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Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments

(JTA) — When the New York Times journalist Jodi Kantor was reporting the 2017 Harvey Weinstein sexual assault story that earned her a Pulitzer prize, the powerful Hollywood producer and his team tried to influence her by using something they had in common: They are both Jewish. 

“Weinstein put [Jewishness] on the table and seemed to expect that I was going to have some sort of tribal loyalty to him,” Kantor told the Jewish Telegraphic Agency on a video call from the New York Times newsroom. “And that was just not going to be the case.”

Now, that exchange has been immortalized in “She Said,” a new film adaptation of the nonfiction book of the same name by Kantor and her collaborator Megan Twohey that details their investigation into Weinstein’s conduct, which helped launch the #MeToo movement.

The film, directed by Maria Schrader with stars Zoe Kazan as Kantor and Carey Mulligan as Twohey, is an understated thriller that has drawn comparisons to “All the President’s Men” — and multiple subtle but powerful Jewish-themed subplots reveal the way Kantor’s Jewishness arose during and at times intersected with the investigation. 

In one scene, the Kantor character notes that a Jewish member of Weinstein’s team tried to appeal to her “Jew to Jew.” In another, Kantor shares a moving moment with Weinstein’s longtime accountant, the child of Holocaust survivors, as they discuss the importance of speaking up about wrongdoing.

Kantor, 47, grew up between New York and New Jersey, the first grandchild of Holocaust survivors — born “almost 30 years to the day after my grandparents were liberated,” she notes. She calls her grandmother Hana Kantor, a 99-year-old Holocaust survivor, her “lodestar.” Kantor — who doesn’t often speak publicly about her personal life, including her Jewish background, which involved some education in Jewish schools — led a segment for CBS in May 2021 on her grandmother and their relationship. Before her journalism career, she spent a year in Israel on a Dorot Fellowship, working with Israeli and Palestinian organizations. She’s now a “proud member” of a Reform synagogue in Brooklyn.

Kantor spoke with JTA about the film’s Jewish threads, the portrayal of the New York Times newsroom and what Zoe Kazan’s performance captures about journalism. 

This interview has been edited and condensed for clarity and length. 

JTA: How did you feel having Zoe Kazan, who is not Jewish, play you? Kazan has played some notably Jewish characters before, for example in the HBO miniseries “The Plot Against America.” 

JK: I feel Zoe’s performance is so sensitive and so layered. What I really appreciate about her performance is that she captures so many of the emotions I was feeling under the surface in the investigation. You know, when you’re a reporter and especially a reporter handling that sensitive a story, it’s your responsibility to present a really smooth professional exterior to the world. At the end of the investigation, I had the job of reading Harvey Weinstein some of the allegations and really confronting him. And in dealing with the victims, I wanted to be a rock for them and it was my job to get them to believe in the investigation. And so on the one hand, you have that smooth, professional exterior, but then below that, of course you’re feeling all the feelings. You’re feeling the power of the material, you’re feeling the urgency of getting the story, you’re feeling the fear that Weinstein could hurt somebody else. You’re feeling the loss that these women are expressing, including over their careers. And so I think Zoe’s performance just communicates that so beautifully. 

What Zoe says about the character is that there are elements of me, there are elements of herself, and then there are elements of pure invention because she’s an artist, and that’s what she does. 

I think the screenplay gets at a small but significant line of Jewish sub-drama that ran through the investigation. It went like this: Harvey Weinstein and his representatives were constantly trying to approach me as a Jew. And they’ve done this more recently, as well. There have been times when Harvey Weinstein was trying to approach me “Jew to Jew,” like almost in a tone of “you and I are the same, we understand each other.” We found dossiers later that they had compiled on me and it was clear that they knew that I was the grandchild of Holocaust survivors, and they tried to sort of deploy that. So speaking of keeping things under the surface, I privately thought that was offensive, that he was citing that. But your job as a reporter is to be completely professional. And I wasn’t looking to get into a fight with Weinstein. I just wanted to find out the truth and I actually wanted to be fair to the guy. Anyway, even as he was approaching me “Jew to Jew” in private, he was hiring Black Cube — sort of Israeli private intelligence agents — to try to dupe me. And they actually sent an agent to me, and she posed as a women’s rights advocate. And she was intimating that they were going to pay me a lot of money to appear at a conference in London. Luckily I shooed her away. 

