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This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur

(JTA) — The most notable message Melissa Klapper got during her four-night run this week on “Jeopardy!” didn’t come because the Jewish studies scholar was unable to answer a question about Yom Kippur. It also wasn’t an unkind note from a game-show stickler who believed she’d gotten credit for a wrong response.

Instead, it was an email from a past student who recognized herself in the story Klapper told as part of her self-introductory stage banter — a staple of the game show. Klapper, who teaches history at Rowan University in New Jersey, described accusing a student of having plagiarized her paper.

The student then replied, Klapper recalled, that she “didn’t know [it] was plagiarized when she bought it.” The anecdote yielded laughs from host Ken Jennings and the two co-contestants whom Klapper later defeated to notch her third win.

After the episode aired Wednesday night, Klapper heard from the former student, whose name she had previously forgotten.

“She watches ‘Jeopardy!’ and when she was watching that interview, she thought to herself, this is about me,” Klapper told the Jewish Telegraphic Agency. “And she wrote to me to apologize. She’s a teacher now and, I think, is more understanding of why what she did was really not good. And I really appreciated it. It was kind of brave of her to get in touch with me after all these years.”

The experience was a fitting highlight of Klapper’s run on the show, which ended Thursday with a third-place finish and total winnings of $60,100. She said it was her training as an educator — not her education in Modern Orthodox schools or her scholarship on Jewish women, immigrant children and more — that prepared her for success on the show.

“I’m up in front of people all the time,” said Klapper, who is active in the Association for Jewish Studies and whose most recent book, “Ballet Class: An American History,” was published in 2020. “I do not have stage fright.”

Klapper spoke with JTA about her Jewish background, her research interests and how her most religiously observant friends managed to watch her on TV.

This interview has been condensed and lightly edited for clarity.

JTA: First, I have to ask: Last night, did you end up with $1,800 on purpose? That’s a very Jewish number.

Klapper: No! That’s so funny. It didn’t even occur to me.

How are you feeling this morning? Any initial reflections on your appearance now that it’s over?

These shows were recorded in January, so I’ve had time to come to peace with what happened. I was disappointed not to win another game — or two. But Alec, the guy who won last night, was just unstoppable on the buzzer. Knowing the answers is not enough to do well in “Jeopardy!” You also have to have good hand-eye coordination, which I do not. I would say I knew the vast majority of answers but I often just could not get the buzzer in time. Once I knew I was going to be on the show, I did sort of sit at home and practice with a ballpoint pen, but it’s not the same.

I will say the fact that I couldn’t be fast enough to answer the Yom Kippur clue was pretty frustrating. [The clue was about a Jon Stewart quip about the Jewish day of atonement.] And I heard about that — I got a lot of fun teasing from some of my Jewish friends who were sending me helpful emails with links to the dictionary.com definition of Yom Kippur.

Can you share a little bit about your relationship with “Jeopardy!”, how you came to be on the show and your general reflection about your experience?

I grew up in a household where we watched “Jeopardy!” when I was kid. We had a “Jeopardy!” board game that I would play with my parents and my sister and I actually tried out for the teen tournament when I was in high school. Those were the days that you had to go in person, so my parents very kindly drove me into D.C. when we heard that there would be a tryout. I didn’t get past the first round — I didn’t know anything about sports, and I still don’t know that much, although I answered a surprising number of sports questions.

In the last few years I started to watch more regularly and it occurred to me, you know, I really think I could do OK on this show. I made it into the contestant pool the first time I took the online test, but I did not get called. The day after my 18 months [in the pool] ended, I started the process again, but I sort of assumed I would never hear from them again — especially because they asked you to write down dates when you can’t come and I had to write that I was not available during the semester — and, oh, also on Jewish holidays. But they called me for winter break.

They record five shows in a day, and all of mine were on one day. There’s about 10 minutes between shows when you change your top and can have a drink and then go right back onstage. It was just — really, it was all a blur. If you’d asked me at the beginning of this week what any of the categories were I would have been very hard-pressed to tell you.

