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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Hamas Blocks Rafah Reconstruction, Halting Gaza Rebuilding Effort Amid Ceasefire Stalemate
The damaged Al-Shifa Hospital during the war in Gaza City, March 31, 2026. Photo: REUTERS/Dawoud Abu Alkas
Hamas members have reportedly blocked international efforts to begin reconstruction work in Rafah, a city in southern Gaza, in what appears to be the Palestinian terrorist group’s latest attempt to undermine a US-backed peace plan, as it continues to reject disarmament and stall progress on the ceasefire agreement with Israel.
According to a report by the Israeli broadcaster Kan News, armed Hamas operatives threatened contractors who were set to enter an area under Israeli control in Rafah in coordination with Israeli and American forces to begin reconstruction work funded by the United Arab Emirates (UAE).
The team was forced to abandon the operation and turn back after Hamas members appeared on site and blocked access, derailing what was expected to be a key reconstruction project.
As the Palestinian terrorist group continues to refuse disarmament and negotiations have yet to yield any results, the UAE has reportedly tightened conditions for its continued funding of a new reconstruction project in Gaza.
Abu Dhabi has informed Israel that the reconstruction initiative — still in its planning stages — cannot proceed in any form unless the Hamas threat is neutralized.
The UAE has also conditioned progress on the project on Israel providing assurances that reconstruction infrastructure would not be damaged if fighting resumes.
For months now, the US-led Board of Peace has been conducting parallel negotiations with Israel and Hamas, attempting to tie the large-scale reconstruction of the war-torn enclave to the complete dismantling of the terrorist group’s weapons arsenal.
However, Hamas has consistently refused to relinquish its weapons, insisting that Israel must first fully comply with phase one of the ceasefire — including expanded humanitarian aid deliveries, full reopening of the Rafah crossing, and withdrawal of Israeli forces to the agreed Yellow Line — before any disarmament process can proceed.
For its part, Israel has warned that the Islamist group must fully disarm for the second phase of the ceasefire to move forward, pointing to tens of thousands of rifles and an active network of underground tunnels still under the terrorist group’s control.
In a joint operation by the Israel Defense Forces (IDF) and Israel’s domestic intelligence agency, the Shin Bet, a Palestinian Islamic Jihad weapons production site in the northern Gaza Strip was destroyed this past weekend.
According to an IDF spokesperson, the site had also recently been used by Hamas to manufacture explosive devices and store weapons “intended to harm IDF troops operating in the yellow line area and Israeli civilians.”
Israeli forces additionally destroyed two underground tunnel routes, where they found several living quarters and weapons, and recovered dozens of rockets and explosive devices.
In the midst of stalled negotiations, Israel has expanded its control over the Gaza Strip, with the IDF now holding 64 percent of the territory, reportedly with the knowledge and approval of the Board of Peace, Israel Hayom reported.
The new boundary line, dubbed the Orange Line, replaces the more limited Yellow Line and expands Israel’s security zones by 34 kilometers (13 miles), covering roughly 11 percent of the war-torn enclave.
Israeli officials have vowed not to withdraw any troops from Gaza unless Hamas surrenders its weapons, warning that reconstruction efforts will also be blocked, effectively stalling the ceasefire agreement.
In its latest counterproposal, the terrorist group said that any transfer of its weapons would only be possible as part of a wider process leading to the establishment of a Palestinian state.
Should negotiations collapse entirely, Israeli officials are now weighing contingency plans for a renewed military campaign, pushing the army to prepare for a potential return to combat and initiate a wide-ranging reassessment of its ground maneuver strategy and operational approach.
According to multiple media reports, Hamas has been quietly exploiting the pause in fighting to tighten its control over civilian life while simultaneously rebuilding its military capabilities behind the scenes.
The Palestinian terrorist group has been gradually reestablishing its civilian governance structures across the war-torn enclave, through checkpoints, strict regulation of goods, and control over key public institutions, including hospitals.
Hamas has also been reactivating internal security mechanisms to enforce day-to-day order, while conducting extensive intelligence operations aimed at identifying alleged collaborators with Israel and suppressing any opposition.
Even after more than two years of war, the group is also rebuilding its military capabilities, including recruiting new operatives, conducting field and command-level training, restoring intelligence and surveillance networks, and reconstructing underground tunnel systems and weapons stockpiles.
