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Three-time war veteran and longtime JTA correspondent Tom Tugend dies at 97

(JTA) — It was the kind of story that Tom Tugend loved to tell, except he lived it.

He left Berlin, aged 13, on Adolf Hitler’s birthday, in 1939, driven out by the ideology reflected in the swastikas on the banners fluttering in the streets. Six years later, he was back in Germany as an American soldier interrogating the Nazis who had driven his family out.

“I had been a refugee a few years before,” Tugend told the Jewish Telegraphic Agency in 2021. “They kicked me out, they were the masters. And suddenly they couldn’t be nice enough, and couldn’t do enough for us. And of course, each one, some of his best friends were Jews.”

Tom Tugend, who fought in three wars — two for the United States and one for Israel — spent decades as Jewish media’s gentleman correspondent, covering, among other beats, Hollywood.

He died at his home in Sherman Oaks, California, on Wednesday at 97, his daughter Alina said. 

“His authenticity came through to anyone who knew him,” Alina Tugend told JTA Thursday. “He was a hero to many people.” 

Tugend was unfailingly kind and soft-spoken, including in an interview last year with the JTA, in which he shared story after story, from firing swastika-emblazoned anti-tank guns in Egypt to his experience facing antisemitism as a young German immigrant in the United States.

Born in 1925, Tugend was raised in a well-to-do German Jewish family. His father, Gustav Tugendreich, a respected pediatrician, understood the danger of Hitler’s rise and left for the United States in the mid-1930s after securing a lectureship at Bryn Mawr College. 

When he was able to bring them over, he urged his family to follow him, but life remained good enough in Germany that they resisted until it was almost too late — they left four months before World War II started.

It was Hitler’s 50th birthday, April 20, and the city’s trees and poles were draped with massive swastika banners. “Gee, I mean, they may not like the Jews, but it’s very nice of them to give us such a nice sendoff,” Tugend recalled last year with a laugh.

The transition to life in the United States was not easy. The family encountered antisemitism in their new home.

In eighth grade, for example, Tugend’s class read Shakespeare’s “The Merchant of Venice,” which famously includes Shylock, a Jewish moneylender, as a main character. One of Tugend’s classmates, whom he had considered a friend, raised his hand and asked the teacher, “Wouldn’t you rather buy from an American than a Jew?”

“I don’t generally talk about it because it goes so counter, it sounds almost disloyal that you say I had a more difficult time initially in the United States than I had in Germany,” Tugend recalled.

He was restless, and joined the army when he was 18 — where he found more antisemitism. He was deployed in March 1944 and spent time in Marseille helping the French army fight SS units. When his commanders learned he spoke fluent German, they sent him to that country to interview Nazis.

He returned to the United States in March 1946 but remained unsettled. Two years later he saw an opportunity.

“Since a Jewish state is established only every 2,000 years, I was afraid I might not be around the next time,” he said, so he enlisted in the nascent and notoriously strapped Israeli army, which got its material where it could.

Tugend served as a squad leader in an English-speaking anti-tank unit, where he wound up using German guns that featured large swastikas on the barrel. 

When that war ended, Tugend returned to California to complete his journalism degree. That stay was short-lived, too — he was drafted again in 1950 but was spared combat. Instead, he went to San Francisco to edit an Army newspaper.

After Korea, Tugend said, he ran out of wars. He shifted his focus to writing. He spent 30 years working at the University of California, Los Angeles and also had a parallel career in Jewish journalism, starting in 1964. He would go on to write for the Jerusalem Post, the Jewish Chronicle and the Jewish Journal of Greater Los Angeles, and he spent decades as the Jewish Telegraphic Agency’s West Coast correspondent.

Lisa Hostein, the longtime former JTA editor-in-chief and current executive editor of Hadassah Magazine, remembered meeting Tugend on a Jewish press trip to Argentina in 1986. She told JTA last year that Tugend was “always the consummate professional and gentleman.”

Over the years, Tugend was honored by the Greater Los Angeles Press Club and the Society of Professional Journalists. He also received a lifetime achievement award from the American Jewish Press Association.

His last published article was last month in the Jewish Journal of Los Angeles; it was an obituary for Edward Robin, a Los Angeles philanthropist and businessman, who was 80, 17 years Tugend’s junior.

Weeks before his own death, Tugend infused the article with his gentle and generous warmth. “A mere listing of his leadership roles in Jewish organizations worldwide would call for a book-length article,” Tugend wrote about Robin. 

Honored at last month’s Jewish Journal gala, which he attended, Tugend never lost his love of writing. “You still get a certain kick in seeing your byline,” he told JTA last year.

Tugend is survived by his wife of 66 years, Rachel, and their daughters Alina Tugend, Orlee Raymond and Ronit Austgen.


