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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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Israel antiwar protests spur intensifying government crackdown
TEL AVIV, Israel — It was a strange sight, even for wartime Israel: A line of police horses descended into the vast public bomb shelter beneath Tel Aviv’s Habima Square — hooves clattering against the concrete as officers led them to safety.
While the horses got a police escort, just a few feet away, 17 antiwar demonstrators were stuck on a police bus, pleading to be let off before the incoming barrage of Iranian missiles reached the city.
They had been detained as part of the ongoing crackdown on Israelis protesting against the war with Iran, carried out in the name of wartime public safety.
This round of arrests took place on Saturday night. “Our phones began buzzing with the pre-siren warning,” recalled Alon-Lee Green, co-director of the Jewish-Palestinian coexistence group Standing Together and now one of the leaders of a burgeoning antiwar movement. “We kept asking them to let us go down to the shelter. They refused, even though this is completely against the law. They told us it was our problem because we chose to come to the protest.”
When the siren sounded — signaling 90 seconds to take cover — the argument escalated. Onlookers tried to intervene, urging police to allow the detainees into the shelter. Instead the driver took off for a nearby residential building. The activists, some still in handcuffs, were rushed into the lobby and ordered to lie on the floor. “This was not a protected space. We were under a bunch of glass windows,” Green recounted. “If there had been a direct hit … they put our lives at risk in a very serious way.”
In the weeks leading up to Israel and the United States’ joint strikes on Iran, support for full-scale war among Israelis was high, with most people convinced that Prime Minister Benjamin Netanyahu’s dire warning of the immediate and existential threat posed by Iran and his promise to eliminate it “for generations” were both truths. As the war began, and Israelis found themselves rushing into bomb shelters, support remained widespread.
But as the fighting has continued to drag on, the antiwar movement has followed a sharp growth trajectory: from a small gathering of far-left activists outnumbered by the journalists reporting on them to multi-city demonstrations drawing more than 1,000 participants each week. The numbers are still modest compared to the tens of thousands who filled Israel’s streets weekly during the judicial overhaul protests and the hostage demonstrations after Oct. 7, but a significant jump given how popular the war was at its outset.
The rise of the protest movement coincides with a shift in public opinion. Support for the war, which began above 80%, has dropped into the high 60s in recent weeks — still a clear majority, but a meaningful decline for a conflict that initially drew near-unanimous backing. One month in, war fatigue has begun to set in. In addition to the growing death and injury toll and financial loss, Israelis are sleep-deprived, desperate for school to resume, and frustrated that the airport is still not operating at full capacity. They are also watching as the government slashes the state budget.
Organizers say they are encouraged by the rapid growth, even as they navigate the pitfalls of coalition-building. But for now, the movement faces a more immediate challenge: as crowds grow, so too does the force being used by uniformed and plainclothes Israeli police officers to disperse them.
Arrests, forcible removal of demonstrators and confiscation of equipment have now become regular occurrences. According to police, these are legitimate methods for dispersing protests, which they say violate Home Front Command directives restricting large gatherings during wartime. But with beaches and malls around the country packed with people, and Haredi communities holding massive funerals, weddings and holiday celebrations, critics have accused far-right National Security Minister Itamar Ben-Gvir of using those same restrictions as a pretext to silence dissent.
That debate has now moved from the streets to the courtroom. Just as Saturday’s protest was getting underway, Israel’s High Court of Justice ruled that blanket restrictions used to shut down demonstrations did not sufficiently account for the basic right to protest, which the court president stated exists even during wartime. The court ordered the state to raise the cap on demonstrations from 150 to at least 600 people, including at Habima Square.
The ruling came in response to a petition filed the day before by the Association for Civil Rights in Israel and activist Itamar Greenberg, following weeks of aggressive police dispersals. The court also raised concerns about selective enforcement, noting that similar restrictions were not being applied to other large gatherings.
By Saturday night, the decision was already being tested. As hundreds of demonstrators gathered once again at Habima Square, part of coordinated protests that also drew crowds in Haifa and Jerusalem, organizers said they were operating within the court’s guidelines. Police disagreed. Citing security concerns and Home Front Command restrictions, officers moved quickly and forcefully to disperse the crowd, confiscating amplification equipment and signs and arresting 17 people, including Green.
