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The ‘Hanukkah House’ in Brooklyn is a family tradition and a neighborhood treasure
(New York Jewish Week) — Hanukkah, the winter holiday that commemorates the triumph of Judah Maccabee and the miracle of long-lasting oil, has plenty of heroes to celebrate. But in one Brooklyn family’s home, the hero is the “Hanukkah Fairy” — or at least the mom behind it.
Starting some 25 years ago, Gail Nalven Fuchs and her husband, David Fuchs, stayed up late the night before Hanukkah began to completely decorate the interior of their Midwood house in tinsel, dreidels and blue and white decor. When their two kids awoke wide-eyed at the wonder, the Fuchs explained that the Hanukkah Fairy, who came to decorate and spread the light and joy of the holiday, had paid their house a visit.
Over the years, what began as a lark grown into a grand tradition — these days, eye-catching, illuminated Hanukkah decorations can be found on the home’s exterior and front lawn, too, including an oversized menorah, Jewish stars and inflatables, such as a giant teddy bear wearing a Hanukkah sweater and a spinning dreidel. The “Hanukkah House,” as it is locally known, is now a bonafide neighborhood treasure, attracting neighbors, visitors and children from around Brooklyn.
Fuchs and her family pose in matching sweatshirts outside their decorated house. L-R: Michael, Charlie and Alyson Kogan; Harrison and Katie Bryan; David and Gail Fuchs.
The tradition of Hanukkah decorating started in 1997 when the Fuchs’ kids, Alyson and Harrison, were 7 and 5. It was one of the family’s favorite holiday traditions to drive through the neighborhoods of Bay Ridge and Dyker Heights, where family homes have been putting out over-the-top lights and Christmas decorations since the 1980s.
“Isn’t Hanukkah called the Festival of Lights?” her son, Harrison — the playwright for “A Hanukkah Carol, or GELT TRIP! The Musical,” a Jewish take on Charles Dickens’ Christmas classic — asked one year as they drove through Sheepshead Bay. Fuchs confirmed it was.
“Then why don’t I see any Hanukkah lights?” he asked. “Everything is Christmas themed.”
Fuchs tried to explain to her son that even though the lights are Christmas themed, they are for everyone to enjoy. “He said, ‘I would enjoy it so much more. If I saw something that I know about. I don’t know about Christmas,’” she recalled.
It was a moment of realization for Fuchs. “New Yorkers always say we live in a melting pot,” she told the New York Jewish Week. “It didn’t feel that way at Christmastime.”
In response to Harrison’s questions, she helped him pen a letter to the New York Post. “It’s very hard to be a 5-year-old Jewish boy at this time of year,” the letter, which was published in 1997, opens. “I get very sad when I am driving the car in Brooklyn and I look at all the lights and decorations hanging across the avenues.” Harrison then goes on to request more Hanukkah decorations in the years to come.
The next year, a few weeks before Hanukkah, someone from the New York Post called to let Fuchs and her family know that there would be a large public menorah on Avenue U — sure enough, there it was.
“We drove by and Harrison was so excited. He went home and drew the menorah with paint and we hung it on our wall and he would look at it every day.”
Harrison Bryan as a child in front of handmade Hanukkah art, alongside an excerpt of his letter he wrote to the New York Post in 1997. (Courtesy, design by Mollie Suss)
Seeing how happy her kids were when they saw their holiday represented, Fuchs decided to start decorating her home with dreidels, menorahs, candles, Hanukkah art and tinsel. Enter the Hanukkah Fairy, who Fuchs created to add a sense of magic and wonder to the holiday — and to surprise her young kids.
“Every year there were more and more Hanukkah decorations from the Hanukkah Fairy,” Fuchs said. “The kids used to write letters to her before the holiday saying ‘Hi Hanukkah Fairy, I hope you had a nice year, I cannot wait to see my home decorated this Hanukkah.’”
The exterior decorating began slowly: David Fuchs, who owns a handmade steel manufacturing and distribution business, built the giant menorah. Over the years, the “Hanukkah Elf,” as he’s known by his family, has since built Jewish stars and various signs for the house. They also try to add a Hanukkah-themed inflatable to their collection every year — this year’s newbie is a dinosaur wearing a Hanukkah sweater.
Harrison and Alyson are now 30 and 32, respectively, but the tradition has carried on. To keep the Hanukkah spirit strong, the decorations typically start going up about a week before the holiday starts, and stay up until a week after it ends, Fuchs said.
