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My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism
(JTA) — When I was younger, my family sang Yiddish songs at almost every holiday and gathering.
Funny songs, sad songs, songs about love, about the Holocaust, about hunger, about labor and resistance — the usual Yiddish fare. My Bubby, Chana Mlotek, a Yiddish archivist and ethnomusicologist, collected hundreds of them with my Zeyde, Yosl Mlotek, who became known as the address for Yiddish in America. Nobel laureate Isaac Bashevis Singer called them “the Sherlock Holmeses of Yiddish folk songs” for their investigations of Jewish music.
We would gather by the piano in my grandparents’ living room in the Bronx, with the piano being helmed by my Bubby, sometimes my great-aunt Malke Gottlieb (with whom my Bubby compiled a collection of songs from the Jewish ghettos), then my father, then my uncle. Eventually each of the eyniklekh — the grandkids — would have to sing in Yiddish.
Of course, I didn’t recognize until I got older that Yiddish songs are an incredible porthole into history, while also testifying to the vivaciousness of a people nearly destroyed and a culture almost erased. It’s through these lyrics and other stories from my grandparents that I learned the history of our people and the faith we had in America, “Dos Goldene Land,” where immigrants came to escape religious persecution. One famous song, in particular, was about the tragic letdown of this promise.
“The Ballad of Leo Frank” was about the Jewish factory manager from Atlanta. In 1913, a 14-year-old employee at his pencil factory named Mary Phagan was found dead. Frank was accused of her murder on flimsy evidence.
After a trumped-up trial, a biased jury found Frank guilty after four hours of deliberation. The case was retried, and appealed before the United States Supreme Court, without success. Hundreds of thousands of petitions were sent to Gov. John Slaton of Georgia, who eventually commuted the death sentence to life imprisonment. But months later, a bloodthirsty gang, who were later to inspire the resurgence of the Ku Klux Klan, kidnapped Frank from jail and lynched him.
Thanks to Yiddish music, we knew all these facts. The painful details of the Frank case were heard in melancholic Yiddish songs like “The Ballad of Leo Frank” and “Lebn zol Columbus” (“Long Live Columbus”), which we as children crooned around the piano in the living room of my Bubby’s apartment.
“A bilbl hot men oysgetrakht / Oyf undzern a yidl” — they made up a blood libel about one of our Jews — goes the lyrics from one of these songs.
We sing these songs to learn about our history, hoping never to repeat it. But just a couple weeks ago, antisemitic mobs weren’t just part of a songbook. They were here, right in the heart of New York City.
Frank’s story is the subject of a new revival of a Broadway musical, “Parade,” starring Ben Platt, which opened this month at the Bernard Jacobs Theatre. During previews, members of a neo-Nazi group called The National Socialist Movement rallied outside the theater, handing out leaflets and accusing Frank of being a pedophile and a murderer. Mostly, they were there to stoke fear and rekindle the same Jew hatred that cost Frank his life more than a century ago.
This is only the latest example of what has been an alarming growth of antisemitism in the United States. Jews who grew up learning (or singing) about blood libels in Russia have always slept with one eye open, haunted by the fear that antisemitism would rear its ugly head here, too.
Just last week as I entered the subway in midtown Manhattan, I was verbally accosted by a man who lowered his shirt collar to show me his swastika tattoo. And so the story goes.
As Passover approaches, the words of the Haggadah come to mind: “b’khol dor vador” — in every generation. In every generation, enemies emerge and the responsibility to rekindle learning and reclaim identity falls upon us, each in our own unique way.
It feels fitting then that my grandparents’ anthology is now accessible to a whole new audience.
The Yosl and Chana Mlotek Yiddish Song Collection at the Workers Circle went live this week. It is a searchable, comprehensive database of Yiddish music and song, spanning centuries, genres, artists and more, bringing my grandparents’ anthologies online. Hundreds of Yiddish songs, including the Leo Frank ballad, can be freely accessed thanks to a thorough digitization process overseen by my brother, Elisha Mlotek, who served as creative director for the website.
Sponsored by the Mlotek family, this new website is a loving collaboration between the Arbeter Ring (Workers Circle) and the Mlotek family and will ensure Yiddish song and in turn Jewish history never cower in the face of prejudice. As Elisha describes the music collected on the website, “It is an essential record of our people — the richness and resilience of our culture.”
