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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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Hamas Exploits Gaza Ceasefire to Tighten Civilian Control, Rebuild Military Power as Second Phase Talks Stall
Palestinians displaced during the two-year Israel-Hamas war shelter at a tent camp in Khan Younis in the southern Gaza Strip, Feb. 10, 2026. Photo: REUTERS/Ramadan Abed
As the second phase of the Gaza ceasefire agreement remains stalled, Israeli officials warn that the Palestinian terrorist group Hamas is quietly exploiting the pause in fighting to tighten its control over civilian life while simultaneously rebuilding its military capabilities behind the scenes.
Under the leadership of military wing commander and de facto Gaza ruler Izz ad-Din al-Haddad, Hamas is reinforcing its authority across the enclave, further undermining already fragile efforts to advance the truce.
Al-Haddad is said to be operating three parallel systems intended to secure the terrorist group’s survival and restore its military capabilities, according to a report by the Israeli news outlet Walla, which cited security sources.
The first line of effort seems to focus on reestablishing Hamas’s civilian governance and restoring its authority across the war-torn enclave, with its presence still visibly entrenched through checkpoints, strict regulation of goods, and the takeover of key civilian institutions, including hospitals.
Under the ceasefire, the Israeli military currently controls 53 percent of Gaza, while Hamas remains entrenched in the nearly half of Gazan territory it still controls, where the vast majority of the population lives.
The Palestinian terrorist group has also been reactivating internal security mechanisms to enforce day-to-day order while carrying out extensive intelligence operations aimed at identifying alleged collaborators with Israel and any opposition.
Hamas’s second line of effort has been focused on a violent internal campaign against armed militias and local gangs, particularly in southern Gaza, as the group seeks to reassert control and shore up its weakened position by targeting Palestinians it labels as “lawbreakers and collaborators with Israel.”
With its security control tightening, Hamas’s brutal crackdown has escalated, sparking widespread clashes and violence as the group seeks to seize weapons and eliminate any opposition.
A third line of effort reportedly centers on rebuilding military capabilities, including recruiting new operatives, conducting training both in the field and at command sites, restoring intelligence and surveillance systems, and rebuilding underground infrastructure and weapons stockpiles.
Israeli officials estimate that Hamas’s military wing, the al-Qassam Brigades, is rebuilding its forces, with its ranks now totaling roughly 27,000 members.
Despite Israeli intelligence assessments that Hamas’s smuggling capabilities have been significantly degraded, the group is reportedly seeking to rebuild its arsenal through local means by recovering Israeli Air Force munitions remnants and converting them into improvised explosive devices.
The Islamist group is also attempting to revive rocket and mortar production using makeshift materials, while reorganizing stockpiles buried under rubble or left largely intact.
Israeli officials have repeatedly warned that Hamas’s ongoing rebuilding efforts are allowing the group to retain control over much of the war-torn enclave and steadily sustain its influence despite over two years of military conflict.
According to a report by the Arabic newspaper Asharq Al-Awsat, a new draft proposal has been presented to Israel and Hamas, with talks potentially beginning this week on moving forward with the second phase of US President Donald Trump’s Gaza peace plan.
Earlier this year, the US-backed plan to end the war in Gaza hit major roadblocks after proposals surfaced that would allow Hamas to retain some small arms.
Israel has previously warned that the Islamist group must fully disarm for the second phase of the ceasefire to move forward, pointing to tens of thousands of rifles and an active network of underground tunnels still under the terrorist group’s control.
If Hamas does not give up its weapons, Israeli officials have vowed not to withdraw troops from Gaza any further or approve any rebuilding efforts, effectively stalling the ceasefire agreement.
The new draft allegedly proposes creating an “Implementation Verification Committee,” to be formed under Nickolay Mladenov, the high representative for Gaza on Trump’s Board of Peace, bringing together guarantor states, the International Stabilization Force, and a Peace Council to ensure compliance by all parties.
Under this proposed draft, the Peace Council would be granted authority over Gaza’s governance, reconstruction, and development until a reformed Palestinian Authority is able to resume its responsibilities.
The document also reportedly states that Hamas and other extremist Palestinian factions would have no role in governing the Gaza Strip, and that governance would be based on “one authority, one law, and one weapon,” as all armed groups would cease military activity and a phased disarmament process would transfer weapons to the incoming body.
By this framework, Israel’s withdrawal would take place in stages under an agreed timetable, contingent on verifiable progress in the process of disarmament.
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US Lawmakers Introduce Bipartisan Resolution Condemning Antisemitic Rhetoric by Candace Owens, Hasan Piker
Right-wing political commentator Candace Owens speaks during an event held by national conservative political movement ‘Turning Point’, in Detroit, Michigan, US, June 14, 2024. Photo: REUTERS/Rebecca Cook
US Reps. Josh Gottheimer (D-NJ) and Mike Lawler (R-NY) introduced a bipartisan resolution on Wednesday that condemns “antisemitic, hate-filled rhetoric and content” promoted by online streamer Hasan Piker and podcaster Candace Owens.
The resolution addresses the growing influence of online personalities around the world, as well as the global rise in antisemitism in recent years fueled partially by “online disinformation, conspiracy theories, and extremist rhetoric.” It calls on social media platforms and public leaders to denounce and take action against hatred.
“The rise of digital media platforms has enabled individuals with large audiences to disseminate disinformation, commentary, and political viewpoints to millions of viewers worldwide,” the resolution states. “Such influence carries a heightened responsibility to avoid rhetoric that promotes hatred, violence, or discrimination against any group, including Jewish individuals and communities.”
