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This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur

(JTA) — The most notable message Melissa Klapper got during her four-night run this week on “Jeopardy!” didn’t come because the Jewish studies scholar was unable to answer a question about Yom Kippur. It also wasn’t an unkind note from a game-show stickler who believed she’d gotten credit for a wrong response.

Instead, it was an email from a past student who recognized herself in the story Klapper told as part of her self-introductory stage banter — a staple of the game show. Klapper, who teaches history at Rowan University in New Jersey, described accusing a student of having plagiarized her paper.

The student then replied, Klapper recalled, that she “didn’t know [it] was plagiarized when she bought it.” The anecdote yielded laughs from host Ken Jennings and the two co-contestants whom Klapper later defeated to notch her third win.

After the episode aired Wednesday night, Klapper heard from the former student, whose name she had previously forgotten.

“She watches ‘Jeopardy!’ and when she was watching that interview, she thought to herself, this is about me,” Klapper told the Jewish Telegraphic Agency. “And she wrote to me to apologize. She’s a teacher now and, I think, is more understanding of why what she did was really not good. And I really appreciated it. It was kind of brave of her to get in touch with me after all these years.”

The experience was a fitting highlight of Klapper’s run on the show, which ended Thursday with a third-place finish and total winnings of $60,100. She said it was her training as an educator — not her education in Modern Orthodox schools or her scholarship on Jewish women, immigrant children and more — that prepared her for success on the show.

“I’m up in front of people all the time,” said Klapper, who is active in the Association for Jewish Studies and whose most recent book, “Ballet Class: An American History,” was published in 2020. “I do not have stage fright.”

Klapper spoke with JTA about her Jewish background, her research interests and how her most religiously observant friends managed to watch her on TV.

This interview has been condensed and lightly edited for clarity.

JTA: First, I have to ask: Last night, did you end up with $1,800 on purpose? That’s a very Jewish number.

Klapper: No! That’s so funny. It didn’t even occur to me.

How are you feeling this morning? Any initial reflections on your appearance now that it’s over?

These shows were recorded in January, so I’ve had time to come to peace with what happened. I was disappointed not to win another game — or two. But Alec, the guy who won last night, was just unstoppable on the buzzer. Knowing the answers is not enough to do well in “Jeopardy!” You also have to have good hand-eye coordination, which I do not. I would say I knew the vast majority of answers but I often just could not get the buzzer in time. Once I knew I was going to be on the show, I did sort of sit at home and practice with a ballpoint pen, but it’s not the same.

I will say the fact that I couldn’t be fast enough to answer the Yom Kippur clue was pretty frustrating. [The clue was about a Jon Stewart quip about the Jewish day of atonement.] And I heard about that — I got a lot of fun teasing from some of my Jewish friends who were sending me helpful emails with links to the dictionary.com definition of Yom Kippur.

Can you share a little bit about your relationship with “Jeopardy!”, how you came to be on the show and your general reflection about your experience?

I grew up in a household where we watched “Jeopardy!” when I was kid. We had a “Jeopardy!” board game that I would play with my parents and my sister and I actually tried out for the teen tournament when I was in high school. Those were the days that you had to go in person, so my parents very kindly drove me into D.C. when we heard that there would be a tryout. I didn’t get past the first round — I didn’t know anything about sports, and I still don’t know that much, although I answered a surprising number of sports questions.

In the last few years I started to watch more regularly and it occurred to me, you know, I really think I could do OK on this show. I made it into the contestant pool the first time I took the online test, but I did not get called. The day after my 18 months [in the pool] ended, I started the process again, but I sort of assumed I would never hear from them again — especially because they asked you to write down dates when you can’t come and I had to write that I was not available during the semester — and, oh, also on Jewish holidays. But they called me for winter break.

They record five shows in a day, and all of mine were on one day. There’s about 10 minutes between shows when you change your top and can have a drink and then go right back onstage. It was just — really, it was all a blur. If you’d asked me at the beginning of this week what any of the categories were I would have been very hard-pressed to tell you.

