Uncategorized
‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
—
The post ‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers appeared first on Jewish Telegraphic Agency.
Uncategorized
Berlin rabbi makes history as first European to head Conservative rabbis’ association
(JTA) — BERLIN — Gesa Shira Ederberg was not yet a rabbi when she was tapped to lead a seder, to teach Hebrew, and to organize an egalitarian minyan in her home city of Berlin. She happened to be in the right places when help was needed, recalls Ederberg, who was pursuing a degree in Jewish studies at the time. She wondered: Could she be doing more?
Three decades later, Ederberg is a veteran rabbi of Berlin’s first official egalitarian congregation on Oranienburger Strasse — and this month she reached a new milestone.
She was installed last week as the international head of the Conservative/Masorti movement’s Rabbinical Assembly, the organization representing more than 1,600 rabbis worldwide. For the first time, the group is being led by a European rabbi.
Her installation marks another milestone as well. “As far as the Rabbinical Assembly is aware — Rabbi Ederberg is the first Jew by choice to serve as president,” said a spokesperson for the organization.
For observers of Jewish life in Germany, the moment carries symbolic weight.
“This is quite an extraordinary deal, actually, because there’s never been a non-American or non-Israeli to head the Rabbinical Assembly,” said Deidre Berger, an American who has lived in Germany for more than 40 years and serves on the boards of both the German and worldwide Masorti organizations.
“It’s also a major step forward in relations between a broader group in the American Jewish community with Germany — with being willing to acknowledge that postwar Jewish life did get relaunched in Germany and is here to stay,” added Berger, the former head of the American Jewish Committee office in Berlin.
Rabbi Jacob Blumenthal, CEO of both the Rabbinical Assembly and the United Synagogue of Conservative Judaism, said Ederberg’s election also reflects the movement’s embrace of Jews by choice.
“Welcoming converts is one of the ways in which our communities are growing and thriving,” he said. “So to have a colleague who made this choice to lead a Jewish life and then to become a rabbi is certainly something to celebrate.”
Ederberg’s installation took place in two parts: last week at Congregation Beth Sholom in Teaneck, New Jersey, followed by a second ceremony on Tuesday in Berlin, where her synagogue received a Rabbinical Assembly Torah mantle that remains with each president during their term.
“I will see it every time we open the ark,” she said. “It will be a reminder of my new responsibilities.”
Born in 1968 in the German city of Tuebingen, Ederberg grew up in a Lutheran family. Her father was in charge of his church’ youth exchanges with Israel, and Israeli teenagers often visited the family home. She traveled to Israel for the first time at age 13, an experience that helped cement what she said was “a deep connection” with the country and its people.
Ederberg later earned a master’s degree in Protestant theology. But her involvement in Jewish-Christian dialogue deepened her interest in Judaism, leading her to pursue Jewish studies in Berlin and eventually convert in 1995 at the Jewish Theological Seminary there.
Her decision grew partly out of her fascination with Jewish texts. “I was loving the texts,” she recalled early in her rabbinic career.
But it was also theological. She had come to believe that “the anti-Jewish tradition was an intrinsic part of Christianity,” she said at the time, and rejected interpretations portraying Judaism as obsolete.
Conversion, she added, was “a long and difficult process. You only get there if you really want it.”
Ederberg was ordained in 2002 at the Schechter Institute of Jewish Studies in Jerusalem. Her husband, Nils Ederberg — whom she met when both were Protestant students of Jewish studies — is also a rabbi. Ordained at Berlin’s Abraham Geiger College in 2014, he now serves as a military chaplain in Hamburg. The couple has three children.
After serving her first pulpit in Weiden, Ederberg returned to Berlin in 2007. There she became the first woman to serve as a rabbi in the city since Regina Jonas, a Liberal rabbi ordained in 1935 who was murdered by the Nazis, and only the second woman to hold a synagogue pulpit since the Holocaust.
She has helped build institutions for Germany’s small Masorti movement, founding Berlin’s Masorti elementary school in 2018 and serving as a founding member of Germany’s General Rabbinical Conference for non-Orthodox rabbis. She also served as a rabbinic adviser to the Zacharias Frankel College Conservative seminary at the University of Potsdam.
At the same time, she rose through the leadership ranks of the Rabbinical Assembly, serving in several voluntary roles before being elected vice president two years ago. She was elected president in December, succeeding Rabbi Jay Kornsgold of New Jersey, becoming the third woman to hold the role.
