated from the Lodz Ghetto. Roy said she and her sister are grateful for the chance to tell their family’s story in a new way.
“So we don’t know what cultures, faiths, religions are coming beyond this,” said Roy, referring to future American Girl products. “But what we did know was that if we were writing in the holiday season, we really wanted to include parts of ourselves and that’s what American Girl editors all said: ‘We’d love to have you remember from your childhood.’ And this was our childhood.”
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The post Meet the real-life sister act behind the two new ’90s Jewish American Girl dolls appeared first on Jewish Telegraphic Agency.
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Robert Kraft’s new Super Bowl ad about antisemitism already feels dated
Not content with his team’s victories on the football field, New England Patriots owner Robert Kraft has in recent years taken it upon himself to lease the most expensive airtime on American television.
The Pats may be out of the Super Bowl, but ads from Kraft’s Blue Square Alliance Against Antisemitism (formerly the Foundation to Combat Anti-Semitism) are very much in, and have been for a few years. The campaign has given us two previous Super Bowl spots: one in which Martin Luther King Jr.’s speechwriter Clarence B. Jones urged us to speak out against silence and, last year, as a nice counterpoint, one where Snoop Dogg and Tom Brady yelled at each other. These commercials, unlike ones that the Alliance aired outside of major sporting events, each had their weaknesses in messaging.
The first ad, which primarily spotlighted other hatreds, was perhaps too generic for an organization committed to fighting antisemitism, and its slogan, “stand up to Jewish hate,” left some viewers mystified. The second conveyed essentially nothing, reading as a sort of wan, FCC-vetted homage to a sequence in Do the Right Thing.
Enter the newest campaign, set in an American high school. A boy walks down the hall as classmates — one in a “how do you do fellow kids”-style backwards cap — knock into him. Others make indistinct comments as he walks by. As the boy pulls up to his locker to put in his knapsack, we see what his peers were snickering at: a Post-It note tagged to his bag that reads “DIRTY JEW.”
Did a wormhole to the 1950s just open up? Was this an outtake from The Fabelmans or that old Frank Sinatra PSA? This just could be not feel more disconnected from how antisemitism now operates in school hallways.
High school students, as countless watchdog groups can tell you, are far more creative and subtle now with their Jew hatred. And those more insidious strains are the ones we should be alerting people to.
Kids these days prefer edgelord remarks about cooking 6 million pizzas in five years and slurs like “Zio” and baby killer or they tell you to go to the gas chambers. They recycle memes about globalist control and an Aryan society called “Agartha.” At their most dunderheaded, they don’t scrawl “Dirty Jew” — though they sometimes say it — they go to that old standby: the swastika. In 2024, the ADL reported 860 incidents in K-12 schools, and though their metrics for antisemitism are at times controversial, 52% of instances involved a swastika. (If you’re a hater of a certain income, like Ye, you can even have swastikas advertised covertly during the Big Game; Kraft’s crew could have stuck it to him by including one on the sticky.)
I get why they did it like this — you want to make your point in 30 seconds. But if you follow instances of antisemitism in schools or online — and it’s kind of an occupational hazard for me — you know this is not how today’s animus is typically expressed. And that can have a kind of unfortunate ripple effect.
If this was meant for the kids, they will laugh at how alien and out-of-touch it seems. And with that, there’s a risk that antisemitism will seem like a manufactured problem.
What happens next in the commercial holds true to what we teach kids about being an “upstander,” rather than a bystander. Another student covers the offensive sticky note with a blue one, and then, like the legendary King of Denmark with his yellow star — or Van Jones with Kraft’s trademark blue square lapel pin — sticks a blue sticky on his own chest.
However noble the intentions of the ad may be, in a world of Groypers, this is bait. I can already anticipate the memes. I also find it doubtful that blue square pins, available on the campaign’s website and the icon behind Kraft’s organization’s rebrand, will become 2026’s hot Gen Z accessory, the new Labubus.
That the message misses the mark is disappointing because Kraft’s organization previously had some quite powerful non-Super Bowl ads, some of which have won awards. The strongest showed a boy and his father in a truck, with the dad confronting his son about a social media post where he said “Hitler was right.”