You got some clues that seemed ready-made for a Jewish contestant such as one about Philip Roth’s “Portnoy’s Complaint” and another about Jack Antonoff, the Jewish musician and producer. What is your Jewish background like and were there moments where you felt like that gave you some kind of advantage?

Now I live in Lower Merion, Pennsylvania, which has a large observant Jewish community. My husband and I belong to a Modern Orthodox synagogue and we are involved in a partnership minyan, Lechu Neranena.

I went to Jewish day school my whole life, kindergarten through 12th grade, first at Akiba Academy of Dallas and then Bais Yaakov of Baltimore, which was the only girls high school and where I got a very solid education and was encouraged to pursue my intellectual ambitions. I went to Israel right after high school before I started college. So I have a very intensive Jewish educational background, and throughout my education and all the schools that I went to, I found a lot of encouragement for my innate nerdiness.

So I’m not sure I could draw a direct line, but what I will say is that in the Jewish educational environment I grew up in, matched by an extremely Jewish traditional home, there was just a huge, enormous value on reading and books and learning, and I think that makes a difference.

I will say I don’t think I knew about Jack Antonoff because he’s Jewish — I knew him because of Taylor Swift.

Were there Jewish highlights of your experience, either on the show or behind the scenes? 

They do not pay for you to go out to L.A. You’re responsible for your own travel, but they do provide lunch. I asked if it would be possible to get me a kosher lunch, and they immediately said yes, which I appreciated. There was no question or back and forth about it. I got a salad with a ton of protein that could take me through the day.

And then this is a little funny, but I have friends from across the spectrum of Jewish practice, or lack thereof. Some of my more traditionally observant friends don’t own TVs and wouldn’t have TVs in their houses — but they have been watching the show on YouTube every day because they have no other way to watch.

Your scholarship in American history and Jewish studies has been wide-ranging, and you’ve written books about American Jewish women’s activism, American Jewish girlhood and, most recently, ballet. How did your work as a scholar and a teacher prepare you for your appearance or dovetail with it?

I’m a teacher. I’m up in front of people all the time. I do not have stage fright. I give a lot of public talks of various kinds, in academic venues or community settings. And so I did not have any problems speaking or talking to Ken [Jennings] during the short interview period — that is not a problem for me. And for some contestants, it really is. They’re not used to just speaking in public at all like that. My professional background prepared me very well.

I have to ask about the big controversy. [Some viewers believed Klapper offered “Gregor” rather than “McGregor” as the response to a clue about the actor Ewan McGregor.]  What did you make of that, and what do you think it means for the “Jeopardy!” viewership to have such intensity of passion that they referee a professionally refereed show?

First, it’s not a controversy. It’s clear to everyone that I said McGregor on stage, including to my co-contestants who have spoken about this. There should not have been and there should not be any controversy.

That said, I don’t personally sort of participate in any kind of fandom, so the way that this sort of took off is a little alien to me. But I know not just in the “Jeopardy!” community people are really, I guess, just very invested. It’s hard for me to explain.

Has the response been hard for you?

I’m sure that everyone who appears on “Jeopardy!” gets some nasty emails because unfortunately fandom can be vicious and I’m very easy to find. But I do know that women who are on “Jeopardy!”, especially women who do well, really can be targeted. And I do think that is part of what happened. Some of the — most of the emails I got from strangers were extremely nice and positive and, you know, full of good wishes. And I appreciated that, but I also got some really misogynistic, nasty gendered messages.

It’s disappointing because in my mind the “Jeopardy!” community is one of the last nice spaces that exists. I’ve talked about that with other contestants over the years, who have said it’s a congenial space. And I’ve asked them — and now I’ll ask you — what do you think the Jewish community can learn from the “Jeopardy!” community?

As a historian, it’s sort of not in my nature to comment on the contemporary Jewish community. I do think there are shared values around knowledge and education.

