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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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Jewish cuisine in Warsaw, 1938
ס׳איז לעצטנס אַרויס אַ העברעיִשע איבערזעצונג פֿון בני מערס בוך וועגן דעם פֿאַר־מלמהדיקן ייִדישן כאַראַקטער פֿון סמאָטשע־גאַס אין וואַרשע. דאָס נײַע בוך, „מורה דרך: ורשה היהודית 1938“, דינט ווי אַ מין וועגווײַזער פֿאַר ישׂראלדיקע לייענער פֿון יענעם באַרימטן ייִדישן קוואַרטאַל, באַטאָנענדיק זײַנע באַזונדערע מנהגים, מאכלים, לשון, ליטעראַטור, קולטור און רעליגיע. קיין שום פּרט אין בוך איז נישט אויסגעטראַכט – אַ חוץ דעם וואָס דער וועגווײַזער אַליין איז געשריבן געוואָרן הײַנט, און נישט אין 1938. אָט איז אַ טייל פֿון דעם קאַפּיטל וועגן דער ייִדישער קיך אין וואַרשע.
אינעם ייִדישן קוואַרטאַל פֿון וואַרשע געפֿינען זיך נישט קיין באַזונדערע מאכלים. די ייִדן וואָס זײַנען אַהין געקומען האָבן מיטגעבראַכט זייערע אייגענע שפּײַזן, און דערפֿאַר קאָן מען דאָ עסן אַלץ, הכּל-בכּל. נישט אומזיסט האָבן מיר אַ שם פֿון „וואַרשעווער פֿרעסערס“, און אויך איר, טײַערע געסט, וועט נישט אַרויס חלילה הונגעריקע.
טרינקען טרינקט מען דאָ קודם-כּל די בײַערישע ביר „האָבערבוש און שילע“ (וואָס ווערט פּראָדוצירט נישט ווײַט פֿון דער „גמינע“ — דאָס קהילה-הויז — אויף גזשיבאָווסקע גאַס), און דערצו טרינקט מען פֿאַרשיידענע וואָדקעס און ספּירט. לשם מצוות-אכילה עסט מען דערבײַ הערינג מיט ציבעלע, האַרטע אייער, אייער-קיכלעך (זיסע אָדער געזאַלצענע), וואַסער-פּלעצלעך, געפֿעפֿערטע אַרבעס (געלע) און אַ שטיקל פּינטאָשוו קעז. אין די קאָנדיטערײַען און קאַפֿעען גיט מען קרעם-, שאָקאָלאַדע- און עפּל-טשאַסטקעס (קוכנס), ווי אויך לעקעך.
אונדזער קיך האָט אַ שם געמאַכט מיט אירע שבתדיקע און יום-טובֿדיקע דעליקאַטעסן. אויפֿן וואַרשעווער שבתדיקן טיש וועט איר געפֿינען יויך, גענדז אָדער בעפֿשטיק, געפֿילטע פֿיש (כאָטש מיר האָבן ליב אויך ליטוואַקעס, דאָ זײַנען זיי צימעס זיס). שבת אין דער פֿרי עסט מען טשאָלנט (ד״ה טשונט, אויף אונדזער לשון), קישקע און פֿאַרשיידענע קוגלען און קאָמפּאָטן.
יעדן יום-טובֿ האָט זײַנע אייגענע מאכלים. פּורים, למשל, עסט מען יויך מיט קרעפּלעך, געפֿילטע פֿיש, אייער-חלה, קיכלעך פֿון האָניק און צימרינג, מאַנדלען-קיכלעך, המן־טאַשן, אונגערישן ווײַן און מעד. פּסח עסט מען זיסע מצה-מעל-קיכלעך געטונקען אין ווײַן.
