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Spielberg’s ‘Fabelmans’ earns 7 Oscar nods, WWII epic with anti-Nazi past gets 9
(JTA) – “The Fabelmans,” Steven Spielberg’s autobiographical drama about his Jewish upbringing, had an expected strong haul of Oscar nominations, picking up seven nods Tuesday morning.
A remake of a movie once targeted by the Nazis, a blockbuster embroiled in a lawsuit with an Israeli family and a documentary by the program director of the San Francisco Jewish Film Festival also got recognized in a list jam-packed with Jewish characters, stories and artists.
Spielberg’s movie overcame an anemic box office showing to score nominations in the major categories of best picture, director and screenplay, for Spielberg and celebrated Jewish playwright and screenwriter Tony Kushner. The directing nomination brings Spielberg’s total nominations in the category to nine, tying him with Martin Scorsese for the second-most directing nominations in Oscar history.
The film also scored acting nods for Judd Hirsch, who is Jewish, and Michelle Williams, who recently said she is planning to raise her two children with Judaism.
“The Fabelmans” was the best picture nominee with the strongest Jewish themes, but it wasn’t the only one. The psychological drama “Tár,” starring Cate Blanchett as a problematic conductor, picked up six nominations, including for picture, actress and director; the film weaves Jewish mysticism into its storytelling.
“All Quiet On The Western Front,” Netflix’s new German-language adaptation of the classic 1929 novel about the horrors experienced by German soldiers during World War I, was also nominated for nine Oscars, including best picture, international feature and adapted screenplay. The film’s source material was once banned and burned by the ascending Nazi Party, which believed its anti-war stance made the German military look weak and constituted a threat to their plans for world domination.
When the book’s initial 1930 film adaptation, directed by Jewish filmmaker Lewis Milestone, was released in Germany, Nazis led by Joseph Goebbels set off stink bombs, released mice into the theaters and called the movie a “Judenfilm” (or “Jewish film”). Germany and Austria banned the film from being shown in their countries, and the public censorship campaign led the novel’s author, Erich Maria Remarque, to renounce his German citizenship (Nazis were erroneously labeling him as a Jew).
In response, Jewish studio head Carl Laemmle Sr., agreed to heavily edit the movie and remove material deemed objectionable to the Nazis in order to improve its commercial prospects in Germany. One possible silver lining for the remake’s producers: The 1930 film went on to win best picture that year.
Tom Cruise at a “Top Gun: Maverick” premier at Leicester Square in London, May 19, 2022. (Neil Mockford/FilmMagic via Getty Images)
Back to this year’s Oscars: “Top Gun: Maverick,” the action blockbuster sequel, picked up four nominations, including for best picture. The film’s distributor, Paramount, is currently embroiled in a copyright lawsuit with the family of Israeli journalist Ehud Yonay, whose magazine article about a Navy fighter pilot school was the basis for the original “Top Gun” in 1986. In November, a judge dismissed Paramount’s attempts to throw out the suit and ruled the Yonay family could proceed with their claims.
The writer, director and actress Sarah Polley also scored a nomination for best adapted screenplay for her drama “Women Talking,” about a group of abused women in an isolated Mennonite community, which was also nominated for best picture. Polley has a Jewish biological father, whose secret parentage she explored in her 2013 documentary “Stories We Tell.”
The Jewish film producer Gail Berman also scored her first Oscar nomination for producing best picture nominee “Elvis,” while Jewish producing partners Darren Aronofsky and Ari Handel scored their own best picture nomination for “The Whale.” The movie, which Aronofsky directed, stars Brendan Fraser (also nominated) as a morbidly obese English professor.
In the performing categories, one actor was nominated for playing a real-life Jewish convert: Ana de Armas received a best actress nomination for her portrayal of Marilyn Monroe in Netflix’s “Blonde.” Monroe converted to Judaism in the 1950s and remained devoted to the religion even after divorcing her husband, Jewish playwright Arthur Miller.
Also, veteran actress Jamie Lee Curtis — whose father, Golden Age Hollywood actor Tony Curtis, was Jewish — picked up her first-ever Oscar nomination for her supporting role as a sinister tax officer in the multiverse sci-fi comedy “Everything Everywhere All At Once.”