You got some clues that seemed ready-made for a Jewish contestant such as one about Philip Roth’s “Portnoy’s Complaint” and another about Jack Antonoff, the Jewish musician and producer. What is your Jewish background like and were there moments where you felt like that gave you some kind of advantage?

Now I live in Lower Merion, Pennsylvania, which has a large observant Jewish community. My husband and I belong to a Modern Orthodox synagogue and we are involved in a partnership minyan, Lechu Neranena.

I went to Jewish day school my whole life, kindergarten through 12th grade, first at Akiba Academy of Dallas and then Bais Yaakov of Baltimore, which was the only girls high school and where I got a very solid education and was encouraged to pursue my intellectual ambitions. I went to Israel right after high school before I started college. So I have a very intensive Jewish educational background, and throughout my education and all the schools that I went to, I found a lot of encouragement for my innate nerdiness.

So I’m not sure I could draw a direct line, but what I will say is that in the Jewish educational environment I grew up in, matched by an extremely Jewish traditional home, there was just a huge, enormous value on reading and books and learning, and I think that makes a difference.

I will say I don’t think I knew about Jack Antonoff because he’s Jewish — I knew him because of Taylor Swift.

Were there Jewish highlights of your experience, either on the show or behind the scenes? 

They do not pay for you to go out to L.A. You’re responsible for your own travel, but they do provide lunch. I asked if it would be possible to get me a kosher lunch, and they immediately said yes, which I appreciated. There was no question or back and forth about it. I got a salad with a ton of protein that could take me through the day.

And then this is a little funny, but I have friends from across the spectrum of Jewish practice, or lack thereof. Some of my more traditionally observant friends don’t own TVs and wouldn’t have TVs in their houses — but they have been watching the show on YouTube every day because they have no other way to watch.

Your scholarship in American history and Jewish studies has been wide-ranging, and you’ve written books about American Jewish women’s activism, American Jewish girlhood and, most recently, ballet. How did your work as a scholar and a teacher prepare you for your appearance or dovetail with it?

I’m a teacher. I’m up in front of people all the time. I do not have stage fright. I give a lot of public talks of various kinds, in academic venues or community settings. And so I did not have any problems speaking or talking to Ken [Jennings] during the short interview period — that is not a problem for me. And for some contestants, it really is. They’re not used to just speaking in public at all like that. My professional background prepared me very well.

I have to ask about the big controversy. [Some viewers believed Klapper offered “Gregor” rather than “McGregor” as the response to a clue about the actor Ewan McGregor.]  What did you make of that, and what do you think it means for the “Jeopardy!” viewership to have such intensity of passion that they referee a professionally refereed show?

First, it’s not a controversy. It’s clear to everyone that I said McGregor on stage, including to my co-contestants who have spoken about this. There should not have been and there should not be any controversy.

That said, I don’t personally sort of participate in any kind of fandom, so the way that this sort of took off is a little alien to me. But I know not just in the “Jeopardy!” community people are really, I guess, just very invested. It’s hard for me to explain.

Has the response been hard for you?

I’m sure that everyone who appears on “Jeopardy!” gets some nasty emails because unfortunately fandom can be vicious and I’m very easy to find. But I do know that women who are on “Jeopardy!”, especially women who do well, really can be targeted. And I do think that is part of what happened. Some of the — most of the emails I got from strangers were extremely nice and positive and, you know, full of good wishes. And I appreciated that, but I also got some really misogynistic, nasty gendered messages.

It’s disappointing because in my mind the “Jeopardy!” community is one of the last nice spaces that exists. I’ve talked about that with other contestants over the years, who have said it’s a congenial space. And I’ve asked them — and now I’ll ask you — what do you think the Jewish community can learn from the “Jeopardy!” community?

As a historian, it’s sort of not in my nature to comment on the contemporary Jewish community. I do think there are shared values around knowledge and education.