To some degree I can’t explain why private Israeli intelligence agents were hired to try to dupe the Hebrew speaking, yeshiva-educated, granddaughter of Holocaust survivors. But it’s not my job to explain that! It’s their job to explain why they did that. 

Then the theme reappeared with Irwin Reiter, Weinstein’s accountant of 30 years, who kind of became the Deep Throat of the investigation. I quickly figured out that Irwin and I were from the same small world. He was the child of survivors, and had also spent his summers at bungalow colonies in the Catskills just down the road from mine. I don’t bring up the Holocaust a lot. It’s a sacred matter for me, and I didn’t do it lightly. But once I discovered that we did in fact have this really powerful connection in our backgrounds, I did gently sound it with him – I felt that was sincere and real. Because he was making such a critical decision: Weinstein’s accountant of 30 years is still working for the guy by day and he’s meeting with me at night. And I felt like I did need to go to that place with him, saying, “Okay, Irwin, we both know that there are people who talk and there are people who don’t. And we both grew up around that mix of people and what do we think is the difference? And also if you know if you have the chance to act and intervene in a bad situation, are you going to take it?”

We didn’t talk a lot about it, because I raised it and he didn’t want to fully engage. But I always felt like that was under the surface of our conversations, and he made a very brave decision to help us. 

That was a very powerful scene in the film, and it felt like a turning point in the movie that kind of got at the ethical core of what was motivating your character. Was that a scene that was important to you personally to include in the film? 

What Megan and I want people to know overall is that a small number of brave sources can make an extraordinary difference. When you really look at the number of people who gave us the essential information about Weinstein, it’s a small conference room’s worth of people. Most of them are incredibly brave women, some of whom are depicted, I think, quite beautifully in the film. But there was also Irwin, Weinstein’s accountant of all these years, among them. It’s Megan and my job to build people’s confidence in telling the truth. And as we become custodians of this story for the long term, one of the things we really want people to know is that a tiny group of brave sources, sometimes one source, can make a massive difference. Look at the impact that these people had all around the world. 

Did you feel the film captured the New York Times newsroom? There’s a kind of great reverence to the toughness and professionalism in the newspaper business that really came through. 

Megan and I are so grateful for the sincerity and professionalism with which the journalism is displayed. There are a lot of on screen depictions of journalists in which we’re depicted as manipulative or doing things for the wrong reasons or sleeping with our sources! 

We [as journalists] feel incredible drama in what we do every day. And we’re so grateful to the filmmakers for finding it and sharing it with people. And I know the New York Times can look intimidating or remote as an institution. I hope people really consider this an invitation into the building and into our meetings, and into our way of working and our value system. 

And we’re also proud that it’s a vision of a really female New York Times, which was not traditionally the case at this institution for a long time. This is a book and a movie about women as narrators.

“Harvey Weinstein and his representatives were constantly trying to approach me as a Jew,” Kantor said. (The New York Times)

There have been comparisons made between this movie and “All the President’s Men.” One of the striking differences is that those journalists are two male bachelors running around D.C. And this film has scenes of motherhood, of the Shabbat table, of making lunches. What was it like seeing your personal lives reflected on screen?

It’s really true that the Weinstein investigation was kind of born in the crucible of motherhood and Megan and my attempt to combine work with parenting. On the one hand, it’s the most everyday thing in the world, but on the other hand, you don’t see it actually portrayed on screen that much. We’re really honored by the way that throughout the film you see motherhood and work mixing, I think in a way that is so natural despite our obviously pretty stressful circumstances.

I started out alone on the Weinstein investigation, and I called Megan because movie stars were telling me their secrets but they were very reluctant to go on the record. So I had gone some way in persuading and engaging them, but I was looking to make the absolute strongest case for them. So I called Megan. We had both done years of reporting on women and children. Mine involved the workplace more and hers involved sex crimes more, which is part of why everything melded together so well eventually. I wanted to talk to her about what she had said to female victims in the past. But when I reached her, I could hear that something was wrong. And she had just had a baby, and I had had postpartum depression myself. So we talked about it and I gave her the name of my doctor, who I had seen. Then she got treatment. And she not only gave very good advice on that [initial] phone call, but she joined me in the investigation. 

