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This Purim, a space for queer Jews to celebrate their identities — and dance the night away
(New York Jewish Week) — Stuart Meyers grew up in the heavily Jewish Philadelphia suburb of Voorhees Township, New Jersey. Yet, even though he was Jewish, being queer meant that he often felt like an outsider in Jewish spaces.
Fortunately, as an adult, Meyers — a dancer, artist and nightlife events producer — realized that, instead of abandoning one identity in lieu of another, he could create a vibrant space for queer Jews to celebrate both aspects of their identities.
“I didn’t have an experience [growing up] of being able to bridge my queer and Jewish identities — I just was made to feel like they couldn’t coexist,” Meyers, 32, told the New York Jewish Week. “I started to have this desire and longing to understand what it meant to be Jewish and bring these two identities together.”
In 2021, the Bushwick, Brooklyn resident developed “Flaminggg,” a queer Jewish nightlife experience that aims to bring Jews of all gender expressions and sexual orientations together to loudly and proudly celebrate their Jewish and queer identities. (The name, Meyers said, stuck around after he threw his first Hanukkah party. “It was easy to affirm: We are a fiery, bright burning bunch whose light, despite it all, is eternal.”)
Flaminggg parties, of which there have been four so far, include DJ sets that incorporate pop music, house music and Jewish music, as well as drag performances, dancing, conversation and Jewish rituals. Next week, Flaminggg will host “Flamingggtaschen,” its second-ever Purim party on March 4, at 3 Dollar Bill, a queer club in East Williamsburg. These days, the winter holiday, when cross-dressing and role-playing are commonly a part of even traditional festivities, is often associated with queer pride and a celebration of coming out,
“It’s a sensitive thing,” Meyers said. “People who are queer but secular often say, ‘I do not want to be in a Jewish space.’” Some queer Jews had experiences growing up where they didn’t feel like they belonged, while others were unsure of what to expect, he said. Still others have participated in — and not enjoyed — queer Jewish events that are “not sexy” and felt antiquated, he said.
“I think being queer and Jewish is sexy, magnificent and magical and so related and I want to share that,” Meyers said. “That is the driving belief in what I’m trying to create.”
A drag performer at Flaminggg’s Hanukkah party in December 2022. (Afrik Armando)
Meyers believes that Flaminggg is the first intentionally Jewish nightlife experience for queer adult Jews that is unattached to a synagogue or larger Jewish organization. “It felt like no one was doing this kind of programming, that was artistically and thoughtfully making queer Jewish space in a way that was not just a ‘bright fluorescent lights, community hall,’ kind of Judaism, which I feel like a lot of people want to steer clear from because it just doesn’t feel meaningful,” Meyers said, adding: “Those bright overheads don’t flatter a queen’s skin!”
Of course, there are other organizations and companies that create events for LGBTQ Jews, such as Hebro and Jewish Queer Youth. While Meyers has worked with both in the past, they serve different demographics — cisgender gay men and younger adults mostly with Orthodox backgrounds, for instance. New York City synagogues and Jewish spaces like Congregation Beit Simchat Torah and Lab/Shul are also queer-driven, but, again, secular Jews may still be turned off by some of the synagogue and Jewish ritual aspects. (Meyers is also producing and hosting Lab/Shul’s Purim party extravaganza at House of Yes this year, which will feature drag performances, a Purim spiel and a dance party.)
Flaminggg, by contrast, aims to draw a diverse crowd — participants represent all sexualities and genders, and the parties are open to any level of religious observance (or not). Meyers hopes that his events will reach people who have previously not entered Jewish spaces and want to learn more about and celebrate Judaism and queerness in all its forms and nuances.
And, of course, Flaminggg differs from other queer, Jewish events in that it is a nightlife-oriented, night-long party. Quoting Jewish anarchist political activist Emma Goldman during a Zoom interview, Meyers joked: “If I can’t dance to it, it’s not my revolution.”
This year Purim’s party, which is set to run from from 9 p.m. to 4 a.m., will include a spiel (a comic retelling of the Purim story), a DJ set and other diverse queer Jewish performances. Meyers expects around 300 attendees.
“I’ve basically been waiting for this Purim party ever since the Hanukkah party ended,” Yochai Greenfeld, a drag performer who performed at Flaminggg’s 2022 Hanukkah party, told the New York Jewish Week.
That event, he added, was “probably one of the best parties of my life.”
“There are a ton of Jewish spaces to party in, but those tend to be somewhat uninviting for queer people to express themselves within those spaces,” said Greenfield, whose drag persona is named “Abbi Gezunt” (Yiddish for “so long as you’re healthy”). “The queer party scene is also mega-oversaturated, and there are tons of different spaces to explore. However, it can sometimes feel a little uncomfortable to express your Jewishness in those spaces.”
