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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.
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Why Are Jews Called ‘The Chosen People’? Misunderstanding, Misuse, and a Convenient Distortion
From Ana Kasparian’s claim that Israelis are despised worldwide for “thinking you’re G-d’s chosen people” to Roger Waters’ unhinged assertion that Israelis seek to first take over the Middle East and then rule the world because they see themselves as the “chosen people,” you have likely come across similar screeds on social media.
Few phrases in Judaism have been so persistently misrepresented as “the Chosen People.”
It is routinely weaponized against Jews and Israel, invoked as supposed proof of Jewish supremacism or racial hierarchy.
In this telling, Jewish identity is reduced to a claim of inherent superiority, in direct contradiction to the Bible’s core teaching that all humans are created in God’s image.

This distortion is not accidental. It reflects a broader tendency to force Jewish history and theology into categories that do not fit, particularly a modern racial lens that is both historically and conceptually misplaced.
That lens becomes especially grotesque when applied in the shadow of the Holocaust, which is itself often misappropriated in contemporary discourse. The accusation is inverted: the victims of a racial ideology are recast as its inheritors, with “chosenness” presented as evidence of exclusion, purity, or dominance.
First, this argument ignores a basic reality: Jews are not a race. Jewish communities span continents and cultures, from Ethiopian to Indian to European and Middle Eastern, bound not by racial homogeneity but by shared history, law, and tradition.
More fundamentally, it misunderstands the meaning of the term itself.
So what does it actually mean to be “chosen”?
The concept originates in the Torah, most explicitly in Exodus 19:6, at Mount Sinai, where the Israelites are described as a “holy nation” and enter into covenant with God through the giving of the Ten Commandments. It is reiterated in Deuteronomy 7:6, where they are called a “treasured people.”
But “chosen” in this context does not denote privilege in the modern sense. It denotes obligation.
It is a designation tied to covenant, a binding commitment to a specific set of laws, ethical demands, and responsibilities. Far from elevating Jews above others, it imposes a burden: to live according to a demanding moral and religious framework, and to serve as a model of ethical conduct.
The idea reaches back to Abraham in Genesis and to the emergence of the Israelites. In Jewish tradition, Abraham is the figure who recognizes one God and rejects the pagan world around him. That matters because the ancient Near East was overwhelmingly polytheistic. Egyptians worshiped a vast pantheon of gods with different powers and domains; Mesopotamian religion centered on multiple deities embodied in cult statues housed and served in temples, and the Greeks likewise appealed to different gods for different realms of life and nature.
In Jewish tradition, Abraham is the first great monotheist, the figure who recognizes one God in a world dominated by idol worship. That belief becomes the foundation of Jewish faith and practice, expressed most clearly in the central declaration of God’s oneness that underpins Jewish prayer.
The God Abraham recognizes is not a local or limited deity, but the Creator of everything: heaven and earth, day and night, and all living things. That idea alone marked a radical break from the religious norms of the ancient world.
Abraham is also understood to have paid a price for that belief. He rejected the idols of his time, broke with the society around him, and left his homeland in response to God’s command, entering into a life defined by faith and uncertainty.
And this is the crucial point often missed. The Biblical story is not one of a people passively selected as superior, but of a family, and later a nation, entering into a binding relationship with one God and accepting the obligations that come with it.
That obligation has had consequences far beyond the Jewish people themselves. Two of the world’s largest faiths, Christianity and Islam, emerge from this tradition. Both are rooted in the idea of one God and draw directly on core elements of the Hebrew Bible. The concept of ethical monotheism, first articulated in Jewish tradition, did not remain confined to one people. It reshaped the religious landscape of much of the world.
“Chosenness,” then, is not an abstract or inward-looking idea. Its influence has been global.
In the Bible, the relationship between God and humanity is not static. It is dynamic, and at times contested. God is not presented as distant or arbitrary, but as a being with whom humans can argue, plead, and reason.
We see this most clearly in the story of the destruction of Sodom and Gomorrah, where Abraham challenges God’s initial judgment, pressing the case that the innocent should not be destroyed alongside the guilty. The episode is striking not because Abraham “wins,” by reducing the threshold to ten righteous individuals, but because he argues at all. It establishes a model of moral engagement, not passive submission.
Elsewhere, the Bible repeatedly shows that covenant comes with conditions. The Israelites are not portrayed as unconditionally elevated, but as accountable. In the story of the spies, their lack of faith leads to a generation being barred from entering the Promised Land. Even Moses is not exempt from consequence.
