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‘We have to be here fighting’: Deborah Lipstadt opens up on her Poland-Germany trip with Douglas Emhoff
BERLIN (JTA) — Second gentleman Douglas Emhoff made headlines late last month during a trip to Europe, where he met with other foreign leaders working to combat antisemitism and returned to his ancestors’ town in Poland.
But the trip was originally Deborah Lipstadt’s mission.
The historian, an authority on Holocaust issues and now the U.S. special envoy to monitor and combat antisemitism, had planned to go to Krakow and Berlin on behalf of the Biden-Harris administration. The trip included a visit to the memorial and museum at Auschwitz-Birkenau on the 78th anniversary of the death camp’s liberation by Soviet troops and, in Berlin, a meeting with special envoys and coordinators who, like Lipstadt, are charged with the task of countering hatred against Jews.
The itinerary fit perfectly with Emhoff’s own anti-antisemitism campaign, so he asked Lipstadt late last year if he could come along.
As she reflected in an interview with the Jewish Telegraphic Agency after returning home, Emhoff was not the only one to get emotional on the trip.
This interview has been lightly condensed and edited for clarity.
JTA: You met with special envoys on antisemitism from other countries, as you and Emhoff continue to work on a national plan to fight antisemitism at home. Did any concrete policy suggestions come out of those meetings?
DL: The meeting with the special envoys on antisemitism now is the third meeting we have had together.
But I think it was very important to send the message that we are all government appointees, and we speak government to government. So we have already gotten into that rhythm, and it was a very useful meeting. It was also a useful meeting because there were people there from the White House, from my staff, who are involved in this interagency process, and they got to hear from the people who are composing, writing, who have written national plans. And I think that was very helpful. So it was one of the most productive meetings.
You also attended an interfaith meeting with Jewish, Catholic, Protestant and Muslim participants, hosted by the Central Council of Jews in Germany in Berlin. What came out of that?
That actually went very well. The groups tended to talk about what they do together. …One of the things I urged the group, and it may have been bringing coals to Newcastle, but it is a sort of a new effort on their part… is that [talking about things that affect multiple faiths] is a good way of building relations. For instance, [my office had] a meeting in October, convened by the EU but with very strong support from the State Department, from my office, on ritual slaughter. Which of course affects both Jews and Muslims, kashrut and halal. So here is a tachles [goal], a brass tacks area which we could work on together. And that was an excellent meeting, a whole day at the EU.
What do you see as the main challenges in fighting antisemitism and hate today?
You know, some people say this is just like the 1930s. It is not. Back then, you had government-sponsored antisemitism. Whether it was Germany, whether it was other countries, even in the United States. We didn’t have government sponsored antisemitism, but there was a failure of the [U.S.] government [to respond].
On Monday morning, we were sitting in Topography of Terror [Berlin’s museum and archive on the history of the Gestapo], and it was government officials discussing “how do we fight antisemitism?” And everybody around that table is paid by the government. They are government officials, officially appointed. That’s a big difference. That is a humongous difference. That is a sea change.
And then we had the second gentleman there who could easily have said, “We came into office, we put a mezuzah up at our residence. We had a Chanukah party, a Rosh Hashanah party, we had a seder…” [Instead, it] is really clear that he has taken to this issue. He has really said it a number of times… and his wife [Vice President Kamala Harris] says, “He didn’t find this issue. This issue found him.”
RELATED: We’re visiting Auschwitz because the fight against antisemitism didn’t end with liberation
On the first day I met him, which was before I was sworn into office, he said he wanted to meet me and I spent some time with him. He said, “I want to work with you.” And then in October, we had a sukkah event at Blair House [the state guest house], where the State Department brought a sukkah, and we invited ambassadors and deputy chiefs of mission from Middle Eastern and Muslim-majority countries. So sitting around the table were the Israeli ambassador, the Turkish ambassador, the Pakistan ambassador, the deputy chief of mission from Qatar, the deputy chief of mission from Saudi Arabia… And [the Second Gentleman] and I were standing in the kitchen waiting to be escorted into the room, when people took their seats. And he said to me, “Deborah, where are you traveling, where are you going?” I said “Well, in January I am going to Auschwitz-Birkenau for the 27th.” And he said “I’m in.” And that’s how it happened.
