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The settlers’ attack on Huwara is not the Orthodox Judaism I grew up on
(JTA) — Nighttime in Huwara, a small Palestinian town in the West Bank. Jews in large skullcaps and sidelocks, prayer fringes dangling from their waists, responding loudly to the cantor: “Yehei shmei raba mevurach leolam u’leolmei olmaya” (“May His great name be blessed, forever and ever”) — the words of Kaddish, a regular daily prayer that can also be said to mourn the dead.
The gloom outside is illuminated by an enormous bonfire of cars, shops and homes belonging to the Palestinian residents of the village, which the Kaddish-reciters have set on fire, in revenge for the horrific and heartrending murders, hours before the pogrom, of brothers Hillel and Yagel Yaniv (may their memory be a blessing) and for other recent terror attacks in the area.
One Palestinian was killed during the rioting by these Jewish settlers. Dozens of wounded Palestinians were evacuated to hospitals, some from smoke inhalation, others from beatings and stabbings. A family was evacuated by IDF troops, moments before they might have perished in the flames that took their home.
This wasn’t just any Kaddish, yet another one of those said and repeated by any observant Jew multiple times a day, sometimes in mumbling fashion. This time it was a Kaddish for Judaism itself.
I grew up in a small town in central Israel, in a classic “dati leumi” or national religious community whose ideology combines Zionism and Orthodox Judaism. I studied in typical religious institutions: a school in the state-religious education stream, a high school yeshiva and a “hesder yeshiva,” which combines advanced religious studies with military service. I was also very active in the religious Zionist Bnei Akiva youth movement, as an educator and leader.
Even today I live in a religious community in Jerusalem, and my young children study in schools that belong to the state-religious education stream.
The Judaism that I know and by which I try to live is a Judaism that operates according to the commandment “walk in His ways” (Deuteronomy 11:22) and the Talmud: “As He is gracious you should also be gracious, as He is compassionate you should also be compassionate” (Shabbat 133b:4-6). This Judaism operates according to the verse from Leviticus, “The land shall not be sold permanently, for the land belongs to Me, for you are strangers and [temporary] residents with Me.”
By contrast, the Judaism that the militant settlers imbibed — or distorted — led one of the pogromchiks, he too in skullcap and sidelocks, to speak in Hebrew words I understood but whose language I could not not comprehend. “There is something very moving here,” he told a reporter. “Jews won’t be silent. What the army can’t do, what the police will never do, simple Jews come and carry out a simple act of vengeance, setting fire to anything they can.”
The same Judaism led Davidi Ben Zion, deputy head of the Samaria Regional Council, also an observant Jew, to say blithely, shortly before the pogrom, that “Huwara should be wiped off the earth — no room for mercy,” and “the [Jewish] guys in Huwara right now are behaving precisely like guys whose brothers were massacred in cold blood at point-blank. The idea that a Jew in Samaria is a diasporic Jew who will be stabbed in the heart and politely say thank you, is childish naivete.”
That same Judaism led Israel’s finance minister, Betzalel Smotrich, the de facto governor of the West Bank, to publicly support a tweet by another coalition member calling to “wipe out” the village.
In the name of this Judaism, denizens of hills and outposts abuse the Palestinians daily, with the aid or under the blind eye of the IDF. A national Jewish settlement endeavor has been taking place for two generations now, which despite the good intentions of some of its practitioners, has included land theft, institutionalized discrimination, killing and hatred. An endeavor under which the current coalition, the most observant ever, only grows and intensifies.
In ordinary times life is not black and white. The Palestinian side also has a significant part in the story. The violence comes in great force and cruelty from there as well, and its many victims and circles burn the soul and draw many good people into the cycle of vengeance. The solution, too, is complex and hard to see, even far off on the horizon. But there are moments when things are actually very clear, clarifying the gray areas, when the choices are between life and death, and good and evil.
This evil version of Judaism is a lethal drug, which through a historical twist of fate gained ascendance over our ancient tradition. Combined with nationalism and majority hegemony in the Land of Israel, it has become a conflagration, one that has long since spread beyond religious Zionism — what Americans might refer to as “Modern Orthodox” — to the haredi, or ultra-Orthodox sector, and Israeli society in general.
An entire generation of Jews has been raised on this Judaism of hate, contemptuous of anyone who is not Jewish, of any display of weakness, of compassion. To whom Judaism is not the keeping and continuation of our tradition, observing commandments or studying Torah, but a worship of “Jewish might” (“Otzma Yehudit,” the name of a far-right political party) and limitless greed. In this Judaism, traditional values like modesty, pity and charity are signs of weakness, or remnants of a pathetic and feeble Christian morality that under no circumstances are to be shown to a stranger, the other, those who are not like us.
What we need now is not accommodation, nor soft words and platitudes. Neither will an obvious and empty condemnation of the pogrom do a bit of good. What we need now — having seen the elected officials who represent this religious population, having witnessed their nationalist Judaism — is a policy rooted in a tradition they abandoned. We should treat those who distort Judaism as the Mishnah tells us to treat all evildoers: “Distance yourself from an evil neighbor, and do not cleave to a wicked person” (Ethics of the Fathers 1:7). We need to announce that we want no part in the feral growth that has sprung up here, that this is not the tradition we grew up on, this is not the Torah we studied, and this is not how we wish to live our lives and raise our children.
Let us return to tradition and start over.
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The post The settlers’ attack on Huwara is not the Orthodox Judaism I grew up on appeared first on Jewish Telegraphic Agency.
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
The post Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel appeared first on The Forward.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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