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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
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The post 2022 was a big year for Jews in the arts. Here’s what happened on screen and stage. appeared first on Jewish Telegraphic Agency.
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US Envoys in Israel to Discuss Future of Gaza
FILE PHOTO: US President Donald Trump’s son-in-law, Jared Kushner, and US Special Envoy Steve Witkoff take part in a charter announcement for US President Donald Trump’s Board of Peace initiative aimed at resolving global conflicts, alongside the 56th annual World Economic Forum (WEF), in Davos, Switzerland, January 22, 2026. Photo: REUTERS/Denis Balibouse/File Photo
US envoys Steve Witkoff and Jared Kushner were in Israel on Saturday to meet with Israeli Prime Minister Benjamin Netanyahu, mainly to discuss Gaza, two people briefed on the matter said, as local authorities reported further violence in the enclave.
The US on Thursday announced plans for a “New Gaza” rebuilt from scratch, to include residential towers, data centers and seaside resorts.
The project forms part of President Donald Trump’s push to advance an October ceasefire between Israel and Palestinian terrorist group Hamas that has been shaken by repeated violations.
LOCAL AUTHORITIES REPORT MORE DEATHS
The Palestinian Health Ministry in Gaza said on Saturday that Israeli fire had killed three people, including two children, in two separate incidents in the northern Gaza Strip.
A statement from the Israeli military said that its troops operating in the northern Gaza Strip identified several militants “who crossed the Yellow Line, planted an explosive device in the area, and approached the troops, posing an immediate threat to them.”
Under the ceasefire accord, Israeli troops were to retreat to a yellow line marked on military maps that runs nearly the full length of Gaza.
A source in the Israeli military told Reuters that the military was aware of only one incident on Saturday and that those involved were not children.
A spokesperson for the Israeli prime minister’s office confirmed that the meeting was planned but did not provide further details.
Earlier this month, Washington announced that the plan had now moved into the second phase, under which Israel is expected to withdraw troops further from Gaza, and Hamas is due to yield control of the territory’s administration.
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Long before Trump’s second-hand Nobel, a laureate sought to curry favor with Nazis by regifting a prize
Donald Trump is not the first authoritarian to come into possession of a Nobel medal that wasn’t intended for him. In 1943, Norwegian novelist Knut Hamsun sent his Nobel Prize for Literature to Nazi propaganda minister Joseph Goebbels, a gesture meant to secure a private audience with Adolf Hitler.
Although Hamsun was infamous during World War II and its aftermath, most Americans likely know little about the author. It has taken Trump’s lust for the Nobel Peace Prize — something like Gollum’s slobbering obsession with the “precious” gold ring — to cast fresh light on the Norwegian novelist.
Hamsun occupies a place in history similar to Hitler’s filmmaker Leni Riefenstahl: a genuine artistic innovator who fell under the spell of der Führer and paid for it later in life.
Born to a poor rural family in 1859, Hamsun began writing in his teens. Over his long career he produced more than two dozen novels, along with poetry, short stories and nonfiction. His influence was enormous — Isaac Bashevis Singer once called him the father of modern literature, and his psychological style has often been compared to Franz Kafka’s.

Hamsun vaulted to fame at age 30 with the 1890 publication of the semiautobiographical novel Hunger. He won the 1920 Nobel Prize in Literature for Growth of the Soil, which the Nobel Committee said “aroused the liveliest interest in many countries and has found favorable reception with the most diverse groups of readers.” Those readers included fascists.
Hamsun was a passionate admirer of Germany and of the Nazis’ ideas about Teutonic purity. The admiration was mutual. German critics praised Growth of the Soil for its portrayal of a mystical connection between people and the land — a theme the Nazis eagerly embraced.
During Germany’s 1940–45 occupation of Norway, Hamsun supported the Nazi-installed government of Vidkun Quisling. His devotion to Hitler was so great that he parted with his 18-carat gold Nobel medal, sending it to Goebbels in hopes that it would earn him a personal meeting with the Führer.
It did. But the audience did not unfold as Hamsun hoped. Although he supported the occupation, he objected to some of its harsher measures, including executions. He hoped to persuade Hitler to soften the regime’s policies. The meeting — retold in a 2005 New Yorker article titled “In From the Cold” — took place June 26, 1943, at Hitler’s retreat in the Bavarian Alps. According to the article, as the two men took tea in Hitler’s study, the conversation turned tense when Hamsun urged Hitler to fire Josef Terboven, the Reich Commissioner for Norway. Hitler rebuffed him, saying, “The Reich Commissioner is a warrior; he’s only there for war-related duties.”
