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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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How a 19th century murder introduced Americans to a Jewish funeral
In June 1857, newspapers from Philadelphia to St. Louis carried reports of a shocking crime in western Massachusetts. Isaac Jackson, a 17- or 18-year-old German Jewish peddler from Westfield, was shot and robbed while traveling his route between the towns of Westfield and Russell. His body was dragged to the bank of a river, concealed beneath stones and debris, and not discovered until the following day. Contemporary newspaper stories described it as one of western Massachusetts’ most notorious murders in half a century.
The crime quickly attracted national attention as accounts proliferated, sometimes differing on details such as Jackson’s age. Reporters described the search for his body, the arrest of Charles Jones, known to readers as the “ministerial burglar,” and the growing public anger that led some spectators to openly discuss lynching the accused before he could stand trial.
The attention came decades before mass migration from Eastern Europe transformed American Jewish life. The country’s Jewish population numbered no more than 200,000. Yet Jackson’s murder became national news, and newspapers far beyond Massachusetts used the story of his funeral to explain Jewish burial and mourning customs to their readers.
After Jackson’s body was recovered, it was taken to Hartford, Connecticut, for burial, “there being no synagogue at Westfield.” His funeral was held at Touro Hall, home of Congregation Beth Israel, which had only recently converted the former North Baptist Church into a synagogue with the help of a bequest from the Jewish philanthropist Judah Touro.
According to an account first published in the Hartford Times and widely reprinted in newspapers across the country, the body was washed and clothed in white linen garments “expressly made by Jewish women,” who considered it a final act of kindness toward a fellow Jew. Earth was placed beneath the head “to indicate that all cometh from the earth and returneth thither again.” The head was turned toward the east, symbolizing, the newspaper explained, “the great reverence of the Israelite towards the land of his nationality,” and the hope that “as the sun rises to revivify all creation so will the dead finally rise to everlasting life.”
As the coffin was lowered, those gathered prayed, “May the soul of the departed come to its resting place in peace.” Each mourner then placed earth upon the grave before reciting the words, “Dust thou art, and unto dust thou shalt return.”
The funeral itself was not the only moment that revealed how Isaac’s family mourned.
When word reached Westfield that a peddler had been murdered along the road to Russell, “there was a great rush in that direction, and at least one hundred persons were promptly there. Among them were Coroner Abbott, Justice Lewis, and other prominent citizens.” Isaac’s brother Joseph also hurried to the scene. At first, according to one newspaper account, he refused to believe the victim could be his younger sibling. But when he saw the wagon, he recognized it immediately and “burst into tears.”
As the body was recovered from the stream, Joseph, the newspaper reported, performed what it described as his “first duty as a Jew,” removing from Isaac’s pockets the tefillin he carried “to bind around his forehead and arm each morning upon rising.”
The newspapers also offered small glimpses of the life that had ended so suddenly. Isaac was the youngest of four brothers, whose family operated a store in Westfield and maintained traveling peddler wagons throughout the surrounding countryside. On the morning of the murder, he left carrying dry goods, jewelry and ready-made clothing. Among the possessions later identified by his brother was his watch.
The burial rites did not end with the funeral.
Several weeks later, the Springfield Daily Republican published a brief account, later reprinted in the Boston Evening Transcript, about one of Isaac’s brothers while he was again traveling as a peddler with the same wagon. As he unfolded a piece of cloth for a customer, he noticed a single drop of blood. Overcome with emotion, the newspaper reported, he “cried for a few moments like a child,” then folded the cloth and declared that he must return to Hartford so the bloodstained cloth could be buried with his brother. According to the account, everything bearing Isaac’s blood that had been found after the murder had already been interred with him, per Jewish tradition.
Isaac Jackson still rests in Hartford’s Zion Hill Cemetery. Much of his life has been lost to history. But the newspapers that reported his murder preserved something that endures: a careful record of the customs through which his family and community buried him.
The post How a 19th century murder introduced Americans to a Jewish funeral appeared first on The Forward.
