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My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism
(JTA) — When I was younger, my family sang Yiddish songs at almost every holiday and gathering.
Funny songs, sad songs, songs about love, about the Holocaust, about hunger, about labor and resistance — the usual Yiddish fare. My Bubby, Chana Mlotek, a Yiddish archivist and ethnomusicologist, collected hundreds of them with my Zeyde, Yosl Mlotek, who became known as the address for Yiddish in America. Nobel laureate Isaac Bashevis Singer called them “the Sherlock Holmeses of Yiddish folk songs” for their investigations of Jewish music.
We would gather by the piano in my grandparents’ living room in the Bronx, with the piano being helmed by my Bubby, sometimes my great-aunt Malke Gottlieb (with whom my Bubby compiled a collection of songs from the Jewish ghettos), then my father, then my uncle. Eventually each of the eyniklekh — the grandkids — would have to sing in Yiddish.
Of course, I didn’t recognize until I got older that Yiddish songs are an incredible porthole into history, while also testifying to the vivaciousness of a people nearly destroyed and a culture almost erased. It’s through these lyrics and other stories from my grandparents that I learned the history of our people and the faith we had in America, “Dos Goldene Land,” where immigrants came to escape religious persecution. One famous song, in particular, was about the tragic letdown of this promise.
“The Ballad of Leo Frank” was about the Jewish factory manager from Atlanta. In 1913, a 14-year-old employee at his pencil factory named Mary Phagan was found dead. Frank was accused of her murder on flimsy evidence.
After a trumped-up trial, a biased jury found Frank guilty after four hours of deliberation. The case was retried, and appealed before the United States Supreme Court, without success. Hundreds of thousands of petitions were sent to Gov. John Slaton of Georgia, who eventually commuted the death sentence to life imprisonment. But months later, a bloodthirsty gang, who were later to inspire the resurgence of the Ku Klux Klan, kidnapped Frank from jail and lynched him.
Thanks to Yiddish music, we knew all these facts. The painful details of the Frank case were heard in melancholic Yiddish songs like “The Ballad of Leo Frank” and “Lebn zol Columbus” (“Long Live Columbus”), which we as children crooned around the piano in the living room of my Bubby’s apartment.
“A bilbl hot men oysgetrakht / Oyf undzern a yidl” — they made up a blood libel about one of our Jews — goes the lyrics from one of these songs.
We sing these songs to learn about our history, hoping never to repeat it. But just a couple weeks ago, antisemitic mobs weren’t just part of a songbook. They were here, right in the heart of New York City.
Frank’s story is the subject of a new revival of a Broadway musical, “Parade,” starring Ben Platt, which opened this month at the Bernard Jacobs Theatre. During previews, members of a neo-Nazi group called The National Socialist Movement rallied outside the theater, handing out leaflets and accusing Frank of being a pedophile and a murderer. Mostly, they were there to stoke fear and rekindle the same Jew hatred that cost Frank his life more than a century ago.
This is only the latest example of what has been an alarming growth of antisemitism in the United States. Jews who grew up learning (or singing) about blood libels in Russia have always slept with one eye open, haunted by the fear that antisemitism would rear its ugly head here, too.
Just last week as I entered the subway in midtown Manhattan, I was verbally accosted by a man who lowered his shirt collar to show me his swastika tattoo. And so the story goes.
As Passover approaches, the words of the Haggadah come to mind: “b’khol dor vador” — in every generation. In every generation, enemies emerge and the responsibility to rekindle learning and reclaim identity falls upon us, each in our own unique way.
It feels fitting then that my grandparents’ anthology is now accessible to a whole new audience.
The Yosl and Chana Mlotek Yiddish Song Collection at the Workers Circle went live this week. It is a searchable, comprehensive database of Yiddish music and song, spanning centuries, genres, artists and more, bringing my grandparents’ anthologies online. Hundreds of Yiddish songs, including the Leo Frank ballad, can be freely accessed thanks to a thorough digitization process overseen by my brother, Elisha Mlotek, who served as creative director for the website.
