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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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Amsterdam Police Probe New Blast Claimed by Same Group That Claimed Jewish School Explosion
Police officers stand outside a Jewish school following an explosion that caused minor damages, in Amsterdam, Netherlands, March 14, 2026. Photo: REUTERS/Piroschka van de Wouw
Dutch police are investigating an explosion that damaged an office building in Amsterdam and was claimed by the same extremist organization which also claimed it was behind a recent blast at a Jewish school in the area, a police spokesperson said on Monday.
It was not immediately clear if the building has a link to Amsterdam‘s Jewish community.
Officers were investigating the explosion, which led to a small fire that was quickly extinguished by security guards and caused minor damage, the spokesperson said, adding that police were examining whether the two incidents were indeed linked.
Sienna Investment Managers, which manages the building, did not immediately reply to an emailed request for comment.
Saturday’s explosion, for which the same group claimed responsibility, caused minor damage to a Jewish school. Amsterdam Mayor Femke Halsema and Dutch Prime Minister Rob Jetten condemned the attack.
The group has also claimed earlier attacks on synagogues in Rotterdam and in neighboring Belgium’s Liege. The attacks had already triggered heightened security at Jewish sites in Amsterdam.
Justice Minister David van Weel said on Saturday that a link between the explosions in Amsterdam and Rotterdam could not be excluded, but did not confirm any claims made on social media by the group.
Concerns about possible attacks against Jewish communities around the world have risen following the US and Israeli attacks on Iran and the subsequent response from Tehran.
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Israel Says Lebanese Displaced Won’t Return Until Its Own Citizens Are Safe
Israeli soldiers walk next to military vehicles on the Israeli side of the Israel-Lebanon border, amid escalation between Hezbollah and Israel, and amid the US-Israeli conflict with Iran, in northern Israel, March 16, 2026. Photo: REUTERS/Avi Ohayon
Israel on Monday warned that displaced Lebanese driven from their homes by its military campaign against the terrorist group Hezbollah would not be able to return until the safety of Israelis living near the border was ensured, as Israeli troops pushed into new parts of southern Lebanon.
In a briefing, Israeli military spokesperson Lieutenant Colonel Nadav Shoshani told reporters that soldiers were now conducting ground operations in “new locations,” describing the latest offensive as “limited and targeted.”
The extended operation began days after Defense Minister Israel Katz said the military had been ordered to expand its campaign. He later warned that the country could face territorial losses and damage to its infrastructure unless Hezbollah was disarmed.
Israel‘s military, which has occupied five positions in southern Lebanon since a November 2024 ceasefire with Hezbollah, sent additional forces into the country after Hezbollah fired a salvo of rockets on March 2, dragging Lebanon into an expanding regional war.
Hezbollah, a Shi’ite Muslim terrorist group backed by Iran, said its attack was in retaliation for the killing of Iran’s supreme leader on Feb. 28, the first day of the US-Israeli war with Iran. Israel has responded with an intensive bombing campaign on Lebanon.
COMPARISON WITH GAZA
The military has framed the ground offensive, launched after March 2, as a defensive effort to protect northern Israel from Hezbollah attacks, which it says have averaged at least 100 rockets and drones a day and have reached as far as central Israel.
More than 880 people in Lebanon have been killed, according to Lebanon’s health ministry, and more than 800,000 have been driven from their homes, many from the south as well as from areas near the capital, Beirut.
On Monday, Katz linked the return of displaced Lebanese residents to the safety of Israelis living near the border.
“Hundreds of thousands of Shi’ite residents of southern Lebanon who have evacuated or are evacuating their homes in southern Lebanon and Beirut will not return to areas south of the Litani line until the safety of northern residents is ensured,” he said in a statement.
He said the military had been instructed to destroy “terrorist infrastructure” in villages in southern Lebanon near the border with Israel, drawing a comparison to operations in cities in the Gaza Strip that were largely destroyed by Israeli forces.
Katz also suggested that Hezbollah’s leader, Naim Qassem, could face a fate similar to that of his predecessor, and to Iran’s supreme leader, both of whom were killed in Israeli strikes. Qassem said last week threats against his life were “worthless.”
ISRAELI TROOPS ADVANCE WEST
Over the weekend, Israeli troops encircled the key southern Lebanese town of Khiyam and were advancing west toward the Litani River, a move that could leave large swathes of southern Lebanon under Israeli control, Lebanese security sources told Reuters.
Israeli troops battled Hezbollah fighters in southern Lebanon throughout the day on Monday, and advanced towards Bint Jbeil, a Lebanese village and Hezbollah stronghold located about 4 km from the border with Israel, the sources said.
Two Israeli officials said on Sunday that Israel and Lebanon were expected to hold talks in the coming days aimed at securing a durable ceasefire which would see Hezbollah disarmed.
A Lebanese source familiar with the matter said it didn’t seem talks with Israel would be taking place soon, though they would happen eventually.
Israel‘s Ambassador to the United Nations Danny Danon told reporters that a “few players were trying to mediate and host talks,” adding: “I believe the next step will be talks but first we have to degrade the capability of Hezbollah.”