פֿײַנשמעקערס וועלן דאָ אויך געפֿינען די פֿראַנצויזישע קיך מיט אַ ייִדישן טעם. אין אונדזער רעפּרעזענטאַטיווסטן קרוין־רעסטאָראַן, „פּיקאַדילי“, וואָס געפֿינט זיך אויף ביעלאַנסקע 5 (טעל׳ 23-116), לעבן טעאַטער נאָוואָשטשי, דערלאַנגט מען אַ גענדזענעם לעבער, געפֿילטע פּאָמידאָרן, געגליווערטן קאַרפּ, שוואַרצן און רויטן קאַוויאַר (פֿון דרײַ זלאָטעס אַ מיטאָג). אין די מער פּאָפּולערע רעסטאָראַנען (ווי די פֿון י’ עלקענבוים אויף סמאָטשע 27, טעל׳ 77-162) באַקומט איר פֿיש מיט קליסקעלעך, וועמפּלעך מיט קישקע, קרופּניק מיט פֿלייש, קאָטלעטן, זופּן, קלאָפּסקאַלעך מיט פֿערפֿל — און אַלץ פֿאַר איין זלאָטע, מער אָדער ווייניקער. אויך די רעסטאָראַנען „יאַגאָדע“ (טווואַרדע 26, טעל׳ 34-205), „A la minute“, אויף דער שוויינטאָקזשיסקע־גאַס 43 43-341), יעקבֿ אַרבעס, נאַלעווקעס 9 – וועט אײַך גאָרנישט שאַטן.
שפּאָרעוודיקע טוריסטן וועלן הנאה האָבן פֿון פֿאַרשיידענע מיטאָגן וואָס ווערן פֿאַרקויפֿט אין פּריוואַטע דירות. געוויינטלעך וועט איר נישט זען קיין שום שילד; די אינפֿאָרמאַציע געפֿינט זיך אין דער צײַטונג „אונזער עקספּרעס“ אָדער אין די מעלדונגען וואָס ווערן געטיילט צו די פֿאַרבײַגייערס. למשל: אַ מיטאָג פֿון פֿיר שפּײַזן מיט קאָמפּאָט קאָסט דאָ נאָר זיבעציק גראָשן (זאַמענהאָף 26, וו. 11).
די וואַרשעווער אָרעמעלייט עסן נעבעך הערינג, אָדער אַפֿילו שילאַווקעס — פּיצלדיקע גערויכערטע פֿיש. שילאַווקעס קאָסטן אַ פּאָר גראָשן, און מע פֿאַרקויפט זיי אין די הויפֿן (זומערצײַט פֿאַרקויפֿט מען אין די הויפֿן אויך פֿרוכטן און גרינס — בפֿרט אַרבוז און אוגערקעס). אויב איר בלײַבט נאָך הונגעריק מחמת חסרון-כּיס, קאָנט איר עסן „שיריים“ אין איינער פֿון די 400 וואַרשעווער שולן און בתּי-מדרשים.
אויך וועגעטאַריער האָבן דאָ וואָס צו עסן. אין „יענע גאַסן“, די גויִשע וואַרשע, זײַנען פֿאַראַן צוויי וועגעטאַרישע רעסטאָראַנען, אָבער אין דער אמתן זײַנען מיר גיכער מקנא די ייִדישע וועגעטאַרישע רעסטאָראַנען אין לאָדזש און ווילנע („וועגאַ“ און פֿאַני לעוואַנדאָס רעסטאָראַן).
ווי עס איז, וועט איר זען און הערן די בייגעלעך־הענדלערס: ייִנגלעך און מיידלעך, און אַמאָל אויך זייערע מאַמעס און טאַטעס וואָס האָבן נישט קיין אַנדערע ברירה ווי אַרויסצוגיין טאָג און נאַכט אין די גאַסן און פֿאַרקויפֿן צוויי ביז פֿינף בייגעלעך פֿאַר צען גראָשן. זײַט אַזוי גוט און קויפֿט-זשע בייגעלעך, איידער די פּאָליציי וועט קאָנפֿיסקירן זייערע סחורה. אין די קריזיס-יאָרן האָבן אַ סך סוחרים באַנקראָטירט, און זייערע קראָמען זײַנען פֿאַרוואַנדלט געוואָרן אין געשעפֿטן פֿון סאָדע-וואַסער אָדער לאָדעס — קויפֿט זשע אויך פֿון זיי.