The message is consistent. “Chosen” does not mean guaranteed. It means bound by responsibilities. In a modern context, that responsibility includes building a just society, resisting oppression, and protecting the vulnerable; to honor human dignity in law, economics, and war; to safeguard creation rather than exploit it; and to pursue truth and integrity in public life, even when it is costly.
Nor is this covenant entirely closed. The Hebrew Bible recognizes righteous individuals outside the Jewish people, and Jewish law has long held that converts are fully part of the nation, with no lesser status. Entry into the covenant is not racial, but defined by commitment.
The phrase “Chosen People” has become a rhetorical weapon, deployed to accuse Jews of the very worldview their tradition rejects.
A covenant of obligation is recast as a claim of superiority. A system built on law, restraint, and accountability is twisted into something racial and exclusionary.
But the distortion does not hold. “Chosen” in Judaism does not mean elevated. It means obligated.
And the refusal to understand that is not an intellectual failure. It is a choice.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Flyers for ‘IsraelFest’ at New York high school ended up in a urinal. Now the school board president is facing calls to resign.
(JTA) — The school board president in a heavily Jewish suburb of New York City is facing calls to resign after flyers promoting a student-led Israeli culture club event were torn down and later found in a boys’ bathroom urinal last week.
The flyers advertised an “IsraelFest” event to celebrate Israel’s 78th Independence Day this week at Scarsdale High School. Among those posting photographs of the vandalism was the daughter of the board president, James Dugan. She added a caption: “Keep up the good work.”
The incident quickly drew condemnation from leaders within the school district of the heavily Jewish New York City suburb, including Superintendent Drew Patrick, who wrote in a letter to the community that the vandalism “places our collective sense of community in jeopardy.”
“We live in a time of rising antisemitism, political polarization, and a degraded civil discourse,” Patrick wrote. “I want the community to know that we take these complex challenges seriously and work to confront them every single day.”
Patrick said the district had already been developing a “clear, written set of guidelines regarding student speech and dress at school sponsored student activities,” which will be introduced at a Board of Education meeting on May 11.
Scarsdale High School Principal Kenneth Bonamo also decried the incident in a letter to the community on Friday, adding that the student government’s Instagram post advertising the event received “two replies criticizing the event using vulgar language.”
Bonamo said the school’s investigation into the incident was “active and ongoing,” and that officials were “currently interviewing students and reviewing camera footage to identify those involved.”
“The Israeli Culture Club was well within its right to plan this type of an event, for which they sought and received administrative approval,’ Bonamo wrote. “Denigrating the club’s efforts in this way is wholly inconsistent with our values, both as a matter of basic fairness to support appropriate and approved student activities and because these actions constitute antisemitism.”
The event promised “Israeli food (and pizza), drinks and desserts alongside Israeli music and games,” suggesting no focus on current events or geopolitics.
The incident comes as younger Americans increasingly adopt anti-Israel stances, setting up clashes in places like Scarsdale, where many Jewish families have connections to the country and to Jewish communities. In 2024, two stores in a Scarsdale shopping plaza, one of which had a sign reading “We stand with Israel” in its window, were targeted with anti-Israel graffiti.
In his letter, Bonamo added that the school had received “concerns that the unlabeled map in the flyer seems to include disputed territories as part of the State of Israel.” The map did not delineate the West Bank and Gaza.
“This is a core conflict in this debate, one that is worthy of exploration in civil discourse, but responding in this way is still not appropriate,” Bonamo wrote of the map.
An online petition calling for the students responsible for the vandalism to face “meaningful disciplinary action” as well as for Dugan’s ouster nearly 1,000 signatures by Tuesday morning.
“When a Board member’s immediate family is directly connected to the approval, encouragement, or defense of antisemitic behavior, it undermines public confidence in the Board’s ability to lead fairly and credibly during moments of crisis,” the petition read. “For that reason, we call for the resignation of any Board of Education member whose household is implicated in supporting these acts.”
A separate petition calling for the school board to reject calls for Dugan’s resignation drew over 100 signatures.
Dugan appeared to address his daughter’s post in a letter to the school community on Friday, writing, “Recent events have provided a profound teaching moment for me as a parent and have impacted me and my family.”
He added, “As a parent, I will focus on healing my family. But as a school board member, my focus will continue to be on our students, our schools, and our educational program.”
The incident follows others at high schools in the region that have unsettled Jewish students and watchdogs. In February, a New York City high schooler was arrested for allegedly sending an email threatening to “kill all the Jews in this school,” and earlier this month, students at a Connecticut Catholic school were punished for making antisemitic posts about a rival hockey team.
This article originally appeared on JTA.org.
