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‘Spinning Gold’ movie departs from Hollywood stereotypes about Jewish music producers
(JTA) — In the hit show “The Sopranos,” veteran actor Jerry Adler plays mob-adjacent Jewish businessman Hesh Rabkin, who made a fortune in the music business decades earlier. In a first season episode, Hesh is confronted by a rapper seeking “reparations” for a late Black musician who he says Rabkin didn’t pay fairly for a hit record.
When Hesh responds by bragging that he wrote the hit songs he worked on back in the day, Tony Soprano corrects him: “A couple of Black kids wrote that record, you gave yourself co-writing credit because you owned the label.”
The greedy Jewish music mogul has been a common trope, from the acclaimed work of Spike Lee to the rants of Kanye West. “Walk Hard: The Dewey Cox Story,” a 2003 parody of music biopics, made fun of the trope itself by making the record executives into Hasidic Jews, led by Harold Ramis. (They were depicted as friendly and not so greedy, and the film’s writers, Judd Apatow and director Jake Kasdan, are both Jewish.)
The new movie “Spinning Gold,” which opened in theaters last week, tells the real-life story of Neil Bogart, the founder of Casablanca Records and a top music executive of the 1970s. It breaks from the mold of most other music biopics in a couple of key ways: The protagonist is a music executive, not an artist or a group, and the music mogul character — in this case, another Jewish one — is not treated as a villain.
The Jewish Brooklyn native whose given name was Neil Scott Bogatz helped promote bubblegum pop and early disco, signing artists such as Donna Summer, Gladys Knight, Cher and the Village People. A notable rock signing was Kiss. In one scene of “Spinning Gold,” the Bogart character (played by Jewish actor Jeremy Jordan, who starred in the Broadway hit “Rock of Ages”) implies to Kiss’ Gene Simmons that he signed the band, in part, because Simmons’ and guitarist Paul Stanley’s real names are Chaim Witz and Stanley Eisen. He relates to them, the film argues, as fellow Jewish guys who hailed from the outer boroughs of New York City. Bogart died of cancer in 1982.
The movie covers a long span in Bogart’s life and career, and it shows him struggling for many years before striking gold by shepherding Donna Summer’s single “Love to Love You Baby” to hit status. Timothy Scott Bogart, the mogul’s son and the film’s director, did not want to depict Bogart as an unambiguous hero. In the story, the elder Bogart is shown cheating on his first wife with the woman who would become his second, and the film also makes clear that his record label was heavily in debt for many years. It does sometimes show him at odds with the talent, such as when the members of Kiss complain to him that their career hasn’t taken under Bogart’s tutelage.
“I don’t know that I looked at it as protagonist or antagonist, I think he was a bit of both,” Timothy Scott Bogart told the Jewish Telegraphic Agency.
“But I do think the character of the executive, in general, has been a much-maligned character… certainly in the music biopic world,” he added. “And that’s not who Neil Bogart was.”
He added that the personal relationships between his father and the label’s artists were always valued. He remembers his family going on vacation with Donna Summer, and Gladys Knight and members of Kiss being at his home.
The younger Bogart, who previously produced the 2019 Vietnam War drama “The Last Full Measure,” said that rather than relying on any book or article, he constructed the film based on interviews he did with his artists, executives and others involved in the story over several years.
Jews have been part of the business side of the American music industry for most of its existence, in part because of the way they were shut out of many professions in the first half of the 20th century. Music executive Seymour Stein, who passed away this week after a long career of working with the likes of Madonna and The Ramones, said in a 2013 interview that “music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Some executives in the early days of the music industry — Jewish and non-Jewish — did exploit their artists, doing everything from underpaying Black artists to denying them songwriting credits or royalties. Moguls of the past with reputations for doing so included Herman Lubinsky of Savoy Records. Others, like the recently deceased Stein and Milt Gabler of Commodore Records, had better reputations. Historians have differing opinions on specific individuals.
Neil Bogart is shown with The Isley Brothers in June 1969. (Don Paulsen/Michael Ochs Archives/Getty Images)
“There is a scholarly controversy between those who look at the moguls and say that they exploited the [Black] musicians and those who say that they encouraged and made possible Black success in music,” said Jonathan Sarna, the professor of American Jewish history at Brandeis University. “Both use the same data, but some point to the money Jews made and others point to the musicians that Jews discovered and promoted.”
Spike Lee drew fire for his depiction of fictional Jewish music executives Moe and Josh Flatbush (played by John and Nicholas Turturro) in his 1990 movie “Mo’ Better Blues.”
