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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival

(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.

Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.

This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1. 

“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”

The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva. 

”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section. 

Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.

Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.

Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.

Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.

Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”

Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”

Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)

Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage. 

Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.

“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”

In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).

He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddlertranslating a couple of sentences at a time between scenes.

Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.

Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls. 

 

His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.

“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”

Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.

Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol(“Never Say”), the anthem of the Vilna partisans.

And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.

He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.” 

“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”


The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.

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Hanukkah After Bondi Beach: We Must Not Retreat

Police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, Dec. 15, 2025. Photo: REUTERS/Flavio Brancaleone

The attack at Sydney’s Bondi Beach took place at a public Hanukkah celebration — an openly Jewish gathering marking a holiday meant to symbolize continuity, restraint, and survival. Candles were lit. Families had gathered. Jewish life was visible and unhidden. Violence arrived anyway. That fact matters. This was not random disorder that happened to occur near Jews. It was an assault on Jews gathered publicly as Jews.

For Jewish communities around the world, the message was immediate and chilling: a basic assumption — that peaceful religious celebration in a public space is protected — no longer feels secure.

Bondi Beach was not an aberration. It was a signal that even the most ordinary expressions of Jewish life now take place against a backdrop of heightened risk and weakened moral confidence.

Since October 7, 2023, Jewish communities have been forced to absorb a series of shocks that, taken together, reveal something deeper than a temporary spike in antisemitic incidents.

Jews have watched crowds chant “death to Jews” in major Western cities. We have seen synagogues, schools, and community centers require armed security as a baseline condition of existence. We have watched public officials hesitate, equivocate, or retreat into procedural language when confronted with explicit calls for Jewish death.

In that context, even violence that is not explicitly ideological is experienced differently. Bondi Beach occurred in a world where rage, intimidation, and public disorder have been steadily normalized — and where antisemitism is too often treated as a contextualized grievance rather than a moral emergency. It is no coincidence that Hanukkah celebrations across Europe, North America, and Australia this year are being guarded as potential targets rather than assumed civic fixtures.

For Jews, these are not abstract concerns. They shape daily life in quiet but consequential ways. This Hanukkah, many Jews will decide whether to light publicly or privately, whether to post photos or remain discreet, whether to wear a kippah or tuck it into a pocket, whether to gather openly or behind security checkpoints.

These are not acts of panic. They are acts of realism — born of a recognition that the social consensus protecting Jewish life is weaker than it once was. I have felt this calculation myself, not as fear but as prudence — an awareness that Jewish visibility now requires forethought in ways it did not a decade ago.

Hanukkah is often softened into a generic story about “light in dark times.” But that framing misses its harder truth.

Hanukkah commemorates a moment when Jews confronted a society that had lost its sense of limits — when desecration was tolerated, when power displaced law, and when public authority proved unwilling or unable to defend moral boundaries. The Maccabees did not revolt because they rejected pluralism. They revolted because pluralism had collapsed into coercion.

That distinction matters now.

Across Western democracies, restraint is increasingly treated with suspicion. Rampage violence is explained as inevitable. Public disorder is described as expressive. Antisemitic chants are reframed as political speech. Leaders and institutions speak fluently about process and context, but struggle to say plainly that some acts are beyond the pale.

The result is a dangerous permission structure. Not a conspiracy. Not a single ideology. But a cultural habit of hedging when clarity is required — of explaining rather than condemning, of balancing rather than drawing lines. Violence thrives in that space. So does antisemitism.

Sociologist Émile Durkheim warned that societies depend on shared moral frameworks to restrain individual impulses. When those frameworks weaken, violence becomes expressive rather than exceptional. Rampages become signals — not just of individual breakdown, but of collective uncertainty about what can and should be enforced.

Jews recognize this pattern because history has trained us to. Antisemitism rarely begins with laws or decrees. It begins with atmospheres. With what is tolerated. With what is explained away. With what authorities are reluctant to name because naming it might require action.

The Bondi Beach attack belongs to this broader moment. It targeted a Jewish holiday gathering, but it also reflected a wider failure to defend basic moral boundaries in public life. Violence does not emerge in a vacuum. It feeds on ambiguity — on the sense that enforcement is conditional and outrage selective.

