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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Hormuz Standoff Continues as US-Iran Ceasefire Teeters
People walk past a mural depicting the late leader of the Islamic Revolution, Ayatollah Ruhollah Khomeini, and the late Iran’s Supreme Leader Ayatollah Ali Khamenei, in Tehran, Iran. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Prospects of a peace deal with Iran dwindled on Tuesday after Donald Trump said a ceasefire was “on life support” as Tehran rejected a US proposal to end the conflict and stuck to a list of demands the US president described as “garbage.”
Iran has called for an end to the war on all fronts, including Lebanon, where US ally Israel is fighting Iran-backed Hezbollah terrorists. Tehran also emphasized its sovereignty over the Strait of Hormuz, demanded compensation for war damage, and an end to the US naval blockade, among other conditions.
Trump, who will discuss the war with Chinese President Xi Jinping during his trip to Beijing this week, said Iran‘s response threatened the status of a ceasefire announced on April 7.
“I would call it the weakest right now, after reading that piece of garbage they sent us. I didn’t even finish reading it,” Trump, who has repeatedly threatened to end the ceasefire, told reporters on Monday. “It’s on life support.”
OIL EXTENDS GAINS
The US had proposed an end to fighting before starting talks on more contentious issues, including Iran‘s nuclear program.
Brent crude oil futures extended gains, climbing to around $108 a barrel, as the deadlock left the Strait of Hormuz largely closed. Before the war began on Feb. 28, the narrow waterway carried a fifth of the world’s oil and liquefied natural gas shipments, and has since become a central pressure point in the conflict.
US Central Command said the aircraft carrier Abraham Lincoln was in the Arabian Sea continuing to enforce the US blockade against Iran, having redirected 65 commercial vessels and disabled four.
The Pentagon put the cost of the war at $29 billion so far, an increase of $4 billion from an estimate provided late last month. An official told lawmakers the new cost included updated repair and replacement of equipment and operational costs.
The war also has driven a roughly 50% increase in gasoline prices across the US, where consumer prices rose at a brisk clip for a second straight month in April, resulting in the largest annual increase in inflation in nearly three years.
TRUMP’S TRIP TO CHINA
Surveys show the war is unpopular with US voters less than six months before nationwide elections that will determine whether Trump’s Republican Party retains control of Congress.
Two out of three Americans, including one in three Republicans and almost all Democrats, think Trump has not clearly explained why the country has gone to war, according to a Reuters/Ipsos poll completed on Monday.
Trump is expected to arrive in Beijing on Wednesday.
Trump wants China to convince Tehran to make a deal with Washington to end the conflict. China maintains ties with Iran and remains a major consumer of its oil exports. China’s foreign ministry has said the US blockade of the strait does not serve the common interest of the international community.
The US on Monday imposed new sanctions on individuals and companies it said were helping Iran ship oil to China, part of efforts to cut off funding for Tehran’s military and nuclear programs, while also warning banks about attempts to evade existing curbs.
IRANIAN OFFICIALS USE TOUGH RHETORIC
Iranian officials, meanwhile, issued statements attempting to show continued resolve in the face of US pressure.
A Fars news agency report cited Mohammad Akbarzadeh, deputy political director of the Islamic Revolutionary Guard Corps Navy, as saying Iran had expanded its definition of the Strait of Hormuz into a “vast operational area” under a new plan.
There was no immediate reply from Iranian authorities to a request for comment on Akbarzadeh’s remarks, which defined the waterway as a zone stretching from the coast of the city of Jask in the east to Siri Island in the west.
In a post on X, parliamentary national security and foreign policy commission spokesperson Ebrahim Rezaei said Iran could enrich uranium up to 90% purity, a level considered weapons-grade, if the country is attacked once more.
Iran’s defense ministry spokesperson said any new attack by an enemy would be met with an immediate response, according to state media. In Tehran, the Guards held drills “centered on preparation to confront the enemy,” state TV reported.
TRICKLE OF SHIPPING THROUGH HORMUZ
Traffic through the Strait of Hormuz remains at a trickle. Shipping data on Kpler and LSEG showed that three tankers laden with crude exited the waterway last week, with trackers switched off to avoid any Iranian attack.
In the Qatari capital Doha, Turkish Foreign Minister Hakan Fidan said the strait should not be used as a “weapon.”
Lithuania said it could contribute minesweeping capabilities and resources for a potential mission to protect shipping in the strait. Britain said on Saturday it was deploying a warship to the Middle East in preparation for a potential multinational effort in the strait once conditions allow.
Kuwait summoned Iran’s ambassador and handed him a protest note over what it said was the infiltration of Bubiyan Island by armed members of Iran’s Revolutionary Guards and clashes with Kuwaiti armed forces, the foreign ministry said. There was no immediate reaction from Iran.
