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Women’s Talmud classes are back on at Yeshiva University after uproar over cancellation
(JTA) — Beginner and intermediate Talmud courses are back on the table for women at Yeshiva University’s Stern College for Women, less than a week after current and former students launched a petition criticizing the classes’ cancellation.
More than 1,400 people, mostly Y.U. faculty, alumni and students, signed the petition, which launched late Wednesday after a dean told the student newspaper in early April that the school would not be hiring any full-time faculty to replace Rabbi Moshe Kahn.
Kahn, who died at 71 in January of lung cancer, was seen as a champion of women’s Talmud studies and taught many of the advanced Talmud courses at Stern College, Y.U.’s women’s division.
“Not hiring a full-time professor dedicated to teaching Talmud at diverse levels will close the pipeline of access to Gemara for all students and ultimately lead to a decline in enrollment in the advanced level course,” said the petition. “The world of Torah study for women as we now know it would indeed be שָׁמֵם [shamem], utterly desolate.”
The petition — whose signers included prominent Talmud teachers, about 30 current and former Y.U. faculty members and students at Modern Orthodox high schools — called on the university to partner with them to endow a teaching position in Kahn’s name.
Now, Y.U. appears ready to do that — though it says it will not wait before resuming Talmud instruction at Stern.
“We have been planning a number of new initiatives,” Stern faculty said in a letter published online Friday and set to be sent to students’ inboxes later this week. “We would be delighted if those who support women’s advanced Torah study and the students, friends and supporters of Rabbi Kahn would endow a Rabbi Moshe Kahn Chair of Talmud Studies for Women. We are also seeking to create a new cohort program of Matmidot Scholars for young women to learn Tanach and Talmud on the highest levels.”
Yeshiva University is the only address in North America for Orthodox women to access advanced, intensive secular and Judaic studies at the undergraduate and graduate levels. The graduate program is the only Orthodox program in North America for women’s Torah learning that culminates with a master’s degree.
The decision not to offer an introductory or intermediate level course in Talmud would have meant that the country’s flagship Modern Orthodox university would significantly reduce its instruction in one of Judaism’s most fundamental texts.
It also would have made Y.U. an outlier in Modern Orthodoxy amid expanding opportunities for women to study Talmud, after centuries during which it was considered the exclusive province of men. In the past few years, a growing number of women have formed asynchronous communities around studying a page of Talmud a day, a practice called daf yomi. The increasing number of programs offering ordination to Orthodox women also place a heavy focus on Talmud study.
Students who learned from Kahn said he had been a vital force for women who wanted to study traditional Jewish texts.
“He said, ‘Any woman who comes to my class is welcome.’ It wasn’t just lip service,” said Tamar Beer Horowitz, who studied with Kahn for five years and helped write the petition. “He genuinely made us all feel welcome.”
But while Kahn’s courses sometimes drew up to 20 students, lower-level Talmud classes sometimes had much smaller rosters, according to students and administrators. Many fell below Stern’s threshold to offer a class, eight students.
“We can continue low enrolled courses for a few semesters to see if the numbers pick up,” Karen Bacon, dean of Stern’s Undergraduate Faculty of Arts and Sciences, told The Commentator, the student newspaper, earlier this month. “When they don’t, we cannot justify the course unless it is a requirement for a particular major.”
Y.U. has made multiple changes to its Jewish studies offerings for both women and men in recent years. In 2021, the school announced that it would end its in-person Hebrew courses indefinitely, offering asynchronous classes online. That year, the undergraduate men’s college also dissolved its Jewish Studies division, combining multiple departments into a Bible, Hebrew and Near Eastern studies department. Before its dissolution, Jewish studies was the largest department at Yeshiva College.
The scaling back has come amid ongoing financial strain for Y.U., which survived a financial crisis more than a decade ago but now faces renewed litigation over its handling of child sex abuse allegations as well as the prospect of curtailed state funding depending on the outcome of a battle over its decision not to recognize an LGBTQ student group.
The changes in course offerings also come amid a national decline in the number of students studying the humanities.
Y.U. appears to be hoping that the conversation spurred by the viral petition could cause more students to choose Talmud classes when registration for the fall opens next week.
“We are pleased to share that Rabbi David Nachbar, an esteemed member of our Torah faculty, will be teaching a number of Rabbi Kahn’s classes,” the letter to students said. “We hope that recent discussions will inspire stronger enrollment, especially in our Talmud classes.”
