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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Exclusive: As Ceasefire Extended, Iranian Voice Describes Deepening Repression, Waning Hope Under Regime’s Grip
People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
As a fragile ceasefire halting the US-Israeli military campaign in Iran continues, some Iranians say the pause in fighting has not brought relief but rather fear that the regime is regaining strength while internal repression intensifies.
In western Iran, a former schoolteacher who asked to be identified as “Maddie Ali” for security reasons says the ceasefire has left many ordinary citizens feeling abandoned and exposed, watching authorities tighten control while hopes for meaningful change fade.
“People actually felt more hopeful when the war was ongoing. Now, with the ceasefire in place, many feel discouraged and disappointed about the future, which feels increasingly uncertain,” Ali told The Algeminer in an exclusive interview.
Ali lost her job after authorities imposed a nationwide internet blackout when fighting erupted earlier this year — a disruption that continues to shape daily life and restrict communication with the outside world, effectively cutting millions of Iranians off from independent reporting on the war and access to global news.
Internet access remains unstable across much of the country, forcing many people to rely on illegal black-market virtual private networks (VPNs) — tools that bypass government censorship — to stay connected beyond Iran’s borders, with access reportedly costing millions of tomans per gigabyte. (A toman is one-tenth of the rial, the official currency of Iran.)
Iran’s nationwide internet blackout has become the longest recorded of its kind, as authorities continue restricting access to the outside world in an effort to suppress internal opposition and silence domestic dissent.
Iranian authorities have even warned that citizens suspected of accessing the internet through VPNs could face arrest or imprisonment. According to state media reports, Iranian security forces have arrested several citizens in recent weeks for using the Starlink satellite internet system, which allows users to bypass state-controlled terrestrial infrastructure.
Human rights groups have warned that the regime repeatedly uses nationwide internet shutdowns as a tool to intensify its crackdown on opposition movements and conceal ongoing abuses from international scrutiny.
Ali said many people in Iran fear the ceasefire is giving authorities time to regroup and rebuild.
“People are deeply disappointed that the US and Israeli sides agreed to a ceasefire without taking the Iranian population into account,” Ali told The Algemeiner. “The regime has repeatedly proven its capacity to rebuild and recover time and time again.”
The US–Iran ceasefire, which took effect on April 8, was initially set to expire on Wednesday night if no agreement was reached. US President Donald Trump told Bloomberg on Monday that he was “highly unlikely” to extend the truce without a deal with Tehran.
“I’m not going to be rushed into making a bad deal,” the president said.
On Tuesday, however, Trump announced that he was extending the ceasefire indefinitely, to allow the two countries to continue peace talks to end the war.
In a statement on social media, Trump said he had agreed to a request by Pakistan, which has mediated the talks, “to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal.”
Noting Iran’s government was “seriously fractured,” Trump said the US military would remain ready and continue its blockade on Iranian ports but continue abiding by the ceasefire “until such time as [Tehran’s] proposal is submitted, and discussions are concluded, one way or the other.”
According to Ali, who spoke with The Algemeiner before Trump’s announcement, reconstruction efforts began quickly after the fighting stopped, even as widespread infrastructure damage remained and internal repression intensified.
“There is frustration that the ceasefire may help the regime recover,” she said. “They started reconstruction for damaged sites and internal repression is still going on.”
Ali also said security forces remain highly visible across the country, especially after a sweeping crackdown earlier this year following mass demonstrations.
“We don’t have an option to really be out on the streets right now. It is really hard because of what happened in January. People are too afraid,” she said, referring to the nationwide anti-government protests, which security forces violently crushed, leaving tens of thousands of demonstrators tortured, imprisoned, or killed.
Checkpoints and surveillance now shape daily movement across many areas of the country.
“There are security forces on the streets stopping people, checking phones to see who they have been in contact with and reviewing messages — and they even make arrests,” Ali said.
Despite the risks, Ali said frustration with the regime runs deep after years of sustained crackdowns and tightening control.
“Most Iranians want an end to this regime. People are exhausted after decades of repression, arrests, executions, surveillance, and control,” she said. “Everybody was waiting for Israel and the US to do something and help us.”
“At the same time, people don’t support war itself — they support removing the regime, which is deeply rooted throughout the country,” Ali continued.
She said many Iranians initially saw the outbreak of fighting as a rare opening for change after years of failed internal protest movements.
