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The exhausting, never-ending job of debunking antisemitic conspiracy theories

(JTA) — A few days after the comedian Dave Chappelle appeared to justify the never-ending appeal of Jewish conspiracy theories, this sentence appeared in the New York Times: “Bankman-Fried is already drawing comparisons to Bernie Madoff.”

I’ll explain: Sam Bankman-Fried is the 30-year-old founder of FTX, the crypto-currency exchange that vaporized overnight, leaving more than 1 million creditors on the hook. Bernie Madoff, is, of course, Bernie Madoff, the financier who defrauded thousands of investors through a multibillion-dollar Ponzi scheme and died in prison.

It’s a fair comparison, as a former regulator tells CNN: “Bankman-Fried, like Madoff, proved adept at using his pedigree and connections to seduce sophisticated investors and regulators into missing ‘red flags,’ hiding in plain sight.”

Nevertheless, seeing these Jewish figures lumped together, I braced myself for the inevitable: Nasty tweets about Jews and money. Slander from white supremacists. Plausibly deniable chin-scratching from more “mainstream” commentators.

What comes next is a familiar script: Jewish defense groups issue statements saying conspiracy theories traffic in centuries-old antisemitic tropes and pose a danger to the Jews. Jewish news outlets like ours post “explainers” describing how these myths take hold.

It’s exhausting, having to deny the obvious: that a group of people who don’t even agree on what kind of starch to eat on Passover regularly scheme to bilk innocents, manipulate markets or control the world. And it often seems the very attempt to explain these lies and their popularity ends up feeding the beast.

Chappelle’s now notorious monologue on “Saturday Night Live” is a case in point. At first pass, it is a characteristically mischievous attempt to both mock the rapper Kanye West for his antisemitism, and to push boundaries to explain why a troubled Black entertainer might feel aggrieved in an industry with a historic over-representation of Jews. Jon Stewart certainly heard it that way, telling Stephen Colbert, “Look at it from a Black perspective. It’s a culture that feels that its wealth has been extracted by different groups. That’s the feeling in that community, and if you don’t understand where it’s coming from, then you can’t deal with it.”

That is a useful message, but consider the messenger. Chappelle appears to disapprove of West’s conspiracy-mongering, but never once discusses the harm it might cause to the actual targets of the conspiracies. Instead, he focuses on the threat such ideas pose to the careers and reputations of entertainers like him and West. The “delusion that Jews run show business,” said Chappelle, is “not a crazy thing to think,” but “it’s a crazy thing to say out loud.” He ends the routine by ominously invoking the “they” who might end his career.

That’s what critics meant when they said Chappelle “normalized” antisemitism: He described where it’s coming from, explained why his peers might feel that way, and only criticized it to the degree that it could lead the purveyors to be cancelled. It’s like saying, “You don’t have to vaccinate your kids. Just don’t tell anybody.”

This week I worked with a colleague on an article about how the “Jews control Hollywood” myth took hold, and at each step of the way I wondered if we were stoking the fire we were trying to put out. No, Jews don’t control Hollywood, we reported, but “nearly every major movie studio was founded in the early 20th century” by a Jew. Those moguls rarely used the movies as a platform to defend Jewish interests, but per Steven Spielberg, “Being Jewish in Hollywood is like wanting to be in the popular circle.”

A documentary shown Thursday night at the DOC NYC festival here in New York teeters on the edge of the same trap. “The Conspiracy,” directed by the Russian-American filmmaker Maxim Pozdorovkin and narrated by Mayim Bialik, uses 3-D animation to explain how conspiracists ranging from a 19th-century French priest to American industrialist Henry Ford placed three Jews — German financier Max Warburg, Russian revolutionary Leon Trotsky and falsely accused French soldier Alfred Dreyfus — at the center of a vast, contradictory and preposterous scheme to take over the world. It connects age-old Christian animosity to the Jews to centuries of antisemitic paranoia and fear-mongering that led to unspeakable violence at Kishinev, Auschwitz and Pittsburgh. “This myth has plagued the world for centuries,” Pozdorovkin explains.

