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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
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British Gov’t Replaces Hatzalah Ambulances Destroyed in Arson Attack as Millions in Donations Pour In
Charred remains of ambulances belonging to Hatzola, a Jewish community organization, which were set on fire in an incident that the police say is being treated as an antisemitic hate crime, in northwest London, Britain, March 23, 2026. Photo: REUTERS/Hannah McKay
The British government has loaned four ambulances to the Jewish volunteer emergency service Hatzalah to replace its four vehicles that were destroyed in an arson attack in the north London area of Golders Green early Monday morning.
The Department of Health and Social Care said on Tuesday it supplied Hatzalah with four substitute ambulances from the London Ambulance Service following the incident, which is being investigated as an antisemitic hate crime. The department will also cover the cost of permanent replacements for the vehicles destroyed in the attack because “the Jewish community should not bear the cost of this hatred,” Health and Social Care Secretary Wes Streeting said in a released statement. He further called the attack a “shocking, cowardly, and despicable act of evil,” and said he has “no doubt” that the fire was carried out to “strike fear” in the Jewish community in Golders Green and across the UK.
“The aim of these attackers is clear – they want Jewish people in this country to live smaller lives, to live less Jewish lives, to be less visible as Jewish people, and to fear going about Jewish life – whether that’s attending school or providing the services and support that makes the Jewish community one of the most resilient, strong, and proud communities in the country,” he added. “Hatzola’s volunteers represent the very best of public service, providing rapid, life-saving care to anyone in need, and it is appalling that such a service has been targeted in this way.”
Streeting continued, “The Jewish community will not stand alone – the government and this entire country stand with them … The answer cannot simply be higher walls, thicker doors, more CCTV. We also have to deal with this hatred at its source. We have to confront and beat the evil ideas that are permeating in our society.”
Hatzalah provides free medical transportation and emergency response to all, not just the Jewish community. As of Thursday morning, £1.8 million ($2.4 million) has been donated to the Jewish charity through a Charity Extra fundraising page, while a separate GoFundMe campaign has raised a little over £134,000 (close to $179,000) to help Hatzalah replace destroyed vehicles and life-saving medical equipment.
The four Hatzalah ambulances were parked in a lot belonging to the Machzikei Hadath synagogue when they were set on fire. Two British nationals, ages 47 and 45, were arrested on Wednesday in connection to the attack but have since been released on bail, according to the Metropolitan Police.
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UC Berkeley Students for Justice in Palestine Shares Reel Calling for Terrorism Against Israel, Allies
University of California, Berkeley students on March 11, 2025. Photo: Reuters via Reuters Connect
The Students for Justice in Palestine (SJP) chapter at the University of California, Berkeley promoted Islamist terrorism on Tuesday, sharing a social media reel in which deceased Palestinian Islamic Jihad senior fighter Farouk Salameh argued for “the armed option” against the “Zionist enemy.”
Terrorism “is the only way,” Salameh said in video shared by the Berkeley SJP group, adding, “What was taken by force should be returned by force. This land was taken by force, and it will be taken back by force. This is a Zionist enemy. It builds settlements and expands. There is no place for negotiations.”
The Jewish advocacy group SAFE Campus first publicized SJP’s sharing the reel.
Salameh was the commander of the Jenin branch of the al-Quds Brigade, the armed wing of Palestinian Islamic Jihad, an internationally designated terrorist group backed by Iran and allied with Hamas. In May 2022, he was involved in the killing of Sgt. Maj. Noam Raz, a veteran of Israel’s elite Yamam counterterrorism police unit, in Jenin in the northern West Bank. The terrorist operative was also suspected of orchestrating other killings of Israeli soldiers, working with the “Lion’s Den” terrorist group, based in the West Bank city of Nablus.
Salameh was planning more attacks when he was shot dead by the Israel Defense Forces (IDF) in Jenin in November 2022. Palestinian health officials said he arrived at a nearby medical facility with gunshot wounds to the chest, head, and abdomen.
UC Berkeley SJP’s commemoration of Salameh continues a pattern of extreme anti-Zionist at the campus. Just this month, the Washington Free Beacon reported that the group has incorporated the inverted red triangle symbol, Hamas’s indicator of Israeli military targets, into its logo.
In February 2024, the group led a mob of hundreds of pro-Palestinian students and non-students in shutting down an event featuring an Israeli soldier, forcing Jewish students to flee to a secret safe room as the protesters overwhelmed campus police. Footage of the incident showed a frenzied mass of anti-Zionist agitators banging on the doors of Zellerbach Hall while an event featuring Israeli reservist Ran Bar-Yoshafat — who visited the university to discuss his military service during Hamas’s massacre across southern Israel on Oct. 7, 2023 — took place inside. The mob then deluged the building, shattering windows and destroying other property.
During the incident, one member of the mob spit on a Jewish student and called him a “Jew,” pejoratively.
In 2021, 23 Berkeley Law groups adopted a bylaw banning Zionists speakers. Supported by campus groups such as Women of Berkeley Law and the Queer Caucus, it called for observing the tenets of the boycott, divestment, and sanctions (BDS) movement against Israel while requiring the Berkeley Journal of Gender, Law, and Justice to ban Zionists from submitting articles and speaking at its events.
As for SJP, its campus chapters, spread across the US, have a history of amplifying the voices of Islamic jihadists.
In 2024, an SJP spinoff group, which calls itself “Columbia University Apartheid Divest” (CUAD) despite not being formally recognized by Columbia University, distributed literature calling on students to join Hamas.
“This booklet is part of a coordinated and intentional effort to uphold the principles of the thawabit and the Palestinian resistance movement overall by transmitting the words of the resistance directly,” it said. “This material aims to build popular support for the Palestinian war of national liberation, a war which is waged through armed struggle.”
