Uncategorized
‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
—
The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
Uncategorized
On final visit to Israel as mayor, Adams makes a closing argument against Mamdani
JERUSALEM — Outgoing New York City Mayor Eric Adams embarked on a multi-day swing through Israel, billed as both a show of solidarity amid rising antisemitism and a farewell visit. But it was also something else: likely the last international trip a New York City mayor will take for years, a point Adams wanted to underscore.
Mayor-elect Zohran Mamdani, a strident critic of Israel, has pledged not to visit the country, breaking with a tradition upheld by every mayor since 1951 to demonstrate solidarity with Jewish constituents at home. He has also vowed to end the city’s decades-long practice of investing millions in Israeli government debt securities and has said he would order the arrest of Prime Minister Benjamin Netanyahu if he lands in New York.
“I think he has to have the level of political maturity to understand that government is not protesting,” Adams said in a fireside chat at an event hosted in his honor by the Combat Antisemitism Movement (CAM) in Tel Aviv on Sunday evening. “And all those who are in his midst, like the Democratic Socialists of America, he needs to explain to them that he’s now the mayor. He’s no longer someone that is just protesting in the city of New York. He has to protect the city of New York.”
In the 30-minute conversation, moderated by Sacha Roytman, chief executive of CAM, Adams repeatedly alluded to the impact of Mamdani’s political rise and victory in the mayoral election earlier this month. The outgoing mayor said he told his team a year ago that Mamdani was on track to win the Democratic primary and that he expected to face him in a general election showdown, believing he could beat him.
Adams made combating antisemitism central to his reelection effort. Elected as a Democrat in 2021, he later lost key support after striking a deal with the Trump administration to drop his corruption case, prompting him to run for a second term on an independent line dubbed “End Antisemitism.” He became popular in Israel after delivering a forceful speech at a New York City rally in the days following the Oct. 7, 2023 Hamas attack on Israel, in which he declared, “We are not alright.” He also resisted progressive pressure to distance himself from Israel and faced backlash for his crackdown on pro-Palestinian protests at colleges and across the city. Adams recently signed an executive order adopting the International Holocaust Remembrance Alliance definition of antisemitism, which labels most forms of anti-Zionism as antisemitic.
Mamdani, who attended some of the pro-Palestinian protests, faced the most scrutiny for refusing to outright condemn the slogan “globalize the intifada” and for saying he doesn’t recognize Israel as a Jewish state.
At the Sunday event, Adams took several shots at Mamdani, calling his election “abnormal” and questioning whether outside actors had influenced the race by shaping social-media algorithms. He suggested that the seeds of Mamdani’s campaign, powered by youthful energy and a promise of unconventional change, were planted during the protests against Israel.
“He had a ready-made army,” Adams said. “He had the Free Palestine movement that was heavily in place. He had the war that was going on, and then he had a group of angry youth on our college campuses. So when he emerged and said he was going to run on one issue, the Free Palestine movement, he already had the army that responded to him.” (Mamdani also ran on issues of affordability, universal childcare, and free buses.)
Adams said the Jewish community in New York “must prepare itself” to respond to any antisemitic attacks that might come. “I think this is a period where they need to be very conscious that there’s a level of global hostility towards the Jewish community,” he said, adding, “If I was a Jewish New Yorker with children, I would be concerned right now.”
Speaking with the Forward on Monday, Adams said he is being truthful about the situation. “I’m not going to lie to New Yorkers, I know what I’m seeing,” he said. “Other people will sugarcoat this moment, and I’m not going to do that. I’m not going to lie. I’m not going to pretend as though everything is fine.” To his critics, Adams said, “Those who want to interpret my candid view of what’s playing out now in our city and across the globe, they can do so. That is not up to me to try to convince them of what I am seeing and what I am hearing and what is playing out.”
The outgoing mayor is expected to meet with Israeli Prime Minister Benjamin Netanyahu at his office on Tuesday. Netanyahu said in an interview last week, commenting on Mamdani’s win, “If that’s the future of New York, I think New York has a very dim future.” Adams said he’ll assure Netanyahu and other leaders he is meeting with the “49% of New Yorkers did not buy into the rhetoric of the hatred towards Israel.” Madani won with 50.4% of the more than two million votes cast.
Other highlights of Adams’ Israel trip
Earlier in the day, Adams held an emotional 30-minute meeting with three former Israeli hostages — Yarden Bibas, whose wife Shiri and young sons Kfir and Ariel were murdered in captivity; Sagi Dekel-Chen, an American-Israeli released in a ceasefire deal in January; and Bar Kuperstein, who was among the last 20 living hostages freed last month.
Held at the World Jewish Sports Museum at Kfar Maccabiah, Dekel-Chen described his time in captivity and the slow and painful process of healing. Bibas described his life in grief, adding that his only purpose is “to stay alive and remember my wife and kids.”
Adams, visibly shaken, told the former hostages that he admired their resilience and that New Yorkers needed to hear these stories firsthand. He offered to host them for the ball drop in Times Square on New Year’s Eve.