You have been to Auschwitz many times…
Dozens of times, I can’t keep count. You know I have been many times, but I work very hard so that it never becomes de rigeur. That it becomes “min haminyan” as you would say in Hebrew. … All you have to do is remind yourself of what happened there. And so it doesn’t matter if it’s your first time or your 15th time. If you are cognizant of what happened there, it sits with you.
…When I go to Auschwitz, especially when it was around my trial [after being sued by British writer David Irving for calling him a Holocaust denier], I had to look at things in a very forensic way, you know: How do we prove this, how do we show that. And that of course sits with me still. But I was well aware that this was [Emhoff’s] first time and what an emotional impact this was having on him. … The thing that always strikes me about Auschwitz, the thing that you hear resounding in your ears in a thunderous way, is the silence. The absence. The little kid that would have worn the shoes that you saw in the display. The people who wore the eyeglasses. The men who shaved with that shaving stuff.
So that is always there. And it hits me at moments and then I become the historian. Analyzing. But it was very powerful, and what was also powerful was, in a way, though this seems counterintuitive, going to Poland first, which was just laden with emotion, especially for him, he went to the town where his family comes from, and got a lot of information. And then going to Germany. One would have thought, go to Germany first and then go to Poland, but in a way the emotional part became the backdrop for the business meetings in Germany.
[Emhoff] very kindly at one point described me as his mentor. Well, if I am his mentor, he is an A1 student. He is really intent on showing not just his passion about the issue but in learning about the issue. He is an accomplished lawyer, an experienced lawyer, and he knows that feeling is not enough, you’ve got to have information, and he gathered that every place he went.
Do you really have the feeling that antisemitism is on the rise or is it just more acceptable to express it?
I think both. I am not out there crunching the numbers statistically, but certainly it is more acceptable. Certainly, it is increasingly normalized. Whether it’s among comedians, whether it is articles in the newspaper, whether it is at demonstrations, it is increasingly normal. And even becomes fodder for entertainers. So whether those same people felt the same before and didn’t say anything or they now suddenly feel that, I don’t know. But many people who might otherwise have been more reticent about expressing certain things previously seem to feel freer to say antisemitic things now.
If antisemitism keeps coming back, what gives you hope?
First of all, what gives me hope, what gives me strength, is I know what I am fighting for, I am not just fighting against. I have a very strong sense of my Jewish identity, I have a very strong sense of who I am, Jewishly. I am lucky, I had a great education, etc.
Earlier this year, I guess it was September, the president did a phone call, it was his practice during the vice presidency, before Rosh Hashanah, or between Rosh Hashanah and Yom Kippur, to do a phone call with — this time I think it was 1,200 rabbis. And I came along after he spoke with them to answer questions. And one of the questions was what gives me joy and what gives me strength. And what I said to the rabbis was that I never want to become a “because of antisemitism Jew.” Driving me out of the woodwork because everyone dislikes me, hates me, or wants to harm me. Not everyone — but there are people who want to harm me.
On Monday when I was at all those meetings [in Berlin], it was Jan. 30, 90 years after Hitler came to power, right there where we were standing. Not far from there people were marching in the streets with tiki torches! Championing among other things “death to the Jews.”
And here we were, back: Yes, the good news is here we are back, openly talking about fighting [antisemitism], here we are back, government officials tasked with fighting it, someone at the ambassadorial level from my country, the second gentleman, anxious to help in this effort, but nonetheless we were back there fighting. So on one hand, you can say, “Great, we have the special envoy, great we have the second gentleman who was so open to taking this on. This is unbelievable.” But we are here fighting. We have to be here fighting.