“In the history of American music, there have not been Jewish people exploiting black musicians?” Spike Lee said in his defense to New York Magazine in 2006. “In the history of music? How is that being stereotypical?”
Other “bad guy” examples include Paul Giamatti’s Jerry Heller in 2015’s “Straight Outta Compton” and David Krumholtz’s Milt Shaw in 2004’s “Ray.” “Cadillac Records,” from 2008, starred Adrien Brody as Leonard Chess, the Jewish founder of the legendary Chess Records who, the film implied, gave his mostly Black artists Cadillacs, but not always the money they were owed. “Get On Up,” the 2014 biopic of James Brown that starred the late Chadwick Boseman, cast Fred Melamed as famed Cincinnati mogul Syd Nathan (a mentor to Seymour Stein); journalist RJ Smith criticized the film for depicting Nathan as a “bumptious racist.”
Actor Seth Rogen discussed the trope in his 2021 memoir “Yearbook.” He tells the story of running into comedian Eddie Griffin, who at a late point in his career had been struggling to get movie roles. Griffin told Rogen to “tell your Jews to let other people make some movies!”
Rogen called this “insane because he’s really ignoring the fact that if there’s one thing that Jewish people are NOT above, it’s making money producing things that are fronted by Black people. Anyone who’s ever seen a biopic of any Black musician knows the character I’m talking about, and he’s usually very appropriately played by my dear friend David Krumholtz.” (Krumholtz played one of the Hasidic producers in “Walk Hard.”)
“It’s certainly true that, in the post-war U.S. music industry, Jews were more likely to be producers and impresarios than performers. And, given the importance of African-Americans in the post-war U.S. music industry, that inevitably created a particular kind of relationship with certain Jews in the music industry,” sociologist and music critic Keith Kahn-Harris told JTA.
“That relationship starts to be put under scrutiny and under strain from the late 1960s, as the civil rights coalition started to fall apart and people of color began to assert their agency,” he added. “It’s also true that the post-war music industry was an unregulated space with an almost-normative pattern of exploitation of performers. Put all that together and you have all the ingredients for significant African-American-Jewish tension. Plus, the rapacious Jewish impresario sits easily with ingrained antisemitic stereotypes.”
“Spinning Gold” isn’t the only counterexample to the trend in film. In last year’s Whitney Houston biopic “I Wanna Dance With Somebody,” the Jewish label honcho character, Clive Davis (played by Stanley Tucci), is treated as a benevolent guiding light. In that case, Davis was among the producers of the movie.
“Jewish promoters, like all music promoters, were and are first and foremost business people selling a product. Their goal: promote a performer to reap income. The performers have obviously a different stake in the transaction, although both depend on the other,” said Hasia Diner, an American Jewish history professor at New York University.
“If the hero of the film is the performer then her/his perspective is the focus and almost by definition the promoter’s perspective has to reflect the antagonist encounter. Does that merit being called antisemitism? Not in my estimation. By doing so it undermines real antisemitism. It also ignores the inherent business transaction involved,” Diner said.
How can filmmakers navigate this?
“With great care,” Kahn-Harris said. “It does mean paying attention to how such a portrayal can be accurate and not feeding on deeper antisemitic stereotypes. There’s no one way of doing this. It requires care and attention to the historical record.”
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Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line
(JTA) — Prime Minister Benjamin Netanyahu is set to meet with U.S. President Donald Trump Tuesday, as the American leader is weighing whether to expand his bombing campaign against Iran or to find a diplomatic resolution regarding the Straits of Hormouz and the Islamic Republic’s nuclear program.
Israel fears that Trump is going to negotiate a premature end to the war without eliminating Iran’s capacity to develop nuclear weapons in the future. Trump has persistently insisted that Iran can’t possess nuclear weapons, but the war and the economic upheaval it has spurred has contributed to Trump’s approval rating hitting record lows in his second term. The poor marks are ringing alarm bells for Republicans ahead of midterm elections that could return Democrats to leadership in at least one chamber of Congress.
Netanyahu and Trump are also at odds over other issues, however, including the recent U.S.-Saudi nuclear deal, the pending sale of F-35 advance fighter jets to Turkey and the extent of Israel’s troop presence in Gaza, Lebanon and Syria.
Netanyahu is coming to the United States to attend the funeral for Republican Sen. Lindsey Graham of South Carolina, who remained one of Israel’s most unyielding advocates even as its popularity plummeted and was one of the most important Trump associates in pressing for the Iran war. Former Israeli Prime Minister Yair Lapid, now the opposition leader, will also be at the service at Washington’s National Cathedral on Tuesday.