Ederberg’s installation comes at a challenging time for what was once America’s largest Jewish denomination, but has for years faced declining membership. As a centrist movement committed to what has been called “tradition and change,” it sits between a growing Orthodoxy on one side and a liberal Reform movement that has historically been far swifter to innovate.
Her installation also comes as broader changes in attitudes toward Jewish life in Germany have shifted. For decades after World War II, many American Jewish institutions viewed Germany as an unlikely place for Jewish communal revival.
Ederberg’s mentor, Rabbi Ismar Schorsch, the former chancellor of the Jewish Theological Seminary of America who encouraged her to pursue ordination, described her as “both the agent and the symbol of the potential of Conservative Judaism to flourish once again in Germany.”
That revival has taken place alongside a transformation of Germany’s Jewish population. Before World War II, about 500,000 Jews lived in the country. After the Holocaust only a small community remained, but immigration from the former Soviet Union beginning in the late 1990s helped rebuild Jewish life. Today roughly 100,000 Jews belong to congregations in Germany, with a similar number unaffiliated.
There are currently two Masorti congregations in the country: Ederberg’s in Berlin and another in Cologne.
Her congregation meets upstairs in a chapel attached to the New Synagogue on Oranienburger Strasse in former East Berlin. The mid-19th-century building was heavily damaged during World War II; its windows overlook the empty courtyard that once held the synagogue’s Torah ark and pews. Today, congregants gather in restored spaces, including a hall above what once served as the women’s gallery.
While other synagogues now offer egalitarian services, Ederberg’s congregation once served as an incubator, giving many women their first opportunity to read Torah from the bimah.
“On the one hand, it’s an intimate setting in her synagogue,” Blumenthal said. “But also you see the depth of both knowledge and commitment of the folks who are part of her community.”
Ederberg knows that for some people, her German Christian background remains a hurdle. Jewish identity in Germany today often reflects complicated family histories shaped by the upheavals of the 20th century.
Not only are there numerous converts like herself; there also are many Jews with a mother or grandmother who survived the Holocaust and a father or grandfather who served in the Wehrmacht, she noted. The question of Jewish identity in Germany, Ederberg said, “is a broader question about individuals and their family history.”
Her own family history reflects that complexity: Both of her grandfathers served in World War II, one dying at Stalingrad and the other working as a mechanic.
Ultimately, she said, the mentorship she received from three German-born Jewish figures — Schorsch as well as Israeli educators Alice Shalvi and Zeev Falk — proved decisive.
Back when she was an accidental rabbi, called upon to lead seders and services and to teach in a pinch, Ederberg hadn’t made up her mind whether to pursue ordination. She might have chosen to become a diplomat, she says, if it had not been for those three mentors who took her by the hand.
“Their encouragement, their push towards rabbinical school, their push towards, ‘Yes, you should go back to Germany and do what you’re doing,’ was really crucial,” she said.
The post Berlin rabbi makes history as first European to head Conservative rabbis’ association appeared first on The Forward.
Uncategorized
Fox’s Bible story miniseries puts women front and center
Depending on where you start the clock, the founding of the Jewish nation was partially born of an act of extreme cruelty.
When Sarah welcomed Isaac, after decades of trying for a child, she persuaded Abraham to send away her handmaiden Hagar and her son by him, Ishmael. That God provided for the child and his mother in the wilderness, and made a great nation of Ishmael’s descendants, was a worthy consolation. But could Sarah have known this blessing would come to pass?
In the first installments of Fox’s shiny new six-part, Sunday school miniseries, The Faithful: Women of the Bible, debuting March 22, it is Hagar (Natacha Karam) who narrates the story of Sarah. Though their dynamic was complicated — the OG Handmaid’s Tale — Hagar concludes that Sarah was a friend, and through the ages, “came to symbolize motherhood” as the “first of the great matriarchs.”
The mission statement of The Faithful, devised by an interfaith team and written by Star Trek alum René Echevarria and directed by Danny Cannon (CSI, Judge Dredd, Geostorm), is to foreground the stories of women in the biblical narrative. To that end, Sarah —played by Minnie Driver, using her natural British accent, forcing Yank Jeffrey Donovan’s Abraham to match her Received Pronunciation — has more agency than she did in Genesis.
It is Sarah (then still Sarai) who tells the pharaoh that Abraham is her brother and dodges the monarch’s advances with the help of some divine intervention. Leaving the palace, she manages to liberate Hagar, who was enslaved there.
