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Pope Benedict XVI, who went from Hitler Youth to advancing Catholic-Jewish relations, dies at 95
(JTA) — Jewish groups are among those marking the death of Benedict XVI, the Catholic pontiff who died Saturday at 95, a decade after shocking the world by becoming the first pope since the Middle Ages to resign.
“It is with great sadness that I learned today that Pope Emeritus Benedict XVI has passed away,” Ronald Lauder, president of the World Jewish Congress, said in a statement issued Saturday. “He was a towering figure of the Roman Catholic Church, both as pope and before that as the cardinal who gave the Catholic-Jewish relationship solid theological underpinning and enhanced understanding.”
During his eight years as pope, Benedict took many steps to advance Catholic-Jewish relations. visiting synagogues and Israel and condemning antisemitism on multiple occasions.
But he also reintroduced liturgy praying for the conversion of Jews, accepted back into the church an excommunicated priest who denied the Holocaust and never completely satisfied some who wished to see him more fully denounce his own Nazi past.
Born Joseph Ratzinger in Germany in 1927, Benedict spent a portion of his teenage years in the Hitler Youth organization, something that was mandatory for boys in Germany at the time and that he explained as necessary to obtain a tuition discount at his seminary. Those who knew him at the time attested after his election as pope in 2005 that his participation was reluctant, and Jewish groups who worked with him after the war said he had long worked to rectify the association.
“Though as a teenager he was a member of the Hitler Youth, all his life Cardinal Ratzinger has atoned for the fact,” the Anti-Defamation League said in a statement after his election as pope.
As priest and professor of theology in the 1960s, Ratzinger took part in the Second Vatican Council, a policy meeting of church leaders, as a theological advisor. It was at that council that the church’s leadership rejected centuries of Catholic dogma and declared that the Jewish people should not be blamed for the death of Jesus. Their 1965 declaration, known as Nostra Aetate, recast the church’s relations with the Jewish community.
Benedict’s predecessor, Pope John Paul II, is remembered as the first pope to visit a synagogue and, upon his ascension to the papacy, Benedict continued that tradition, making a habit of visiting with local Jewish communities on several of his international trips.
Pope Benedict XVI greets guests beside Rabbi Arthur Schneier (R) during a visit to the Park East Synagogue, April 18, 2008, in New York City. (Vincenzo Pinto/AFP via Getty Images)
In 2008, on a papal visit to the United States, Benedict visited New York’s Park East Synagogue on the eve of Passover, in the first visit by a pope to an American synagogue.
“Shalom! It is with joy that I come here, just a few hours before the celebration of your Pesach, to express my respect and esteem for the Jewish community in New York City,” the pope said to the congregation, according to the church’s records. “I find it moving to recall that Jesus, as a young boy, heard the words of Scripture and prayed in a place such as this.”
The next year, Benedict visited Israel, in a trip that was largely focused around the common roots of Judaism, Christianity and Islam.
Related: Timeline of Pope Benedict XVI and the Jews (2013)
Upon Benedict’s resignation in 2013, he was praised by Israel’s Ashkenazi chief rabbi. “During his period there were the best relations ever between the church and the chief rabbinate, and we hope that this trend will continue,” said the rabbi, Yona Metzger. “I think he deserves a lot of credit for advancing inter-religious links the world.”
Despite the praise, Benedict’s papacy ignited multiple episodes of criticism from Jews alarmed by the effects of his religious conservatism.
Early in his papacy, Benedict allowed for the expanded use of the Tridentine Mass — the pre-Vatican II Catholic liturgy also known as the Latin Mass — which includes a Good Friday prayer that many view as antisemitic because it prays for the conversion of Jews to Christianity. (Benedict’s successor, Pope Francis, has curtailed the use of the Latin Mass, though not specifically because of its language about Jews.)
The ADL’s then-leader, Abraham Foxman, was among many Jewish leaders to condemn Benedict’s move.
‘We are extremely disappointed and deeply offended that nearly 40 years after the Vatican rightly removed insulting anti-Jewish language from the Good Friday mass, it would now permit Catholics to utter such hurtful and insulting words by praying for Jews to be converted,’ Foxman said. “’It is the wrong decision at the wrong time. It appears the Vatican has chosen to satisfy a right-wing faction in the church that rejects change and reconciliation.”