My grandfather died in 2000. Chana died in 2013, at age 91. Bubby’s piano now lives in my father’s office at the National Yiddish Theatre Folksbiene, but we still come together around song. (In fact, it was my cousin Lee who recently reminded us of the Leo Frank song he learned from my uncle in an Arbeter Ring shule, or school.)
This Thursday my Bubby’s sons, her grandchildren and even some of her great-grandchildren will participate in a tribute concert to her at the YIVO Institute of Jewish Research, where Chana served as the music archivist for decades. The in-person free concert, presented in collaboration with Carnegie Hall and which can be streamed digitally, will include family friends who also happen to be some of the most special Yiddish singers of the day, including Joanne Borts, Sarah Gordon, Elmore James, Daniella Rabbani, Eleanor Reissa, Lorin Sklamberg and Steven Skybell, who played Tevye in “Fidler Afn Dakh,” the Yiddish production of “Fiddler on the Roof.”
Now is as welcome a time as any to celebrate Jewish life, learn a Yiddish song and discover the lessons of history along the way.
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The post My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism appeared first on Jewish Telegraphic Agency.
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Hamas Braces for Israeli Operations Abroad, Continued Clan Opposition in Gaza
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
Hamas is increasingly preparing for what it sees as an imminent Israeli attempt to assassinate senior leaders abroad, urging members to tighten personal security as the group simultaneously works to consolidate its weakened position in Gaza and reassert control over the enclave.
According to the Arabic newspaper Asharq Al-Awsat, Hamas officials reported rising concern over additional Israeli strikes on the Palestinian terrorist group’s top echelon abroad in the wake of last week’s killing of Hezbollah commander Haitham Tabtabai and September’s operation in Qatar targeting Hamas’s senior leadership.
Despite US “reassurance messages” to several parties — including mediators in Turkey, Qatar, and Egypt — that further strikes on senior Hamas members abroad would not be repeated, the group’s leadership says it “does not trust Israel.”
“There are expectations of a new assassination attempt with the Israeli government’s efforts to obstruct the second phase of the ceasefire agreement and its claim that the movement has no intention of advancing toward a deal,” the Palestinian terrorist group said.
Hamas members reportedly received new instructions requiring all fixed meetings at a single location to be canceled, with leaders instead holding irregular gatherings at rotating sites.
Meanwhile, the head of an armed Palestinian faction opposing Hamas in Gaza died on Thursday while mediating an internal dispute between families and groups within the militia, dealing a setback to Israeli efforts to support Gazan clans against the ruling Islamist group.
Yasser Abu Shabab, a Bedouin tribal leader based in Israeli-held Rafah in southern Gaza, had led one of the most prominent of several small anti-Hamas groups that emerged in the enclave during the war that began more than two years ago.
Following the incident, Hamas said in a statement that the fate of anyone who “betrayed their people and homeland and agreed to be an instrument in the hands of the occupation [Israel]” was inevitable, accusing Abu Shabab of “criminal acts” that amounted to a “flagrant deviation from national and social consensus.”
Abu Shabab’s death would be a boost to Hamas, which has branded him a collaborator and ordered its fighters to kill or capture him.
“The occupation that could not protect its own agents will be unable to protect any of its collaborators, and anyone who undermines the security of their people and serves their enemy is destined to fall into the dustbin of history, losing all respect and standing in society,” the terrorist group said in its statement.
Gaza’s Popular Forces confirmed that its leader died of a gunshot wound as he intervened in a family quarrel, and dismissed as “misleading” reports that Hamas was behind Abu Shabab’s killing.
Ghassan al-Dahini, who could assume leadership of the group following the incident, pledged to continue Abu Shabab’s project and resist Hamas by establishing an alternative to the terrorist group’s rule.
“With God’s help, and following my brother Yasser’s plan, we will return as we were — more determined and stronger,” al-Dahini said in a statement, according to Hebrew media. “We will keep fighting with every last ounce of strength until every final terrorist is gone.”
“Today, Hamas will see its true face — the one the world should have recognized long ago. We will restore hope to all Palestinians, to all free people, to the oppressed, and to everyone who believes in peace,” he continued.