What was your most memorable experience from the recent trip?
On Saturday night [in Poland], one of the members of the White House staff that was with us after Shabbos had hired a car to go to the little village, shtetl, whatever, that her family came from. She wanted to go to the cemetery to see if she could find any names. Now the chances of her finding the names, in the daylight, when it is 70 degrees out and comfortable [would be hard enough]. Here it was below freezing, snow was falling, the ground was icy, and it was pitch black. We were with a genealogist, but the cemetery was locked. So we thought we would have to climb the fences. I thought, “Oh my God, we are going to have an international incident!” But our driver got the key to the cemetery from the people across the street, and I asked, “How did you know?” And he said, “The people across the street always have the key.”
So we didn’t have to break in. She wanted to say a prayer, and she was totally capable of saying the prayer herself but obviously she was deeply moved, and she asked me to recite the “El Maleh Rachamim” [prayer for the soul of a person who has died] for her. And when I stopped, she gave all the names of the people, many of whom were buried there but we couldn’t find the exact places. And then I said “shenikberu” [“who is buried here”], and the person holding the flashlight for me, I couldn’t see, it was tiny print, and he’s Israeli, he said, “po.” Here, here, here! I had never said an “El Maleh Rachamim” for people who were caught up in this tragedy, here. In situ. It was very powerful.
And then on the 30th [in Berlin] after our special envoy meeting, we all walked over to the [city’s] Holocaust memorial. And Felix [Klein, Germany’s special commissioner on antisemitism and Jewish life] had brought stones. And we were standing there, and to borrow a phrase from Herman Wouk’s “The Caine Mutiny Court-Martial,” there was this pregnant pause. And I said, “Would you like me to recite a prayer?” And I recited the prayer, another “El Maleh Rachamim,” and I became totally verklempt [overcome with emotion]. Because I was just a 12-minute walk, if that long, from where it was planned and carried out, and that was very powerful as well.
So the trip was pregnant with meaning, but I think more than just meaning, hopefully also impact.
—
The post ‘We have to be here fighting’: Deborah Lipstadt opens up on her Poland-Germany trip with Douglas Emhoff appeared first on Jewish Telegraphic Agency.
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This isn’t just a dance group; it’s a model for what coexistence could look like
There are three of them onstage. Arielle Rosales, a Mexican Puerto-Rican Jew from the Lower East Side, is dancing flamenco. Amanda Castro, a Brooklyn-born Puerto-Rican from New Haven, is tapping. And Brinda Guha, a Bengali-Indian from New Jersey, is doing Kathak — a form of Indian classical dance. They’re three performers raised in different artistic traditions who became a trio a decade ago.
But as Soles of Duende, these artists never wanted to create a “fusion” that blurs or erases their identities, cultures, dance styles, or legacies. Nothing is stripped of its history or blended beyond recognition.
“We’re not trying to make a smoothie. We’re trying to make a fruit salad,” Rosales told me. “We want you to be able to pick up the pineapple and pick up the watermelon and pick up the mango.”
Together, the women move. They vocalize. They invent rhythms and songs with their feet. The sounds of Castro’s taps, Rosales’s heels, and Guha’s ghungroos — multi-tiered strings of bells that wrap from the ankles up toward the shins and calves — are just as much a part of the music played by their three counterparts in their band: a percussionist, an electric guitarist and a trumpeter.
You can hear these percussive dance forms and you can feel them, too, mingling and building, filling the air and shaking the room in rehearsals.
‘Carrying the blessing and burden of tradition’
The collaboration started as a one-off project. Rosales and Guha were friends, their paths having crossed at Broadway Dance Center, a popular New York City studio where Rosales taught flamenco and Guha ran what was then called the International Student Visa Program. In 2016, they applied to create a short piece and participate in a show together.
