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Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments

(JTA) — When the New York Times journalist Jodi Kantor was reporting the 2017 Harvey Weinstein sexual assault story that earned her a Pulitzer prize, the powerful Hollywood producer and his team tried to influence her by using something they had in common: They are both Jewish. 

“Weinstein put [Jewishness] on the table and seemed to expect that I was going to have some sort of tribal loyalty to him,” Kantor told the Jewish Telegraphic Agency on a video call from the New York Times newsroom. “And that was just not going to be the case.”

Now, that exchange has been immortalized in “She Said,” a new film adaptation of the nonfiction book of the same name by Kantor and her collaborator Megan Twohey that details their investigation into Weinstein’s conduct, which helped launch the #MeToo movement.

The film, directed by Maria Schrader with stars Zoe Kazan as Kantor and Carey Mulligan as Twohey, is an understated thriller that has drawn comparisons to “All the President’s Men” — and multiple subtle but powerful Jewish-themed subplots reveal the way Kantor’s Jewishness arose during and at times intersected with the investigation. 

In one scene, the Kantor character notes that a Jewish member of Weinstein’s team tried to appeal to her “Jew to Jew.” In another, Kantor shares a moving moment with Weinstein’s longtime accountant, the child of Holocaust survivors, as they discuss the importance of speaking up about wrongdoing.

Kantor, 47, grew up between New York and New Jersey, the first grandchild of Holocaust survivors — born “almost 30 years to the day after my grandparents were liberated,” she notes. She calls her grandmother Hana Kantor, a 99-year-old Holocaust survivor, her “lodestar.” Kantor — who doesn’t often speak publicly about her personal life, including her Jewish background, which involved some education in Jewish schools — led a segment for CBS in May 2021 on her grandmother and their relationship. Before her journalism career, she spent a year in Israel on a Dorot Fellowship, working with Israeli and Palestinian organizations. She’s now a “proud member” of a Reform synagogue in Brooklyn.

Kantor spoke with JTA about the film’s Jewish threads, the portrayal of the New York Times newsroom and what Zoe Kazan’s performance captures about journalism. 

This interview has been edited and condensed for clarity and length. 

JTA: How did you feel having Zoe Kazan, who is not Jewish, play you? Kazan has played some notably Jewish characters before, for example in the HBO miniseries “The Plot Against America.” 

JK: I feel Zoe’s performance is so sensitive and so layered. What I really appreciate about her performance is that she captures so many of the emotions I was feeling under the surface in the investigation. You know, when you’re a reporter and especially a reporter handling that sensitive a story, it’s your responsibility to present a really smooth professional exterior to the world. At the end of the investigation, I had the job of reading Harvey Weinstein some of the allegations and really confronting him. And in dealing with the victims, I wanted to be a rock for them and it was my job to get them to believe in the investigation. And so on the one hand, you have that smooth, professional exterior, but then below that, of course you’re feeling all the feelings. You’re feeling the power of the material, you’re feeling the urgency of getting the story, you’re feeling the fear that Weinstein could hurt somebody else. You’re feeling the loss that these women are expressing, including over their careers. And so I think Zoe’s performance just communicates that so beautifully. 

What Zoe says about the character is that there are elements of me, there are elements of herself, and then there are elements of pure invention because she’s an artist, and that’s what she does. 

I think the screenplay gets at a small but significant line of Jewish sub-drama that ran through the investigation. It went like this: Harvey Weinstein and his representatives were constantly trying to approach me as a Jew. And they’ve done this more recently, as well. There have been times when Harvey Weinstein was trying to approach me “Jew to Jew,” like almost in a tone of “you and I are the same, we understand each other.” We found dossiers later that they had compiled on me and it was clear that they knew that I was the grandchild of Holocaust survivors, and they tried to sort of deploy that. So speaking of keeping things under the surface, I privately thought that was offensive, that he was citing that. But your job as a reporter is to be completely professional. And I wasn’t looking to get into a fight with Weinstein. I just wanted to find out the truth and I actually wanted to be fair to the guy. Anyway, even as he was approaching me “Jew to Jew” in private, he was hiring Black Cube — sort of Israeli private intelligence agents — to try to dupe me. And they actually sent an agent to me, and she posed as a women’s rights advocate. And she was intimating that they were going to pay me a lot of money to appear at a conference in London. Luckily I shooed her away. 