At the museum, Roy Hessing, deputy CEO of the Maccabiah movement, invited Adams to serve as an honorary guest at the next Maccabiah Games, now scheduled to resume in June, after delays due to the war. The event is expected to draw 30,000 participants, including 15,000 from abroad.
Adams also paid a visit to the Western Wall on Sunday night, where he placed a note in the wall and prayed. In the guestbook, Adams wrote that “God is real and life has shown us this.”
Shortly after landing on Saturday, Adams walked through the Nachalat Binyamin neighborhood with Tel Aviv’s deputy mayor, Asaf Zamir, who was Israel’s consul general in New York from 2021 to 2023. Zamir was outspoken against Mamdani throughout the mayoral campaign. Adams has long referred to New York as the “Tel Aviv of America.”
In tours closed to the press, Adams visited the IMI Academy, where Israeli instructors provide tactical and emergency-response training, and the Aerial Systems facility, where he was shown the latest drone and surveillance technologies. He also addressed the annual mayors’ conference hosted by the American Jewish Congress at Jerusalem’s King David Hotel.
At many of his stops, Adams said about his farewell: “I’m not just the mayor that’s leaving office, I’m your brother.”
The post On final visit to Israel as mayor, Adams makes a closing argument against Mamdani appeared first on The Forward.
Uncategorized
Graffiti during Mexican protests against Claudia Sheinbaum’s government calls out ‘Jewish whore’
(JTA) — Mexico’s Jewish community has condemned antisemitic graffiti apparently directed toward the country’s Jewish president during an anti-government protest on Saturday.
The graffiti painted on the door of the Supreme Court building said “puta judia” or “Jewish whore,” in what has been widely interpreted as a reference to Claudia Sheinbaum. It also included a crossed-out Star of David.
The graffiti was painted during a youth-led protest that responds to rising violence, crime and corruption, particularly by drug cartels. Dozens of people were reportedly arrested and injured in Saturday’s protests.
“The Jewish Community of Mexico strongly condemns the antisemitic remarks and expressions” during the march, the community said in a statement on Sunday. “Antisemitism is a form of discrimination according to our constitution and must be rejected clearly and unequivocally.”
Sheinbaum, elected last year, is Mexico’s first Jewish president. She has not made her Jewish identity a part of her public persona and is not a regular participant in the country’s tight-knit Jewish communities.
Israel’s foreign minister, Gideon Saar, also condemned the graffiti. “Israel strongly condemns the antisemitic and sexist slurs directed at Mexico’s President @Claudiashein,” he tweeted while sharing a picture from the protests. “There is no place for such attacks in political discourse. All forms of antisemitism, in any context, must be rejected unequivocally.”
Israel strongly condemns the antisemitic and sexist slurs directed at Mexico’s President @Claudiashein. There is no place for such attacks in political discourse.
All forms of antisemitism, in any context, must be rejected unequivocally. pic.twitter.com/HEDKzq34e8— Gideon Sa’ar | גדעון סער (@gidonsaar) November 16, 2025
Some of Sheinbaum’s detractors have previously invoked her Jewish background, including former President Vicente Fox, who called her a “Bulgarian Jew” in an apparent attempt to minimize her candidacy. He apologized, but made a similar comment after Sheinbaum briefly donned a rosary with a crucifix after being given one during a campaign stop. “JEWISH AND FOREIGN AT THE SAME TIME,” Fox tweeted. Sheinbaum produced her birth certificate multiple times to dispel rumors that she was born in Bulgaria.
The post Graffiti during Mexican protests against Claudia Sheinbaum’s government calls out ‘Jewish whore’ appeared first on The Forward.
Uncategorized
Lebanon Plans UN Complaint Against Israel Over Border Wall
A UN vehicle drives near a concrete wall along Lebanon’s southern border which, according to the Lebanese presidency, extends beyond the “Blue Line”, a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights, as seen from northern Israel, November 16, 2025. REUTERS/Shir Torem
Lebanon will file a complaint to the U.N. Security Council against Israel for constructing a concrete wall along Lebanon’s southern border that extends beyond the “Blue Line,” the Lebanese presidency said on Saturday.
The Blue Line is a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights. Israeli forces withdrew to the Blue Line when they left south Lebanon in 2000.
A spokesperson for the U.N. secretary-general, Stephane Dujarric, said on Friday the wall has made more than 4,000 square meters (nearly an acre) of Lebanese territory inaccessible to the local population.
The Lebanese presidency echoed his remarks, saying in a statement that Israel’s ongoing construction constituted “a violation of U.N. Security Council Resolution 1701 and an infringement on Lebanon’s sovereignty and territorial integrity.”
Dujarric said the United Nations Interim Force in Lebanon (UNIFIL) had requested that the wall be removed.
An Israeli military spokesperson denied on Friday that the wall crossed the Blue Line.
“The wall is part of a broader IDF plan whose construction began in 2022,” the spokesperson said, referring to the Israel Defense Forces.
“Since the start of the war, and as part of lessons learned from it, the IDF has been advancing a series of measures, including reinforcing the physical barrier along the northern border.”
UNIFIL, established in 1978, operates between the Litani River in the north and the Blue Line in the south. The mission has more than 10,000 troops from 50 countries and about 800 civilian staff, according to its website.