The post Three-time war veteran and longtime JTA correspondent Tom Tugend dies at 97 appeared first on Jewish Telegraphic Agency.

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Is this Apple TV thriller hasbara — or societal critique?

AppleTV+’s new thriller Unconditional has the trappings of so much streaming content.

A young woman disappears into hostile territory. Her mother, already juggling a family health crisis, does her own sleuthing to get her daughter back. People die, twisty alliances emerge. It’s all part of the suspense boiler plate, and it sizzles just enough to keep your interest. What makes the show, airing May 8, different from every other show is the early response.

Sight almost entirely unseen, the internet was in an uproar. The show is Israeli, and the announcement trailer showed the character Gali (Ronn Talia Lynne) in her IDF uniform. Pro-Palestine accounts were quick to shout “hasbara” or “overt ziopropaganda” for a show whose premise is ostensibly a sympathetic story of an Israeli taken prisoner by the evil, Putin-era Russian state. (The trailer makes no mention of Palestinians or a war in Gaza. The show doesn’t either.)

The online response alone proves the challenging optics for anything Israeli, but the show actually has quite a bit to say about the Jewish state’s propaganda apparatus — within the country and without.

On a layover in the Moscow Airport, Gali and her mother, Orna (Liraz Chamami), are taken in for questioning. Security claims to have found drugs in Gali’s backpack — an echo of the Naama Issacher affair from 2019 — and she’s summarily sentenced to seven years in a Russian jail.

Orna returns to Israel and hires a PR handler to plead Gali’s case. Together they curate a specific image to sell to the state media.

Gali is a “happy, good-hearted girl. She served in the army, like everyone” and even extended her service, Orna says in radio and television interviews. The file photo for news segments is exactly what so many outside of Israel would object to: Gali in uniform. In Israel it tugs heart strings. Abroad, it makes the abductee a war criminal who had it coming.

It’s probably not giving much away, given that the hands behind this show are the creators of Hatufim, which became a hit in the U.S. as the antihero-forward War on Terror commentary Homeland, that Gali is not a perfect victim. This is a strange sort of hasbara, if one Israel often produces, the kind that’s peopled by problematic characters operating in the society’s gray zones. (See streaming hit Fauda, following a morally-dubious undercover unit made up of trigger-happy adulterers exploiting their Palestinian contacts.)

What’s surprising, given the premise, is how much time the show spends not in Russia or Israel, but in India, where Gali and Orna were touring before their fateful missed connection in Moscow. It’s here we’re given entree into the Ugly Israeli abroad, a stereotype that is growing increasingly common thanks to reports of poor behavior — stealing money from temples, creating chaos in hospitals and restaurants — in the global East. (On the flip side, many Israelis, like a couple at a noodle shop in Vietnam, are being harassed by other tourists for no reason other than their country of origin and some feel the need to hide their identity while traveling.)

Gali sings the praises of an Indian gastropub that will give you dysentery. “We are so lucky because for the last three months the kitchen has been condemned by the health department,” she smirks. “But yesterday some truck driver hit a wild boar, so they gave them an exemption. So it won’t be a waste.”

In a later episode, one of Gali’s companions wisecrack about the pestilential heat and jibe that prisons in India are particularly atrocious. (This must ring alarm bells for those aware of Israel’s carceral system for Palestinians.)

Russia is equally backward. Unlike in Israel, “not everyone here is happy to work with a woman,” a Russian arms dealer weighs in. If you didn’t get it, these countries are backward. Israel has its problems, but at least it has women in power!

Watching, I was reminded of social media posts by Indians complaining about racism and drug use from IDF veterans on the so-called “Hummus trail.” One post by AJ+ said the soldiers come there to “detox” from “carrying out a genocide in Gaza.”

Unconditional is under no illusions that Israelis can be a disruptive presence. If anything, it pushes the concept to new places. These Sabras ruin mindfulness workshops and start shoot-outs in hotel lobbies. It’s not great for the brand.

But then again, we live in a climate where simply acknowledging the existence of Israelis — as seen in a recent ballyhoo surrounding author R.F. Kuang — can prove controversial or politically-loaded, no matter how neutral the depiction.

Why Apple would give their imprimatur to an Israeli project today, when public opinion of the Jewish state has fallen off a demographic cliff, is a valid question likely explained by the positive reception of another Israeli import on the streamer, the show Tehran, about an IDF hacker stuck in Iran. From within the silos it’s hard to tell if audiences will cancel their subscriptions, as some have threatened.

Maybe, like Gali’s uniform, the show is a Rorschach. BDS types may boycott, yet the show seems to echo many of their talking points about Israel’s overzealous campaign in Gaza after Oct. 7 — at least by way of metaphor.

In a late episode, Orna tells her government companion Rita (Evgenia Dodina) about a time a classmate broke Gali’s arm, and the teacher excused his actions because his mother was in the hospital.