To some degree I can’t explain why private Israeli intelligence agents were hired to try to dupe the Hebrew speaking, yeshiva-educated, granddaughter of Holocaust survivors. But it’s not my job to explain that! It’s their job to explain why they did that. 

Then the theme reappeared with Irwin Reiter, Weinstein’s accountant of 30 years, who kind of became the Deep Throat of the investigation. I quickly figured out that Irwin and I were from the same small world. He was the child of survivors, and had also spent his summers at bungalow colonies in the Catskills just down the road from mine. I don’t bring up the Holocaust a lot. It’s a sacred matter for me, and I didn’t do it lightly. But once I discovered that we did in fact have this really powerful connection in our backgrounds, I did gently sound it with him – I felt that was sincere and real. Because he was making such a critical decision: Weinstein’s accountant of 30 years is still working for the guy by day and he’s meeting with me at night. And I felt like I did need to go to that place with him, saying, “Okay, Irwin, we both know that there are people who talk and there are people who don’t. And we both grew up around that mix of people and what do we think is the difference? And also if you know if you have the chance to act and intervene in a bad situation, are you going to take it?”

We didn’t talk a lot about it, because I raised it and he didn’t want to fully engage. But I always felt like that was under the surface of our conversations, and he made a very brave decision to help us. 

That was a very powerful scene in the film, and it felt like a turning point in the movie that kind of got at the ethical core of what was motivating your character. Was that a scene that was important to you personally to include in the film? 

What Megan and I want people to know overall is that a small number of brave sources can make an extraordinary difference. When you really look at the number of people who gave us the essential information about Weinstein, it’s a small conference room’s worth of people. Most of them are incredibly brave women, some of whom are depicted, I think, quite beautifully in the film. But there was also Irwin, Weinstein’s accountant of all these years, among them. It’s Megan and my job to build people’s confidence in telling the truth. And as we become custodians of this story for the long term, one of the things we really want people to know is that a tiny group of brave sources, sometimes one source, can make a massive difference. Look at the impact that these people had all around the world. 

Did you feel the film captured the New York Times newsroom? There’s a kind of great reverence to the toughness and professionalism in the newspaper business that really came through. 

Megan and I are so grateful for the sincerity and professionalism with which the journalism is displayed. There are a lot of on screen depictions of journalists in which we’re depicted as manipulative or doing things for the wrong reasons or sleeping with our sources! 

We [as journalists] feel incredible drama in what we do every day. And we’re so grateful to the filmmakers for finding it and sharing it with people. And I know the New York Times can look intimidating or remote as an institution. I hope people really consider this an invitation into the building and into our meetings, and into our way of working and our value system. 

And we’re also proud that it’s a vision of a really female New York Times, which was not traditionally the case at this institution for a long time. This is a book and a movie about women as narrators.

“Harvey Weinstein and his representatives were constantly trying to approach me as a Jew,” Kantor said. (The New York Times)

There have been comparisons made between this movie and “All the President’s Men.” One of the striking differences is that those journalists are two male bachelors running around D.C. And this film has scenes of motherhood, of the Shabbat table, of making lunches. What was it like seeing your personal lives reflected on screen?

It’s really true that the Weinstein investigation was kind of born in the crucible of motherhood and Megan and my attempt to combine work with parenting. On the one hand, it’s the most everyday thing in the world, but on the other hand, you don’t see it actually portrayed on screen that much. We’re really honored by the way that throughout the film you see motherhood and work mixing, I think in a way that is so natural despite our obviously pretty stressful circumstances.