I do think there’s a nice community of contestants. Even though we were all each other’s competitors, everybody was just really friendly and encouraging. It’d be nice if all communities would just be like that.

You teach women’s and gender studies. You mentioned one big gender dynamic related to being a “Jeopardy!” contestant. Were there others, or other connections to your scholarship, that jumped out during your time as a contestant?

Not so much gender, but my current research project is about American Jewish women who traveled abroad between the Civil War and World War II. It’s a research interest — I noticed as I was working on all my other projects that the Jewish girls and women I was writing about traveled a lot, way more than you would expect for the late 1800s and early 1900s — but it’s also because I love to travel myself. And that’s another way to learn. There were definitely questions on “Jeopardy!” that I knew because I’ve been there — like about the sculpture in the harbor in Copenhagen of the Little Mermaid. I thought: I’ve been there and I’ve seen that.

So you like traveling and you just won a little over $60,000. Do you have any specific plans for the winnings?

Well, first, I’ll have to deal with the IRS. I’m involved with a bunch of different charities and so I will certainly be giving some of this money to them. And my husband and I already have our big trip for the year planned in May — to the north of England, to Newcastle and Hadrian’s Wall — and so we are going to upgrade some parts of that experience a little bit.

And then let’s go back to the student who reached out to you. What do make of that?

Whatever they’re teaching, teachers really matter, for better or for worse, and that’s where my real impact is. I teach a lot of students a lot of different things and I really value my relationship with them. And as it says in Proverbs, right, I have learned a lot from my students, just like I hope they learned from me. Seeing how excited some of my students have been this week, I do think that, in a way, being on “Jeopardy!” was sort of part of my teaching practice and that it just shows, again, this value of education and knowledge. Yes, it’s trivia, but still it just makes you a better-rounded person. And it was nice to be able to demonstrate that.


The post This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur appeared first on Jewish Telegraphic Agency.

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‘A Whole Civilization Will Die Tonight’ Says Trump as Iran Defies Looming Deadline

An Iranian flag lies amidst the rubble of a building of the Sharif University of Technology, which was damaged in a strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, April 7, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

US President Donald Trump threatened that “a whole civilization will die tonight” as Iran showed no sign of accepting his ultimatum to open the Strait of Hormuz by Tuesday evening, Washington time.

Trump has given Iran until 8 pm in Washington – 3:30 am in Tehran – to end its blockade of Gulf oil or see the US destroy every bridge and power plant in Iran. Iran says it would retaliate against US allies in the Gulf, whose desert cities would be uninhabitable without power or water.

As the clock ticked down on Trump’s deadline, strikes on Iran intensified throughout the day, hitting railway and road bridges, an airport, and a petrochemical plant. US forces attacked targets on Kharg Island, home to Iran‘s main oil export terminal, which Trump has openly mused about seizing.

Iran responded by declaring it would no longer hold back from hitting its Gulf neighbors’ infrastructure and claimed to have carried out fresh strikes on a ship in the Gulf and a huge Saudi petrochemical complex.

TRUMP’S THREATS REACH NEW LEVEL

“A whole civilization will die tonight, never to be brought back again. I don’t want that to happen, but it probably will,” Trump wrote on his Truth Social website, in a statement directed at a nation that takes pride in being one of the earliest centers of civilization, dating back thousands of years into antiquity.

“However, now that we have Complete and Total Regime Change, where different, smarter, and less radicalized minds prevail, maybe something revolutionarily wonderful can happen, WHO KNOWS? We will find out tonight, one of the most important moments in the long and complex history of the World.”

With only hours left before the deadline, a senior Iranian source said Tehran was maintaining its refusal to reopen the strait without US concessions that so far were not forthcoming.

Pakistan, which has been the main go-between, was still relaying messages, but Washington had not changed its tone, the source said. If the US carried out Trump’s threat to hit Iran‘s power grid, Tehran would plunge Gulf states including Saudi Arabia into darkness, the source added, a threat that had been conveyed to Washington via Qatar.

