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Rashida Tlaib: The idea of uprooting Israeli settlements is ‘something I struggle with’
WASHINGTON (JTA) — In a recent speech, Rep. Rashida Tlaib said she struggles with the idea of uprooting Israeli settlements in the West Bank, comparing the evacuation of settlements to the displacement of Palestinians during and after Israel’s 1948 War of Independence.
The Democratic congresswoman, who is Palestinian-American, made the remarks on Monday via Zoom to a group of Jewish high school students who gather virtually to hear from Palestinians. The Jewish Telegraphic Agency obtained a recording of the Zoom call.
During her appearance, one of the students asked her about Israeli West Bank settlements, which much of the international community considers illegal. In response, the Michigan representative invoked the “Nakba,” the term meaning “catastrophe” that Palestinians use to describe their displacement during and after the 1948 war.
“Some settlements have been there for so long, right?” she said. “And just the idea around taking families that — that’s been their home — it’s just completely uprooting, forcibly displacing. It’s something I struggle with because, like, we’re doing it all over again, right? This happened during the Nakba.”
Tlaib immediately qualified that “you can’t compare” the Nakba to the removal of settlements, saying that Palestinians endured more violence than uprooted settlers when they were dispersed or expelled. Palestinians, she said, also deserved “restorative justice.” But she appeared to have difficulty accommodating the idea of removing families who had lived in their homes for generations.
“Some generations now don’t know anything but that community, that is in the eyes of the United Nations and many others and agreements, it’s illegal,” she said. “So I don’t know how we do it.”
The remarks signal that Tlaib, perhaps the most outspoken critic of Israel in Congress, has something in common with many right-wing Zionists whom she otherwise opposes: an aversion to evacuating settlements. Tlaib supports the one-state solution — in which Israelis and Palestinians would live together in a single country with equal rights — and proponents of similar visions have said that, in such a scenario, Israeli settlers could remain where they are.
But pro-Palestinian politicians rarely evince sympathy for settlers, and in the past, Tlaib has been a vehement critic of Israeli settlements. Her statement Monday appears to be the first time she has expressed these sentiments publicly.
“I’m idealistic as well, and people think I’m a little corny, but I know I just think we can all live together equally,” she said later in the 35-minute talk. “I really believe we can have a state where all of our Jewish neighbors across the country can feel safe.”
Tlaib’s office did not respond to repeated requests for comment or clarification. Multiple organizations that have allied with her — including Jewish Voice for Peace, the anti-Zionist Jewish group that recently cosponsored an event with Tlaib commemorating the Nakba at the U.S. Capitol — likewise did not respond to requests to comment on her remarks.
The meetings of high school students are organized by Ezra Beinart, son of Peter Beinart, the Jewish writer who, in recent decades, has transitioned from being a fierce defender of Israel to advocating for a one-state outcome. Ezra Beinart is a high school student in New York City.
Two days after Tlaib spoke to the group, she hosted the Nakba commemoration at the Capitol and introduced a congressional resolution that would recognize the Nakba, spurred in part by her frustration with weeks of Congress members celebrating Israel’s birthday.
The text of Tlaib’s Nakba resolution decries settlements. It states that “the Nakba is not only a historical event, but also an ongoing process characterized by Israel’s separate-and-unequal laws and policies toward Palestinians, including the destruction of Palestinian homes, the construction and expansion of illegal settlements, and Israel’s confinement of Palestinians to ever-shrinking areas of land.”
Tlaib’s efforts this week to mark the Nakba in Congress drew sharp criticism from mainstream Jewish groups, many of which also oppose a one-state outcome, which they fear would lead to a Palestinian-majority state hostile to Jews.
Tlaib has a long history of positions that incense the pro-Israel community. She routinely opposes defense assistance to Israel and backs the boycott, divestment and sanctions movement targeting Israel, known as BDS.
She outraged Jewish Democratic lawmakers last year when she said progressives could not support Israel’s government, which was then centrist. In 2020, she tweeted, then deleted, the phrase “From the river to the sea,” which is viewed as a call for Israel’s removal. In 2019, under pressure from then-President Donald Trump, Israeli Prime Minister Benjamin Netanyahu banned her and Rep. Ilhan Omar (D-Minn.) from entering Israel, a decision that prompted rare criticism from pro-Israel advocates who argued that her status of a congresswoman merited more respectful treatment.
In her chat with the students, Tlaib returned to the themes that make her a target of mainstream pro-Israel opprobrium, including her advocacy for a binational state. She rejected the view, held by many large Jewish organizations, that anti-Zionism is antisemitism, and likened Israel’s current practices to apartheid and to the Jim Crow South — analogies also rejected by most pro-Israel organizations.
“Separate but equal didn’t work in our country,” she said, referring to the various proposals that would establish an independent Palestinian state alongside Israel. “We tried and it didn’t work. Segregation made it more violent for Black neighbors.”
But she also described a vision of Israeli settlers and Palestinians living in harmony. She noted that her grandmother, whose hardships she frequently cites in criticizing Israel, lives “feet” away from a settlement. She recalled playing basketball in the neighboring settlement as a child when she visited her.
“I remember the head of the village who knew some of the folks there,” she said. “And it was beautiful, in that sense of, like, being like neighbors.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