Or at least that’s the message you and I might have gotten. But I can also see someone stumbling on this film and being seduced by the rage and cynicism of the conspiracy-mongers — who, I should note, are quoted at length. Part of the problem is the film’s aesthetic: a consistently dark palette and a “camera” that lingers on ugly examples of antisemitic propaganda. Even though these images are seen on a creepy “conspiracy wall” and connected with that red thread familiar from cop shows and horror films, I can well imagine an uninformed viewer asking why members of this tiny minority seem to be at the center of so many major events of the 19th and 20th centuries.

I was reminded of a joke by the Jewish comedian Modi, ridiculing the ritual of inviting celebrities accused of antisemitism to visit a Holocaust museum. “Which is the stupidest idea, ever,” he says. “You’re taking someone who hates Jews into a Holocaust museum. They come out of there [saying] ‘Wow! Oh my God, that was amazing! I want a T-shirt!’”

The poet and essayist Clint Smith, whose cover story in next month’s Atlantic explores the meanings of Holocaust museums in Germany, makes a similar point. After visiting the museum in Wannsee documenting the infamous meeting in which the Nazis plotted the Final Solution, he wonders: “Might someone come to a museum like this and be inspired by what they saw?”

The makers of “The Conspiracy” (oy, that title) obviously intend the very opposite. In an interview with the Forward, Pozdorovkin agrees with the interviewer’s  suggestion that those “who most need to see this film might be the least likely to be convinced by it.”

“My hope is that this film has a trickle-down effect,” he explains.

The fault lies not with those who seek to expose antisemitism but with a society that relies on the victims to explain why they shouldn’t be victimized. As many have pointed out, antisemitism isn’t a Jewish problem; it’s a problem for the individuals and societies who pin their unhappiness and neuroses on a convenient scapegoat. Ultra-nationalism and intolerance are the soil in which conspiracies take root.

But as long as scapegoating remains popular and deadly, the victims have to keep explaining and explaining the obvious — that, for instance, the fact that Sam Bankman-Fried and Bernie Madoff are Jewish is no more significant than the fact that Henry Ford and Elon Musk, two people who founded car companies, are gentiles.

The question is, who is listening?


The post The exhausting, never-ending job of debunking antisemitic conspiracy theories appeared first on Jewish Telegraphic Agency.

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World Leaders Show Caution on Trump’s Broader ‘Board of Peace’ Amid Fears for UN

FILE PHOTO: U.S. President Donald Trump is interviewed by Reuters White House correspondent Steve Holland (not pictured) during an exclusive interview in the Oval Office in the White House in Washington, D.C., U.S., January 14, 2026. REUTERS/Evelyn Hockstein/File Photo

Governments reacted cautiously on Sunday to US President Donald Trump’s invitation to join his “Board of Peace” initiative aimed at resolving conflicts globally, a plan that diplomats said could harm the work of the United Nations.

Only Hungary, whose leader is a close Trump ally, gave an unequivocal acceptance in response to the invitations, which have been addressed to some 60 nations and began arriving in European capitals on Saturday, according to diplomats.

Other governments appeared reluctant to make public statements, leaving officials to express concerns anonymously about the impact on the work of the U.N..

The board would be chaired for life by Trump and would start by addressing the Gaza conflict and then be expanded to deal with other conflicts, according to a copy of the letter and draft charter seen by Reuters.

Member states would be limited to three-year terms unless they pay $1 billion each to fund the board’s activities and earn permanent membership, the letter states.

“This simply offers permanent membership to partner countries who demonstrate deep commitment to peace, security, and prosperity,” the White House said in a post on X.

Italian Prime Minister Giorgia Meloni, visiting South Korea, told reporters her country was “ready to do our part,” although it was not clear whether she was specifically referring to Gaza or the broader peace.

Canada’s Prime Minister Mark Carney said on Sunday he had agreed to Trump’s Board of Peace for Gaza in principle although details were still being worked out.

