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Students at elite Istanbul school perform Nazi salute in soccer game against Turkey’s only Jewish school
ISTANBUL (JTA) — Turkish Jewish leaders say they are taking action after students at Istanbul’s Üsküdar American Academy reportedly performed the Nazi salute during a soccer game against Istanbul’s sole Jewish day school.
The students from the American school, considered one of Istanbul’s most elite, delivered the gesture at the game on Tuesday as a taunt following goals by the Ulus Jewish School team, according to reports on Twitter and in Avlaremoz, a Turkish Jewish media outlet.
Turkey’s official Jewish communal organization condemned the incident. The Jewish organization said that it was in contact with the American school’s board and that “necessary initiatives will be taken,” though it did not specify what those initiatives might be.
The American school is also investigating what unfolded at the game, according to a statement it issued on Wednesday.
“We would like to emphasize that we stand against all kinds of discrimination in accordance with our institutional and educational philosophy.” the statement said. “We have urgently contacted the school officials of Ulus Private Jewish High School, conveyed our regrets and initiated the necessary investigation.”
The incident has sent shockwaves through Istanbul’s Jewish community, which includes families with connections to both schools.
“As a Üsküdar American High School graduate, I do not want to believe this behavior of my school’s students towards the students of my son’s school.” one Jewish graduate, Roki Levent, wrote on Twitter. “If it is true, I condemn it and I am deeply saddened to see my school come to this.”
Üsküdar American Academy was founded in 1876 by an American Christian missionary organization operating in the Ottoman Empire. The school teaches mostly in English and boasts that its graduates largely attend leading foreign universities. It does not have an affiliation with the U.S. government, as some other American schools abroad do, according to a spokesperson from the U.S. consulate in Istanbul.
Antisemitism is far from unheard of in Turkey. The Anti-Defamation League found in 2015 that 71% of adults held antisemitic views, according to an index the group developed. But public incidents of antisemitism in recent years have largely stemmed from Islamist and Turkic nationalist factions, rather than secularist bastions like Üsküdar American Academy. To some, the school’s Western orientation made the antisemitic gestures at the soccer game stand out.
“This Üsküdar American Academy is considered the second-most prestigious in Turkey,” Hay Eytan Cohen Yanarocak, a Turkish studies scholar at Tel Aviv University, told the Jewish Telegraphic Agency. “The level of education is very high, the children who are getting educated there are from the highest segment of society, or they are very clever and got scholarships to get into the school, or they are children of strong families, suggesting they are the children of the Turkish elite.
“It’s a Western type of education and you would not think that antisemitism would germinate there,” said Yanarocak, who graduated from the Ulus Jewish School and serves as an official advisor there for students who are considering Israeli universities. “The fact that this antisemitic incident took place in this spearheading institution instead of an ordinary school highlights the new low for antisemitism in Turkey.”
Antisemitic incidents at sporting events have been recorded around the world, including during professional soccer games in Europe and during high school sports events in the United States and beyond.
Betsy Penso, a graduate of Üsküdar and a Turkish-Jewish journalist at Avlaremoz currently living in Israel, told JTA that during her time at the school, from 2006 to 2011, there were occasional tensions between Jewish and non-Jewish students over current affairs but no incidents like the one at the soccer match.
“I could hear ‘anti-Israel’ or ‘pro-Palestinian’ rhetorics but I cannot recall any incident [in which the] Holocaust was used as a humor mechanism at school,” Penso said. “I could have expected this happening in a different school but not mine. I could have expected this to happen in a different context but not against the students of a Jewish school.”
Now, she said, she and her fellow graduates are watching closely to see how their school handles the incident — and she hopes for swift and severe action.
“I was frustrated, I am still frustrated.” she said. “All of the alumni were shocked but of course Jews took it more personally for various reasons.… I really want these students to get expelled from the school. I also want a transparent communication and want to understand what, how and why this incident happened.”
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The post Students at elite Istanbul school perform Nazi salute in soccer game against Turkey’s only Jewish school appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
