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Reconstructionist Judaism moves to back reparations for African Americans
(JTA) — The congregational arm of Reconstructionist Judaism has endorsed reparations for Black Americans, approving a resolution that calls for “ongoing learning,” “deep reflection” and “teshuvah,” or repentance.
But the resolution approved by Reconstructionist congregations earlier this month does not mention financial compensation for those who have been harmed by American slavery and its lasting effects.
“The goal of this resolution is to establish a moral position around reparations,” said Rabbi Micah Geurin Weiss, whose title is assistant director for thriving communities and tikkun olam specialist at Reconstructing Judaism, the movement’s official name. “We understand that as a religious movement we are uniquely positioned to do so.”
During a Dec. 11 Zoom call, representatives of 47 congregations voted in support of the resolution and 11 abstained. There were no negative votes. Reconstructing Judaism has 95 congregations and recognized havurahs, or groups that meet outside of traditional synagogues, with an estimated 50,000 members.
The vote was a penultimate step in a process that began nearly two years ago, when the movement’s 370-member rabbinical association passed a “statement of resolve on reparations and antiracism.” If approved in January by Reconstructing Judaism’s board of governors, the resolution will serve as a guide for rabbis and congregations, as well as the Reconstructionist Rabbinical College and the movement’s affiliated enterprises.
Reconstructing Judaism, with which about 1% of American Jews are affiliated, is not the first major Jewish movement in the United States to express support for reparations, seen by advocates as an essential step in moving toward racial equity.
The Union of Reform Judaism passed a resolution at its 2019 conference backing the creation of “a federal commission to study and develop proposals for reparations to redress the historic and continuing effects of slavery and subsequent systemic racial, societal, and economic discrimination against Black Americans.”
Reconstructing Judaism’s resolution calls for the same commission, which was first introduced in Congress in 1989 but has never come to a full vote. The resolution also urges movement congregations to engage in “ongoing learning about systems of oppression and structural racism, and about how these systems have caused, and continue to cause, harm in our communities.” It also urges them to join racial justice initiatives led by people of color, and to take “concrete steps to repair the harm” of racism and injustice. Those “concrete steps” are not specified, nor is a timetable laid out.
Rabbi Deborah Waxman, president and CEO of Reconstructing Judaism, told the Jewish Telegraphic Agency that the resolution and its demands could feel uncomfortable for some.
Related: The case for reparations, according to two Jews living in the first American city to offer them
“For the Jewish people, engaging in this conversation means getting real about doing this work about racial justice, facing that reality rather than using it as a pretext to shy away,” she said. “This is about urging our communities and our movement at large to look at systemic racism really squarely, and for individuals to do their own reckoning and for communities to do their own reckoning.”
It is essential for that reckoning to take place in part because Reconstructing Judaism has a diverse membership, said Rabbi Sandra Lawson, the movement’s director of racial diversity, equity and inclusion.
“The Reconstructionist movement is doing the work of how do we deal with the fact that we have people in our communities whose families have been harmed and continue to be harmed,” said Lawson, who is Black. She added, “The solutions piece is what frightens people, I think.”
Lawson’s first Jewish community was at Congregation Bet Haverim, a Reconstructionist congregation in Atlanta, a city often referred to as the cradle of the civil rights movement.
“Our congregation includes descendants of both the enslaved and their enslavers. But telling the full truth means owning the responsibility we all share,” said Bet Haverim’s rabbi, Mike Rothbaum. “My Ashkenazi Jewish ancestors were racially ‘other’ both in Europe and when they arrived in the U.S., and yet, the developments of the 20th century allowed their descendants — myself included — to access whiteness and its privileges.
“That journey across racial borders reveals the arbitrary nature of race in the U.S.,” Rothbaum added. “It demands that we as Jews talk about it, both publicly and privately. If we can be honest in private, our next step is to publicly stand in solidarity with Black folks in Georgia who continue to face the repercussions of racial injustice — substandard healthcare, mass incarceration, underfunded schools, voter suppression, restricted access to employment and credit.”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”