The Board of Peace’s mandate was only authorized by the United Nations Security Council through 2027 and was solely focused on the Gaza conflict.

‘DARK TIMES’

The inclusion of a “charter” in the invitation letter stoked concerns among some European governments that it could undermine the work of the United Nations, which Trump has accused of not supporting his efforts to end conflicts around the world.

“It’s a ‘Trump United Nations’ that ignores the fundamentals of the U.N. charter,” said one diplomat.

Three other Western diplomats said it looked as if it would undermine the United Nations if it went ahead.

A further three diplomats and an Israeli source said that Trump wanted the Board of Peace to eventually have a broader role beyond Gaza that would oversee the other conflicts that Trump has said he has resolved.

The leaders of France, Germany, Italy, Hungary, Australia, Canada, the European Commission and key Middle East powers were among those invited to sit on the Board of Peace, according to officials.

“Declaring that durable peace requires pragmatic judgment, common-sense solutions, and the courage to depart from approaches and institutions that have too often failed,” the document showed.

In what appeared to be directed at the United Nations, the document added that there was a “need for a more nimble and effective international peace-building body.”

Trump, who covets the Nobel Peace Prize, said in the letter that the board would convene in the near future, adding: “This board will be one of a kind, there has never been anything like it!”

In public comments in response to a reporter’s question, a senior UN official did not address the plan directly, but said the United Nations was the only institution with the moral and legal ability to bring together every nation, big or small.

“And if we question that … we fall back and very, very, dark, times,” Annalena Baerbock, president of the United Nations General Assembly, told Sky News, adding that it was up to individual states to decide what to do.

The White House on Friday named some individuals who will sit on the board, which would outlive its role supervising the temporary governance of Gaza, under a fragile ceasefire since October.

They included US Secretary of State Marco Rubio, President Donald Trump’s special envoy Steve Witkoff, former British prime minister Tony Blair and Trump’s son-in-law, Jared Kushner.

Israel and the Palestinian terrorist group Hamas signed off on Trump’s plan, which says a Palestinian technocratic administration will be overseen by an international board, which will supervise Gaza’s governance for a transitional period.

TRUMP GOES FOR GLOBAL PEACE ROLE

“It’s going to, in my opinion, start with Gaza and then do conflicts as they arise,” President Donald Trump told Reuters in an interview earlier this week.

Many rights experts and advocates have said that Trump overseeing a board to supervise a foreign territory’s governance resembles a colonial structure, while Blair’s involvement was criticized last year due to his role in the Iraq war and the history of British imperialism in the Middle East.

The White House did not detail the responsibilities of each member of the board. The names do not include any Palestinians. The White House said more members will be announced over the coming weeks.

It also named a separate, 11-member “Gaza Executive Board” to support the technocratic body.

This would include Turkish Foreign Minister Hakan Fidan, U.N. Middle East peace coordinator Sigrid Kaag, United Arab Emirates International Cooperation Minister Reem Al-Hashimy, Israeli-Cypriot billionaire Yakir Gabay and officials from Qatar and the United Arab Emirates.

Israeli Prime Minister Benjamin Netanyahu’s office said the composition of this board had not been coordinated with Israel and contradicted its policy – possibly a reference to Fidan’s presence, as Israel objects to Turkish involvement. Israel’s government also has a tense relationship with Qatar. An Israeli government spokesperson declined to comment beyond the statement.

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How the Israeli police’s first trans volunteer fought bigotry on the force

From the beginning of the biographical documentary The First Lady, Efrat Tilma makes it clear she has mixed feelings about the film, which details how she became the first trans woman to volunteer in Israel’s police department. When asked why she wanted to make the movie, she tells one of the directors, “I didn’t want to. You asked me.” This prickly demeanor persists throughout the film, although she later acknowledges that she wants “to show people that a trans woman is just like any other woman, like any other person.”

Tilma starts her story in 1964, the year she first tried living as a woman. Using archival footage, animation, and present-day interviews, directors Udi Nir and Sagi Bornstein present a moving portrait of Tilma’s life, unveiling how the burdens of her past have followed her into the present.

