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The best villains played by Jewish actors

(JTA) — The film and TV world recently lost two Jewish actors who were not household names but were acclaimed for a pair of signature villainous roles.

Last month, Mark Margolis passed away following a career on stage and screen that spanned over 60 years. He studied with and was later the personal assistant of renowned acting teacher Stella Adler before appearing in “Scarface,” HBO’s “Oz” and multiple films by the acclaimed Jewish director Darren Aronofsky.

But he was most remembered for his Emmy-nominated performance as Hector Salamanca, the wheelchair-bound, largely non-verbal patriarch of a Mexican crime family in “Breaking Bad” and “Better Call Saul.” One could argue that Margolis, whose family “started a couple of Reform synagogues,” embodied one of the most well-known villains ever portrayed by a Jewish actor.

Later in the month, Arleen Sorkin died of pneumonia after a years-long struggle with multiple sclerosis. Possessing a unique comic sensibility, she was in the mid-80’s cast on “Days of Our Lives” as Calliope Jones — a quirky fashion designer based loosely on Cyndi Lauper. That character inspired Paul Dini, a writer on “Batman: The Animated Series,” to create the character of Harley Quinn — a jester-like henchwoman for The Joker, who would be voiced by Sorkin for nearly 20 years. Since Sorkin played Harley Quinn with an exaggerated version of her Brooklyn Jewish accent, the character became canonically Jewish as well.

Thanks in large part to Sorkin’s larger-than-life personality, Harley Quinn became so popular that she made the rare jump from animated series to comic books to live action films and has remained a uniquely endearing super-villain.

In memory of Margolis and Sorkin, and in tribute to the fantastically sinister characters they embodied, here’s a quick survey of some of the other noteworthy villains played by Jewish actors on screen.

Daniel Day-Lewis — “There Will Be Blood” and “Gangs of New York”

Three-time Oscar-winner Daniel Day-Lewis learned at an early age that acting was an effective way to deal with schoolmates’ bullying that came from being an outsider on both sides of his family — Irish on his father’s, Jewish on his mother’s. On screen, Day-Lewis masterfully embodied two of cinema’s most deliciously villainous characters: Oil tycoon Daniel Plainview (for which he won the Oscar for best actor) in “There Will Be Blood” and nativist gang leader Bill “The Butcher” Cutting (for which he was nominated for best actor). Both characters embody the darkest sides of the American dream, and no one has ever made a milkshake sound more menacing.

David Proval — “The Sopranos” 

Before playing Toby Ziegler’s Rabbi on “The West Wing,” Jewish actor David Proval played many Italians on screen, from Tony in Martin Scorsese’s “Mean Streets” to Hunk Pepitone on “Fame” to perhaps his most memorable role: Richie Aprile, the ruthless, sadistic capo of the DiMeo crime family on “The Sopranos.”

Martin Kove — “The Karate Kid” 

John Kreese, the original Cobra Kai sensei played by the Jewish Brooklynite Kove, was one of the most well-known 1980s bad guys.

Michael Douglas — “Wall Street”

“Greed is good,” says Gordon Gekko in this classic indictment of 1980s Wall Street culture. So was Douglas’ performance, which earned him an Academy Award in 1988.

Kirk Douglas — “The Villain”

Michael’s father, the legendary actor and two-time bar mitzvah boy Kirk Douglas, was often the hero on screen. But he tried his hand at playing the bad guy in this ridiculous, forgettable Western comedy from 1979.

Joan Collins — “Dynasty” 

The acclaimed role of Alexis Carrington, the scheming ex-wife of the wealthy Denver oil magnate Blake Carrington, helped catapult the soap opera “Dynasty” to the top of the ratings. The Emmy-nominated Collins made Alexis a multi-dimensional character that frequently cracks the upper echelons of “greatest villains of all time” lists and inspired a bevy of prime-time imitators. Her father was Jewish and proudly identified as a member of the tribe.

Daniel Stern — “Home Alone” 

Who could forget Daniel Stern’s iconic shenanigans as Marv Murchins, one half of the inept duo that fails to take on the wily kid Kevin McCallister in the “Home Alone” series?

Mel Brooks and Rick Moranis — “Spaceballs” 

These two comedy legends put in hilarious performances as Dark Helmet and President Skroob — the bungling bad guys of Brooks’ 1987 “Star Wars” parody.

Wallace Shawn — “The Princess Bride”

The year 1987 also saw Wallace Shawn play the sinister Sicilian Vizzini to comic perfection in this silly classic.

Dustin Hoffman — “Hook”  

Hoffman played the infamous Captain Hook in the eponymous 1991 Spielberg film, which critics (and later Spielberg himself) wrote off as a failure.

Joseph Wiseman — “Dr. No” 

Plotting from his island lair, Joseph Wiseman’s Julius No was the first, and one of the best ever, to portray a James Bond villain on screen. The Canadian Encyclopedia notes: “Despite his on-screen performances as the ‘heavy,’ Joseph Wiseman was a Jewish scholar who travelled extensively, giving readings from Yiddish and Jewish literature.”

Yaphet Kotto — “Live and Let Die” 

Years later, the proud Jew Yaphet Kotto played another Bond villain heavily influenced (in a cringe-worthy way by modern standards) by the Blaxploitation era: Dr. Kananga/Mr. Big, a ruthless drug baron and Caribbean dictator. Kotto’s Cameroonian father was Jewish, and his mother converted to Judaism.

Jesse Eisenberg — “Batman v Superman: Dawn of Justice”

James Bond isn’t the only IP with memorable villains portrayed by Jewish actors — several villains in the Marvel and DC comic universes have been played by Jewish actors as well. The normally quiet-tempered Eisenberg played Superman’s archenemy Lex Luthor in a 2016 blockbuster (and Michael Rosenbaum portrayed the character on the TV show “Smallville”). Some fans might also call Eisenberg’s Mark Zuckerberg portrayal a villain in David Fincher’s hit “The Social Network.”

(Although no Jewish actors have ever played Magneto, Marvel’s most significant Jewish villain, a small handful of prominent Jewish actors have played other Marvel villains, from Jake Gyllenhaal’s Mysterio in “Spider-Man: Far From Home” to Corey Stoll’s humorous version of M.O.D.O.K. in “Ant-Man and the Wasp: Quantumania.” Jeff Goldblum also gave a memorable turn as Grandmaster in “Thor: Ragnorok.”)

Steven Bauer — “Breaking Bad” and “Better Call Saul” 

We would be remiss not to mention another actor from the “Breaking Bad” franchise: Steven Bauer, whose Jewish maternal grandfather had fled Germany to escape Nazi persecution, settling in Havana. He plays the ruthless drug cartel leader Eladio Vuente.

Like Margolis, Bauer also appeared in “Scarface” (co-starring as Pacino’s best friend, drug-lord Manny Ribera). Unlike Margolis, Bauer is actually fluent in Spanish. He also learned Hebrew to play an ex-Mossad agent on Liev Schreiber’s “Ray Donovan,” as he had done decades earlier when he starred in “Sword of Gideon,” a Canadian film that was the template for Spielberg’s “Munich.”

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

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