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Gen Z New Hampshire Congressional Candidate Refuses to Acknowledge Israel’s ‘Right to Exist’
New Hampshire state Rep. Heath Howard, a Democrat who is running for US Congress in the 2026 election, speaks during televised interview. Photo: Screenshot
A Democratic state lawmaker in New Hampshire now running for US Congress is facing mounting criticism after comments in which he refused to affirm the legitimacy of Israel as a Jewish state, reigniting a broader political debate over antisemitism and the boundaries of criticism of Israel.
During a new interview on WMUR’s “Close-Up,” congressional candidate Heath Howard rejected the idea that Israel possesses a unique “right to exist” as a Jewish nation. Howard also drew an equivalence between Israel, the closest US ally in the Middle East, and the Palestinian Islamist group Hamas, a US-designated terrorist organization.
“While there are a number of condemnable actions that they’ve taken, like any sort of government, I don’t think that Hamas has a right to exist. I don’t think Israel has a right to exist. I think that people have a right to exist,” Howard said.
Howard then appeared to defend the prospect of Hamas’s continued rule over Gaza as a form of Palestinian autonomy, saying, “We need to respect the will of the Palestinian people, and we need to make sure that they have access to democracy. We need to make sure that we allow the people to have self-determination.”
Heath has criticized the US relationship with Israel, saying that it has “furthered a lot of conflict in the Middle East,” and called for imposing enhanced restrictions on military assistance to Jerusalem.
He has also hand-waved suggestions that Hamas could be a danger to Jewish people and called for the transformation of Israel into a “secular state.”
Skeptics claim the comments crossed a line from criticism of Israeli government policy into opposition to Israel’s existence as a homeland for the Jewish people, a distinction many Jewish organizations say is central in determining when anti-Israel rhetoric becomes antisemitic.
Benjamin Sharoni, consul general of Israel to New England, rebuked Howard’s commentary.
“To suggest that Israel has no right to exist is not a nuanced policy position. It is a denial of history, reality, international law, and the very principle that grants legitimacy to every nation on earth,” Sharoni told NHJournal.com.
“Israel is a sovereign state, a member of the United Nations, and the national home of the Jewish people,” he continued. “Invoking universal rights while calling for the dismantling of a recognized state is not humanitarianism. Those who are genuinely committed to the rights of people must begin by acknowledging the right of nations to exist and defend their citizens.”
Howard’s policy platform contains a number of unorthodox suggestions, such as implementing a complete arms, trade, and intelligence embargo on Israel, forging closer ties with China, and the removal of the US blockade on Cuba.
“It is essential that we immediately cease our involvement in these endless imperial wars and adopt non-interventionism as a general policy. Moreover, we must immediately end all military aid and weapons sales to both Israel and Saudi Arabia and impose a complete arms, technological, and cultural embargo on Israel,” Howard’s campaign website reads.
“We must also work to restore and improve our relationship with China and work with them, not against them, to make technological, political, and societal progress — and above all, we must honor our commitments to the Universal Declaration of Human Rights and the Charter of the United Nations,” his website continues.
The controversy comes at a particularly sensitive moment in American politics, as tensions surrounding Israel and the war in Gaza continue to divide parts of the Democratic Party following Hamas’s Oct. 7, 2023, attack on Israel. The massacre, which killed roughly 1,200 people and saw hundreds taken hostage, prompted widespread expressions of solidarity with Israel across much of the US political establishment. Since then, however, divisions have emerged between mainstream Democrats and a growing activist wing increasingly critical of Zionism and American support for Israel.
Supporters of Israel argue that denying Jews the right to self-determination to maintain a nation-state is discriminatory, especially given the existence of dozens of countries organized around national, ethnic, or religious identities. They also note that Israel serves as a refuge for Jews facing centuries of persecution.
Critics argue that Howard’s comments may fuel concerns among some Democratic strategists that rhetoric perceived as hostile to Israel could alienate moderate voters and Jewish Americans, particularly in swing districts. Several prominent Democrats nationally have faced similar scrutiny in recent months over statements questioning Israel’s legitimacy or character as a Jewish state.
The dispute reflects a broader ideological battle playing out inside the Democratic Party, where debates over Zionism, antisemitism, and Middle East policy have increasingly become litmus tests in some progressive circles.
Howard, a 25-year-old left-wing candidate, may be reflective of a newer generation of Americans which are broadly skeptical of the US-Israel relationship. Recent polling suggests that overwhelming majorities of younger Americans disapprove of the Jewish state.
