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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Israeli Intelligence: Iran’s Regime at Most Fragile Point Since 1999
Iran’s Supreme Leader Ayatollah Ali Khamenei listens to the national anthem as Air Force officers salute during their meeting in Tehran, Iran, February 7, 2025. Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Israeli intelligence officials assess that Iran’s ruling Ayatollah regime is at its most fragile point in more than two decades, as nationwide protests continue to escalate.
The scale of the demonstrations and the government’s response have prompted deep concern in Jerusalem.
A near-total internet shutdown is being interpreted as a troubling signal of severe events unfolding on the streets, including widespread killings that remain largely undocumented. Despite protests erupting in roughly 100 cities across Iran, very little video footage has emerged, further underscoring the regime’s clampdown.
Israeli officials warn that the situation could pose a real threat to the stability of Tehran’s leadership if demonstrations continue to grow. However, sources stress that the outcome is highly uncertain. A potential collapse of the regime would not necessarily lead to a democratic government, and intermediate scenarios—such as the replacement of leaders with regents or puppet figures—are also possible.
“The situation is far more complex than it appears,” said a source familiar with security discussions to i24NEWS. “No one truly knows how events will unfold, and we are monitoring every development with extreme caution to determine the best response.”
For now, Prime Minister Benjamin Netanyahu’s approach is described internally as “monitoring, supporting, hoping.” Israel is keeping a careful distance, allowing Washington to take the lead in applying international pressure on Tehran, while ensuring that the protest movement cannot be linked to Jerusalem in any public way.
Israel’s security establishment continues to follow developments closely, preparing for multiple scenarios in an environment where uncertainty and volatility remain exceptionally high.
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‘Prepare Military Defenses,’ Top US Officials Warn Trump as He Contemplates Strike on Iran
US President Donald Trump speaks during a swearing-in ceremony of Special Envoy Steve Witkoff in the Oval Office at the White House in Washington, DC, US. Photo: Kent Nishimura via Reuters Connect.
i24 News – US President Donald Trump has been warned by senior military officials that more time is needed to prepare for potential strikes against Iran, reports the Telegraph.
The president is reportedly considering military action in response to the violent crackdown by Iranian security forces against demonstrators.
Options under review include targeting elements of Iran’s security services implicated in the mass suppression of protests.
The demonstrations, which have erupted nationwide, have drawn international attention and heightened tensions in the region.
However, commanders stationed in the Middle East have cautioned that any immediate strike could provoke retaliatory attacks against US forces or allied interests. Officials told the White House that US troops need to first “consolidate military positions and prepare defenses” before undertaking any operations that could escalate into a broader conflict.
The warnings reflect concerns over both operational readiness and regional stability. Iran’s military capabilities, including ballistic missiles and proxy forces, could enable swift retaliation, making careful planning essential.
Intelligence assessments are ongoing, with US officials also monitoring Tehran’s response to the protests, which have been met with lethal force by authorities.
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Mamdani denounces Hamas chants, but his delay draws scrutiny
New York City Mayor Zohran Mamdani is facing mounting scrutiny after a delayed response to a protest in which demonstrators chanted pro-Hamas slogans. The episode reopened lingering doubts among Jewish leaders and voters who have watched Mamdani stumble through earlier flashpoints.
In a statement shared with reporters Friday evening, Mamdani condemned the language used during a protest outside a Queens synagogue Thursday night. The demonstration targeted an event promoting real estate investment in the Jewish communities of Modi’in and Ma’ale Adumim, settlements in the occupied West Bank, and included chants of “Say it loud, say it clear, we support Hamas here.”
Mamdani said the rhetoric and displays at the protest were “wrong and have no place in our city.” An hour later, amid criticism that he had not explicitly named Hamas, he followed up in a post on X, “Chants in support of a terrorist organization have no place in our city.”
It echoed a similar episode after Mamdani’s election in November, when he issued a mixed response to a demonstration outside Manhattan’s Park East Synagogue that featured anti-Israel and antisemitic slogans. He initially questioned the use of a sacred place for an event promoting migration to Israel. He later clarified his statement and said he would consider legislation limiting protests outside synagogues.
