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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.
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The Psychology Behind the Rise in Right-Wing Antisemitism
Tucker Carlson speaks on July 18, 2024, during the final day of the Republican National Convention at the Fiserv Forum in Milwaukee, Wisconsin. Photo: Jasper Colt-USA TODAY via Reuters Connect
Over the past year or so, there has been a strange and unsettling shift on parts of the political and cultural right. Figures who built their influence by pushing back against progressive excess, moral confusion, intellectual laziness, and the erosion of democratic values have begun drifting into territory that should have been left behind long ago — antisemitic tropes, conspiratorial thinking, and flirtations with ideas they themselves once would have dismissed as corrosive and dangerous.
It has been very upsetting to watch, not least because many of these voices rose to prominence by presenting themselves as more serious, more grounded, and more responsible than the alternatives they criticized.
Some have pointed to foreign money and malign external influences – with Qatar chief among them as a reliable patron of some of the most destructive forces in the modern world – as an explanation. It would be naïve to deny that such actors play a role. But that explanation, on its own, is not enough to explain this phenomenon.
Even if Qatari money helps shape narratives at the top of the pyramid – and their possible involvement absolutely deserves scrutiny – it does not explain the sheer number of willing followers who nod along to contentious statements and ridiculous conspiracies without being paid a cent by anyone.
Elite influencers may be driven by incentives tied to financial or political power, but the grassroots level is clearly motivated by something else. Money may help light the match, but it does not explain why so many people are eager to watch the fire burn – and then cheer it on.
The instinctive response is to frame all of this as ideological betrayal – and then to draw battle lines, or to declare that the political culture of Western democracies is fundamentally broken. But that reaction is the wrong approach. It shuts down thought precisely when careful thinking is needed most. Because at its core, something more human – and far more familiar – seems to be going on.
What makes this moment so counterintuitive is that this regression on the right has not emerged from defeat or marginalization. It has emerged from success.
The stunning political victory by the Republicans in November 2024 should, in theory, have been followed by a period of consolidation – a sharpening of ideas and a renewed sense of responsibility. Instead, we are witnessing a growing rift between principled conservatism and a darker, more reckless version of right-wing beliefs. That paradox suggests we are dealing less with ideology than with a psychological response to the sudden expansion of freedom and power.
We tend to assume that success produces stability and confidence. History suggests otherwise. When people or movements feel genuinely embattled, they often develop discipline, clarity, and a strong sense of shared purpose – an understanding of what matters and what must be set aside for the greater good.
But when the wind is at their backs, and a threat – real or imagined – appears on the horizon, the result is often anxiety: “We might lose what we have!” And anxiety is dangerous. It clouds judgment and tempts people to reach for ideas they already know are corrosive, simply because they feel familiar.
History offers some sobering examples. After years of devastating war under Napoleon, France in 1814 finally rid itself of him and he was exiled to Elba. The country had a rare opportunity to step back, recover, and build something more stable and restrained. But when Napoleon escaped from Elba a year later and returned to France, large parts of the country welcomed him back.
Soldiers sent to arrest him joined him instead. Within weeks, France had re-embraced the very man who had brought it to ruin, and 100 days later, they paid for it at Waterloo. The regression was not imposed from above. It was embraced from below – and it was an utter disaster.
Ancient Rome offers a similar lesson. The Roman Republic was built on restraint, combined with a sophisticated system of checks and balances and a healthy suspicion of the concentration of power into the hands of one man. And yet Julius Caesar’s rise was welcomed by many as a solution to a period of dysfunction.
He was appointed dictator, and what followed was not renewal but the oppressive age of emperors. Rome gained order but lost its liberty. Once again, faced with uncertainty, a civilization chose a familiar system that was bad over the harder work of repair and healing — and they called it progress.
The Torah identifies this same flaw in human nature at the very beginning of Jewish history, in Parshat Beshalach. Just days after experiencing one of the most dramatic liberations ever achieved by a slave nation – the Exodus from Egypt – the newly freed Jewish people find themselves trapped between the sea and Pharaoh’s approaching army.
Despite everything they know – that God has redeemed them, that awesome miracles have carried them this far – panic sets in. They turn on Moses and cry out: “Was it because there were no graves in Egypt that you took us out to die in the wilderness?”
And then comes a line so jarring that it almost feels like parody (Ex. 14:12): טוֹב לָנוּ עֲבֹד אֶת־מִצְרַיִם מִמֻּתֵנוּ בַּמִּדְבָּר – “It would have been better for us to serve Egypt than to die in the wilderness.”