Curtis is nominated in the category alongside her co-star Stephanie Hsu, who is also known to fans of the very Jewish TV series “The Marvelous Mrs. Maisel” as Mei Lin, a Chinese restaurant owner who gets together with co-lead Joel Maisel. Early buzz on the upcoming fifth season of “Maisel” says that Hsu’s character will convert to Judaism.
Another “Everything Everywhere” co-star, Jewish actress Jenny Slate, helped a different film score an Oscar nomination in the best animated feature category: the stop-motion mockumentary “Marcel The Shell With Shoes On.” Slate co-wrote the feature with her ex-husband Dean Fleischer-Camp, who directs; Slate also voices the lead role of Marcel. However, she is not one of the nominated producers on the film.
“All The Beauty And The Bloodshed,” a portrait of the outsider artist Nan Goldin and her years-long activism campaign against opioid manufacturers the Sackler family, was nominated in the best documentary feature category and is favored to win. The film documents how Goldin was born to Jewish parents but had an emotionally abusive family life and left home in her teens. The Sacklers are also Jewish.
The documentary short category saw the second nomination in a row for Jewish filmmaker Jay Rosenblatt, whose documentary “How Do You Measure A Year” chronicles many years of his daughter Ella’s birthdays. Rosenblatt is the program director of the San Francisco Jewish Film Festival.
Veteran Polish filmmaker Jerzy Skolimowski was also nominated in the international feature category for his drama “EO,” told from the perspective of a donkey. Skolimowski’s father was a member of the Polish Resistance and his mother hid a Jewish family in their house during World War II.
Jewish composer Justin Hurwitz, who won an Oscar for his work on “La La Land,” was nominated again for the score for “Babylon,” a follow-up production with that film’s director, Damien Chazelle.
And in the original song category, Jewish songwriter Diane Warren extended her nomination streak to 14 for the number “Applause,” from the feminist documentary “Tell It Like A Woman.” Warren has never won a competitive Oscar but did receive an honorary Academy Award last year.
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Australia to Hold Wide-Ranging Inquiry Into Antisemitism After Bondi Attack
An Australian flag sits amongst floral tributes honoring the victims of a shooting at Jewish holiday celebration on Sunday at Bondi Beach, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Hollie Adams
Australia will hold a Royal Commission inquiry into the Bondi Beach mass shooting in which 15 were killed, the country’s most powerful public inquiry, Prime Minister Anthony Albanese said on Thursday.
The mass shooting at a Jewish Hanukkah celebration at Sydney’s famed Bondi Beach on Dec. 14 shocked a country with strict gun laws and fueled calls for tougher controls and stronger action against antisemitism.
Police say the alleged father and son perpetrators were inspired by the Islamic State terrorist group.
Albanese said the Royal Commission, a government inquiry which can compel people to give evidence, will be led by retired judge Virginia Bell.
It will consider the events of the shooting as well as antisemitism and social cohesion in Australia, and is expected to report its findings by December this year.
“This Royal Commission is the right format, the right duration and the right terms of reference to deliver the right outcome for our national unity and our national security,” Albanese told a news conference on Thursday.
Albanese had initially resisted calls to set up a Royal Commission, saying the process would take years, which attracted criticism from Jewish groups and victims’ families who urged him to reconsider.
“I’ve taken the time to reflect, to meet with leaders in the Jewish community, and most importantly, I’ve met with many of the families of victims and survivors of that horrific attack,” Albanese said.
The government last month announced an independent review into law enforcement agencies that will assess whether authorities could have taken additional steps to prevent the attack.
That review, which will examine whether existing laws or information gaps stopped police and security agencies from acting against the alleged attackers, will now be folded into the Royal Commission, Albanese said. It is expected to report its findings in April.
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Amnesty International Refuses to Admit That Hamas Wants to Kill All Jews and Annihilate Israel
Illustration with the logo of Amnesty International on the vest of an observer of a demonstration in Paris, France, Paris, on Dec. 11, 2021. Photo: Xose Bouzas / Hans Lucas via Reuters Connect
In its nearly 200-page report on the worst massacre of Jews since the Holocaust, “Targeting Civilians: Murder, Hostage-Taking and Other Violations by Palestinian Armed Groups in Israel and Gaza,” Amnesty International omitted years of statements by Hamas leaders and language from its charter demonstrating genocidal intent against Jews.
This omission renders Amnesty’s account of the Oct. 7, 2023, attack fundamentally flawed — because it disregards strong evidence of Hamas’ genocidal intent and distorts both the nature of the massacre and Israel’s response.