“You’re exactly like the teacher,” Rita tells Orna. “You give me a thousand excuses for Gali. ‘It’s because of me. It’s not her fault. Poor thing.’ It doesn’t matter she didn’t understand what she was getting into, and it doesn’t matter she didn’t mean to.”

Orna says it’s different with Gali — because it’s her daughter. One can overlook a lot when it’s your family, or, for that matter, your country.

The post Is this Apple TV thriller hasbara — or societal critique? appeared first on The Forward.

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Israeli man indicted in attack on Catholic nun in Jerusalem’s Old City

(JTA) — An Israeli man was indicted on Thursday in connection to the violent assault of a Catholic nun in Jerusalem last month, after prosecutors said he targeted her over her Christian identity.

Yona Schreiber, 36, from the West Bank settlement of Peduel, was arrested last week and has since been indicted on charges of “assault causing actual injury motivated by hostility ​toward the public on the grounds of religion, as well as simple ​assault,” the state attorney’s office said in a statement.

According to the indictment, Schreiber, who is Jewish, attacked the nun just outside of the Old City in Jerusalem because he identified her as a Catholic nun. Schreiber allegedly pushed and then kicked the nun as she was lying on the ground and also attacked a passerby who attempted to intervene.

The nun, a researcher at the French School of Biblical and Archeological Research, suffered bruises on her face and leg due to the attack, the state attorney’s office said.

The attack, which drew condemnation from Catholic leaders as well as faculty at the Hebrew University of Jerusalem, comes amid mounting concern over hostility toward Christian clergy and holy sites in Israel.

Cases of Jews harassing Christians have risen sharply in recent years. Last month, the IDF punished a soldier who was filmed bludgeoning a statue of Jesus in southern Lebanon. This week, the IDF also announced that it would discipline a different soldier who was seen placing a cigarette into the mouth of a statue of the Virgin Mary in a photo posted on social media.

Israel’s attorney general asked the Jerusalem Magistrate’s Court, where the indictment was filed, to hold Schreiber ​in detention for the duration of the legal proceeding.

The assault carries a maximum prison sentence of three years, which could increase to six years if prosecutors prove the attack was motivated by religious bias.

The post Israeli man indicted in attack on Catholic nun in Jerusalem’s Old City appeared first on The Forward.

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Jewish real estate magnate Steven Roth likens Mamdani’s ‘tax the rich’ rhetoric to ‘from the river to the sea’

(New York Jewish Week) — Jewish real estate mogul Steven Roth compared New York City Mayor Zohran Mamdani’s “tax the rich” rhetoric this week to racial slurs and pro-Palestinian rhetoric on an earnings call for his company, Vornado Realty Trust.

“I consider the phrase ‘tax the rich’ when spit out with anger and contempt by politicians both here and across the country, to be just as hateful as some disgusting racial slurs and even the phrase, ‘from the river to the sea,’” Roth said, referring to the phrase commonly used at pro-Palestinian protests that many Jewish groups consider antisemitic.

The remark by Roth, who has long been a notable philanthropist to Jewish causes, adds to mounting tensions between New York business leaders and Mamdani over his recently announced “pied-à-terre” tax on second homes valued at more than $5 million.

During the call Tuesday, Roth also expressed support for Ken Griffin, the CEO of Citadel, whose $238 million dollar penthouse was featured in a video by Mamdani announcing plans for the tax last month.

“We are all shocked that our young mayor would pull this stunt in front of Ken’s home and single him out for ridicule,” Roth said. “The ugly, unnecessary video stunt is personal for Ken and sort of personal for me.”

Roth’s comments touched on a longstanding source of friction between Mamdani and some New York Jewish leaders, who have criticized the mayor over his views on Israel and his previous defense of the phrase “globalize the intifada,” another common pro-Palestinian slogan viewed by some as a call to violence against Jews.

In the wake of Mamdani’s election, some Jewish business leaders, including Dave Portnoy, the Jewish founder of Barstool Sports, said that they planned to leave the city altogether, citing the mayor’s fiscal policies and concerns about antisemitism under his leadership.

In a statement responding to Roth’s comments, Mamdani’s office said that he wanted all New Yorkers to succeed, including “business owners and entrepreneurs who create good-paying jobs and make this city the economic engine of America.”

“That does not negate the fact, however, that our tax system is fundamentally broken. It rewards extreme wealth while working people are pushed to the brink,” the statement continued. “The status quo is unsustainable and unjust. If we want this city to become a place that working people can afford, we need meaningful tax reform that includes the wealthiest New Yorkers contributing their fair share.”

The post Jewish real estate magnate Steven Roth likens Mamdani’s ‘tax the rich’ rhetoric to ‘from the river to the sea’ appeared first on The Forward.

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