While Fuchs considers herself a Conservative Jew, many of her neighbors in Midwood are more traditionally Orthodox. Still, she’s noticed that many in the area are eager to take pics with the inflatables — some years, a school bus from a nearby yeshiva even stops in front of the house so kids can look.
“I love sitting back on my porch — nobody sees me and I love watching all the people go by,” she said. “It’s just a joy.”
The Fuchs family has always celebrated Hanukkah to the nines — four generations of the extended family gather at their home for a Hanukkah party, complete with a gift exchange — and decorating the house has become one of their favorite parts of the holiday. Fuchs’ adult children will help decorate the house, and Alyson Fuchs now also puts up decor in her apartment in Carroll Gardens, where her two daughters, who are 2-and-a-half years old and 7 months old, now carry on the wonder and delight at the Hanukkah Fairy.
“We have Hanukkah pride,” she said. “But it’s not so much ‘Hey, I’m Jewish. Here’s my house, too.’ It’s ‘Hey, I have a holiday that’s really a lot of fun. Look how pretty it is.’”
It’s a tradition that’s become so important to the family that the “Hanukkah Fairy” even features in Harrison Fuchs’ new musical. “I really did believe in The Hanukkah Fairy,” Harrison, who uses the stage name Harrison Bryan, told the New York Jewish Week. “To me, this magical entity was just as real as the Tooth Fairy, or Santa to other kids. It was amazing waking up on Hanukkah morning — my sister and I would marvel at all the decorations — blue and white everywhere, and to such an extent that it felt impossible for this to have been done without actual magic.”
“It was only when I got a little bit older that I realized, it was real magic — the magic of having incredibly imaginative parents who wanted their children to feel loved and proud of their cultural identity,” he added.
Bryan made “The Hanukkah Fairy” a character in his musical — the fairy is the “Spirit of Hanukkah Present” who guides the Scrooge-like protagonist Chava Kanipshin through her actions. “Even though it may have been a tradition my parents made up, it was always meant to spark joy in others too,” Bryan added. “And with the show, alongside the Hanukkah Fairy, we hope to do just that.”
Hanukkah starts this year on the evening of Sunday, Dec. 18, and Fuchs welcomes visitors to come by, enjoy the decorations and take pictures. Located in Brooklyn on East 14th Street between Avenues J and K, her house will be the one all lit up with Hanukkah gear. “You can’t miss it,” she said.
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A farewell to Hampshire College, site of my Yiddish awakening
Zay gezunt Hampshire College. That’s where as an undergrad student worker, I first studied Yiddish at the OG Yiddish Book Center of Amherst, Massachusetts, down the road from the genteel Lord Jeffrey Inn, across the street from uber-sensitive poet lady Emily Dickinson’s alte heym.
In nearby Holyoke, in an old mill turned Yiddish book storage loft, away from the genius of Dickinson’s dybbuk, I earned my way shelving the Book Center’s staggering amounts of the collected works of Sholem Aleichem — most likely purchased as a subscriber premium by turn of the century Forverts readers — and only surpassed by the unspeakable numbers of Yiddish volumes of Guy De Maupassant. I hoisted those onto shelves as well while getting educated about Nico and the Velvet Underground which blared from speakers. Back in the 1980’s that was multitasking.
And dayge nisht, no worries — I got my klezmer awakening there too, via a Walkman and audio cassettes while laboring as a photo history slide librarian for my advisor and favorite professor, filmmaker Abraham Ravett, who is set to retire next month (can you retire if your workplace closes?).
Splayed out across acres of stunning apple orchards that once belonged to the Stiles family, Hampshire College had neither a Hillel chapter nor a Chabad nor any organized sports nor fraternities — but there was a coed sauna, plenty of rolfing on the snow outside said sauna, a successful student run food coop, an acclaimed ultimate frisbee team and a beloved outdoor program that led to my first heron sightings just like in the movie On Golden Pond.
It also had Len Glick, Elvis’ former induction physician who co-taught modern Jewish history, along with his younger historian colleague Aaron Berman, whose office door was anointed with a poster that offered a Marxist view of baseball. It was 1984 and I was hot off seeing Streisand’s film version of Yentl. I’d polished off most of Bashevis’ tomes back home, memorized my Bubby’s photo album of Eastern European Jewry as envisioned in Visniac’s A Vanished World, and collided into Marlene Booth’s documentary about the Yiddishists of Raananah who took up space in an audacious dream of a utopian summer community in Orange County, New York. Tayere Leyener, dear reader, that’s all it took.