I think the theme is responsibility. Our relationship was forged in a sense of shared responsibility, primarily for the work – once we began to understand the truths about Weinstein, we couldn’t allow ourselves to fail. But also Megan was learning to shoulder the responsibility of being a parent, and I had two kids. And so we started this joint dialogue that was mostly about work, but also about motherhood. And I think throughout the film and throughout the real investigation, we felt those themes melding. It’s totally true that my daughter Tali was asking me about what I was doing. It’s very hard to keep secrets from your kid in a New York City apartment, even though I didn’t tell her everything. And Megan and I would go from discussing really critical matters with the investigation to talking about her daughter’s evolving nap schedule. It really felt like we had to get the story and get home to the kids. 

And also, we were reporting on our own cohort. A lot of Weinstein victims were and are women in their 40s. And so even though we were very professional with this and we tried to be very professional with the sources, there was an aspect of looking in the mirror. For example, with Laura Madden, who was so brave about going on the record, it was conversations with her own teenage daughters that helped her make her decision. 

We didn’t write about this in our book because it was hard to mix the motherhood stuff with this sort of serious reporter-detective story and all the important facts. And we didn’t want to talk about ourselves too much in the book. But the filmmakers captured something that I think is very true. It feels particular to us but also universal. When Zoe [Kazan] is pushing a stroller and taking a phone call at the same time, I suspect lots of people will identify with that. And what I also really like is the grace and dignity with which that’s portrayed. 

It must have been surreal, seeing a Hollywood movie about your investigation of Hollywood. 

I think part of the power of the film is that it returns the Weinstein investigation to the producer’s medium, but on vastly different terms, with the women in charge. Megan and I are particularly moved by the portrayals of Zelda Perkins, Laura Madden and Rowena Chiu — these former Weinstein assistants are in many ways at the core of the story. They’re everyday people who made the incredibly brave decision to help us, in spite of everything from breast cancer to legal barriers. 

Working with the filmmakers was really interesting. They were really committed to the integrity of the story, and they asked a ton of questions, both large and small. Ranging from the really big things about the investigation to these tiny details. Like in the scene where we go to Gwyneth Paltrow’s house and Megan and I discover we’re practically wearing the same dress — those were the actual white dresses that we wore that day. We had to send them in an envelope to the costume department, and they copied the dresses in Zoe and Carey’s sizes and that’s what they’re wearing. There was a strand of extreme fidelity, but they needed some artistic license because it’s a movie. And the movie plays out in the key of emotion.


The post Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments appeared first on Jewish Telegraphic Agency.

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The Army’s only airborne rabbi finds his congregation wherever he lands

FORT BRAGG, N.C. — At dawn on Friday, two soldiers showed up for physical training. Their rabbi was already waiting.

Black T-shirts. Gold ARMY across the chest. Nothing to set them apart. They blended into the formation — hundreds of soldiers under the pine trees as reveille cut through the morning. The flag rose. They saluted, stretched, climbed ropes, ran into the dark.

For 30 minutes, they were indistinguishable. Then everything shifted.

The three men walked into a meeting room inside a battalion headquarters, their shirts still damp with sweat. One soldier held out his left arm. The other draped a camouflage tallit over his shoulders. Rabbi Scott Klein reached into his backpack, removed a pair of black leather tefillin, and began wrapping them around a soldier’s arm — seven times, the way it’s always done, the leather biting just enough to remind you it’s there.

At 36, Klein serves one of the most unusual pulpits in American Judaism. He is one of 140 chaplains at Fort Bragg, the world’s largest military base. And he is the Army’s only Jewish chaplain assigned to an airborne unit — which means that jumping out of an airplane, for him, is not a metaphor for faith. It’s a job requirement.

Chaplain Scott Klein, left helps wrap tefillin on Specialist Evan Elbaz, center, as Specialist Jacob Abrams also gets ready to pray.
Chaplain Scott Klein, left, helps wrap tefillin on Specialist Evan Elbaz, center, as Specialist Jacob Abrams also gets ready to pray. Photo by Benyamin Cohen

One of the men praying beside him that morning was Jacob Abrams, 24, a specialist from Manhattan, Kansas. He found out about Jewish life on the base by accident, in the commissary, on a flyer for a challah-baking workshop stapled near the cereal aisle.