But more than just offering courses will be needed. Some Stern College students and graduates say scheduling roadblocks can make it difficult to enroll in Talmud classes, even when there is interest.
Multiple Stern students said that, given the school’s schedule, registering for Talmud meant they would have had to enroll in two classes that met at the same time — making it impossible to complete the required coursework. Meanwhile, on the men’s campus, which offers more scheduling options for Talmud courses, the same conflicts do not occur, they said. Rabbi Ezra Schwartz, a leader in the Rabbi Isaac Elchanan Theological Seminary, was installed Monday morning as the men’s division’s full-time chair of Talmud and Jewish law.
“The claim that there’s no interest is — personally, I don’t think it’s true,” said Beer Horowitz, who is the founder of Bnot Sinai, an intensive women’s text study program in New York.
But she said even if there were low interest, canceling classes isn’t the best option, she said.
“I think that there may be dips in and rises in interest over time, but there’s also different things that cause that and we have to look critically at those,” she said. “You need to have that consistent offering to get it back to that place where it’s big and it’s popular and people are doing it.”
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‘Marty Supreme’ is an outstanding celebration — and indictment — of chutzpah
Marty Mouser will have the beef Wellington and caviar, as they are the most expensive items on the menu.
The 23-year-old table tennis phenom, heralded as “the chosen one,” is dining at the Ritz in London. Seated opposite him, his recent opponent, Bela Kletzki. The two are friends, but this didn’t stop Mouser from telling a gaggle of reporters before their match of his plans to “do to Kletzski what Auschwitz couldn’t.” He can say that, he assured them — he’s a Jew.
This, like Mouser’s remark that he is the “ultimate product of Hitler’s defeat,” is all bluster. (He’s really a lowly Lower East Side shoe clerk who stole money from his shop to fly to the tournament.) But we soon see what Auschwitz meant for his survivor companion: defusing bombs on the camp outskirts and once managing to sneak honey from a beehive onto his person, which his fellow prisoners licked off him for nourishment.
We get a flashback of Kletzki. It’s lensed like a Renaissance painting, with honey glistening off of the hairy chest of actor Géza Röhrig, (Hungarian star of the Sonderkommando drama Son of Saul).
You may wonder what exactly this moment is doing in Josh Safdie’s Marty Supreme, a walloping period piece that follows Mouser’s picaresque ploys to become a global icon by hustling, stealing and lying his way into a tournament in Japan. But there’s rarely a moment in the frenetic picture, set over eight months in 1952, where only one thing is happening. While Kletzki tells his haunting honey story, to pen magnate and potential patron Milton Rockwell (Kevin O’Leary, Mr. Wonderful, indeed), Marty makes eyes at Rockwell’s wife from across the room, another sort of honeypot in mind. The contrast is the point.
Unlike Kletzki, Marty — very loosely based on ping-pong champ Marty Reisman — is an American, New York-born, and believes in the Augie March doctrine of first knocked, first admitted. To get his foot in the door so he can stare down from his rightful place on a Wheaties box, he will shove anyone and everyone out of the way. He refuses to demean himself by playing Harlem Globetrotter halftime shows with Kletzki, or throwing a match for Rockwell — but his principles are malleable when the straits are dire.
Mouser feels entitled to everything: the money in his uncle’s safe at the shoe shop; a suite at the Ritz; other men’s wives; a chunk of the pyramids, which he presents to his manipulative mother (Fran Drescher) with the words, “We built that.”
We know from how he speaks about this hunk of Egyptian rock — and about Kletzki, the Holocaust and Hitler — his entitlement comes in part from a legacy of immiseration and violence he never suffered personally. But Mouser, this New Jew coming of age after the Shoah, claims redemption as his birthright while also striving to float above his people’s history of oppression and retail drudgery, concocting a mythology of self-invention and radical individualism. (Meanwhile, Kletzki, a world champ before the war, is all too happy to be treated kindly and paid decently for hitting balls with skillets for the Globetrotters.)
The tension between the horror of the recent past, and the just-dawning promise of an America where antisemitism is unfashionable, plays through Marty’s vision of what’s to come. He dreams up orange-colored ping-pong balls, a hue only approved for use by the International Table Tennis Federation in 2019. The 1980s synth-pop needle drops remixed by composer Daniel Lopatin, lean into futurism. Our hero is ahead of his time, chafing at the present to which he’s tethered. He wants an unready world to acknowledge his greatness now. He has no patience for a rocky transition.
