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With Israel in turmoil, group of US rabbis visits with a mission: to listen and learn
Over the last few weeks, while Israel has been roiled by demonstrations involving hundreds of thousands, and President Isaac Herzog has warned about the possibility of civil war, American Jews have been watching with grave concern.
Even after Israeli Prime Minister Benjamin Netanyahu announced a delay in the government plan to overhaul the judiciary that sparked the mass protests, tensions in Israel remained high.
It was precisely at this fraught moment that UJA-Federation of New York decided to bring a group of rabbis from the New York area to Israel — to listen, learn and talk with key Israeli figures, and to communicate the nuances of what they heard back to their communities in New York.
“I learned more than I thought was possible,” said participant Rabbi Jonah Geffen, senior Jewish educator and campus rabbi at Hunter College Hillel in New York.
Over four days in March, the diverse group of 24 rabbis met with a wide range of Israelis, ranging from politicians — including architects of the judicial reform and representatives from the opposition — to leading public intellectuals, journalists representing publications from both the left and the right, community activists, and thought leaders. The trip was funded by the Paul E. Singer Foundation.
“UJA has a tradition of getting our community leaders and our rabbis proximate to the issues of the day to help them as they lead their communities,” said Hana Gruenberg, managing director of Jewish life at UJA-Federation, who accompanied the delegation of rabbis. “We’ve brought rabbis to Israel when there have been security issues, we’ve brought rabbis to Ukraine, and most recently, during this time of challenge in Israel around internal domestic issues and judicial reform, we wanted to give rabbis support in leading their communities at this complicated time.”
Among those with whom the rabbis met to discuss the current political situation in the country were leaders of two Israeli civil society organizations, Yozmat Hameah (the Initiative of the Hundreds) and a group called the Israeli Congress, which strives to address the tension between the state’s Jewish and democratic identities.
The delegation also participated in a program with Co.Lab, a collaborative sponsored by UJA-Federation comprised of social influencers from diverse backgrounds. The group is working on initiatives to advance cohesion in Israeli society.
The group heard from Micah Goodman, research fellow at the Kogod Research Center at the Shalom Hartman Institute in Jerusalem; Knesset member Simcha Rothman of the Religious Zionist Party, who as chairman of the Knesset’s Constitution, Law and Justice Committee is trying to advance the judicial reform; Diaspora Affairs Minister Amichai Chikli; and Rabbi Gilad Kariv, a Knesset member from the Labor Party.
The rabbinic delegation met with several journalists, including author Matti Friedman, Times of Israel political correspondent Carrie Keller- Lynn, and Jewish world reporter Zvika Klein of the Jerusalem Post.
Rabbis from the New York area gather in a Knesset meeting room ahead of a meeting with Knesset Member Simcha Rothman, an architect of the proposed judicial overhaul in Israel, March 17, 2023. (Courtesy of UJA-Federation)
“UJA was really thoughtful about our hearing from so many different perspectives explaining to us the complexity of these issues,” said Bracha Jaffe, associate rabba at the Hebrew Institute of Riverdale in the Bronx. “It struck me as such an eye-opener that it’s more than just about judicial reform. All the different societal factions have felt at one time marginalized, coerced on one side, not being seen, not being represented.”
One of the many reasons for this sort of mission to Israel, said Eric S. Goldstein, CEO of UJA-Federation, is to convene rabbis from different denominations and across the cultural spectrum that represent the diversity of the New York Jewish community.
“These trips give prominent New York rabbis the opportunity to have their voices heard by leaders in Israel. They provide the rabbis with the ability to better understand the complex reality there so they can more effectively lead their communities in these challenging moments,” Goldstein said. “And they bring together rabbis from across the denominational spectrum, helping to more closely knit our own New York Jewish community — an ever-more important priority.”
Often, the day-to-day life of a rabbi does not lend itself to reflective moments with colleagues to listen and share multiple viewpoints on complex issues facing the Jewish community and Israel.