I started out alone on the Weinstein investigation, and I called Megan because movie stars were telling me their secrets but they were very reluctant to go on the record. So I had gone some way in persuading and engaging them, but I was looking to make the absolute strongest case for them. So I called Megan. We had both done years of reporting on women and children. Mine involved the workplace more and hers involved sex crimes more, which is part of why everything melded together so well eventually. I wanted to talk to her about what she had said to female victims in the past. But when I reached her, I could hear that something was wrong. And she had just had a baby, and I had had postpartum depression myself. So we talked about it and I gave her the name of my doctor, who I had seen. Then she got treatment. And she not only gave very good advice on that [initial] phone call, but she joined me in the investigation. 

I think the theme is responsibility. Our relationship was forged in a sense of shared responsibility, primarily for the work – once we began to understand the truths about Weinstein, we couldn’t allow ourselves to fail. But also Megan was learning to shoulder the responsibility of being a parent, and I had two kids. And so we started this joint dialogue that was mostly about work, but also about motherhood. And I think throughout the film and throughout the real investigation, we felt those themes melding. It’s totally true that my daughter Tali was asking me about what I was doing. It’s very hard to keep secrets from your kid in a New York City apartment, even though I didn’t tell her everything. And Megan and I would go from discussing really critical matters with the investigation to talking about her daughter’s evolving nap schedule. It really felt like we had to get the story and get home to the kids. 

And also, we were reporting on our own cohort. A lot of Weinstein victims were and are women in their 40s. And so even though we were very professional with this and we tried to be very professional with the sources, there was an aspect of looking in the mirror. For example, with Laura Madden, who was so brave about going on the record, it was conversations with her own teenage daughters that helped her make her decision. 

We didn’t write about this in our book because it was hard to mix the motherhood stuff with this sort of serious reporter-detective story and all the important facts. And we didn’t want to talk about ourselves too much in the book. But the filmmakers captured something that I think is very true. It feels particular to us but also universal. When Zoe [Kazan] is pushing a stroller and taking a phone call at the same time, I suspect lots of people will identify with that. And what I also really like is the grace and dignity with which that’s portrayed. 

It must have been surreal, seeing a Hollywood movie about your investigation of Hollywood. 

I think part of the power of the film is that it returns the Weinstein investigation to the producer’s medium, but on vastly different terms, with the women in charge. Megan and I are particularly moved by the portrayals of Zelda Perkins, Laura Madden and Rowena Chiu — these former Weinstein assistants are in many ways at the core of the story. They’re everyday people who made the incredibly brave decision to help us, in spite of everything from breast cancer to legal barriers. 

Working with the filmmakers was really interesting. They were really committed to the integrity of the story, and they asked a ton of questions, both large and small. Ranging from the really big things about the investigation to these tiny details. Like in the scene where we go to Gwyneth Paltrow’s house and Megan and I discover we’re practically wearing the same dress — those were the actual white dresses that we wore that day. We had to send them in an envelope to the costume department, and they copied the dresses in Zoe and Carey’s sizes and that’s what they’re wearing. There was a strand of extreme fidelity, but they needed some artistic license because it’s a movie. And the movie plays out in the key of emotion.


The post Weinstein approached me ‘Jew to Jew’: Jodi Kantor opens up on the ‘She Said’ movie’s Jewish moments appeared first on Jewish Telegraphic Agency.

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Israel Rejects Lebanon’s Claim of Hezbollah Disarmament as ‘Insufficient’

Lebanese army members stand on a military vehicle during a Lebanese army media tour, to review the army’s operations in the southern Litani sector, in Alma Al-Shaab, near the border with Israel, southern Lebanon, Nov. 28, 2025. Photo: REUTERS/Aziz Taher

The Lebanese government announced it has completed the first phase of a US-backed ceasefire plan aimed at disarming the terrorist group Hezbollah and asserting a state monopoly on weapons in the country’s south — a claim rejected by Israeli officials as insufficient.