Greenfeld added that being around people with similar backgrounds allowed for empowering conversations on the sides of the dance floor, something he said he’d never experienced at other parties.
In addition to nightlife, Meyers has plans to grow Flaminggg into a more robust programming venture. Funded solely through donations and ticket sales, Meyers hopes to keep it that way so as to remain independent from any political or religious agendas. Currently in the process of establishing Flaminggg as its own LLC, Meyers envisions branching out into Shabbat dinners and queer Jewish study groups.
Ultimately, Meyers hopes that through Flaminggg’s events, attendees will feel more ownership over their Jewish identities. “All the Jewish programming I do is for building a deeper and deeper possibility of people coming into a space and going: ‘I’ve never felt so affirmed in being both queer and Jewish,’” he said. “Creating a platform where we can celebrate all of that is really special.”
Flamingggtaschen: A Queer Purim Party is on Saturday, March 4 at 3 Dollar Bill (270 Meserole St.) Get tickets here.
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The post This Purim, a space for queer Jews to celebrate their identities — and dance the night away appeared first on Jewish Telegraphic Agency.
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From Buenos Aires to Warsaw, ‘The Bride’ comes home
For almost 100 years, “The Bride,” a magnificent painting by Polish Jewish artist Maurycy Minkowski (1881–1930), has been in exile.
In 1930, Minkowski traveled to Buenos Aires for an exhibition of more than 200 of his works. And then tragedy struck. As a child, he had lost his hearing due to an accident. While walking on the street shortly before the exhibit’s opening, he was struck by an oncoming vehicle whose approach he couldn’t hear. The paintings, which were exhibited posthumously, stayed in Argentina and were dispersed.
Since then, Fundación IWO — the Buenos Aires branch of the YIVO Institute for Jewish Research in Vilna — managed to acquire more than 80 of Minkowski’s paintings, some at auction and many through a coordinated effort during the 1940s to rescue 60 works that had been pawned or were on consignment with dealers trying to sell them.
IWO’s Minkowski collection, the largest in the world, was almost lost during the 1994 bombing of the AMIA building (the Buenos Aires Jewish community center), where IWO’s holdings were kept. A volunteer rescue team led by IWO’s academic director Ester Szwarc saved the paintings from the rubble. “The Bride” was among them.
POLIN Museum of the History of Polish Jews in Warsaw had long expressed strong interest in including this painting in its core exhibition. Already in 2007, Renata Piątkowska, Chief Curator of Collections, had proposed “The Bride” for the museum’s exhibit on the Jewish wedding and its transformations in the 19th century.
On Nov. 7, 2025, almost 20 years later, that dream came true. The painting arrived at POLIN Museum to great fanfare, as a landmark gift from IWO made possible by funding from philanthropist and POLIN Museum Council member, Ronald S. Lauder.
Maurycy Minkowski was born into a well-to-do Warsaw family. He attended a school for the deaf, which encouraged his artistic talent. Minkowski graduated from the Kraków Academy of Fine Arts with a gold medal in 1905 and returned to Warsaw. He was shaken by the bloody pogroms and devastation of the Jewish community that he witnessed there and elsewhere that year. This experience prompted him to shift his focus from landscapes and portraits to the trauma of Jews fleeing violence. Those powerful paintings capture the desperation of masses of Jews on the run with nowhere to go. He is best known for these works, although he was never fully appreciated in his lifetime, neither in Poland, nor in Argentina.
Minkowski moved to Paris in 1908 and in the years that followed turned to scenes of Jewish daily life, essentially in the shtetl. It was around 1920 that he painted “The Bride,” one of several of his works on this theme. The bride’s attire and that of the married women surrounding her recall the clothing of Jewish women more than a century earlier.
The married women are dressed in keeping with tsnies, modesty. Their short hair is covered with an elaborately embroidered bonnet, shimmering with metallic thread. There is also the hint of a shterntikhl, a bejeweled panel along the front of the head covering; a brusttukh, a decorative panel on their chest, and a helzl, a ruff, around their neck.
The bride’s hair has not yet been shorn and is not yet covered. All the women are holding a prayerbook — it was customary to give the bride a beautifully bound prayerbook as a wedding gift. Set in an exquisite wooden frame hand carved by Minkowski himself, the painting captures the solemnity of this moment, as the bride contemplates her future after the wedding. The lives of Jewish women — not only their dress and weddings — would be transformed beyond recognition in the decades that followed.