The post Flyers for ‘IsraelFest’ at New York high school ended up in a urinal. Now the school board president is facing calls to resign. appeared first on The Forward.
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Isaac Accords, Wave of IRGC Terror Designations Signal Deepening Israel–Latin America Ties
Argentina’s President Javier Milei receives Presidential Medal of Honor from Israel’s President Isaac Herzog in Jerusalem, April 20, 2026. Photo: REUTERS/Amir Cohen
As Israel deepens its diplomatic outreach across Latin America, a quiet but notable convergence is taking shape, with regional governments tightening security cooperation and increasingly aligning efforts to counter Iranian-linked terrorism and illicit networks operating across the hemisphere.
During a state visit to Israel on Sunday, Argentine President Javier Milei and Israeli Prime Minister Benjamin Netanyahu formally signed the Isaac Accords, a new framework aimed at deepening ties between Israel and Latin American governments while jointly addressing antisemitism and terrorism.
According to Toby Dershowitz, senior adviser at the Foundation for Defense of Democracies (FDD), a Washington, DC–based think tank, this initiative builds on rising regional momentum for closer cooperation with the Jewish state and sets in place a framework for intelligence-sharing and coordinated law enforcement efforts aimed at countering Iranian proxy networks operating across the hemisphere.
Latin America has long been regarded as a hub for Iran-backed Hezbollah’s illicit drug trafficking and other criminal activities, which have been used to finance its broader terrorist operations worldwide.
“While just formally signed in recent days, there is already momentum behind some of the Isaac Accords’ goals,” Dershowitz told The Algemeiner. “Several countries have taken steps – including terrorism designations – to counter the Islamic Republic’s threat.”
“The Western Hemisphere has been plagued by Iran-backed terrorism for decades and countries are increasingly leveraging support from allies in the region to address the threat,” she continued.
Modeled after the Abraham Accords — a series of historic, US-brokered normalization agreements between Israel and several Arab countries — this new initiative aims to strengthen political, economic, and cultural cooperation between the Jewish state and Latin American governments.
During the signing ceremony, Milei described the launch of the accords as “a historic moment for our nations,” saying they are intended to advance peace through efforts to strengthen long-term regional stability, security, and economic prosperity.
The Isaac Accords “will not only strengthen the relationship between Argentina and Israel, united by shared values, but also mark a step toward a freer and more prosperous hemisphere,” the Argentine leader said.
According to a joint statement between the two leaders, the new initiative will focus on technology, security, and economic development, with an emphasis on deepening cooperation in innovation, commerce, and cultural exchange.
It will also seek to encourage partner countries to relocate their embassies to Jerusalem, formally designate Hamas and Hezbollah as terrorist organizations, and shift longstanding voting patterns on Israel at the United Nations.
Dershowitz explained that the push to formally designate Iran’s Islamic Revolutionary Guard Corps (IRGC) and its proxy groups as terrorist organizations — an approach already adopted by several Latin American countries — is central to strengthening states’ ability to investigate and prosecute terrorism networks.
She also noted that such designations facilitate cooperation with global financial intelligence units, expanding the legal tools available to track and disrupt illicit financing.
“Iran has a concerning footprint in Latin America. Some countries in the region face major Hezbollah-linked drug trafficking challenges and, as a result, exposure to illicit financial flows,” Dershowitz said. “It is no doubt part of the calculus that led to these designations.”
Since the start of the war in Gaza, and even more so amid the broader confrontation with Iran, Latin American countries have increasingly sought to align their domestic legislation with international sanctions frameworks targeting Hezbollah, Hamas, and the IRGC — all of which are designated by the United States, the United Kingdom, and the European Union.
Ecuador, Costa Rica, and Paraguay are among some of the countries that have designated Hamas, Hezbollah, and the IRGC as terrorist organizations.
More recently, Costa Rica and Trinidad and Tobago have also followed suit, proscribing all three Iranian and Iran-backed entities.
Once a formal designation is in place, authorities can immediately freeze a wide range of assets belonging to designated entities without the need for a prior criminal conviction.
The designation also makes it a criminal offense to provide such entities with material support — such as funding, transportation, housing, or false documentation — while giving authorities additional tools to track and map a group’s logistical and financial networks.
Last month, Argentina also designated the IRGC as a terrorist organization, after previously designating the Palestinian group Hamas in 2024 and the Lebanese group Hezbollah in 2019.
After Iran accused Buenos Aires of “siding with the aggressors” and violating international law with its latest designation, the Argentine government declared Iranian chargé d’affaires Mohsen Tehrani “persona non grata” and gave him 48 hours to leave the country.