“Scott instantly made me feel included in the community,” Abrams said.

On Friday mornings, the two wrap tefillin together after physical training. On Friday nights, they welcome Shabbat together. But the relationship doesn’t end at the chapel door. Klein joins field exercises. He sleeps in tents. He paratroops into combat zones.

“There are days — many days — where you just don’t want to be there,” Abrams said. “Having your chaplain out there, who’s also embracing the suckiness with you, it makes it a lot easier to get through.”

It is an old idea, dressed in new camouflage: that you do not minister from a distance. You jump first.

A congregation with no walls

Later that morning, Klein climbed into his car and began driving across Fort Bragg.

The base stretches for miles, a city unto itself — schools, supermarkets, banks, gas stations, a Chipotle, three Starbucks, all of it sitting inside roughly 250 square miles, a map Klein has long since stopped needing to consult.

As he drove, he pointed things out the way someone points out a childhood neighborhood: the headquarters of the 82nd Airborne Division, the parade fields, the training grounds where soldiers prepare to leave for places he has already been.

Rabbi Scott Klein on base at Fort Bragg in Fayetteville, North Carolina.
Rabbi Scott Klein on base at Fort Bragg in Fayetteville, North Carolina. Photo by Benyamin Cohen

He grew up nearly 900 miles from here, in Skokie, Illinois, where his world, for a while, stayed small. After college, he joined his father’s accounting firm, dedicating himself to fostering local economic development and helping small businesses scale. The work paid the bills, but what he loved most was driving community entrepreneurship from the ground up — the Jewish networking events he organized for young professionals, the restaurant back rooms he’d reserve, the texts he’d send to make sure people showed up, and the strangers he introduced who became business partners, then friends.

“I realized that when you connect people, you aren’t just building networks—you’re building the infrastructure of a community,” he said.

Then, in his late 20s, an Army recruiter asked if he had ever considered serving. Klein had always thought of himself as deeply patriotic. He served on Skokie’s Fourth of July parade committee, loved civic life and believed, as an American Jew, that serving his country was a responsibility.

“If I have the opportunity to serve my country,” he recalled thinking, “I can’t let the door slam shut.”

The United States is marking this week its 250th birthday, what Klein called a “monumental” moment in the life of the “American experiment.”

He spoke of Francis Salvador, the first Jewish soldier killed in the Revolutionary War; Haym Solomon, who helped finance the Continental Army; the Civil War, which produced the country’s first official Jewish military chaplain, Rabbi Jacob Frankel, commissioned by Abraham Lincoln in 1862; the half a million American Jews who served in the two world wars that followed.

“We aren’t passive observers of this 250-year history,” he said. “We are foundational stakeholders.”

Chaplain Scott Klein at home with his 11-year-old goldendoodle, Buddy.
Chaplain Scott Klein at home with his 11-year-old goldendoodle, Buddy. Photo by Benyamin Cohen

Klein commissioned into the Army Reserve. What followed reshaped his life.

During deployments across the Middle East, he became what the military calls a lay leader, the person responsible for holding Jewish life together in places where no chaplain existed to do it. On Friday nights, that meant leading Shabbat services in Jordan, Iraq, Syria, the United Arab Emirates, Bahrain, Saudi Arabia.

During one deployment, he led a Passover Seder in Egypt for soldiers and diplomats, retelling the story of the Exodus on the banks of the river where it happened. He led High Holiday services at Guantanamo Bay. In Iraq, he lit a Hanukkah menorah inside one of Saddam Hussein’s former offices — a small, stubborn flame in a room built for someone who would have extinguished it.

Eventually, the distinction between lay leader and rabbi stopped making sense to him. Klein enrolled in rabbinical school while still in uniform, attending classes online from bases scattered across the Middle East — studying the Talmud in the region where rabbis first argued over its pages, sometimes logging in from bunkers, sometimes losing the connection mid-lesson, the line between ancient text and unreliable internet blurring into one continuous feed.

He was ordained in 2024. Soon afterward, he joined the ranks of more than 100 Jewish chaplains serving across the U.S. armed forces, which have roughly 10,000 active-duty Jewish military personnel. (Out of that total force, Klein is one of only about 10 to 15 Jewish chaplains serving on active duty in the U.S. Army). The Army sent Klein to Fort Bragg. There, he began building something more permanent.