Earlier, another senior Iranian source told Reuters that Tehran had rejected a proposal conveyed by intermediaries for a temporary ceasefire.

Talks on a lasting peace could begin only after the US and Israel stop bombing, guarantee not to start again. and offer compensation for damage, the Iranian source said, adding that any settlement must leave Iran in control of the strait, imposing fees for transit.

Despite the intensification of strikes and rhetoric from both sides, global markets were largely paralyzed, hesitant to bet on whether Trump would follow through on his threats or call them off as he has in the past.

Israel launched fresh attacks on Iranian infrastructure ahead of Trump’s deadline. It targeted train tracks and bridges that Prime Minister Benjamin Netanyahu said had been used by the Revolutionary Guards to transport operatives, weapons. and raw materials.

It also warned Iranians in a Persian-language social media post that anyone near railways would be in danger.

Power was knocked out in parts of Karaj west of Tehran by a strike on transmission lines and a substation.

PAKISTAN CONTINUES TO TRY TO BROKER TRUCE

Iran responded to an overnight attack on a major petrochemical site with a strike on Saudi Arabia’s huge downstream oil industry site at Jubail, where Western oil firms operate multi-billion-dollar ventures. Video verified by Reuters showed smoke and flames rising.

Iran‘s Revolutionary Guards said in a statement that Tehran would “deprive America and its allies in the region of oil and gas for years.”

“Up to today we have shown great restraint for the sake of good neighborliness and have had some consideration in choosing targets for retaliation,” it said. “But all these restraints have since been removed.”

Some Iranians hoped the threatened escalation could be averted.

“I hope it is another bluff by Trump,” Shima, 37, from the central city of Isfahan, told Reuters by phone.

Trump has abruptly called off similar threats over the past several weeks, citing what he has described as productive negotiations with figures in Iran he has never identified. Tehran has denied any such substantive talks have taken place.

Iran‘s ambassador to Pakistan said “positive and productive endeavors” by Islamabad to mediate an end to the war were “approaching a critical, sensitive stage.”

A proposal conveyed by Pakistan called for a temporary ceasefire and the lifting of Iran‘s effective blockade of the strait, while putting off a broader peace settlement for further talks, according to a source familiar with the plan.

But Iran‘s 10-point response, as reported by IRNA news agency on Monday, would require a permanent end to the war, the lifting of sanctions, and a promise of reconstruction of Iranian sites damaged by the Israeli-US strikes.

It would also include a new mechanism to govern passage through the strait – previously an open international waterway through which a fifth of global oil and liquefied natural gas typically passed. Since the US and Israel attacked Iran on Feb. 28, Iran has effectively closed it to most ships.

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In her inspired and inspiring history of the Jewish Bund, Molly Crabapple has found her anti-Zionist heroes for our time

Here Where We Live Is Our Country: The Story of the Jewish Labor Bund
By Molly Crabapple
One World, 453 pages, $32

The week of Passover, north Brooklyn bus riders found something unusual at several bus shelters. Swapped out for paid ads were quotes including one translated from a 1938 essay in Tsukunft, a Yiddish literary monthly once published by the Forward Association.

“If a Jewish state should arise in Palestine,” it read, “its spiritual climate will be eternal fear of the external enemy (Arabs); eternal struggle for every bit of ground with the internal enemy (Arabs); and an untiring struggle for the extermination of the language and culture of the non-Hebraized Jews of Palestine. Is this a climate in which freedom, democracy and progress can grow?”

There are pithier anti-Zionist slogans graffitied in Brooklyn, but this quote was from Henryk Erlich, a leader of the Jewish Labor Bund, a staunchly anti-Zionist socialist party founded in Vilna in 1897 that became the most influential political party among prewar Eastern European Jews.

The bus shelter takeover was part of a guerrilla ad campaign for Here Where We Live Is Our Country: The Story of the Jewish Labor Bund, a new book by the artist, activist and writer Molly Crabapple. The campaign, which started the same week the Justice Department sued Harvard University, accusing it of tolerating antisemitism by failing to crack down on anti-Zionist student protesters, also included wheatpasted posters of a model in fishnets holding Crabapple’s book.