How is this even possible? These are people who have just witnessed the collapse of the most powerful empire on earth for their benefit – who are, in that moment, at the very top of their game. And yet, even as they bask in the glow of victory, the instant their freedom begins to feel fragile, their instinct is not to move forward into the rational unknown but to retreat into what they already know is irrational evil.
That is the crucial point. It is not a calculation that makes sense, nor is it a carefully thought-out strategy; it is a psychological reflex, and a dangerous one. Faced with what feels like an existential threat, people often reach for the familiar – even when that is the worst possible thing they could do.
Which is what makes the current flirtation with antisemitism and conspiracy thinking on certain parts of the right so disturbing. These are old instincts, long known to be destructive, that have now resurfaced because they feel familiar, as some on the right feel tinges of anxiety.
But familiarity is not necessarily wisdom; far more often, it is a dangerous trap. A recent study suggests that engagement with antisemitic conspiracy theories on the right has risen dramatically since the November 2024 election. Unless this trend is halted, it won’t end well.
The Torah’s message at the sea is uncompromising. The way forward is not to turn backward. Redemption does not come from retreating into the habits and ideas that once enslaved and degraded us. The sea will open up and offer salvation only when someone is willing to step into it – to take the risk, and to trust that moral clarity and courage still matter.
Regression may feel comforting, but it leads nowhere. The only way forward is through.
The author is a rabbi in Beverly Hills, California.
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Karen Jones and the Institutionalization of Medical Dhimmitude
Illustrative: Health workers move a woman on a stretcher to an ambulance after a deadly terrorist shooting at a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. Photo: Screenshot
The reports emerging from Sydney’s Liverpool Hospital are not merely a localized administrative failure; they represent a chilling indicator of a new, institutionalized “dhimmitude” taking root in the heart of Western society.
Rosalia Shikhverg, a survivor of the horrific Bondi Beach Hanukkah massacre on Dec. 14, was admitted for treatment of shrapnel and gunshot wounds to the head. While she lay in her hospital bed, terrified and recovering from a terror attack that claimed 15 lives, staff — without her knowledge or consent — snipped her medical wristband and replaced it with a new one. Her name was gone. In its place was the alias “Karen Jones,” with her religious status completely scrubbed from official records.
The hospital’s defense, offered through state health officials, is perhaps more terrifying than the act itself. Officials claimed the name change was a “protective measure” to shield a high-profile victim from media intrusion following the heightened risks in Sydney. But Shikhverg’s own account points to a more sinister and systemic motivation: the hospital administration apparently did not trust its own staff to provide equal, safe care to a patient identified as Jewish. Shikhverg recounted how the switch left her more focused on a fear of her caregivers than her physical injuries, crying incessantly and pleading for an early discharge because she felt profoundly unsafe.
This incident represents the logical culmination of a process by which the values of the Middle East’s most regressive ideologies are imported into Western civil society. When a premier medical institution in a Western democracy feels compelled to erase a Jewish patient’s identity to ensure her safety from the very people hired to heal her, we are no longer talking about a mere “spillover” of the Gaza conflict. We are witnessing the surrender of Western professional ethics to the mob.
This is the rebirth of dhimmitude. In the classical tradition, the dhimmi was a protected non-Muslim subject granted life and property only on the condition of submission and the public erasure of their distinct identity.
In 2026, a modern hospital has effectively recreated this status. By stripping Shikhverg of her name and her religion, the hospital sent a clear message: Jewish identity is a provocation and a “safety risk” that the state can no longer manage. It suggests that the only way to protect a Jew in a modern metropolis is to ensure that they are no longer recognizable as a Jew.
This betrayal is not an isolated event. It follows the recent suspension of nurses at other nearby facilities who were caught on video bragging about their refusal to treat Israelis and expressing a desire to kill Jewish patients. The “Karen Jones” incident shows that instead of purging these radical elements from the health-care system, administrators have chosen a path of appeasement. They have decided that it is easier to erase the patient than to confront the radicalization of the workforce.
The “long march through the institutions” by radical ideologues has finally reached the bedside. We have seen this pattern on campuses, where “Jew-free zones” are established under the guise of “safe spaces,” and in the courts, where legal harassment is used to silence critics of extremism. Now, the hospital ward has become the next frontier of exclusion. If a nurse or a doctor cannot look at a patient with a Jewish name without the administration fearing for the patient’s life, then the social contract of the Western democracy has been fundamentally breached.