The dialogue is on-the-nose, but gets at a real phenomenon: Teens, even if raised right, can still be radicalized by the internet and emboldened by its anonymity. (As in the case of the alleged Jackson synagogue arsonist, we know that radicalization can happen fast.) “You got something you want to say, get out of the truck and say it to their faces” the dad tells his son, and the camera pulls focus to what’s outside their windshield: Jews leaving synagogue. And then, text, a solid statistic of a real phrase circulating on the internet: “‘Hitler was right’ was posted over 70,000 times last year.”
That ad still hits me in the gut, and serves as a bridge for two audiences: parents and their kids.
The Post-It ad doesn’t do that.
It tells reasonable older people what they already know: Overt, unambiguous antisemitism is bad. It tells kids that adults don’t get what they’re dealing with. It tells people on the cusp, or already fully immersed, in conspiracies of Jewish control that Jews have unlimited resources, and a limited understanding of the facts on the ground.
If Kraft is committed to throwing money at a very real problem, he should at least get his money’s worth.
The post Robert Kraft’s new Super Bowl ad about antisemitism already feels dated appeared first on The Forward.
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South Carolina Republican Senate Candidate Floats Antisemitic Conspiracies in Effort to Boost Long-Shot Campaign
Paul Dans, candidate for US Senate, speaks during the Anderson County Republican Party Charlie Kirk Tribute at the Civic Center of Anderson, South Carolina, Sept. 15, 2025. Photo: USA TODAY Network via Reuters Connect
Paul Dans, a lawyer and Republican candidate for US Senate in South Carolina, has boosted antisemitic conspiracy theories online, suggesting that high-ranking Jews have imported drugs and implemented an extermination campaign against white people.
“The ELITES call us ‘goy cattle’ and sent OxyContin into our communities for a reason. EPSTEIN files confirm WHITE GENOCIDE and WHITE HATE is not a conspiracy but an operation in progress,” Dans posted on X on Monday.
Goy is a term for a gentile, a non-Jew.
Dans, who describes himself as an “America 1st warrior” and a counterweight to entrenched Washington, DC establishment interests, has portrayed himself as an ardent opponent of longstanding US foreign policy. He has been critical of what he calls America’s entanglement in “endless wars” in the Middle East and Ukraine.
”I’m America first and not Israel first, not Ukraine first. We always have to ask what is in the foreign policy interest of the United States citizen. How are we helping the people back home thrive and be safe?” Dans said during an October 2025 interview with South Carolina local news.
Notably, Dans is also a former director of the embattled Heritage Foundation and was the chief architect of Project 2025 — a sprawling political playbook which outlines how to overhaul the federal government to support a conservative policy agenda. The Heritage Foundation has found itself embroiled in mounting controversy in recent months after its president, Kevin Roberts, issued a passionate defense of antisemitic podcaster Tucker Carlson. Carlson had elicited backlash after hosting a chummy interview with the Holocaust-denying, anti-Jewish streamer Nick Fuentes.
Dans also appeared on “The Tucker Carlson Show” in November 2025, in which he and the podcaster criticized US Sen. Lindsey Graham (R-SC) for his steadfast support for Israel, insinuating that Graham focuses more on uplifting Israel than the US.
Dans’ status as the mastermind of Project 2025 indicates that he likely has significant influence and reach within the Republican establishment.
Critics argue that Dans’ comments are part of a broader trend of long-shot political hopefuls using antisemitism to draw attention to their campaigns and galvanize fringe elements of the far right. James Fishback, a hedge fund manager who recently launched a campaign for the Republican nomination in the Florida gubernatorial race, has drawn significant attention by repeatedly invoked anti-Israel conspiracy theories.
Dans still remains a heavy underdog in the primary competition. However, some polls show that he’s gaining ground. An internal poll from the Dans campaign last fall showed the insurgent swelling from 9.2 percent in June 2025 to 22.1 percent in September among voters. Graham still holds a commanding lead with 46.3 percent of the vote, a slight decline from 49.5 percent during the same timeframe.
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Trump Demands $1 Billion From Harvard University Amid Dispute Over Campus Antisemitism
US President Donald Trump speaks to the press before boarding Marine One to depart for Quantico, Virginia, from the South Lawn at the White House in Washington, DC, US, Sept. 30, 2025. Photo: REUTERS/Ken Cedeno
US President Donald Trump has demanded that Harvard University pay $1 billion to settle the federal government’s claim that it failed to address campus antisemitism and governed the institution in accordance with far-left viewpoints.
