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My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism

(JTA) — When I was younger, my family sang Yiddish songs at almost every holiday and gathering.

Funny songs, sad songs, songs about love, about the Holocaust, about hunger, about labor and resistance — the usual Yiddish fare. My Bubby, Chana Mlotek, a Yiddish archivist and ethnomusicologist, collected hundreds of them with my Zeyde, Yosl Mlotek, who became known as the address for Yiddish in America. Nobel laureate Isaac Bashevis Singer called them “the Sherlock Holmeses of Yiddish folk songs” for their investigations of Jewish music.

We would gather by the piano in my grandparents’ living room in the Bronx, with the piano being helmed by my Bubby, sometimes my great-aunt Malke Gottlieb (with whom my Bubby compiled a collection of songs from the Jewish ghettos), then my father, then my uncle. Eventually each of the eyniklekh — the grandkids — would have to sing in Yiddish.

Of course, I didn’t recognize until I got older that Yiddish songs are an incredible porthole into history, while also testifying to the vivaciousness of a people nearly destroyed and a culture almost erased. It’s through these lyrics and other stories from my grandparents that I learned the history of our people and the faith we had in America, “Dos Goldene Land,” where immigrants came to escape religious persecution. One famous song, in particular, was about the tragic letdown of this promise.

“The Ballad of Leo Frank” was about the Jewish factory manager from Atlanta. In 1913, a 14-year-old employee at his pencil factory named Mary Phagan was found dead. Frank was accused of her murder on flimsy evidence.

After a trumped-up trial, a biased jury found Frank guilty after four hours of deliberation. The case was retried, and appealed before the United States Supreme Court, without success. Hundreds of thousands of petitions were sent to Gov. John Slaton of Georgia, who eventually commuted the death sentence to life imprisonment. But months later, a bloodthirsty gang, who were later to inspire the resurgence of the Ku Klux Klan, kidnapped Frank from jail and lynched him.

Thanks to Yiddish music, we knew all these facts. The painful details of the Frank case were heard in melancholic Yiddish songs like “The Ballad of Leo Frank” and “Lebn zol Columbus” (“Long Live Columbus”), which we as children crooned around the piano in the living room of my Bubby’s apartment.

“A bilbl hot men oysgetrakht / Oyf undzern a yidl” — they made up a blood libel about one of our Jews — goes the lyrics from one of these songs.

We sing these songs to learn about our history, hoping never to repeat it. But just a couple weeks ago, antisemitic mobs weren’t just part of a songbook. They were here, right in the heart of New York City. 

Frank’s story is the subject of a new revival of a Broadway musical, “Parade,” starring Ben Platt, which opened this month at the Bernard Jacobs Theatre. During previews, members of a neo-Nazi group called The National Socialist Movement rallied outside the theater, handing out leaflets and accusing Frank of being a pedophile and a murderer. Mostly, they were there to stoke fear and rekindle the same Jew hatred that cost Frank his life more than a century ago.

This is only the latest example of what has been an alarming growth of antisemitism in the United States. Jews who grew up learning (or singing) about blood libels in Russia have always slept with one eye open, haunted by the fear that antisemitism would rear its ugly head here, too. 

Just last week as I entered the subway in midtown Manhattan, I was verbally accosted by a man who lowered his shirt collar to show me his swastika tattoo. And so the story goes.

As Passover approaches, the words of the Haggadah come to mind: “b’khol dor vador” — in every generation. In every generation, enemies emerge and the responsibility to rekindle learning and reclaim identity falls upon us, each in our own unique way. 

It feels fitting then that my grandparents’ anthology is now accessible to a whole new audience. 

The Yosl and Chana Mlotek Yiddish Song Collection at the Workers Circle went live this week. It is a searchable, comprehensive database of Yiddish music and song, spanning centuries, genres, artists and more, bringing my grandparents’ anthologies online. Hundreds of Yiddish songs, including the Leo Frank ballad, can be freely accessed thanks to a thorough digitization process overseen by my brother, Elisha Mlotek, who served as creative director for the website.

Sponsored by the Mlotek family, this new website is a loving collaboration between the Arbeter Ring (Workers Circle) and the Mlotek family and will ensure Yiddish song and in turn Jewish history never cower in the face of prejudice. As Elisha describes the music collected on the website, “It is an essential record of our people — the richness and resilience of our culture.”

My grandfather died in 2000. Chana died in 2013, at age 91. Bubby’s piano now lives in my father’s office at the National Yiddish Theatre Folksbiene, but we still come together around song. (In fact, it was my cousin Lee who recently reminded us of the Leo Frank song he learned from my uncle in an Arbeter Ring shule, or school.) 

