Connect with us

Uncategorized

What I learned about antisemitism from a remarkable new archive about Jewish Civil War soldiers

(JTA) — Max Glass, a recent immigrant from Hungary, had an unhappy Civil War. 

Tricked out of his enlistment bonus when he joined the Eighth Connecticut Infantry — recent arrivals were soft touches for scam artists — Glass was then “abused for reason [sic] that I never understand” by men in his regiment. “It may have been,” he speculated,

becaus I did not make them my companions in drinking, or as I am a Jew. If I went in the street or any wher I was called Jew. Christh Killer & such names. I also had stones, dirt thrown at me.

He complained to his commanding officer, begging to be transferred, because “no man that had feeling could stand such treatment,” but to no avail. Finally, Glass fled his regiment, hoping to receive better treatment if he enlisted in the Navy. Instead he was tried as a deserter and sentenced to hard labor. 

Glass was not the only Jewish soldier to be cruelly mistreated when serving in the Union Army. But as the new Shapell Roster of Jewish Service in the Civil War demonstrates, his experience was far from typical.

I explored the Shapell Roster while working on my new book, on the experience of Jewish soldiers in the Union army. What I learned from the vast collection of documents and data was that indifference, benign curiosity and comradeship appear to have been much more common than conflict for the majority of Jewish soldiers in the Union army.

For every Max Glass there was a Louis Gratz. Born in Posen, Prussia, Gratz scraped by as a peddler before the war. Enlisting in April 1861 — just days after the war started — he took to military life. By August he had become an officer. As he proudly wrote to his family,

I have now become a respected man in a respected position, one filled by very few Jews. I have been sent by my general to enlist new recruits so I am today in Scranton, a city in Pennsylvania only twenty miles from Carbondale, where I had peddled before. Before this no one paid any attention to me here; now I move in the best and richest circles and am treated with utmost consideration by Jews and Christians.

In contrast to Max Glass, his letters whisper not a word about prejudice. As my new book on the experience of Jewish soldiers in the Union army demonstrates, Gratz’s experience was not unusual. 

Max Glass ultimately escaped his sorry start in the army through the intercession of General Benjamin Butler. After reading Glass’ tale of woe, the general pardoned the hapless Hungarian. In doing so, Butler seemingly followed Abraham Lincoln’s lead when confronted by antisemitism within the Union army. The president, after all, had quickly countermanded Ulysses S. Grant’s General Orders Number 11 expelling Jews from the districts under his command, the “most notorious anti-Jewish official order in American history,”  

But alas this story does not have a redemptive ending. Beyond the rank and file, Jews felt the sting of prejudice. The damage done in wartime left a legacy of antisemitism that continues to this day. 

For even as General Butler was pardoning Max Glass, he was locked in a heated public exchange that reveals how wartime warped attitudes towards Jews. The imbroglio began when Butler took special note of the fact that a small group of smugglers, recently detained by the Union army, were Jewish. When challenged, the combative general refused to apologize. Instead, he countered that deceit and disloyalty were among the defining characteristics of Jews, and that avarice was a particularly Jewish avocation. According to his logic, Jews could never become loyal Americans because they preferred profit to patriotism.

An 1877 cartoon from the satirical newspaper Puck illustrates the antisemitic practices of the Grand Union Hotel in Saratoga, New York. The cartoon compares the corrupt gentile clients favored by the hotel, center, with respectable (albeit stereotypical) Jewish figures, including Jesus. (Library of Congress)

Butler’s corrosive claims reflected a steady drip of acid on the home-front that began in 1861. In the first year of the war, Jews felt the sting of prejudice as the “shoddy” scandals captured the public imagination. Military contractors were publicly accused of fleecing the army by supplying substandard uniforms and gear, even as soldiers shivered in the field for want of decent clothing. 

In seeking to explain the profiteering and corruption that attended the rush to war, the press summoned the specter of the venal and disloyal Jew. Cartoonists delighted in identifying Jews as the archetypal cunning contractors, who not only refused to enlist but also actively undermined the war effort. Jews were also imagined as the speculators who profited at the expense of the common good and as smugglers who traded with the enemy. Butler, in other words, was drawing on calumnies that became common currency during wartime. 

The contractor, smuggler, speculator and shirker, however, were more than just figures of scorn. Jews and other “shoddy aristocrats” came to be seen as the creators and beneficiaries of the new economic and social order produced by the war. This “shoddy aristocracy” — whose morals and manners marked them as undesirable, whose profits were ill gained, and whose power derived from money alone — was imagined to lord it over a new and unjust social heap summoned into being by the chaos and disruption of war. 