Sponsored by the Mlotek family, this new website is a loving collaboration between the Arbeter Ring (Workers Circle) and the Mlotek family and will ensure Yiddish song and in turn Jewish history never cower in the face of prejudice. As Elisha describes the music collected on the website, “It is an essential record of our people — the richness and resilience of our culture.”
My grandfather died in 2000. Chana died in 2013, at age 91. Bubby’s piano now lives in my father’s office at the National Yiddish Theatre Folksbiene, but we still come together around song. (In fact, it was my cousin Lee who recently reminded us of the Leo Frank song he learned from my uncle in an Arbeter Ring shule, or school.)
This Thursday my Bubby’s sons, her grandchildren and even some of her great-grandchildren will participate in a tribute concert to her at the YIVO Institute of Jewish Research, where Chana served as the music archivist for decades. The in-person free concert, presented in collaboration with Carnegie Hall and which can be streamed digitally, will include family friends who also happen to be some of the most special Yiddish singers of the day, including Joanne Borts, Sarah Gordon, Elmore James, Daniella Rabbani, Eleanor Reissa, Lorin Sklamberg and Steven Skybell, who played Tevye in “Fidler Afn Dakh,” the Yiddish production of “Fiddler on the Roof.”
Now is as welcome a time as any to celebrate Jewish life, learn a Yiddish song and discover the lessons of history along the way.
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Indonesia Denies Prabowo Visit to Israel, Raising Questions Over Middle East Diplomacy
Indonesian President Prabowo Subianto arrives in Sharm El Sheikh, Egypt, to attend the Gaza peace summit with world leaders. Photo: Screenshot
Indonesia has publicly denied that President Prabowo Subianto will visit Israel this week, contradicting media reports that he would become the first Indonesian head of state to do so and raising questions about Jakarta’s approach to Middle East diplomacy.
On Monday, Foreign Minister Sugiono said there was “no such plan” for Subianto to visit Israel, adding that he will return to Jakarta after attending the Gaza peace summit in Egypt, where leaders signed a US-brokered agreement aimed at ending the two-year conflict between Israel and the Palestinian terrorist group Hamas.
Sugiono’s announcement followed media reports suggesting that preparations were underway for a historic visit to Israel, with Subianto potentially arriving on Tuesday or Wednesday
As the world’s largest Muslim-majority nation with no diplomatic ties to Israel, Indonesia would make history if its president were to visit the Jewish state, potentially opening the door to broader regional normalization efforts.
Subianto traveled to Egypt on Monday to join world leaders at the Sharm El Sheikh Peace Summit to discuss the future of Gaza and post-war reconstruction efforts.
“Indonesia is fully committed to promoting peace in the Middle East region,” the Indonesian leader said in a statement.
Hari ini, saya berkunjung ke Republik Arab Mesir untuk menghadiri Konferensi Tingkat Tinggi (KTT) Perdamaian Sharm El-Sheikh. Dalam forum ini, saya akan menyaksikan penandatanganan perjanjian perdamaian dan penghentian perang di Gaza.
Indonesia berkomitmen penuh untuk mendorong… pic.twitter.com/5cfLMV9wBA
— Prabowo Subianto (@prabowo) October 13, 2025
Even though Subianto has advocated for Israel’s right to exist and live in security at the United Nations General Assembly last month, he has also called for the establishment of a Palestinian state — a move that, Israeli officials have warned, would reward terrorism.
Indonesia has also repeatedly condemned Israel on the international stage, falsely accusing the Jewish state of committing genocide during its defensive campaign against Hamas in Gaza.
Last week, the Indonesian government imposed a ban on Israeli athletes from entering the country for an international gymnastics competition, citing protest against the war in Gaza.
Yusril Ihza Mahendra – Indonesia’s minister for law, human rights, and immigration – announced that Israeli athletes will be denied visas to enter Indonesia for the competition.
“The government will not grant visas to Israeli gymnasts who intend to attend the World Artistic Gymnastics Championships in Jakarta,” Mahendra said on Thursday.
