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On Israel’s 75th Independence Day, its flag has taken on new meaning as a protest symbol
TEL AVIV (JTA) — Avigail Arnheim has been protesting Benjamin Netanyahu for years, starting with the demonstrations in Jerusalem that began in 2020, calling on him to resign as Israel’s prime minister.
When Netanyahu returned to office in December, Arnheim again took to the streets — this time to protest Netanyahu’s attempt to sap the Israeli Supreme Court of its power. And now, she comes armed with what she sees as a potent symbol: an Israeli flag emblazoned with the words of the country’s Declaration of Independence.
“I feel that the people of Israel woke up, and finally understands that life needs to come with values, with morals and with caring,” she said at a mass protest Tuesday night in Tel Aviv, as Israel began celebrating its 75th Independence Day. Arnheim believes those ideas are reflected in the declaration, which was signed on the day of Israel’s founding, traces the connection of the Jewish people to the land of Israel, and pledges democracy and human rights.
She added, “I think that the meaning of the flag has received a place in a society that wasn’t aware of it for a long time.”
Seeing the streets of Israel festooned with flags is one of the hallmarks of the country’s Independence Day, called Yom Haatzmaut in Hebrew. It’s common for flags to line streets and hang from balconies. A popular children’s song sung on the holiday begins, “The whole land is flags.”
But this year, Israel’s quintessential national symbol has taken on a different meaning for some, as the hundreds of thousands of anti-government protesters have, for months, made the flag the icon of their cause. The flag has become so associated with the protests that Zichron Yaakov, a city north of Tel Aviv, briefly banned the flag and images of the Declaration of Independence from its Independence Day parade.
Voices on the right have chafed against the idea that the flag now indicates opposition to the government. But there was little, if any, skepticism about that idea on the streets of Tel Aviv on Tuesday night, where protesters enthusiastically adapted a range of Independence Day traditions to express their opinions.
Thousands of Israeli protesters wave flags during a rally against the Israeli government’s judicial overhaul bills in Jerusalem, March 27, 2023. (Gili Yaari/Flash90)
Some protesters viewed their embrace of the flag as a corrective that now allows the flag to represent what they see as Israel’s founding aspirations, following years during which it was perceived as a symbol of Israel’s right wing. Before this year’s protests, another prominent political association for the flag was with religious nationalists who hold an annual “flag march” in Jerusalem’s Old City that has stoked Israeli-Palestinian tensions.
“It’s a symbol that had been hijacked for way too long by the right,” said Roy Rob, a graphic designer at the Tel Aviv rally who splits his time between Israel and Brooklyn. “It’s the same in the States: The American flag has really been hijacked and pigeonholed.”
Regarding the Israeli flag, he added, “Now it’s being democratized again. It makes sense that the people who really care about the origin of Israel, what Israel is all about, use the original symbols of it.”
Some right-wingers aren’t ready to yield Israel’s national symbols. Gideon Dokov, an editor at the right-leaning newspaper Makor Rishon, called the idea that the flag represents opposition to the judicial overhaul “absurd.”
“By mistake or intentionally, it seems that in recent months, there are those who are trying to take ownership of the national symbols — the flag and the Declaration of Independence — on behalf of the protests, just as they’re trying to take ownership of [the concept of] democracy,” Dokov wrote earlier this month. “Both are incorrect.”
In any case, flags were ubiquitous at Tuesday night’s protest. When asked where they got theirs, several protesters made a perplexed face that seemed to ask, “Where have you been all this time?”
The flags, they said, aren’t hard to get. Many were distributed for free at earlier protests, along with black T-shirts that read, “De-mo-cra-cy” in Hebrew block letters, copying the central chant of the demonstrations. Other shirts, like Rob’s, which read, “There’s no democracy with occupation,” were also distributed by activist groups at earlier protests. Many flags included the phrase “Free in our land,” which comes from Israel’s national anthem.