If the opening credits of Uncut Gems bespeak a past-one’s-prime ritual — a colonoscopy — Marty Supreme‘s titles are set to a burst of youthful virility. (Inventive, hilarious, if something I’ve seen before.)
Timothée Chalamet, outfitted with prosthetic acne scars and eye-shrinking contact lenses, is incandescent and somehow stays to the right side of insufferable as he wrecks the lives of all around him with his singular focus. Unlike Gems’ Howard Ratner, a sleaze with a gambling addiction and little else to offer, Mouser’s talent is undeniable, but like any Safdie protagonist, he takes his licks.
The film, co-written and co-edited with Safdie’s constant collaborator Ronald Bronstein, is a rich Jewish text that alternates between wish fulfillment and nightmare. Mouser competes for the WASPy Rockwell’s patronage while shtupping his icy blonde wife (Gwyneth Paltrow). On the other side of the ledger, his lover, Rachel (a pitch-perfect Odessa A’zion), is attacked near a Forverts delivery truck. Marty’s uncle Murray (music journalist Larry “Ratso” Sloman) calls a cop goyische kopf for ordering the roast beef over pastrami at the Garden Cafe. It’s no mistake that, at his lowest, Mouser faces a treyf humiliation orchestrated by Rockwell: lose and kiss a pig.
But Marty Supreme is too dense with plot points and people to insist on a solely Jewish gloss, even as critics for the non-Jewish press have been tempted to apply one.
Exploring the warrens of postwar New York — the wings of a Broadway theater, the back alley of a Chinatown restaurant, stockrooms, airshafts and fire escapes — all outstandingly revived by legendary production designer Jack Fisk, Safdie proves he’s not only ready for a solo effort away from brother, Benny, but ready to leap over space and time. He may not be ready to say goodbye to all that (New York stuff), the backdrop for all his features up to now, but he easily could.
In this epic of chutzpah, we have a mature work via a singularly immature avatar. Mouser may have never reached the recognition he felt he was owed, but coming into awards season, there’s little doubt that Safdie’s film is a cross-category contender.
Should the gentleman order the caviar, there’s no doubt he’s earned it.
The post ‘Marty Supreme’ is an outstanding celebration — and indictment — of chutzpah appeared first on The Forward.
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The Future of War: Israel Takes Global Lead on Military Innovation With New AI Division, Iron Beam Laser System
A part of Iron Beam laser anti-missile interception system, developed by Israel, is seen in this handout image obtained by Reuters on Sept. 17, 2025. Photo: Israel Defense Ministry/Handout via REUTERS
The Israel Defense Forces (IDF) announced this week a revolutionary reorganization of the technology and artificial intelligence capabilities of the Jewish state’s military, unveiling new plans to prepare for future warfare with cutting-edge advancements.
Israel’s major defense overhaul, unveiled on Tuesday, comes in preparation for the deployment of the long-anticipated “Iron Beam” laser interceptor system, which will be delivered to the military at the end of the month.
Under the name “Bina” — Hebrew word “intelligence” — the IDF has chosen to shut down its Lotem Unit from the C41 Corps, replacing it with the Artificial Intelligence (AI) Division and the Spectrum Division. The latter will focus on communications and electronic warfare with an emphasis on threats from Iran, China, and Russia.
The AI Division will grow through merging other sections within the IDF, including Mamram (the abbreviation for the Center of Computing and Information Systems) and software development units Shahar and Mitzpen. This consolidation of AI-development related divisions intends both to intensify security and avoid accidentally duplicating research efforts. The project will align with Israel’s Project Nimbus cloud computing program supplied by Amazon and Google.
The IDF also announced the ICT Division, which will focus on satellite warfare in outer space.
According to the military, about 50 percent of the new divisions are composed of women soldiers, with female officers comprising 40 percent of the senior command including two of the five top leadership positions.
Brig. Gen. Yael Grossman now heads ICT and the Cyber Defense Division, and Brig Gen. Racheli Dembinsky will head the Spectrum Division. Others in leadership positions include Chief Signals Officer Brig. Gen. Omer Cohen and Maj. Gen. Aviad Dagan.