This Thursday my Bubby’s sons, her grandchildren and even some of her great-grandchildren will participate in a tribute concert to her at the YIVO Institute of Jewish Research, where Chana served as the music archivist for decades. The in-person free concert, presented in collaboration with Carnegie Hall and which can be streamed digitally, will include family friends who also happen to be some of the most special Yiddish singers of the day, including Joanne Borts, Sarah Gordon, Elmore James, Daniella Rabbani, Eleanor Reissa, Lorin Sklamberg and Steven Skybell, who played Tevye in “Fidler Afn Dakh,” the Yiddish production of “Fiddler on the Roof.” 

Now is as welcome a time as any to celebrate Jewish life, learn a Yiddish song and discover the lessons of history along the way.


The post My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism appeared first on Jewish Telegraphic Agency.

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With anti-Arab campaign ad, Netanyahu stoops to new moral and political lows

Israeli election campaigns have often been ugly. They have featured exaggeration, fearmongering and outright deception. But even by those standards, the first major campaign advertisement by Prime Minister Benjamin Netanyahu’s Likud party, posted on Netanyahu’s X account on Tuesday, managed to shock much of the country.

The AI-generated video depicts former military chief Gadi Eisenkot, who has become the standard-bearer for the opposition, walking through a sunlit field toward a young Jewish man before passing him by to embrace Mansour Abbas of Ra’am, the United Arab List, instead.

The young man looks strikingly like Eisenkot’s son, Gal, who was killed fighting in Gaza in late 2023 — although Likud insists he isn’t meant to. Strictly speaking, there is enough difference to sustain the protestations. The young man has longer, wavier hair than Gal Eisenkot did — just enough, perhaps, to preserve plausible deniability. Yet almost everyone I know believed they were watching a father joyfully approaching his slain son, seemingly restored to life, only to ignore him in favor of an Arab political leader at a time when Arab political participation in Israel is particularly contentious.

The only possible explanation: Likud wants their campaign to be as mean as possible. Or perhaps that they believe that anything that creates a buzz — and therefore distracts from the governing coalition’s disastrous and controversial policies, including a wildly unpopular recent legislative blitz — is a good thing.

And buzz there is. The perception that a father’s personal loss had been weaponized for electoral gain struck many as a line that simply should not be crossed. “This is Netanyahu, and this is his machine of incitement”, wrote Einav Zangauker, whose son was held hostage in Gaza by Hamas, on social media. “This isn’t politics,” Zangauker added, but rather “an attack on a bereaved father and an assault on his dignity. It is the lowest of the low.”

“I turn to elected representatives, activists, and all candidates from all parties, and demand that you do not cross red lines. Do not turn rivals into enemies,” Israeli President Isaac Herzog said. “I call on the people of Israel, in a clear voice: Remember that elections are not a civil war.”

But even if one puts aside the controversy surrounding the young man altogether, the advertisement remains deeply troubling. It is, at its core, an exercise in incitement against Ra’am — and, by extension, against the very idea that Arab citizens may legitimately participate in governing Israel.

Abbas himself accused Netanyahu of “trying to incite between different parts of society”; about a fifth of Israelis are Arab, and the ad was obviously trying to delegitimize collaboration with the parties who generally represent them.

From Likud’s perspective, that too is logical — so long as they ignore the goal of Israel remaining a democratic country in which component ethnic groups live in harmony. It’s logical because Arab parties have always been part of the opposition to Likud and the chances are high that Eisenkot might need them, even passively, to successfully craft a coalition after the Oct. 27 election.

This isn’t just dangerous. It ignores the essential role that Arab parties have played in building toward a strong Israeli future.

Ra’am, under Abbas, has been the most integrationist Arab party Israel has ever seen. Abbas broke with decades of Arab political orthodoxy by arguing that Arab citizens should seek influence through practical cooperation with whichever Zionist government Israelis elected. He has repeatedly recognized Israel as the nation-state of the Jewish people while demanding full equality for its Arab citizens.

Whatever one thinks of his politics, these choices have represented one of the boldest experiments in Jewish-Arab partnership since the state’s founding.

That experiment briefly succeeded. Ra’am joined Naftali Bennett and Yair Lapid’s coalition in 2021 and demonstrated that Arab participation in government could become something ordinary rather than revolutionary.