When Tilma was 14, she often wandered the streets of Tel Aviv to escape her abusive father. There she met another trans woman, Gila Goldstein, who introduced her to a whole network of trans women who taught Tilma about hormones and gender reassignment surgery. That same year, a man held her hostage in his apartment for a day and a half and sexually assaulted her. Not long afterwards, she says, an Israeli police officer threatened to kill her for dressing as a woman.

These experiences made her determined to carve her own path in spite of obstacles or the opinions of others, including the film directors. In one scene, as the team records her coming out of her apartment building, she strikes several poses.

“Natural, Efrat. We said natural!” a director reminds her.

“Kiss my ass!” Tilma responds, before strutting away.

But behind all the bravado is a vulnerable human being, who spends her first moment in the film nervously rehearsing the speech she is going to give at a 2023 Pride celebration in Israel. Tilma acknowledges that she’s not sure she’s been able to process her trauma and still carries it with her.

Tilma as an airline stewardess. Courtesy of Efrat Wilma

After leaving Israel in 1967, Tilma spent nearly four decades living in Europe, where she created a new life for herself as a woman. She performed in nightclubs, worked as an airline stewardess, got sex reassignment surgery in Morocco, married a man, and, nearly two decades later, divorced him. In 2005, she finally moved back to Israel and, on a whim, began volunteering with the Israel Police.

She wasn’t open about her gender identity at first, given the negative way she saw her colleagues treat trans women on the street. But when the police captain eventually discovered she was trans, the result ended up being positive: She began leading workshops on approaching the trans community with empathy and respect.

The film jumps between Tilma’s past and the present, as she reacts to Netanyahu’s 2022 re-election and the creation of a far-right coalition in Israel. Convinced that the world is reverting to the hateful days of her youth, Tilma leaves the police force and plans how she’ll kill herself if the government attempts to round up trans people. As protests start to sweep the country, however, she decides to channel her fear into activism. Shots of her among the protesters are mixed with recollections of her 1971 sex reassignment surgery and abuse she faced from a doctor in 1973.

Respecting Tilma’s boundaries while encouraging her to share her life story, the filmmakers capture both Tilma’s toughness and sensitivity, giving the film the honesty and heart that make The First Lady feel so intimate. They get Tilma to open doors into her life — literally.

Several times, the directors try to convince Tilma to bring the film crew into her apartment, where she says that no one else has been for a decade. When she finally lets them inside, they encounter piles of clothing, discarded plastic bottles, and other hoarded objects. The filmmakers tell her that the film crew will help her reorganize the apartment bit by bit, in much the same way they piece together her story: bit by bit.

Even if she approaches the whole process with a bit of attitude, Tilma remains determined to never give up fighting for a better life — or a better apartment.

The First Lady will screen at the New York Jewish Film Festival on Jan. 20.

The post How the Israeli police’s first trans volunteer fought bigotry on the force appeared first on The Forward.

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Exclusive: Israeli Officials Harshly Critical of Steve Witkoff’s Influence on US Policy on Gaza, Iran, i24NEWS Told

US Middle East envoy Steve Witkoff, Washington, DC, Jan. 20, 2025. Photo: REUTERS/Carlos Barria

i24 NewsAmid growing disagreements with the Trump administration over the composition of the Board of Peace for Gaza and the question of a strike on Iran, officials in Israel point to a key figure behind decisions seen as running counter to Israeli interests: Special Envoy Steve Witkoff.

The officials mention sustained dissatisfaction with Witkoff. Sources close to the PM Netanyahu told i24NEWS on Saturday evening: “For several months now, the feeling has been that envoy Steve Witkoff has strong ties, for his own reasons, across the Middle East, and that at times the Israeli interest does not truly prevail in his decision-making.”

This criticism relates both to the proposed inclusion of Turkey and Qatar in Gaza’s governing bodies and to the Iranian threat. A senior Israeli official put it bluntly: “If it turns out that he is among those blocking a strike on Iran, that is far more than a coincidence.”

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