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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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Israel Publishes Draft Law Seeking to Boost State Revenues From Dead Sea Minerals
A drone picture shows part of the Dead Sea and its shore near Ein Gedi, Israel, Feb. 7, 2025. Photo: REUTERS/Ilan Rosenberg
Israel on Wednesday published a draft law that aims to boost state revenues from a concession for extracting minerals from the Dead Sea as well as tackling its environmental consequences.
The Finance Ministry said the proposed law intends to redefine the concession to ensure the public and the state get their rightful share, while ensuring the preservation of nature and environmental values.
“The law serves as the basis for allocating the concession and the terms of the future tender for resource extraction from the Dead Sea, with an emphasis on promoting optimal competition, lowering entry barriers, and attracting leading international players,” it said.
Fertilizer maker ICL Group has held the concession, giving it exclusive rights to minerals from the Dead Sea site, for five decades, but its permit is set to expire in 2030.
Last month, ICL gave up right of first refusal for its Dead Sea concession under a government plan to open it up for tender, although it would receive some $3 billion if it loses the permit when it expires.
ICL, one of the world’s largest potash producers, has previously said its Dead Sea assets were worth $6 billion. ICL extracts mainly potash and magnesium from the concession.
Under the draft law, which still needs preliminary approval from lawmakers, the state‘s share of concession profits would ultimately rise to an average of 50% from 35% currently, partly through royalties, the ministry said.
The law also aims to tackle negative impacts of resource extraction activities in the Dead Sea, which continues to shrink.
ICL plans to participate in the future tender and has said it believes it is the most suitable candidate to operate the future concession.
Accountant General Yali Rothenberg said the law places emphasis on fair, efficient, and responsible use of one of Israel’s most important natural resources.
It “will ensure that the state maximizes economic value for the public, promotes optimal competition, and protects the unique environment of the Dead Sea region for future generations,” he said.
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Israel Says It Received Body From Hamas, Indicates Rafah Crossing to Open Soon to Let Gazans Cross Into Egypt
People hold images of dead hostages Ran Gvili and Sudthisak Rinthalak, whose bodies haven’t been returned yet, as Israelis attend a rally calling for the immediate return of the remains of all hostages held in Gaza, more than two years after the deadly Oct. 7, 2023, attack on Israel by Hamas, at the Hostages Square in Tel Aviv, Israel, Nov. 29, 2025. Photo: REUTERS/Nir Elias
Israel received a body that the Palestinian terrorist group Hamas said was one of the last two deceased hostages in the Gaza Strip on Wednesday, as Israel said it would allow Gaza’s gateway to Egypt to open once all hostages were returned.
A body has been transferred by the Red Cross to the Israeli military and will undergo forensic identification, a statement from the Israeli Prime Minister’s Office said.
Hamas also handed over remains on Tuesday, which Prime Minister Benjamin Netanyahu’s office later said were not of any hostage.
The handover of the last hostages’ bodies in Gaza would complete a key condition of the initial part of US President Donald Trump’s plan to end the two-year Gaza war, which also provides for the Rafah border crossing between Gaza and Egypt to open in both directions.
Israel has kept the crossing shut since the ceasefire came into effect in October, saying that Hamas must abide by the agreement to return all hostages still in Gaza, living and deceased.
“The crossing will be opened both ways when all of our hostages have been returned,” Israeli government spokesperson Shosh Bedrosian told reporters.
Since the fragile truce started, Hamas has returned all 20 living hostages and 26 bodies in exchange for around 2,000 Palestinian detainees and convicted prisoners, but two more deceased captives – an Israeli police officer and a Thai agricultural worker – are still in Gaza.
ISRAEL SAYS PREVIOUS ‘FINDINGS’ NOT LINKED TO HOSTAGES
The armed wing of the Hamas-allied Palestinian Islamic Jihad terrorist group, the Al Quds Brigades, said it had found a hostage body after conducting a search in northern Gaza, along with a team from the Red Cross.
Hamas and Islamic Jihad said they had handed over the body to the Red Cross late on Wednesday afternoon. The groups did not say which of the two remaining deceased hostages they believed it to be.
The two are Israeli police officer Ran Gvili and Thai national Sudthisak Rinthalak, both kidnapped during Hamas’s Oct. 7, 2023, attack on Israel that triggered two years of devastating war in Gaza.
OPENING OF CROSSING COULD ALLOW OUT THOSE NEEDING TREATMENT
COGAT, the Israeli military arm that oversees humanitarian matters, said the Rafah crossing would be opened in the coming days to allow Palestinians to cross into Egypt.
