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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
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Georgetown Newspaper Editorial Board Accuses Israel of ‘Genocide,’ Calls for Divestment
Georgetown University students on March 23, 2025 in Washington, DC. Photo: Andrew Thomas via Reuters Connect
A Georgetown University-affiliated student newspaper last week issued an editorial which argued that the school has been “complicit in Israel’s genocide,” describing the world’s lone Jewish state as an illegitimate entity that should be isolated.
“There is no doubt in the mind of The Georgetown Voice‘s Editorial Board that Israel has been committing genocide in Gaza,” proclaimed The Georgetown Voice, an alternative, far-left publication founded in 1969. “There is no critical mass or breaking point at which elites — including the administrative elite at Georgetown — will suddenly reform their conscience.”
The editorial board condemned what it falsely labeled as Israel’s “decades-long settler colonial project and apartheid system” and appeared to blame the entirety of the Gaza conflict on Israel while absolving Hamas, the Palestinian terrorist group that started the war with its Oct. 7, 2023, massacre of Israelis, of wrongdoing.
“We must ask ourselves why every person in Gaza or the West Bank does not elicit the same righteous anger (and frenzied whitewashing or bigotry and divisiveness) that erupted after the assassination of Charlie Kirk,” the paper charged, referring to the American conservative activist who was assassinated in September. “While some — certainly not all — members of Congress have half-heartedly called for a ‘pause’ in the violence at some point, the vast majority of them were simultaneously voting to arm Israel.”
The editorial continued, “The morally bankrupt acts of our representatives made Americans complicit in this genocide. That should enrage and galvanize something in all of us. Sadly, at Georgetown, that’s not what we see.”
Capping off its philippic, the Voice broadsided the Anti-Defamation League (ADL) — accusing the civil rights organization of “anti-Palestinian advocacy” and drifting “rightward … under the leadership of current CEO Jonathan Greenblatt” — and calling for Georgetown’s divestment from Israel on the grounds that Israel is an “apartheid regime” in the same mold as Afrikaner-dominated South Africa until the 1990s.
“If the school gives any weight to the values it claims to represent, it will reconsider its rejection of the divestment referendum from last spring and move to cut all ties with Israeli and Israel-supportive institutions immediately,” the Voice concluded, hinting at the expulsion from campus of Jewish groups such as Hillel and Chabad. “We do not say this lightly; taking action is challenging; however, in the face of such atrocities, there are no excuses for inaction.”
The Voice is not the first student newspaper to promote anti-Zionism while curating facts, sources, and quotes to confect a negative image of Israel.
In 2022, The Harvard Crimson, the official newspaper of Harvard University, endorsed the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate the world’s lone Jewish state on the international stage as a step toward its eventual elimination.
“BDS remains a blunt approach, one with the potential to backfire or prompt collateral damage in the form of economic hurt. But the weight of this moment — of Israel’s human rights and international law violates and of Palestine’s cry for freedom — demands this step,” it said. “As a board, we are proud to finally lend our support to both Palestinian liberation and BDS — we call on everyone to do the same.”
At Georgetown, anti-Zionism may be fostered by foreign influence in the form of exorbitant donations.
According to a report published in June by the Institute for the Study of Global Antisemitism Policy (ISGAP) — titled, “Foreign Infiltration: Georgetown University, Qatar, and the Muslim Brotherhood” — Georgetown University has received over $1 billion in funding from the Qatari government over the last two decades. The 132-page document revealed dozens of examples of ways in which Georgetown’s interests are allegedly conflicted, having been divided between its foreign benefactors, the country in which it was founded in 1789, and even its Catholic heritage.
“The Qatari regime targets Georgetown due to its unrivaled access to current and future leaders. Over two decades, that investment has paid off — embedding Muslim Brotherhood scholars and narratives deep within the American academic and political culture,” Dr. Charles Asher Small, executive director of ISGAP, said in a statement on the report. “This masterful use of soft power is not only about Georgetown. It is how authoritarian regimes are buying access, narrative control, and ideological legitimacy — and too many universities are willing sellers.”
The ISGAP report called on policymakers to take action now and prevent the university’s becoming any closer to a country whose ideals may threaten US interests and ideals.