“This should be a Criminal, not Civil event, and Harvard will have to live with the consequence of their wrongdoings. In any event, this case will continue until justice is served. Dr. Alan Garber, the President of Harvard, has done a terrible Job of rectifying a very bad situation for his institution, and, more importantly, America, itself,” Trump wrote in a post on the Truth Social media platform. “We are now seeking One Billion Dollars in damages, and want nothing further to do, into the future, with Harvard University.”
The Trump administration canceled some $2.26 billion in federal contracts and grants to Harvard in April, citing its alleged violation of the civil rights of Jewish students during a wave of antisemitic incidents to which, according to Jewish advocacy groups, the university failed to respond with sufficient disciplinary actions and other measures. Trump followed the move by proposing to reform Harvard, as well as all of higher education, based on ideas that date back to the advent of the Reagan Revolution — including the abolition of admissions policies which privilege minority and women applicants and the promotion viewpoint diversity, which aims to amplify conservative voices while attenuating the influence of far-left faculty and administrators.
Trump’s social media post on Tuesday contradicted an earlier report by the New York Times which said that the US president no longer expects Harvard to pay cash to terminate the dispute with his administration and restore the totality of its federal funding. Most of that money, according to The Harvard Crimson, was restored to the university by a federal court ruling in July, but Harvard, which is running its biggest budget deficit since the Covid-19 pandemic, is working to figure out a way to secure the release of the remainder without conceding to Trump’s demands.
“Why hasn’t the Fake News New York Times adjusted its phony article on the corruption and antisemitism which has taken place at Harvard,” Trump posted on Tuesday, criticizing the Times for what he said was a false representation of his position. “They never call for facts, or factchecks, because the Times is a corrupt, unprincipled, and pathetic vehicle of the left. They wrote only negatively about in the last Election, and I won in a landslide.”
Other universities have decided that settling with Trump is preferable to fighting him.
In July, Columbia University agreed to pay over $200 million to settle claims that it exposed Jewish students, faculty, and staff to antisemitic discrimination and harassment. US Secretary of Education Linda McMahon said the details of the settlement enacted a “seismic shift in our nation’s fight to hold institutions that accept American taxpayer dollars accountable for antisemitic discrimination and harassment.”
Claiming a generational achievement for the conservative movement, she added that Columbia agreed to “discipline student offenders for severe disruptions of campus operations” and “eliminate race preferences from their hiring and mission practicers, and [diversity, equity, and inclusion, or DEI] programs that distribute benefits and advantages based on race.”
That same month, Brown University settled for $50 million and pledged to enact a series of reforms put forth by the Trump administration to settle claims involving alleged sex discrimination and antisemitism.
Per the agreement, Brown will provide women athletes locker rooms based on sex, not one’s self-chosen gender identity — a monumental concession by a university that is reputed as one of the most progressive in the country — and adopt the Trump administration’s definition of “male” and “female,” as articulated in a January 2025 executive order issued by Trump. Additionally, Brown has agreed not to “perform gender reassignment surgery or prescribe puberty blockers or hormones to any minor child for the purpose of aligning the child’s appearance with an identity that differs from his or her sex.”
Regarding campus antisemitism, the agreement calls for Brown University to reduce anti-Jewish bias on campus by forging ties with local Jewish Day Schools, launching “renewed partnerships with Israeli academics and national Jewish organizations,” and boosting support for its Judaic Studies program. Brown must also conduct a “climate survey” of Jewish students to collect raw data of their campus experiences.
The Trump administration is fighting on to achieve a similar victory over Harvard, and has, to that end, filed an appeal of the ruling which restored Harvard’s federal funding.
In the decision, US federal judge Allison Burroughs said that the Trump acted unconstitutionally, charging that he had used antisemitism as a “smokescreen for a targeted, ideologically motivated assault on this country’s premier universities.” Burroughs went on to argue that the federal government violated Harvard’s free speech rights under the US Constitution’s First Amendment and that it was the job of courts to “ensure that important research is not improperly subjected to arbitrary and procedurally infirm grant terminations.”
Harvard has told multiple outlets it is “confident that the Court of Appeals will affirm the district court’s opinion.”
Follow Dion J. Pierre @DionJPierre.