On Thursday, the Lebanese Armed Forces (LAF) said it had “achieved the objectives of the first phase” of the US-backed deal, which focused on “expanding the army’s operational presence, securing vital areas, and extending operational control” south of the Litani River.

As part of a 2024 ceasefire brokered with Israel, the Lebanese government committed to disarm the Iran-backed terrorist group. Hezbollah has long wielded significant political and military influence across Lebanon while maintaining extensive terrorist infrastructure in the southern part of the country, which borders the Jewish state’s northern region.

Last year, Lebanese officials agreed to the disarmament plan, which called for Hezbollah to be fully disarmed within four months in exchange for Israel halting airstrikes and withdrawing troops from five occupied positions in the country’s southern region.

Israel has continued to hold those five strategic positions south of the Litani River to prevent the terrorist group from rebuilding its military capabilities and rearming near its northern communities.

On Friday, Israeli officials sharply rejected the Lebanese Army’s claim that Hezbollah had been disarmed, warning that the government and military’s efforts, while a cautious first step, fall far short of curbing the Islamist group’s entrenched military power.

“Efforts made toward [disarming Hezbollah] … are an encouraging beginning, but they are far from sufficient, as evidenced by Hezbollah’s efforts to rearm and rebuild its terror infrastructure with Iranian support,” the Israeli Prime Minister’s Office said in a statement on Thursday.

According to Israeli intelligence assessments, the terrorist group still possesses hundreds of long-range missiles and thousands of short-range rockets, representing between 10 percent and 20 percent of its pre-war arsenal.

Hezbollah also reportedly maintains more than 1,000 drones and continues expanding its arsenal. While its recruitment falls short of pre-war numbers, the group still reportedly retains over 40,000 terrorists.

“The facts remain that extensive Hezbollah military infrastructure still exists south of the Litani River. The goal of disarming Hezbollah in southern Lebanon remains far from being achieved,,” the Israeli Foreign Ministry said in a post on X. 

“Hezbollah is rearming faster than it is being disarmed,” the statement read. 

Recent reports indicate that the terrorist group has been actively rebuilding its military capabilities, in violation of the ceasefire agreement with Israel.

With support from Iran, Hezbollah has been intensifying efforts to bolster its military power, including the production and repair of weapons, smuggling of arms and cash through seaports and Syrian routes, recruitment and training, and the use of civilian infrastructure as a base and cover for its operations.

In recent weeks, Israel has conducted strikes targeting Hezbollah’s rearmament efforts, particularly south of the Litani River, where the group’s operatives have historically been most active against the Jewish state.

For years, Israel has demanded that Hezbollah be barred from carrying out activities south of the Litani, located roughly 15 miles from the Israeli border.

Despite pressure from US and Israeli officials to disarm, the group has repeatedly rejected efforts to relinquish its weapons, even threatening protests and civil unrest if the government tries to assert control over its arsenal.

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Jewish New York State Assembly Candidate Vows Change in Campaign Announcement

Will Sussman, candidate for New York State Assembly 4th District. Photo: Provided by Sussman4NY

Will Sussman, a Jewish civil rights activist and Yeshiva University professor, launched his campaign to become the next assemblyman for New York State’s 4th District in Long Island on Tuesday, promising to address “affordability,” government transparency, and waste caused by the alleged mismanagement of public programs.

In a press release, Sussman’s campaign contrasted his promises with the actions of the 4th District’s current representative in Albany, Rebecca Kassay, whom it described as a “pretend moderate” who once supported far-left Democrats’ initiative to “ban” gas-powered appliances such as stoves, furnaces, and water heaters. New York has already proscribed linking newly constructed buildings to natural gas lines despite its abundance and what energy experts have described as its deflationary effect on energy prices.