“We wanted to do a trio of three different percussive styles,” said Rosales. “We wanted a third sound.” They found it in Castro, who wowed Guha with a tap solo she performed at a competition.
“I was so enthralled with the fact that there were other women percussive dancers making space for other women percussive dancers,” Castro said. “There are still people who think percussive dance is a less-than art form,” she said. “It is something that never gets the flowers that it deserves.”
What started with an eight-minute piece at an experimental theater on the Lower East Side led to a year-long residency that culminated in a full-length production. The question explicit in its title “Can We Dance Here?” reflects the challenges they faced finding rehearsal spaces. Practitioners of percussive forms often find themselves in a perpetual search for floors they can dance on and spaces that will welcome, or at least tolerate, them.
“It was about permission,” Guha said, both literal and philosophical. Not just can we use this floor, she said, but: “Do we have permission to mess with tradition like this? Do we have permission to [have a] dialogue with each other and change a couple of rules?”
Over time, their questions evolved, Guha added: “How far can we go with this thing? How close to our humanity can we get through the form of percussive dance?” They stopped asking for permission as much, though they continue to seek a balance between honoring established practices and pushing them forward.
“All three of us are both carrying the blessing and burden of tradition,” said Guha, who started learning Kathak from her mother, an immigrant from Kolkata, India, at the small dance school she ran out of their garage. “I grew up with lots of students in the house. I grew up with ghungroos, our bells, literally jingling in our house all day long.”
Guha went on to study with other teachers, including in India, much as Rosales inherited the traditions of flamenco not only in New York City, but also in flamenco meccas in Spain and New Mexico. Castro learned about tap legacies and lineages in bits and pieces, from Fred Astaire movies to classes with icons like Jason Samuels Smith.
“The three of us are really open to breaking a lot of rules,” Guha said, “as long as we know what rules we’re breaking and why.”
They bonded fast, not only as artists with shared sensibilities, Rosales said: “We became family pretty quickly.”
‘We’re doing it in each of our own ways”
Two hours into rehearsal, Soles of Duende is floating in and out of choreography, trying steps, checking cues with the musicians, chatting and smiling, making jokes and scat singing rhythms for each other. You can see them through a glass storefront in East Harlem, an unassuming studio tucked between a corner laundromat and a stoop draped with a Puerto Rican flag, under which a few men gather around a card table.
Here at the Rhythmic Arts Center, they’re rehearsing sections from “The Kitchen,” a full-length production the group is currently developing. The show pays homage to the traditions and cultures that shaped them — all of which value gathering around food — and explores family dynamics, celebration, ritual, hardship, and connection. The kitchen, Castro said, looms large as a communal place where families show up, break bread, fight at the table, announce big news, and meet new people.
“We also have a deep, deep love of food,” Guha said, explaining that the three dancers and the band often eat together, whether they’re going out during tour dates, cooking for each other, or hanging out and talking about cooking shows on TV. “We gather around food at all times. When we’re sad, when we’re mad, when we’re creative, when we’re stuck.”
Indeed, inside the rehearsal space, there’s a plate of fruit set out on a bench. The floor vibrates, knocking over the phone Castro set up to film one of their final runs before the next day’s performance. She scurries over to prop it back up, then gives up. It’s no match for them as they dance for and with each other.
“The Kitchen” is about “nostalgia and culture and all of that, but it’s not just that,” Rosales said. “Each of our sounds, each of our instruments is an ingredient, and when you let it simmer, we literally are cooking up something live.”
Watching them close up, it’s striking to pick out moments when these three dancers are performing a phrase seemingly in unison, only to notice that they are each executing slightly different steps using distinct dance vocabularies. If the common thread for a particular step is bringing both arms up overhead and then back down to rest by the sides of the body, they have to ask themselves: What would that look like in tap, flamenco, and Kathak?
