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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.
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Israel to Sue New York Times Over Article Alleging Widespread Rape of Palestinian Prisoners
The New York Times building in New York City. Photo: Wikimedia Commons
Israel on Thursday announced that it plans to sue The New York Times, after the newspaper published a column earlier this week alleging widespread sexual abuse and rape against Palestinians in Israeli prisons.
“Following the publication by Nicholas Kristof in The New York Times of one of the most hideous and distorted lies ever published against the State of Israel in the modern press, which also received the backing of the newspaper, Prime Minister Benjamin Netanyahu and Foreign Minister Gideon Sa’ar have instructed the initiation of a defamation lawsuit against The New York Times,” the Israeli Foreign Ministry posted on social media.
On his personal X account, Netanyahu wrote that he has instructed his legal advisers “to consider the harshest legal action against The New York Times and Nicholas Kristof,” the columnist who authored the article, which was published on Monday.
“They defamed the soldiers of Israel and perpetuated a blood libel about rape, trying to create a false symmetry between the genocidal terrorists of Hamas and Israel’s valiant soldiers,” Netanyahu stated. “Under my leadership, Israel will not be silent. We will fight these lies in the court of public opinion and in the court of law. Truth will prevail.”
Israel’s Foreign Ministry has accused the Times of deliberately timing the column to “undermine” Tuesday’s publication of an extensive Israeli report detailing how Hamas-led Palestinian terrorists used sexual violence as a weapon of war against both those attacked in southern Israel on Oct. 7, 2023, and the hostages kidnapped and held captive in Gaza.
The Civil Commission on Oct. 7th Crimes by Hamas Against Women and Children, an Israeli NGO established to document the atrocities, drew on substantial evidence to expose the Palestinian terrorists’ use of mass rape, torture, and other forms of sexual violence, explaining the atrocities were not incidental but “systematic, deliberate, and embedded in the attack itself.”
The commission approached the Times months ago regarding its then-forthcoming report, but the publication “said it was not interested,” according to the Israeli Foreign Ministry.
“This comprehensive and well-documented report was published this morning by CNN and other international outlets. Aware of the report and its release date, the night before its release the NYT ran a shameful attack on Israel, belittling Hamas’ sexual crimes. That tells you everything about the NYT’s agenda,” the ministry added.
“Built on unverified claims and Hamas-linked sources like EMHRM [Euro-Med Human Rights Monitor]. No evidence. No verified complaints. A politically driven smear campaign by a biased paper designed to support efforts to blacklist Israel,” the ministry further said of the column, which it described as “Hamas propaganda, a distortion of the truth and the facts all serving an anti-Israel agenda.”
“This disgusting shameful piece must be removed immediately,” the ministry added.
Kirstof’s article described “brutal sexual abuse [of Palestinian prisoners] at the hands of Israel’s prison guards, soldiers, settlers, and interrogators.” The journalist quoted Palestinians who said they had been regularly stripped naked in prison, forcibly penetrated with various objects, and even raped by specially trained dogs — a claim that multiple dog trainers have said on the record this week is not possible.
Beyond the fierce denials of Israeli officials, several experts and commentators have noted that many of the “14 men and women” interviewed by Kristoff have ties to Hamas or anti-Israel activism, calling the report into question. Media watchdog groups have questioned the integrity of the sourcing and whether the Times lowered its rigid editorial standards to publish the article.
On Wednesday night, the Times issued a statement defending Kristof’s column. A spokesperson for the publication said the two-time Pulitzer Prize-winning journalist “draws together on-the-record accounts and cites several analyses documenting the practice of sexual violence and abuse conducted by various parts of Israel’s security forces and settlers.”
“The accounts of the 14 men and women he interviewed were corroborated with other witnesses, whenever possible, and with people the victims confided in – that includes family members and lawyers,” the spokesperson added. “Details were extensively fact-checked, with accounts further cross-referenced with news reporting, independent research from human-rights groups, surveys, and in one case, with UN testimony. Independent experts were consulted on the assertions in the piece throughout reporting and fact-checking.”
The Times had issued a separate statement on Tuesday that also voiced support for Kristof and the accuracy of his article. The publication additionally claimed it “never passed” on the Israeli commission report and “wasn’t told about its completion or the timing of its release.”
