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Sophie Scholl and her anti-Nazi resistance movement are spotlighted in ‘White Rose: The Musical’

(New York Jewish Week) — In the summer of 1942, a group of determined students and faculty at Germany’s University of Munich banded to speak out against the Nazi regime.

Led by Sophie Scholl and her older brother, Hans, they called themselves the White Rose. The fervently Christian siblings led the resistance group in sounding the alarm about the Nazis’ atrocities and the mass murder of Jews in Europe by dispersing anti-Nazi leaflets across German cities and embarking on a graffiti campaign throughout Munich and the surrounding region.

But in February 1943, less than a year after the White Rose’s inception, the Scholl siblings were caught scattering leaflets in the university’s main atrium. They were reported to the Gestapo and, just days later, at ages 21 and 24, they were executed by guillotine. Several other founding members were also executed for treason and many of their young collaborators were imprisoned. 

Despite the tragic ending of the White Rose movement, their nonviolent acts of resistance have galvanized generations of young people to speak out. And now, the story has inspired “White Rose: The Musical,” a new 90-minute show that opens off-Broadway on Thursday. 

The musical, starring Jo Ellen Perlman (Netflix’s “The Prom”) as Sophie Scholl and Mark Cefalo (Broadway’s “New York, New York”) as Hans Scholl, spotlights the courage and plight of the resistance group. “To me, it is the ultimate ally story,” the show’s creator, Brian Belding, told the New York Jewish Week. “We need more of those stories of people stepping out of the comfort and privilege that they have and actually standing up for people that are oppressed.”

Belding added that he dreamed of making a show about the White Rose since he first heard their story as a college student 35 years ago — he even wrote a screenplay for a movie at the time. “It was something that grabbed me from a young age, when I was basically the age of the students in the White Rose,” he said. “It was a story that I felt I should have known, but I didn’t.”

But life, as it often does, had other plans, and Belding became a high school history teacher in the Bay Area — where every year he taught his students about the bravery of the White Rose. 

Teaching students year after year is what really “kicked me into action,” Belding told the New York Jewish Week.

“The students just always responded and they were engaged in stories, not just about the White Rose, but resistors, and especially young resistors, people they could identify with,” Belding said. “Too many history lessons are these guys in powdered wigs, you know, making speeches. We can study these dates and names of battles. But these were young people who were frustrated with what was going on, who were upset and angry and were trying to figure out a way to cope and, most importantly, to see if they could change it. That’s what my students identified with.”

Belding eventually decided to take time off from teaching in 2019 to pursue the project in earnest. He first tried to write a historical novel but found the idea came to life the most when he imagined it as a musical, so he set to work on writing the book and lyrics. 

Though Belding is not Jewish, he said he worked carefully with Jewish dramaturg Emily White to make the show culturally, religiously and historically sensitive. With White’s guidance, Belding developed a (fictional) Jewish character in the White Rose who is forced to hide their identity in order to stay safe.

White said that working on the show as a Jew — and the fact that it is a true story — was “deeply important” to her. “When I have the ability to utilize historical documents and research in my process, helping to guide a story, it adds both a layer of authenticity and a unique responsibility in approaching the work,” she said. 

White added that, while working on the script, she kept a quote from Holocaust survivor and “Night” author Elie Wiesel at top of mind: “The opposite of love is not hate, it’s indifference.” 

“I have always been taught this is an essential part of being Jewish, but also an essential part of being a citizen of the world,” White said. “We are all bound in each other’s oppression, and we all have a responsibility to help stop oppression from happening.”

“The incredible efforts put forth by the young people in the White Rose, who weren’t direct targets of Nazi discrimination cannot be understated,” the dramaturg added. “These people could exist today, and make an impact.”

Belding concurs with White’s sentiments, saying the main message of the musical is to “stand up for what you believe in, even if it means standing alone” — quoting none other than Sophie Scholl. 

“White Rose: The Musical” opens Thursday, Jan. 25 and runs for 12 weeks at Theatre Row (410 West 42nd St.) Tickets start at $37.50. 

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The post Sophie Scholl and her anti-Nazi resistance movement are spotlighted in ‘White Rose: The Musical’ appeared first on Jewish Telegraphic Agency.