According to the former Deputy Director of Amnesty’s now defunct Israel branch, Yariv Mohar, this report on Hamas’ attack was delayed by eight months. It had already been nearly finalized by the same time the organization released its December 2024 report, titled, “‘You Feel Like You Are Subhuman’: Israel’s Genocide Against Palestinians in Gaza.”
The organization, according to Mohar, told Israeli staff that the two reports would be published within weeks of one another.
According to Mohar, Amnesty delayed the Hamas report to keep the focus on Gaza, fearing that highlighting Hamas’ atrocities would undermine efforts to end the war. Mohar added that this was driven by a belief that Western audiences prefer a simplified moral narrative, and also because of Amnesty’s fear of backlash from its ultra-radical activist base.
Notably, the non-profit’s substantially longer Gaza report in 2024 used several out-of-context and debunked quotes by Israeli leaders to portray them as having genocidal intent.
Conversely, Amnesty’s treatment of Hamas sharply downplays the terror group’s own explicit ideology and objectives.
Hamas’ charter calls for the complete destruction of Israel as a condition for the liberation of Palestine, achieved through holy war (jihad). The charter specifically states that Hamas’ “struggle” is “against the Jews.”
This charter was never renounced by any of Hamas’ leaders, who have consistently called for the destruction of Israel and the Jewish people in speeches before Oct. 7, 2023, and afterwards, pledging to commit the same atrocities in the future until Israel meets its demise.
Slain Hamas leader Yahya Sinwar was recorded in Apr. 2018, saying, “We will take down the border [with Israel] and we will tear out their hearts from their bodies,” in reference to Israelis.
“Seven million Palestinians outside — enough warming up — you have Jews with you in every place. You should attack every Jew possible in all the world and kill them,” official Fathi Hammad said in July 2019. Hammad, in May 2021, called on Jerusalemites to “cut off the heads of the Jews with knives.”
Official Ghazi Hamad, on Oct. 24, 2023, declared that Israel must be eliminated and vowed repeated October 7s: “[N]obody should blame us for the things we do. On October 7, October 10, October 1,000,000 — everything we do is justified.”
In Jan. 2024, official Bassem Na’im wrote in Al Jazeera that the October 7 attack was a “scaled-down model of the final war of liberation and the disappearance of the Zionist occupation.”
While the Amnesty report includes some quotes by Hamas officials calling on Palestinians to attack Israelis, the report fails to mention the terror group’s official statements and charter — and omits that their raison d’etre is to kill Jews and wipe out Israel.
The organization also featured statements by Mohammed Deif saying that Hamas had launched the Oct. 7 attacks to end Israel’s military occupation and “its crimes,” as well as an Oct. 7 statement by Saleh Al-Arouri, then Deputy Head of the Political Bureau of Hamas, who indicated that the aims of the attacks were the liberation of the Palestinian people, breaking the siege on Gaza, stopping settlement expansion, and freeing Palestinian prisoners from Israeli prisons.
The quotes chosen by Amnesty to be featured in the report indicate that Hamas carried out the massacre for political and nationalist purposes. That is not true.
This cherry-picking sanitizes Hamas’ true motives, which are documented, consistent, and official, and leads readers to misunderstand why the massacre occurred.
Hamas’ 1988 charter describes its struggle against Jews as “extremely wide-ranging and grave” and calls on the Arab and Islamic world to support jihad against these “enemies.” It argues that Israel’s Jewish character contradicts Islam and must therefore be eliminated.
Without acknowledging Hamas’ ideology and intent, Amnesty’s legal conclusions — especially its accusations against Israel — rest on incomplete information.
October 7, 2023, was not merely a tactical or political attack, but part of an openly stated campaign to eliminate Israel. By omitting this context, Amnesty undermines its own account of October 7 and produces an unsound report.
Darcie Grunblatt is a US Media Researcher for CAMERA (Committee for Accuracy in Middle East Reporting in America).
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Israel Is Not a Cause to Me, It Is My Compass
People stand outside the International Criminal Court (ICC) as the United States is considering imposing sanctions as soon as this week against the entire International Criminal Court, in The Hague, Netherlands, Sept. 22, 2025. Photo: REUTERS/Piroschka van de Wouw
I am a pro-Israel advocate in the Netherlands with Jewish roots, and my connection to Israel is not ideologically fashionable or politically convenient.