Combined with what Sussman called “more regulations” and imprudent “policies,” the radical wing of the Democratic party is making New York uninhabitable, Sussman argued, driving its tax base to other states even as the government promises more services that won’t pay for themselves.

“People aren’t leaving New York because they want to,” Sussman said on Monday. “They’re leaving because Albany has made it impossible to stay.”

He added, “We need an assemblyman who will say ‘no’ to [Gov.] Kathy Hochul and [New York City Mayor] Zohran Mamdani — no to higher taxes, no to bail reform, and no to antisemitism. And we need someone who will shine a light on fraud, waste, and abuse in state government.”

Sussman is making his pitch to the 4th District, located in Long Island’s Suffolk County and including Stony Brook University, backed by a variety of experience which includes teaching, writing columns, and testifying before the US Congress about rising antisemitism on American college campuses.

As previously reported by The Algemeiner, Sussman was a plaintiff in an explosive lawsuit in June by the Louis D. Brandeis Center for Human Rights Under Law.

According to court documents shared with The Algemeiner, Sussman and his co-plaintiff Lior Alon alleged that the Massachusetts Institute of Technology (MIT) became inhospitable to Jewish students after Hamas’s Oct. 7, 2023, massacre across southern Israel, as pro-Hamas activists there issued calls to “globalize the intifada,” interrupted lessons with “speeches, chants, and screams,” and discharged their bodily fluids on campus properties administered by Jews. Jewish institutions at MIT came under further attack when a pro-Hamas group circulated a “terror-map” on campus which highlighted buildings associated with Jews and Israelis and declared, “Resistance is justified when people are colonized.”

All the while, MIT’s administration allegedly refused to correct the hostile environment.

“This is a textbook example of neglect and indifference. Not only were several antisemitic incidents conducted at the hands of a professor, but MIT’s administration refused to take action on every single occasion,” Brandeis Center chairman Kenneth Marcus said in a statement announcing the suit. “The very people who are tasked with protecting students are not only failing them, but are the ones attacking them. In order to eradicate hate from campuses, we must hold faculty and the university administration responsible for their participation in — and in this case, their proliferation of — antisemitism and abuse.”

Sussman, who was forced to leave MIT in 2024 and walk away from work he had started in 2017, was himself personally harassed by a professor who “posted a message targeting Sussman by name on his X platform of over 10,000 followers, and another message.”

Policymakers in New York State have sent mixed messages regarding their views on rising antisemitism. While Hochul, a Democrat, recently approved a new Holocaust memorial, a candidate she endorsed, Mamdani, reversed the city’s adoption of the International Holocaust Remembrance (IHRA) definition of antisemitism on his first day of office last week and revoked an executive order that opposed the boycott, divestment, and sanctions (BDS) movement against Israel.

Leading US Jewish groups, including the two main community organizations in New York, rebuked Mamdani for his first steps as mayor.

“Our community will be looking for clear and sustained leadership that demonstrates a serious commitment to confronting antisemitism and ensures that the powers of the mayor’s office are used to promote safety and unity, not to advance divisive efforts such as BDS,” the groups said in a statement. “Singling out Israel for sanctions is not the way to make Jewish New Yorkers feel included and safe, and will undermine any words to that effect. Bringing New Yorkers together and building broad coalitions will be foundational to the mayor’s ability to advance a more inclusive New York.”

Follow Dion J. Pierre @DionJPierre.

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What does Marjorie Taylor Greene’s break with Trump mean for Jews? Nothing good

Since her widely-publicized break with President Donald Trump, former Rep. Marjorie Taylor Greene has been on a public redemption tour, including with an extended profile in The New York Times — the kind of media source that the far-right firebrand might have shunned for being biased against the right just a few short months ago.