Others already had flags at home, and some bought them recently. At the protest, a man who was selling the flags and other assorted tchotchkes out of a stuffed shopping cart said the flag itself, without a pole, costs around $5.50. He said he bought his merchandise from stores and was reselling it, but would not provide further details.
A flag vendor stands with his wares during a Yom Haatzmaut celebration and anti-government protest in Tel Aviv, April 25, 2023. (Ben Sales)
The flags with the Declaration of Independence text, Arnheim said, went for about $13.75 and were sold by their creator via group chats used to organize the protests. Nati Hochberg, who traveled from a town north of Tel Aviv to demonstrate, said he bought his flag (with pole) for some $11 at a hardware store, after someone stole a previous flag of his from his motorcycle.
“We’ve taken back what belongs to us,” Hochberg said of the flag. His friend Tal Vardi, who traveled with him and has had his flag for years, added, “This population for many years ceded these symbols and now it’s taking them back. … I don’t know if it happened coincidentally, but it’s a feeling that it also belongs to us.”
That the flag has turned into a protest symbol, said one woman from northern Israel who declined to give her name, elicits a mixture of “pride and sadness” regarding the political conflict raging in the country.
“It’s clearly preferable for this not to be,” she said while holding a flag identical to Arnheim’s. “But if it is like this, at least the flag should have meaning.”
The protesters didn’t shy away from adapting other Independence Day pastimes, either. A white, foamy spray traditionally blasted by children on the holiday was being rebranded at the protest as “democracy snow” (one big can for about $2.75).
At a less crowded area of the protest, someone used the spray to spell out “democracy” in large letters on the ground. On a nearby bicycle path, the word “Leave,” used as a chant against Netanyahu, was also written in the spray. A cyclist stopped short before running it over.
A Tel Aviv protest at the start of Yom Haatzmaut, Israel’s Independence Day, featured a sea of flags, April 25, 2023. (Ben Sales)
Soft plastic hammers, another holiday mainstay, were also visible throughout the crowd. And a DJ blasted classic Israeli dance music in the middle of the demonstration, including the American Jewish summer camp favorite “Zodiac,” sung by Yaron Hadad.
In general, signs of the protests freckle Tel Aviv, which has been the nerve center of the demonstrations and the bastion of Israel’s left-wing minority. Municipal bus stops bear signs playing on the words of the national anthem and implying that the protests will keep Israel “Free from racism,” “Free from repression of women” and more. Graffiti supporting the protests — such as “Bibi is a traitor” — also isn’t hard to find, though there is also a smattering of pro-overhaul graffiti such as one message calling Israel’s Supreme Court a dictatorship.
Some paraphernalia at the demonstration trumpeted specific causes, like an LGBTQ pride flag, a flag that spelled out “democracy” in the colors of the Israeli and Palestinian flags, or a T-shirt, given out by an self-styled “moderate majority” activist group, that read “I [heart] Bagatz,” the Hebrew acronym for the Supreme Court.
Some participants got more creative. At a table in a sparse area, a few people offered free alcohol to passersby while a young man using a megaphone sang “Democracy and arak” to the tune of the famous riff from the White Stripes’ “Seven Nation Army.”
The idea, his colleague Ron said, was to give people free drinks to celebrate the country and the protests — which they hope will preserve the possibility for young people to get an education and find dignified work.
“In general, this is our last shot to save democracy, so everyone who wants to save democracy gets a shot as a gift from us,” said Ron, 23, who declined to give his last name. ”We love everyone, and we love democracy.”
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The post On Israel’s 75th Independence Day, its flag has taken on new meaning as a protest symbol appeared first on Jewish Telegraphic Agency.
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Even Adam and Eve weren’t satisfied
האָסטו אַמאָל געטראַכט: „ווען איך וואָלט נאָר געהאַט דאָס אָדער יענץ, אָדער ווען מײַן מצבֿ וואָלט נאָר געווען אַנדערש, וואָלט איך געווען גליקלעך…“?