I knew my final paper was going to be about women and Yiddish. Well, I recall Len saying, if you want to investigate Bashevis’ inspiration for his Yentl and research women writers and women’s lives in Yiddish, you’re going to have to learn Yiddish; there isn’t much about that available in translation. Why don’t you go over to the Yiddish Book Center, he continued, and talk to them. And just like that, I found myself on the top floor of an old elementary school in Amherst, spending evenings learning Yiddish and my days trying to grasp enough of it to complete my assignment.
I’d love to tell you that just like Yentl, I too spent hours bent over tomes, deep in study, but as previously disclosed, Hampshire had much to distract and much to offer. And besides, I had books to shelve, boxes to unpack and roads to travel, joining the center’s trips to pick up YET MORE Yiddish books. My mazel was that Hampshire hosted the Book Center’s first summer seminars. Once longtime staffer Frieda Howards and I finished inspecting attendees’ dorm rooms, making sure the beds had hospital corners, I was warmly invited to attend lectures.
Hampshire hosted artists and activists like Yippie founder Abbie Hoffman. When Hampshire alum and Yiddish Book Center founder Aron Lansky talked about him, he highlighted all the Yiddish influences in Hoffman’s Steal This Book, as well as the Yiddish-inflected tensions of the Chicago 7 trials. All this came to a head when I met Yiddish lesbian poet, child survivor and hero to Jewish feminists Irena Klepfisz. A Bundist descendant, keeper of the flame, she — vu den — called a hastily gathered group into action. If we wanted Yiddish women’s writing to be translated, we were the translating liberators we were waiting for, so to speak. It was on us.
Tayere leyner/dear reader, I could, like so many Yiddish authors, go on in depth without so much as a break for a comma or a paragraph, such was the depth of my mazel at Hampshire. Ok, a bisl more. There was the weekend trip with Lansky and local poet and Book Center staffer Gene Zeiger to the Newport Folk Festival to hear Joan Baez sing. There was the summer Yiddish genius Naomi Seidman was a fellow at the Book Center — thanks to Seidman, that was my summer of Nico, the Velvet Underground, of reading Ginsberg’s “Howl,” and much much more. That was the summer I interned for the filmmaker Marlene Booth who was making a film about that Yiddish newspaper everyone talked about, the one I recalled picking up for my bubby. I spent time in my cooperative household on campus, bent over an audio transcription machine, typing out interview after interview with Forverts readers, spellbound by their love for it and activism on its behalf as it fell on hard times.
And reader, though Hampshire will likely close for good, you and I now know that if not for Hampshire College, where now upon a nice parcel of that former apple orchard sits the Yiddish Book Center in all its well earned koved, I and many like me, would not spend our days bending over our morgue of Forverts photos, back issues and more, reaching back over time to keep remembering our past and making it available for future generations.
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Moderation cuts leave most extremist, antisemitic content on Instagram unchecked, ADL finds
(JTA) — White supremacist networks, terror group supporters and Nazi merchandise vendors have gone largely unchecked on Instagram amid weakened content moderation by its parent company Meta, according to a new analysis by the Anti-Defamation League.
Instagram failed to remove 93% of hateful and extremist content reported by the ADL’s researchers, a figure the watchdog said demonstrated a “systemic failure” to protect users, according to the report published on Wednesday. The content included accounts and posts linked to white supremacist networks, groups that are designated as foreign terrorist organizations by the U.S. government and vendors selling Nazi merchandise.
The report comes over a year after Meta’s CEO, Mark Zuckerberg, announced that the company would do away with its fact-check program and stop using automation to detect and remove hate speech.
“Instagram is developing into a hub for hate and antisemitism, and our research demonstrates this clearly,” Jonathan Greenblatt, the CEO and national director of the ADL, said in a statement. “Meta’s moderation rollback has created a permissive environment where extremists thrive, bad actors turn Instagram’s own features into amplification tools for hate, and as a result, vulnerable communities suffer.”
While Elon Musk’s decision to permit formerly banned extremist account-holders to return to X has made his platform the most prominent avatar of social media’s abandonment of moderation, Meta has undergone a similar shift more recently. The ADL has sparred with Musk and X in the past as well.
Meta still does not allow “organizations or individuals that proclaim a violent mission or are engaged in violence to have a presence on our platforms,” according to the company’s community standards, which also say the company removes “dehumanizing speech” and “harmful stereotypes.” But it has also scaled back its capacity to enforce the rules.