“But we learned afterwards that the police had begged Home Front Command to give the order that the protest was illegal, and they refused,” he said. “After 30 minutes, the police just decided to act on their own command and begin arresting people.”
IDF officials later confirmed to Haaretz that dispersing the demonstration had not been approved by the Home Front Command, saying the decision was made by police alone. The High Court is expected to revisit the issue this week, even as Justice Minister Yariv Levin has called on the government to consider defying any ruling that expands protest rights during wartime.
For Green, the past few weeks reflect a deeper societal shift. “What we’re seeing is the legitimization of political violence,” he said. “It starts with words — calling people traitors for opposing the war or supporting peace — and it slowly becomes something more.” In recent months, a spate of right-wing provocateurs have begun harassing and intimidating journalists, politicians, and protesters with whom they disagree. Prominent leaders, including Green, have also been targeted at their homes.
He added: “When the public sees that it’s becoming dangerous to speak out, to organize, to protest — that violence is an acceptable way to silence a political camp — it changes the entire public space.”
Both Green and Greenberg stress that the antiwar movement is not the first, nor the primary, target of such force. “By no means did this start with our movement,” Greenberg noted. “It begins with the Palestinians. They bear the brunt of police brutality. But that’s how fascism works — people remain silent, and eventually it comes for them.”
Green agrees. “It’s a slow but powerful process of stripping legitimacy from an entire political camp,” he said, “and giving permission to act against it with violence.”
While that threat has surely kept individuals at home, the movement as a whole continues to expand. It now includes veterans of the antigovernment movement, first-time demonstrators, and public figures such as Hadash-Ta’al political party lawmakers Ofer Cassif and Ayman Odeh — even as many prominent opposition figures remain absent.
For Greenberg, the growth is both intentional and complicated. “We not only expected it,” he said. “We were trying to make it happen as soon as possible.”
“As someone who identifies as a radical anti-Zionist, I understand the limits of my political power. We are a small group. But we are part of this society, and we can still create a movement of resistance to this war.”
That has required letting go of control. “We started this, but now we are part of something bigger,” he said. “There are people at the protests whose views I totally disagree with … but right now we have one mutual goal, to stop this war. I cannot afford to be picky.”
Green suggests that tension is central to the movement’s future. “This is where we see Standing Together’s role — to help build as wide a coalition as possible,” he said, describing efforts to bring together more than 50 groups around a broadly shared platform. “Anti-war, anti-government, anti-abandonment, pro-life. Whoever can agree to this can be in the tent.”
It is a fragile coalition. “Right now, we still feel that our specific voice is being heard loudly and clearly,” he said. “But what happens when it grows to 10,000 people and suddenly we are in the minority?”
“It becomes about finding a balance,” Greenberg continued, “Continuing to show up at largest protests and representing the anti-occupation bloc but also making sure that we are developing separate ways to express our specific beliefs.”
For Green, however, the moment feels larger than any one single cause or agenda.
“I think we’re facing a moment where all the different fronts are uniting,” he said. “People are starting to understand that whether you are coming from a humanitarian viewpoint or from a solidarity viewpoint or anti-government or even self-interest, it’s all connected to one overarching question: Are we going to find a way to live here in peace or are we are going to be stuck in this constant state of war, forever fighting, stealing, assassinating, running to shelters, our children missing school?”
As the protests continue to grow — even amid efforts to suppress them — organizers believe they have opened a space that did not exist just weeks ago.
“We have the opportunity,” Green said, “to present a different way.”
The post Israel antiwar protests spur intensifying government crackdown appeared first on The Forward.
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Jewish Georgetown Student Defeats $10 Million Lawsuit Filed by Fired Official Who Promoted Antisemitism
Anti-Israel demonstration on the campus of Georgetown University in Washington, DC in September 2024. Photo: Bryan Olin Dozier via Reuters Connect
A Jewish undergraduate student has defeated a $10 million lawsuit brought by a fired Georgetown University administrator who filed the claim because the student’s efforts to criticize the official’s sharing of antisemitic invective on social media contributed to the termination of their employment.
The student’s victory parries a barrage of accusations which the former administrator, Aneesa Johnson, lobbed at the student, Georgetown, and others. It also vindicates the free speech rights of Jewish students denouncing antisemitism at the highest levels of university governance, according to the student’s legal counsel, provided by The Louis D. Brandeis Center for Human Rights Under Law and Gibson Dunn.