“What made this trip significant was that people who love Israel equally can have a varied view about what is in the best interest of the Jewish state,” said Rabbi Elliot Cosgrove of Park Avenue Synagogue in New York City.
With an itinerary that carefully struck a balance between intellectual, spiritual and political leaders, as well as advocates and activists, the group was exposed to a kaleidoscope of viewpoints, Cosgrove said.
“I was engaging with ideas that affirmed my beliefs about judicial reform and also challenged my beliefs,” he noted.
Both during and after the trip, the rabbis discussed the question of what it means to be a spiritual leader at this moment.
“One of our most important roles is to make sure that our people find reasons to maintain that connection both to the Land of Israel and the people of Israel,” said Rabbi Joshua Davidson of Temple Emanu-El in New York. “For me, that is a critical part of my identity as a Jew and my role as a rabbi. I believe that it is going to be a harder and harder but a more and more important
endeavor in these months to come.”
Rabbi Ari Lorge of Central Synagogue in New York said each participant came to the trip with different viewpoints on Israel, but with a common hope to see the country and its citizens flourish.
“Each of us comes with our own dreams for Israel,” he said. “We’re not neutral observers. We must continue to advocate and encourage this kind of dialogue and hold fast to those dreams.”
While any Knesset vote on judicial reform is unlikely before late April, the political tumult in Israel is far from over, and American Jewish leaders intend to stay as involved as possible.
“In this rapidly evolving situation, we’ll continue with these kinds of engagements for rabbis, knowing that we’re still in the middle of this,” Gruenberg said. “We care deeply about what comes next.”
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VIDEO: Memories of the Workmen’s Circle in Montreal
מער ווי הונדערט יאָר לאַנג האָט דער אַרבעטער־רינג געשפּילט אַ וויכטיקע ראָלע אין דעם ייִדישן לעבן פֿון מאָנטרעאָל. די אָרגאַניזאַציע איז געווען איינע פֿון די וויכטיקסטע וועלטלעכע ייִדישע כּוחות אין דער שטאָט און האָט אין משך פֿון לאַנגע יאָרן אַנטוויקלט אַ רײַך קולטור־ און געזעלשאַפֿטלעך לעבן.
אין דער רעקאָרדירונג וועט איר זיך באַקענען מיט שלום (סאָל) עדלשטיין, וואָס האָט אָנגעפֿירט דעם אַרבעטער־רינג אין מאָנטרעאָל אין אירע לעצטע יאָרן. מיטן שמועס פֿירט אָן אלי בענעדיקט פֿון דער ייִדיש־ליגע.
אין די ערשטע יאָרן פֿונעם 20סטן יאָרהונדערט זענען געווען אַ ריי אַרבעטער־רינג-„ברענטשעס“ איבער קאַנאַדע, וואָס האָבן געפֿירט אַ רײַכע קולטור־אַרבעט, אַרײַנגערעכנט שולן, טעאַטער־טרופּעס און כאָרן. במשך פֿון די יאָרן האָבן זיך די „ברענטשעס“ צו ביסלעך פֿאַרמאַכט, און די פֿאַרבליבענע אַקטיוויטעטן האָבן זיך צונויפֿגעקליבן אין איין הויז אין מאָנטרעאָל. אין דעם לעצטן יאָר האָט זיך אויך דאָס הויז פֿאַרמאַכט. אין דעם שמועס וועט שלום עדלשטיין דערציילן וועגן די „ברענטשעס“, וועגן דעם לעבן און די אויפֿטוען אין דעם הויז, און וועגן זײַנע אייגענע איבערלעבונגען דאָרט.
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Facebook suspends radio broadcaster’s account over video of Holocaust survivor
Facebook has abruptly banned a Jewish broadcasting executive in Minnesota after he posted a link to a video of a 104 year-old Holocaust survivor in Texas sharing his story, prompting the Minnesota Attorney General to intervene.