In response to the criticism, Benedict altered the Good Friday liturgy to drop a reference to the “blindness” of the Jews, but he maintained language praying for Jews to convert to Christianity.
Benedict also drew criticism for his refusal to acknowledge the Catholic church’s role in the Holocaust, and in particular, the role of the pope at the time, Pius XII — whose path to sainthood Benedict approved in 2009.
Pope Benedict XVI talks to Italian Chief Rabbi Riccardo Di Segni in Rome’s main synagogue, Jan. 17, 2010. In his remarks there, Benedict said the Roman Catholic Church provided “often hidden and discreet” support for Jews during the Holocaust. (Filippo Monteforte/AFP via Getty Images)
Pius has long been accused by Jewish groups of at best remaining silent, and at worst, being “Hitler’s pope” as the Holocaust raged across Europe. While Catholics were involved in many cases of rescue across the continent, initiatives coming from the Vatican itself often applied only to practicing Catholics of Jewish descent, or required Jews to convert to Catholicism.
After the war, Pius’ Vatican sheltered Ante Pavelic, the exiled leader of the Ustaše regime in the former Independent State of Croatia, a Catholic supremacist movement and Nazi puppet state that implemented the Holocaust in Western Yugoslavia. Jasenovac, the third-largest concentration camp in Europe, was built under the Ustaše rule and was the site of death for at least 100,000 people, including between 12,000 and 20,000 Jews.
The Vatican has long maintained that Pius worked to save Jews. Pius, Benedict said in 2008, “acted in a secret and silent way because, given the realities of that complex historical moment, he realized that it was only in this way that he could avoid the worst and save the greatest possible number of Jews.”
Benedict faced the decision of whether to declare Pius “venerable,” a crucial step in the path to sainthood. After initially deferring, he made the declaration in 2009. Now, the decision about whether Pius will be beatified, or declared a saint, could hinge on the contents of an archive that the Vatican is in the process of opening that includes materials about Pius’ handling of the Holocaust.
“The Pope at War,” a recent book by Pulitzer Prize-winning historian David Kertzer, the son of a rabbi, draws on these new archives to make the case that Pius largely ignored pleas from Jews (while keeping a secret back channel to Hitler); Pius’ advisor used antisemitic language in urging him not to act on behalf of the Jews and the pope personally intervened to prevent Jewish children and their parents from being reunited, Kertzer concluded.
Benedict, who had access to the archive, worked to heal friction with the International Society of Saint Pius XII, a conservative faction within the Vatican that named itself after the wartime pope and added the “Saint” even though he lacked the title.
In early 2009, Benedict removed the excommunication of four priests from the society. Among them was Holocaust denier Richard Williamson, who claimed the Nazis’ use of gas chambers to be a lie.
German Jewish leaders called Benedict’s decision “a slap in the face for the Jewish community.”
“The result of this move is very simple: to give credence to a man who is a Holocaust denier, which means that the sensitivity to us as Jews is not what it should be,” Elie Wiesel said at the time.
“The Vatican has done far more than set back Vatican-Jewish relations,” the scholar (and current U.S. antisemitism monitor) Deborah Lipstadt wrote at the time. “It has made itself look like it is living in the darkest of ages.”
Benedict said he had not known about Williamson’s views and pressed him to recant them, but Williamson did not; the pope later said he had mishandled the situation.
Months later, during his visit to Israel, Benedict spoke outside of Yad Vashem, Israel’s Holocaust memorial and museum. Though he denounced antisemitism in his remarks, he did not mention the words Germany or Nazi, nor did he reference any church involvement or his own experience in the Hitler Youth, or refer to the deaths of Europe’s Jews as murder.
Benedict ultimately refused to enter the museum, due to its negative depiction of Pope Pius XII.
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He was a shy, retiring, Jewish record store manager. How did he come to manage the world’s biggest rock band?