More awkward still for Likud, Netanyahu himself spent some weeks after the 2021 election attempting to persuade Abbas to support — or even participate in — his own coalition. Those negotiations failed for one principal reason: Far-right firebrand Bezalel Smotrich — now Netanyahu’s finance minister — refused to countenance a government dependent on an Arab party. Without Ra’am, Netanyahu lacked a majority.

It is therefore surreal to portray Eisenkot’s willingness to work with Ra’am as somehow beyond the democratic pale, when not so long ago, Netanyahu himself tried to do precisely the same thing.

Nor should anyone pretend that Arab parties suddenly became relevant because of Eisenkot. Since the emergence of today’s political blocs, Arab parties have almost invariably belonged to the anti-Likud camp. Any center-left coalition aspiring to govern has depended, directly or indirectly, on their parliamentary support. That is not a distortion of Israeli democracy. It is one of its enduring structural realities.

Which brings us to the larger significance of this episode.

Many Israelis have long predicted that this Likud campaign would barely concern policy at all. They expected, instead, an effort to delegitimize any prospective change government by portraying it as illegitimate because it relied on Arab parties. They expected renewed attempts to cast Arab political participation as inherently suspect. They expected emotional manipulation to substitute for argument and personal attacks to eclipse serious debate. Some feared renewed efforts to discourage Arab turnout and disqualify Arab parties from the ballot.

That appears to be exactly what they’re getting.

The remarkable thing is not merely that Likud produced this advertisement, but that doing so was effectively its first act of the campaign, which kicked off after the Knesset recently went into recess.

Before voters had heard competing visions for Israel’s economy, security or diplomacy, the country’s governing party chose to launch its campaign by inflaming fears about Arab political participation while employing imagery that countless Israelis immediately interpreted as mocking one father’s unbearable personal loss.

By the next day, competing ads using a similar aesthetic were put out by opponents of Netanyahu. One depicted Netanyahu on a similar field running past a soldier to hug a Haredi politician holding a sign that says — as many Haredi anti-draft protesters chant — “we’d rather die than serve.”

One reason AI is so attractive to political strategists is because it blurs responsibility. Images can be carefully engineered to evoke a conclusion while remaining just different enough to deny that such a conclusion was ever the intention. The technology offers something every spin doctor craves: emotional impact coupled with plausible deniability.

“I do not think we can allow this to continue,” lamented David Lau, a former chief rabbi of Israel, who has served in the military. “We must stop all these disputes, all this talk, and all these behaviors. This path does not lead to building anything. It does not lead to peace. It is a bad path, and I am even more concerned about the next generation.”

It is entirely possible that this advertisement will prove to have established the moral tone of the campaign. Israel deserves better.

The post With anti-Arab campaign ad, Netanyahu stoops to new moral and political lows appeared first on The Forward.

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Reed College agrees to sweeping reforms as part of Title VI antisemitism settlement

(JTA) — Reed College has agreed to a host of far-reaching institutional changes, including asserting that targeting Jewish Zionists will be considered discriminatory, in order to settle multiple federal antisemitism investigations, parties to the complaint announced Wednesday.

The settlement was announced by the Anti-Defamation League and the Brandeis Center for Human Rights Under Law, which jointly filed the complaint, under Title VI of the Civil Rights Act, which prohibits discrimination at any institution receiving federal funds. It comes as campuses across the country, facing threats of losing federal funding under the Trump administration, have demonstrated willingness to negotiate new antisemitism protections.

As part of the agreement, the private Portland, Oregon, liberal arts school says it will insert language into its discrimination policy asserting that “for many Jewish people, Zionism is integral to their religious, ancestral and/or ethnic Jewish identity,” and that “targeting Jews on the basis of their Zionist identity” will be considered discriminatory.

The school will also contract a third-party consultant to monitor and report on its effectiveness in adhering to antisemitism protections, role that is unusual in similar Title VI agreements. The agreement says Reed will “consider” the International Holocaust Remembrance Association’s working definition of antisemitism, which includes some criticisms of Israel, and implement antisemitism training for faculty and staff.

“We take concerns about antisemitism, and all forms of unlawful discrimination, seriously, and we will continue to support the well-being, safety, and success of every member of our community,” a Reed College spokesperson told the Jewish Telegraphic Agency in a statement acknowledging the agreement. Reed declined to comment further.

ADL CEO Jonathan Greenblatt and Brandeis Center officials praised the agreement in a release as a potential model for other colleges.

“We believe it should serve as a model for other schools,” Denise Katz-Prober, director of legal initiatives at the Brandeis Center, told JTA about the agreement. The required language in Reed’s discrimination guidelines, she said, is “very clear about what constitutes anti-Zionist conduct in violation of civil rights and in violation of the policy.”