The decision was made following directives from Subianto, who condemned Israel for its military actions in the Gaza Strip during his speech at the UN General Assembly.
In 2023, Indonesia was stripped of hosting rights for the Under-20 World Cup because of protests in the country regarding Israel’s participation in the international soccer competition.
That same year, the ANOC World Beach Games was canceled after Indonesia abruptly pulled out as hosts in protest of Israel’s involvement.
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Kamala Harris on whether Israel committed genocide: ‘We should all step back and ask this question’
Former Vice President Kamala Harris held back from labeling Israel’s actions in Gaza a “genocide” on Sunday but said it was an appropriate question.
“A lot of folks in your party have called what’s happening in Gaza a genocide. Do you agree with that?” correspondent Eugene Daniels asked Harris during an interview on MSNBC’s “The Weekend.”
“Listen, it is a term of law that a court will decide,” Harris responded. “But I will tell you that when you look at the number of children that have been killed, the number of innocent civilians that have been killed, the refusal to give aid and support, we should all step back and ask this question and be honest about it, yeah.”
Several lawmakers, including Vermont’s Jewish Sen. Bernie Sanders, an independent, and far-right Georgia Republican Rep. Marjorie Taylor Greene, have described Israel’s conduct in Gaza over the past two years in Gaza as a genocide, but the allegation has not gotten mainstream support in Congress.
Throughout Harris’ book tour for her new memoir, “107 Days,” the former vice president has drawn pro-Palestinian protests who have accused her of being a “war criminal” and of supporting “genocide” in Gaza during her term. She has at times rebuffed the protesters and also given airtime to their concerns.
“I was the first person at the highest level of our United States government or administration to talk about the fact that the people in Gaza were starving,” Harris told protesters at a book event last month, according to the Washington Post.
Later in the interview, Daniels asked Harris whether she agreed that President Donald Trump should be “commended” for his role in brokering the ceasefire deal between Hamas and Israel that saw the release of the 20 living hostages on Monday.
“I don’t think we should hold any credit where it’s due,” said Harris. “I really do hope it becomes real and that the hostages are out, that Gaza is no longer being treated with such brutality of force, that aid goes in. I commend the people who have been a part of this process. I commend the Qataris, the Egyptians, and the president.”
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Eurovision Song Contest Organizer Calls Off November Vote on Israel Participation
A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. Photo: REUTERS/Denis Balibouse
Eurovision Song Contest organizers will no longer meet online in November to vote on Israel‘s participation in the competition, following Middle East “developments,” the European Broadcasting Union said on Monday in an apparent reference to the Gaza ceasefire.
Austria had appealed to countries not to boycott next year’s contest – due to be held in Vienna – over Israel‘s participation and concerns about the two-year-old Gaza conflict.
Eurovision, which stresses its political neutrality, has faced controversy this year linked to the war, and several countries had pledged to withdraw from the event if Israel took part.
Austrian national broadcaster, ORF, which will host the 2026 contest, told Reuters it welcomed the EBU’s decision.
On Monday the Hamas Palestinian terrorist group freed the last living Israeli hostages from Gaza and Israel sent home busloads of Palestinian detainees, under a ceasefire deal aimed at bringing an end to the two-year-old war.
“The Board agreed to put the issue on the agenda of its ordinary Winter General Assembly, which will be taking place in December,” instead of the extraordinary meeting which had been slated to take place online in November, an EBU statement said.
It said that following “recent developments in the Middle East” the Executive Board agreed on Monday that there should be an in-person discussion among Members “on the issue of participation in the Eurovision Song Contest 2026.”
The EBU did not clarify, when asked by Reuters, if a vote on Israeli broadcaster KAN’s participation would still go ahead, and said further details about the session will be shared with EBU Members in the coming weeks.
KAN did not immediately reply to a request for comment.
In September a letter from the EBU’s President said the executive board recognized that it could not reach a consensual position on KAN’s participation in the competition.
“Given that the Union has never faced a divisive situation like this before, the Board agreed that this question merited a broader democratic basis for a decision,” Delphine Ernotte Cunci said in the letter.