Even as the heated rhetoric of the war years receded after 1865, these ideas remained primed for action. They were returned to service in the Gilded Age

It was no coincidence that the episode traditionally identified as initiating modern antisemitism in America — the exclusion of Joseph Seligman by Henry Hilton from the Grand Union Hotel in Saratoga Springs on May 31, 1877 — had at its center a man who had made a fortune as a contractor and banker during the Civil War. Seligman, a friend of President Grant, was viewed as an exemplar of the new capitalism that was remaking America.

Henry Hilton slandered Seligman as “shoddy—false—squeezing—unmanly,” a social climber who “has to push himself upon the polite.” Hilton drew upon themes familiar from wartime antisemitism: the Jew as speculator who trafficked in credit and debt; the Jew as obsequious ingratiator who attached himself to the powerful; the Jew as profiteer who advanced by improper means; the Jew as vulgarian who flaunted his (and her) obscene wealth and did not know his (or her) place; and the Jew as overlord whose money allowed him (or her) to displace others. In short, the “Seligman Jew” was the “shoddy aristocrat” by another name. 

In an age of inequality and excess, the antisemite imagined the Jew as embodying all that was wrong with American capitalism. And during an age of mass immigration from Romania and the Russian Empire, they soon added another theme familiar from General Butler’s wartime diatribe: The Jew could not be trusted to become fully American. 

Sadly, even as Louis Gratz, Max Glass and many other Jewish soldiers became American by serving in the Union army, the Civil War produced a range of pernicious ideas about Jews that have proven remarkably durable. We have escaped the everyday torments that afflicted Max Glass, but are still haunted in the present by the fantasies of Benjamin Butler and Henry Hilton. 


The post What I learned about antisemitism from a remarkable new archive about Jewish Civil War soldiers appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

He was a hidden child during WWII. The French town that saved him lost his painting and rediscovered a chapter of its history.

The day Isabelle Siméon cleared out a basement storage area in the town hall in Houdan, France, and found a rolled-up painting on top of a bookcase, she discovered a forgotten piece of history. My father, Philip Orenstein, a professor of art at Rutgers University, had started work on that painting in 1989 and donated it to the town in 1994 at an event marking the 50th anniversary of its liberation by American forces.

My father donated the painting because he felt a deep debt to the town that saved his life during the Second World War. A hidden child in Houdan from 1942-45, my father was saved by a parish priest who threatened to excommunicate anyone in this small market town who informed the occupying Germans about the Jewish children, resistance fighters, or downed allied pilots concealed there, or other acts of resistance. And by a farming family — the Trouvers — that took in children of French POWs, including Jews.

Yet by 2024, when Siméon, a municipal official, made her discovery, the town had forgotten not only the painting that had gone straight into storage, but its proud history of sheltering Jewish children and its heroic French resistance priest Abbé Pierre Condé. A dramatic page in the town’s 1,200 years of recorded history was lost. Even among the Jewish community in Yvelines, the bucolic region immediately to the west of Paris, the story was unknown. In France, the story of the hidden children, Jewish children sent to the countryside or small towns under various pretexts to avoid detection by Nazi occupants is well known. Several towns have established national reputations as places of refuge. But not Houdan and not elsewhere in Yvelines according to Valérie Boussard, president of the Council of Jewish Communities of Yvelines.

La Tannerie, a gallery in Houdan, is now hosting an exhibition to celebrate the restoration of Orenstein’s painting. Photo by Mitchell Orenstein

After spending more than a year to find my father based only on his signature and then restoring the painting, the Tannery (La Tannerie) gallery in Houdan is now hosting an exhibition through Nov. 1 to celebrate the restoration of this painting and this forgotten page of the town’s history.

Houdan today has changed. For many Parisians, this part of France serves as a country retreat and Houdan has fought hard to preserve its ancient town center. The result is a small town that continues to serve as a delightful regional hub with open air markets, restaurants situated in old farm buildings, an enormous fair each September, and increasingly fancy small shops, perhaps akin to the Cotswolds in England.

I accompanied my father to Houdan for the opening of his exhibition on Sept. 10 and stood with my extended family and Mayor Jean-Marie Tétart who proudly announced the future installation of the painting to a pride of place in the town hall. A former parliamentarian, Tétart seeks for Houdan the recognition it deserves as a place that, when times were at their hardest, resisted antisemitism and sought to repair the world. Even today.