Hitler did not bother to say goodbye when Hamsun left and later snapped at his aides: “I don’t want to see that sort of person here anymore.”
The unpleasant encounter did little to dampen Hamsun’s admiration for the Nazi leader. On May 7, 1945, a collaborationist newspaper published Hamsun’s obituary for Hitler, in which he wrote: “He was a warrior, a warrior for mankind, and a prophet of the gospel of justice for all nations.”
After the war, thousands of Norwegian collaborators were arrested and put on trial — including Hamsun. By then he was 86, and his age, along with his stature as Norway’s most celebrated novelist, worked in his favor. While 40 collaborators were executed, including Quisling, Hamsun received a fine of 325,000 kroner, reduced from 575,000.
Hamsun died on Feb. 19, 1952, at age 92.
As for the Nobel medal he sent to Goebbels — it vanished. No one knows what became of it.
Which brings us to Donald Trump and his pre-owned Nobel.
Hitler had no shame in accepting lavish gifts from industrialists, world leaders, and others who arrived in Berlin seeking favor. But Hitler might well be impressed with Donald Trump’s collection during his second term — a glittering haul accumulated on trips to the Middle East and during visits to the White House by foreign dignitaries and sycophantic American business executives.
Size-wise, nothing comes close to the 747 provided by Qatar. And knowing the way to Trump’s heart, Benjamin Netanyahu personally presented him with a letter that the Israeli leader had sent nominating him for the Nobel Peace Prize. FIFA, the world soccer federation, went so far as to create its own peace prize for the American president.
Trump kept pressing his case that he deserved the Nobel prize, sometimes aided by foreign allies who publicly insisted that he, more than anyone else, merited the honor. But the Nobel Committee never budged.
A workaround presented itself in the person of María Corina Machado, the Venezuelan opposition leader who had been awarded the 2025 Nobel Peace Prize for her role in resisting Nicolás Maduro’s dictatorship. Machado, desperate for Trump’s backing as Venezuela enters a volatile transition, made a calculation as stark as Hamsun’s in 1943. She handed Trump her Nobel medal in the hope that the gesture would secure her political survival.
Still smoldering over being snubbed by the Nobel Committee for a Peace Prize of his own, Trump lashed out in familiar ways — threatening to use military force to take control of Greenland and to slap heavy new tariffs on European allies. Those threats eventually fizzled after Europe dug in its heels, but the resentment never did.
It’s unlikely America’s Gollum will abandon the quest for his own golden “precious,” one with his name engraved on it. With the inauguration of Trump’s new “Board of Peace,” he may have convinced himself he’s found a fresh path to Oslo. The board — made up of foreign governments invited by Trump — is billed as a vehicle for resolving global conflicts. Permanent membership is offered to those that contribute more than $1 billion. As chairman, Trump would be in a position to steer the board however he wishes.
If the “Board of Peace” doesn’t help him finally secure a gold Nobel medallion, it may still serve another purpose: expanding his already considerable wealth.
Luxury condos on the Gaza waterfront, anyone?
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Oct. 7 spurred this secular private school in Manhattan to start holding an annual Shabbat gathering
(New York Jewish Week) — A new Jewish tradition has taken hold at a private, non-Jewish school in Manhattan.
On a recent Friday, about 240 students, parents and educators from the Town School, located on the Upper East Side, stayed late to eat matzah ball soup, recite blessings over challah and candles, and sing Hebrew songs.
It was the third time in as many years that the school had held a Shabbat celebration, and more than half of the students and parents in attendance weren’t Jewish.
“I think there is a real enthusiasm and excitement for families who are not Jewish to come into their first Shabbat or learn more about it again,” said Pierangelo Rossi, the Town School’s director of equity and community action.
Originally from Peru, Rossi is not Jewish. His first Shabbat experience ever was at the Town School in 2024, after Jewish parents organized a gathering in the wake of the Oct. 7, 2023, attack on Israel.
For years, the school had special “affinity groups” and spaces for students and parents of color, for “white anti-racist” students, and for queer students and their allies. The attack, and the surge of antisemitism that followed, spurred Jewish students and parents to work with the school to create their own.