But while in Washington, Netanyahu will seek to close the widening gaps between himself and Trump over Middle East strategy. In a video statement he released before Monday‘s departure, Netanyahu said, “I am embarking on this mission with one clear goal – to ensure the security, strength and future of our dear State of Israel.”
“We will discuss all the issues on the agenda, first and foremost, Iran,” he said. “Naturally, our goal is to safeguard our security and also to expand the circle of peace around us.”
During the trip, Netanyahu said he would also pay his final respect to Graham, “one of the greatest friends the State of Israel has ever known.”
Israelis are acutely aware of the emerging differences between the allies. “It will not be an easy visit,” former IDF intelligence chief Amos Yadlin told Israel Radio on Monday morning. “There is no doubt that Netanyahu wants the United States to return to war.”
Trump himself spoke on Monday of the discord between himself and Netanyahu, even as he lauded Netanyahu, while speaking to reporters aboard Air Force One, stating that Netanahu had been “great” and that “we did very well together.”
On the plane Trump was quizzed about U.S. plans to sell advanced F-35 fighter jets to Turkey, which Netanyahu has publicly opposed. “Turkey has been a great ally for me,” Trump told reporters, stressing, “No one tells me what we should be selling or not.” He acknowledged that Turkey “is not a big fan” of Israel and Netanyahu.
When it comes to the Saudi civilian nuclear power program that the Trump administration recently completed, Israel has been more circumspect. But it has deep concerns about an agreement that allows for plants with the capacity to enrich uranium. Assisting in the building of those plants had been one of the key incentives former President Joe Biden had used as a means to sway Saudi Arabia to normalize ties with Israel and join the Abraham Accords between Israel and several other Muslim countries.
Trump has since said that U.S. support for a Saudi civilian nuclear program would be contingent on normalization with Israel and that the plants would not be allowed to enrich uranium. But on Monday, he told reporters aboard Air Force One that he hadn’t spoken with Saudi Arabia about the Abraham Accords. Tuesday’s meeting is the first face-to-face encounter between Trump and Netanyahu since the announcement.
The closer Netanyahu appears to Trump and the center of U.S. decision making, the better it is for him domestically ahead of Israel’s Oct. 27 election. Trump has in his second term met with Netanyahu more than any other leader. This will be their eighth such conversation, and the fifth time he has hosted the Israeli leader in the White House.
Tight ties with Netanyahu also plays well for Trump with his evangelical base ahead of the U.S. mid-terms in November, but they run the risk of further alienating the larger American public that opposes the conflict.
Netanyahu’s influence in America had diminished, in part because of how unpopular the war has become in the United States and the role he played spurring it on.
“This is not the same Netanyahu of 2025 or even of February 2026. He is greeted with suspicion,” Yadlin said of the reception he expects for the prime minister in the United States.
Netanyahu last visited Washington in February, where he successfully advocated for the joint Israeli-U.S. military aerial bombing campaign against Iran launched on the 28th of that month.
Tehran retaliated by closing the Strait of Hormuz, the waterway through which 20% of the world’s oil supply is shipped. That step caused crude oil prices to spike in the first quarter of 2026 from $61 a barrel to $118, according to the U.S. Energy Information Administration.
Iran allowed the strait to reopen in a limited way after an April ceasefire that was followed by a Memorandum of Understanding with the U.S. in June. The agreement fell apart in early July, with the parties resuming attacks – but without any Israeli military involvement. The United States bombed Iran for 13 consecutive nights, ending on Thursday, even as talks with the Islamic Republic continued.
The United States and Israel in February were initially aligned around their joint goal of destroying Iran’s nuclear and ballistic missile program, with Netanyahu also focused on the collapse of the Islamic Republic.
Over the weekend, Trump stressed that the war was still about eliminating Iran’s nuclear program. Last week he spoke about specifically hitting the nuclear facility at Pickaxe mountain.
In an interview with NBC News’ “Meet the Press” on Sunday, U.S. Ambassador to the United Nations Mike Waltz said the United States was “keeping all options on the table,” but was giving space for talks.
He dismissed media reports that lack of military supplies was part of Trump’s motivation to pause its bombing campaign, stating that the United States had everything it needed militarily.
Waltz warned Iran not to ignore American military threats. Early Monday morning, Trump published a short AI video in which his likeness planted an American flag on an Iranian oil tanker, with a slogan that stated, “it’s our oil tanker now.”