Yet the town’s proud embrace of my father, his work, and this vital chapter of its history raises an important question: How was this history lost in the first place? And why was it rediscovered only now?

Another view of the gallery. Photo by Mitchell Orenstein

According to my father, the hidden child whose family survived the war and then emigrated to Brooklyn, France was simply not ready to receive this history before. It was not until 1995 that France officially took responsibility for the Vel d’Hiv roundup in Paris that claimed the lives of my father’s cousin Henri Herzhorn and thousands of other children who died in the French concentration camp in Drancy in inhumane conditions or in Auschwitz, their final destination. My father intended the seven murals that he painted starting in the 1990s to force France to recognize this history.

Paradoxically, with the dramatic rise of antisemitism that has deeply worried the French Jewish community, this history and the history of those who resisted resonates even more loudly. With every online or physical or verbal attack, the Jewish community and its allies in France respond with acts of memory.

My father’s work is at once personal and political, mixing family imagery with images of the grand politics of the day and oddly juxtaposed popular culture references. His murals stun the viewer with outsized images of a DeGaulle and Pétain or the D-Day landings, overlaid with family photos, Parisian graffiti, posters, and film advertisements. The colorful, powerful, and emotional images rush together and appear to jump off a graffitied wall in Paris as you are passing by.

“The Big Cheese,” his painting in Houdan, features an outsized image of the Ile de France steamship sailing across a brightly tricolored French flag background. The ship that bore him and his family to New York appears to be racing away from images of the iron cross, yellow stars, Drancy, and Karl Marx towards Mt. Rushmore, Max Beckman, and Statue of Liberty sunglasses. The work is colorful and epic in composition, on the one hand, while also inlaid with engaging and perplexing historical symbols designed to draw one in from afar and up close. My father has always dwelt on this history.

“As I worked on the seven canvases I describe as murals — my major body of work — I constantly thought of my cousin Henri Herzhorn, whom I had never met, as well as the more than 4,000 Parisian children who were victims of the Vel’ d’Hiv Roundup — my contemporaries, who, like me, left France,” my father said when he was in Houdan.

Today, though France seems open to revisiting this history, mysteries still remain. Particularly the postwar life and fate of Abbé Pierre Condé. I spoke with Monsignor Luc Crepy, the Bishop of Versailles for Yvelines, who has begun to research Houdan’s wartime hero together with the current Curé of Houdan, Father Pierre Bothuan. Condé left behind a published journal recording the major events of the war, occupation, and liberation of Houdan. After that, he too disappeared from collective memory.

Growing up in my father’s house, surrounded by this history, I came away from Houdan shocked at the distances we have traveled and the voids that remain. My father and his older brother Stephen, a former professor of nuclear physics at CUNY — hidden with him in Houdan — never expected to survive 1944, let alone to return there in 2026. The house where they lived lay just beside a small bridge that the Germans planned to dynamite after D-Day to slow the advance of Patton’s army. Yet the town’s postman cut the wires and my father and uncle survived to consider the contemporary relevance of a lost painting and a lost history to a lost world in need of repair.

 

The post He was a hidden child during WWII. The French town that saved him lost his painting and rediscovered a chapter of its history. appeared first on The Forward.

Continue Reading

Uncategorized

Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week

(JTA) — Prime Minister Benjamin Netanyahu on Tuesday accused New York Mayor Zohran Mamdani of supporting Hamas and inciting violence against Jews, setting up a showdown between the Israeli leader and one of the most prominent American pro-Palestinian politicians ahead of Netanyahu’s visit to the city.

Netanyahu said he would respond to Mamdani’s criticism of him and Israel during his speech at the United Nations General Assembly on Thursday, when he will visit New York for the first time since Mamdani took office.

Mamdani on Monday renewed his demand for the arrest of Netanyahu, who he called “a war criminal and an architect of a horrific genocide of the Palestinian people” in an interview with CNN’s Christiane Amanpour. He acknowledged that he did not have the authority to carry out a warrant for Netanyahu issued by the International Criminal Court, but said the warrant should still be “honored” to protect “accountability” to international laws.

“If the International Criminal Court deems someone worthy of an arrest because of a violation of those laws, then who are we to say that anyone should be above that?” said Mamdani.

