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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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Iranian Regime Uses HispanTV to Spread Antisemitic Propaganda Across Latin America, ADL Warns
Iranians attend an anti-Israel rally in Tehran, Iran, April 19, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
As the Iranian regime escalates its campaign of disinformation against Israel, Tehran is now flooding Latin America with antisemitic propaganda and pro-terrorist messaging, using outlets such as HispanTV to reach millions of Spanish-speaking audiences and reshape public perceptions in the region.
On Tuesday, the Anti-Defamation League (ADL) released a new report detailing a dramatic rise over the past two years in antisemitic and anti-Israel content on HispanTV, the Spanish-language network run by the Iranian regime as part of its coordinated disinformation campaign across Latin America.
With the capacity to reach nearly 600 million Spanish speakers through satellite, cable, livestreaming, and social media, ADL characterizes HispanTV, which launched in 2012, as “the world’s leading platform for peddling antisemitic hate and disseminating anti-Israel prejudice and incitement across Latin America and the wider Spanish-speaking world.”
According to the report, HispanTV consistently disseminates content that reinforces long-standing antisemitic stereotypes about Jewish influence, spreads conspiracy theories, fuels the demonization of Israel, and glorifies Iranian-backed terrorist groups like Hamas and Hezbollah.
The study notes that the network’s hateful content has escalated sharply over the past two years, especially in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“HispanTV consistently frames Hamas’s Oct. 7, 2023, attacks as legitimate and praiseworthy acts of resistance worthy of celebration,” the report says. “This reframing is essential to the channel’s ideological project, converting mass violence into a foundational myth of liberation.”
Across its broadcasts, HispanTV portrays Jews and Zionism as “an omnipresent, evil force” manipulating governments through a coordinated malicious scheme, reinforcing deeply entrenched antisemitic stereotypes about Jewish influence and power.
The report also finds that another central theme in the network’s coverage is the glorification of terrorist groups, depicting them as “extraordinary examples of heroism and bravery,” celebrating attacks that killed civilians, and vowing continued violence until the “complete annihilation of the occupants” — an apparent reference to Israel.
“The Iranian regime’s media outlet is spreading classic antisemitic conspiracy theories and anti-Israel propaganda to potentially millions of people across Latin America and beyond, making the Islamic Republic a destabilizing force not only in the Middle East, but across the Spanish-speaking world,” ADL CEO Jonathan Greenblatt said in a statement.
“With antisemitism already at historic levels globally, Tehran is funding a massive media propaganda operation that is priming the pump for spreading antisemitism and hate against Israel and Jews the world over,” he continued.
While systematically undermining Israel’s right to exist — depicting the Jewish state as a “colonial,” “genocidal,” and “terrorist” project — HispanTV presents the Iranian regime as a principled alternative to Western democracies and positions Tehran as the leader of the “Axis of Resistance,” according to the ADL’s newly released report.
The Iranian network also depicts Jews and Israelis as “operating a highly organized global disinformation apparatus designed to deceive the world and justify genocide,” minimizing or outright denying the reality of antisemitism.
The ADL argues that the lack of decisive action by governments, international bodies, and corporations has allowed the Islamic regime to leverage HispanTV to disseminate its hateful conspiracies around the globe.
“If this threat is not seriously addressed, the result will likely be the radicalization of Spanish-speaking audiences across Latin America and beyond,” the report says.
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US Justice Department Launches Investigation Into Antisemitism at Lincoln Memorial University Medical School
US Assistant Attorney General for Civil Rights Harmeet Dhillon at the Justice Department in Washington, DC, US, Aug. 7, 2025. Photo: REUTERS/Kent Nishimura
The US Department of Justice has opened an investigation into Lincoln Memorial University (LMU) in Tennessee for allegedly having “engaged in discrimination against its Jewish students” over several years, the agency announced last week.
The investigation, which will receive support from the US Department of Health and Human Services, was prompted by complaints that high-level officials at the LMU DeBusk College of Osteopathic Medicine “intentionally” prevented Jewish students from finishing final exams — an action that could lead to academic failure as well as squandering tens of thousands of dollars in tuition fees.
According to WBIR-TV, a local news outlet based in the city of Knoxville, LMU enacted a new policy which proscribed granting students exam exemptions based on their observing religious holidays. Two Orthodox Jewish students studying medicine are known to have been disproportionately impacted by the dictate, and, according to Rabbi Yossi Wilhelm of Chabad of Knoxville, their qualifications for becoming doctors were allegedly called into doubt by a college official who implied that religious observance is disqualifying.
“This Department of Justice is fiercely committed to shutting down the concerning outbreak of antisemitism that has been spreading on college campuses since the Hamas attacks on Israel on Oct. 7, 2023,” Harmeet Dhillon, assistant attorney general of the civil rights division of the Justice Department, said on Friday when the investigation was announced. “When colleges and universities single Jewish students out for adverse treatment, they are in clear violation of our civil rights laws and of this nation’s promise of equal opportunity for all Americans.”
Paula Stannard, director of the civil rights office of the Department of Health and Human Services, added, “All students should be free to learn and train in environments free from discrimination. Antisemitism has no place in our nation’s educational or medical training institutions, and OCR [the Office of Civil Rights] will work to ensure that federal civil rights laws are fully enforced.”
