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Park East Synagogue is still searching for its next leader as another assistant rabbi exits
(New York Jewish Week) — The ongoing search for a successor to Park East Synagogue’s 92-year-old rabbi has hit a fresh hurdle, as the rabbinic search committee has been disbanded and another of the congregation’s rabbis has left his job.
For more than a year, the prominent Orthodox congregation on Manhattan’s East Side has sought someone to succeed Rabbi Arthur Schneier, a Holocaust survivor who has led the synagogue for six decades. But none of the prospective candidates has yet panned out, while at the same time multiple assistant rabbis have exited the synagogue.
The synagogue suggested in a statement that another of its assistant rabbis could be the heir apparent. But Park East members worry that the turmoil is endangering the future of their storied synagogue, which has hosted a pope and a string of other dignitaries as Schneier has shaped the synagogue into a stage for his human rights activism.
In February, Schneier told the New York Jewish Week, “When it comes to the selection of a rabbi, it is entirely up to the membership.” But multiple synagogue members said the rabbinic search committee disbanded after a top British rabbi withdrew from consideration in February and Schneier is now running the search himself.
“Members feel disenfranchised,” said one Park East member who is familiar with the synagogue’s management and, like others in the community, asked to remain anonymous for fear of ruining their relationships in the congregation.
“It is very difficult,” the member said. “We’ve had Rabbi Schneier here for a very long time and many people do love him very much, and it’s hard for them to imagine someone else taking that place.”
Some are sympathetic to Schneier’s position. Reuven Kahane, a longtime member at Park East who often delivers sermons at the synagogue, told the New York Jewish Week that “Rabbi Schneier has flaws and makes mistakes — like everyone else.”
The Star of David stands atop the Park East Synagogue, March 3, 2017 in New York City. (Photo by Drew Angerer/Getty Images)
“But who has done so much for so many?” Kahane asked. “The rabbi literally watched Kristallnacht, then turned that tragedy into saving Jewish lives for 70 years.”
The uncertainty began in late 2021, when the synagogue abruptly fired Schneier’s popular assistant rabbi, Benjamin Goldschmidt, whom Schneier’s allies accused of trying to stage a coup. Four months later, the synagogue announced a search for a “worthy successor” to Schneier. Goldschmidt has since founded his own popular congregation, called the Altneu, in the same neighborhood.
In February, Park East appeared close to hiring Rabbi Yitzchak Schochet, who leads a large synagogue in London. But a question-and-answer period at the synagogue following a lecture by Schochet devolved into argument when a member publicly protested the rabbi’s views about same-sex marriage. Schochet eventually withdrew from the rabbinic search.
Now, Rabbi Elchanan Poupko — who has taught at the synagogue’s affiliated day school since 2015, and who has served as the synagogue’s interim assistant rabbi since last year — confirmed that he is leaving the synagogue. Members said Poupko was well liked and was once floated as a prospective successor to Schneier. When he assumed the assistant rabbi role, he posted on LinkedIn, “May it be the will [of Hashem] that … the Divine Presence, rest in our work.”
Both Poupko and the synagogue attributed his departure to his physician wife’s work as a professor of neurology at the University of Connecticut. Poupko said “the schlep is too much” between the two workplaces.
“We wish Rabbi Poupko, his wife Rachel, and their daughters the best in their new home in Connecticut,” the synagogue said in a statement. “Their contributions to our community have been greatly appreciated and they will be missed.”
The synagogue’s statement added that it has asked another assistant rabbi, David Flatto, to serve as “acting Associate Rabbi.” Flatto previously served as the rabbi of another prominent Upper East Side Orthodox synagogue, Kehilath Jeshurun, and is a professor of law and Jewish philosophy at Hebrew University in Jerusalem.
His biography on the Park East website says he is at the synagogue “until he resumes his academic responsibilities at Hebrew University in the fall,” but members told the New York Jewish Week that they understand Schneier wants to keep Flatto on as his successor.
“He is well known and respected by the Park East community having served as our Assistant Rabbi in 2022,” the synagogue’s statement said. “He exhibited warmth and caring in his outreach and pastoral duties during Shabbat, High Holiday services, and during life cycle events.”
Neither Flatto nor Schneier responded to requests for comment.
Two members of the disbanded committee declined to comment, and the synagogue’s statement did not address an inquiry about the committee’s status, saying, “Our search for a full-time candidate is ongoing. We will continue to engage our membership in this process.”
The member who is familiar with Park East management said the search committee “chose to disband themselves” after Schochet dropped out. The member added that the committee members, “frankly, did not feel that they had any more interest in putting more effort based on the fact that the last person didn’t go so well.”
Now, members say, Schneier and a close circle of confidantes are spearheading the search.
“He’s holding on to the last vestiges of power, like an older relative who just doesn’t know when to hang it up,” said another member who is active at the synagogue and who also asked not to be named. “He’s a good man, but this is just pathetic.”
That member and others said there had been a spat between Poupko and Flatto surrounding Shemini Atzeret, the Jewish holiday immediately following Sukkot last fall. Flatto allegedly had “a temper tantrum” because Poupko was asked to participate, the member said, and ultimately refused to lead services. Other members confirmed that account.
“He literally just didn’t show up,” the active member said. “I was ticked because we’re paying him. He acted immature, so he left a very bad taste in a lot of people’s mouths.”
Some members say that while they’re impressed with Flatto in many ways, they still place him in the same category where a growing list of rabbis have found themselves during the past year and a half: respected and appreciated but, ultimately, not exactly right for Park East Synagogue.
“He’s a fantastic person, a wonderful intellectual, a great professor,” the member familiar with the synagogue management said about Flatto. “A senior rabbi requires a lot of delicate interactions that I don’t think he is really up to.”
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The post Park East Synagogue is still searching for its next leader as another assistant rabbi exits appeared first on Jewish Telegraphic Agency.
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”

For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
The post At Eurovision, Israel’s near triumph shows the limits of tolerance appeared first on The Forward.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
The post Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote appeared first on The Forward.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.

As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.

Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.

“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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