“When the war began, many people actually felt hopeful,” Ali told The Algemeiner. “It’s not that they didn’t try to overthrow the regime themselves before — they did. But nothing worked.”
Even those who opposed the war, she said, are not necessarily defending the government.
“Those who were against the war mostly believed it would not lead to real change in the end — not that they supported the regime,” she explained.
More broadly, Ali said many citizens viewed outside military pressure as a necessary catalyst rather than something they welcomed.
“For many Iranians, support for the US and Israeli strikes came out of necessity and exhaustion — not because they support war,” she said.
Despite significant leadership losses during the conflict, Ali said the regime’s structure remains deeply entrenched nationwide.
“The regime and its ideology are embedded at every level — in cities, towns, and institutions across the country,” she said.
“From what we can see, the system is still functioning almost completely intact,” she continued. “It remains coordinated at both the national and local levels, and internal repression is actually increasing.”
“It feels suffocating and extreme, but at the same time it isn’t surprising,” she added.
For some inside Iran, Ali said, this reality has reshaped how people understand the scale of effort needed to dismantle the regime’s entrenched security apparatus.
“People support Israel and the United States, but they also believe airstrikes alone are not enough,” she said.
“Many believe that only a military ground intervention with troops on the ground could remove the regime from its roots,” she continued.
At the same time, she said many Iranians feel especially frustrated by what they see as political solidarity between Muslim-majority governments and Tehran’s leadership rather than support for ordinary citizens.
“Just because a government presents itself as Islamist does not give it the right to repress dissidents and crush its own people,” she said.
“Many Muslim countries have continued to cooperate with this regime, shaking hands with a killer regime instead of standing with the Iranian people,” Ali added.
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Netanyahu heckled at Israel’s official Memorial Day ceremony as bereaved families grasp for comfort
(JTA) — TEL MOND, Israel — Thousands of Israelis gathered in cemeteries all over Israel to commemorate the nation’s fallen soldiers and terror victims on Memorial Day, as public mourning collided with political anger, fresh wartime uncertainty and the private aftershocks consuming bereaved families.
In a Memorial Day message to bereaved families, Prime Minister Benjamin Netanyahu also addressed the war against Iran and its Lebanese proxy Hezbollah, saying Israel has “already removed an existential threat.”
A short while later, President Donald Trump told CNBC’s Joe Kernan that he “expects to be bombing” Iran again if talks collapse ahead of Wednesday’s ceasefire deadline.
“We have returned all our hostages, struck our enemies hard, and made Israel a nation stronger than ever before,” Netanyahu said at an official Memorial Day ceremony at Mount Herzl in Jerusalem.
His comments prompted a heckler in the crowd to yell out, “Some of them died in tunnels,” in reference to the Israelis kidnapped to Gaza by the Hamas terror group and held underground.
Skirmishes broke out during a speech by MK Ofir Sofer, of the far-right Religious Zionist party at the Kiryat Shaul military cemetery in Tel Aviv, when attendees attempted to snatch signs held up by protesters that read “Government of death” and “I refuse to hear words of comfort from a government of criminals.”
At a cemetery in Tel Mond, Eyal Golan, whose sister Shirel died by suicide on her 22nd birthday, a year after surviving the Nova massacre near the Gaza border, also had harsh words for the government.
Reflecting on Knesset debates he attended after his sister’s death, as he pushed for a law in her name to provide unlimited, comprehensive mental health care to victims of terror, Golan said he was furious at what he described as the performative behavior of politicians from both the coalition and opposition.
“Off camera, they speak to each other normally,” he said. “But the moment the cameras turn on, it’s showtime. They fall into their roles, shouting and attacking each other. I’m sitting there thinking, how can this be real?”
“Instead of coming together, they just deepen the divide,” he said, but he credited two Knesset members from opposite sides of the political aisle — Moshe Gafni of United Torah Judaism and Merav Michaeli of Labor — with taking up the cause and advancing the legislation.
Eyal and other members of his family say the government failed Shirel as she grappled with acute PTSD in the months after the attack. Now advancing the bill, he said he hopes it will spare other families the same fate.
“The whole point of my crusade is to save others. No one will be able to bring back my sister. If I’m able to save one more soul, I’ve done my job,” he said.
The legislation, known informally as the Shirel Golan law, passed a preliminary reading in January 2026.
