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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.
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Israeli Christian Leader: Tucker Carlson ‘Doesn’t Want the Truth,’ Endangers Christians Elsewhere by Lying About Israel
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
Firebrand podcaster Tucker Carlson drew a barrage of heat from Israelis after claiming he was “detained and interrogated” during a brief stop at Ben Gurion Airport on Wednesday, with former Prime Minister Naftali Bennett calling him “a chickens**t” and “a phony” and an Israeli Christian leader describing him as “an enemy of Israel” for lying about the country’s treatment of Christians.
Shadi Khalloul, founder of the Israeli Christian Aramaic Association and a former Knesset candidate, accused the former Fox News host-turned-far-right conspiracy theorist of “destroying Christian-Jewish relations” all over the world and “endangering the persecuted Christian community in the Middle East” by portraying Israel as hostile to Christianity.
“The truth is exactly the opposite,” he said, describing Christians in Israel as enjoying freedom and equal opportunity.
In Khalloul’s telling, Carlson is choosing scenes and storylines that travel well online, then skipping the reporting that might complicate them.
“Tucker Carlson doesn’t want the truth. The truth doesn’t exist in his lexicon,” Khalloul told The Algemeiner.
Earlier this month, Khalloul invited Carlson to a tour of Christian communities and holy sites in Israel, including a meeting with his brother-in-law, the head of the Maronite Church of Israel, but received no response.
I invited @TuckerCarlson to take advantage of his upcoming visit to Israel and meet our thriving Christian community – to see with his own eyes the people and realities he speaks about so confidently and so often on his platform.
This letter was sent a week ago to every email… pic.twitter.com/lcBiecCtUx
— Shadi khalloul שאדי ח’לול (@shadikhalloul) February 17, 2026
“If he [Carlson] was really willing to help, he would come interview us, hear our views, our narrative,” Khalloul said, adding the podcaster would then be able to “expose the oppression of Christians in Lebanon, in Iraq, in Syria, and under the Palestinian Authority by a radical Islamic propaganda agenda,” rather than “talking about me and my community as being persecuted by Israel.”
He pointed to anti-Christian violence in Syria, including a recent church bombing in Damascus, and to the arrest of Maronite official Moussa el-Hajj in Lebanon after he was arrested by Hezbollah operatives at the Lebanese border carrying money and medicine sent from Israel’s Christian community.
Christian communities all over the region are continuing “to shrink while we here are thriving and increasing in numbers and happily living in Israel,” Khalloul said.
Khalloul’s comments came after Carlson spent only a few hours in Israel on Wednesday for an interview with US Ambassador Mike Huckabee and chose not to leave the Ben Gurion Airport facility before flying out of the country.
Bennett described the polemical commentator’s visit as a staged drive-by meant to give him a basis for future anti-Israel commentary.
“Tucker Carlson is a chickens**t,” Bennett posted on the social media platform X.
Tucker Carlson is a chickenshit.
The guy who’s been spouting lies about Israel for the past two years,
landed today at Ben Gurion airport,
took a quick picture in the logistics zone,
tweeted it to pretend he’s actually IN Israel (so he can later claim that he’s a serious… https://t.co/ZWZ8aY7BAG— Naftali Bennett נפתלי בנט (@naftalibennett) February 18, 2026
Carlson, who has been “spouting lies about Israel for the past two years,” didn’t even step foot in the country, Bennett wrote, and instead posted a photo taken in the airport logistics zone to “pretend he’s actually IN Israel (so he can later claim that he’s a serious reporter who toured Israel).”
He “whined” and “made up a story that he’s being supposedly harassed by our security (didn’t happen),” he continued.
“Next time he talks about Israel as if he’s some expert, just remember this guy is a phony!” Bennett concluded.
Carlson’s version, carried by outlets including the New York Post and the Daily Mail, said airport security took passports and “hauled” his executive producer into a room and interrogated him about the interview Carlson had just recorded with Huckabee.
Huckabee pushed back publicly, writing on X: “EVERYONE who comes in/out of Israel (every country for that matter) has passports checked & routinely asked security questions.”