“I have no doubt that the world is heading towards a space war, especially after the US and China defined space as a possible war arena,” Dr. Moshik Cohen, CEO for defense technology company AIPEX which focuses on missiles, told the Israeli publication Globes.
“Rival powers are already using it on the battlefield,” Cohen continued. “The Chinese have developed a way to detect stealth aircraft using satellites, and the Russians have jammed GPS signals from US satellites, which have dropped thousands of smart bombs on earth and blocked satellite communications for the Ukrainians. At the same time, the US is promoting Golden Dome, which will consist of a network of low-flying satellites able to perform military missions such as intercepting ballistic and hypersonic missiles and blocking enemy communications.”
Dagan said that the new divisions aspired to use technology to “turn one tank into 100 tanks, one soldier into 100 fighters.”
On Monday, meanwhile, Danny Gold, the head of the Israeli Defense Ministry’s Directorate of Defense Research and Development, revealed that the military would soon receive the “Iron Beam” laser interception system, a project a decade in development.
“With development complete and a comprehensive testing program that has validated the system’s capabilities, we are prepared to deliver initial operational capability to the IDF on Dec. 30, 2025,” Gold said. “The Iron Beam laser system is expected to fundamentally change the rules of engagement on the battlefield. Simultaneously, we are already advancing the next-generation systems.”
Created by Rafael Advanced Systems Ltd., the Iron Beam is intended to supplement rather than replace Israel’s Iron Dome and other air defense systems, focusing especially on smaller targets. As long as the weapon maintains a power source then it cannot run out of ammunition. However, the system does not function optimally in situations with clouds or low visibility.
The IDF chose to rename the laser weapon from Magen Or (Light Shield) to Or Eitan (Eitan’s Light) in honor of Cpt. Eitan Oster, a member of the Egoz Commando Unit killed in October 2024 while fighting the Hezbollah terrorist group in Lebanon.
Brig. Gen. Benny Aminov also announced this week an Israeli breakthrough in countering enemy drone attacks.
“We are now working on interception solutions using drone-based systems that enable response to swarm scenarios while accelerating the development of new directed-energy weapons,” Aminov said. “The issue of low-altitude threats is an example of a challenge that requires our defense establishment to fundamentally change its operational approach, responding within compressed time frames, spiral development, accelerating testing during the development process, and bridging small defense-tech companies with major defense contractors.”
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‘Dancing With the Stars’ Airs Its First Dance Dedicated to Hanukkah During Holiday Special
Alan Bersten, Val Chmerkovskiy, Gleb Savchenko, Emma Slater, Onye Stevenson, and Hailey Bills dancing to “Miracle” by Matisyahu on “Dancing with the Stars” on Dec. 2, 2025, on ABC. Photo: Disney/Eric McCandless
“Dancing with the Stars” aired a holiday special on Wednesday night that included the show’s first celebration of the Jewish holiday of Hanukkah, which begins later this month.
The reality show and dancing competition aired its first full holiday special, titled “Dancing with the Holidays,” which highlighted the skills of its professional dancers without their celebrity partners. The dances mainly honored Christmas, but for the first time in the show’s 20-year history, there was a dance dedicated to Hanukkah.
Professional dancers Alan Bersten and Val Chmerkovskiy, who are both Jewish, along with four non-Jewish pros – Gleb Savchenko, Emma Slater, Onye Stevenson, and Hailey Bills – danced to “Miracle” by Matisyahu. Bersten choreographed the dance, which included the men linking their raised arms to form a menorah, a hora, a sit-spin as a nod to a spinning dreidel, and a take on some of the dances from the classic Jewish musical “Fiddler on the Roof.”
“We have a lot of work to do,” the Mirrorball champion told the dancers in rehearsal. “We need a miracle.”
In the intro package for the dance, Bersten, who is the son of Russian-Jewish immigrants, talked about not seeing much Hanukkah representation around the holiday season when he was growing up. Bersten said he wanted to create something that Jewish kids today could identify with.
“Everyone celebrates holidays in a different way. Growing up Jewish, you don’t really see a lot of Hanukkah representation, so tonight we’re doing a special performance to celebrate Hanukkah,” he said. “Hopefully a Jewish kid’s watching this, and they feel seen, and they feel proud.”
Following the dance, DWTS co-host Alfonso Ribeiro reminded the audience and viewers at home “that the holiday season is for everyone.”
The “Dancing with the Stars” holiday special was released on Disney+ and Hulu.