I do think there’s a nice community of contestants. Even though we were all each other’s competitors, everybody was just really friendly and encouraging. It’d be nice if all communities would just be like that.

You teach women’s and gender studies. You mentioned one big gender dynamic related to being a “Jeopardy!” contestant. Were there others, or other connections to your scholarship, that jumped out during your time as a contestant?

Not so much gender, but my current research project is about American Jewish women who traveled abroad between the Civil War and World War II. It’s a research interest — I noticed as I was working on all my other projects that the Jewish girls and women I was writing about traveled a lot, way more than you would expect for the late 1800s and early 1900s — but it’s also because I love to travel myself. And that’s another way to learn. There were definitely questions on “Jeopardy!” that I knew because I’ve been there — like about the sculpture in the harbor in Copenhagen of the Little Mermaid. I thought: I’ve been there and I’ve seen that.

So you like traveling and you just won a little over $60,000. Do you have any specific plans for the winnings?

Well, first, I’ll have to deal with the IRS. I’m involved with a bunch of different charities and so I will certainly be giving some of this money to them. And my husband and I already have our big trip for the year planned in May — to the north of England, to Newcastle and Hadrian’s Wall — and so we are going to upgrade some parts of that experience a little bit.

And then let’s go back to the student who reached out to you. What do make of that?

Whatever they’re teaching, teachers really matter, for better or for worse, and that’s where my real impact is. I teach a lot of students a lot of different things and I really value my relationship with them. And as it says in Proverbs, right, I have learned a lot from my students, just like I hope they learned from me. Seeing how excited some of my students have been this week, I do think that, in a way, being on “Jeopardy!” was sort of part of my teaching practice and that it just shows, again, this value of education and knowledge. Yes, it’s trivia, but still it just makes you a better-rounded person. And it was nice to be able to demonstrate that.


The post This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur appeared first on Jewish Telegraphic Agency.

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Free Speech Advocacy Group Walks Back Condemnation of Israeli Comedian’s Shows Being Abruptly Canceled

The Israeli national flag flutters as apartments are seen in the background in the Israeli settlement of Maale Adumim in the West Bank, Aug. 16, 2020. Photo: REUTERS/Ronen Zvulun

An organization dedicated to protecting free speech has withdrawn a statement in which it condemned the last-minute cancellations of two performances by Israeli comedian Guy Hochman, after he faced backlash over his support for Israel.

Two venues, in New York and California, canceled Hochman’s scheduled performances last month.

Hochman’s show in New York City was canceled by its venue due to safety concerns after anti-Israel protesters picketed outside of the establishment.

The Fine Arts Theater in Beverly Hills, California, then called off Hochman’s gig after receiving pressure from anti-Israel activists, including threats of violence. The theater said it made the decision also after Hochman declined the venue’s demands to publicly condemn his home country of Israel for the alleged “genocide, rape, starvation, and torture of Palestinian civilians.”

PEN America initially condemned the cancellations of Hochman’s shows in a statement shared on its website on Jan. 29. At the time, Jonathan Friedman, the managing director of US free expression programs at PEN America, said, “It is a profound violation of free expression to demand artists, writers, or comedians agree to ideological litmus tests as a condition to appear on a stage.”

“People have every right to protest his events, but those who wish to hear from Hochman also have a right to do so,” Friedman added. The statement accused Hochman of “dehumanizing social media posts about Palestinians” but also noted that “shutting down cultural events is not the solution.”

On Tuesday, however, PEN America removed the message from its website and replaced it with another statement explaining the move: “On further consideration, PEN America has decided to withdraw this statement. We remain committed to open and respectful dialogue about the divisions that arise in the course of defending free expression.” A spokesperson for PEN America did not immediately respond to The Algemeiner‘s request for comment to further explain the organization’s change of heart.