עס איז זייער אַנטמוטיקנדיק צו גלייבן אַז עס פֿעלט אונדז דאָס וואָס מיר דאַרפֿן כּדי צו דערגרייכן אונדזערע צילן און צו זײַן גליקלעך. און נאָך מער: ווען מען קומט צו אַזאַ מסקנה, פֿילט מען זיך ווי אַ קרבן פֿון די אומשטענדן, אוממעכטיק צו בײַטן די מציאות צום גוטן.
אָבער איז עס טאַקע אַזוי?
אין טיפֿן איז דאָס אַ פֿאַלשער חשבון. פֿרייד איז ניט אָפּהענגיק פֿון דעם וואָס מיר האָבן אָדער האָבן ניט, נאָר פֿון דעם ווי מיר קוקן אויף וואָס מיר האָבן און אויף וואָס עס פֿעלט אונדז.
אין דער וואָכעדיקער סדרה, בראשית, לייענען מיר וועגן בריאת־העולם און איר שפּיץ — די באַשאַפֿונג פֿון אָדם און חוה.
וואָס קען זײַן אַ בעסערער בײַשפּיל, אַז גליק איז ניט אָפּהענגיק פֿון אויסערלעכע אומשטענדן, ווי אָדם און חוה אין גן־עדן?
האָט זיי עפּעס געפֿעלט? ניין.
און דאָך האָבן זיי אַליין באַוויזן צו פֿאַרפּלאָנטערן דעם מצבֿ.
עס איז געווען בלויז איין בוים, פֿון וועמענס פֿרוכטן ג־ט האָט זיי פֿאַרווערט צו עסן, און זיי האָבן זיך ניט געקענט אײַנהאַלטן פֿון עסן דווקא פֿון יענעם בוים!
און נאָך מער: לויט דעם תּנא רבי מאיר איז דער בוים געווען אַ ווײַנשטאָק. זיי האָבן זיך געדאַרפֿט אָפּהאַלטן פֿון זײַנע פֿרוכטן בלויז עטלעכע שעה, ביז שבת וואָלט זיך אָנגעהויבן; דאַן וואָלטן זיי געקענט מאַכן קידוש אויפֿן ווײַן און אַזוי אײַנפֿירן אַן אייביקן שבת.
פֿאַר וואָס האָבן זיי ניט געקענט זיך אײַנהאַלטן?
עס איז אַ טייל פֿון אונדזער נאַטור צו וועלן דווקא דאָס וואָס מיר קענען ניט האָבן, און ניט אָפּצושאַצן ווי געהעריג דאָס וואָס מיר האָבן יאָ.
עס קלינגט כּמעט אומגלייבלעך — כאָטש דאָס געשעט צו אָפֿט — אָבער ווען ג־ט קומט צו אָדם און פֿאָדערט בײַ אים אַן ענטפֿער פֿאַר וואָס ער האָט געגעסן פֿון בוים, באַשולדיקט ער „די פֿרוי וואָס דו האָסט מיר געגעבן צו זײַן מיט מיר“, ווײַל זי האָט אים געגעבן צו עסן פֿון בוים.
וואָס פֿאַר אַן אומדאַנקבאַרקייט!
ג־ט האָט אים געגעבן אַ פֿרוי, ווײַל ער האָט געזען ווי שטאַרק אָדם לײַדט פֿון זײַן איינזאַמקייט. און אַנשטאָט אָפּצושאַצן דעם אוצר וואָס ער האָט באַקומען, קריטיקירט ער זי און באַשולדיקט זי.