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Mamdani supersizes NYC hate crimes office, as tensions simmer over synagogue protests
New York City Mayor Zohran Mamdani announced a nearly ninefold increase in New York City’s budget for preventing hate crimes as part of his budget proposal announced Tuesday, fulfilling a campaign promise that was central to his outreach to Jewish voters amid concerns about his stance against Israel.
The Jewish community overwhelmingly did not support his election, and his proposal comes amid rising tensions stoked by anti-Israel protests — most recently on Monday night, when dozens descended on a heavily Jewish Brooklyn neighborhood where a synagogue hosted a real estate sale that included West Bank properties.
Mamdani’s $26 million for the Office for the Prevention of Hate Crimes would significantly expand an agency created in 2019 to combat rising antisemitism and other forms of hate, which currently has a $3 million annual budget
The office is tasked with addressing all hate crimes, and Mamdani did not specify how much of the $26 million would be directed specifically toward combating antisemitism, since the office is. According to the New York City Police Department, antisemitic incidents accounted for 57% of all reported hate crimes in 2025. The Anti-Defamation League’s 2025 annual audit found that while antisemitic incidents in New York declined by 19%, last year was still the third-highest year on record.
“Too often, the only response offered to a hate crime is exactly that, it’s a response,” Mamdani said. “Today we want to also do the work of preventing those hate crimes.” The mayor said most of the funding would go toward expanding existing city programs that have proven effective, alongside the rollout of the city’s first comprehensive municipal strategy to combat antisemitism, which is expected this fall.
Most of the office’s current funding goes towards a program called the Partners Against the Hate FORWARD initiative — in partnership with the NYC Commission on Human Rights — that offers grants up to $10,000 for community-based initiatives.
The proposal resembles a plan authored by Jews For Racial & Economic Justice, a progressive organization that supported Mamdani during the election. The JFREJ proposal called for between $26 million and $30 million in hate violence prevention initiatives, including expanded reporting systems, proactive relationship-building and anti-bias education.
In a statement Tuesday, the group hailed the investment as a “huge win” for advocates of a broader approach. “The Mamdani administration has significantly raised the bar for what it looks like to seriously address antisemitism and hate violence,” said Audrey Sasson, JFREJ’s executive director.
The hate crimes office expansion drew swift praise from Jewish elected officials, including some who have distanced themselves from Mamdani in their support for Israel. “Promises made, promises kept,” Manhattan Borough President Brad Hoylman-Sigal posted on X. Rep. Dan Goldman — whose primary challenger, Brad Lander, is backed by Mamdani — said the funding is a worthy tool to combat hate: “It is vital that we all work together to ensure we do everything possible to keep New Yorkers safe.”
Hasidic leaders of both Satmar sects also applauded the mayor, with one organization calling the investment a “massive increase of resources to stop the rising tide of antisemitism in NYC.”
Still, Mamdani’s prevention strategy does not include measures in response to protests outside synagogues, which have included antisemitic displays and slogans.
On Monday night, pro-Palestinian protesters marched through the heavily Orthodox neighborhood of Midwood in Brooklyn, chanting slogans including calls for “intifada revolution” during a demonstration outside a synagogue hosting an event marketing real estate in Israel and West Bank settlements. The protest also drew a crowd of pro-Israel counterprotesters, many of them teenage boys, as police intervened to keep the groups apart. The NYPD reported four arrests, including two Jewish teens.
Under a new law recently passed in the City Council by a veto-proof majority, the NYPD is currently devising a synagogue protection plan that it must make public. But meanwhile, police officers accompanied the protesters as they circled residential blocks chanting anti-Israel slogans.
Many Jewish residents have said such protests leave them feeling intimidated or unsafe. The administration has yet to outline a more robust enforcement or public safety approach to demonstrations, and Mamdani — who has not commented on the Brooklyn confrontations — recently defended a similar protest of a real estate sale held on Manhattan’s Upper East Side.
In a statement shared with the Forward, Mamdani condemned the violence at the protest and counter-protests on Monday night “alongside antisemitic, anti-Muslim and racist rhetoric, as well as racial slurs, displays of support for terrorist organizations, and calls for the death of others” as “despicable.”
“New Yorkers have the constitutional right to protest and to counter-protest, but no one should face violence, intimidation, or hatred because of who they are or what they believe,” the mayor added. “We can simultaneously protect both public safety and civil liberties, and our city remains committed to doing exactly that by upholding the right to peaceful protest while keeping every New Yorker safe.”
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