“This outcome demonstrates how the Title VI process can work to effectively protect Jewish students,” Greenblatt said in his own statement.

Around 100 students at Reed College are Jewish, or about 7% of the total student body, according to estimates from Hillel International. A request for comment to the director of PDX Hillel, which serves Jewish students at Reed and others in the region, was not immediately returned.

The resolution stems from two anonymous Title VI antisemitism complaints from Jewish former Reed students, both filed in 2024 under the Biden administration. One of those cases related to a student whose dorm-room mezuzah was vandalized, and who herself was later pelted with rocks, during a pro-Palestinian demonstration in spring 2024. The student later left the school out of concern for her safety.

Both of the described acts would have already been considered violations of school policy for reasons unrelated to the student’s Jewish or Zionist identity. Brandeis’s Katz-Prober argued both should have also been considered in the context of her targeting by anti-Zionist activists.

“It might be difficult for someone to, at first glance, understand whether it was simply an assault or an assault motivated by bias,” she said. The case, she said, demonstrated how in some cases, “‘Zionist’ is merely a codeword for Jew.”

Katz-Prober also touted the agreement’s mandate that the school bring on a third-party compliance consultant, separate from its Title VI coordinator. While she insisted that such a role would be “independent” and free of bias, she noted that both the ADL and the Brandeis Center would have a role in their selection.

“Both sides get a say,” she said.

 

The post Reed College agrees to sweeping reforms as part of Title VI antisemitism settlement appeared first on The Forward.

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Arizona Rep. Andy Biggs cruises to GOP nomination for governor amid allegations of antisemitism

(JTA) — Arizona Rep. Andy Biggs, who has drawn criticism for ties to white nationalist figures, will officially be the Republican nominee for Arizona governor, after winning the primary on Tuesday night.

Biggs, who is backed by President Donald Trump, has drawn criticism for encouraging Stew Peters, an internet personality, and appearing on his show. Peters has labeled Judaism a “death cult” and has called for a “final solution” that involves the deportation of American Jews, and multiple watchdogs identify him as promoting antisemitism.

“Keep preaching,” Biggs told Peters at the end of his June 2023 appearance on the show, during which they discussed government corruption and Biggs agreed with Peters that the FBI should be abolished.

Biggs, 67, who won handily with 73.4% of votes according to multiple media outlets, will challenge Democratic Gov. Katie Hobbs in what is expected to be a competitive race in November. Biggs has represented Arizona’s 5th Congressional District, which is outside of Phoenix, since 2017.

 

 

His opponent in the GOP primary, Rep. David Schweikert, had put out a campaign mailer in March tying Biggs to white supremacy and antisemitism. The mailer featured mentions of Biggs’ interview with Peters as well as Biggs’ endorsement of Texas GOP candidate Brandon Herrera, who owned a copy of “Mein Kampf.”

Biggs’ campaign did not respond to the Jewish Telegraphic Agency’s request for comment, but in a local TV interview last month he called the accusations politically motivated and said, “This notion that I am antisemitic is absolutely one of the most ludicrous, insane arguments ever.”

In 2024, Biggs opposed the bipartisan Antisemitism Awareness Act, which passed in the House of Representatives. Biggs wrote that he opposes antisemitism and that the “pro-Hamas, pro-genocide, anti-Israel events happening across the nation are sickening.” He rejected the legislation, he said, because it was “so poorly drafted that it violates the Constitution and could have serious ramifications for the Christian community.” Right wing Republicans objected especially to the bill citing a definition of antisemitism that included as an example the claim that the Jews killed Jesus.

That same year, Biggs attended a rally co-sponsored by the Proud Boys, an extremist militia style group. In 2019, he spoke at a “Patriotism over Socialism” rally in Arizona, which watchdogs warned would draw extremist groups.

Media Matters, a group that mostly monitors right-wing groups, in 2023 wrote that “the links between Biggs and far-right extremists have been well-documented,” citing among other things his ties to another far-right group, the Oath Keepers.

The Republican Jewish Coalition did not respond to a question over whether it would support Biggs’ run for governor.

At a campaign event on Tuesday, Hobbs skewered Biggs for his denial of Trump’s 2020 election loss, and for not acknowledging Hobbs’ narrow 2022 gubernatorial victory over Republican Kari Lake.

This article originally appeared on JTA.org.

The post Arizona Rep. Andy Biggs cruises to GOP nomination for governor amid allegations of antisemitism appeared first on The Forward.

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