Sitting close to his daughter’s grave, covered in flowers, wreaths and candles, Eyal’s father Meir said he has fallen into a strange nightly ritual. Every night, he wakes up at 3 a.m. and makes himself a cup of coffee. He opens the smart TV to her YouTube account and for an hour or so watches the videos she had liked and subscribed to, including trance music emblematic of the Nova scene. At 4 a.m., he returns to bed.
“As soon as I turn it on, it says, ‘Hello Shirel, welcome back,’” Meir said, adding that it gives him a measure of tranquility, as if his daughter “is still around.”
Later, as Eyal made the 45-minute drive back to his home in the central Israeli city of Holon, he described the journey as the emotional hinge between mourning and the return to ordinary life.
“It’s a kind of magic hour during which I store the grief of the day in a box in my mind,” he said. “By Independence Day, I’ll go back to my main role, being a father to two daughters.”
He added, “That journey is a microcosm of Israeli society.”
Meir’s late-night visits to his daughter’s digital world are part of a wider private language of mourning that has taken hold among bereaved Israeli families, many of whom continue to reach for their dead through screens. On phones across the country, especially on the popular messaging platform WhatsApp, parents and siblings keep sending messages to loved ones who were killed, writing as if the conversation never ended. The messages, some of which were recorded in a special Memorial Day project by the Ynet news site, come at unguarded moments, during a football game, before a birthday, or in the middle of the night.
“What a goal, Yahav,” one father, Nir Maayan, wrote to his son, Yahav, who was killed in Gaza in January of last year.
Texting his son from his graveside, Nir wrote: “There are days of collapse, of longing, of not being able to accept reality. Moments when I try to imagine your final moments. What did you think? What did you feel? Answers I will never know. So I just rest my head on you, and somehow you comfort me and hold me. Someone is watching over me from above.”
“Tomorrow is your birthday, send mom a message,” a sister wrote to her deceased brother.
“The sky is beautiful today,” another wrote.
Dorit Ron keeps on texting her son Itai, who was killed on Oct. 7 at the Nahal Oz base near the Gaza border. “I expect an answer, a sign that he’s okay and with his father,” she said, according to the report. “Even though I know he won’t reply, to me he’s alive, just nearby, in another dimension.”
The post Netanyahu heckled at Israel’s official Memorial Day ceremony as bereaved families grasp for comfort appeared first on The Forward.
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Israel jails soldiers who smashed Jesus statue in Lebanon, installs a new one
(JTA) — An Israeli soldier who bludgeoned a statue of Jesus in southern Lebanon and another soldier who photographed the act have both been dismissed from combat duty and sentenced to 30 days in military detention, the Israeli military said on Monday.
“The IDF expresses deep regret over the incident and emphasizes that its operations in Lebanon are directed solely against the Hezbollah terrorist organization and other terrorist groups, and not against Lebanese civilians,” the IDF said in a statement.
The military also announced it had replaced the damaged statue with a new one “in full coordination with the local community of Debel in southern Lebanon.” The town is a Christian enclave within a region that is a Hezbollah stronghold.
A short while ago, in full coordination with the local community of Debel in southern Lebanon, the damaged statue was replaced by IDF troops. The Northern Command worked to coordinate the replacement of the statue from the moment it received the report of the incident.
The IDF… pic.twitter.com/nGh1s1iia1
— Israel Defense Forces (@IDF) April 21, 2026
Photos of the incident, which depicted the soldier striking an overturned Jesus statue, were quickly condemned by Israeli Prime Minister Benjamin Netanyahu and the IDF as they spread on Sunday.
By Monday, a letter condemning the act had drawn over 80 signatures by prominent Jewish leaders, including former Israeli cabinet minister Michael Melchior; American antisemitism activist Shabbos Kestenbaum; and Orthodox rabbis in Israel and the United States.
“This act is a chillul Hashem — a desecration of God’s name,” the letter said. “It is an affront to the ancient Christian communities of the Middle East and to Christians all over the world. It is a vile betrayal of the Jewish values upon which the State of Israel was founded. And it is a wound inflicted upon the fragile Jewish-Christian friendship that is more important than ever.”
The announcement of the punishment comes as the IDF said it was probing an incident in the West Bank in which a reservist soldier reportedly killed two Palestinians, aged 14 and 32.
The post Israel jails soldiers who smashed Jesus statue in Lebanon, installs a new one appeared first on The Forward.