אין אַ בריוו צו איינעם וואָס פֿלעגט זיך אָפֿט באַקלאָגן וועגן זײַן לעבן, שרײַבט דער ליובאַוויטשער רבי — זכותו יגן עלינו:
„אין דער וועלט אין וועלכער מיר לעבן, געפֿינט זיך אין אַלע זאַכן אַ געמיש פֿון גוטס און שלעכטס. דער מענטש דאַרף אויסקלײַבן אויף וועלכן פֿון די צוויי צדדים ער וויל לייגן דעם טראָפּ, אויף וועלכן ער וויל טראַכטן, און וועלכן ער וויל נאָכגיין…
„ווי באַלערנדיק איז דאָס וואָס אונדזערע חכמים זאָגן וועגן דעם וואָס אָדם איז געווען אַן אומדאַנקבאַרער: נאָך איידער ער איז פֿאַרטריבן געוואָרן פֿון גן־עדן — ווען ער האָט זיך נאָך געפֿונען אין אַ ממשותדיקן גן־עדן — האָט ער זיך שוין באַקלאָגט וועגן זײַן מצבֿ.
„פֿון דער אַנדערער זײַט זענען געווען ייִדן, מענער און פֿרויען, וואָס האָבן געדאַנקט און געבענטשט דעם באַשעפֿער, און געזאָגט די ברכות השחר יעדן אינדערפֿרי, בשעת זיי האָבן געלעבט אונטער די שרעקלעכסטע באַדינגונגען אין די דײַטשישע קאָנצענטראַציע־לאַגערן.
„אין דער ווירקלעכקייט וועט דער מצבֿ פֿון יעדן מענטש זיך געפֿינען ערגעץ צווישן די צוויי עקסטרעמען.
„מײַן כּוונה איז ניט אײַך צו מוסרן, נאָר אונטערצושטרײַכן אַ מציאות: וואָס פֿאַר אַ לעבן מיר לעבן — אַ לעבן פֿול מיט צופֿרידנקייט און באַדײַט, אָדער פֿאַרקערט — איז אין אַ גרויסער מאָס אָפּהענגיק פֿון אונדזער ווילנסקראַפֿט, וואָס באַשטימט צי מיר וועלן לייגן דעם טראָפּ אויף דעם פּאָזיטיוון אָדער אויף דעם נעגאַטיוון.“
מיר זײַנען מסוגל זיך צו באַקלאָגן אויף די באַדינגונגען אין גן־עדן און צו פֿילן הכּרת־הטובֿ, דאַנקשאַפֿט, אַפֿילו אין די אוממענטשלעכסטע באַדינגונגען פֿון אַ קאָנצענטראַציע־לאַגער.
איינער פֿון די פּערזענלעכע געהילפֿן בײַם רבין, הרבֿ בערל ע״ה יוניק, האָט דערציילט, אַז דער רבי האָט אים אַמאָל פּריוואַט געזאָגט:
„איך האָב געאַרבעט אויף זיך צו זען שטענדיק די זאַכן אין אַ פּאָזיטיוון ליכט; ווען ניט, וואָלט איך ניט געקענט איבערלעבן.“
ווען מען ווייסט וויפֿל פּערזענלעכע ליידן פֿון פֿאַרשידענע מינים דער רבי האָט אַליין דורכגעמאַכט, אין צוגאָב צו דעם ווייטיק פֿון די המונים מענטשן וואָס האָבן מיט אים געטיילט זייערע פּערזענלעכע צרות, קען מען פֿאַרשטיין, אַז אַזאַ בליק אויפֿן לעבן איז גאָר ניט קיין קליינע דערגרייכונג.
דערפֿאַר איז די „ווערקצײַג“ פֿון דער וואָך צו טראַכטן וועגן די פֿאָלגנדיקע פֿראַגעס:
זענען די אומשטענדן פֿון דײַן לעבן גוט אָדער שלעכט אומאָפּהענגיק פֿון דעם ווי דו קוקסט אויף זיי — אָדער ווערן זיי פֿאַר דיר גוט אָדער שלעכט דווקא צוליב דעם ווי דו קוקסט אויף זיי?