Netanyahu responded in a video statement, “Shame on you for supporting the Hamas terrorist monsters who butchered our people. Shame on you for inciting riots against New York Jews.” A number of prominent New York Jewish figures have asked Mamdani to tamp down his rhetoric about Israel, linking it to rising violent attacks on Jews. Mamdani has said that he is mayor for all New Yorkers, including Jews, and denounces antisemitism.

“I’m coming to the U.N., I’m going to tell the truth about our heroic soldiers, and I’m going to tell the truth about you,” added Netanyahu.

Mamdani pledged during his mayoral campaign last year that he would seek to arrest Netanyahu if he visited, but admitted in July that the city could not legally do so.

The ICC issued its warrant for Netanyahu in 2024, accusing him of war crimes and crimes against humanity in Gaza. The United States and Israel are not signatories of the treaty that created the ICC in 2002 and do not recognize its jurisdiction.

Netanyahu has prominently featured Mamdani in campaign ads as he currently seeks reelection in Israel, framing the mayor as both a pro-terror extremist and a leader reminiscent of Nazi Germany.

Netanyahu is set for one of his shortest trips to the United States, where he is not slated to meet with President Donald Trump, according to The Jerusalem Post. He is currently scheduled to leave New York on the same day he arrives. Protests are expected both outside the United Nations and inside during Netanyahu’s speech, which last year saw representatives from dozens of countries walk out.

Meanwhile, Mamdani had his third meeting with Trump on Monday, continuing a rapport between the two populist leaders on opposite ends of the political spectrum. Despite their stark differences on issues including immigration enforcement, Trump praised Mamdani during a press conference on the lawn of Gracie Mansion.

“I want him to be a great mayor, and he’s certainly got potential,” Trump told reporters before shaking Mamdani’s hand and patting his arm.

This article originally appeared on JTA.org.

The post Netanyahu to confront Mamdani’s call to arrest him in U.N. address this week appeared first on The Forward.

Continue Reading

Uncategorized

Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue

Voters may react differently to a Jewish politician who publicly practices their faith than to one who simply identifies as Jewish, a new poll found. The distinction could matter for Pennsylvania Gov. Josh Shapiro, a possible 2028 presidential candidate who has made his Jewish faith central to his public life and service.

The Politico poll of 2,002 U.S. adults showed that Democratic voters were less likely to vote for a candidate who regularly attends synagogue than for a candidate not practicing a religion or attending services once a year. Among Republicans, however, a candidate who regularly attends synagogue performed better than one who attends only once a year.

The survey, conducted online in partnership with the London-based polling firm Public First between August 8 and 14, asked respondents to choose between hypothetical candidates with different characteristics, including political ideology, age, race, profession, sexual orientation and religious practice. The sample has a reported margin of error of plus or minus 2.2%.

The poll offers a window into how religious observance may shape the way voters view a Jewish candidate. In an earlier poll conducted by the same firm in May, among 2,038 voters, candidates were identified simply by religion rather than how often or where they worshipped. Being identified as Jewish hurt a hypothetical candidate among voters in both parties compared with being identified as Christian.

The findings could be particularly relevant to Shapiro, the popular Pennsylvania governor running for reelection this fall. He maintains a traditional Conservative Jewish lifestyle, keeps kosher and is a longtime member of Beth Sholom Congregation in Elkins Park, outside Philadelphia. In his recent memoir, Where We Keep the Light, Shapiro detailed experiences shaped by and tied closely to his Jewish identity, including his vetting as a vice presidential candidate in 2024.

Shapiro has been viewed as a potential first Jewish president since his gubernatorial campaign in 2022 and is one of three prominent Jewish Democrats — along with Illinois Gov. J.B. Pritzker and former Chicago Mayor Rahm Emanuel — mentioned as possible 2028 presidential candidates.

Religious identity, particularly Christianity, has become more central in Republican politics since President Trump returned to the White House in 2025. Trump and his Cabinet have made religious faith a prominent part of his administration’s agenda. He created a White House Faith Office to work with religious organizations and established a Justice Department task force focused specifically on what the administration calls anti-Christian bias. At the same time, an increasingly vocal faction on the far right has made Christian nationalism and antisemitism central to its politics.

The Politico poll does not explain why Republican voters responded differently to Jewish candidates based on how often they attended synagogue. But the gap aligns with the broader split in positions among conservatives who have warmly embraced visibly religious and politically conservative Jews, while criticizing liberal or less observant Jews over their politics and commitment to Judaism.

Trump has repeatedly drawn that distinction himself. During the 2024 election, for example, he said that Jewish Americans who vote for Democrats “hate their religion.”

The post Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News