Hanukkah offers a counterpoint to that ambiguity.

The story of the oil is not a story about optimism. It is a story about responsibility. Someone chose to protect what was sacred when it would have been easier to surrender it. Someone insisted that desecration was not normal, that collapse did not deserve accommodation, and that continuity required effort.

That insistence feels increasingly countercultural.

In recent years, Western elites have grown uncomfortable making firm moral judgments. Everything must be contextualized. Everything must be balanced. Everything must be filtered through the language of grievance. But pluralism does not survive without boundaries. And minorities suffer first when those boundaries dissolve.

For Jews, the post-October 7 world has made something painfully clear: condemnation of antisemitism has become conditional. Calls for Jewish death are weighed against political narratives. Jewish fear is treated as inconvenient. Jewish safety is discussed as a variable rather than a nonnegotiable.

Hanukkah rejects that logic entirely.

The holiday is not only about light. It is about continuity — the refusal to disappear quietly when the world becomes less hospitable. It is about maintaining Jewish presence, practice, and confidence even when public space feels uncertain.

Lighting the menorah is not an act of provocation. It is an assertion that Jewish life does not require permission to endure.

Bondi Beach will be remembered as one more moment when Jews understood something before others were ready to say it plainly: a society unwilling to enforce moral limits cannot protect its most vulnerable members. Rampage violence and chants of “death to Jews” are not separate phenomena. They are different expressions of the same failure.

A society that cannot say, without hesitation, that calling for Jewish death is beyond the pale is not morally neutral. It has already chosen sides.

The menorah burns not because darkness recedes on its own, but because someone insists — again and again — that darkness does not get the final word.

Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.

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Australia’s ‘Hanukkah Massacre’ Is Worse Than You Think

Australian Prime Minister Anthony Albanese speaks during a press conference at the Parliament House in Canberra, Australia, June 17, 2024. Photo: Lukas Coch/Pool via REUTERS

Chabad’s “Hanukkah by the Sea” event near Bondi Beach in Sydney, Australia, turned into a bloody massacre on Sunday: 15 murdered and dozens more injured, as of the latest update.

Far from being an isolated incident, this nightmarish display of terror is only the latest symptom of a dangerous and systematic attack by the Australian government against its own Jewish population.

According to news sources, the terrorists were Sajid and Naveed Akram: a father and son of Pakistani origin who had pledged allegiance to ISIS shortly before carrying out their antisemitic bloodbath.

In one rare bright spot, Ahmed Al Ahmed, an immigrant from Syria, heroically risked his life to disarm one of the terrorists, likely saving many innocent lives in the process. Al Ahmed survived several gunshots and is recovering in hospital.

In the aftermath of this modern day pogrom, Australian Prime Minister Anthony Albanese issued a statement in which he made no mention whatsoever of Jews, antisemitism, Hanukkah, Islamic extremism,terrorism, or ISIS.

Albanese referred to the massacre merely as “shocking” and “distressing,” and said that his thoughts were with “every person affected.”

Within hours, Israeli Prime Minister Benjamin Netanyahu utterly excoriated Albanese, accusing him of “pouring fuel on this antisemitic fire,” and noting that he had sent Albanese a letter last August, warning of the very conditions that had brought about this attack, a warning that had gone unheeded.

In tandem with the Israeli Prime Minister’s vigorous public scolding, Albanese held a press conference, in which he finally condemned the Bondi attack as antisemitic.

However, Albanese continued to avoid any mention of Islamic extremism, despite Australian law enforcement having already publicly confirmed that the terrorists had pledged allegiance to the Islamic State terror organization (ISIS), and that they were carrying an ISIS flag in their vehicle.

According to reports, the Mossad had been warning Australia regularly for months about terror plots against the local Jewish community. Local police deny there were specific warnings about this particular attack, but Israeli leaders from all sides of the political spectrum countered that Australia had ignored “countless warning signs.”

Australia’s national failures are reminiscent of the Dutch pogrom of November 2024, in which local Muslim attackers violently hunted Israeli soccer fans through the streets of Amsterdam — after Dutch police ignored urgent warnings from Israeli intelligence.