די וואַרשעווער ייִדן האָבן ליב צו טרינקן טיי – בפֿרט מיט קאַנדל-צוקער און ציטרין, און אַ טיי פֿון אַ גרויסן סאַמאָוואַר איז ממש אַן עונג-שבת. נישט ווייניקער האָבן מיר ליב צו טרינקען קאַווע און זיצן אין קאַפֿעען. „לעצטנס האָט זיך דער מנהג צו גיין אין קאַוויאַרניעס איבערהויפּט פֿאַרשפּרייט אויך בײַ פּוילישע ייִדן,“ שרײַבט ד״ר א. גליקסמאַן, „און פֿיל אַזעלכע ייִדן, וואָס פֿלעגן אין אַמאָליקע צײַטן גיין בטלען אין בית-מדרש — בטלען איצט אין קאַוויאַרניע אויף אַ ציוויליזירטן אופֿן.“(„היינטיגע נייעס“, 13.1.1936).
די קאַוויאַרניעס פֿון דער גוייִשער וואַרשע זײַנען שיין און עלעגאַנט ווי אין אַנדערע גרויסע שטעט אין אייראָפּע. זיי זײַנען קלאַסישע אָדער מאָדערנע, און אויך די קליענטן זײַנען שיינע און עלעגאַנטע. איין חסרון נאָר: זיי האָבן נישט אַזוי ליב אַז מע רעדט ייִדיש, און בפֿרט אויף אַ קול. איז וואָס? איר האָט דאָך צענדליקער ייִדישע קאַפֿעען, ווי למשל די דרײַ קאַפֿע-קאָנדיטאָרײַען פֿון די ברידער סטודניאַ; די קאָנדיטערײַ בומאָוויטש (רינקאָווע 11, טעל׳ 66-405), אָדער פֿלידערבוים (טוואַרדע 26). זיי זײַנען אפֿשר נישט אַזוי פּרעכטיק ווי „אַדריִאַ“ אָדער „בריסטאָל“, אָבער איר וועט זיך דאָרטן פֿילן אין דער היים. ווי זאָגט מען: „וואָס דאַרפֿסטו ריידן גויִיש, מע זאָל זען אַז דו ביסט אַ ייִד?“ אין אונדזערע קאַפֿעען דערלאַנגט מען נישט נאָר פֿריש געבעקס, נאָר אויך לײַכטע מאכלים, ווי למשל הערינג אין אַ זעמעלע פּוטער.
דאָס ייִדישע וואַרשע בענקט אַ ביסל נאָך די אַמאָליקע ליטעראַרישע קאַפֿעען, ווי למשל יחזקאל קאָטיקס קאַוויאַרניע אויף די נאַלעווקעס, וואָס שלום עליכם האָט פֿאַראייביקט אין זײַן „מנחם-מענדל“. אָבער אויך הײַנט צו טאָג האָבן מיר אַ ליטעראַרישן אָלימפּוס: דאָס איז דער בופֿעט בײַ דעם ליטעראַרישן פֿאַראיין, אויף טלאָמאַצקע 13. און וואָס איז שלעכט מיט טרינקען סתּם אַ קאַווע אין רובענטשיק-קאַפֿע, וואָס געפֿינט זיך אין מיטן דער ייִדישער גאָרטן, ד״ה קראַשינסקיס פּאַרק?
****
לאָמיר פֿאַרענדיקן מיט אַ תּפֿילה פֿון אַ וואַרשעווער ייִדענע, אַז דאָס קוגל זאָל איר געראָטן (אויף איר אייגן לשון):
קיגל קיגל יאַך מאַך דיך געטרײַ,
געטרײַ וועל יאַך דיך מאַכן,
מע זאָל אויס מיר נישט לאַכן.
אין אויוון זאָלסטע שטײַן,
אין מויל זאָלסטע צעגײַן,
גיט זאָלסט זײַן ווי יעקבֿ
און רויט ווי עשׂו.
The post Jewish cuisine in Warsaw, 1938 appeared first on The Forward.
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JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground
(JTA) — Vice President JD Vance again downplayed the idea that conservatives should safeguard their ranks against antisemitism, a week after his ally Tucker Carlson hosted yet another antisemitic conspiracy theorist on his web show.