In a statement to The Algemeiner, Lincoln Memorial University denied discriminating against anyone, citing its “belief that every single person, regardless of race, situation, or background, deserves the right to a quality educational experience.”
It continued, “We would never intentionally discriminate against any member of our community, and we do not believe we did so as has been alleged in the concerns under investigation by the Department of Justice. Educating our future leaders is why we exist. Any decision that is made is always with the goal of providing the best education for each and every student.”
Antisemitism in academic medical centers located on college campuses is fostering noxious environments which deprive Jewish health-care professionals of their civil right to work in spaces free from discrimination and hate, according to a study by the StandWithUs Data & Analytics Department in May.
“Academia today is increasingly cultivating an environment which is hostile to Jews, as well as members of other religious and ethnic groups,” StandWithUs director of data and analytics and study co-author, Alexandra Fishman, said in a statement at the time. “Academic institutions should be upholding the integrity of scholarship, prioritizing civil discourse, rather than allowing bias or personal agendas to guide academic culture.”
Titled “Antisemitism in American Healthcare: The Role of Workplace Environment,” the study includes survey data showing that 62.8 percent of Jewish health-care professionals employed by campus-based medical centers reported experiencing antisemitism, a far higher rate than those working in private practice and community hospitals. Fueling the rise in hate, it added, were repeated failures of DEI (diversity, equity, and inclusion) initiatives to educate workers about antisemitism, increasing, the report said, the likelihood of antisemitic activity.
The study is not StandWithUs’s first contribution to the study of antisemitism in medicine. In December 2024, the Data & Analytics Department published a study which found that nearly 40 percent of Jewish American health-care professionals have encountered antisemitism in the workplace, either as witnesses or victims.
The study included a survey of 645 Jewish health workers, a substantial number of whom said they were subject to “social and professional isolation.” The problem left over one quarter of the survey cohort, 26.4 percent, “feeling unsafe or threatened.”
The issue is currently being investigated by the US House Committee on Education and the Workforce, with a focus on the University of California, Los Angeles’ (UCLA) David Geffen School of Medicine, the University of Illinois’ College of Medicine, and the University of California, San Francisco’s School of Medicine.
“This investigation will aid the committee in considering whether potential legislative changes, including legislation to specifically address antisemitism discrimination, are needed,” education committee chairman Rep. Tim Walberg (R-MI) wrote in a letter to Steven Dubinett, dean of UCLA’s Geffen School. “The committee has become aware that Jewish students and faculty have experienced hostility and fear at the hands of peers, colleagues, and administrators at UCLA Med, and it has not been demonstrated that the university has meaningfully responded to address and mitigate this problem.”
Follow Dion J. Pierre @DionJPierre.
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Captain of Israeli Olympic Bobsled Team Responds to Swiss Commentator’s Claims He ‘Supports Genocide in Gaza’
Milano Cortina 2026 Olympics – Bobsleigh – 2-man Heat 2 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 16, 2026. Adam Edelman of Israel and Menachem Chen of Israel react after their run. Photo: REUTERS/Athit Perawongmetha
The captain of Israel’s bobsled team competing in the 2026 Milano Cortina Olympics in Italy has responded to remarks made by a commentator on the Swiss network Radio Télévision Suisse (RTS) who claimed the athlete should have been banned from the Olympics because of his “support of the genocide in Gaza.”
Commentator Stefan Renna made the remarks as Adam Edelman, an American-Israeli, and his teammate Menachem Chen performed their two-man bobsleigh run on Monday, in which they finished in last place. Renna said on air that Edelman is a “self-defined ‘Zionist to the core’” who had posted “several messages on social media in support of the genocide in Gaza.” The commentator also claimed Edelman had poked fun at a “Free Palestine” demonstration.
Renna further commented that Edelman had “said the Israeli military intervention was, I quote, ‘the most morally justified war in history.’” He also said Edelman should have been barred from the Milan-Cortina Games just like the International Olympic Committee banned Russian athletes if they made comments in support of the war that started after Russia’s 2022 invasion of Ukraine. “This just goes to show that sport is obviously eminently political,” Renna told viewers.
A clip featuring the commentary was removed from the RTS website on Monday night because it was not “appropriate” for a sports broadcast, a spokesperson for the network told Deadline.
Edelman took to social media to respond to the RTS clip and the comments made about him.
“I am aware of the diatribe the commentator directed towards the Israeli bobsled team on the Swiss Olympic broadcast today,” he wrote on Monday. “I can’t help but notice the contrast: Shul Runnings [the team’s nickname] is a team of 6 proud Israelis who’ve made it to the Olympic stage. No coach with us. No big program. Just a dream, grit, and unyielding pride in who we represent. Working together towards such an incredible goal and crushing it. Because that’s what Israelis do. I don’t think it’s possible to witness that and give credence to this commentary.”
Edelman also reposted a comment from US Ambassador to Israel Mike Huckabee, who said the RTS broadcast was “beyond disgusting” and that the “Jew-hating” Swiss commentator “spewed bigotry and bile” as the Israeli team competed.
The Israeli bobsled team is competing in the final two-man run on Tuesday and the four-man run later this week.