The result often looks so smooth — a 2022 New York Times review called their show “a treasure and a triumph” and they graced the March 2024 cover of Dance Magazine — that it belies the struggle it takes to compose coherent, polished choreography out of three different cultural forms and artistic languages.
“We get a lot of people that think they see the quote-unquote product and say, ‘Oh you guys you work so well together!’ And that’s true,” Rosales said. But the ultimate cohesion rarely comes easily. Sometimes they’ll spend a three-hour rehearsal choreographing just one minute of new material. “It is so hard to come up with these things, and it comes with a lot of blocks,” she said, “a lot of friction and sometimes arguments.”
They’ve learned along the way when they need to put an idea in the “parking lot” to deal with later, when they need to sit down and talk, when they need to admit their brains are mush, when they need to explain or understand something about one of their dance forms, and when they need to remember their shared goals.
“We’ve named the idea Greta,” Castro said. “So when we are not on the same page, we say, ‘Greta, what is the answer? … What does the work need?’ Then our feelings can’t get in the way.”
At about 9 p.m., it’s time to call it quits. The dancers, musicians, and Greta all seem satisfied. They’re ready for their show the following evening.
‘Talk to each other and with each other’
First they argue about rice. In an excerpt from “The Kitchen” they perform the next day, the three women congregate over an invisible pot. With all these cooks in the kitchen, Castro tells the audience, “you can imagine that each of them thinks that their pot of rice is the best pot of rice.”
“This is burnt!” one exclaims. Another slaps a hand away: “Get your hand out my pot.”
On this particular evening in August, Soles is the opening act on the opening night of the Battery Dance Festival. The annual event is held on an outdoor stage in a waterfront park at the southern tip of Manhattan, next door to the Museum of Jewish Heritage.
“Part of the mission of the festival is to break down barriers between people, between cultures, introduce new forms of dance to the audience members, and to bring people together,” said Battery Dance’s executive director Emad Salem. “They perfectly embody that mission,” he said, “coming together in this seamless way.”
Though the sky is gray and heavy with the threat of rain, the amphitheater-style seats are packed. And while it started drizzling earlier during the group’s tech rehearsal — leading to a scramble to cover equipment and altering the sound of the wooden flooring onstage — the audience is none the wiser.
Standing behind the last row of seats, Curtis Thomas can’t help but dance along as he cheers and applauds. “It’s just so vibrant. All of the energy comes right at you,” said Thomas, who is a dancer himself. “It immediately opens you up somehow. And I love the way it’s just so multidisciplinary and the way that all of the styles and forms of dance and music talk to each other and with each other.”
The symbolism of the scene is almost too much. Dancing against the backdrop of the Hudson River flowing into New York Harbor, with the Statue of Liberty and Ellis Island visible in the distance, Soles of Duende demonstrates in dance what might be possible outside of it. At a time of entrenched polarization, they show you, Castro said, “what the dreamscape could be or a current reality could be.”
“When people see us performing, it really is a true example and testament to coexistence,” Rosales said. Whether they’re onstage or off, they can converse without changing who they are or how they speak. No one has to dim or diminish themselves. And “just like any musical form, we have to listen to each other.”
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Tidbits: This Jewish couple gives homeless dogs a free makeover
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
אַ גרויסער בלאָער משׂא־פֿור האָט זיך אָפּגעשטעלט אויף אַ גאַס אין סקיד־ראָו, אַ באַקאַנטער אָרעמער געגנט אין לאָס־אַנדזשעלעס, פֿאַר אַ היימלאָזן מענטש מיט אַ הינטל.
„אײַער הינטל וויל אפֿשר מע זאָל אים צופּוצן אַ ביסל?“ האָט דער מאַן אינעם אויטאָ געפֿרעגט. לכתּחילה האָט דער היימלאָזער אויסגעזען צעטומלט. דערנאָך האָט ער געגעבן אַ קוק אויף זײַן הינטל, וואָס ער האָט שוין ווער ווייסט ווי לאַנג נישט געבאָדן אָדער אָפּגעשוירן, און צוגעשאָקלט מיטן קאָפּ.