Mr. Moonlight: Brian Epstein and the Making of The Beatles
By Philip Norman
Da Capo, $32.50, 368 pages
Brian Epstein was a most unlikely candidate to discover the Beatles playing in a subterranean music club in Liverpool and manage them toward becoming the biggest pop-rock band in the universe. The somewhat shy and retiring record store manager and classical music aficionado was convinced by an employee to join him during a lunch break to walk over from his family-owned NEMS record shop to the Cavern Club, where he stood out for his age (he was 27; the group’s oldest musician, John Lennon, was 21 and the crowd consisted largely of teenagers), his outfit (a formal suit and tie), and his mature deportment.
But despite being a fish out of water in the grungy club and with no experience working with musicians, within just a few weeks of getting to know the members of the Fab Four, Epstein signed them to a management deal for the purposes of getting them gigs, attracting a record deal, and freeing the foursome from business and logistical concerns. Along the way, Epstein cleaned them up, convincing them to trade their leather outfits for suits and ties, to all cut their hair in the same bowl-cut style that garnered them the nickname “mop-tops,” and to stop eating, smoking and cursing out the audience while performing.
Who was this character, and why did the Beatles put their trust in him?
The 5th or 6th Beatle
Brian Samuel Epstein was born on Sept 19, 1934, which happened to be Yom Kippur, the holiest day of the Jewish year, when Jews traditionally fast and spend the day in synagogue in an annual ritual of atonement. In some small but significant way, atonement would prove to be one of the themes of Epstein’s short, enigmatic life.
Brian’s paternal grandfather, Isaac Epstein, emigrated from Lithuania to Manchester, England, in 1894. He eventually moved to Liverpool, where he opened a furniture shop. The family expanded the business by taking over a nearby shop called North End Music Stores, which became the famous NEMS chain of furniture and record stores. Paul McCartney’s father once bought a piano from NEMS, and teenage Paul — along with his pals John Lennon and George Harrison — often went to NEMS to hear the latest pop and rock ‘n’ roll records from America.
Isaac Epstein’s son Harry married a woman named Malka Hyman (hence her nickname, “Queenie,” as “Malka” is Hebrew for queen), and the two became “prominent and popular members of the largest Jewish community outside London.” Brian and his younger brother Clive were raised in a household that kept a kosher kitchen and had weekly Shabbat dinners.
After briefly attending RADA, the Royal Academy of Dramatic Art, in London, where he had hopes of becoming an actor, Brian Epstein returned to Liverpool and went to work for his father, managing the NEMS record outlet.
As Beatles biographer Philip Norman recounts in Mr. Moonlight: Brian Epstein and the Making of the Beatles, Brian led something of a double life from a young age. He was gay at a time when engaging in homosexual activity was against the law as well as frowned upon socially. Epstein lived his gay life mostly in the shadows, attracted as he was to anonymous trysts with “rough trade,” which could and often did wind up with him getting into trouble with the law as well as being beaten up, robbed, or blackmailed. To make things worse, Epstein was a heavy drug user and drinker who combined alcohol and sleeping pills, and he was hospitalized several times for depression and drug abuse.
Nevertheless, Epstein steered the Beatles to fame and fortune, first in England, then in America, and then all around the world. He was tenacious in trying to score them a record deal in London. Bringing them to the attention of Parlophone staff producer George Martin proved to be auspicious. Although Martin had previously specialized in recording comedy records, he saw something in the Fab Four (who, at least in their early years, were something of a comic group — or at least John Lennon fancied them as such) that was distinctive and showed promise. Martin convinced the upper brass at EMI, which owned Parlophone, to take a flyer on the group. The pairing of Martin and the Beatles would prove as significant as anything Epstein did for them, and when talking about “who was the fifth Beatle?” the only honest answer is both Epstein and Martin (or one was the fifth and the other the sixth — take your pick). Martin’s influence on the Beatles’ musical development and his support of their more experimental tendencies in the recording studio would prove to be an essential ingredient in their magical mixture.