Under the November 2024 ceasefire, Hezbollah was to pull back from southern Lebanon as the Lebanese military took over.
Israel said Lebanon never upheld its part of the deal, continuing near-daily air strikes against what it said were Hezbollah positions and weapons.
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Still Too Early To Silence the Lions Roaring Above Iran
The sky is illuminated as an Iranian missile lands in Israel, amid the US-Israeli conflict with Iran, as seen from Tel Aviv, Israel, March 12, 2026. Photo: REUTERS/Dylan Martinez
The Iran war is full of surprises. The United Nations Security Council, often a hostile arena for Israel, condemned Tehran — not Washington and Jerusalem — on March 11 for Iran’s war conduct, particularly its strikes on Gulf Arab countries uninvolved in the conflict.
The Gulf strikes are part of the Islamic Republic’s strategy to increase international pressure to force the war’s premature end. This is intended to prevent the United States and Israel from achieving their ideal scenario — the fall of the ayatollahs’ regime — or an acceptable outcome — stopping Iran’s offensive military capabilities.
Terrible as war is, this one should continue until more of its initial goals are achieved.
That’s not to say there haven’t been successes. Supreme Leader Ali Khamenei, the Islamic Revolutionary Guard Corps (IRGC) commander in chief, the minister of defense, the head of the military council, the deputy intelligence minister, the commander of the IRGC Aerospace Force, and other Iranian leaders met at Khamenei’s compound in Tehran on February 28. All of them died there.
In the devastating opening salvo, the Iranian leaders who had long called for Israel’s destruction and chanted “death to America” were instead killed by the countries they wished to harm.
Battle damage assessments can be difficult amid the fog of war, but some things are clear. The United States has struck approximately 6,000 targets, including more than 90 naval ships, and enjoys air superiority over large swaths of Iran. Iran’s drone and missile launches have declined by around 90 percent compared to the first day of the war. Israel assesses that 75 percent of Iran’s missile launchers have been destroyed, and the United States and its partners have intercepted thousands of Iranian drones.
US and Israeli forces are fighting wingtip-to-wingtip in the skies over Iran, and the Gulf Arab states’ fury at Iran for attacking them may portend favorable developments in the regional defense architecture envisioned in the Abraham Accords.
But there’s more work to be done. The Islamic Republic has struck at least 12 countries in an attempt to create economic pressure for the war to end.
A de facto blockade of the Strait of Hormuz is reducing global shipping and driving up commodity prices, especially oil and gas. And though he hasn’t been seen since being injured early on in the conflict, Iran’s new supreme leader, Mojtaba Khamenei, has pledged to leverage the Strait’s closure to squeeze the global economy even further to try to get Gulf countries to pressure the United States to halt the operation.
With further damage to the world’s economy looming, the United States and its partners may eventually have to try reopening the Strait. But even without doing so, options exist to reduce the blockade’s impact. The International Energy Agency already released 400 million barrels of oil from reserves, and plans are reportedly being considered for US naval and other escorts through the narrow waterway.
There’s also the regime’s nuclear program to consider. While the damage done to nuclear facilities at Isfahan and Natanz remains largely unclear, satellite imagery indicates that they have been struck during the campaign. Israel did confirm on March 12 that it struck Taleghan 2, a site utilized by the Islamic Republic for explosives testing related to its nuclear program.
But with the regime’s highly enriched uranium supply reportedly buried deep under mountains in fortified Iranian facilities, air power can only do so much damage. It’s unclear if the US or Israel are considering special operations missions to try and make sure that uranium can’t be used in a future nuclear weapon.
Meanwhile, Israel has used its air power to weaken Iran’s tools of repression.
Since the beginning of the war, Iranians have reported that checkpoints run by the regime’s Basij forces have increased in cities around the country. The “religious” militia has also been running more patrols. The Basij seek to prevent a repeat of the massive anti-regime protests in January, in which more than 30,000 innocent Iranians were reportedly slaughtered.
Earlier this month, Iranian state media reported that at least 10 members of the Basij were killed in drone attacks at several checkpoints around the Iranian capital. Later, the Israel Defense Forces confirmed carrying out the precision strikes, pledging to “continue to strike at the mechanisms and operatives of the Iranian terror regime wherever they operate.”
The most optimistic forecast for this conflict is the eradication of the Islamic regime at the hands of historically oppressed Iranian civilians. For now, conditions on the streets are still far too volatile to resume protests.
Israeli eyes in the sky, combined with targeted strikes against Basij forces, can help tilt the odds in favor of the protesters seeking to take their country back from tyrants. A lesser success would be weakening the regime’s nuclear, ballistic, and drone capabilities to dramatically decrease the threat Iran poses to the United States and the world. The United States and Israel have already severely weakened the Islamic Republic, but the mission is far from over.
David May is the research manager and a senior research analyst at the Foundation for Defense of Democracies (FDD), where Aaron Goren is a research analyst and editor. For more analysis from the authors and FDD, please subscribe HERE. Follow David and Aaron on X @DavidSamuelMay and @RealAaronGoren. Follow FDD on X @FDD. FDD is a Washington, DC-based, nonpartisan research institute focusing on national security and foreign policy.