Later in the day, the president told reporters on Air Force One that he was having “good talks” with the Iranians, “so we will see what happens. I think there is a good chance something could happen. If it does, good. If it doesn’t, we go back to doing what we were doing two days ago.”
Yadlin told Israel Radio that at the end of the day, “What interests President Trump is the reopening of the Strait of Hormuz.”
The war might have begun in February with a focus on the Iranian regime and its nuclear program, but it will end, Yadlin predicted, with the reopening of the strait and some kind of diplomatic achievement with regard to Iran’s nuclear weapons program.
Israel has watched the U.S.-Iran reengagement warily from the sidelines.
Sima Shine, an Iran expert at the Tel Aviv-based International Institute of Strategic Studies, said that until now, neither Washington nor Tehran had wanted Israel’s involvement in the resumed fighting, fearing that such a step would “widen the scope of the war.”
Maintaining its status as a bilateral conflict makes it easier to return to negotiations, she told the Jewish Telegraphic Agency.
The United States can better control the battlefield without Israel, which would have its own military agenda and objectives, Shine said. Israel can only enter the war if it is attacked by Iran or invited to do so by the United States, she added.
In an interview with Fox News on Sunday, Netanyahu warned of a forceful response should Iran attack Israel.
Iran has to end its nuclear program, he stressed, saying that the military strikes so far have set the program back but have not eliminated it.
A nuclear-armed Iran is a danger to Israel, the region, the United States and the world, he said, adding, “President Trump and I are both committed to prevent this danger.”
This article originally appeared on JTA.org.
The post Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line appeared first on The Forward.
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In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter
(JTA) — DETROIT — Hours before a big debate showdown with her primary rival, U.S. Rep. Haley Stevens began a routine campaign stop Monday seemingly comfortably in her element.
The Michigan candidate for U.S. Senate walked into The Roost, a cafe and wine shop in the Woodbridge neighborhood, chatting up her record on small businesses with the owner, Jeff Tatum. She gamely made herself a cappuccino, exclaiming with glee that the store used Dial soap like her father’s business had.
She also made a play for party unity. Asked by the Jewish Telegraphic Agency about Jewish Democratic donors who have indicated they would fundraise for Republican candidate Mike Rogers if Stevens lost the primary, she responded, “I’m on the Democratic team. I’m on the Beat Mike Rogers team.”
But things went off-script for Stevens when she sat down with Jai Singletary, director of a local neighborhood improvement association — who revealed, midway through their conversation, that he had already cast his early voting primary ballot for her opponent, former county health director Abdul El-Sayed.
What’s more, Singletary made it clear to Stevens that the candidates’ respective stances on aid to Israel were the deciding factor for him.
“Genocide isn’t a Palestinian issue. We’ve all got to care about this,” Singletary told Stevens, a pro-Israel centrist who has received nearly $30 million in outside spending from the American Israel Public Affairs Committee to date in her primary — the organization’s largest-ever investment in a single race, according to CBS News. He believes, he said, that “our country is directly responsible for peace not being achieved.”
The director of Woodbridge Neighborhood Development and local soccer coach added, “We’ve got to have the money stay here. I don’t think we should be giving any more aid to the State of Israel while they’re committing the atrocities they’re committing in widespread collective punishment.”
The interaction spotlighted two of the biggest questions hanging over Michigan’s closely watched and hard-fought Democratic Senate primary: To what degree are the state’s voters factoring Israel into their decisions, and does the pro-Palestinian sentiment driving El-Sayed’s campaign cross racial lines — including in the Black communities where Stevens has long maintained strong relationships?
Many of the Jews in Michigan who form a major base of support for Stevens have made clear their distrust of El-Sayed, who has questioned whether Israel should exist as a Jewish state. Meanwhile, the state has a large Arab and Muslim voting bloc, and voters here helped propel a 2024 Democratic revolt over Israel’s war in Gaza that helped lead to the party’s current civil war. But the situation is less clear with voters from other groups.
El-Sayed and the insurgent progressive movement he represents have sought to make Israel central to the race and have tried to turn Stevens’ AIPAC support into her biggest liability. But the Stevens campaign has made the calculation that most of the state’s voters — including Detroit’s majority-Black population, with whom she has enjoyed good relations in the past — would rather talk about other things.
Not so, according to Singletary, who is Black. In his own Detroit community, he told JTA, Israel was an important issue.