Joel Glaser, CEO of AMPERS, a group of community radio stations across Minnesota, received an email from Facebook last month informing him that his personal account had been suspended because it violated the platform’s “child sexual exploitation” policies.
Because Glaser also administers the account for an AMPERS radio series titled MN90: Minnesota History in 90 Seconds, Facebook also took down that account, which has more than 10,000 followers.
The video produced by an NBC affiliate in Dallas and shared by an ABC affiliate in the Twin Cities, featured a talk by Walter Levy, a survivor who fled Germany in the late 1930s and still tells his story about how his family survived Kristallnacht and struggled with whether to flee to then-British mandated Palestine or America. His family eventually joined relatives in Arkansas.
“How it got flagged as being child sexual exploitation is absolutely beyond me,” said Glaser, who unsuccessfully appealed.. “It did not give me the opportunity to explain anything, ask any questions, provide any screenshots, do anything at all.”
Facebook has said the case has been “flagged for the team” and is “looking into this.”
Glaser initially speculated that an antisemite, Holocaust-denier, or a bot operating on their behalf had flagged his post. But then he started leaning toward the notion that it was probably just artificial intelligence run amok.
“I guess Meta’s AI isn’t smart enough to differentiate between child sexual exploitation and a legitimate news story,” he said.
Because Glaser also oversees AMPERS’ news coverage, losing access to Facebook has made his job more difficult.
“I’m being hindered from doing that,” Glaser said. “They need to fix it.”
Experts say Glaser’s experience is not unusual, underscoring a need for significant work on content moderation systems, as well as transparent correction mechanisms. Without seeing Meta’s internal enforcement signals, it’s impossible to know why the system acted to suspend Glaser’s accounts.
On the morning of June 25 Glaser received an email from Facebook saying that his personal account was being suspended and he had 180 days to appeal. While the platform attributed the suspension to a violation of child sexual exploitation standards, it did not specify what content of Glaser’s had violated those standards. The video of Levy just happened to be his most recent post.
Glaser appealed right away, taking the required nine photographs of his face to prove it was him. Facebook denied the appeal that afternoon and permanently banned him with no opportunity for additional appeals.
Glaser contacted Minnesota’s Attorney General, a standard recourse for Facebook subscribers in a number of states who have
unfairly had their accounts suspended. Brian Evans, press secretary for Minnesota Attorney General Keith Ellison, told Glaser that the office has interceded with Meta previously regarding their “heavy-handed approach to account deactivation.”
The Attorney General’s Consumer Action team will work to get Glaser’s two accounts reactivated, he wrote.
“The Minnesota Attorney General’s Office has received numerous complaints from consumers about moderation decisions that appear to have been made in error by Facebook,” Evans said.
Minnesota State Rep. Ginny Klevorn, a Democrat who represents the suburbs northwest of Minneapolis, has also asked that the state party’s liaison to Meta look into the matter, noting that AMPERS is partially funded by the state of Minnesota.
“Why is a public service network that deals with factual historic events being banned?” she said. “I think they owe Joel some sort of explanation.”
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Artists are boycotting a show about Israel. The run’s already sold out
In the third act of Jonathan Spector’s Birthright, the character Izzy delivers the closest thing the play has to a thesis.
“I can go up on the bimah at my parents’ shul and I can say I am married to a woman, I can say I don’t keep kosher, I can say I don’t believe in God,” the character, a former J Street employee played by Molly Bernard, says. “The one thing that would get me kicked off the bimah, kicked out of the shul, kicked out of my family is if I say I am an anti-Zionist.”
There is an unspoken flipside to this equation: Just as Jewish communal life has instituted litmus tests, the pro-Palestine movement also has its dogma.
Jewish organizations once accepted all comers — gay, bacon-eating, atheist — Spector told me in an interview the day the show, tracking six members of a Birthright group over 18 years, opened at MCC Theatre. Recently, though, when it comes to the Jewish state, “there’s been a similar kind of shift away from tolerance from people on both sides of that divide.”