A genteel and not-so-genteel antisemitism
In early 1963, a Jewish Londoner named Helen Shapiro was one of the biggest pop stars in England. Epstein got the Beatles attached to a nationwide tour headlined by Shapiro, which wound up laying the groundwork that would evolve into the full-fledged Beatlemania that would erupt by the end of the year. By early 1964, Epstein convinced American TV variety host Ed Sullivan to have the Beatles appear as guests on his weekly program for three consecutive weeks, lighting the fire of Beatlemania in the U.S., on their way to total domination of the world’s airwaves.
Epstein also worked with Jewish-American concert promoter Sid Bernstein to get the Beatles booked at Carnegie Hall in New York City and later at Shea Stadium, for two massive concerts in 1965 and 1966. In the meantime, Epstein hooked up the Beatles with Dick James (born Isaac Vapnick) for the purposes of creating Northern Songs, a publishing company for their original compositions. Epstein also midwifed the Beatles entrance into moviemaking, making a deal with United Artists to make several films, including A Hard Day’s Night and Help!, both directed by American-born filmmaker Richard Lester (born Richard Lester Liebman). Lester, like George Martin, had previously worked with Spike Milligan and Peter Sellers, two of the Beatles’ favorite comedians.
For Epstein, it was not always smooth sailing. It was a time when a kind of genteel (and not-so-genteel) antisemitism permeated British life and culture, a time when the words “Jewboy” and “Yid” came tripping off the tongue. When Paul McCartney told his father that the Beatles were thinking of partnering with Brian Epstein, pere McCartney replied, “Jews are good with money,” leaving it to our imagination if this betrayed antisemitism or was meant as a compliment.
Even with his commercial and financial success, Epstein found certain doors closed to him. According to Norman, “As a permanent London base, [Epstein] favored the city’s two most exclusive neighborhoods, Knightsbridge and Belgravia, but for him, as he well knew, it wouldn’t be just a question of studying an estate agent’s brochure and requesting a viewing. Antisemitism flourished nowhere more vigorously than among those elegant white squares, many of whose ritzier apartment blocks made clear without stating explicitly they did not welcome Jews.” Brian recounted the anti-Jewish taunting he fell victim to in school in his memoir, writing, “even now [antisemitism] lurks around the corner in some guise or other.”
The godfather
No one was crueler to Epstein about being Jewish and gay than John Lennon, who, although perhaps best known for singing about peace and love, could be violent and cruel to those closest to him. Norman writes that Lennon treated Brian “abominably, at one minute sarcastically over-reverential, at the next blisteringly rude to his face about his clothes, his hair, his accent, his sexuality, even his religion.” When Epstein hired Tony Barrow to be the Beatles’ press agent, Lennon asked him (with Epstein within earshot), “If you’re not Jewish and you’re not queer, what are you doing working for Brian?” And when Epstein asked the band members what he should call his memoir, Lennon replied, “Queer Jew.”
Nevertheless, when Cynthia Lennon gave birth to Julian, the Lennons asked Epstein to be the boy’s godfather. And immediately following Julian’s birth, Lennon and Epstein went on holiday together for two weeks in Spain, where it has long been assumed the two of them had sexual relations of some sort.
When the Beatles decided to retire from touring in 1966, Epstein was left wondering what remained for him to do for them, since so much of his work had revolved around booking concert tours and negotiating deals. With the focus of the Beatles work now dedicated to the recording studio, Epstein spiraled. His drinking and drug use, as well as his expensive gambling habit, grew to epic proportions. He was found dead in his bed on August 27, 1967, at the age of 32. Surrounding him in bed were items of correspondence, the script for the Yellow Submarine animated film, and a novel called The Rabbi by Noah Gordon. Published in 1965, the American author’s debut was an instant hit, spending 26 weeks on The New York Times’ bestseller list.
An inquest ruled that Epstein died from an “incautious” drug overdose. On Oct. 17, a memorial service for Epstein was held at the New London synagogue in Abbey Road, attended by the Beatles, Cilla Black, George Martin, Dick James, and members of the Finchley Jewish Youth Club, for which Brian had served as president. Writes Norman, “The Beatles wore black paper yarmulkes which kept slipping off their shaggy hair.”
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He reconnected with Judaism as an adult. With his art, he hopes others do the same.