While the Town School does not collect information about students’ religion, officials estimate that at least a quarter of the student body is Jewish.
“After Oct. 7, we knew — and it became clear to all of us — that our Jewish community was looking for that sense of affirmation in a way they hadn’t before,” said Head of School Doug Brophy.
Brophy, who has led the Town School since 2018, understood how they felt. He is also vice president of the Stephen Wise Free Synagogue on the Upper West Side.
Affinity groups have emerged as a hot-button issue in the debate over DEI, or diversity, equity and inclusion. While their proponents say the groups give minority and marginalized populations desperately needed spaces of their own, critics of DEI say the groups can reinforce divisions and inappropriately inject progressive ideologies into schools and other institutions.
Jewish “anti-woke” advocates have particularly criticized the affinity group framework for too often forcing Jewish students into a binary framework about race and privilege that does not recognize the complexity of Jewish identity.
At the same time, tensions amid the aftermath of Oct. 7 roiled some New York City private schools. The head of one elite private school stepped down last summer after members of the school community clashed over identity, antisemitism, Islamophobia and the Gaza war.
At the Town School, officials and parents say, those tensions have been absent. Instead, the entire school community has embraced the Shabbat celebrations alongside the other special events held to honor students’ traditions, such as a lion parade on the school’s block to mark Lunar New Year and a Persian New Year observance led by parents.
“Whether it’s coming from a vulnerability or a difference, it’s [about] wanting to be part of something bigger than yourself, and not just our Jewish families and colleagues feeling a sense of identity, but everyone else developing a greater sense of empathy,” Brophy said.
The Town School is not the only non-Jewish private school in the city to hold Shabbat celebrations in recent years: Riverdale Country Day School in the Bronx says 700 people attended its November 2024 gathering. But it has committed to annual gatherings, which are growing in attendance.
That first Shabbat in 2024 was led by Rabbi Bradley Solmsen from the Conservative Park Avenue Synagogue; in 2025, by Rabbi Rena Rifkin from Stephen Wise; and this year, by Ana Turkienicz, an educator from the Upper West Side’s Rodeph Sholom School and the Pelham Jewish Center.
“For me, it was really a very different context where you have non-Jews that are interested in learning about what is it that Jews do and are open,” Turkienicz said. “And it was beautiful.”
To create an educational plan that was still engaging for children of all ages, she narrowed the focus of the event to two words: “Shabbat” and “shalom,” meaning “Sabbath” and “peace.”
“I need to use vocabulary, and I need to work with the room only, with those with concepts that are universal,” Turkienicz added. “And there is a lot. There’s a lot in ‘Shabbat’ and ‘shalom’ that are universal.”
She taught the guests the songs “Bim Bam” and “Salaam” — the latter being the Arabic word for “shalom” — and recited the blessings over the candles and challah, and the younger children decorated placemats, while the older children hung out with their classmates.
14-year-old Daniel Rybak stuck around near the school after his last class of the day got out so he could attend the after-school Shabbat service for his second time.
Rybak, whose mother is Catholic and whose father is Jewish, has attended the Town School for nine years.
“Just talking about the greater world at this point, with all the troubles in the Levant, with Israel and Gaza, as well as just the general sense, I suppose, that things are getting a little more violent around the world — it’s just a nice thing that brings people back to that sense of, ‘Hey, we’re here, we’re family, we’re OK, we’re getting through this,’” Rybak said. “It just shows that even throughout all that that’s happened everywhere, there’s still pockets of community and of real hope.”
This year, the Shabbat gathering took on added meaning for some attendees as some of New York’s Jews feel increasingly alienated or afraid following the election of Zohran Mamdani, a longtime and staunch critic of Israel, to the mayor’s office.
“The whole time I was thinking: 20 blocks north from here, there is a new mayor that we don’t know what [he’s] going to be for the Jewish community in New York,” Turkienicz said. “Twenty blocks south of his mansion, we have a private, non-Jewish school doing a Kabbalat Shabbat.”
Katy Williamson, a Jewish parent who helped organize the last two Town School Shabbats and attended this year’s, said she was “really blown away by the sense of community” and surprised by how many people attended.
“I read the news. Obviously, we live in New York City. I’m very aware of what’s going on outside of this, just in the world right now,” she said. “There was just this really warm feeling. … So many people from the school community joined and wanted to be a part of it.”
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