If the West is to survive this ideological assault, the response must be uncompromising. There must be a full, independent audit of radicalization within the public health systems of major Western cities. The administrators who authorized the erasure of Rosalia Shikhverg’s identity must be held legally and professionally accountable for civil rights violations. Furthermore, governments must recognize that non-violent subversion of Western values is just as dangerous as the violent jihad that targeted Boni Beach on Hanukkah.
Rosalia Shikhverg survived the bullets of a terrorist only to be erased by the bureaucracy of a hospital. We must ensure that “Karen Jones” is the last alias a Jew is forced to wear in a Western democracy. Peace and security cannot be built on a foundation of coerced invisibility. The survival of pluralistic society depends on the ability of every citizen to exist openly, without fear that their identity will become a death warrant in the hands of those sworn to protect them.
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Palestinian Terrorists Admit Their Own Rockets Kill Gazans, and the Media Look the Other Way
People inspect the area of Al-Ahli hospital where Palestinians were killed in a blast from an errant Islamic Palestinian Jihad rocket meant for Israel, in Gaza City, Oct. 18, 2023. Photo: REUTERS/Ahmed Zakot
A document seized in Gaza and reported by Israel’s Kan public broadcaster exposes a reality that sharply contradicts much of the global coverage of the Israel-Hamas war: Palestinian civilians have long been killed by Palestinian rockets and terrorist leaders knew it, discussed it, and accepted it.
The document records a meeting between Hamas and Palestinian Islamic Jihad officials held before Hamas’s Oct. 7, 2023, massacre across southern Israel and the war that followed. In it, Hamas representatives confront Islamic Jihad leaders over a deadly and recurring problem: rockets misfiring and landing inside Gaza, killing civilians.
“Your rockets are falling on people’s homes, and this is a recurring issue,” a Hamas official is quoted as saying.
The response from Islamic Jihad is even more damning. “We are at war,” a senior representative of the terrorist group replies. “Even if a thousand people are killed by friendly fire, that is the price of war.”
This is not a battlefield mishap acknowledged after the fact. It is an explicit, pre-war admission that Palestinian terrorist groups were aware their weapons routinely killed civilians and that they viewed those deaths as acceptable.
The document also records Islamic Jihad officials admitting that they knew their rockets were defective. According to the report, the weapons were manufactured using blueprints supplied by Iran’s Islamic Revolutionary Guard Corps. In other words, unreliable rockets were knowingly produced, launched from densely populated areas, and expected to fall short.
Image of the seized document, as presented by Kan Public Broadcaster
This matters because it directly undermines a central assumption that has dominated coverage of Gaza for years and intensified after Oct. 7: that civilian casualties are almost entirely the result of Israeli fire.
Kan’s report does not quantify how many Gazans have been killed by Palestinian rockets. But it does establish something journalists have consistently avoided confronting: terrorist groups themselves acknowledge that their own fire kills civilians and that this has been happening for years.
That reality burst briefly into view 10 days after the war began, when a PIJ rocket exploded in the courtyard of a Gaza hospital, killing hundreds of Palestinians. Israel was immediately blamed across much of the international media. Only later did evidence emerge that the blast was caused by a misfired Palestinian rocket.
This newly revealed document shows that the incident was not an anomaly. It was a known risk discussed internally long before Oct. 7.
So, why has this revelation barely registered outside Israel?
Journalists often justify their reliance on casualty figures and on the fog of war. But here, there is no ambiguity. This is a primary source document describing internal discussions between terrorist groups, criticizing each other for weapons failures and explicitly accepting civilian deaths as collateral.
If such a document emerged showing Israeli officials dismissing civilian deaths as “the price of war,” it would dominate headlines worldwide. When terrorist groups say it among themselves, it is met with silence.
This selective attention has consequences. Media outlets routinely report Gaza casualties without asking how many were caused by Palestinian fire. They rarely revisit earlier claims when new evidence emerges. And they almost never scrutinize the conduct of terrorist groups with the same intensity they apply to Israel.
The Kan report exposes not just the recklessness of Palestinian terrorist organizations but the media’s unwillingness to reckon with it. By ignoring evidence that complicates a simplified narrative, journalists deprive audiences of essential context and accountability.
This document does not absolve Israel of scrutiny. But it does demand that journalists stop treating Palestinian armed groups as passive actors whose actions are irrelevant to civilian harm.
Terrorists killing their own civilians is not a footnote. It is a central fact of this conflict. The question is no longer whether the evidence exists.
It is why so many in the media choose not to report it.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