Bruce David’s magnum opus is a psychedelic lithograph depicting practically the entire Torah. Over eight months, David filled it with a plethora of hidden symbols: If you look closely, you can see Joshua blowing a shofar, which hugs the Israeli flag. Squint even more and you’ll notice Joshua’s face is the flared end of an even bigger shofar that encompasses the Ten Commandments, a shofar made up of dozens of small people, seven of whom hold flames as if making a human menorah.
To understand every hidden image in just this one painting would take more words than I have space for. David gave me the “short version” of the piece’s story on Zoom — it still took six minutes.
Although David has now spent decades making Jewish art — prints, mosaics, stained glass and metal works — and exhibiting it across the country, it wasn’t what he had anticipated doing with his life. David doesn’t have any formal art training and for several years, he lost touch with his Judaism.
“Oftentimes I’ll refer to myself as a deeply flawed holy man wannabe,” David told me over Zoom from his house in Bloomington, Indiana. “But I always had this spiritual pull.”
David grew up in Louisville, Kentucky, with a Reform father and a mother from an Orthodox family. His Orthodox grandmother, Bess Harris — who he described as a force to be reckoned with — was a particular influence on him.
“I really learned my Jewish heart from her and her love of God,” David said. “She was involved with starting a Jewish day school, a Jewish nursing home, the synagogue, and she would lead trips to Israel.”
But traditional religious practice didn’t speak to him when he was a kid. He told me that one time he even climbed out of the window during Hebrew school to go play basketball.
Years later, his wife Diane was the one who helped him find new ways to connect with Judaism. Although she was raised Catholic, Diane was curious about Judaism. David needed to refresh himself on the answers.
“We started looking at the different aspects of Judaism and different things started to make sense,” David told me. “Shabbat made sense — you know, everybody needs a time to rest, recharge. Yom Kippur makes sense as a time to forgive and be forgiven. Rosh Hashanah to start again. Sukkot to get out and celebrate and get close to nature.”
When the couple met, David’s job was making deliveries for his grandfather’s wholesale store in Louisville. For David’s 30th birthday, Diane gave him a set of pigment pencils and the art started flowing out of him. Many of his pieces are concerned with biblical stories — like his mosaic of Jonah emerging onto the shores of Nineveh or his rainbow colored print of Balaam and his donkey — and he refers to them as “visual midrash.”
Unsure what to do with his art, David went to the Hillel at Indiana University Bloomington to see if the rabbi had any ideas. The rabbi connected him with art professor Mazelle Van Buskirk who was taken with David’s work. She arranged for an exhibit at IU’s School of Fine Arts, making him the first community artist to be given such an honor and kicking off his career.
He has presented his art at Jewish schools and exhibited it at events like the National Hadassah Conference, the Cincinnati Jewish Folk Festival, and the Coalition for Alternatives to Jewish Education. His work has been on the cover of books and Jewish publications. Many of the events that have had the greatest impact on David’s life were unplanned.
“We’ve always lived our lives on miracles,” David told me.
Among these, David said, was Rabbi Shlomo Carlebach, “the Singing Rabbi” who wrote hundreds of liturgical melodies in the 20th century, conducting a (planned) conversion for Diane and an (unplanned) wedding ceremony for the couple in the 80s.
“We went to the mikvah for the conversion,” David told me. “And then he tells us ‘Oh by the way we’re going to marry you Saturday night after Shabbat.’”
Another miracle happened when David met a couple looking for someone to manage 29 acres in Bloomington overlooking Monroe Lake. Nature lovers, the couple quickly took the opportunity to live somewhere they could connect with the earth. David’s admiration for natural forms can also be found in much of his art; the shapes tend to flow and bend.
Over the 46 years that the couple has lived on their property, they’ve turned it into a home base for their Jewish worship and educational group Light of the Nations, which conducts lessons at various synagogues and JCCs through art and music. They host parties for Sukkot and the solar eclipse on their huge lawn, welcoming dozens of visitors.
David said they wanted their home to be a “place where people come out and get close to nature in life and slow down.”