ס׳איז דאָ אַ וואָרט וואָס מען האָט געהערט אין נאָמען פֿון דעם דריטן חב״ד רבי, דעם צמח צדק זצ״ל: „אַזוי ווי מען שטעלט זיך אַוועק שבת בראשית, אַזוי גייט אַוועק אויף דעם גאַנצן יאָר“. דריק איך אויס די האָפֿענונג אַז מיר זאָלן אין דעם אַלע מצליח זײַן און האָבן אַ גוט געבענטשט יאָר.
The post Even Adam and Eve weren’t satisfied appeared first on The Forward.
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ADL makes a play for the arts with new reports suggesting anti-Jewish bias in culture spaces
(JTA) — The Anti-Defamation League is alleging “systemic exclusion of Jewish and Israeli artists” in a trio of reports released Thursday focusing on the publishing, museums and entertainment spaces.
The reports, which the ADL calls its “State of the Arts” initiative, were shared with the Jewish Telegraphic Agency in advance of their publication and come as Jews have expressed alarm about their treatment in a post-Oct. 7 cultural landscape. They include:
- Grades for 40 museums on Jewish and Israeli representation that the ADL says “reveal a pattern of erasure by omission,” including comparatively few recognitions of Jewish American Heritage Month.
- A “trend report” based on interviews with more than 30 Jewish authors and publishing professionals alleging boycotts and exclusions from the publishing industry based on their identities.
- A survey of 65 incidents of “Jewish, Israeli and openly Zionist artists fac[ing] growing scrutiny, protest, disruption and cancellation” from performance venues or pressure from pro-Palestinian groups since the Oct. 7, 2023, Hamas attacks in Israel.
- ADL-approved guidelines for how venues should host and engage with Jewish artists.
The reports will be accompanied by a launch event Thursday evening at the Jewish Museum in New York, to be attended by ADL CEO Jonathan Greenblatt as well as Jewish entertainers including actor Selma Blair and author and influencer Alyssa Rosenheck.
“We started to hear from patrons of the arts and artists and other people connected to museums that there was a real problem,” Shira Goodman, the ADL’s vice president of public affairs and special initiatives, told JTA in an interview about the genesis of the project.
As a result, the ADL started tracking Jewish and Israeli artists who had been targeted by protests. The group also heard from Jewish authors about the publishing industry, leading to an expansion of the project. Goodman said the team was motivated by the chance to leverage “boards of trustees and boards of directors, and donors, who might be able to have influence.”
“By shining a light on some of this, we might be able to have an effect and an impact,” she said.
The project follows the ADL’s campus antisemitism report cards, which launched in 2024 and assign letter grades to dozens of universities based on how well the group feels they have combated anti-Jewish sentiments. Criticized by many in higher education, and by some major Jewish groups including Hillel International, the report cards have nonetheless prompted several campuses to change or update their policies around Jewish issues.
That success led to the formation of a new ADL unit focused on ratings and assessments. Now, the watchdog’s attention is turning to the art world — at a moment when many eyes are trained on Jews and Israelis in those spaces.
Over the summer, a report from the literary free-speech group PEN America reached similar conclusions to the ADL on the exclusion felt by some Jewish and Israeli authors. The report led to deep internal divisions within PEN and the resignation of its president, who argued that the organization was not standing up for the free-speech rights of boycotters. New Jewish publishing initiatives aim to counteract what they say is the exclusion of Jewish voices in mainstream publishing.
Since Oct. 7, several pro-Israel Jewish artists, ranging from Jerry Seinfeld and Mayim Bialik to Matisyahu, have seen their events targeted by pro-Palestinian protesters. The ADL’s report catalogs all these incidents and more, including demonstrations staged by neo-Nazis against Jewish-themed theatrical shows, which the ADL’s staff said they see as equivalent to pro-Palestinian protests.
“They’re equally disruptive and exclusionary of Jewish voices,” Luda Isakharov, associate director of the ADL’s Ratings and Assessments Institute, told JTA. “We treat them the same in our grading.”
