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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.
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The call of this Hanukkah moment remains simple and urgent: Light candles everywhere. Even when we’re under attack.
The massacre in Sydney has left Jews around the world shaken and grieving. This act is far more than a heinous crime: It is a regression to darker times, when Jewish visibility itself carried mortal risk.
The commandment of Hanukkah is not simply to light candles, but to light them publicly – pirsumei nisa, the publicizing of the miracle. The point is not private consolation, but shared visibility. Jewish survival, the tradition teaches, is not meant to occur behind closed doors, but in full view.
Historically, however, it rarely did. In exile, Jews learned caution. The Talmud records how, in times of danger, the candles are to be moved indoors – lit discreetly, shielded from hostile eyes. This was not a theological revision but a concession to reality: When the public sphere is unsafe, Jewish life retreats into the private domain. For most of our history, this was our reality.
Modern democracies promised something different. Jews would no longer have to choose between safety and visibility. We could light openly again – on windowsills, in public squares, in front of city halls – because the surrounding society would protect us not merely by law, but by norm. Antisemitism would not just be illegal, it would be unthinkable.
The Sydney massacre, alongside countless incidents in societies Jews have long trusted, forces us to ask whether that promise is still being kept.
Jewish safety in the diaspora does not rest primarily on police presence or intelligence services – necessary though they are. It rests on something more fragile and more fundamental: a public culture in which Jews are not merely tolerated but embraced; in which antisemitism is not merely condemned after the fact but rejected instinctively and unequivocally as a violation of the moral order.
When Jews are attacked for being Jews, and the response is muted, conditional, or delayed, the message is unmistakable. Jews may still live here, but only quietly.
That is why the response to Sydney must not be withdrawal, but the exact opposite. We cannot and will not retreat into hiding our light. The call of this moment is simple and urgent: Light candles everywhere.
Jewish communities and organizations must orchestrate public Hanukkah candle lightings in the central squares of democratic cities across Europe, across the English-speaking world, wherever Jews live under the protection of free societies. Not hidden ceremonies. Not fenced-off gatherings on the margins. But civic events, hosted openly and proudly, with the participation of local and national leaders – and of fellow non-Jewish citizens.
This is not unprecedented. Every year, a Hanukkah menorah is lit at the White House. The symbolism is powerful precisely because it is mundane: Jewish light belongs at the heart of the civic space, not as an exception, not as an act of charity, but as a matter of course. That model should now be replicated widely.
Israeli diplomatic missions, together with local Jewish organizations, should work actively with municipalities and governments to make these public lightings happen – not merely as acts of Jewish resilience, but as declarations of democratic commitment. Because this is not only a Jewish question.
A society in which Jews feel compelled to hide their symbols is a society already retreating from its own values. Antisemitism is never a stand-alone phenomenon; it is the canary in the democratic coal mine. Where Jews are unsafe, pluralism is already fraying.
Lighting candles in public squares will not undo the horror of Sydney. But it will answer it – not with fear, and not with silence, but with a refusal to normalize xenophobia, antisemitism, and Jewish invisibility.
The ancient question of Hanukkah – where we light – has returned as a modern moral test of democratic societies and leaders worldwide. Where Jewish light is extinguished, democracy itself is cast into shadow. If it can still be lit openly, with the full backing of the societies Jews call home, then the promise of democratic life remains alive.
Our light must not hide. Not now. Never again.
The post The call of this Hanukkah moment remains simple and urgent: Light candles everywhere. Even when we’re under attack. appeared first on The Forward.
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Australia shooting terrifies Jews worldwide — and strengthens the case for Israel
If the shooters who targeted Jews on a beach in Australia while they were celebrating Hanukkah thought their cowardly act would turn the world against Israel, they were exactly wrong: Randomly killing people at a holiday festival in Sydney makes the case for Israel.
The world wants Jews to disown Israel over Gaza, but bad actors keep proving why Jews worldwide feel such an intense need to have a Jewish state.
Think about it. The vast majority of Jews who settled in Israel went there because they felt they had nowhere else to go. To call the modern state “the ingathering of exiles” softpedals reality and tells only half the story. The ingathering was a result of an outpouring of hate and violence.
Attacking Jews is the best way to rationalize Zionism.
Judaism’s holidays are often (humorously) summarized as, “They tried to kill us, they failed, let’s eat.” Zionism is simply, “They tried to kill us, they failed, let’s move.”
Theodor Herzl, the founder of modern Zionism, didn’t have a religious or even a tribal bone in his body. He would have been happy to stay in Vienna writing light plays and eating sacher torte. But bearing witness to the rise of antisemitism, he saw the Land of Israel as the European Jew’s best option.
The Eastern European pogroms, the Holocaust, the massacre of Jews in Iraq in 1941 — seven years before the State of Israel was founded — the attacks on Jews throughout the Middle East after Israel’s founding, the oppression of Jews in the former Soviet Union — these were what sent Jews to Israel.
How many Australians are thinking the same way this dark morning?
There’s a lot to worry about in Israel. It is, statistically, more dangerous to be Jewish there than anywhere else in the world. But most Jews would rather take their chances on a state created to protect them, instead of one that just keeps promising it will – especially when the government turns a blind eye to antisemitic incitement and refuses to crack down on violent protests, as Australia has.
“For over a year we have seen racist mobs impeding on the rights and freedoms of ordinary Australians. We have been locked out of parts of our cities because the police could not ensure our safety. Students have been told to stay away from campuses. We have been locked down in synagogues,” Alex Ryvchin, the co-CEO of the Executive Council of Australian Jewry, wrote a year ago, after the firebombing attack on a Melbourne synagogue.