“Once the report was made public, we covered its findings. The commission’s work also had no bearing on Nicholas Kristof’s opinion column or its publication timing,” said a Times spokesperson.
Kristof’s column has been criticized by the Embassy of Israel to the United States and Ambassador Yechiel Leiter, former US Ambassador to the UN Nikki Haley, Jewish organizations, and fellow journalists. CNN commentator Scott Jennings described the piece as “journalistic atrocity” in a post on X. “If everyone at the NYT who is responsible for this is not fired, then the publication will lose whatever shred of credibility it has left,” he added.
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Alex Soros commits $30 million to organizations fighting antisemitism — and its weaponization
The Open Society Foundations, founded by Jewish financier and philanthropist George Soros and now led by his son Alex, announced that it would give $30 million to organizations fighting antisemitism and Islamophobia.
“As the son of a Holocaust survivor and a Jew, I am acutely aware of the dangers of antisemitism,” Alex Soros said in a video announcing the campaign Wednesday.
The grants, which will be rolled out over the next three years, represent a major infusion of cash for organizations approaching antisemitism with a more progressive framework than establishment Jewish groups.
Many of those receiving funding — including Bend the Arc, the Nexus Project and New Jewish Narrative — have focused much of their efforts on countering what they see as efforts to restrict legitimate speech criticizing Israel under the guise of countering antisemitism. That work also involves attempts to recalibrate how incidents get counted.
Open Society said in a press release that it is committed to “distinguishing antisemitism from legitimate criticism of Israeli government policies that violate international human rights and humanitarian law.”
The Nexus Project, for example, was significantly expanded in 2024 after creating an alternative to the International Holocaust Remembrance Alliance’s working definition of antisemitism, which classifies much criticism of Israel as antisemitic and continues to be promoted by the country’s largest Jewish groups.
Several of the organizations being funded as part of the new $30 million commitment had received one-off Open Society grants in the past, including Nexus and the Jewish Council for Public Affairs.
Kevin Rachlin, Washington director for Nexus, said its new funding from Soros will be directed toward the launch of an antisemitism research center, led by a former senior analyst from the Anti-Defamation League who has sought to show how the ADL’s “messaging doesn’t always match with what their data shows.”
While the ADL continues to produce the most detailed accounting of antisemitic incidents in the U.S., it has changed its methodology in recent years to count certain political expressions of anti-Zionism as forms of antisemitism. For example, Aryeh Tuchman, director of the Nexus research center, said in a recent interview that 20% of the 600 campus incidents tallied by the ADL in its count released earlier this month referred to students using slogans like “from the river to the sea.”
“When the audit puts contested incidents like that in the same report as a neo-Nazi putting a swastika on a synagogue and it’s just presented in a topline number — that number can perhaps distort our understanding of what is actually happening,” said Tuchman, who until recently helped oversee the ADL’s annual audit.
But even with the new dollars, organizations that contend anti-Zionism is a form of antisemitism, and that have accordingly sought to crack down on campus protests against Israel, retain a large funding advantage. Annual budgets for the ADL and the American Jewish Committee, for example, each exceed $100 million.
Soros grants come with ‘baggage’
The Soros grants also come with some controversy attached. Open Society has long funded Israeli and Palestinian human rights groups as well as pro-Palestinian organizations in the United States, including Al-Haq, B’Tselem and Breaking the Silence.
It has also supported Euro-Med Human Rights Monitor, a major source for the recent New York Times column that alleged Israeli prison guards have used dogs to rape Palestinian prisoners — a report condemend as a “blood libel” by the Israeli government.
George Soros and Open Society have also been the subject of many far-right conspiracy theories, some of which have relied on antisemitic claims — including that Soros was supposedly taking over the world on behalf of, variously, socialists, Jews or “globalists.” George Soros, a Holocaust survivor born in Hungary in 1930, invested heavily in projects promoting democracy behind the former Iron Curtain, making him a target for oligarchs as they consolidated power.
“Obviously, for any funding, there’s baggage,” said Rachlin. “There are those who are going to hate Soros.”
The decision to funnel the $30 million to not only combating antisemitism but also fighting anti-Muslim hate emphasized what the foundation sees as the need for Jewish and Muslim organizations to work together. “We’ve seen this alarming intensification of antisemitism over the past few years, and at the same time the explosion of anti-Muslim hate,” said Sean Savett, a spokesperson for Open Society. “It just feels like we’ve gone back 10 or 15 years in this country.”