As if one needed more proof of Spector’s assertion, the group Theater Workers for a Ceasefire announced on Tuesday a call to boycott the production for “normalization,” even though the show is, at press time, sold out.
In an open letter, the organization outlines its concerns. “Normalization includes any plays, festivals, and other kinds of cultural activities that are based on the false premise of symmetry between oppressors and oppressed or which assume colonizers and colonized are equally responsible for the ‘Israel/Palestine conflict.’”
Birthright, they argue, meets this definition in its third act, when Izzy and Chaya (Zoë Winters), a former Obama staffer, debate the Gaza War in the aftermath of Oct. 7. “Chaya and Izzy perpetuate the fallacy that genocide has two equally legitimate sides,” the Theater Workers wrote. “The play does not challenge Chaya’s beliefs — it privileges them.”
But does it? We learn Chaya resigns from her job at the domestic nonprofit she founded over a pressure campaign by her staffers, who share an offensive text she sent via Instagram. The text: “Maybe they should spend a week in Gaza, and then come back and tell us if the rapes are real or not.”
In an Instagram carousel, Artists For Ceasefire describes this as “a text accusing Palestinians of being rapists.” This is a distortion, but reveals a familiar taboo in certain pro-Palestinian activism: the acknowledgment that Hamas and Palestinian Islamic Jihad committed sexual violence.
“Birthright emphasizes Chaya’s victimhood, whereby her own personal and professional losses in the wake of October 7th are greater than that of any Palestinian,” the letter continues. “Izzy is depicted as immoral for caring more about Palestinian strangers than her friend.”
This smacks of a bad faith reading. Once again we are in the realm of depiction not equalling endorsement. Cherries are being picked. That the play doesn’t “challenge” every argument, or “encourag[es] audiences to empathize with” an Israeli character’s “subjectivity” is seen as morally deleterious, rather than what it is: a play, with characters, not a debate, op-ed or struggle session.
As Spector told me, “plays contain ideas, but plays are about people.”
We needn’t wonder what Theater Workers for a Ceasefire would recommend as counter-programming: on Instagram they argued for an example in Seven Jewish Children by Caryl Churchill, a non-Jewish playwright. That play is more polemic than drama and runs on an engine of Holocaust inversion, which makes sense when you look at their Instagram post.
“Conventional drama demands we present contrasting viewpoints in the name of conflict,” the group concedes, “But how we write the conflict is not an ideological [sic] benign matter.”
The overriding interest is not art, but ideology. Not the mirror up to life, but of the funhouse variety that warps reality to an endless, echo chamber tunnel.
Eli Gelb, an actor in the show, acknowledged the boycott in an Instagram story, wrote “I’ve been outspoken as an antizionist Jew and I remain so. I believe in the show and will be continuing to perform in the production.” Molly Bernard’s Instagram stories Wednesday are of devastation in Gaza.
The letter makes clear “this would not be a boycott of MCC, nor of Jonathan Spector, but of this specific cultural product.” How can you boycott a run that, at press time, has no seats left to buy? Yield your tickets while ye may, someone will gladly snap them up.
In the play, a character, whose identity I won’t reveal due to spoilers, discusses an episode recounted in the Talmud, where a Super Bowl-sized crowd witnesses one priest stab another for the privilege of cleaning up ashes from a ritual sacrifice.
Rabbi Tzadok says all present were responsible for creating the conditions for the attack. But then the father of the stabbed priest retrieves the knife from his son’s back, and tells the crowd that, as he is not yet dead, the knife is still ritually pure. The onlookers cheer.
In the show, the story is cryptic, but speaks to Israel, where the ideal of the state has given way — perhaps irreversibly — to a culture of violence.
“This is how far they had fallen in this period,” the character says, “how far they had strayed, that they valued the laws of ritual purity over human life.” It’s an argument that would seem to align with Artists for Ceasefire, for whom the suffering in Gaza supersedes any gestures at complexity.
In their demands for a purity test, they may have missed it.
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