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Unique Carnegie Hall concert to honor Japanese diplomat Sugihara, who saved 6,000 Jews
For most of his life, Chiune Sugihara received little recognition for the dramatic actions he undertook as Japanese vice-consul to Lithuania on the eve of World War II: the rescue of some 6,000 Jews from Poland and elsewhere from the Nazi death machine.
For decades, the Jewish world remained largely ignorant of his heroism. When, in 1985, Yad Vashem, the World Holocaust Remembrance Center located in Israel, honored the unassuming retired diplomat as a Righteous Among the Nations, Sugihara was too old and sick to travel to Jerusalem to accept the award. He died shortly after.
But his renown has grown in the years since his death, and now Sugihara is being celebrated in a new way with an extraordinary piece of music composed to commemorate his heroic actions.
On April 19 at Carnegie Hall, Japanese-American-Israeli cellist Kristina Reiko Cooper will perform this original piece of music — Lera Auerbach’s Symphony No. 6, “Vessels of Light” — accompanied by the New York City Opera Orchestra conducted by Constantine Orbelian.
The gala concert, organized by Yad Vashem and the American Society for Yad Vashem, which commissioned the piece, will pay tribute to Sugihara’s legacy.
Along with the honorary Dutch consul in Lithuania, Jan Zwartendijk, Sugihara issued life-saving visas to the Jews trying to escape Europe through a complex, illegal scheme involving fake transit visas via Japan to the Dutch-speaking Caribbean island of Curaçao.
Not a single Jew actually traveled to that faraway island off the coast of Venezuela, home to the oldest surviving synagogue in the Americas. But the operation — carried out under the noses of Lithuania’s Nazi occupiers — enabled thousands of Jews to resettle in Shanghai, leading to eventual freedom.
“Being half-Japanese myself, I understand the culture, and I know as a Japanese person that opposing authority goes against every fiber of our being,” Cooper, the cellist, said this month in an interview near her home in Tel Aviv. Born in New York to a mother of Japanese descent, Cooper later converted to Judaism and moved to Israel. She and her husband, Leonard Rosen, are
raising their three children as Orthodox Jews.
“Everybody’s heard of Schindler, who had a factory. But Sugihara had nothing to gain from this. In fact, he had everything to lose,” said Cooper, a visiting professor of music at Tel Aviv University. “He didn’t want recognition and never spoke to anybody about it. He didn’t even know that he had saved anybody until the very end of his life.”
Cooper, who studied at Julliard and comes from a long line of musicians — her father is a pianist and her mother a violinist and former concertmaster of the American Symphony — has a special personal connection to the Sugihara story.
Her husband’s father, Irving Rosen, was one of the Jews whose lives was saved by Sugihara’s actions. Armed with papers enabling Rosen’s family to leave Lithuania and emigrate to Curaçao via Japan, the entire family traveled via the Trans-Siberian Railway from Vilnius to Moscow to Vladivostok, then by sea to Japan — and eventually Shanghai.
“I became obsessed with this story and wanted people to know about it, especially given everything that’s going on in the world with the rise of authoritarian governments, mass dislocations, refugees, wars, rising antisemitism and anti-Asian hate,” Cooper said. “I’m not a writer, a filmmaker or an actress. I’m a musician. People had asked me, ‘Why not put together a nice concert in tribute to Sugihara?’ But I wanted to write something that could last forever.”
Japanese diplomat Chiune Sugihara saved thousands of Jews during the Holocaust. (Courtesy of Yad Vashem)
With the backing of Yad Vashem and the American Society for Yad Vashem, Cooper asked Auerbach to write the piece, a 40-minute composition for solo cello, choir and orchestra involving 130 performers, including Yiddish “whisperers,” allusions to Psalm 121 and an introductory piece by Japanese composer Karen Tanaka titled “Guardian Angel.”
At Carnegie Hall, Cooper, who plays on an Italian-made Guadagnini cello from 1743, will perform Auerbach’s moving, large-scale symphonic work as a soloist. She’ll also perform in Prague on March 27, Los Angeles on May 18, in California’s Napa Valley on July 18 and in Warsaw on October 8.
“Most people do not pay attention to history, because they’re so wedded to current events,” said the Carnegie Hall event’s co-chair, Peter Till, a board member of the American Society for Yad Vashem. “But this is even more relevant today because of the rise of extremist hate groups. They’ll forever deny that it exists, or ignore it, or say it couldn’t happen here, but hate continues
to repeat itself and people have to face up to it.”
The Sugihara story is especially compelling, Till said, because it’s the first event of its kind that links Holocaust survivors with Asia in general — and Japan in particular.
“This is as much about the music as it is an expression of humanity, of people from diverse cultural backgrounds coming together to save lives,” he said. “For Yad Vashem, this is a very important event because it shows the depth of understanding.”