The Trump administration and leading American Jewish groups like the Anti-Defamation League and American Jewish Committee argue that opposing Zionism, defined as Israel’s right to exist as a Jewish state, is antisemitic; Crabapple’s response is a 400-page Jewish history lesson.

Molly Crabapple’s ‘Here Where We Live Is Our Country’ finds inspiration in Bundists like her great-grandfather, the artist Sam Rothbort (left). Image by Molly Crabapple

Before World War II, most Jews were not Zionists. Many Orthodox communities felt that forming a Jewish state was heresy, others thought the mass migration of 9 million Jews from a hostile Europe was impractical. The Bund’s opposition to Zionism was not religious or pragmatic; it was ideological. Bundists argued that the future of Jews was linked to all workers, and they should stay and fight repression in Europe, not leave. They called this form of solidarity doikayt, Yiddish for here-ness, as opposed to Zionism’s there-ness.

Crabapple places the Bund, initially an outlawed group in Tsarist Russia, at the center of both the failed 1905 and successful 1917 revolutions. In interwar Poland, as a legal party, it became the most powerful Jewish political movement, even winning seats in municipal elections, and during the Holocaust, Bundists became ghetto fighters and partisans. But the Bund was purged by Stalin, who killed Erlich four years after his Tsukunft essay,  and decimated by the Nazis. In postwar America, the Bund was mostly forgotten.

Crabapple, a member of the Democratic Socialists of America and an Occupy Wall Street alumna, learned of the Bund through a watercolor by her great-grandfather the artist Sam Rothbort.  The painting, set in the Belarusian shtetl of his youth, shows a young woman in a blue dress throwing a rock through a cottage window. The caption reads: “Itka, the Bundist.”

In her 2018 New York Review of Books essay “My Great-Grandfather the Bundist,” Crabapple recounts discovering that Rothbort’s activism in Tsarist Russia forced him to flee to New York in 1904.

Since the publication of her article, Crabapple spent six years learning Yiddish, visited the former centers of Eastern Europe Jewish life, and dug through obscure Yiddish socialist tomes to produce her book. During the same time, Hamas attacked Israel on Oct. 7, 2023 and Israel responded by killing over 70,000 in Gaza in attacks which many, including the Israeli human rights group B’Tselem, have called a genocide. At the time of this writing, Israel is occupying southern Lebanon and along with the United States is at war with Iran. For the first time, Gallup polls show more Americans sympathize with Palestinians than with Israelis, and an increasing number of younger Jews have rejected Zionism outright and are rediscovering the Bund.

Sam Rothbort as a young man. Image by Molly Crabapple

Crabapple’s book is written for this moment. More than translating Bundist theory from Yiddish, she puts it into the language of today’s left. When Julius Martov declared in 1894 “that Jewish workers were oppressed both as workers and as Jews, as a race and a class,” Crabapple explains that he was invoking what the modern-day scholar Kimberlé Crenshaw calls “intersectionality” and was a form of “identity politics.”

To tell the Bund story, Crabapple focuses on a cast of characters including Erlich’s wife, the poet and activist Sophia Dubnow; the militant leader Bernard Goldstein; the famous ghetto smuggler Vladka Meed (nee Feigele Peltel); and her own great-grandfather Sam Rothbort.  In some instances, she relies on memoirs; for Rothbort, she interprets the hundreds of paintings and sculptures in her great-aunt’s Brooklyn home and pulls on genealogical threads from her mother’s shoebox of family papers.

Crabapple, whose artwork is in the permanent collection of MoMA and the Rubin Museum, and has posters currently on display at the Poster House, introduces each character with an ink drawing portrait. Her artwork tends to lay bare her political perspective. She renders Donald Trump grotesque, while her sketches of Bundists are more similar to her portraits that glorify leftist icons like Luigi Mangione, the accused assassin of the United Health Care CEO Brian Thompson.