“This remarkable painting is a true testament to Maurycy Minkowski’s artistic talent and his deep connection to Jewish culture,” said Zygmunt Stępiński, Director of POLIN Museum, when the painting arrived. The work will be the centerpiece of a reimagined presentation in 2027 on the evolution of the Jewish wedding during the nineteenth century.
The post From Buenos Aires to Warsaw, ‘The Bride’ comes home appeared first on The Forward.
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Why Does the Palestinian Authority Still Promote Holocaust Denial? Because It Starts at the Top
Palestinian Authority President Mahmoud Abbas looks on as he visits the Istishari Cancer Center in Ramallah, in the West Bank, May 14, 2025. Photo: REUTERS/Mohammed Torokman
Official Palestinian Authority (PA) television recently aired yet another segment questioning the reality of the Holocaust.
On Oct. 8, 2025, PA TV brought on Tunisian journalist Sufian Al-Arfawi to claim that the Jewish “victim narrative” is collapsing, and the PA TV host added that even the gas chambers could be dismissed with “simple evidence.”
Tunisian journalist Sufian Al-Arfawi: “The moral issue that they [the Jews] were victims and the issue that they were subjected to extermination by Hitler allowed them to receive support and a global popular embrace, because there was sympathy. This [victim] narrative has begun to collapse and to go in the right direction…”
Official PA TV host: “There is the narrative that says that the [German] soldier used to drag the Jews to the crematorium while calmly eating a sandwich. How does someone drag a person into a crematorium that has toxic gas and isn’t harmed by it? Meaning, even the narrative can be undone with very simple evidence.” [emphasis adde]
[Official PA TV, Capital of Capitals – Tunis, Oct. 8, 2025]
According to the International Holocaust Remembrance Alliance’s working definition of Holocaust denial and distortion, “Holocaust denial may include publicly denying or calling into doubt the use of principal mechanisms of destruction (such as gas chambers, mass shooting, starvation and torture) or the intentionality of the genocide of the Jewish people.”
Given the ideology of the PA’s leadership, this denial is entirely predictable.
PA leader Mahmoud Abbas himself laid the groundwork for this narrative decades ago in his doctoral thesis, later published as The Other Side.
Abbas argued that Zionists intentionally inflated the number of Holocaust victims for political gain and that the real number of Jews killed was only “a few hundred thousand.” He even claimed that Jews were “offered up” to increase the victim count.
Having more victims meant greater rights and stronger privilege to join the negotiation table for dividing the spoils of war once it was over. However, since Zionism was not a fighting partner – suffering victims in a battle – it had no escape but to offer up human beings, under any name, to raise the number of victims, which they could then boast of at the moment of accounting …
It seems that the interest of the Zionist movement…is to inflate this figure so that their gains will be greater. This led them to emphasize this figure in order to gain the solidarity of international public opinion with Zionism. Many scholars have debated the figure of six million and reached stunning conclusions — fixing the number of Jewish victims at only a few hundred thousand.” [emphasis adde]
When the head of the PA has distorted the memory of the Holocaust throughout his life, such as when he suggested that Hitler killed Jews out of self-defense because “they caused ruin” and because of Jews’ “social role,” it is no surprise that PA TV echoes them.
This is not a new narrative; rather, it is a continuation of the Holocaust distortion that Mahmoud Abbas embedded into PA ideology and that its media still carries forward today.
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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Israel Exposed Hamas’s Terror Network Across Europe. Will UK Media Now Stop Treating Its Leaders With Kid Gloves?
Basem Naim, a senior Hamas official in Gaza, speaks during an interview with Reuters in Istanbul, Turkey, Oct. 16, 2024. Photo: REUTERS/Murad Sezer
Over the past two years, senior Hamas official Basem Naim has been granted multiple high‑profile interviews on UK platforms such as Sky News and the BBC — remarkable visibility for someone with a leadership position in a designated terrorist group. Now, in light of a startling disclosure by Israel’s intelligence agency Mossad concerning a Europe‑wide terror infrastructure attributed to Hamas, those media appearances demand re‑examination.
The Israeli Prime Minister’s Office released a statement this week on behalf of the Mossad saying the agency, in cooperation with European counterparts, has dismantled a network of terror cells across Germany, Austria, and beyond — cells that stockpiled weapons and stood ready to strike Jewish and Israeli targets on the continent.
Among the most striking details was a weapons cache seized in Vienna last September, consisting of pistols and explosives and traced to a certain Muhammad Naim, who was identified by Israeli intelligence as the son of Basem Naim. Investigators reportedly uncovered a meeting in Qatar between father and son, allegedly signaling leadership‑level approval of the European operation.
