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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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IDF Unveils AI-Powered Robotic Warfare System, Breakthrough Artillery Against Hezbollah
Smoke rises from a village in southern Lebanon as the Israeli army operates in it as seen from the Israeli side of the border, April 23, 2026. Photo: REUTERS/Gil Eliyahu
The Israel Defense Forces (IDF) has introduced cutting-edge battlefield technology while fighting Hezbollah over the past several weeks, deploying fleets of explosive robots and game-changing artillery to accelerate the destruction of the Iran-backed group’s terrorist infrastructure across southern Lebanon.
With the goal of minimizing risks to troops, the IDF plans to deploy robots on high-risk missions to detonate large, strategic infrastructure in areas previously beyond the reach of ground forces, marking a significant expansion in its use of autonomous battlefield systems. Some of this technology has already been in use but will only escalate.
According to Israeli officials, this newly introduced technology is designed to scan vast areas using intelligence data, locate Hezbollah infrastructure both above and below ground, and systematically dismantle networks built over decades within Shiite villages, forests, and dense terrain.
The IDF expects this sustained military engineering effort to drain Hezbollah’s extensive financial investments and push threats farther from Israel’s northern border with Lebanon.
Given Lebanon’s rugged, mountainous terrain in the area, the natural landscape severely limits the movement of heavy engineering equipment, forcing troops to rely on complex field improvisations amid dense vegetation and terrain that conceals militant infrastructure.
The IDF has previously used robotic systems during the war in Gaza, providing ground forces with a strategic edge while reducing exposure to danger, including deploying them to explore Hamas tunnels and enhance the detection and tracking of armed operatives.
Robotic systems not only reduce the danger to troops but also help offset manpower shortages and enable operations in especially challenging environments, including tunnel networks, densely populated urban areas, and other locations that are difficult for ground forces to reach.
The IDF has further expanded its arsenal with the introduction of the “Ro’em” self-propelled howitzer battery developed by Elbit Systems, a platform that leverages advanced technology and artificial intelligence to deliver quicker and more accurate firepower.
Fully automatic, the self-propelled howitzer can fire between six and eight rounds per minute at ranges of up to 40 kilometers.
Hostilities between Hezbollah and Israel reignited on March 2, when the terrorist group opened fire in support of Iran two days after the start of the joint US-Israeli military campaign against the Iranian regime. Since then, Israeli troops have created a “buffer zone” that extends 5 to 10 km (3 to 6 miles) into Lebanon. According to Israeli officials the purpose of the zone is to protect northern Israel from attacks by Hezbollah, which has fired thousands of rockets and drones during the war.
The US mediated a 10-day ceasefire between Israel and Lebanon last week. The deal was separate from Washington’s efforts to de-escalate tensions with Iran, though Tehran had pushed for Lebanon to be included in any broader framework for stopping hostilities.
On Thursday, US President Donald Trump announced a three-week extension of the truce, which was due to expire on Sunday, to allow more time for negotiations and diplomatic efforts.
Even though the US-backed ceasefire has sharply reduced violence, negotiations and prospects for lasting peace remain fragile, with Israeli forces still positioned in southern Lebanon to maintain its buffer zone and dismantle Hezbollah infrastructure.
For its part, Hezbollah, an internationally designated terrorist group that openly seeks Israel’s destruction, maintains it has “the right to resist” what it calls occupying forces, while rejecting any direct negotiations between the two countries.
Even with the truce in place, Israel has warned Lebanese citizens against returning to their homes at this stage, with officials saying that Hezbollah could seek to exploit the situation to reestablish its terrorist infrastructure under civilian cover.
The Lebanese government has now opened direct contacts with Israel despite strong objections from Hezbollah — which was established by Iran’s Islamic Revolutionary Guard Corps (IRGC) in 1982.
With negotiations now underway toward a potential longer-term arrangement, Israel has said its position rests on two core demands: the full disarmament of the Iran-backed terrorist group and a “sustainable” security-based peace framework.
Lebanon has demanded an Israeli withdrawal from the south, the return of Lebanese detainees held in Israel, and the delineation of the land border.
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Antisemitic Incidents Hit Record High in Austria as New Report Warns of Rising Hostility Against Jews
A pro-Hamas demonstration in Vienna. Photo: Reuters/Andreas Stroh
Antisemitism in Austria remained at alarmingly high levels last year, reaching its highest point since records began, according to newly released data that highlighted a persistently hostile environment for Jews and Israelis across Europe, marked by harassment, vandalism, and targeted attacks.
On Thursday, the Antisemitism Reporting Center of the Israelitische Kultusgemeinde Wien (IKG) — the official body tracking antisemitic incidents against Austria’s Jewish community — released its annual report documenting 1,532 cases in 2025, the highest figure on record.