מיט אַ שעה שפּעטער איז דאָס הינטל אַרויס פֿונעם משׂא־פֿור, אויסזעענדיק ווי אַ גאָר אַנדער הינטל. זײַן פֿעל, וואָס איז פֿריִער געווען שמוציק און פֿאַרפּלאָנטערט, האָט מען אויסגעוואַשן, צוגעשוירן און געבערשט ביז ער איז געוואָרן ווייך און גלאַנציק. איידער ער איז אַרויס פֿון אויטאָ האָט מען אים געגעבן אַ נאַש, וואָס ער האָט פֿריילעך אײַנגעשלונגען.
די אָרגאַניזאַציע וואָס האָט אויסגעבאָדן דאָס הינטל, „האָליוווּד מאָביל גרומינג“, באַלאַנגט צו טשאָק און יעל רובין. במשך פֿון די פֿאַרגאַנגענע 11 יאָר, האָבן זיי און זייערע מיטאַרבעטער גערייניקט בערך 5,000 הינט פֿרײַ פֿון אָפּצאָל.
דאָס פּאָרפֿאָלק, וואָס האָט אימיגרירט פֿון ישׂראל, האָט אין 2001 לאַנצירט אַ געשעפֿט וואָס ברענגט אַ לוקסוס־ספּאַ צו פֿאַרמעגלעכע אייגנטימער פֿון הינט. אָבער דערנאָך האָבן זיי באַשלאָסן אַז זיי ווילן אויך העלפֿן די מענטשן מיט הינט, וואָס קענען נישט באַצאָלן דערפֿאַר: סײַ הינט וואָס געפֿינען זיך אין אַ מיקלט פֿאַר חיות, סײַ הינט וואָס וווינען מיט זייערע אייגנטימער אויף דער גאַס.
„אַ מאָל האָבן די אייגנטימער מורא אונדז איבערצוגעבן די הינט, אַפֿילו אויב זיי קענען וואַרטן אין דרויסן,“ האָט יעל געזאָגט. „מיר לאָזן זיי אַרײַנקומען און זען וואָס מיר טוען. די הינט פֿילן זיך אויך בעסער. מע קען זען וויפֿל זיי האָבן הנאה פֿון דער באַהאַנדלונג און ווי עס שפּאַנט זיי אויס. דו ווײַזט זיי ליבע, גיסט זיי אַ נאַש, וואַסער צו טרינקען, און זיי באַצאָלן דיר מיט זייערע קושן.“
אויף דער פֿראַגע, צי זיי זאָרגן זיך נישט, וואָס וועט זײַן ווען די הינט גייען צוריק צו די האַרבע באַדינגונגען פֿון דער גאַס, האָט טשאָק באַטאָנט עטלעכע זאַכן: „זייערע אייגנטימער זענען תּמיד מיט זיי און פּאַסן אויף אויף זיי וויפֿל זיי קענען נאָר. די הינטלעך זענען זייערע ׳קינדער׳. עס זענען אויך דאָ אַ סך אָרגאַניזאַציעס וואָס באַזאָרגן זיי מיט עסן אומזיסט און אַנדערע זאַכן. זיי פֿאַרמאָגן ווייניק, אָבער זיי טוען דאָס בעסטע אויפֿצופּאַסן אויף זייערע הינט.“
צו לייענען וועגן דעם אויף ענגליש גיט אַ קוועטש דאָ.
To read about this in English click here.
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The tech worker campaigning for ‘Antisemite of the Week’ doesn’t want to talk about antisemitism
After accusations of discrimination led his San Francisco Tech Week event to be pulled from the schedule, a tech worker has decided to embrace his newfound notoriety.