Of the roughly 28,000 non-Jews who’ve been designated by Yad Vashem as Righteous Among the Nations, only 40 were diplomats. Sugihara is the only Japanese citizen so honored.
“On the whole, the eligibility process for diplomats is slightly different than for ordinary rescuers, because they had immunity,” said Joel Zisenwein, director of Yad Vashem’s Righteous Among the Nations Department. “In most cases, they were not at physical risk. But many of them had defied the guidelines and official policies of their foreign offices. Sugihara is even more interesting because he represented an ally of Nazi Germany.”
Zisenwein said Sugihara provided between 2,100 and 3,500 transit visas, though the exact number is not known.
“Literally, all rescuers from the Holocaust era have passed away, so people accepting the award are generally descendants or even grandchildren of the recipients,” Zisenwein said. “It’s interesting that Sugihara received his award for actions prior to the German invasion of Lithuania. Most of the Jews he rescued were Polish refugees who had fled there in 1939. Many countries claim to have their own ‘Schindlers.’ But here indeed was an individual who saved thousands of Jewish lives.”
Japanese-American-Israeli cellist Kristina Reiko Cooper has a special personal connection to the Sugihara story. (Vardi Kahana)
The evening’s master of ceremonies will be Zalman Mlotek, who is also artistic director of the National Yiddish Theatre Folksbiene. Tickets and sponsorships are still available for the event.
“It’s not just the people Sugihara saved. It’s the worlds of those thousands of people,” said Mlotek, whose father, Joseph Mlotek, was a 21-year-old Yiddish poet working at a newspaper in Warsaw when World War II broke out. After fleeing to Lithuania, the family heard about Sugihara and was able to obtain transit visas to Shanghai, where the elder Mlotek and his brother Abram spent the war years.
“My father became a Yiddish activist here in New York and set up a network of 200 Yiddish schools all over the country. He published books with my mother and did concert tours for Yiddish musicians,” said Mlotek, 71. “I look at myself today, as artistic director of the Yiddish theater for 20 years, carrying on this same legacy that would have been decimated had it not been for the heroism of Sugihara.”
Auerbach’s composition had its world premiere last November in the Lithuanian city of Kaunas (known in Yiddish as Kovno), where Sugihara’s story took place. Additional performances are scheduled for cities around the world through 2024.
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Hungarian Filmmaker Says ‘Orgy of Antisemitism Overtaking the West,’ Feels ‘Ostracized’ by Film Industry
Hungarian film director László Nemes attends the photocall of “Moulin” at the 79th Cannes Film Festival in Cannes, France. Photo: Marco Barada / SOPA Images via Reuters Connect
Hungarian Jewish filmmaker László Nemes talked about antisemitism, the “politicization of cinema” regarding Jewish subject matters, and what he believes is an unhealthy “obsession with Jews” in a new interview with The Guardian published on Monday.
Nemes’s latest film, “Moulin,” which is about French resistance leader Jean Moulin, debuted at the Cannes Film Festival on Sunday.
His 2025 film “Orphan” is about a teenage Jewish boy who survived the Holocaust by being hidden in an orphanage. While he searches for his missing father, he discovers the truth about how his mother survived the Holocaust. The film has so far not secured a US distribution deal, and Nemes believes it is because of the film’s Jewish subject matter at a time when tensions are high around the world.
“You should be able to talk about these things without being ostracized,” the filmmaker told The Guardian, adding that he feels “a little bit” ostracized by the industry.
“Even some response [to ‘Orphan’] from the media smells of an ideological standpoint,” he noted, explaining that he thinks the film was “ignored” at last year’s Venice Film Festival.
“There’s an orgy of antisemitism, an absolute, shameless orgy of antisemitism, overtaking the West,” added the director, whose grandmother is a Holocaust survivor. He also described a “race obsession” and a “puritan, moralizing, self-righteousness” ideology that he believes has taken over the cultural world and online.
Nemes won an Oscar in 2016 for his debut feature film “Son of Saul,” which follows a day and a half in the life of an Auschwitz concentration camp prisoner who is forced to clear out the corpses of fellow Jews from the gas chambers and place the bodies in ovens to be incinerated. The film won an array of awards, including the Oscar for best foreign language film. When asked how he thinks “Son of Saul” would be accepted if it was released today, Nemes told The Guardian: “I don’t even think it would make the [Oscar] shortlist today. Because of the politicization of cinema, because anything that’s Jewish is now considered … Nobody would touch it with a 10-feet pole.”
He also said he thinks boycotting Israeli film institutions, which thousands of Hollywood figures have pledged to do, is “anti-humanist regression.”