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New Israeli Law Sets Military Tribunal for Hamas Oct. 7 Terrorists
Hand prints and other markings made in the soot on a wall are seen, nearly a year since the deadly Oct. 7 attack by Hamas, in Kibbutz Beeri, southern Israel, Sept. 15, 2024. Photo: REUTERS/Amir Cohen
Israel’s parliament passed a law late on Monday establishing a military tribunal to try hundreds of Palestinian terrorists who took part in the Oct. 7, 2023, attack on Israel, a step lawmakers said would help heal national trauma.
The surprise attack, led by elite “Nukhba” force fighters from the Palestinian terrorist group Hamas, was Israel’s deadliest single day and the worst attack on Jews since the Holocaust. At least 1,200 people were killed, most of them civilians.
Israel responded with a military campaign aimed at dismantling Hamas’s military capabilities and political rule in neighboring Gaza.
Israel has been holding an estimated 200-300 fighters – the precise number is classified – captured in Israel during the attack, who have not yet been charged.
The special military court established by the law, to be presided over by a three-judge panel in Jerusalem, could also try others captured later in Gaza and suspected of participating in the attack, or of having held or abused Israeli hostages.
The new law was backed by a wide majority 93 of the Knesset’s 120 lawmakers, in a rare show of Israeli political unity.
The terrorists burst through the Gaza border and rampaged through southern Israeli villages, army bases, roads, and a music festival. Besides the killings, the fighters also took 251 hostages back to Gaza.
NO TRIAL DATE
Lawmakers from both the governing coalition and the opposition authored the bill, meant to ensure all assailants are brought to justice under existing Israeli criminal statutes for what it describes as crimes against the Jewish people, crimes against humanity, and war crimes.
Proceedings will be public, with major hearings broadcast live. While defendants will attend only key hearings in person and all others by video, surviving victims will be allowed in-person access, according to the new law.
Ya’ara Mordecai, an international law expert at Yale Law School, said the new law raised some concerns about due process, given the military court setting, as well as a risk of atrocity proceedings turning into politicized or symbolic “show trials.”
Knesset member Yulia Malinovsky, one of the bill’s authors, said that the legislation ensures a fair and lawful trial.
“They will be sentenced by Israel’s judges, not by the street or by what we all feel,” Malinovsky said before the vote. “At the end of the day, what makes us great is our spirit, our resilience, ability to cope and withstand this immense pain.”
OPTION OF CAPITAL PUNISHMENT
Israel’s penal code includes capital punishment for some of the charges which the terrorists are likely to face. If handed down, a death sentence would trigger an automatic appeal on behalf of the defendant, according to the new law.
The last person executed in Israel was Adolf Eichmann, an architect of the Nazi Holocaust, hanged in 1962 after being captured in Argentina by Israeli agents. Military courts in the West Bank can sentence Palestinian convicts to death but have never done so.
A separate law passed by Israel in March making death by hanging a default sentence for Palestinians convicted in military courts of deadly attacks drew criticism at home and abroad and is expected to be struck down by the Supreme Court.
HAMAS CONDEMNS NEW LAW
Hamas Gaza spokesperson Hazem Qassem said the new law “serves as a cover for the war crimes committed by Israel in Gaza.”
The International Criminal Court is probing Israel’s conduct of the Gaza war and has issued arrest warrants for Prime Minister Benjamin Netanyahu and former Defense Minister Yoav Gallant, as well as three Hamas leaders who have all since been killed by Israel.
Israel is also fighting a genocide case at the International Court of Justice. It rejects the allegations as politically motivated and has argued that its war is against Hamas, not the Palestinian people.
Israeli officials say the military has gone to unprecedented lengths to try and avoid civilian casualties, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.
Another challenge for Israel has been Hamas’s widely recognized military strategy of embedding its terrorists within Gaza’s civilian population and commandeering civilian facilities like hospitals, schools, and mosques to run operations and direct attacks.
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Man Suspected of Plotting Violent Attack Had Sought to Target Louvre, Jewish Community, Officials Say
A man talks on the phone at the renovated Gallery of Five Continents (Galerie des Cinq Continents) in the Denon wing (Aile Denon) during a press preview at the Louvre Museum in Paris, France, Dec. 2, 2025. Photo: REUTERS/Gonzalo Fuentes
A 27-year-old man suspected of plotting a violent attack and of planning to join Islamic State in Syria or Mozambique had sought to target a Parisian museum and the Jewish community, though no specific target was identified, a source close to the investigation said on Monday.
French newspaper Le Monde reported that the man, who was arrested on Thursday, had attempted to target the Louvre and the Jewish community in Paris’ 16th arrondissement.
Security gaps at the Louvre, the world’s most-visited museum, were spotlighted last October, when burglars made off with $102 million worth of jewels.
In France, as throughout Europe, antisemitic acts surged to record highs after the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, amid the ensuing war in Gaza.