‘Never plateau’

Klein pulls into the parking lot of one of the base’s supermarkets.

Inside, it looked like a large grocery store anywhere in America — wide aisles, fluorescent light, shoppers pushing carts past the produce and the canned goods. Klein headed straight for the bakery.

“See this?” he said, pointing to a stack of challah. “We didn’t have this before.”

When he arrived at Fort Bragg, it wasn’t something easy to find on base. Klein worked with the store manager to bring it in. Today, it helps sustain Shabbat for the more than 200 Jewish soldiers and their families who are stationed here.

He walked a few aisles over to the meat department and pulled open the door to a large refrigerated case with a “Kosher” sign taped to it: brisket, ribeye, ground beef, stew meat for cholent. Before Klein, the options were thin. Now the case stays stocked. When the meat comes in, he posts to a WhatsApp group and a Signal chat, and Jewish soldiers from one end of Fort Bragg to the other know to come get it before it’s gone. It is a community built less on sermons than on supply chains.

Chaplain Scott Klein worked with a supermarket at Fort Bragg to carry fresh kosher meat.
Chaplain Scott Klein worked with a supermarket at Fort Bragg to stock fresh kosher meat. Photo by Benyamin Cohen

None of that, on its own, is unusual for a chaplain. But for Klein, it is not enough.

For the past two years, he has also served as the interim rabbi at Beth Israel, a century-old congregation in Fayetteville, about 15 minutes off base. The synagogue has around 100 members and an active Sunday school. A permanent rabbi has been hired and will move into the parsonage on its 10-acre property in August.

Klein also volunteers his time as a chaplain for the Fayetteville Police Department. He teaches “Torah on tap” classes at a local brewery. He recently finished a two-year fellowship for rabbis serving small-town Jewish communities, the kind of program built for people without a colleague down the hall to ask for advice.

Chaplain Scott Klein being interviewed for a short documentary for the Center for Small Town Jewish Life.
Chaplain Scott Klein being interviewed for a short documentary for the Center for Small Town Jewish Life. Photo by Benyamin Cohen

He travels to rabbinical schools to recruit students who assume the only pulpit worth having is a sanctuary, showing them that there’s another version of the job — one that jumps out of airplanes, sleeps in tents, and answers a 3 a.m. phone call that no synagogue board ever will.

He is already a qualified paratrooper and recently earned his Air Assault wings — rigorous tactical credentials rarely held by military chaplains. Later this summer, he takes that same drive to a special operations unit.

“I set a goal for myself a long time ago to never plateau,” he said. “I’m in the right organization, because the Army has that culture: ‘Great, you’ve achieved this. What’s next?’ Even at 36, I feel like I’m just getting started.”

And it isn’t only about rank or certifications. “I want to continue learning in Judaism, in Torah,” he said. “But also just as a human. I have this itch to keep doing more.”

From phone calls to a first meeting

In the afternoon, Klein returned home.

On base, the houses are nearly identical — modest homes lined up along quiet streets, indistinguishable from one another unless you know which door to knock on. Inside, the living room was sparsely decorated, the furniture simple and functional. Klein shares the house with his wife, Eli, who teaches special education at a school on base, and Buddy, their 11-year-old goldendoodle, who curled up on a chair.

On the couch sat Paul Kenul, a 69-year-old retired U.S. diplomat who had flown in from Europe. Raised Catholic, he was now studying to become a Jew.

Klein balanced a laptop on his knees, scrolling through a passage from Pirkei Avot, a tractate devoted to ethics and moral teachings. Kenul leaned forward, listening closely, a pen in one hand and a notepad in the other.

Paul Kenul, a 69-year-old retired U.S. diplomat who was raised Catholic, is studying to convert to Judaism with Rabbi Scott Klein.
Paul Kenul, a 69-year-old retired U.S. diplomat who was raised Catholic, is studying to convert to Judaism with Rabbi Scott Klein. Photo by Benyamin Cohen

Kenul grew up on Long Island, in a neighborhood that was almost entirely Jewish, except for him. He spent a career bouncing between Alaska and Heidelberg and Addis Ababa before landing, almost by accident, in Tel Aviv, working at the U.S. embassy. “I felt like I was home,” he said.