Amid this reputation management tour, a familiar media reflex has kicked in: Pundits have rushed to frame the split between Greene and Trump as a sign of ideological moderation on Greene’s part. Perhaps Greene was “softening,” “repositioning,” or inching toward a more liberal posture. The editor of the center-left anti-Trump publication The Bulwark even declared that Greene’s break with Trump “gives me hope.”

In this telling, any deviation from Trump is assumed to be a move toward the center, or at least away from the hard right. But this framing badly misunderstands both Greene and the political tradition she increasingly represents, with potentially serious consequences for Jews.

Greene is not, in fact, becoming more centrist or less right-wing. Instead, her departure is the most dramatic symptom to date of deepening fractures on the far-right — largely over issues related to Israel, antisemitism and the meaning of nationalism itself.

To understand this, we need to stop thinking of the American right as a single ideological line running from “moderate” to “extreme.”

A political aberration on the right

The contemporary right is a coalition of sometimes incompatible traditions. Trump fused them temporarily, building a coalition of business-friendly Wall Street Republicans; conservative evangelical Christians; conspiracy-minded populists; and a younger, online, nationalist right. But now, after a year of Trump’s final term, the MAGA movement is under greater strain than ever before.

Perhaps the central factor in that strain is Israel.

Trump has loudly embraced Israel, cultivated high-profile Jewish allies, and positioned opposition to a certain kind of left-wing antisemitism associated with pro-Palestinian college student protestors as an essential part of his brand. During his first administration, he moved the United States embassy to Jerusalem, normalized relations between Israel and certain Gulf Arab states, and made support for Israel a litmus test for Republican loyalty.

But the striking philosemitism that characterized Trump’s first term has always coexisted uneasily with his fondness for dog whistles about “globalists” and conspiracy theories about George Soros, and with his early cultivation of a far-right fan base. Still, for a nationalist movement defined by border walls, civilizational rhetoric, and suspicion of cosmopolitan elites, the fact that Jews were rarely at the center of Trump’s list of enemies was rather unusual — in part because the kind of nationalist, closed-border politics Trump embodies has almost always placed Jews at the symbolic center of its animus.

In late 19th- and early 20th-century Europe, nationalist antisemitism was not simply a matter of old Christian religious prejudice, or of personal hatred. Rather, it was a cohesive worldview in which Jews were imagined as the antithesis of the nation-state: rootless, transnational, disloyal and corrosive to organic national unity.

In this ideological framework, Jews symbolized border-crossing itself. They were cast as the people who moved too freely, who belonged everywhere and nowhere, who undermined the stable boundaries that nationalism sought to impose.

This is why antisemitism became so tightly enmeshed in nationalist politics. Jews were not hated merely as Jews, but as embodiments of everything against which nationalism defined itself: cosmopolitanism, international finance, liberal universalism, and the erosion of traditional hierarchies. The figure of the Jew in nationalist antisemitic thought was a cipher for the destabilizing forces associated with modernity itself.

From this perspective, Trumpism’s early philosemitism was not the norm. It was the exception.

Marjorie Taylor Greene, and a different kind of nationalism

Greene has always been different from Trump when it comes to Israel — and to Jews.

Since her election to Congress in 2020, she’s engaged in critiques of U.S. support for Israel and flirtations with antisemitic conspiracy theories. In doing so, she has signaled alignment with a more traditional nationalist logic — one that views Jews, whether in Israel or in the diaspora, as challenges to a purified vision of the nation-state.

She’s not alone. For younger activists on the American right, especially those shaped by online subcultures and post-Iraq War cynicism about an assertive U.S. role in global affairs, Israel has increasingly become seen as a problem, rather than a partner.

In the past three years, the percentage of young Republicans who have a negative image of the state of Israel increased from 35% to 50%, a shockingly rapid change in such a short time. As one young staffer at the Heritage Foundation explained, “Gen Z has an increased unfavorable view of Israel, and it’s not because millions of Americans are antisemitic. It’s because we are Catholic and Orthodox and believe that Christian Zionism is a modern heresy.” During a recent focus group, one young, extremely online conservative said that Jews are “a force for evil.” These younger far-right voters frame Israel not as a civilizational ally but as a foreign state entangling America in unwanted wars.