Critics said the response, which took nearly a day, was slow and undercut Mamdani’s repeated pledges to protect Jewish New Yorkers, and raised fresh questions about what kind of mayor he intends to be. New York City is home to the largest concentration of Jews in the United States. New York Police Department data shows that antisemitic acts made up 57% of all reported hate crimes citywide in 2025.
A week earlier, on his first day in office, Mamdani — a democratic socialist whose strident criticism of Israel deepened rifts within New York City’s Jewish community during the election — had already drawn criticism from mainstream Jewish organizations for revoking two executive orders by former Mayor Eric Adams that adopted a controversial definition of antisemitism that includes some forms of anti-Zionism, and another penalizing city contractors who engaged in boycotts of Israel.
Mamdani’s response to the Thursday night Hamas chants was issued around 5 pm on Friday. By the time, many Shabbat-observant New Yorkers did not see the mayor’s condemnation until Saturday night.
Some allies who accepted Mamdani’s ideological position privately expressed surprise that the mayor did not immediately denounce the chants, given the predictability of the backlash and the stakes involved. During the election, Mamdani came under fire for his refusal to explicitly condemn the “globalize the intifada” slogan used at some pro-Palestinian protests, perceived by many as a call for violence against Jews.
Adam Carlson, a political polling and research expert, called Mamdani’s statement denouncing the Hamas chants reasonable but “not perfect,” after spending much of the day criticizing the mayor’s lack of response, even as Democratic elected officials and some of Mamdani’s progressive allies issued fierce condemnations. “This is not only hurtful to me,” Carlson wrote on X, “but it’s bad politics and distracts from his agenda.”
Former City Comptroller Scott Stringer, who is Jewish and ran in last year’s Democratic mayoral primary, was even more blunt. “I have never been as concerned about the direction of our city as I am today,” Stringer said in an interview. “We are not up to a strong start in bringing the city together.”
Stringer, who was an active leader in combating anti-Muslim hatred after 9/11, said he had hoped that Mamdani would focus on affordability and issues that unite New Yorkers across communities. “But if that’s not to be, then we will fight politically,” he said. He pointed to the upcoming June primaries for Congress and the State Assembly, in which some of Mamdani’s socialist allies — and candidates he has endorsed — could pay a political price. In New York, Stringer said, “we are at the epicenter of Jewish hate, and we’re not going to stand down and allow this to unfold without a political response.”
Speaking with reporters on Saturday, Mamdani declined to address why he didn’t respond immediately, but said his statement was “consistent with my own politics and my own policies.”
A recent poll found that 55% of non-Jewish voters in New York City say Jewish concerns about feeling threatened by Mamdani’s statements on Israel are an overreaction fueled by politics. By contrast, among a smaller sample of 131 Jewish respondents, 53% say they have reason to feel that way, given Mamdani’s statements and associations.
What other city leaders said
While Mamdani remained silent through much of Friday, other city leaders moved quickly. City Council Speaker Julie Menin, City Comptroller Mark Levine, Gov. Kathy Hochul and Attorney General Letitia James all issued statements strongly condemning the pro-Hamas chants.
Speaking Friday night at Park Avenue Synagogue in Manhattan, Menin, who is the first Jewish speaker in the council’s history, was cautious but optimistic about collaborating with Mamdani on issues related to antisemitism in Israel.
“The Torah reminds us that leadership does not emerge from a place of peace, but from a place of struggle,” Menin told congregants. “When it comes to fighting for our Jewish community, I promise I will be the leader that you can count on — one who stands up to hate, who is not afraid to speak out, and who will not look away when it is uncomfortable or inconvenient.”
Levine, who is also Jewish, said, “There is no ambiguity” in condemning the support of a terrorist organization. “This cannot be normalized or excused,” he wrote on X. “Truly reprehensible.”
Hochul, who is running for reelection this year, said in a joint appearance with Mamdani last week that in her upcoming State of State address on Tuesday, she will announce safety zones around houses of worship “where people can go freely to a safe place without threats of violence or protests.”
The post Mamdani denounces Hamas chants, but his delay draws scrutiny appeared first on The Forward.