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Rising Antisemitism on European Campuses: Italian Professor Assaulted, French Students Excluded From Online Groups

Youths take part in the occupation of a street in front of the building of the Sciences Po University in support of Palestinians in Gaza, during the ongoing conflict between Israel and Hamas, in Paris, France, April 26, 2024. Photo: REUTERS/Gonzalo Fuentes

Violence and intimidation against Jewish and Israeli students as well as faculty are on the rise across European campuses, as an Italian professor was assaulted at the University of Pisa and students in France were excluded from online groups over their Jewish identities.

On Tuesday, pro-Palestinian protesters stormed a classroom at the University of Pisa in Tuscany, Italy, and assaulted an Italian professor who has opposed cutting ties with Israeli universities.

According to local reports, protesters burst into the classroom waving Palestinian flags and shouting antisemitic slurs, targeting the professor over his opposition to the university’s recent decision to sever ties with two Israeli universities.

A student who tried to intervene was attacked by protesters. When the professor stepped in to protect him, he too was assaulted and later hospitalized with injuries to his head and arms.

On the same day, anti-Israel protesters disrupted a lecture by a visiting Israeli speaker at the Polytechnic University of Turin in northern Italy, shouting antisemitic slogans as they stormed the classroom.

Shortly after the incident, the university announced it was cutting ties with the speaker because he had defended the Israel Defense Forces (IDF) during the confrontation with the protesters.

Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, anti-Israel activity on campuses has intensified, with Jewish and Israeli students facing frequent targeting and isolation in an increasingly hostile environment.

On Monday, a group of first-year economics students at Panthéon-Sorbonne University in Paris created a group chat on Instagram that excluded several students, accusing them of being Zionists based on their Jewish-sounding names or surnames, French media reported.

“If there are any other Zionists in this group besides those I’ve already kicked out, leave now — we don’t want you here,” wrote one of the students who created the group, placing a Palestinian flag in the middle.

This latest antisemitic incident follows a similar episode last month, when a student created a poll in a WhatsApp group chat titled, “For or Against Jews?”

Yossef Murciano, president of the Union of Jewish Students of France (UEJF), denounced the rising wave of anti-Jewish incidents, noting that the group had posted notices across multiple campuses to highlight the latest antisemitic episodes.

“We reported the incident to the university, but so far nothing has been done. We were told that measures would be taken, but we don’t know when or how,” Murciano said.

In a press release, the university strongly condemned such “unacceptable behavior,” expressing its full support for those students affected by the recent antisemitic incidents.

The university also announced that it had submitted “all available evidence to the public prosecutor” regarding these two incidents and plans to initiate “disciplinary proceedings” against each of the perpetrators.

“These two acts, whose antisemitic nature seems clear, deserve a punishment commensurate with their severity,” the statement read.

French Minister of Higher Education and Research Philippe Baptiste strongly condemned the latest incidents, demanding a zero-tolerance approach.

“I stand with these young people, victims of antisemitism that must be opposed everywhere, including, sadly, in our universities. There is only one possible response: zero tolerance!” Baptiste wrote in a post on X.

Yonathan Arfi, president of the Representative Council of Jewish Institutions in France (CRIF), also spoke out against the incident, calling it a disturbing example of rising antisemitism on campuses.

“This is not a pro-Palestinian campaign, it is a campaign of antisemitic intimidation,” Arfi said in a post on X.

The incidents occurred weeks after two international Jewish groups and a German watchdog published a report showing that antisemitism on European university campuses following Hamas’s Oct. 7 invasion of Israel has fostered a “climate of fear” for Jewish students.

Then earlier this week, the Anti-Defamation League (ADL) and the World Union of Jewish Students (WUJS) released their own report which found that the vast majority of Jewish students around the world resort to hiding their Jewishness and support for Israel on campuses to avoid becoming victims of antisemitism.

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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage

Radio-Canada reporter Élisa Serret. Photo: Screenshot

A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.

On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.

Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”

The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.

After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”

“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.

“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”

The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”

Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.

“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”

Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”

“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.

Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.

Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”

“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.

“Canadians deserve better than excuses and carefully worded apologies,” she continued.

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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission

A scene from “The Sea.” Photo: The Israeli Academy of Film and Television

Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.

At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.

The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.

“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.

In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.

“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”

Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.

“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”

Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.

Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.

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