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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
—
The post 2022 was a big year for Jews in the arts. Here’s what happened on screen and stage. appeared first on Jewish Telegraphic Agency.
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The exceptional translator Barbara Harshav has died
פֿון אַבֿיה קושנער און שחר פּינסקער
באַרבאַראַ הרשבֿ, פֿאַררעכנט פֿאַר איינעם פֿון די וויכטיקסטע איבערזעצערס פֿון דער העברעיִשער און ייִדישער ליטעראַטור, איז אַוועק אין דער אייביקייט צו 85 יאָר.
הרשבֿ, באַקאַנט ווי באָבי בײַ אירע פֿרײַנד און קאָלעגעס, האָט איבערגעזעצט און אַרויסגעגעבן מער ווי 40 ביכער פּאָעזיע, דראַמע, בעלעטריסטיק, פֿילאָסאָפֿיע, עקאָנאָמיק, סאָציאָלאָגיע און געשיכטע. צווישן אירע איבערזעצונגען זענען געווען די ווערק פֿונעם נאָבעל־לאָרעאַט שמואל יוסף עגנון און די פּאָעטן אַבֿרהם סוצקעווער, מענקע קאַץ און יהודה עמיחי.
אַחוץ דעם וואָס זי איז געווען אַן ערשט-ראַנגיקע איבערזעצערין איז זי אויך געווען שטאַרק באַליבט בײַ אַנדערע אַקאַדעמיקער און איבערזעצער איבער דער וועלט, סײַ ווי אַ וועגווײַזערין אינעם געביט פֿון איבערזעצערײַ סײַ צוליב איר מענטשלעכקייט און ברייטהאַרציקער שטיצע פֿאַר אירע קאָלעגעס.
אַ צענטראַלער אַספּעקט פֿון איר קאַריערע איז געווען איר ברייטע און פֿרוכפּערדיקע צוזאַמענאַרבעט מיט איר מאַן, בנימין הרשבֿ (אַ העברעיִזירונג פֿונעם נאָמען הרושובסקי). צוזאַמען האָבן זיי איבערגעזעצט און רעדאַקטירט אויף ענגליש אַ ריי וויכטיקע טעקסט־זאַמלונגען ווי למשל דעם אייגנאַרטיקן באַנד „אַמעריקאַנער ייִדישע פּאָעזיע: אַ צוויישפּראַכיקע אַנטאָלאָגיע“ (1986), וואָס האָט אַרײַנגענומען סײַ דעם אָריגינעלן ייִדישן טעקסט סײַ די פּרעכטיקע ענגלישע איבערזעצונגען. אַזוי אַרום האָט דער לייענער געקענט אָפּשאַצן די קוואַליטעט פֿון די ווערק אויף ביידע שפּראַכן.
איינער פֿון הרשבֿס גרעסטע אויפֿטוען איז געווען דאָס וואָס זי האָט נישט פֿאָרגעשטעלט די ייִדישע פּאָעזיע סתּם ווי נאָסטאַלגישן פֿאָלקלאָר, נאָר האָט זי געשילדערט אינעם קאָנטעקסט פֿונעם גלאָבאַלן מאָדערניזם. דער באַנד האָט אַרײַנגענומען סײַ אַוואַנגאַרדישע עקספּערימענטן סײַ שטאָטישע טעמעס, צוזאַמען מיט די וויזועלע קונסטווערק פֿון בען שאַהן און ראַפֿאַעל סויער, וואָס האָבן געהאַט אַן ענלעכן הינטערגרונט ווי די פּאָעטן.
מיט איר מאַן האָט זי אויך אַרויסגעגעבן דאָס בוך, „זינג, פֿרעמדער: הונדערט יאָר פֿון אַמעריקאַנער ייִדישער פּאָעזיע“, וואָס האָט אַרײַנגענומען ווערק פֿון די „סוועטשאַפּ“־פּאָעטן מאָריס ראָזענפֿעלד און דוד עדעלשטאַדט, ווי אויך „אינזיכיסטן“ ווי ציליע דראָבקין.
הרשבֿ איז געבוירן געוואָרן אין דעטרויט, מישיגען, אין 1940. זי איז נישט געווען קיין נאַטירלעכע רעדערין פֿון העברעיִש אָדער ייִדיש. „איך בין געווען 34 יאָר אַלט ווען איך האָב אָנגעהויבן זיך לערנען העברעיִש און איך האָב זיך ממש פֿאַרליבט אין דער שפּראַך,“ האָט זי דערציילט בעת אַן אינטערוויו אין 2012. מיט דער צײַט האָט זי אָנגעהויבן איבערזעצן די וויכטיקסטע העברעיִשע ווערק.
דערנאָך האָט זי זיך גענומען צו ייִדיש. „ייִדיש איז די לעצטע שפּראַך וואָס איך האָב זיך אויסגעלערנט. צוליב דעם וואָס איך האָב שוין געקענט דײַטש און העברעיִש, האָב איך שוין פֿאַרשטאַנען אַרום 90% פֿון ייִדיש.“ כאָטש אירע טאַטע־מאַמע האָבן געקענט ייִדיש האָבן זיי עס בלויז געניצט צווישן זיך ווען זיי האָבן נישט געוואָלט אַז די קינדער זאָלן פֿאַרשטיין. „דערצו בין איך סײַ ווי נישט געווען אַזוי פֿאַראינטערעסירט אין וואָס זיי זאָגן,“ האָט זי געזאָגט.