In 2024, a campaign was launched to boycott PEN America after the group was accused of being apologetic to the alleged “genocide” of Palestinians and “apartheid” in Israel, as well as of “normalizing Zionism.”

Members of PEN America include novelists, journalists, nonfiction writers, editors, poets, essayists, playwrights, publishers, translators, agents, and other writing professionals, according to its website. The organization has a page on its website dedicated to information about “Israel and the Occupied Palestinian Territory,” which begins by claiming that the “Israeli government has cracked down on free expression of writers and public intellectuals in the wake of the Oct. 7, 2023, attack on Israel by Hamas.” The webpage is highly critical of the Jewish state and its military actions in the Gaza Strip during the Israel-Hamas war, which started in response to the deadly rampage orchestrated by the US-designated terror organization across southern Israel on Oct. 7, 2023.

The same webpage highlights a list of “individual cases” of Palestinian activists and writers that Israel has allegedly detained, arrested, or convicted, but there are no specific details shared about their offenses. The list includes Palestinian poet Dareen Tatour, who was convicted of incitement to terrorism for a poem she wrote and comments she made on social media during a wave of Palestinian attacks against Jews.

The list also includes Palestinian activist Ahed Tamimi, but the provided description about Tamimi does not mention that she was convicted on four counts of assaulting an IDF officer and soldier, incitement, and interference with IDF forces in March 2018.

A third writer on the list is Mosab Abu Toha, a Pulitzer Prize-winning poet and essayist who tried to justify Hamas’s abduction of Israelis on Oct. 7, 2023.

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Faith in Judaism Demands Grappling With Sacred Words

A Torah scroll. Photo: Wikimedia Commons.

The Reformation firebrand Martin Luther was not a gentle soul. He was brilliant, courageous, and historically transformative, but he was also volatile, cruel, and spectacularly foul-mouthed. When Luther disliked someone, he didn’t merely disagree with them – he eviscerated them.

His pamphlets dripped with bile, his language was obscene, and when it came to Jews, his writings were vicious, laying the groundwork for some of the darkest chapters of later European history. None of this, to be clear, negates the fact that Luther correctly identified real corruption and hypocrisy within the Catholic Church of his day.

Luther’s stock response to his critics within the Church was deceptively simple: prove me wrong from the text of the Bible. If it wasn’t written explicitly in Scripture, he dismissed it as human invention, manmade directives masquerading as divine command.

He had no time for tradition, accumulated wisdom, or interpretation; everything was suspect unless it could be nailed down to “chapter and verse,” as he liked to put it. Luther’s position appeared principled and even pious, but it placed enormous – and ultimately destructive – weight on the written word alone.

Of course, as is often the case with sweeping theological positions, consistency proved difficult. At one point, Luther came up against a short New Testament text that stubbornly refused to cooperate with his theology. The Epistle of James insists that faith without works is dead, a line that clashed directly with Luther’s doctrine of salvation by faith alone.

In a telling moment, Luther remarked, “We should throw the Epistle of James out of this school, for it doesn’t amount to much.” Instead of wrestling with the verse or considering how generations of Christians had understood it, he dismissed the book altogether. And that was that. If it didn’t fit, it didn’t count.

The episode is almost comic, but it exposes the fatal fault line in Luther’s entire approach. A theology that insists on absolute fidelity to the text grants enormous power to the reader. When interpretation is denied, selection takes its place.

From a Jewish perspective, there is something eerily familiar about this obsession with textual literalism. The Second Temple–era Sadducees rejected ancient traditions and rabbinic interpretation in favor of the bare biblical text.

Centuries later, the Karaites would do the same, insisting that anything not spelled out explicitly in the Torah was illegitimate. Their position was internally consistent – and completely unworkable. A faith that forbids interpretation does not preserve religious observance; it paralyzes it.

The Torah reveals its intention regarding the centrality of interpretation at the very moment of revelation in Parshat Yitro. When God speaks at Sinai, He does not present the Jewish people with a comprehensive legal code, nor does He offer an exhaustively detailed constitution. Instead, He presents ten short statements – majestic and memorable, but remarkably sparse.