Since then a childcare centre in Sydney’s east was set alight by vandals, cars were firebombed, two Australian nurses threatened to kill Jewish patients, to name a few antisemitic incidents. There were 1,654 antisemitic incidents logged in Australia from October 2024 to September 2025 — in a country with about 117,000 Jews.
“The most dangerous thing about terrorism is the over-reaction to it,” the philosopher Yuval Noah Harari said. He was talking about the invasion of Iraq after 9/11, the crackdown on civil liberties and legitimate protest. But surely it’s equally dangerous to underreact to terrorism and terrorist rhetoric.
Israel’s destruction of Gaza following the Hamas attack of Oct. 7, 2023 led to worldwide protests, which is understandable, if not central to why tensions have escalated.
But condemning civilian casualties and calling for Palestinian self-determination — something many Jews support — too often crosses into calls for destroying Israel, demonizing Israelis and their Jews. That’s how Jews heard the phrase “globalize the intifada” — as a justification for the indiscriminate violence against civilians.
When they took issue with protesters cosplaying as Hamas and justifying the Oct. 7 massacre, that’s what they meant. And look at what happened in Bondi Beach, they weren’t wrong. Violence leads to violence, and so does support for violence.
Chabad, which hosted the Hanukkah celebration in Sydney, has always leaned toward a more open door policy with less apparent security than other Jewish institutions. But one of the reasons it has been so effective at outreach has also made it an easy target.
As a result of the Bondi shooting, Chabad will likely increase security, as will synagogues around the world. Jewish institutions will think hard about publicly advertising their events. Law enforcement and public officials will, thankfully, step up protection, at least for a while. These are all the predictable result of an attack that, given the unchecked antisemitic rhetoric and weak responses to previous antisemitic incidents, was all but inevitable.
It’s not inevitable that Australian Jews would now move to Israel, no more than it would have been for Pittsburgh’s Jewish community to uproot itself and move to Tel Aviv after the 2018 Tree of Life massacre. That didn’t happen, because ultimately the risk still doesn’t justify it.
But these shootings, and the constant drip of violent rhetoric, vandalism and confrontation raise a question: If you want to kill Jews in Israel, and you kill them outside Israel, where, exactly, are we supposed to go?
The post Australia shooting terrifies Jews worldwide — and strengthens the case for Israel appeared first on The Forward.
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These are the victims of the Bondi Beach Hanukkah celebration shooting in Sydney
(JTA) — A local rabbi, a Holocaust survivor and a 12-year-old girl are among those killed during the shooting attack Sunday on a Hanukkah celebration in Sydney, Australia.
Here’s what we know about the 11 people murdered in the attack, which took place at a popular beachside playground where more than 1,000 people had congregated to celebrate the first night of the holiday, as well as about those injured.
This story will be updated.
Eli Schlanger, rabbi and father of five
Schlanger was the Chabad emissary in charge of Chabad of Bondi, which had organized the event. He had grown up in England but moved to Sydney 18 years ago, where he was raising his five children with his wife Chaya. Their youngest was born just two months ago.
In addition to leading community events through Chabad of Bondi, Schlanger worked with Jewish prisoners in Australian prisons. “He flew all around the state, to go visit different people in jail, literally at his own expense,” Mendy Litzman, a Sydney Jew who responded as a medic to the attack, told the Jewish Telegraphic Agency.
Last year, amid a surge in antisemitic incidents in Australia, Schlanger posted a video of himself dancing and celebrating Hanukkah, promoting lighting menorahs as “the best response to antisemitism.”
The best response to antisemitism. Happy Chanukah! pic.twitter.com/33RSGYzhUY
— Rabbi Eli Schlanger (@SchlangerEli) December 17, 2024
Two months before his murder, he published an open letter to Australian Prime Minister Anthony Albanese urging him to rescind his “act of betrayal” of the Jewish people. The letter was published on Facebook the same day, Sept. 21, that Albanese announced he would unilaterally recognize an independent Palestinian state.
Alex Kleytman, Holocaust survivor originally from Ukraine
Kleytman had come to the Bondi Beach Hanukkah celebration annually for years, his wife Larisa told The Australian. She said he was protecting her when he was shot. The couple, married for six decades, has two children and 11 grandchildren.
The Australia reported that Kleytman was a Holocaust survivor who had passed World War II living with his family in Siberia.
12-year-old girl
Alex Ryvchin, co-CEO of the Executive Council of Australian Jewry, told CNN that a friend “lost his 12-year-old daughter, who succumbed to her wounds in hospital.” The girl’s name was not immediately released.
Dozens of people were injured
- Yossi Lazaroff, the Chabad rabbi at Texas A&M University, said his son had been shot while running the event for Chabad of Bondi. “Please say Psalms 20 & 21 for my son, Rabbi Leibel Lazaroff, יהודה לייב בן מאניא who was shot in a terrorist attack at a Chanukah event he was running for Chabad of Bondi in Sydney, Australia,” he tweeted.
- Yaakov “Yanky” Super, 24, was on duty for Hatzalah at the event when he was shot in the back, Litzman said. “He started screaming on his radio that he needs back up, he was shot. I heard it and I responded to the scene. I was the closest backup. I was one of the first medical people on the scene,” Litzman said. He added, “We just went into action and saved a lot of lives, including one of our own.”
The post These are the victims of the Bondi Beach Hanukkah celebration shooting in Sydney appeared first on The Forward.