Vance’s latest brief comments, made Tuesday during an interview with conservative radio host and CNN pundit Scott Jennings, came in response to Jennings asking, “Does the conservative movement need to warehouse anybody out there espousing antisemitism in any way?”
“No it doesn’t, Scott,” the vice president replied, toward the end of their interview.
Vance continued by asserting that conservatives, drawing on Christian influences, were welcoming of all backgrounds.
“I think we need to reject all forms of ethnic hatred, whether it’s antisemitism, anti-Black hatred, anti-white hatred,” he said. “And I think that’s one of the great things about the conservative coalition, is that we are, I think, fundamentally rooted in the Christian principles that founded the United States of America.”
He added, “And one of those very important principles is that we judge people as individuals. Every person is made in the image of God. You judge them by what they do, not by what ethnic group they belong to.”
Vance’s comments follow a series of similar remarks by the vice president over the past month as major right-wing groups such as Turning Point USA and the Heritage Foundation grapple with the growing influence of Nick Fuentes and other openly antisemitic forces. Vance has also indicated his own skepticism in the U.S.-Israel relationship and stated that stopping immigration is the best approach to fighting antisemitism.
One Jewish conservative analyst still employed with Heritage — after a slew of employees left for a competing group — criticized Vance’s latest comments.
“Need a better answer from @JDVance on why the conservative movement should not tolerate antisemitism than what is effectively the equivalent of @TheDemocrats’ ‘…and Islamophobia’ response,” Daniel Flesch, a Heritage policy analyst for the Middle East and North Africa, posted on the social network X.
Flesch referenced his contention that Democratic leaders’ stock answer to addressing antisemitism is that it must be paired with addressing Islamophobia, rather than treated as its own unique problem.
Among Jewish conservatives’ biggest areas of consternation within the party right now: Carlson, the media figure who has platformed Fuentes and other conspiracy theorists while also maintaining close ties with Turning Point, Heritage and Vance himself. This week in Israel’s Knesset, a lawmaker in Prime Minister Benjamin Netanyahu’s Likud party denounced Carlson and fellow podcaster Candace Owens by name in an English-language speech.
Last week Carlson continued to fan the flames by hosting Ian Carroll, a conspiracy theorist who has proclaimed “Israel did 9/11”; that “Israel did their best to embellish and enflame the history books” on the Holocaust; and that sex trafficker Jeffrey Epstein was “working on behalf of Israel.”
Carroll has made inroads in the conservative media sphere for a while. He appeared on Joe Rogan’s mega-popular podcast last year and, in 2024, moderated a campaign event for then-presidential candidate Robert F. Kennedy Jr., today President Donald Trump’s secretary of health and human services. Carroll’s appearance on Carlson’s show came after both Trump and Vance refused to denounce Carlson for his friendly interview with Fuentes last year.
In their Jan. 2 interview, Carroll and Carlson primarily discussed the 2017 mass shooting at a music festival in Las Vegas. Carroll shared numerous conspiracy theories about the events of that evening, during which the shooter also fired rounds at a jet fuel tank stored at a nearby airport.
“And then there’s things happening at the airport that are strange, that there’s some shooting happening at the airport. So it’s like, is this a gang war between the Italian mob and the Jewish mob? Is this a CIA operation that went wrong?” Carroll muses at one point. “Is this, like, a Mossad operation? Any of those things would need to fit the facts.”
Carroll continued, “In lieu of enough facts, you can try to fit a perpetrator to the facts and invent explanations that will work.”
Later in the interview, Carlson muses about Carroll directly to him, “I’ve never seen anybody come to prominence faster, ever, in our world. And that’s led to a lot of speculation that you’re, like, a CIA officer in disguise.”
Carroll then offers, “Or I’m like, Mossad.”
To which Carlson concludes, “My personal explanation is you’re just an amazing explainer and a diligent researcher, and you’re really interested in what’s true. And those are the three qualities that make a successful person in our world.”
The post JD Vance continues to minimize right-wing antisemitism as fringe influencers gain ground appeared first on The Forward.