Mostapha Benhenda cited security reasons last week when he denied an Israeli programmer admission to his AI hackathon event, explaining that he didn’t want the Israeli army to make participants’ electronics “explode in their faces and injure them.”
The Israeli tech worker — a former Israeli soldier named Adam Levi — posted the message online, leading sponsors to pull funding for the event. In the days since, Benhenda has begun openly campaigning for an “Antisemite of the Week” award from pro-Israel watchdog group StopAntisemitism.
“I am a competitor, I play to win, this prize will be my Ballon d’Or,” Benhenda said in a message to the Forward, referring to the annual prize for the world’s best soccer player.
Running this week through Sunday, San Francisco Tech Week draws tens of thousands of tech industry workers to hundreds of panels, competitions and parties across the Bay Area.
The saga began Sept. 29 when Levi posted a screenshot of Benhenda’s messages rejecting his RSVP to the event, called “Build Your Agentic Investment Bank Hackathon.” A page for the hackathon on the digital invitation platform Partiful claimed it had been co-sponsored by Tech Week and the convention’s founder, venture capital firm Andreessen Horowitz.
Levi’s post was reshared on X more than 1,000 times, leading to the event’s de-listing by Tech Week organizers, who said on X that the event had violated the program’s terms of service.
Levi told The Algemeiner that Andreessen Horowitz told him the company had removed its sponsorship.
Benhenda, whose LinkedIn says he attended college in France, declined to participate in phone interviews. But in messages to the Forward, his response to accusations of antisemitism appeared to shift over a manner of days from defensiveness to bemusement.
When first reached for comment, Benhenda denied that his rejection of Levi was antisemitic at all. He said he banned Levi because his LinkedIn indicated service in the Israeli military’s secretive Unit 8200 during September 2024, when the intelligence unit was linked to the simultaneous detonation of thousands of pagers owned by Hezbollah operatives across Lebanon. (Levi declined to be interviewed, but said on X that “building explosive pagers was never my thing.”)
“I understand Adam’s disappointment, and his resulting emotional accusation of antisemitism, but he perfectly knows it’s unfounded,” Benhenda wrote Sept. 29, adding, “I hope that over the next weeks he will get more clarity about this.”
However, after StopAntisemitism posted about Benhenda on X, he seemed to lose interest in contesting the claim — and began leaning into it instead.
On Saturday, Benhenda shared StopAntisemitism’s post about him with a request.
“I am competing for the ‘Antisemite of the Week’ award at the San Francisco Tech Week,” he wrote. “Can you show your support/hate with a retweet?”
Founded in 2018 by a social media influencer who goes by Liora Rez, StopAntisemitism.org frequently bestows its “Antisemite of the Week” awards to public figures — a mix of elected officials, civic leaders and celebrities — who antagonize Israel.
Recent recipients of the award — which is not actually awarded weekly — have included actor Javier Bardem and Rama Duwaji, the wife of New York City Mayor Zohran Mamdani.
Last month, StopAntisemitism sponsored an event where a speaker was later criticized for Islamophobic rhetoric. (Rez did not respond to a request for comment on that story, or for this one.)
Benhenda said in messages to the Forward on Monday afternoon that he did not know very much about the organization, but that he was pining for its distinction, given the group’s 350,000 followers on X.
“What matters isn’t the label, but who puts it,” he added. “Go big or go home, that’s the game in the Silicon Valley.”
Later, though, Benhenda insisted that he still did not understand the accusations of antisemitism against him. His refusal of Levi, he said, had been solely due to Levi’s involvement in the Israeli military.
Meanwhile, he is forging ahead with the hackathon, hosting it Tuesday on the streaming platform Discord for nearly 200 registered participants.
Benhenda blamed the “tremendous lobbying from the Zionist lobby” for the change. But the venue where he had initially planned to host the event indicated there was no change. The supposed host, a coworking space called Frontier Tower, said in an email it had never booked Benhenda’s event to begin with.
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