He lives in Poland now, with his wife, in a house with an Israeli flag flying in the garden.

For the past year, every Sunday, on the phone, the two men have worked their way through the Torah cycle. The first few months, Kenul said, he was “high” learning with Klein, mesmerized by a tradition he wished he’d found as a teenager.

For Kenul, the lessons had begun to feel like something more. “When I study with the rabbi,” he said, “I feel like I’m feasting.”

This week, for the first time, he flew in to meet Klein in person. “We hugged, and we just kept talking,” Kenul said matter-of-factly.

He talks now about the Torah’s cast of men who failed and were forgiven and failed again the way other people talk about relatives. “They feel like my ancestors,” he said. “They made so many mistakes. I can relate to that.”

Borrowed space, sacred time

The Watters Family Life Center for Counseling and Resiliency does not look like a synagogue, because it isn’t one. It’s a building the Army built for chaplains of every faith to share, and on Friday nights, for about an hour, it becomes one.

Past the kitchen, a walk-in storage room held boxes of Streit’s potato kugel, bottles of grape juice, a stack of siddurs, and “Shabbat in a box” kits donated by a Connecticut nonprofit — a Kiddush cup, a havdalah candle, a challah cover, and, inexplicably, a deck of playing cards. In the corner, leaning against the wall, rests a blue pop-up sukkah.

Chaplain Scott Klein a storage closet containing, among other things, prayer books, potato kugel mix, and a pop-up sukkah.
Chaplain Scott Klein a storage closet containing, among other things, prayer books, potato kugel mix and a pop-up sukkah. Photo by Benyamin Cohen

Klein passed out camouflage kippahs at the door.

About 15 people sat in folding chairs, more arriving until someone had to grab extra seats. Klein stood behind a small pulpit, a menorah on the stage behind him between an American flag and the Army Chaplain Corps flag. He’d traded his fatigues for a gray suit, no tie. The service moved through Hebrew and English, everyone following along in camouflage-covered siddurs.

It was the Shabbat before the Fourth of July, and the week’s Torah reading happened to be Klein’s own bar mitzvah portion — a text that describes the sudden death of Miriam. For Klein, the connection was heartbreakingly close; his own sister, Miriam, had passed away suddenly just a month prior.

He shared with the room how the Torah handles the loss with a striking, quiet brevity, offering no drawn-out account of public mourning. Instead, Jewish tradition teaches that a miraculous well of water traveled with the Israelites through the dry wilderness for as long as Miriam lived — and vanished the moment she died.

Klein’s sister moved through the world with that same quiet, life-giving impact, he said. “She didn’t need the spotlight; she just brought sustenance and life to everyone around her,” he reflected. “She never would have wanted a loud, public display of grief. She would want us to keep moving forward through the desert.”

Then he recited the Mourner’s Kaddish.

Chaplain Scott Klein leads Friday night Shabbat services at Fort Bragg.
Chaplain Scott Klein leads Friday night Shabbat services at Fort Bragg. Photo by Benyamin Cohen

A chaplain’s job, as the Army defines it, comes in three parts: nurture the living, care for the wounded, honor the fallen.

The first happens every day — soldiers walking in with money trouble, a marriage coming apart, the slow pressures that build until someone needs to talk to a person who won’t repeat what’s said.

The third comes without warning. When a soldier dies, in training or in combat, the call goes to the chaplain. Klein has stood with families the moment they find out. He has escorted remains across state lines, sometimes across continents, making sure both military protocol and Jewish tradition are followed at every step. At Dover Air Force Base, where the country’s dead return home first, chaplains are often the ones waiting on the tarmac.

“Escorting a fallen service member home is the most sacred, heavy duty we have,” he said. “It is the ultimate expression of our promise never to leave a fallen comrade.”

After the prayer for peace and a prayer for the country’s soldiers, the room sang Shalom Aleichem and Klein poured Kiddush into plastic cups. There was babka, black and white cookies, and fresh challah baked by a soldier’s wife, still warm when it reached the table.

There was also cake: carrot cake left over from his shloshim service for Klein’s sister, and a cookie cake for the country’s 250th — grief and birthday cake sharing a tablecloth. It was the whole evening in miniature: whatever needed holding, the room found a way to hold it.