IKG Secretary General Benjamin Nägele warned that these figures signaled a sustained and deeply alarming surge in antisemitic incidents since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“The unrestrained antisemitism that has taken hold since Oct. 7, 2023, has become a constant presence in the daily lives of many Jews,” Nägele said in a statement.
Among the reported cases were 19 physical attacks, 27 threats, 205 incidents of property damage, 439 mass mailings, and 842 instances of offensive behavior, averaging 4.2 incidents per day — slightly higher than 4.13 in 2024.
While the data reflected a decline from the immediate aftermath of the Oct. 7 atrocities, with incidents peaking at 8.13 per day in 2023, the figures remained far above pre-war levels, which averaged just 1.55 incidents daily.
IKG President Oskar Deutsch said the findings underscored the ongoing strain on Jewish life in Austria, pointing to the community’s continued dependence on robust security arrangements.
“Jewish life is only possible thanks to extensive security measures. The Jewish community spends more than five million euros annually on security — resources that are urgently needed elsewhere, such as education, youth work, and cultural life,” Deutsch said in a statement.
According to the report, these trends also reflect a growing normalization of inciting rhetoric that trivializes the Holocaust, equates Israel with Nazi Germany, and frames Palestinians as “the new Jews,” further intensifying an already hostile environment for Jewish communities in Austria.
Johannan Edelman, head of the Antisemitism Reporting Center, said that this “atmospheric antisemitism” fosters growing indifference and numbness toward antisemitic agitation, reflected in a declining willingness to report such incidents.
Edelman also warned that such a hostile environment risked gradually pushing Jewish life out of the public sphere, forcing many Jews to conceal their identities.
The newly released report showed that the most prevalent form of antisemitism in Austria was Israel-related antisemitism, accounting for 1,186 cases (77.4 percent), a dramatic rise from 21 percent in 2020.
However, Holocaust relativization and denial rose sharply to 40.8 percent from 28.7 percent in 2024, while antisemitic “othering” increased to 49 percent from 32 percent, both marking significant gains.
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Israel Votes in Favor of Iran Joining International Cheer Union: ‘The Iranian People Are Not Enemies’
Ludmila Yasinska, far right, posing with members of the Israeli Cheer Union competing at the 2026 ICU World Cheerleading Championships in Orlando, Florida. Photo: Provided
Israel’s representative at the International Cheer Union (ICU) General Meeting in Orlando, Florida, this week voted in favor of Iran becoming a member nation of the organization.
Ludmila Yasinska, president of the Israeli Cheer Union, attended the annual meeting in-person and voted for Iran joining the ICU, the official world governing body for cheerleading.
The decision was approved, and a total of five applicant countries have newly joined the organization: Iran, Sint Maarten, Iceland, Ethiopia, and Sierra Leone. The ICU now has 126 national federation members across all continents, and each receives one vote for all General Meeting voting processes.
“The vote in favor of Iran’s participation in international competitions expresses a clear distinction between the Iranian people and the terrorist regime,” Yasinska told The Algemeiner. “It is a values-based position that sees the Iranian people not as enemies, but as human beings who seek to take part in the international arena, to compete, and to be partners in an open and fair world. It is also a statement of hope — that despite the complex reality, there is room to distinguish between citizens and leadership, and to extend a hand toward a different future.”
“May the day come when we can stand side by side and cheer together,” she added.
According to experts, the vast majority of the Iranian people oppose the authoritarian, Islamist regime that has ruled the country since 1979. In January, the regime’s security forces killed and imprisoned tens of thousands of civilians to crush anti-government protests that erupted across Iran.
The ICU General Meeting took place before the start of the 2026 ICU World Cheerleading Championships. This year, Israel competed in the international competition for the first time ever. The championships started on Wednesday and concluded on Friday.
“It was an amazing feeling and a great source of pride to represent Israel on the world stage,” Yasinska told The Algemeiner. “Despite all the difficult times and the situation in Israel before the championship, we never stopped believing or working toward this moment.”
The competition occurred amid a ceasefire pausing the US-Israeli military campaign against Iran, whose leaders regularly call for Israel’s destruction. Before the temporary truce went into effect, Israelis spent weeks running to bomb shelters as the Iranian regime launched barrages of ballistic missiles at the Jewish state. Iran’s chief terrorist proxy, Hezbollah, also fired rockets at northern Israel from Lebanon.
“There were times when we had to train on Zoom because we could not leave our homes. We also had one intensive week where some of our girls from the north stayed in our homes, just so we could have the opportunity to train together as one team,” Yasinska explained. “After all of this hard preparation, sacrifice, and determination, to finally represent our country was incredibly emotional and meaningful. It is a huge honor for us, and it was very important to show the world that Israel is on the international map of this sport — standing strong, competing proudly, and doing the very best we can.”
In 2021, the ICU was granted full recognition by the International Olympic Committee.