Other sections of it were explicitly Islamist, invoking the name of “Allah, the most gracious” and referring to Hamas as the “Islamic Resistance Movement.” Proclaiming, “Glory to Gaza that gave hope to the oppressed, that humiliated the ‘invincible’ Zionist army,” it said its purpose was to build an army of Muslims worldwide.
“We call upon the masses of our Arab and Islamic nations, its scholars, men, institutions, and active forces to come out in roaring crowds tomorrow,” it added, referring to an event which took place in December 2023. “We also renew our invitation to the free people and those with living consciences around the world to continue and escalate their global public movement, rejecting the occupation’s crimes, in solidarity with our people and their just cause and legitimate struggle.”
In the same week, Wesleyan University’s SJP chapter also endorsed Hamas and its Oct. 7 massacre across southern Israel as its first act of the 2024-2025 academic year.
“On that day, fighters broke through the occupation walls, initiating a new chapter in the struggle against the US-Israeli war machine, and demanding the release of thousands of Palestinians unfairly imprisoned across their historic homeland,” the group said in a manifesto outlining its views.
Earlier this month, SJP groups and its affiliates proclaimed solidarity with the Islamic Republic of Iran following the US-Israeli killing of Iranian Supreme Leader Ayatollah Ali Khamenei and dozens of other high-level regime officials in military operations..
“Death to America,” CUAD said. “We yearn for the end of the US settler colonial project.”
CUAD was not the only group which denounced what the US has named “Operation Epic Fury.” New York University’s SJP chapter announced an anti-US demonstration to “demand an end to this criminal war that benefits no one other than US corporate interests” while the University of Chicago’s SJP chapter cheered Iran’s retaliatory strikes against US assets in Bahrain.
Follow Dion J. Pierre @DionJPierre.
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Reese’s Pieces are now kosher pareve. Carnivores rejoice.
Antisemitism is on the rise. There’s a war raging in the Middle East. Passover is bearing down on us and gas prices are higher than ever.
And yet one morsel of good news came to Jewish faithful this month: Reese’s Pieces are now certified kosher pareve.
OU Kosher, the largest kosher certifier in the U.S., announced March 12 that the candy-coated peanut butter candies are no longer considered dairy despite packaging that labels them as such.
The implications for kosher consumers are as momentous as they are simple: Reese’s Pieces can be eaten immediately after meat — or for the deeply adventurous stomach, alongside it — without the hourslong period Orthodox Jews wait before eating dairy again.
The status change unfolded over the last year, when Reese’s parent corporation, the Hershey Company, informed OU Kosher that it was changing the candy’s ingredients.
“Reese’s decided on their own that there are a lot of consumers that don’t like the fact that it’s dairy,” explained Rabbi Moshe Elefant, OU Kosher’s chief operating officer. “Once they decided that they’re removing the dairy from Reese’s, it became a great possibility for them to be OU-Pareve.”
Reese’s Peanut Butter Cups and other Reese’s brands remain dairy, and Elefant said the Reese’s Pieces packaging, which currently shows OU-D, will be updated later in 2026. For those concerned about any old bags lying around, the OU said to check the ingredient list or allergen statement — if it doesn’t include milk, you’re good.
The change occurs amid wider changes in Hershey, Pennsylvania, where the company that makes Reese’s is headquartered. Some Reese’s products, like the Reese’s Mini Hearts and Peanut Butter Eggs, are no longer being made with milk chocolate due to the rising cost of cocoa, inciting controversy and drawing criticism from the Reese’s family. (Those candies remain certified dairy because they contain other milk ingredients, the OU said.)
Reese’s Pieces, on the other hand, never had chocolate in them to begin with.
Meanwhile, the OU Kosher hotline had fielded countless phone calls in recent weeks from home chefs about the change — some to verify the update, and some just to say thanks. The last time there was this much excitement over a status change, Elefant said, was when Oreos became kosher. (The cookies contained animal fat until the late 1990s.)
The Forward reached out to the Hershey Company for comment.
Elefant said there had been some debate within OU Kosher — which is a branch of the Orthodox Union, a leading umbrella organization for Orthodox Judaism — about whether to announce the candy’s pareve kosher status before the candy’s packaging itself could be updated. The organization’s advisory essentially instructs consumers to temporarily ignore the “D” on the packaging.
His team considered whether it would undermine the OU’s authority or confuse people to practice disregarding the certification printed on the product. But on some level, the decision was made for them.
“This is one of the situations where we had to think about the welfare of the Jewish people,” Elefant said. “And the welfare of the Jewish people was that they need Reese’s to be pareve.”
Kosher consumers typically wait between three and six hours after eating meat to have dairy; now one could get a hamburger on the way to the movies and then house fistfuls of the classic peanut-butter candy in the theater. Watching E.T.: The Extraterrestrial, perhaps. (I’m not saying this is healthy. Just that it’s kosher.)
But the impact will likely be received most gratefully on Shabbat, when meat-based meals force dessert makers to get creative. And while the bite-sized brown, orange and yellow rounds have always been kosher, Reese’s Pieces becoming pareve means Jews who observe cholov yisroel restrictions — only consuming milk that was milked by a Jewish person — can enjoy them now, too.
Time will tell whether the update truly transforms kosher baking — or turns Reese’s Pieces into a de facto pareve chocolate chip — but a new, easy-to-find garnish for any confection was sweet on the ears of OU Kosher’s Instagram followers.
“YESSSSS! This is a win for the non-dairy queens like me!!!” wrote one.
Said another, using a Jewish name for God: “This is how I know Hashem loves me.”
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