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EU-Funded NGO Backed Online Platform Targeting Jewish Businesses in Catalonia
Supporters of Hamas demonstrate outside the Israeli Embassy in Madrid, Oct. 18. Photo: Reuters/Guillermo Yllanes Gonzalez
The controversial online platform mapping Jewish-owned businesses, schools, and Israeli-linked companies in Catalonia, a region in northeastern Spain, was promoted by an EU-funded non-governmental organization.
On Tuesday, NGO Monitor — an independent Jerusalem-based research institute that tracks anti-Israel bias among nongovernmental organizations — released new information showing that Engineers Without Borders – Catalonia (ESF-C) and Universities with Palestine (UAP) jointly promoted the BarcelonaZ project on social media, identifying themselves as its primary backers.
First reported by the local Jewish outlet Enfoque Judío, the interactive map was launched by an unidentified group claiming to be “journalists, professors, and students” on the French-hosted mapping platform GoGoCarto.
As a publicly accessible and collaboratively created online platform, the map marked over 150 schools, Jewish-owned businesses — including kosher food shops — and Israeli-linked as well as Spanish and international companies operating in Israel, labeling them as “Zionist.”
“Our goal is to understand how Zionism operates and the forms it takes, with the intention of making visible and denouncing the impact of its investments in our territory,” the project’s website stated.
According to NGO Monitor’s newly released report, ESF-C is a European Union–funded NGO running a Youth Internship Program subsidized by the Public Employment Service of Catalonia, with 40 percent co-financing from the European Social Fund Plus — the EU’s primary program for funding employment, education, and social initiatives.
The EU Financial Transparency System shows that ESF‑C partnered on two EU grants worth about $2.8 million from 2019 to 2023 and received at least $164,000 in funding.
Jewish leaders in Spain have strongly denounced the BarcelonaZ initiative, warning that it fosters further discrimination and hatred against the community amid an increasingly hostile environment in which Jews and Israelis continue to be targeted.
“The mapping and boycotting of Jewish businesses in Catalonia is an echo of some of the darkest chapters in history, including the prelude to the Holocaust in Nazi Germany,” the Combat Antisemitism Movement’s Director of European Affairs, Shannon Seban, said in a statement.
“The organizers of this initiative put a target on the backs of Spanish Jews, at a time when Jews are being hunted across the globe, as seen so horrifically in Australia just three weeks ago,” she said, referring to the deadly attack on a Hanukkah celebration at Sydney’s Bondi Beach, which killed 15 people and wounded at least 40 others.
“Clear incitement to violence of this nature must not be platformed or tolerated by internet companies or government authorities,” Seban continued.
On its website, ESF-C describes its mission as promoting “a fair international society, which does not exclude anyone,” and highlights its commitment to “non-denominationalism and non-partisanship.” Yet, the NGO’s 2024 annual report also asserts that it “cannot ignore the Palestinian resistance, a clear expression of the struggle for freedom of all oppressed peoples.”
In a social media post, the NGO also accused Israel of “genocide” during its defensive campaign against the Palestinian terrorist group Hamas, describing its platform as “a resource designed to inform, raise awareness, and mobilize the educational and student community in Catalonia.”
“The attacks that began on Oct. 7 have involved water and electricity cuts, the boycott of essential water infrastructure, and the contamination of Palestinian water sources,” ESF-C wrote in an Instagram post, without mentioning the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, which triggered the war in Gaza.
“The violation of these basic rights is a key weapon used by the State of Israel to perpetuate genocide,” the statement read.
NGO Monitor also revealed that UAP is a network of Catalan faculty- and student-led anti-Israel organizations that co-sponsored the BarcelonaZ project.
Last year, UAP organized a “People’s Court” at Complutense University of Madrid on what it called the “Palestinian genocide,” with attendance from several terror-linked NGOs and individuals, including Samidoun, Masar Badil, Al-Haq, and Raji Sourani, NGO Monitor reported.
Several community organizations have filed complaints with GoGoCarto, demanding the site’s removal and arguing that it violates French laws against hate speech and discrimination.
Earlier this week, GoGoCarto announced it had removed the BarcelonaZ project from its website after local groups denounced the initiative as blatantly antisemitic and dangerous.