Rafah has been the scene of some of the worst violence during the ceasefire, with residents reporting gunbattles on Wednesday that left four Israeli soldiers wounded. On Thursday, the Israeli military said its forces killed about 40 Hamas fighters trapped in tunnels beneath the city.
Shortly after the US-backed ceasefire to halt fighting in Gaza took effect in October, Hamas moved to reassert control over the war-torn enclave and consolidate its weakened position by targeting Palestinians who it labeled as “lawbreakers and collaborators with Israel.”
Since then, Hamas’s brutal crackdown has escalated dramatically, sparking widespread clashes and violence as the group moves to seize weapons and eliminate any opposition.
Social media videos widely circulated online show Hamas members brutally beating Palestinians and carrying out public executions of alleged collaborators and rival militia members.
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Palestinian Official Calls Drop Site News Founder an ‘Apologist’ for Hamas, Ex-Obama Aides Say They ‘Love’ the Site
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, in October 2023. Photo: Screenshot
A Palestinian diplomat accused a popular new anti-Israel website of running cover and acting as an apologist for Hamas.
Abdal Karim Ewaida, the Palestinian ambassador to Côte d’Ivoire, posted on social media about Drop Site News on Tuesday, after the website reported that the Palestinian Authority was planning to ban Hamas and other terrorist factions from running in future elections.
“Pro-resistance parties and armed resistance remains one of the single most popular points in [Palestinian] public polling,” said Jeremy Scahill, founder of Drop Site News. “The Palestinian Authority is saying, ‘You are not allowed to run for public office anymore.’ And when you look at what the defense of this is on the part of the Palestinian Authority, it is a pathetic defense.”
In response, Ewaida lambasted Scahill in a social media post.
“As for Jeremy Scahill — a journalist who transitions between outlets, perhaps pursuing higher remuneration — he consistently excuses Hamas and [Yahya] Sinwar’s purported interest in reconciliation solely to vilify the Palestinian National Authority and President Mahmoud Abbas. It is astounding,” the Palestinian official wrote.
Sinwar, who was killed by Israeli forces last year, was the leader of Hamas and mastermind of the Palestinian terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.
“He acts as a fervent apologist for Hamas and jihadist elements,” Ewaida continued, referring to Scahill, “even to the point of rationalizing [Israeli Prime Minister Benjamin] Netanyahu’s claims of financially bolstering Hamas as being in Israel’s interest, while attempting to spin it as favorable to Hamas itself. He seems to believe he can speak with impunity.”
Ewaida went on to castigate Drop Site News in general, saying that the “platform’s credibility is deeply compromised. We are acutely aware of its sources of funding and underlying motives. The day will come when your malicious objectives and relentless advocacy for Hamas — now apparent to all — will be fully exposed, leaving little doubt about your benefactors.”
Let me be clear from the outset: I represent the State of Palestine as its ambassador, not the Palestinian Authority as an envoy—a distinction that stands regardless of opinion.
Secondly, your platform’s credibility is deeply compromised. We are acutely aware of its sources of… https://t.co/E6Ym43wWL0
— Ambassadeur Abdal Karim Ewaida (@KarimEwaida) December 3, 2025
One day after Ewaida’s post, the hosts of the influential progressive podcast “Pod Save America” — all one-time aides to former US President Barack Obama — mentioned Drop Site News, saying “we love you guys” and “we are readers.”
The two hosts that were part of that conversation, Ben Rhodes and Tommy Vietor, served as speechwriter and spokesman, respectively, for Obama in the White House, focusing on national security issues.
In a follow-up to the episode, the Drop Site News posted on its X account “Pod Save the World = confirmed Drop Site readers,” and Rhodes responded, “yes readers.”
Good correction! And yes readers.
— Ben Rhodes (@brhodes) December 3, 2025
Many former Obama staffers have become vocally critical of Israel in recent years, especially amid the war in Gaza. However, Rhodes’s views on Israel were particularly critical at the time they were serving in government as well, so much so that during the Obama administration, he earned himself the nickname “Hamas” in the White House. The nickname was coined by Obama’s chief of staff, Rahm Emanuel, as Rhodes revealed in his memoir, The World as It Is.
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My favorite Christmas scene in literature — and why it makes me feel so Jewish
Some years ago, a college friend of my brother’s and mine visited our family home in Denver. “Now I understand it,” he said, sagely, after a couple of hours: “If you aren’t actively making noise in this house, you don’t exist.”