Do not murder. Do not steal. Do not commit adultery. Honor your parents. These are not radical moral breakthroughs. Any functioning society would struggle to survive without them.

Even the commandments that sound more overtly theological – belief in God, rejection of idolatry, observing Shabbat – are delivered with little definition or elaboration. What does it mean to believe? What counts as idolatry? What does remembering Shabbat actually require? The text does not say.

That silence is no oversight. If the Torah had intended to function as a closed book, the Ten Commandments as they are presented would be inexplicably inadequate. They contain no legal thresholds, no procedural detail, and no guidance for variation or complexity.

“Do not steal” tells us nothing about business partnerships, contracts, fraud, or intellectual property. “Do not murder” offers no framework for intent, self-defense, negligence, or the rules of war. “Remember the Sabbath day” may be stirring rhetoric, but as law, it is unusable. What, precisely, are we supposed to remember? And what are the practical applications?

The answer, of course, is that the Torah itself never expected these questions to be answered by the text alone. The Ten Commandments were never meant to stand by themselves. They are headline principles – foundational truths that demand explanation, expansion, and application.

And the Torah provides that expansion not in footnotes or appendices, but through an interpretive process that unfolds across generations. The law was not frozen at the moment of revelation; it was activated by it.

This is where Judaism parts ways decisively with Luther’s instinctive literalism. At Sinai, God makes clear that the written word is sacred – but it is not sufficient. Meaning is not trapped inside the text; it emerges only through engagement with it. So how does the Torah move from lofty principle to lived law?

The answer Judaism gives is Torah Shebaal Peh, the Oral Law. This is not a later workaround or a rabbinic ploy to fill in gaps, but an interpretive framework indicated by the way the text itself was given. The written Torah is the text God gave us at Sinai; the Oral Law is the method He gave us to understand it.

That method is neither whimsical nor arbitrary. It is disciplined, structured, and demanding. The Talmudic sage Rabbi Yishmael articulated thirteen interpretive principles – rules for extracting meaning from text through literary association, contextual reading, and logical deduction.

Verses illuminate one another. Words echo elsewhere. Broad principles generate specific applications. Law emerges not because it is spelled out, but because it is derived.

And then there is another category altogether: traditions that do not emerge from textual analysis at all. The Torah commands us to bind tefillin – but never tells us their shape, their color, or even how many compartments they should contain. These, too, are traditions transmitted through the Oral Law.

The Torah prohibits “work” on the seventh day but offers no definition of what work means – until the Oral Law teaches that the categories of creative labor are learned from the acts required to build the Tabernacle.

This is why the demand to “prove everything from the text” is not piety but misunderstanding. The Torah does not operate like a legal statute book, and it never pretended to be one.

Seen this way, the Ten Commandments are not deficient because they lack detail. They are magnificent precisely because they force us beyond the page. They announce that God speaks – and then expect human beings to listen, interpret, and take responsibility for what those words will mean in the real world.

Martin Luther believed that unless an idea could be anchored explicitly in the biblical text, it was suspect and therefore expendable. In theory, that sounds like reverence. In practice, it collapses the moment the text refuses to cooperate. Judaism chose a different path.

The Ten Commandments stand at the center of our faith not because they tell us everything we need to know, but because they tell us so little. They are moral declarations without detail, principles without procedure – and for that very reason, they demand interpretation rather than submission.

Faith, in Judaism, is not proven by quoting sacred words, but by grappling honestly with what those words require of us.

Ultimately, this is what the revelation at Sinai teaches us about Judaism. God gives us a text — but also a task. He entrusts human beings with the responsibility to interpret, apply, and live His word in a world that is endlessly complex and morally demanding.

The Torah is certainly sacred, but it is not self-sufficient. It comes alive only when it is studied, debated, transmitted, and lived.