“It’s connected,” he said, comparing the Israeli-Palestinian state of affairs to Apartheid-era South Africa, adding, “$3.3 billion to the state of Israel, and that’s money that could be helping out here. I think people are now seeing the links.” He told reporters that, though he does not have Palestinian family himself, his own vote was “100% exclusive” based on Israel.
After the campaign left, Singletary told JTA that he had no affiliation with the El-Sayed campaign and had stopped by on an invitation from the store’s owner. He said he would not vote for Rogers in the general election even if Stevens wins and came because he hoped to develop a connection with her in the event she became the nominee.
The issue of whether backers of either candidate across the yawning policy divide would continue to vote for a Democrat in the general if their preferred choice loses has become an emerging question. Last week, Democratic U.S. Rep. Hillary Scholten of Michigan, a Stevens backer, refused to commit to voting for El-Sayed if he wins the primary. Scholten cited the candidate’s campaigning with left-wing streamer Hasan Piker, who has repeatedly said he would “vote” for Hamas over Israel. Her objection, she said, was to his comment that “America deserved 9/11.”
“Abdul El-Sayed is taking us in a direction we don’t want to go as a party,” Scholten told CNN host Jake Tapper.
Stevens’ campaign is also touting her backing from a growing number of establishment Democrats, including, on Friday, Michigan Gov. Gretchen Whitmer. She and El-Sayed face off Monday evening in their final televised debate before the Aug. 4 primary.
Speaking to Singletary, Stevens smiled and nodded. She name-dropped a Palestinian supporter of hers, and mentioned legislation targeting China that she’s worked on with “my colleague Ro Khanna” — the staunchly pro-Palestinian Democratic congressman from California, who has endorsed El-Sayed. She added that she believes in a two-state solution and has been attacked “by name” by Israeli Prime Minister Benjamin Netanyahu.
She also turned to her staff and excitedly indicated to Singletary: “He voted for Abdul in the primary, and he came here to talk to me.”
This article originally appeared on JTA.org.
The post In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter appeared first on The Forward.
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‘If you’re ever confused: I stand with the Jews’ Boy George sings in new pro-Israel song
(JTA) — The British pop icon Boy George has gone to bat for Israel and its supporters multiple times in recent months, rejecting boycott calls and expressing solidarity after antisemitic violence. Now, he has released a single in the same key.
“We Will Dance Again” defends Israel’s military response in Gaza, criticizes musicians and activists who have publicly supported the Palestinian cause and declares, “If you’re ever confused: I stand with the Jews.”
The song borrows its title from the slogan of survivors of the Nova music festival, where Hamas terrorists killed 378 young people and kidnapped dozens more as part of the Oct. 7, 2023, invasion of southern Israel. The slogan has become a symbol of resilience in the aftermath of Oct. 7.
The singer released the reggae-inspired track, titled “Od Nirkod” in Hebrew, on his social media accounts on Monday with a single hashtag: #Shalom.
“You say genocide, I say war / When you’re attacked, that’s what the army’s for,” the song opens. Later, Boy George sings, “You never mention Oct. 7,” in a criticism of those he sings have “selective memory” about atrocities deserving their reprobation. The song ends by repeating the opening lyrics in Hebrew.
Although Boy George is not Jewish, he has become increasingly vocal when it comes to supporting Jewish communities in the wake of Oct. 7.
#Shalom pic.twitter.com/0BfHIrThzO
— Boy George (@BoyGeorge) July 26, 2026
He rejected calls to boycott this year’s Eurovision Song Contest over Israel’s participation, saying he would not “turn my back” on his Jewish friends. The singer participated this year representing San Marino, in a counterpoint to artists and countries that pulled out rather than compete alongside Israel.
Boy George had a long relationship with Jon Moss, the Jewish drummer who with him launched Culture Club, the New Wave band that dominated much of the 1980s with its melodic soul infused music and its outlandish styles. Boy George then often wore a tunic with “Culture Club” in Hebrew translation.
Following an antisemitic stabbing in London’s heavily Orthodox Golders Green neighborhood earlier this year, where the singer happened to be at the time, he said Jewish people should know “we support them.”
Boy George’s new song has drawn appreciation from pro-Israel voices. Stop the Hate UK, a British Jewish anti-antisemitism campaign, called Boy George a supporter of “Jewish joy” and thanked him publicly for standing with the Jewish community.
And the official Nova Music Festival account on Instagram responded to Boy George’s post announcing the song with a simple comment: “We will dance again.”
This article originally appeared on JTA.org.
The post ‘If you’re ever confused: I stand with the Jews’ Boy George sings in new pro-Israel song appeared first on The Forward.