My connection to Israel is personal, inherited, and lived. Israel has shaped my identity since childhood, long before hashtags, before October 7, and before defending Israel became socially dangerous in Europe again.
On my father’s side, my family came from Poland. They fled rising antisemitism, passed through what is now the Czech Republic, and eventually ended up in the Netherlands around 1900. On my mother’s side, the story is fragmented and partly lost by design. My grandfather was involved in resistance work during World War II, and secrecy was a survival strategy that carried over long after the war ended.
When my parents later lived in the Middle East, they voluntarily assisted Israeli intelligence. They could move freely because of a white card, and they chose to help. That choice mattered. It shaped how I was raised and what I understood early on: Israel was never an abstract state to me. It was a responsibility.
For many years, Israel viewed the Netherlands as an ally. In hindsight, that belief was painfully naïve. The historical record tells a far more uncomfortable story.
During the Nazi occupation, only a tiny fraction of the Dutch population actively resisted. Roughly 45,000 people, about half a percent, were engaged in active resistance. Even using a broad definition, only around five percent could be considered supporters of resistance. At the same time, approximately 425,000 people were investigated for collaboration. The rest of the population largely chose silence. They looked away as Jews were rounded up, deported, and murdered. Some actively helped the occupiers. Most did nothing.
That history reveals a national instinct that never truly disappeared. After October 7, the mask finally slipped. The genie came out of the bottle, and what followed was an explosion of antisemitism, often disguised as “anti-Zionism” — because open antisemitism is officially forbidden in the Netherlands. What spread through society did so faster and more aggressively than any virus I have ever witnessed.
For me, the consequences were immediate and deeply personal. Walking through Amsterdam became a nightmare. People recognized me from weekly Israel support actions and felt emboldened to curse, threaten, and intimidate me. I refused to hide my Star of David necklace, but I watched others quietly tuck away their Jewish symbols for safety. That image still haunts me.
I lost my job shortly after October 7. On November 3, 2023, I was asked a seemingly innocent question at work: “What is your favorite vacation destination?” I answered honestly: Israel. That answer cost me my livelihood.
As I searched for new work, recruiters demanded that I shut down my LinkedIn company page, which at the time had around 90,000 followers. The reason was obvious. I refused. As a result, my chances of employment collapsed. I was rejected repeatedly — and explicitly — because of my visible pro-Israel stance.
Because my company was registered at my home address, the harassment followed me there. Eggs were thrown against my windows. A dead pigeon was left at my door in a bag. I received threats, online and offline, telling me I would be gassed.
These were not anonymous global trolls. This was my reality in the Netherlands.
Social media platforms, especially LinkedIn under Microsoft’s ownership, played a disgraceful role. Pro-Israel voices and Jewish advocates who spoke factual truths were targeted, restricted, or silenced, while open Nazi rhetoric, incitement, and fabricated “Pallywood” narratives were allowed to spread with impunity. The message was clear: Jewish safety and truth were expendable.
The years since 2023 have taken a severe toll on my mental health. Depression, exhaustion, and a deep alienation from Dutch society became constants. At the same time, my longing for Israel intensified. Eventually, I made a decision that felt inevitable: I would try to live and work for Israel full time. I began the Aliyah process, believing that my commitment, experience, and lifelong dedication would matter.
They did not.
Because I can only provide indirect proof of my Jewish roots, and because I refuse to convert to Judaism for the wrong reasons, my path to Aliyah has been blocked. The Jewish Agency declined to consider special circumstances. I wrote letters to the President’s office, to the Prime Minister, and to other officials. I reached out again and again.
From the Israeli side, I received silence. No response. No explanation. Only closed doors.
That silence broke something in me. Not because I feel entitled, but because I know, without arrogance, that I could contribute more to Israel than many others. I am not driven by religion; I have none. I am not driven by political camps or prejudices. I am driven by loyalty, truth, and responsibility.
Israel is not a trend to me. It is not negotiable. It is not conditional. It is my priority, always. Even when the world turns hostile. Even when allies reveal themselves to be illusions. Even when the doors I knock on remain closed.
I will not stop standing with Israel. History has taught me what silence does. I refuse to repeat it.
Sabine Sterk is CEO of Time To Stand Up For Israel.