In recent weeks, two Israel-related arts controversies have further complicated the picture of how Jews in the cultural landscape orient themselves around the issue. Jewish mogul Robert Kraft pressured Ed Sheeran to drop Macklemore from his tour over the latter’s onstage rhetoric about Israel. And the Israeli documentary “NAZA” is being targeted by right-wing Israelis over the film’s detailing of the conduct of war in Gaza.
ADL researchers had no involvement in PEN’s publishing report, Goodman said; their own report argues that PEN didn’t go far enough. And while Greenblatt himself posted approvingly of Kraft’s role in the Macklemore dust-up, Goodman said the ADL has not yet thought through how it would record incidents like the Kraft controversy or the “NAZA” disputes, in which Jews or Israelis are the ones leading the protesting.
“We’re encouraging people to let speech go forward, to let concerts go forward,” she said. “Typically we have not been supportive of boycotts.” The report’s incident catalog, the ADL said, instead focuses on Jewish or Israeli artists targeted on the basis of their identities.
Goodman added, “We do speak out because we want celebrities to know how painful their language is, and the examples that they can set and what the impacts are.”
Both the Kraft and “NAZA” incidents occurred after the ADL had finalized its report. An earlier example of attempted cancellation directed at the “NAZA” filmmakers, when the mayor of Miami Beach briefly threatened to evict a theater showing the directors’ previous movie in 2025, failed to make the ADL’s catalog, although the directors are Jewish and Israeli.
One conclusion to draw from entertainment spaces’ relationship to Jews and Israelis, the ADL told JTA, is that many often cite heightened security concerns as a reason not to engage with the topic.
The museum report, similar to the campus report cards, assigns ratings to each of the 40 surveyed institutions, including major museums such as the Museum of Modern Art and the Guggenheim. Grades range from “Gold Standard,” which the ADL assigned only to the Berkeley Art Museum, to “Critically Deficient,” which it gave to 12 museums, including the Whitney and the Los Angeles County Museum of Art.
The criteria include the number of Jewish and Israeli artists in each museum’s collection and whether or not they are presented with “Jewish framing.” Among those approvingly cited as representative of Jewish or Israeli art are left-wing Jewish artists such as Nan Goldin, as well as Arab-Israelis whose “art was very critical of Israel,” according to Isakharov. Goldin’s name does not appear in the early copy of the report shared by JTA, though other Israel-critical Jewish artists do.
The ADL also recorded whether a museum had been the site of a pro-Palestinian protest, and whether it had a process in place for identifying art that had been stolen by the Nazis from Jewish families.
Museum ratings also factor in an institution’s policies around anti-discrimination for Jews and Jewish programming — including for Jewish American Heritage Month, which ADL researchers said only one of the surveyed museums currently observes. Meanwhile, according to the ADL, 60% of the same museums observe other ethnic heritage months.
Some museums have already reached out to the ADL to say they would be sharing more of their policies related to anti-Jewish discrimination, Isakharov said.
Meanwhile, the ADL’s publishing report, similar to PEN’s, relies largely on anecdotal evidence about Jewish authors and subjects reportedly being passed over by agents, publishers or literary venues after Oct. 7.
“Much of what’s going on is happening below the surface,” Isakharov told JTA. “It’s oftentimes a last-minute drop, a gut feeling that authors have, and that makes it so hard to prove.”
One of the authors the ADL plans to spotlight prominently is Rosenheck, a photographer, influencer and author of the memoir “White. Blond. Jew.” She will be speaking at the ADL’s launch event Thursday. Rosenheck has a previous relationship with the ADL, having appeared at its “Never Is Now” summit last year, and has also spoken at the Republican Jewish Coalition.
Rosenheck’s book launch event in Nashville was cancelled by an independent bookseller earlier this year citing security concerns, an incident condemned by the local federation.
“This is what literary antisemitism looks like,” Rosenheck is quoted as saying in the ADL report, referring to her experience with the bookstore as well as negative posts about her book online.