“And because it’s not identified as this, I think it’s very effective at spreading,” the filmmaker said. “And one of its very potent vectors has been antisemitism … The Jew has always been [cast as] the sort of internal enemy, and I think now [the idea of] the Jew as the internal enemy of the West has reached the dimensions of European antisemitism before the takeover by the National Socialist [Nazi] party.”
He further criticized the thousands of film industry professionals who support cultural boycotts of Israel or protest Israel’s military actions in the Gaza Strip, which target Hamas terrorists in the enclave who orchestrated the massacre in Israel on Oct. 7, 2023.
“Obviously, they prefer to attach themselves to an ideology that’s been around for a long time and that pretends to be humanitarian, but it’s actually not what it purports to be,” Nemes said. “Had they really cared about the people in this region, they would have revolted against these people being ruled by a totalitarian death cult that’s actually killing its own population and at unprecedented levels.”
He believes there is an “obsession with Jews,” and when referring to the difficulty in finding a US distributor for “Orphan,” he said: “People [would] ask me about Gaza, instead of, you know, asking about the movie. [They ask] if I signed this or that petition.”
“It’s tiring to hear the overclass of Hollywood lecture us morally,” Nemes added. “Not only in Hollywood, but in the world. There’s definitely an overclass of people cut from reality, and they are eager to preach to us … Sometimes I think it’s better if actors don’t, you know, speak up that much, because I don’t think they’re very much qualified to talk about anything. They should try to be actors, the best they can, and not become activists. It’s not really their role.”
While speaking to The Guardian, the Hungarian director also criticized fellow Jewish filmmaker Jonathan Glazer for the speech he made at the 2024 Academy Awards. When the British director went on stage to accept his Oscar for the Holocaust-focused historical drama “The Zone of Interest,” Glazer said he and the film’s producer James Wilson “stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of Oct. 7 in Israel or the ongoing attack on Gaza.”
Nemes told The Guardian that making a film about the Holocaust “imposes on its maker a need for responsibility.”
“I didn’t feel that he was responsible at all,” Nemes said, referring to the Glazer. “I thought he wanted to please that overclass of Hollywood with the line of good, righteous thought … I don’t believe that he understands anything about the reality of the region, yet he feels the need to do it. And I think it’s very presumptuous, very condescending.”
Nemes is a graduate of the Sam Spiegel International Film Lab, which is part of the Jerusalem Sam Spiegel Film & Television School.
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UN Special Rapporteur Francesca Albanese Urges Germany to Get Over Holocaust Guilt in Antisemitic Tirade
Francesa Albanese, the United Nations special rapporteur on the situation of human rights in the Palestinian territories, speaks at a conference, “A Cartography of Genocide: Israel’s Conduct in Gaza,” at the Roma Tre University, in Rome, Italy, Oct. 6, 2025. Photo: REUTERS/Remo Casilli
Francesca Albanese, the United Nations’ special rapporteur on the human rights situation in the Palestinian territories, has published a bizarre social media post mixing antisemitic rhetoric with Holocaust revisionism, appearing to urge Germany to move beyond its historical guilt while casting Jews as arrogant and viewing themselves as morally superior to Europeans.
In a Facebook post published on Sunday, Albanese — who has an extensive history of using her role to denigrate Israel and seemingly rationalize the Palestinian terrorist group Hamas’s attacks against the Jewish state — called on Germans to absolve themselves of responsibility for the Nazi regime’s crimes and the historical burden of guilt tied to them.
The anti-Israel UN official argued that modern Germany’s efforts to come to terms with its past through strong support for the Jewish state do not reflect genuine remorse.
Instead, she claimed this stance reflects a “historical superiority syndrome” that has never been addressed and serves as a “convenient mask” for Germany’s return to the international community.
“The Western club accepted them because they proved themselves capable of tolerating certain members of the group that were previously ‘undesirable,’ and so they accepted the Jews, but not all of them,” Albanese wrote. “They learned that to survive in this world they must be superior. No longer a fragile minority. No longer a people in exile. No longer the people of the book. But the chosen people. ‘Chosen to rule?’ One might wonder when looking at what Israel has become.”
She then went on to claim that Germany does not respect Jews unless they are Zionist and behaves like a “socially deranged” state that enacts discriminatory laws, while calling on its citizens to free themselves from what she described as an obligation to Israel.
“I know Germans can do better,” Albanese concluded. “I have seen them. But they are called upon emancipating themselves. This is their chance.”
This latest controversy is far from the first involving Albanese, who has a mandate from the UN to advise the international body on the Israeli-Palestinian conflict. In her position, which she has held since 2022, Albanese has faced consistent criticism over a pattern of incendiary anti-Israel remarks, with officials accusing her of inciting violence and hatred.