The decision to open the crossing for those seeking to leave Gaza was made in “full coordination” with those that have mediated between Israel and Hamas during the war, Bedrosian said.
Egypt, along with Qatar and the US, has acted as a mediator.
COGAT said it would be opened under the supervision of a European Union mission – a similar mechanism to that employed during a previous Gaza ceasefire agreed in January 2025.
Before the war, the Rafah crossing was a key entry point for aid into the territory, as well as weapons smuggling for Hamas. It has been mostly closed throughout the conflict.
At least 16,500 patients in Gaza require medical care outside of the enclave, according to the United Nations. Some Gazans have managed to leave for medical treatment abroad through Israel.
Violence has tailed off since the Oct. 10 ceasefire but Israel has continued to strike Gaza and conduct demolitions against what it says is Hamas infrastructure. Hamas and Israel have traded blame for violating the US-backed agreement.
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Israel, Lebanon Send Civilian Envoys to Truce Committee for First Direct Talks in Decades
An Israeli citizen looks out from a viewpoint towards Lebanon, near the Israel-Lebanon border, as seen from northern Israel, Nov. 24, 2025. Photo: REUTERS/Shir Torem
Israel and Lebanon sent civilian envoys to a military committee monitoring their ceasefire, top officials from both said on Wednesday, in a move set to expand the scope of talks between the long-time foes for the first time.
The meeting was a step toward a months-old US demand that the two countries broaden talks beyond monitoring the 2024 ceasefire, in line with US President Donald Trump’s agenda of peace agreements across the Middle East.
It came even as fears of a renewed flare-up between Israel and powerful Lebanese terrorist group Hezbollah persist.
Lebanese Prime Minister Nawaf Salam told journalists he hoped civilian participation in the meetings would help “defuse tensions,” saying further Israeli strikes in recent weeks had been a clear escalatory signal.
Israeli Prime Minister Benjamin Netanyahu said the atmosphere at the meeting was good and that the sides agreed to put forth ideas for economic cooperation.
LEBANON OPEN TO US, FRENCH TROOPS
Lebanon and Israel have been officially enemy states for over 70 years, and Beirut criminalizes contacts with Israeli nationals. Meetings between civilian officials of each side have been extraordinarily rare throughout their fraught history.
Lebanese President Joseph Aoun has said in recent months, however, that he is open to negotiations to pursue a more robust truce and dispatched Lebanon‘s former ambassador to Washington, Simon Karam, to head his country’s delegation to the truce committee‘s meeting.
Netanyahu’s office said that it had sent the deputy head of foreign policy division at Israel‘s National Security Council to the meeting, as part of what it said was the ongoing dialogue between Israel, Lebanon, and the United States.
The committee, chaired by the United States, met on Wednesday for approximately three hours on the Blue Line, which serves as the frontier between Lebanon and Israel.
A statement issued after the session concluded said attendees welcomed the added envoys as an “important step” toward ensuring the committee is “anchored in lasting civilian as well as military dialogue.”
It said it looked forward to working with the representatives to nurture peace along the long-volatile border.
Israel and Lebanon agreed to a US-brokered ceasefire in 2024 that ended more than a year of fighting between Israel and Iran-backed Hezbollah. Since then, they have traded accusations over violations.
Salam said on Wednesday Lebanon was open to the committee taking on a direct verification role to check Israeli claims that Hezbollah is re-arming, and verify the work of the Lebanese army in dismantling the terrorist group’s infrastructure.
Asked by reporters if that meant Beirut was willing to have French and US troops on the ground, Salam said, “Of course.”
ISRAEL DEMANDS HEZBOLLAH DISARM
Netanyahu’s office said that regardless of any economic cooperation, Hezbollah must be disarmed.
Hezbollah’s media office did not immediately respond to questions from Reuters on the talks‘ expansion.
The Iranian-backed, Shi’ite Muslim group has repeatedly rejected any negotiations with Israel as a “trap.”
Despite the ceasefire, Israel has continued air strikes on what it says are Hezbollah’s efforts to rebuild its military capabilities in breach of the truce. Lebanon says Israel‘s bombardment and occupation of hilltop positions in south Lebanon amount to ceasefire breaches.
Fears have been growing in Lebanon that Israel will return to a full-blown military campaign after expressing frustration with the pace of Lebanese authorities’ efforts to seize Hezbollah weaponry across the country.