The conditions for a similar massacre are currently shaping up in New York City, where the incoming mayor responded to a highly threatening antisemitic protest by accusing the local Jewish community of “violations of international law.” (I previously addressed both topics in depth at The Algemeiner).

For the past two years since the October 7 massacre, not only has Australia seen a massive rise in violent antisemitic attacks, but local Jewish leaders have consistently objected to the government’s permissive atmosphere toward attacking Jews, such as failing to apply appropriate penalties and needed protections.

Examples include frequent and enormous marches calling to “Globalize the Intifada” (a phrase that the United States Congress officially recognizes as a call for violence against the Jewish people), public calls to “gas the Jews,” as well as Australia’s recognition of a Palestinian state last September, a move widely regarded in the Arab world as a reward for the October 7 massacre.

Like most countries with free speech protections, Australia also has numerous federal and local laws against incitement, which authorities have routinely failed and refused to enforce in protection of Australia’s Jewish communities.

Prime Minister Albanese has promised to respond to the massacre by tightening Australia’s gun laws. Ironically, Australia already has among the strictest gun control regimes in the entire world. Apparently, gun laws are not enough when a country permits and ignores massive hatred, incitement, antisemitism, ongoing violence, and affiliations with international terror organizations.

Who knew?

Given Australia’s ongoing commitment to a failing “strategy,” its continued protection of Islamist extremists, and its continuing systematic neglect of Jewish safety, it is safe to assume that this is only the beginning of more attacks to come.

Daniel Pomerantz is the CEO of RealityCheck, an organization dedicated to deepening public conversation through robust research studies and public speaking.

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Are We at a Tipping Point? Will Larger Numbers of Jewish Americans Make Aliyah?

New immigrants arrive in Israel in 2019, many coming alone to serve in the nation’s military. Photo: courtesy of Nefesh B’Nefesh.

In The Arc of a Covenant (2022), a comprehensive book about the history of the relationship between the US and Israel, Walter Russell Mead points out that, if not for the persecution and expulsion of Jews from Arab lands to Israel after the 1948 war, Israel might not exist.

At best, it would be a smaller, demographically weaker country, with about one-half the Jewish population that it has today.

Recent attacks and hate marches across the world (from chanting “gas the Jews” in Sydney, which led directly to Bondi, and so many other incidents) have had me wondering if history was going to repeat itself. Will these events result in a new wave of immigration of Jews to the Jewish State, particularly from the US, where the largest number of Jews outside of Israel live?

One particularly notable event was an anti-Israel protest at a New York City synagogue (the Park East Synagogue), which included violent antisemitic threats, like “we need to make them scared.” That the protesters targeted an event by Nefesh B’Nefesh, a non-profit organization that has helped thousands of North American Jews immigrate to Israel, makes it clear that demographics are crucial in the struggle between Israelis and Palestinians.

Statistics indicate that 3.5 million Jews have made Aliyah since 1948, when the Jewish State was established. The vast majority were Jewish survivors of the Holocaust and Soviet pogroms, and those from the Arab/Muslim world, as previously mentioned. Yet, despite the large number of Jews in the US, the number that have immigrated to Israel is quite small — approximately 135,000, less than four percent of the total.

The question is: will the unsettling events targeting Jews across the world be enough to reach a critical threshold, so that large numbers of American Jews decide that enough is enough?

American Jews have done very well in all respects, perhaps better than any other diaspora in the history of the Jewish people. Yet, when it comes to personal safety for Jews, it seems that even America is not an exception.

The new mayor of New York City, Zohran Mamdani, was disappointingly equivocal in his comments about the protests that took place at the Park East Synagogue, saying a house of worship should not promote Nefesh B’Nefesh events. Clearly, he has his own ideas about where Jews should and should not live.

This is not new. In the 1930s, the German antisemitic board game Juden Raus! told Jews to go to Palestine. Today, they are told to go back to Europe.

Israel is the ancestral home of the Jewish people, a home they never abandoned, spiritually or physically. Those Jews who reside in Israel are there by right, not on sufferance. Many made Aliyah for various reasons: religious, ideological, and economic. But the single most important driving force has been antisemitism. Those who seek Israel’s destruction should reflect on the fact that their own hatred has been the catalyst for Israel’s remarkable rebirth.

Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo.

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