The post The Army’s only airborne rabbi finds his congregation wherever he lands appeared first on The Forward.

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LA Jewish Federation staff picket their office

Employees of Los Angeles’ Jewish federation and three other local Jewish nonprofits are set to picket outside the federation’s building Tuesday, accusing federation management of a bait-and-switch in negotiations for a new contract.

Unionized workers of Jewish Federation Los Angeles, one of the four largest Jewish federations in the U.S. by net assets, say the federation verbally agreed June 25 to a 5% salary increase in the first year of a three-year contract during a bargaining session, only to lower the offer to 4% in the first year after the union withdrew other demands.

“It feels like bad-faith negotiations,” Lilia Arbona, who leads the employee union, said in an interview. “It’s disrespectful and distasteful to the community.”

About three-quarters of the union’s 93 members are employees of the federation itself. The remainder work for the Jewish Community Foundation, which manages more than $1 billion of charitable assets and is closely linked to the federation. The other two agencies, Jewish Big Brothers Big Sisters of Los Angeles and Builders of Jewish Education, partner with the federation and receive federation funding but are separate nonprofits, and the federation negotiates on their behalf.

The union staff, who are members of the American Federation of State, County and Municipal Employees, also picketed the building last week.

Arbona, who has worked for the federation for 35 years and is currently their senior art director, said the union had agreed to withdraw proposals around healthcare, parental leave and severance pay for annual wage increases of 5%, 4% and 4% in the three years of the contract — the same structure it agreed to in 2023, when its last contract was signed. That contract expires Tuesday.

Arbona said management had attributed the missing 1% to healthcare contributions, but alleged that the healthcare increases didn’t make up the difference. She added that the picket was not a strike or a work stoppage; union members will participate during their lunch hour.

The union has the option of filing an unfair labor practices complaint with the U.S. Department of Labor, but Arbona said it could take a year to get a hearing and that a Trump-run department would not give the union a fair hearing.

Rob Goldenberg, who is serving as the federation’s communications lead, did not address Arbona’s claims but described the picket as a “common” occurrence in the bargaining process.

“Every three years, the Jewish Federation, representing several Jewish agencies, negotiates with our local union,” Goldenberg, the federation’s chief creative officer, said in a statement. “An informational picket, conducted during our employees’ non-work time, is a common part of this process. We have engaged in good-faith negotiations and look forward to reaching a conclusion soon that benefits everyone involved.”

The post LA Jewish Federation staff picket their office appeared first on The Forward.

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The play is about Birthright, but it’s about a lot more than Israel

Towards the end of Birthright, a new play that just made its New York City debut at the MCC Theatre, two characters are arguing over Israel and Zionism in the wake of Oct. 7. The talking points will be familiar to anyone who’s been ensconced in the discourse of the past few years: Izzy says that Zionism is and has always been a colonialist project, and Chaya blames the conflict on Palestinian leaders who rejected early two-state solutions.

As they argue, each is frantically Googling; their phone screens are projected onto the walls of the set. We can see the chasm between their echo chambers: Izzy goes to the Jewish Voice for Peace website, Chaya to The Jerusalem Post. Each time they focus on their own screen, the sound of the argument becomes muffled and indistinct until they resurface to throw a new piece of evidence into the conversation.

It’s a clever piece of production magic that effectively drives home the schism over Israel in the Jewish world, and our inability to hear each other.

Birthright, commissioned by Miami New Drama from Tony Award-winning playwright Jonathan Spector and here directed by Teddy Bergman, is nominally about the eponymous free trip to Israel. But really it’s about a group of six friends that formed on the trip, and their personal journeys — through Judaism, and through life — as the somewhat motley crew diverges and reconnects over the years.

Chaya, left, and Izzy during the second act’s meet up. Photo by Emilio Madrid

The show is a long one, three and a half hours once you include its two intermissions. Each act depicts a single night, spaced over the course of nearly two decades — first, right after they’ve returned from their trip to Israel in 2006, then in their early 30s as their careers are taking off in 2016, and finally a year after Oct. 7. While the runtime is admittedly long, it allows for well-developed characters, which are essential to approaching such a touchy topic with any nuance, and the fast-paced dialogue keeps things moving briskly. (A reasonable helping of humor, including a Kanye reference in every act, doesn’t hurt.)