“It is time to designate the Muslim Brotherhood as a terrorist organization. As we saw, pro-Hamas antisemitism in the US has moved from rhetoric to outright terrorism on the streets of Washington,” Small said, referring to the antisemitic shooting of two Israeli embassy staffers in May. “Just three miles from the site of the murders outside the Jewish Museum, Georgetown has been the center of a 50-year indoctrination campaign aimed at infiltrating the highest echelons of US society with murderous antisemitism.”
Follow Dion J. Pierre @DionJPierre.
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‘Hamas in a Suit’: Melanie Phillips Says the US Must Stop Treating Qatar as an Honest Broker
British author and journalist Melanie Phillips speaking at the National Conservatism Conference in Brussels, Belgium in April 2024. Photo: Nicolas Landemard / Le Pictorium via Reuters Connect
The war against terrorism will never end “until the West stops pretending Qatar is neutral,” according to British author and journalist Melanie Phillips.
The prominent commentator told The Algemeiner that Doha’s patronage of the Palestinian terrorist group Hamas and its influence on Western media and universities are among the many reasons not to trust the Middle Eastern monarchy.
“Qatar is Hamas,” Phillips said in a conversation on the “J100” podcast with host David M. Cohen, the CEO of The Algemeiner. “It sponsors Hamas, it shelters Hamas, it protects Hamas’s leadership.”
Speaking from Jerusalem, Phillips called Qatar’s role “the great unspoken scandal” of modern diplomacy, describing how the regime has bankrolled Hamas while posing as a mediator in negotiations with Israel over the Gaza war.
“You can end this war tonight,” she said, “by doing what should have been done long ago: throw Qatar overboard.”
Negotiations have hit several hurdles in recent weeks to halt the advancement of last month’s Israel-Hamas ceasefire, including the refusal of the terrorist group to disarm in accordance with US President Donald Trump’s pace plan for Gaza.
Despite Qatar’s support for Hamas and far-reaching financial entanglements within American institutions, the US has designated the country as a major non-NATO ally and committed, via executive order, to defend it if attacked.
For Phillips, the danger runs deeper than money or politics. “It’s Hamas in a suit,” she said. “A power that wears respectability while advancing terror by other means.”
Since 2012, Doha has housed Hamas’s political bureau and funneled hundreds of millions of dollars into Gaza, often with Western approval. Simultaneously, it has built vast soft-power influence, financing Al Jazeera, sponsoring academic programs on Middle Eastern studies, and endowing think tanks and universities across the West.
That dual role, Phillips argued, has distorted the world’s moral compass. “You cannot be both patron and peacemaker,” she said. “That is moral incoherence masquerading as strategy.”
She connected Qatar’s reach to what she called the “eighth front” of Israel’s war against Iran’s terrorist network including Hamas — the cognitive front, where perception and truth are under siege. By funding educational and media institutions that frame Israel as the aggressor, Phillips said, Doha helps export the same ideological rot that excuses terrorism.
“You cannot build coexistence on a curriculum of hatred,” she warned. “And you cannot defend civilization if you reward the people funding its destruction.”
Cohen noted that Washington’s posture toward Doha remains contradictory. “You can’t confront a sponsor of terror,” he said, “while treating it like an ally at the same time.”
Phillips concluded that lasting peace requires more than military victory — it demands confronting the global enablers that dignify extremism. “If the West continues to pretend Qatar is neutral,” she said, “then Hamas will never truly be defeated.”
The full conversation — “The Eighth Front Is the Mind” — is available now on “J100” via Apple Podcasts, Substack, and YouTube.
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Australia Lists Iran’s Islamic Revolutionary Guard as State Sponsor of Terrorism
Commanders and members of the Islamic Revolutionary Guard Corps meet with Iran’s Supreme Leader Ayatollah Ali Khamenei in Tehran, Iran, Aug. 17, 2023. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency) via REUTERS
Australia has listed Iran’s Islamic Revolutionary Guard Corps as a state sponsor of terrorism, Foreign Minister Penny Wong said on Thursday, following an intelligence assessment that it had orchestrated attacks against Australia‘s Jewish Community.
Australia in August accused Iran of directing two antisemitic arson attacks in the cities of Sydney and Melbourne and gave Tehran’s ambassador seven days to leave the country, its first such expulsion since World War II.