When asked in 2020 on the progressive Jewish podcast Treyf if progressives were engaging with a “romanticized fantasy of the Bund,” she didn’t disagree. “There’s actually a great value to simplified and aesthetic symbols in politics,” she said. “The fantasy of the Bund that I see is a muscly Jewish guy in a newsboy cap saying ‘fuck the Zionists’ with one middle finger while the other hand punches a Nazi.”

Here Where We Live Is Our Country is not a caricature of the Bund, nor a work of fan fiction; it’s a deeply researched portrait, but at its core lies this romantic vision. The Bund ran soup kitchens, sports programs and day camps, and promoted the Yiddish language, but Crabapple is most attracted to their street-fighting militancy. And her narrative can be one-sided. The Erlich quote in the book and on the bus shelter was part of a public debate with his father-in-law, the historian Simon Dubnow. Dubnow’s response goes untold.

But there are plenty of academic texts that dissect 90-year-old political debates. Crabapple’s book is different, and better for it. Here Where We Live Is Our Country reads like an epic novel with the Bundists as its tragic heroes.

Patti Kremer. Image by Molly Crabapple

Crabapple, as narrator, relates her experiences protesting at the 2011 Occupy Wall Street encampment, canvassing housing projects with the DSA, reporting from the West Bank and Gaza, and traveling through war-torn Ukraine. The personal interjections remind the reader that this is not a dispassionate history. Naomi Klein’s blurb praises the book as “a portal to an irresistible, lost world,” but Crabapple’s goal is not to write an elegy. She calls the Bund’s history a “candle to illuminate the tumultuous present” and hopes her book “serves as a guide to our urgent moment.” She decouples Zionism from Jewishness and shows that anti-Zionism alone is not antisemitic, but she leaves largely unresolved the question of what the Bund’s example demands of us today.

The Bund organized eastern European Jewish workers who lacked basic civil rights. Today’s challenge is less about Jewish empowerment, than it is about how Jews wield power,  vis-a-vis the state of Israel and its military. In the book, however, Israel barely appears as an actual place where millions of Jews and Palestinians live.  Instead,  Israel is seen through the prism of its founding ideology, Zionism — one which pre-war Bundists argued adopted the worst quality of European ethno-nationalism.

As the Erlich quote argues, a Jewish state in Israel was destined to repeat endless cycles of violence and tribalism. In this view, the socialist kibbutzes that seduced leftists like a young Bernie Sanders or the overtures of peace and coexistence by Liberal Zionists like Yitzhak Rabin, are all illusions. For Crabapple, the inescapable reality of Zionism is instead the right-wing Benjamin Netanyahu, the violent settlers, and increasingly brutal wars and occupation.

The antidote is the Bundists’ concept of solidarity — where Jews join with the workers of the world but, unlike in Communism, hold on to their Jewish identity. One of the quotes Crabapple returns to several times is from the Socialist Congressman and Bundist ally Meyer London in 1905, where he inverts the story of Exodus: “Are you aware that in Russian Poland, thousands of our Jewish boys and girls are giving their lives for liberty? They pray to God, not to lead them again out of Egypt, but to help them to free Egypt.”

The quote, like Crabapple’s book, is poetic and noble. It goes against everything I learned in Hebrew School, yet somehow reflects Jewish values in its call to be empathetic to the oppressed, because we “were once a stranger in a strange land.”

Reflecting on a 1938 Erlich speech about the rise of Nazism, where he calls on Polish Jews to stand in solidarity with the same people who had carried out pogroms across their country, Crabapple writes: “This was it. There was only Egypt, the Bund knew, and they were stuck with the Egyptians. They were people first, not Jews or goys.” It is a beautiful and heartbreaking line, knowing what came next.