Seventy-five years old and battling blood cancer, David is now spending his time focusing on helping people connect to Judaism in a holistic way and see the beauty that brought him back to religion. He’s slowed down on exhibiting his art, instead working on making sure Light of the Nations’ mission can continue once he is gone and that his art will find a home.
David hopes that people recognize in his art “that there’s this amazing, incredible life force influencing all creation.”
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Metropolitan Police investigating abuse of Jewish attendees at London Pride
(JTA) — London’s Metropolitan Police launched an investigation Monday into antisemitic abuse at a Pride parade after videos and pictures circulated on social media showed Jewish participants enduring taunts at Saturday’s event.
The police department said in a statement that officers were “aware of videos circulating online that show antisemitic verbal abuse directed towards attendees” at the parade in central London and that footage was being reviewed to assess whether criminal offenses had been committed. The department added that it “continues to work hard to tackle hate crimes of all types.”
Videos shared online show people carrying rainbow flags incorporating the Star of David being confronted by individuals shouting “Free Palestine.” The harassment escalated with attendees shouting, “Go back to your Zionist homeland,” “You kill Arab children, you kill gay children,” “F*** you, Jew,” and “How many babies did you kill?”
The Jewish Telegraphic Agency reached out to Pride in London for comment. The group had not replied by press time.
The incident comes amid heightened concern over antisemitism in Britain since Hamas’ Oct. 7, 2023, attack on Israel, with a record number of antisemitic incidents reported over the past two years. It also comes as Pride celebrations around the world have been roiled by tensions over Israel and antisemitism.
Pride in London drew tens of thousands of participants and visitors to the Soho neighborhood in the British capital. Some Jewish LGBTQ+ organizations have in recent years chosen not to participate in Pride, citing hostility towards Zionist Jews. But this year, around 150 people marched as part of a Jewish bloc at the event.
Organizers said the return this year followed discussions with Pride in London over Jewish inclusion and commitments that organizers would undertake antisemitism awareness training in partnership with the Community Security Trust, the main security consultant to the Jewish community. Jewish LGBTQ group Keshet UK stated earlier this year that the measures were intended to help ensure Jewish LGBTQ+ participants could march “safely and openly” following concerns raised after Oct. 7.
It was not clear whether the Jewish marchers who endured the abuse were part of the official Jewish bloc – accounts from marchers who stayed with the Jewish bloc were generally positive.
“A few people came and chanted ‘free, free, Palestine,’” Israeli author and LGBTQ+ activist Hen Mazzig told JTA. “They were passing through. And there was another person who was at a cafe and then they came by and they were just staring at us.”
Mazzig shared footage from the event on X, writing, ”My pride is not affected by the opinions of others. I am gay, I am Jewish, and I’m here to stay. Am Yisrael chai.”
Mazzig splits his time between London and Tel Aviv, because his husband is British. He told JTA in a phone interview that Saturday’s incidents “were scary, especially when a Pride parade is supposed to be inclusive.”
Mazzig said that since Oct, 7, circumstances have been exceptionally challenging for the British Jewish community “but specifically for LGBTQ youth that are being forced to choose between their Jewish identity and their queer identity.”
Mazzig claimed that Jewish marchers are not accepted unless they specify that they are anti-Zionist. “Every statement of solidarity with LGBTQ Jews seems to come with a ‘but,’” he said. ‘We support you, but not if you’re physically Jewish, not if you’re supporting Israel. You have to renounce half of your identity first.’ That’s not equality.”
In advance of Saturday’s event, some 650 Met police officers were deployed to enforce “zero tolerance” on hate crimes and to ensure that attendees could “safely and securely” enjoy the parade.
When JTA asked the Metropolitan police why at least two policemen appeared to stand by as Jews were subject to abuse, the Met requested that JTA provide the video in question. After being supplied with the video, the Met later told JTA that it had nothing further to add at this stage but would provide an update if it did.
Mazzig said the Met police should consider the abuse at the parade “shameful and it should alarm everyone.”
He added, “I hope that we stop debating whether or not antisemitism is real and accept it. And that communities that are supposed to be inclusive and pluralistic start taking action.”
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