“This ruling is a victory for every student who has ever feared speaking out against antisemitism on campus,” Brandeis Center chairman Kenneth Marcus said in a statement. “A young woman raised her voice about hateful content posted by a university administrator — and was sued for it. Today, the court made clear that kind of retaliation has no place in our legal system. The Brandeis Center will always stand with those who refuse to stay silent.”
As previously reported by The Algemeiner, Johnson’s appointment to Georgetown’s Walsh School of Foreign Service (SFS) in 2023 drew widespread criticism, as she had a history of writing hateful statements about Jews and Israel.
Those statements went back as far as 2015, according to an investigation of her social media activity that was led by Canary Mission. In July of that year, Johnson tweeted: “Ever since going to [Northwestern University] I have a deep seated [sic] hate for Zio [sic] b—ches. They bring out the worst in me.” Johnson also said, “You know why I call them Zio b—ches, because they’re dogs.”
“Zio” is an antisemitic slur brought into prominence by former Ku Klux Klan leader David Duke. While the term, derived from “Zionist,” has generally been deployed by white supremacists and other far-right extremists, it has more recently been used as well by anti-Israel activists on the progressive far left to refer to Jews in a derogatory manner.
A week following the aforementioned posts, Johnson, a member of Students for Justice in Palestine (SJP), retweeted an unflattering picture of an Orthodox Jew and captioned it, “When the whole world hates you bc you a thief and you grow up looking like shaytan [the devil] #GrowingUpIsraeli.”
Six years later, in 2021, Johnson said on a podcast that US support for Israel is due to the influence of “the really powerful Zionist lobby that advocates for policies, statements, voting patterns that benefit the State of Israel.”
Having been hired to be the “primary point of contact” for master’s students on “everything academic” at the SFS, Jewish advocacy groups protested that any Jewish student should be forced to interact with Johnson. Georgetown University heeded their complaints and ultimately fired Johnson and in doing so set off the events which placed a Jewish undergraduate in the middle of a lawsuit seeking a windfall of damages.
The March 31 ruling dismissed the complaint as undermining the “marketplace of ideas,” freeing the student to move on with life.
“This retaliatory lawsuit … sought to punish her exercise of First Amendment rights and chill the expression of countless others,” Gibson Dunn partner Elizabeth Papez said in a statement. “We’re especially pleased that the court agreed our client’s First Amendment defense ‘packs a strong punch’ and compels dismissal with prejudice. The ruling sets a precedent that courts will not tolerate the use of the judicial system to punish those who speak out against antisemitism.”
The Brandeis Center’s legal advocacy has delivered a slew of victories for Jewish students and faculty in 2026.
In March, the organization negotiated a major agreement to settle a lawsuit it filed against the University of California, Berkeley in 2023 over its allegedly failing to address a series of incidents of campus antisemitism which culminated in anti-Zionist students establishing “Jewish-free zones” where pro-Israel advocates were barred from speaking.
The details of the settlement call for for Berkeley’s using the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism as a reference tool, stating a “reaffirmation” of antisemitism as a violation of the code of conduct, conducting an annual survey of the Jewish student body, and appointing an official to manage the school’s compliance with Title VI of the Civil Rights Act, which prohibits discrimination at universities receiving taxpayer money to fund research and other operations. UC Berkeley will also pay the Brandeis Center $1 million as reimbursement for “outside attorneys’ fees and costs incurred” during litigation of the suit.
Joined by the StandWithUs Saidoff Law, the Brandeis Center announced on April 1 that City College of San Francisco (CCSF) upheld the findings of an investigation which found that a Jewish professor, Abigail Bornstein, experienced antisemitic discrimination during a series of explosive confrontations in which now-former CCSF employee Maria Salazar-Colon called her “colonizer,” “Dumb-stein,” and demanded that she “shut the f—k up.”
Those utterances, combined with other comments related to Israel, indicated Salazar-Colon’s awareness of Bornstein’s Jewishness and her willingness to degrade her over it, the Brandeis Center and StandWithUs said — noting that a trivial discussion on college “governance,” not politics or the Middle East conflict, set the staff member off. Salazar-Colon then continued targeting Bornstein through email, denouncing her again as a “colonizer” and making other crude statements. She ultimately drove Bornstein off campus, where she attempted to work remotely while filing formal complaints with the university and the local police department.