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How an obscure centrist politician could be key to defeating Netanyahu in October
(JTA) —
TEL AVIV — At a barbecue on a Netanya rooftop earlier this month, MK Yoav Segalovitz, a politician most people outside Israel have never heard of, told his fellow members of the leading opposition party Yesh Atid that he would not be running with them in the upcoming October election.
It’s a decision that could reshape Israel’s political landscape and determine whether Prime Minister Benjamin Netanyahu will lose the October 27 election.
That’s because Segalovitz, 67, who formerly headed the Israel Police’s Investigations and Intelligence Division, is planning to join Ra’am, an Arab party that was the kingmaker in the 2021 elections, pollster Yousef Makladeh told Jewish Telegraphic Agency, describing his conversation with Segalovitz prior to leaving the party. Makladeh added that the move had been under discussion for months.
In an official statement last week, Ra’am’s chairman Mansour Abbas and Segalovitz said they had met and held a “cordial and positive” discussion about the possibility of Segalovitz joining Ra’am’s slate in the upcoming Knesset elections. The two agreed to continue direct talks in an effort to advance the matter.
If that indeed happens, it would send a seismic shock though the Israeli political system on two fronts: Segalovitz would be the first lawmaker in decades to leave a Zionist party for an Arab-led party; and that party would be in a position to join other opposition groups to pry control of the next Israeli government away from Netanyahu.
The willingness of Ra’am and two Zionist slates — Yair Lapid’s Yesh Atid party and Naftali Bennett’s New Right party — to join a coalition in 2021 led by Bennett and Lapid provided the needed seats to push Netanyahu out of power after 12 consecutive years as prime minister. The first coalition in Israeli history to take office with the support of an Arab party was unprecedented –and viewed by many as a historic breakthrough in Jewish-Arab political cooperation.
The question in 2026 is: Could it happen again?
This time around, the prospect of an Arab party in the coalition prompts more wariness among many Israelis, and Bennett and Lapid have both ruled out forming a coalition with one.
Israeli polls have consistently shown that neither Netanyahu’s coalition nor the bloc of opposition Jewish parties led by his chief rival, former IDF Chief of Staff Gadi Eisenkot, is on track to secure the 61 seats needed to form a government. The opposition’s Jewish parties have consistently polled at approximately 58 to 60 seats, while Netanyahu’s bloc trails with roughly 50.
That deadlock has thrust Ra’am, led by MK Mansour Abbas, back into the spotlight. Most recent polls give the party between five and seven seats, potentially making it the kingmaker once again.
Founded in 1996, Ra’am, whose name is an Arabic acronym meaning United Arab List, has roots in the Southern Branch of the Islamic Movement and had until recently been a religious Arab party. It had been part of the traditional bloc of Arab parties in the Knesset until Abbas split away, as part of his strategy to shift the party’s focus from the Israeli-Palestinian conflict to practical achievements for Israel’s Arab society.
Makladeh, who has conducted surveys for Channel 13 and political parties across Israel’s political spectrum, describes Ra’am as “the missing piece of the puzzle” that could lift the opposition bloc “to 62 or 63 seats.”
In 2021, however, there was a shedding of some of the longstanding reluctance to consider an Arab party in the coalition, for those who saw the political necessity of doing so in order to remove Netanyahu from office. Netanyahu himself had reportedly spoken with Abbas about some form of a political partnership. This time around, the prospect of an Arab party in the coalition prompts more wariness among many Israelis, particularly this early in the election cycle when it is unclear if it will be absolutely necessary to do so.
Political commentator Nadav Perry, host of one of Israel’s most influential political podcasts, says that the party’s ties to conservative Muslim religious leadership, together with the rapid collapse of the 2021 government and the trauma of Oct. 7, 2023, had effectively pushed the idea of Ra’am joining another coalition with Jewish parties back to “square one.”
The addition of Segalovitz to Ra’am could change that by making the party more palatable to the Israeli public and could expand its voting base.