It’s true that I come from a noisy clan. If it is rude to get your family members’ attention by screaming at the top of your lungs, no one ever told me. We grew up far away from our extended family, but on visits to their homes growing up, I saw the same dynamic at play. The louder the gathering, as a general rule, the more successful it was.
I understood, from a young age — years before I learned the term — that “cooperative overlapping” was profoundly Jewish. Our culture celebrated the qualities of being loud and proud.
But I was a bookish child, and my favorite books were old-fashioned ones that chronicle the changes of girlhood: L.M. Montgomery’s Anne of Green Gables series, Noel Streatfield’s Ballet Shoes, and the like. And as I read and re-read them, I noticed something: At some point, the wild girls turned into ladies, and, crucially, quieted down.
Anne Shirley’s maturity is marked by silence: Those who love her notice that, suddenly, she’s stopped the constant stream of chatter that made her both so endearing and so annoying. She starts to speak less often, more thoughtfully, and in more measured tones, and that is how the reader knows she has begun to come into her own.
How could I square the culture of the Jewish family I loved with my desire to be like the girls in my books — full of the quiet magic of young womanhood?
Enter my favorite depiction of Christmas in literature, in Louisa May Alcott’s Eight Cousins.
The novel, a relatively little-known effort by the author of Little Women, centers on a well-off Scottish American clan, bright blonde to the last baby, who live in a WASPy enclave near Boston. It is about, as the title neatly suggests, eight cousins: seven brash boys, and one girl, raised far from her family, who comes into their midst after being orphaned and given over to the care of an uncle with newfangled ideas about childrearing. (Oatmeal and morning sprints in the garden are in; ruffles, long hours shut up indoors, and ladylike affectations are out.)
To a Jewish girl raised in the mountain west, they were an unfamiliar bunch. Except for the sense, fundamental to the book’s premise, that the bonds of family are sacred, and enshrined by ruckus.
I often felt like Rose, the solitary girl, on trips to see my own cousins, in Evanston, Illinois, and the Finger Lakes region of New York. We grew up so far apart that I could not help but feel shy and anxious upon first immersion. My cousins seemed so confident and brilliant, and I would feel small and strange among them. Then the chaos of a happy family would come for me, and in time, I would be shouting and playing along with the rest.
For Rose, that chaos comes to a climax on Christmas, when a seafaring uncle she hasn’t met since she was a baby makes a surprise return home. After many months getting used to the happy, charming, raucous boys who see her as a peer and sometimes a pet, Uncle Jem’s return throws her briefly back into the role of outsider. The family feels complete upon his arrival, in a way it didn’t before. But does that completeness include her?
I knew how the scene ended: with cousin Steve wailing away on a bagpipe, cousin Charlie trying to catch Rose under the mistletoe, everyone dancing a Scottish reel, and cousin Mac — always my favorite — discoursing on grand topics with his elders, while his cousins set loving traps for his embarrassment. But every time I read it, as Rose emerged to meet her long-absent uncle and see if she still fit as well in the family to which she was still getting accustomed, I felt my heart in my throat.
I understood how torn she was between behaving like a ladylike little woman, and like the cheerful, uninhibited, loud girl she had only just learned to embrace being. And in the Christmas gathering she so deeply longed to be a complete part of, I saw my own family — mostly brunette, definitively un-Scottish, highly Jewish, rollicking away.
Yes, it’s odd that, of all things, a scene centered on a Christian holiday would be the one, in all my beloved childhood books, that made me feel like I was seeing my own Jewish family on the page. At the same time, I think there’s something quite dreamy about the connection. And quite American.
The best version of this country is one in which people of all different backgrounds find connection and inspiration in each other. Where a fictional character’s homespun Christmas can provide, unlikely as it is, a strong sense of Jewish affirmation.
The scene ends with the family all singing a ballad called “Sweet Home.” Saccharine? Sure. But every holiday season, I think about Rose, and the home she found, and the different kind of home she and her family gave me. I hope if she could see my Hanukkah celebrations in return — warm candles, loud cousins, some mischief and much merriment — she’d feel the same.
The post My favorite Christmas scene in literature — and why it makes me feel so Jewish appeared first on The Forward.