Earlier this year, top diplomats from Austria, Germany, Italy, the Czech Republic, and France called for Albanese’s resignation after she delivered yet another inflammatory tirade against Israel.
During an Al Jazeera forum in Doha, Albanese described the state of Israel as “the common enemy of humanity” and accused the country of “planning and carrying out a genocide” during its defensive war against Hamas.
“It’s also true that never before has the global community seen the challenges that we all face, we who do not control large amounts of financial, algorithms, and weapons,” Albanese said at the time, appearing to invoke a long-standing antisemitic conspiracy that Jews control wealth and technology.
She also accused Western nations of being complicit in the so-called “genocide” by supplying arms and financing Israel, while claiming that Western media helps defend the Jewish state by “amplifying the pro-apartheid, genocidal narrative.”
Albanese has previously referred to a “Jewish lobby” controlling the US and Europe, compared Israel to Nazi Germany, and stated that Hamas’s violence against Israelis — including rape, murder, and kidnapping — needs to be “put in context.”
Despite her history of antisemitic statements, the UN has consistently refused to fire Albanese, citing her status as one of its “independent experts.”
Since taking on her UN role, Albanese has been at the center of controversy due to what critics, including US and European lawmakers, have described as antisemitic and anti-Israel public remarks.
Last year, the UN Human Rights Council (UNHRC) faced intense pressure to block Albanese’s reappointment for another three-year term, with several countries and NGOs urging UN members to oppose the move due to her controversial remarks and alleged pro-Hamas stance.
Despite significant pressure and opposition, her mandate was confirmed to extend until 2028.
Last year, the UN launched a probe into Albanese for allegedly accepting a trip to Australia funded by pro-Hamas organizations.
In the past, she has also celebrated the anti-Israel protesters rampaging across US college campuses during the 2023-2024 academic year, saying they represent a “revolution” and give her “hope.”
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Kuwaiti Jiu-Jitsu Gold Medalist Refuses Handshake With Israeli Athlete: ‘We Do Not Respect Them At All’
An aerial view shows Kuwait City, Kuwait, March 16, 2020. Photo: Reuters / Stephanie McGehee.
Kuwaiti jiu-jitsu gold medalist Jassim Alhatem refused to shake hands with Israeli bronze medalist Yoav Manor at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour on Friday, saying later in a video posted on social media that he has no respect for an athlete from Israel.
Alhatem won all four of his bouts in the men’s blue belt amateur under-77-kilogram category at the competition and took home the gold, while Manor earned the bronze for winning three of his four matches. At the medal ceremony, Alhatem refused to shake Manor’s hand and also declined to pose with him for the traditional photo of all the winners.
Alhatem later defended his actions in an Arabic-language video posted on Instagram. He described Israel as a “Zionist entity” and claimed he told Manor before the award ceremony, “I don’t want to know you and I don’t want to greet you. Stay on your side and I on my side, so no problem happens,” according to an English translation of the video. He further claimed that “as a Muslim,” he will not respect athletes from Israel and does not believe in separating politics from sports.
“These types we do not respect,” Alhatem said. “As Kuwaitis, we do not respect them at all … as a Muslim man, [you] must have principle. It is not right for me to play with them or respect them. It is not right. You as a Muslim must have a principle, even if you told me sport is separate from politics. No, no. There is no [separation]. If that were true, Russia wouldn’t be banned right now from participating in the Olympics.”
The International Olympic Committee has allowed eligible Russian athletes to compete as neutrals and not under the Russian flag.
The Israeli delegation at the Abu Dhabi Grand Slam Jiu-Jitsu World Tour said in a statement to the Israeli publication Ynet that “despite the tension, the organizers and Emirati hosts tried to calm the situation and persuade the Kuwaiti competitor to take part in the medal ceremony, but he chose to leave the podium area. Manor, for his part, remained focused on the sporting achievement: a bronze medal at a prestigious international competition, after an impressive day of bouts against opponents from around the world.”
Members of the Israeli delegation added that Alhatem said to Manor, “You Israelis kill children,” and “If you had reached the final, I would not have competed against you.”
Amir Boaron, the coach of Israel’s national jiu-jitsu team, also told Ynet that Alhatem called Manor a “child murderer.”
“Yoav continued trying to shake his hand and behave like an athlete. It is important for me to stress that the Emirati hosts welcomed us wonderfully and even apologized for the incident,” Boaron added.
The Abu Dhabi Grand Slam Jiu-Jitsu World Tour is organized by the United Arab Emirates, which normalized diplomatic relations with Israel when it signed the 2020 Abraham Accords, while Kuwait does not have diplomatic ties with Israel. Senior Kuwaiti officials have said the country “will be the last to normalize ties” with the Jewish state.