“The college did the right thing here. They brought in an independent investigator. They made clear that this was about discrimination based on Bornstein’s protected identity, that being Jewish — not union advocacy — and that’s important and a necessary distinction that we don’t often see being recognized,” Brandeis Center counsel Deena Margolies told The Algemeiner during an interview. “I’m seeing many more of these disciplinary matters in the employee context, and I notice that what often happens is that when a Jewish professor or staff member is targeted or files a complaint, there is often a cross complaint, a baseless complaint which is retaliatory. And yet, they always end up coming through.”
Follow Dion J. Pierre @DionJPierre.
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Iran’s Internet Blackout Hits Record Length as Regime Tries to Crush Dissent in Digital Darkness
People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran’s internet blackout became the longest such nationwide shutdown ever recorded over the weekend, as the regime continued to face mounting military pressure, internal unrest, and growing isolation.
According to NetBlocks, an internet-monitoring watchdog that tracks global connectivity disruptions, Iran’s blackout entered its 37th consecutive day on Sunday, making it the longest nation-scale internet shutdown on record after authorities severed internet access as the war with the US and Israel broke out in late February.
The blackout continued on Monday, with the general public cut off from international networks for over 888 hours.
With the regime attempting to suppress internal opposition and silence domestic dissent, the blackout has effectively cut millions of Iranians off from independent reporting on the war and access to global news.
“We constantly find ourselves searching for ways to reconnect, just to be able to hear reliable news,” a 47-year-old woman in the central city of Isfahan told AFP on Saturday.
“Being without internet feels like being without oxygen to me. I feel trapped and suffocated,” a 53-year-old man in Tehran also said.
Iranian authorities have even warned that citizens suspected of accessing internet through virtual private networks (VPNs) — tools that bypass government censorship — could face arrest or imprisonment.
According to state media reports, Iranian security forces have arrested several citizens in recent weeks for using the Starlink satellite internet system, which allows users to bypass state-controlled terrestrial infrastructure.
Iran’s latest internet shutdown marks the second nationwide blackout in less than two months, after authorities previously imposed an 18-day outage in January during mass anti-government protests, which security forces violently crushed, leaving tens of thousands of demonstrators tortured or killed.
Human rights groups warn the regime has repeatedly used nationwide internet shutdowns as a tool to intensify its crackdown on opposition movements and conceal ongoing abuses from international scrutiny.
In recent years, Iranian authorities have accelerated efforts to sever the country’s reliance on the global web by advancing the regime-backed “National Internet” project aimed at consolidating state control over digital communications and information flows.
Meanwhile, the Islamist regime continues to face relentless pressure from US and Israeli strikes as the conflict escalates and prospects for negotiations become increasingly fragile.
In one of its latest attacks, Israel announced that Iran’s Islamic Revolutionary Guard Corps (IRGC) intelligence chief Brig. Gen. Majid Khademi and Quds Force special operations commander Asghar Bagheri were both killed over the weekend.
This latest strike on leadership represents a “significant blow to Iran’s intelligence leadership at a time when the regime is already under sustained pressure,” an Israeli security official told Fox News.
According to the Israel Defense Forces (IDF), Khademi orchestrated overseas terrorist operations and oversaw surveillance targeting Iranian civilians during the regime’s brutal crackdown on protests.
Part of Iran’s elite military force, Bagheri coordinated the recruitment of terrorist operatives across the Middle East and directed deadly attacks against US and Israeli targets abroad.
On Monday, Israeli Defense Minister Israel Katz announced the IDF also struck Iran’s largest petrochemical facility in Asaluyeh, a blow that has effectively taken offline the two plants responsible for roughly 85 percent of the country’s petrochemical exports, crippling a key pillar of Iran’s economy and export capacity.
Katz described the strikes as “a severe economic blow to the Iranian regime, amounting to tens of billions of dollars.”
“Israeli Prime Minister Benjamin Netanyahu and I have instructed the IDF to continue to attack the national infrastructure of the Iranian terror regime with all its might,” the Israeli defense chief said.
“The Iranian terror regime will discover that the continued aggression against Israel and the cowardly and criminal fire at Israeli citizens will lead to the deepening of the economic and strategic damage it is paying and the collapse of its capabilities,” he continued.