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Rashida Tlaib: The idea of uprooting Israeli settlements is ‘something I struggle with’
WASHINGTON (JTA) — In a recent speech, Rep. Rashida Tlaib said she struggles with the idea of uprooting Israeli settlements in the West Bank, comparing the evacuation of settlements to the displacement of Palestinians during and after Israel’s 1948 War of Independence.
The Democratic congresswoman, who is Palestinian-American, made the remarks on Monday via Zoom to a group of Jewish high school students who gather virtually to hear from Palestinians. The Jewish Telegraphic Agency obtained a recording of the Zoom call.
During her appearance, one of the students asked her about Israeli West Bank settlements, which much of the international community considers illegal. In response, the Michigan representative invoked the “Nakba,” the term meaning “catastrophe” that Palestinians use to describe their displacement during and after the 1948 war.
“Some settlements have been there for so long, right?” she said. “And just the idea around taking families that — that’s been their home — it’s just completely uprooting, forcibly displacing. It’s something I struggle with because, like, we’re doing it all over again, right? This happened during the Nakba.”
Tlaib immediately qualified that “you can’t compare” the Nakba to the removal of settlements, saying that Palestinians endured more violence than uprooted settlers when they were dispersed or expelled. Palestinians, she said, also deserved “restorative justice.” But she appeared to have difficulty accommodating the idea of removing families who had lived in their homes for generations.
“Some generations now don’t know anything but that community, that is in the eyes of the United Nations and many others and agreements, it’s illegal,” she said. “So I don’t know how we do it.”
The remarks signal that Tlaib, perhaps the most outspoken critic of Israel in Congress, has something in common with many right-wing Zionists whom she otherwise opposes: an aversion to evacuating settlements. Tlaib supports the one-state solution — in which Israelis and Palestinians would live together in a single country with equal rights — and proponents of similar visions have said that, in such a scenario, Israeli settlers could remain where they are.
But pro-Palestinian politicians rarely evince sympathy for settlers, and in the past, Tlaib has been a vehement critic of Israeli settlements. Her statement Monday appears to be the first time she has expressed these sentiments publicly.
“I’m idealistic as well, and people think I’m a little corny, but I know I just think we can all live together equally,” she said later in the 35-minute talk. “I really believe we can have a state where all of our Jewish neighbors across the country can feel safe.”
Tlaib’s office did not respond to repeated requests for comment or clarification. Multiple organizations that have allied with her — including Jewish Voice for Peace, the anti-Zionist Jewish group that recently cosponsored an event with Tlaib commemorating the Nakba at the U.S. Capitol — likewise did not respond to requests to comment on her remarks.
The meetings of high school students are organized by Ezra Beinart, son of Peter Beinart, the Jewish writer who, in recent decades, has transitioned from being a fierce defender of Israel to advocating for a one-state outcome. Ezra Beinart is a high school student in New York City.
Two days after Tlaib spoke to the group, she hosted the Nakba commemoration at the Capitol and introduced a congressional resolution that would recognize the Nakba, spurred in part by her frustration with weeks of Congress members celebrating Israel’s birthday.
The text of Tlaib’s Nakba resolution decries settlements. It states that “the Nakba is not only a historical event, but also an ongoing process characterized by Israel’s separate-and-unequal laws and policies toward Palestinians, including the destruction of Palestinian homes, the construction and expansion of illegal settlements, and Israel’s confinement of Palestinians to ever-shrinking areas of land.”
Tlaib’s efforts this week to mark the Nakba in Congress drew sharp criticism from mainstream Jewish groups, many of which also oppose a one-state outcome, which they fear would lead to a Palestinian-majority state hostile to Jews.
Tlaib has a long history of positions that incense the pro-Israel community. She routinely opposes defense assistance to Israel and backs the boycott, divestment and sanctions movement targeting Israel, known as BDS.
She outraged Jewish Democratic lawmakers last year when she said progressives could not support Israel’s government, which was then centrist. In 2020, she tweeted, then deleted, the phrase “From the river to the sea,” which is viewed as a call for Israel’s removal. In 2019, under pressure from then-President Donald Trump, Israeli Prime Minister Benjamin Netanyahu banned her and Rep. Ilhan Omar (D-Minn.) from entering Israel, a decision that prompted rare criticism from pro-Israel advocates who argued that her status of a congresswoman merited more respectful treatment.
In her chat with the students, Tlaib returned to the themes that make her a target of mainstream pro-Israel opprobrium, including her advocacy for a binational state. She rejected the view, held by many large Jewish organizations, that anti-Zionism is antisemitism, and likened Israel’s current practices to apartheid and to the Jim Crow South — analogies also rejected by most pro-Israel organizations.
“Separate but equal didn’t work in our country,” she said, referring to the various proposals that would establish an independent Palestinian state alongside Israel. “We tried and it didn’t work. Segregation made it more violent for Black neighbors.”
But she also described a vision of Israeli settlers and Palestinians living in harmony. She noted that her grandmother, whose hardships she frequently cites in criticizing Israel, lives “feet” away from a settlement. She recalled playing basketball in the neighboring settlement as a child when she visited her.
“I remember the head of the village who knew some of the folks there,” she said. “And it was beautiful, in that sense of, like, being like neighbors.”
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”
For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.
As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.
Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.
“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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