Ameer Bisharat, the former director-general of the National Committee of Arab Local Council Heads, added that Arab Israelis are “hungry for change.”
“Change can come through political power, and Abbas understands that very well. He is trying to create that political power,” Bisharat said
JTA reached out to both Ra’am and Segalovitz for comment. Segalovitz’s spokesperson declined to comment, while Ra’am did not respond to a request for comment.
Segalovitz has been a member of the Lapid-led Yesh Atid party, a centrist bloc which emphasizes secular rights and opposition to draft exemptions for haredi Orthodox yeshiva students, since 2016. He later served as Deputy Minister of Internal Security in the Bennett-Lapid government. In that role, Segalovitz was the public face of the government’s efforts to combat violent crime in Israel’s Arab communities. During his tenure, the number of murders in Arab communities declined sharply before rising dramatically again after the government fell.
Bisharat, who worked with Segalovitz and now advises the public policy department at the Accord Institute on Arab voting patterns, said the Bennett-Lapid government was “successful” for Arab society. It helped build trust between the government and Arab citizens and it presided during a decline in violent crime in the Arab communities in Israel.
Under Segalovitz’s leadership, a special plan was developed to combat crime in Arab communities, focusing on the main drivers of crime, improving case clearance rates and strengthening cooperation among the various authorities, which was not continued under far-right National Security Minister Itamar Ben-Gvir. In Segalovitz’s only full year in government, the number of Arab citizens killed in crimes fell from 126 to 116, according to data from the Abraham Initiatives, a nonprofit that tracks violence and crime in Arab communities. The figure surged to 244 the following year, after he was replaced.
“Segalovitz was the point person in the previous government on crime in the Arab community,” said Perry, the political commentator. “He worked on it, and he delivered results. That made him a very popular figure on the Arab street. Not because he was pro-Palestinian, not because he was against the IDF, but because he reduced crime among Arab citizens.”
Former Yesh Atid MK Inbar Bezek, who served alongside Segalovitz in both the party and the coalition that relied on Ra’am, told JTA: “I saw with my own eyes that Yoav is an extremely respected and well-liked figure throughout Arab society, especially among local government leaders.”
Segalovitz’s possible move is far more than symbolic.
Bezek believes Segalovitz could both increase Arab voter turnout and attract Jewish left-wing voters to Ra’am. “I truly think he’s someone who brings voters to the ballot box,” she said. But she emphasized that the addition of Jewish voters would not change the overall balance between the opposing blocs, because those voters would otherwise support the Democrats, the most left-wing Zionist party.
That assessment appears to be supported by a recent Channel 13 poll, which was conducted in part by Makladeh. The survey found that Ra’am would rise to seven seats if Segalovitz joined the party, compared with five seats in most recent polls. Makladeh said six of those seats would come from Arab voters, while one would come from Jewish voters.
The move’s real significance, argued Perry, lies not in winning additional votes before Election Day but in what happens afterward. He says that bringing Segalovitz into the party is intended “to create renewed legitimacy for Ra’am’s participation in a governing coalition.”
“I don’t think this would dramatically reshape the electoral map,” Perry said. “But it could dramatically reshape the question of legitimacy. It could complete Mansour Abbas’ metamorphosis from the leader of a non-Zionist Islamist party into the leader of a Jewish-Arab party that puts the integration of Israel’s Arab citizens first, while setting aside issues related to the Palestinian national struggle.”
Perry’s comments come as leaders of the opposition bloc send mixed and sometimes contradictory signals about whether they would govern with Ra’am.
Eisenkot has said he “doesn’t rule out” a coalition partnership with Abbas. Another strong contender for the premiership, Bennett, whose Together (Beyachad) party is polling second within the opposing bloc, said in February that “after October 7, there is no mandate in Israel for a government that relies on Arab parties.” Bennett recently declined to answer directly when asked whether he would rely on Abbas to form a government. Speculation is high, however, that he would agree to sit with Ra’am, given his past record of including the party in the coalition after running a campaign in which he promised not to do so.