Israel’s Airports Authority also rejected Carlson’s account, saying he and his team were not “detained, delayed, or interrogated” and were only asked “a few routine questions” in a side room inside the VIP lounge “solely to protect their privacy.”
“No unusual incident occurred,” the authority said, adding that it “firmly rejects any other claims.”
Carlson’s airport detention story was “another lie” by “someone who is always inventing stories,” according to Khalloul.
Carlson’s own platform promoted the trip as a fact-finding mission. In a monologue titled “We’re headed to Israel. Here’s why,” his site said he was traveling to “get answers to questions that no one will answer.”
His show page also carried an episode billed as “Israel’s Purging of Christians From the Holy Land and the Plot to Keep Americans From Noticing,” part of a series focused on Christian treatment by the “US-funded Israeli government.”
Commentators on social media pointed out that Carlson’s posting “Greetings from Israel” from an airport logistics zone, then flying out, does not amount to visiting the country in any ordinary sense.
Carlson’s brief trip to Israel contrasts with his interview of Russian President Vladimir Putin in 2024, when he spent multiple days in Russia praising the country on video and infamously marveling at the use of locks on shopping carts — a common feature in Europe.
The podcaster’s visit to Israel also differed from his trip to Doha in December, when he interviewed Qatari Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani and revealed his plans to purchase a home in the country. Qatar has been a long-time backer of the Muslim Brotherhood, including its Palestinian offshoot Hamas, an internationally designated terrorist group.
Carlson has ramped up his anti-Israel content over the last year, according to a study released in December by the Jewish People Policy Institute (JPPI), which tracked the prominent far-right podcaster’s disproportionate emphasis on attacking the Jewish state in 2025.
In September, for example, the podcaster appeared to blame the Jewish people for the crucifixion of Jesus and suggest Israel was behind the assassination of American conservative activist Charlie Kirk.
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Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute
(JTA) — Israel’s highest court has delivered a unanimous rebuke to state and municipal authorities over long-stalled plans to upgrade the Western Wall’s egalitarian prayer section, intensifying a dispute that has come to symbolize broader tensions over religious pluralism in Israel.
In a decision issued Thursday, an expanded seven-justice panel of the High Court of Justice ordered the national government and the Jerusalem Municipality to move forward with building permits needed for repairs and infrastructure improvements at the Ezrat Israel prayer platform, the area designated for mixed-gender and non-Orthodox worship south of the main Western Wall plaza.
The ruling imposes strict procedural deadlines aimed at ending what the justices described as years of exceptional delay following a 2016 deal to permit egalitarian prayer at the holy site. Acceding to pressure from haredi Orthodox politicians, Prime Minister Benjamin Netanyahu froze the deal the following year, triggering a legal petition by Judaism’s Reform and Masorti/Conservative movements, Women of the Wall and Israeli religious pluralism advocacy groups.
Today, the groups say, area remains difficult to access, lacks adequate facilities, and does not provide meaningful proximity to the Wall’s stones — conditions they view as discriminatory toward non-Orthodox worshippers.
“For nine years, the state and the municipality have been dragging their feet and refusing to promote an egalitarian, respectful, and accessible alternative in the Ezrat Israel,” Attorneys Ori Narov and Orly Erez-Likhovski, who represent the Reform Movement in Israel, one of the petitioners, said in a statement to Times of Israel. “Now, the court is ordering an end to the foot-dragging.”
The court did not revisit legal questions surrounding prayer rights at the site, emphasizing that the decision focused on the “practical implementation” of matters already litigated. Instead, the justices targeted bureaucratic obstacles that have repeatedly slowed or blocked construction, particularly disputes involving planning approvals and the Israel Antiquities Authority.
The court ruled that existing government approvals are still valid and that any remaining sign-off from the Antiquities Authority must be decided within 14 days, removing key grounds for further delays. After that, the state must file new building permit requests within 14 days. If officials don’t respond within 45 days, it will count as a rejection and the state must appeal. The state and city must also update the court within 90 days.