Billed in the first episode title as “The Woman who Bowed to No One,” this Sarah is strong-willed, petitioning the almighty, with screams and some hurled offerings, to open her womb. As in scripture, it is her idea to give Hagar to Abraham to produce an heir. Only in this iteration there’s a quid pro quo: If Hagar gives Abraham a child, Sarah will help her return to her homeland. When the baby comes, Hagar reneges, sparking Sarah’s jealousy and the pretense that Hagar is not Ishmael’s real mother.
When Isaac arrives, heralded by three hooded strangers who stop by Abraham’s tent before firebombing Sodom and Gemorrah, the friction between Ishmael and his younger, legitimate brother is too much for Sarah.
“Cast them both out,” she tells Abraham. “We have to protect Isaac no matter the cost.”
The scene is uncomfortable. The actor playing Ishmael is brown with a different accent than Driver or Donovan. The child actor playing Isaac is blond, and Abraham hoped he’d have his mother’s light eyes.
Josephus and Jewish tradition regard Ishmael as the founder of the Arab nation. In Islam, he, not Isaac, is Abraham’s heir and the son who experienced the would-be sacrifice of the akedah. It will perhaps be difficult for some to watch white actors settle Canaan and exile people of color and not recall the narrative now surrounding Israel, and the meme of just about everything being promised to Jews 3,000 years ago.
But The Faithful is too dull to be truly provocative.
A common refrain has Abraham describing his wish to stand with his bride, “shoulder to shoulder, no matter what.” We see their early courtship beginning when Abraham (then Abram) helps her to disrupt an arranged marriage and gifts her a blue shawl — the fact that they may have been half-siblings is duly glossed over. It’s Tanakh by way of Nicholas Sparks.
Making Hagar a passive protagonist is an interesting twist, but the proceedings are too rooted in the mythic to fully capture the human drama at the story’s core. (Her journey, in which she grabs a rock from her homeland, and decades later places it on Sarah’s grave, dubiously suggests the origins of a familiar Jewish custom.)
The series has reasonable production values — which will go on to track Rebekah, Rachel and Leah — and since it’s based on the most popular book of all time, there’s a built-in audience that could certainly overlook some hackneyed writing and soap opera acting. As far as entertainment of this ilk goes, the show is of the highest caliber, admittedly faint praise.
The tales were meant to be retold, and we see Abraham developing the Jewish oral tradition, speaking of Eden and the Tower of Babel around the campfire. One night he teases the story of Sarah’s cunning escape from Pharaoh’s court.
Sarah laughs, chiding him for presenting the incident “as if it were one of the sagas.”
“Who knows,” Abraham all but winks at the viewer, “it might be one day.”
It is, but not all tellings are created equal.
The post Fox’s Bible story miniseries puts women front and center appeared first on The Forward.
Uncategorized
Israeli couple killed by Iranian cluster bomb as Israel continues assassinating Iranian officials
(JTA) — A couple in their 70s were killed overnight Tuesday by an Iranian missile, apparently as they tried to reach a bomb shelter, amid an especially intense barrage of missiles aimed at the Tel Aviv area.
Yaron and Ilana Moshe were killed near their home in Ramat Gan, an upscale suburb of Tel Aviv; a walker found near their bodies suggested that they were on their way to shelter but could not move quickly, officials said. Damage from the cluster munitions, which shed smaller bombs as they land, was also reported at other sites including a main train station in Tel Aviv.
The barrage, Iran said, was retaliation for the killing the day before of Ali Larijani, the country’s security minister and a close ally of its assassinated supreme leader, Ayatollah Ali Khamenei.
Shortly afterwards, Israel announced that it had assassinated another top official, intelligence minister Esmaeil Khatib. The Israeli military said in a statement, “Khatib played a significant role during the recent protests throughout Iran, including the arrest & killing of protestors and led terrorist activities against Israelis & Americans around the world.”
Israel’s defense minister, Israel Katz, warned that “significant surprises” would be ahead as Israel continued to pummel targets in Iran.
A Wall Street Journal story published Wednesday details how Israel says it is choosing its targets, describing an extensive list of sites and people who are in its crosshairs. Israel knew security officers would gather in sports complexes after their offices were destroyed, then bombed the complexes once they were full, for example, according to the story, which says Iranians say order is beginning to fray on the streets but the regime appears far from falling. Israel said earlier this week that it had three more weeks of targets to work through.
Israel has also stepped up its campaign in and around Beirut, where it is targeting forces affiliated with Hezbollah, the Iranian proxy that operates out of Lebanon and has been bombing Israel since earlier this month.
The post Israeli couple killed by Iranian cluster bomb as Israel continues assassinating Iranian officials appeared first on The Forward.