And in so doing, they treat American Jewish influence as suspect, recycling old tropes about dual loyalty, financial manipulation and media control.

In November, at a Turning Point USA event, a young conservative activist asked Vice President JD Vance why the U.S. was expending resources on “ethnic cleansing in Gaza” and declared that Judaism “as a religion, openly supports the prosecution of ours.”

Vance did not challenge him. Vance likewise dismissed leaked chats from young Republican leaders praising Adolf Hitler and joking about gas chambers, commenting: “They tell edgy, offensive jokes, like, that’s what kids do”— even though some of these “young Republicans” were in their thirties.

To interpret Greene’s break with Trump as a move toward moderation is to assume that Trump defines the far-right baseline. In reality, Trump has actually moderated certain aspects of far-right politics, even as he radicalized others. His movement was nationalist, but selectively so. It was anti-globalist, but not uniformly antisemitic. It was populist, but protective of certain elites.

Greene represents a faction that wants to resolve these internal contradictions within the MAGA movement. In her worldview, nationalism should be consistent. All foreign aid, including to Israel, is suspect. All international alliances are burdensome. And groups perceived as transnational — whether immigrants, NGOs, or Jews — are inherently destabilizing.

A perilous future

Greene and Trump didn’t fall out over Israel. Instead, the final breaking point appears to have been related to Greene’s demand that Trump’s Justice Department release all of the files related to the late sex offender Jeffrey Epstein.

But their rupture over the Epstein files exposed the deeper gap between how Trump understands right-wing nationalism, and how Greene does.

Greene framed Epstein as proof of a corrupt, transnational, globalist elite that must be confronted openly, even if doing so means attacking powerful figures within her own movement. Trump, by contrast, prioritized loyalty, message control and coalition management, treating the issue as a political risk rather than a moral crusade.

In that sense, their fight reflected a clash between grievance-driven, anti-elite populism, and a leader-centered nationalism organized around personal loyalty and strategic discipline.

The reasons behind their rift thus helps to explain why Israel has become a flashpoint.

Support for Israel, and for Jews who advocate for it, increasingly feels incoherent to many on the far-right who share Greene’s populist vision. If nationalism is about defending one’s own people, why privilege another nation’s security over domestic concerns? And if elites are corrupting the nation — so the antisemitic thinking goes — why exempt those associated, whether fairly or not, with global networks?

It is telling that younger right-wing activists increasingly view Trump’s Israel policy as a betrayal rather than a triumph. For them, Trump’s philosemitism looks like an accommodation to donors, evangelicals or geopolitical inertia.

Instead, they hold postures like Greene’s: suspicious of foreign entanglements, hostile to perceived cosmopolitan influence, and willing to revive taboos that Trump temporarily suppressed.

None of this means Greene is destined to lead the Republican Party. But it does suggest she may be closer to the future of Trumpism than Trump himself.

That trajectory should concern anyone committed to pluralism and democratic stability. But it should also sharpen our analytical clarity. Calling Greene more moderate because she breaks with Trump obscures what is actually happening.

The conflict is not between right and center. It is between two versions of the right. One is at least marginally pragmatic, transactional and selectively inclusive. The other is ideological, purist and draws deeply from historical antisemitic tropes.

This is what those Jews who cast their lot in with the Trump administration in the name of policing campus protests failed to understand. It was never going to be possible, in the long term, to build a right-wing nationalist movement that was fine with Jews.

Marjorie Taylor Greene is not an aberration. She is a correction. And if the past is any guide, it is her version of nationalism, not Trump’s historically exceptional philosemitism, that more closely resembles where far-right movements end up.

The post What does Marjorie Taylor Greene’s break with Trump mean for Jews? Nothing good appeared first on The Forward.

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