When one considers that Basem Naim has been treated in the UK media as a mainstream political figure, flattered with copious airtime, speaking from Istanbul and Doha, questions must be asked.
On Oct. 10, Sky News’ lightweight foreign news presenter Yalda Hakim interviewed Naim in Doha (perhaps she flew there on Sky News’ weather forecast sponsor Qatar Airways’ own fleet), where she didn’t once question Hamas’s international terrorism aimed at Jews. Instead, Naim was given time to claim Hamas was prepared to relinquish governing Gaza but would not agree to disarm.
Hakim’s three softball interviews of Naim never one challenged the terrorist and his organization’s evil, sadistic behaviors or ideology in as aggressive a way as she badgered me for doubting the discredited and disproven Hamas-supplied casualty figures during the Gaza war. Earlier, a BBC “HardTalk” session with Sarah Montague on Jan. 29 featured Naim on Gaza’s future, once again without evident interrogation of his organization’s international terror links.
I myself appeared on Hakim’s Sky studio show back in February 2024, immediately after another segment with Naim, and openly criticized the absurdity of the interview — from Turkey, during active warfare in Gaza — where no questions were asked about Hamas’s torture of its own people or its transnational terror ambitions. I pointed out that he had served as minister of health in the first government of arch-terrorist Ismael Haniyeh, only for the other guest, Baroness Sayeeda Warsi, to jump in and suggest that his willingness to perpetuate the suffering of Gazans while he was safe in Turkey was somehow akin to Yair Netanyahu, the son of the Israeli Prime Minister and a private citizen, living in the US. In conversion outside the studio, she insisted to me that Israel’s main problem was its democratically elected leader but, when challenged, couldn’t name a single other Israeli leader who she thought would act differently in the circumstances. I’m not sure she could name any other Israeli politicians at all. No criticism of Dr. Naim, though.
Having highlighted this at the time, I hope that now the mainstream media and establishment’s choice to confer legitimacy on Naim without substantive challenge on important issues is reconsidered. (I haven’t had the opportunity to ask Hakim or Warsi since then).
To dismiss Palestinian terrorism as only a local Israeli problem is to ignore how Hamas has long viewed itself: as a regional, even global, movement, and an offshoot of the Muslim Brotherhood — a transnational Islamic jihadist movement. Indeed, senior Hamas leadership in Gaza have, for years, framed their cause not simply as liberation of the enclave but as vanguard of a broader “resistance” spanning all of Israel, with their own founding charter clear on its views of Jews in general. They want us dead. To anyone who claims it’s all just rhetoric, the European arrests and weapon caches expose their ambitions in operational form.
The recent arrest in London of a British man accused of helping move firearms into Europe for attacks on Jewish and Israeli targets should dispel any lingering doubt about how far these networks extend.
German authorities say the suspect was detained in the UK on a German warrant after a monthslong investigation into a Hamas-linked cell operating across Germany and Austria. According to Germany’s Federal Prosecutor, he was a member of Hamas and twice traveled to Berlin over the summer to meet a German citizen referred to as Abed Al G, who was arrested earlier alongside two others described as “foreign operatives” alleged to have been seeking weapons for attacks on Jewish sites. During those arrests police seized an AK-47, several handguns, and quantities of ammunition. Prosecutors say the suspect had already taken delivery of five handguns and ammunition and transported them to Vienna for safekeeping.
The picture emerging is of a network that now reaches into Britain itself.
In this context, Britain’s recent decision to admit young Palestinian students from Gaza with fully‑funded scholarships — and dependent family members — is disturbing. On the face of it, the initiative is humanitarian. But when set against the backdrop of a terror network active on European soil, rooted into Hamas leadership and stretched into host‑countries, it smacks of policy naïveté, or worse, “suicidal empathy.”
Granting access to students and their families from a territory under Hamas control where generations have been educated to idolize terrorists and carry out attacks like the Oct. 7, 2023, invasion of southern Israel seems more than a little foolish. UK campuses are experiencing rising extremism as it is, and radicalization is a known problem without importing the children of a Gazan education system built on antisemitism and violence.
The threat, it seems, is not only on Israel’s doorstep — it may be on our own. And while compassion is a noble instinct, in a world of asymmetric warfare, porous borders, and subterranean terror networks, we risk opening doors without knowing what, or whom, may walk through.
When the media treats a senior Hamas figure as legitimate without challenge, when Western academic institutions open their doors to students from societies led by terrorist groups, and when intelligence agencies expose the apparatus of terror on our continent, can we still afford to view Palestinian terrorism as someone else’s problem? Or have we now become part of that problem ourselves?
Jonathan Sacerdoti, a writer and broadcaster, is now a contributor to The Algemeiner.