Alex Soros is married to Huma Abdein, a longtime advisor to Hillary Clinton, who is Muslim, which he referenced in his announcement video. “Discrimination and hate aren’t abstract concepts to me or my family,” he said.
The Jewish Council for Public Affairs, another one of the grantees, helped organize a statement from the Leadership Conference on Civil and Human Rights, a major coalition of legacy civil rights groups, following the firebombing attack in Boulder, Colorado, last spring, and has partnered with the Muslim Public Affairs Council.
“Post-Oct. 7, we’re seeing extreme voices on both ends of the political spectrum exploit the conflict to pit our communities against each other,” said Amy Spitalnick, CEO of JCPA.
Open Society is also funding the Jewish Social Justice Roundtable, a coalition of nearly 70 mostly progressive Jewish organizations that executive director Abby Levine said had recently focused more specifically on addressing antisemitism.
The post Alex Soros commits $30 million to organizations fighting antisemitism — and its weaponization appeared first on The Forward.
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Here Are Some Positive Local Developments in Support of Israel You Haven’t Heard About
Tennessee State Capitol Building in Nashville. Photo: Andre Porter/Wikimedia Commons.
On April 27, 2026, Tennessee Governor Bill Lee (R) signed legislation requiring state agencies to use the geographic name “Judea and Samaria” instead of “West Bank” in official state materials. Known as the “Recognizing Judea and Samaria Act,” the law asserts that these terms are historically and Biblically accurate.
Just the week before, the members of the Arizona House passed a nonbinding resolution saying the same thing, after the Arizona Senate approved the legislation in February.
These pro-Israel bills earned little press in the Jewish community and even less in the general media outside of Tennessee and Arizona. Americans of all faiths who support Israel should applaud the lawmakers in both Arizona and Tennessee for their leadership and commitment to historical truth. At a time of increasing misinformation and the targeting of Israel, this bill sends a clear message about the significance of recognizing the Jewish people’s deep ties — dating back to Biblical times — to the Land of Israel.
The city of Hebron is in Judea and is the ancient resting place of Abraham and Sarah, Isaac and Rebecca, and Jacob and Leah. There are so many other links and ties proving the deep and continuous Jewish presence in the land, and these bills acknowledge that.
What’s more, this is a defeat for anti-Israel radicals in Tennessee who fought against the bill. The New York Times reported about those efforts: “The day of lobbying this month in the State Capitol in Nashville, coordinated by the American Muslim Advisory Council, attracted more than 100 Muslim students and community leaders.”
One year ago, Arkansas state legislators passed their “Recognizing Judea and Samaria Act,” following a 2023 Arkansas General Assembly resolution urging the use of the term “Judea and Samaria” instead of “the West Bank” in official state language.
While it can be argued that Arkansas, Tennessee, and Arizona are right leaning states, they often have Democratic or moderate trends and representatives. For example, from December 2020 through the beginning of 2023 neither of Arizona’s two senators were Republican. While Arizona Republicans control the state legislature, the margin is far from wide with just a handful of seats separating the parties.
Given the unprecedented levels of anti-Israel activity in both parties and the fact that anti-Zionists radicals are winning the anti-Israel legislation fight in far too many parts of the country, the question of how these seemingly symbolic wins matter is a legitimate one to ask.
Tip O’Neill, the Speaker of the House from 1977 to 1987, is remembered for coining the saying that “all politics is local.” From Jimmy Carter to Barack Obama, how many politicians serve early in their careers in their state legislatures? What’s more, these efforts force anti-Israel activists to play defense and occupy their time with things other than BDS, as was the case in Tennessee.
These are the kinds of innovative, accessible, and positive initiatives that the pro-Israel community should pursue much more frequently. Our confidence has been shaken by the harsh criticism of Israel from far too many on Capitol Hill, and these local efforts have been missing from our playbook for much longer than may have been reasonable. If only a handful more states enact such legislation, it will still be well worth it. Correcting false narratives and fighting for a cause you believe in is always worth it.
Moshe Phillips is national chairman of Americans For A Safe Israel, AFSI, (www.AFSI.org), a leading pro-Israel advocacy and education organization.