Some Jewish scholars of publishing trends are critical of reports that suggest Jewish authors and subjects are facing discrimination. Such conclusions, they say, fail to make the case that Jews have been treated unfairly outside of industry norms.
Wellesley College professor Josh Lambert and Emory University professor Dan Sinykin, in a joint report also published Thursday, accuse the ADL’s study of being promoted by “political motivations.”
“The ADL’s report features quotes by a handful of right-wing activists (without acknowledging them as such), conflates Jews and Zionists, and opposes boycotts — all familiar strategies to suppress leftist Jewish and pro-Palestinian expression,” Lambert and Sinykin write in the left-wing magazine Jewish Currents.
The two present their own data suggesting that Jewish- and Israeli-themed fiction, after declining in 2024, actually entered an upswing in 2025. They also challenge some of the claims made by the PEN report’s key interview subjects, including the number of Jewish books one Jewish agent claimed to have signed since Oct. 7. Their story has prompted a correction on the PEN report.
This article originally appeared on JTA.org.
The post ADL makes a play for the arts with new reports suggesting anti-Jewish bias in culture spaces appeared first on The Forward.
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Netanyahu pledges new security measures in wake of FlyDubai attack
(JTA) — President Donald Trump spoke to Israeli Prime Minister Benjamin Netanyahu “at length” about the flydubai attack on Wednesday, while the United Arab Emirates said it was opening an investigation into the incident.
The UAE noted in a statement that the investigation included looking at “any and all possible connection to terrorist intent” after one pilot attacked another on a flight from Dubai to Tel Aviv and appeared to try to down the plane.
Netanyahu also spoke to UAE leaders about the event, acknowledging as of Wednesday night that it couldn’t be ruled out that the attacker was acting out of mental illness rather than political motivations.
He told CBS News that the co-pilot allegedly behind the attack is being interrogated in Saudi Arabia, where the plane eventually landed. “He will be investigated, interrogated, we’ll join the investigation and find out.”
While Netanyahu pointed to Israel having received signs that Iran, particularly through its proxies, was looking to attack Israelis abroad, he told CBS that “It’s too early to say there was Iranian collusion here.”
He noted that Israel is “concerned” about the safety of other flights to Israel and that flydubai flights were suspended for the next few days. At the same time Israel is trying to put in place additional security checks and close the loopholes that had led to this incident. He pointed out that most screening protocols have until now been aimed at passengers rather than pilots.
“We’re going to have Israeli planes fly to Dubai and bring the thousands and thousands of Israelis” back home, he said.
He also referred to reports of terror attacks being planned by Iran before the Oct. 27 national elections, necessitating extra vigilance on the part of the government.
Both Trump and Netauand praised the heroism of Israel passenger Yaniv Hayun, who first entered the cockpit and saved the plane from near-certain disaster.
Trump told the media that Netanyahu had told him “an incredible story” about what happened, though he noted he hadn’t himself verified the details.
“An Israeli plumber, never flew a plane, was rarely in planes, very rarely flew,” Trump said referring to Hayun, “having never flown a plane, he took the stick, lifted the stick and leveled out the plane before it crashed.”
Trump noted that Hayun attributed his knowledge of what to do to being a regular watcher of the TV show “Air Disasters.”
“He happened to be a Jewish plumber,” Trump noted, apparently making the comment to a staffer nearby who is Jewish himself and whom Trump called “very proud” of the passenger.
Netanyahu himself told Fox News that Hayun’s “act of unbelievable courage” saved the plane from disaster.
“It’s incredible heroism. I don’t know how he did it.”
He continued, “He managed to enter the cockpit, he saw the attacker trying to jam the instruments. He grabbed him from behind, pulled the stick back,” and then two other people on the plane headed off the attacker while reserve pilots on the plane took over.
This article originally appeared on JTA.org.
The post Netanyahu pledges new security measures in wake of FlyDubai attack appeared first on The Forward.