The author is a rabbi in Beverly Hills, California.

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Palestinian Authority Again Admits UNRWA Is Political

A truck, marked with United Nations Relief and Works Agency (UNRWA) logo, crosses into Egypt from Gaza, at the Rafah border crossing between Egypt and the Gaza Strip, during a temporary truce between Hamas and Israel, in Rafah, Egypt, Nov. 27, 2023. Photo: REUTERS/Amr Abdallah Dalsh

The Palestinian Authority has again admitted — three times in two weeks — that UNRWA is all about politics as it seeks to preserve the organization so it can keep alive the demand to flood Israel with “returning refugees.”

Last month, a column in the official PA daily defined what it views as the very mandate of UNRWA:

“The Fatah Revolutionary Council … emphasized … that all the patriots must … defend UNRWA and its mandate because it is a testimony to the Nakba (i.e., “the catastrophe,” the Palestinian term for the establishment of the State of Israel) and the sanctity of the refugees’ right of return.”

[Official PA daily Al-Hayat Al-Jadida, Jan. 11, 2026]

This is the PA admitting, openly, that the central value of UNRWA is ideological and political. It is why the PA frames challenges to UNRWA as an Israeli plot to erase the refugee issue and the dream of “return” into Israel. In the following statement by a PA spokesman on official PA TV, the claim is taken a step further and tied directly to Israel’s sovereignty and to Jerusalem, again showing clearly that this is not actually a humanitarian issue for the PA but a political one, with the mission of UNRWA being to ultimately undo Israel through “return.”

PA Jerusalem District Spokesman Ma’arouf Al-Rifai: “Since Oct. 7, [2023], Israel has started a campaign of incitement against UNRWA to eliminate the refugee issue, to eliminate what we Palestinians are dreaming of, namely the right of return and compensation. Israel is attempting to impose full sovereignty over Jerusalem and annex it to the cities of the occupation (i.e., Israel) like any city that was occupied in 1948.”

[Official PA TV News, Jan. 20, 2026]

Note that the PA spokesman reiterated what Palestinian Media Watch has stressed many times, which is that the PA sees all of Israel as “occupied in 1948.”

A senior PLO official also made a similar admission on official PA radio several days later:

Head of the PLO Department of Jerusalem Affairs Adnan Al-Husseini: UNRWA is an institution of the UN, but for the Palestinians, it has great significance. Its significance is the [Palestinian refugees’] right of return. The right of return is an expression that, from the perspective of the occupation (i.e., Israel), is unacceptable… [but] in Palestine the matter is not over, because people have rights, and they are waiting for the day when they will achieve their rights. UNRWA has been confirming this and strengthening it for decades.”

[The Voice of Palestine (official PA radio station), Facebook page, Jan. 26, 2026]

What makes UNRWA different?

UNRWA was created by the UN General Assembly in 1949, and its mandate has been regularly renewed ever since. Today, UNRWA itself says about 5.9 million “Palestine refugees” are eligible for its services.

A normal humanitarian system would aim to end refugee status through resettlement, integration, and permanent solutions. That is the logic of the global refugee agency, the United Nations High Commission for Refugees (UNHCR), which operates worldwide and explicitly provides lifesaving aid while pursuing durable solutions.

UNRWA, however, is different by design. It exists as a separate, exceptional framework — one that intentionally refuses to end the suffering of the 5.9 million descendants of the 750,000 refugees with the only possible solution, which is resettlement. Instead, it keeps them in their camps chained as refugees as a central political policy for generations.

Much of the international community deludes itself that UNRWA primarily is a humanitarian necessity, yet the PA consistently tells the truth on this issue by defining it as one of “return.” In other words, it is political, and that is why the PA insists that it must remain. UNRWA is not just a service provider but a vehicle for the “right of return.” The PA has no intention of ending Palestinian refugeehood. Instead, it exploits UNRWA and the suffering “refugees” for political gain.

Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.

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