The resolution lists several hateful comments from both Piker and Owens.
Piker has repeatedly expressed support for Hamas and even said “it doesn’t matter” if sexual assault took place during the terrorist group’s Oct. 7, 2023, invasion of and massacre across southern Israel.
Owens is notorious for promoting antisemitic conspiracy theories, tropes, and blood libels about Judaism, Jewish figures, and Israel. She has claimed, for example, that Israel controls the US government and has also downplayed and denied verified details about the Holocaust.
The resolution states that efforts to “downplay or excuse antisemitic rhetoric under the guise of political commentary should be rejected.”
“Piker has openly applauded Hamas’ terrorism, downplayed the mass rape of civilians on Oct. 7, and dehumanized Orthodox Jews as ‘inbred,’” Lawler said in a statement. “Owens has trafficked in vile conspiracy theories, promoted blood libels, and platformed Holocaust deniers. With an audience of millions, they have a responsibility to confront hatred and bigotry in every form, not to amplify it to the masses. So, if they won’t call it out, I will.”
“Hatred is hatred, period,” Gottheimer added. “It doesn’t matter whether it comes from the far right or the far left. We cannot be selective in calling out antisemitism. When influential voices spread conspiracy theories, promote terrorism, or dehumanize Jewish people, it fuels real-world violence and intimidation. We must stand up and speak out.”
“I get that speaking up is not easy, but our constituents didn’t elect us to always take the easy path,” he noted. “That’s what principled leadership is all about.”
Owens has not publicly commented on the resolution, but Piker condemned it in a statement to the Jewish Telegraphic Agency (JTA).
“They are once again conflating legitimate critics of Israel with actual antisemites,” he said. “They would rather complain about fake antisemitism in defense of Israel than call out the real sources of Jew hatred with a full chest. I have spent my entire career combating all forms of bigotry including antisemitism and will continue to do so in spite [of] this cynical ploy to satisfy donors.”
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Peru’s President Under Fire Over Antisemitic Remarks Blaming Jews for ‘Pushing’ Germany Into World War II
José María Balcázar was elected as acting president of Peru on Feb. 18, 2026, and will serve until July 28, when the winner of the presidential elections takes office. Photo: ULAN/Pool / Latin America News Agency via Reuters Connect
Peru’s interim president, José María Balcázar, has sparked global outrage after claiming that Jews helped “push” Germany into World War II, drawing mounting calls from world leaders and advocacy groups to retract his remarks and issue a formal apology over what critics condemn as deeply antisemitic.
During a speech marking the 138th anniversary of the Chamber of Commerce of Lima, the Peruvian leader — who assumed power after Congress appointed him to replace ousted former president José Jerí amid corruption allegations — cited The Enemies of Commerce by Antonio Escohotado, invoking its arguments while amplifying long-discredited antisemitic tropes.
“It is a monument to the history of commerce: how bills of exchange were born, how international trade moved, what role Jews played in Germany’s national and international trade, how Germany was pushed into World War II, also partly because of the Jews, because they controlled all the banks, all the commerce, and practiced usury,” Balcázar said.
“All these historical details need to be remembered through Escohotado, so that we can better prepare ourselves and understand the history and hardships of those dedicated to commerce. It is truly interesting,” the left-leaning lawmaker and former judge continued.
Shortly after Balcázar’s remarks gained widespread media attention, leaders of Peru’s Jewish community, opposition figures, and officials from Israel and Germany, as well as other foreign diplomats, swiftly condemned his statements, demanding that he retract them and issue an unequivocal public apology.
In a joint statement, the embassies of Israel and Germany in Peru condemned Balcázar’s claims as “absurd, historically untenable, and a violation of the memory of millions of German Jewish citizens murdered by the Nazis.”
“It should be remembered that Adolf Hitler and the Nazi regime initiated World War II with the invasion of Poland in 1939. Nazi ideology, rooted in racism and antisemitism, not only discriminated against Jewish citizens but also led to the murder of six million Jews in concentration camps,” the statement read.
“The Holocaust must never be trivialized under any circumstances,” it continued.
Israel claramente rechaza en conjunto con Alemania, toda forma de Antisemitismo.@Agencia_Andina @PresidenciaPE @CancilleriaPeru pic.twitter.com/gnzZ3d1PTt
— Israel En Peru (@IsraelinPeru) April 29, 2026
The Jewish Association of Peru (AJP) also denounced the remarks, describing them as a dangerous revival of “outdated antisemitic theories,” and warning against the spread of such narratives.
“It is shocking that, in the 21st century, arguments reminiscent of the darkest medieval eras are still being used to blame victims of the Holocaust for their own persecution,” AJP said in a statement.
Amid growing domestic and international pressure, the government issued a statement expressing regret that the comments had “created a mistaken perception regarding the Jewish people in the context of the outbreak of World War II.”
“The Peruvian state has consistently maintained that Nazi fanaticism was the driving force behind the war and the perpetrator of the unforgivable genocide against the Jewish people. This longstanding position, which also led Peru to firmly support the creation of Israel, remains unchanged,” the statement read.
“President José María Balcázar strongly condemns the genocide perpetrated against the Jewish people during World War II, reaffirms his rejection of antisemitism and all forms of discrimination, and expresses his solidarity with the victims of the Holocaust,” it continued.
Balcázar will serve as interim president until July 28, when the winner of this year’s presidential election takes office.