The changes, which Zuckerberg billed as a “trade-off” between catching hateful content and reducing the number of “innocent people’s posts and accounts that we accidentally take down,” drew criticism from Jewish groups, including the World Jewish Congress and CyberWell.
Of the 253 posts that the ADL’s Center on Extremism reported earlier this year, Instagram removed only 11 accounts and 8 posts, according to the new report, titled “How Meta’s Content Moderation Changes Risk Turning Instagram into a Hub for Hate.” In 20 cases, the watchdog said that Instagram said it lacked the bandwidth to review the reports.
The report also found a number of accounts that were linked or indirectly linked to terrorist groups, including at least 23 accounts that spread Islamic State and Al-Qaida Propaganda, as well as 33 accounts with direct or indirect connections to the Popular Front for the Liberation of Palestine.
While Meta has maintained a ban on official accounts run by Nick Fuentes, the avowed white supremacist and antisemite at the center of a growing divide in the Republican party, the ADL study found that his content is shared on the platform by 105 Instagram accounts affiliated with Fuentes’ Groyper movement, which combined had over 1.4 million followers as of January 2026.
One Southern California-based merchandising company, Curb Stomp MFG, which sells apparel with Nazi symbols including Sonnenrads, Totenkopfs and SS bolts, and its owner had garnered over 3.2 million views on hateful content posted to Instagram, according to the study.
Oren Segal, the senior vice president for counter-extremism and intelligence for the ADL, said in a statement that the lack of content moderation on the platform amounted to a “public safety crisis,” adding that the company’s “decision to gut content moderation puts Instagram at risk of being a megaphone for the world’s most dangerous antisemites and extremists.”
Releasing the report ahead of a Meta shareholder meeting, the ADL is calling on the company to “reinstate proactive moderation measures against violative content.”
This article originally appeared on JTA.org.
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JD Vance heckled over Middle East policy at conservative event
(JTA) — Vice President JD Vance was interrupted by antiwar hecklers during a Turning Point USA event on Tuesday, underscoring growing backlash over U.S. policy in the Middle East among young Republicans.
“Jesus Christ does not support genocide,” one person shouted out during the event at the University of Georgia. Shortly after, a voice yelled out, “You’re killing children! You’re bombing children!”
“I agree,” Vance responded. “Jesus Christ certainly does not support genocide, whoever yelled that out from the dark.”
But he said the audience should be thankful for the Trump administration’s negotiation of a ceasefire between Israel and Hamas.
“You know who’s the person who got a peace agreement in Gaza? Donald J. Trump,” Vance said. “So if you want to complain about what happened in Gaza, why don’t you complain about Joe Biden and the last administration? We’re the administration that solved that problem.”
Vance also addressed criticism of the Iran war later in his remarks during the evening. “I recognize that young voters do not love the policy we have in the Middle East, OK,” he said, adding, “I understand.”
The incident at Turning Point USA, an influential youth organization in conservative politics that was founded by Charlie Kirk, a conservative activist who was killed last September, comes as the Republican party has faced blowback over the Iran war from top conservative activists, including Tucker Carlson.
Carlson, who has disparaged the joint U.S.-Israeli war with Iran and increasingly spread anti-Israel and antisemitic conspiracy theories on his show, has long maintained a relationship with Vance, whose refusal to rebuke the commentator has drawn scrutiny from Jewish conservative leaders.
While roughly seven in ten Republicans support the war with Iran, favorable views of Israel have declined among young Republicans in recent years, with 57% of Republicans ages 18 to 49 having an unfavorable opinion of Israel, up from 50% last year, according to the Pew Research Center.
Vance has defended the war in public despite reports he privately opposed entering the conflict. He urged the crowd to remain politically engaged despite potential disagreement with the administration.
“I’m not saying you to have to agree with me on every issue,” Vance said. “What I am saying is: Don’t get disengaged because you disagree with the administration on one topic. Get more involved, make your voice heard even more. That is how we ultimately take the country back.”
When asked by an attendee which “influencers” he would recommend young people listen to, Vance pointed to the popular podcaster Theo Von, who last June asked the vice president on his show about the “genocide” in Gaza. During that appearance, Vance rebuffed the idea that Israel was committing genocide.
The Turning Point USA event came shortly after Vance sparred with Pope Leo XIV over the pope’s criticism of the war. He said on Friday that “God does not bless any conflict” and that Christians should never be on the side of those who drop bombs.
Vance, who is Catholic, offered a different view. “Was God on the side of the Americans who liberated France from the Nazis?” he said. “I certainly think the answer is yes.”
This article originally appeared on JTA.org.
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