And the show does manage an astonishing amount of subtlety for a topic that has become so factionalized. The characters represent a reasonably diverse range of Jewish thought and experience, though certainly leaves some out. (There are no Jews of color or converts, for example, and no true right-wing hawks.)

There’s Chaya (Zoe Winters, best known as Logan Roy’s secretary and mistress on Succession), who grew up Conservadox, but spent college rushing a sorority and dyeing her hair blonde; she ends up working for the Democratic establishment. Noah (Eli Gelb, Tony-nominated for Stereophonic) is a political wonk with a Facebook-addled dad prone to right-wing conspiracy theories. Izzy (Molly Bernard), a queer Jew who eschewed law school, has worked on the Jewish left long before it became buzzy. Lev (Hale Appleman), a lost soul wanderer with a penchant for Jewish philosophy — he name-drops Abraham Joshua Heschel’s The Sabbath and Yosef Yerushalmi’s Zakhor — has family who survived the Holocaust. Alona (Molly Ranson), a sociology PhD who fell for an IDF soldier on the trip, eventually marries an Israeli and moves to Tel Aviv. And Emerson (Nate Mann), a musician, is barely aware that he’s Jewish when he lands on their trip half by accident.

This long summary represents only a smidgen of the events in the group’s lives. The play makes sharp use of production gimmicks, opening the second and third acts by projecting a montage of messages, summarizing the events of the group’s intervening years — and also cleverly reminding us of the quirks of bygone eras. Before the second act, we see wedding invitations and job announcements sent out by email, and then newborn photos posted on Facebook. Before the third, there are group chats on iMessage and then Whatsapp, where we see more birth announcements. Later, they exchange articles about the Israel-Hamas war.

This glut of information is how the show achieves its depth. On paper, one could slot some of these characters into obvious archetypes: The Zionist who makes aliyah, the queer anti-Zionist activist who has made politics her whole identity, the centrist liberal who staunchly supports Israel. But every character has real depth and pathos, and none of the action plays out to its stereotypical end.

When someone asks Izzy, the JVP-type activist, why she hates Israel so much, she doesn’t list out its sins; instead, she’s affronted. “I don’t hate Israel. I love it,” she says. “What it could be at its best.” She doesn’t believe she’s fighting against the nation, but for it.

Meanwhile, Alona, who made aliyah, does not launch into a speech about how Hamas has to be eradicated before the war can end; Bibi, the rest of the Israeli government and settlers, she says, are just as much of a “cancer” as any terrorist group.

All grown up in the final act. Photo by Emilio Madrid

Though the political discussions are impressively nuanced, Birthright finds its true success in spending as much time on the rest of the characters’ lives as it does on their political stances. There are the complications of falling for a non-Jewish partner. The ways having children changes life in inalterable ways. Divorces. Substance abuse. The way a dream career can still disappoint. For a topic that is so often turned into a polemic, the play takes a broader view.

In presenting stories of real, believable Jewish lives that are not solely defined by their Judaism, the play demonstrates that Jewishness doesn’t mean just one thing to anyone. Instead, it explores the ways Jewish identity layers on, mingles with and sometimes challenges the rest of one’s choices, values and beliefs.

There are views left out of Birthright, to be sure. No one is right wing (the characters call their group “BirthLeft”), and in the first act they all make fun of their trip as a way to get Jewish kids laid. No one is truly hawkish about the war; in the first act, the characters make fun of George W. Bush and fantasize about working on Democratic campaigns. No one is making an argument, as plenty of people have in the past few years, that Palestinians should be exiled from Gaza or deserve to die.

But the overall point can apply equally: Judaism, and Israel, is not one clear thing. There’s no perfect answer. We aren’t all supposed to agree — but that doesn’t have to tear us apart. It’s a simple message, but one that is hard to believe these days; Birthright makes it feel tangible.

As Lev says when considering their Birthright trip, and his confused feelings about it. “History, Jewish history, it’s never been a straight line, and it’s never meant only one fixed thing. It’s more a thing you interpret, that you find meaning in.”

The new play Birthright is playing at the MCC Theater in Manhattan through Jul 26, 2026.

The post The play is about Birthright, but it’s about a lot more than Israel appeared first on The Forward.

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