Sophia Dubnova. Image by Molly Crabapple

This tragic solidarity is presented as a point of inspiration, but how? The 2023 Jewish Voices for Peace cease-fire protest that filled Grand Central Terminal is offered as an example of Bundist-like solidarity in action, but Crabapple, who has supported a cultural boycott of Israel, stops short of prescribing what this anti-Zionism should mean today.

Vast numbers of Jews, including Bundists, did leave Egypt and cross into Israel — not not because of ideology or religion, but because of history. American labor leader David Dubinsky, who is featured in the book, was exiled to Siberia by the Tsar and escaped to New York, where he co-founded the Jewish Labor Committee in 1934, providing Bundists critical support during the Holocaust.

In his memoirs, Dubinsky recalls telling David Ben-Gurion after the war, “even though I am sympathetic to the creation of Israel, I am not a Zionist.” He then spent decades steering American labor to support Israel financially and politically.

Crabapple also includes Vladka Meed, the celebrated ghetto smuggler, drawing on her memoir Both Sides of the Wall, the proceeds of whose English edition were donated to the Ghetto Fighters’ House Museum in Israel, where Meed led groups of Americans on educational trips.

The historian David Slucki in his 2012 book, The International Jewish Labor Bund after 1945, finds that over time the Bund came to terms with the state of Israel; the Bund’s World Coordinating Committee accepted it as an important Jewish community, but not the sole political and cultural center, and eventually advocated a two-state solution.

It’s hard to imagine the Bund simply “Standing with Israel” today. But nearly half of Americans under 30 describe Hamas as a militant resistance group rather than a terrorist organization, and anti-Zionism has been taken up by far right antisemites. Crabapple doesn’t spell out what the Bundist response would be today; she leaves that to the reader. What she does is resurrect a buried political tradition in a way her Bundist heroes would appreciate: not just in book form, but in the streets for everyday Brooklyn bus riders.

The post In her inspired and inspiring history of the Jewish Bund, Molly Crabapple has found her anti-Zionist heroes for our time appeared first on The Forward.

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Long Island town ordered to pay $19M after blocking Chabad synagogue construction

(JTA) — After nearly two decades of legal sparring, a town on Long Island has been ordered to pay a local Chabad center $19 million, settling claims that officials unlawfully blocked the construction of a synagogue on its rabbi’s property.

Rabbi Aaron Konikov and Lubavitch of Old Westbury sued the Village of Old Westbury in 2008, after the village passed a law in 2001 governing places of worship as Konikov sought to build a synagogue on his property.

Local officials enacted the law two years after Konikov planned a ceremony to announce a new building on the land where he already operates a synagogue. They decreed that houses of worship could be built only on plots of 12 acres or more. Konikov owns a 9-acre plot.

In October, U.S. District Judge Gary Brown ruled that the 2001 ordinance “unconstitutionally discriminates against the free exercise of religion and is therefore facially invalid.”

Old Westbury agreed to pay the plaintiffs in the suit $19 million as part of a consent decree, which was signed by Brown on March 18, Newsday reported this week.

“This consent decree may not be modified, changed or amended except in writing signed by each of the parties approved by the court,” Brown wrote. “Each party participated fully in the negotiation and drafting of the terms of this decree, and any ambiguity shall not be construed against any party.”

Kornikov did not respond to requests for comment on Monday. But he may soon be switching into construction mode for his long hoped-for synagogue, for which preliminary plans show a 20,875-square-foot building and an adjacent parking lot.

The $19 million payment will be made by the village’s insurance providers, and Lubavitch of Old Westbury has until Jan. 15, 2027, to apply for a special-use permit from the village to build a synagogue, according to Newsday.

The ruling marks a notable victory for emissaries of the Chabad-Lubavitch movement, who have often been met with legal challenges when establishing centers. Last July, the Village of Atlantic Beach in New York agreed to pay Chabad of the Beaches $950,000 to settle a legal battle over the construction of a new community center.

This article originally appeared on JTA.org.

The post Long Island town ordered to pay $19M after blocking Chabad synagogue construction appeared first on The Forward.

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