The decision arrives amid renewed friction at the Western Wall, Judaism’s holiest site and a focal point of Israel’s long-running struggle over religious authority. It also comes just one day after Israeli police detained two leaders of Women of the Wall during the group’s monthly Rosh Chodesh prayer service marking a new Jewish month.
The activists were briefly held after conducting a Torah reading near the site. Women of the Wall, which campaigns for expanded women’s prayer rights, has clashed for years with authorities over practices permitted under non-Orthodox traditions but restricted in the gender-segregated main plaza.
Pluralism advocates hailed the court’s intervention as a significant victory, noting both the unanimity of the decision and the ideological diversity of the judicial panel.
“An expanded panel of the Supreme Court, including conservative jurists, has unanimously ruled that the Government of Israel and the Jerusalem Municipality must put an end to their foot dragging and get to work,” said World Zionist Organization Vice Chairman Yizhar Hess, a senior representative of the Masorti/Conservative movement, in a statement.
Hess accused authorities of maintaining an “endless, creative litany of excuses” to block repairs necessary to ensure direct access to the Wall’s stones at the egalitarian platform. “This is a victory for those who believe in Jewish pluralism in Israel and that every Jew from every stream should have the equal opportunity to pray according to their custom at our holiest site,” he said.
The post Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute appeared first on The Forward.
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Australian Bar Shut Down for Displaying Posters of Netanyahu, Putin, Trump in Nazi-Like Uniforms
Adolf Hitler in Nuremberg in 1938. Photo: Imperial War Museums.
A live music bar and cafe in Australia was shut down by local police on Wednesday for displaying posters that depict world leaders and others, including Israeli Prime Minister Benjamin Netanyahu and US President Donald Trump, wearing Nazi-like uniforms.
The Dissent Cafe and Bar in Canberra Central said in a Facebook post that ACT Policing, the community policing arm of the Australian Federal Police, shut down the venue for two and a half hours on Wednesday night. Police said they were investigating a complaint about possible hate imagery relating to five posters in the venue’s window display. A scheduled performance at the bar and cafe was also canceled because of the shutdown.
ACT Policing said in a statement on Thursday that it declared the cafe a crime scene and officers would investigate whether there was a breach of new Commonwealth law about hate symbols. Police noted that they asked the venue’s owner to remove the posters and he refused.
“Officers attended the premises and had a discussion with the owner, with officers seeking to remove the posters as part of their investigation into the matter. The owner declined this request and so a crime scene was established,” read the police statement. “Five posters were subsequently seized and will be considered under recently enacted Commonwealth legislation regarding hate symbols.”
The Dissent Cafe and Bar had displayed in its front windows posters depicting Netanyahu, Trump, Russia’s President Vladimir Putin, US Vice President JD Vance and Tesla co-founder Elon Musk in Nazi-like uniforms. The posters were created by the artist group Grow Up Art and underneath them were signs in the window that said “Sanction Israel” and “Stop Genocide.” Grow Up Art displayed the same images as part of a billboard poster campaign last summer and they are also sold on t-shirts. The artist group nicknamed the men in the posters collectively as “The Turd Reich,” a play on the Third Reich, the name for the Nazi dictatorship in Germany under Adolf Hitler’s rule.
Dissent Cafe and Bar has defended the artwork, saying it is “clearly and obviously parody art with a distinct anti fascist [sic] message.”
“In what is obviously harassment the ACT police have declared a crime scene at Dissent and tonight’s gig is unfortunately canceled,” Dissent Cafe and Bar wrote on Facebook when the closure happened on Wednesday.
The posters have since been placed back in the windows of the live music bar, but the images are now covered with the word “CENSORED” in red. ACT Policing said on Thursday they are still investigating the posters and are also “seeking legal advice on their legality.”
“ACT Policing remains committed to ensuring that alleged antisemitic, racist, and hate incidents are addressed promptly and thoroughly, and when possible criminality is identified, ACT Policing will not hesitate to take appropriate action,” police added.