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Yeshiva education reform activist launching independent haredi news organization
(JTA) — Naftuli Moster, the founder and former executive director of Yaffed, the advocacy group focused on improving secular education in haredi Orthodox Jewish schools, is launching a news organization focused on what he sees as a news desert in the haredi world.
With a board that includes seasoned Jewish journalists, Shtetl: Haredi Free Press will launch online in 2023, and Moster said he is exploring a print option as well. Shtetl’s online announcement said it had seed funding for two years; Moster declined to comment on who the funders are but emphasized that the media organization would produce independent journalism.
“Every community needs a free press,” Moster told the Jewish Telegraphic Agency. “Members of this community, my community, deserve a free media as well. Shtetl’s existence is an exciting development in the Jewish and media spaces, and we are looking forward to making a big splash in early 2023.”
Moster, who grew up in a haredi Orthodox family in Borough Park, Brooklyn, stepped down from his position at Yaffed in September after a decade as its founder and leader. During that time, Yaffed got the attention of city and state education officials as the group filed multiple lawsuits meant to increase access to secular education in haredi yeshivas. In turn, he drew the ire of haredi Orthodox leaders, who resented an ostensible insider inviting scrutiny of their educational institutions.
The haredi communities of Brooklyn and New York’s exurban Rockland and Orange counties are currently served by successful print and online newspapers, in English and Yiddish, that tend to be protective of community interests, including the yeshivas.
Elad Nehorai, an ex-Hasidic writer and progressive activist, said these sites are more akin to community newsletters than journalistic enterprises, publishing local interest stories like death and wedding announcements, notices about community events and stories about construction of new synagogues or schools. National and world news coverage tends to focus on the haredi community in Israel and syndicated news copy about events outside of the religious world.
“The haredi world in general is not used to the kind of journalism that exists in the secular world,” Nehorai said. “In the secular world, investigating wrongdoing of leaders is a normal thing.”
For example, it was a secular newspaper — the Israeli daily Haaretz — that in 2021 reported on allegations surrounding Chaim Walder, a once-celebrated Israeli haredi children’s author, who was accused of having sexually assaulted more than 20 women, and several underage girls. Only after the allegations became a prominent topic of conversation in haredi communities did the press there begin to cover them — often with apparent sympathy to Walder.
“Very often if you look at the press there, it’s more about building community,” Nehorai said of the haredi world. By contrast, “If you open the New York Times it’s generally a lot of negative stories.”
Leaders of the haredi community were incensed when, in September, the New York Times published a major investigation that found that in New York’s Hasidic yeshivas, “generations of children have been systematically denied a basic education, trapping many of them in a cycle of joblessness and dependency.”Backlash from the Hasidic and other Orthodox communities began before the story was even published, with people claiming the New York Times and the Jewish reporters themselves were biased and even antisemitic in their reporting.
Moster envisions a role for Shtetl that will foster “important discussions that are crucial for the well-being of the Haredi community and beyond,” according to an online announcement. At the same time, “it will produce content that other outlets are unable, unequipped, or unwilling to provide to their readers, whether owing to the lack of resources, cultural competency, access to insiders or Yiddish language proficiency.”
The project is currently recruiting board members, full-time and freelance reporters, editors and marketing professionals. Its founding board includes journalists Larry Cohler-Esses of The Forward and Ari Goldman of Columbia Journalism School, neither of whom is haredi, as well as Adelle Goldenberg, a recent Harvard University graduate who grew up in the Hasidic neighborhood of Borough Park. Goldenberg was the winner of the 2021 Yaffed Changemaker Award for her assistance to haredi students who want to go to college outside of the yeshiva system.
Goldman, a former New York Times religion reporter who attends a Modern Orthodox synagogue, told JTA he became familiar with Moster’s work with Yaffed about five years ago. He said he was impressed by Moster’s efforts to get haredi young people a strong secular education and believed that haredi communities could benefit from improved journalism, as well.
“I want to be supportive of an effort that tries to shine more light on a community about which a lot is hidden and unknown,” Goldman said. “I’m also very interested in good journalism, which I think is a cornerstone of our society. And I want to see it put to the best of use in the haredi community.”
Critics of Shtetl, purporting to be from within the haredi and Orthodox world, have already voiced their opinions on social media, claiming that the new media endeavor has some sort of agenda to undermine their communities.
The backlash echoes the one that Moster has received for a decade already, when his education advocacy even earned him the label of “moser,” reflecting a dangerous accusation that he had inappropriately involved secular authorities in Jewish affairs.
“The people who are reacting negatively don’t see it as, ‘Oh they’re just writing negatively about us,’” Nehorai said. “They see it as traitorous. They see it as someone who’s turned on us. And what’s fascinating about that is that it doesn’t matter if you are haredi or you are ex-haredi, what occurs then is you are labeled as an outsider.”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”