Opposition Leader Lapid joined forces in this election cycle with Bennett after his own party struggled in the polls and the two now run together on the same slate. Lapid has also ruled out forming a government that relies on Arab parties — a notable position given that Lapid was the architect of the move to bring Ra’am into the coalition in 2021. Another opposition leader, Avigdor Liberman who heads Yisrael Beiteinu, sat with Ra’am in the 2021-2022 government. Last week, however, he said that “Ra’am cannot be a coalition partner.”
Segalovitz’s membership in Ra’am could soften that resistance.
“It will be very difficult to delegitimize a party whose number two is a Zionist and a former Israel Police major general,” Makladeh said. He believes that Segalovitz’s addition could effectively “legitimize” Ra’am’s votes in the eyes of the Israeli public, making it easier for opposition leaders to cooperate with the party after the election.
The hesitation among opposition leaders also reflects Netanyahu’s campaign strategy, which identifies the bloc’s dependence on Arab support as its main political vulnerability.
In a video posted this month on X, Netanyahu juxtaposed his political rivals with Abbas under the slogan, “It’s them or us.”
Segalovitz’s potential move has also drawn backlash from the right. Ben-Gvir called Segalovitz’s departure from Yesh Atid “a joint conspiracy by the left to pave the way for a future government with the Muslim Brotherhood.” Coalition lawmaker Tally Gotliv of the Likud called Segalovitz Abbas’ “pet Jew” and warned that his move could lead to “the imposition of Sharia law on Israel.”
Perry said, “Almost the only political asset Netanyahu has left to take into the election is negative campaigning, because it’s very difficult to build a positive campaign around the last term.” He argued that Netanyahu has relatively few lines of attack against Eisenkot beyond the possibility that he could form a government with Arab parties. “That’s basically the Likud’s one-trick pony in 2026,” Perry added. “And it’s a message that has political effectiveness.”
This is why the addition of Segalovitz who comes from the Israeli center and not the far left is significant, Perry explained. The political commentator added: “If Ra’am enters the realm of legitimacy — because it is no longer Ra’am, it is no longer Islamist, and it is no longer only Abbas but Abbas and Segalovitz — then that could create a more realistic possibility of removing Netanyahu after the election.”
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Man charged in Central Synagogue attack linked to posts about Israel, Judaism, and Mamdani
The man accused of attacking a woman and a security guard at Central Synagogue, a prominent New York City congregation on Manhattan’s Upper East Side during Friday night services, had filled his Facebook page with posts about Israel and Judaism in the months leading up to the attack — and, according to his aunt, had expressed a desire to convert to the Jewish faith.
“He’s mentally traumatized because of his desire to belong to that religion [Judaism] — that’s what he’s said,” Myriam Montes, the aunt of Larry Montes, 46, told the New York Post.
“Given what happened, he might not have been in his right mind,” she said. However, she added that she had not spoken with her nephew in three months.
On a Facebook page that appears to belong to Montes, he reposted a video comparing New York City Mayor Zohran Mamdani to Iran’s Ayatollah Ruhollah Khomeini.
Other videos reposted on the page focused on Jewish and Israeli topics. One featured a Jewish man disputing claims that the Talmud contains disparaging remarks about Jesus. In 2024, he posted a photo of the map of Israel with text overlaid that says, “Keep Israel in your heart.” Another reposted video featured Rabbi Yosef Mizrachi explaining why evangelical Christians support Israel.
The page also reposted several videos from Ruhama’s Food, a popular Israeli social media account.
The Facebook page’s recent posts are more disjointed. They include screenshots showing attempts to translate seemingly incoherent Spanish text into Hebrew.
Police said Montes had three prior arrests before the Central Synagogue attack, all of which were for robbery.
Montes was charged with two counts of assault as a hate crime and one count of criminal mischief as a hate crime. He is expected to appear in court on August 20.
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