איין סיבה פֿאַר וואָס זי איז געוואָרן אַן איבערזעצער — האָט זי דערקלערט — איז „ווײַל די איבערזעצונגען וואָס איך האָב געלייענט זענען געווען אַזוי שלעכט. כ׳האָב דעמאָלט געוווינט אין ירושלים און כ׳האָב זיך באַקענט מיט אַ שרײַבער וואָס האָט זיך באַקלאָגט פֿאַר מיר, און טאַקע מיט רעכט, וועגן די אומגעלומפּערטע איבערזעצונגען וואָס מע האָט געמאַכט פֿון זײַנע ווערק. האָב איך אָנגעהויבן לייענען יענע איבערזעצונגען און דערפֿילט אַז איך קען דאָס טאָן בעסער. ס׳איז מיר אָבער געווען אַ חידוש, ווען מײַן ערשטער פּרוּוו איז טאַקע פּובליקירט געוואָרן אין אַן אַקאַדעמישן זשורנאַל.“
אַחוץ איר אַרבעט ווי אַן איבערזעצער האָט הרשבֿ אויך געדינט ווי די פּרעזידענטין פֿון דער אַמעריקאַנער אַסאָציאַציע פֿון ליטעראַרישע איבערזעצער, און האָט געפֿירט איבערזעצונג־וואַרשטאַטן אינעם דעפּאַרטמענט פֿון פֿאַרגלײַכיקער ליטעראַטור אין יעל־אוניווערסיטעט, דערבײַ שטיצנדיק יונגע איבערזעצער זיך צו פֿאַרנעמען מיט דער ייִדישער און העברעיִשער ליטעראַטור. זי האָט זיך אויך איבערגעגעבן צום קאַמף פֿאַר געשלעכט־גלײַכקייט און פֿאַר שלום און גערעכטיקייט אין ישׂראל/פּאַלעסטינע.
אין 2018 איז הרשבֿ געוואָרן די ערשטע העברעיִשע און ייִדישע איבערזעצערין צו באַקומען די „פּען/מאַנהײַם מעדאַל פֿאַר איבערזעצונג“.
פֿאַר אונדז וואָס האָבן זי געקענט, איז באָבי געווען אַ בריליאַנטענע, ברייטהאַרציקע פֿרײַנדינע און קאָלעגע, שטענדיק גרייט צו העלפֿן אַנדערע מיט עצות און הדרכה.
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Rahm Emanuel: Pursuit of Greater Israel as ‘fanatical’ as the chant ‘from the river to the sea’
(JTA) — The pursuit of Greater Israel is a corrosive fantasy, veteran Democratic politician Rahm Emanuel is expected to tell a Tel Aviv audience on Wednesday, calling it as “destructive and fanatical” as the chant “from the river to the sea.”
Emanuel, who has held multiple top roles in the Democratic Party, in Congress and in the Obama White House, is a potential 2028 presidential candidate.
He will warn that Prime Minister Benjamin Netanyahu is leading the country to a “dead-end” that has turned the country into a “pariah” and is threatening Israel’s historic alliance with the United States, according to an advance copy of his speech shared with the Jewish Telegraphic Agency on Tuesday.
He blamed as “our mistake” America’s assumption that “the best thing Washington could do for Jerusalem was to blindly and silently stand behind your government, without conditions, without demands, and without consequences.” That path has led to policies including Israeli extremists terrorizing West Bank Palestinians and Gazans suffering from a lack of food that means “Israel has never been so isolated,” a situation that he terms “a countdown clock” for Israel’s security.
Instead, his remarks state, “we need a fundamentally new and different approach to the alliance.”
At the same time, he criticized the Palestinians for what he said were mistakes and obstacles to peace over the years. He lambasted their supporters in the United States who support replacing Israel with a Palestinian state stretching from the Jordan River to the Mediterranean Sea.
“Those chanting ‘from the river to the sea’ need to hear this loud and clear: they will never have their way,” he declares in his prepared remarks. “But those calling for a greater Israel must also hear this loud and clear: you’re never going to have your way, either. Both are fantasies chanted by fanatics.”
Emanuel, who is a former U.S. congressman from Illinois as well as a former Chicago Mayor and served as White House Chief of Staff under President Barack Obama, is considering a presidential run in 2028. His trip has garnered media attention given that his ideas on Israel could signal the direction of his party on the issue, particularly as they come from a Jewish politician with close ties to the country. Emanuel once volunteered as a civilian with the Israeli army and his father was an Israeli citizen.
His trip to Israel to underscore the importance of the Israeli-U.S. alliance and to advocate for a new regional diplomatic initiative comes at a time when politicians in his Democratic Party are increasingly disavowing Israel to gain an edge in upcoming elections as the country’s reputation plummets.
A Pew Research Center Poll published in April found that 60% of Americans had an unfavorable view of Israel, but its standing was worse among Democrats and Democratic-leaning Independents, where 8 out of 10 had negative views about Israel.
According to his prepared speech, Emanuel is set to highlight his deep connection to the Jewish state and his family’s sacrifice in bringing about its creation, noting that his uncle, who was a member of the pre-state underground, is buried on Jerusalem’s Mt. of Olives. His father, Benjamin, was born in Jerusalem in 1927 and fought in Israel’s 1948 War of Independence before immigrating to the United States, where he raised his family in Chicago.
Emanuel plans to recount Israel’s history of overtures in the name of peace and in the face of Palestinian violence during the second intifada and the Oct. 7, 2023, Hamas-led attack on southern Israel. He will explain that he understands Israel’s cynicism regarding any future arrangement with the Palestinians since Israel’s past offers of Palestinian sovereignty in exchange for security were frequently met with violence.
“I understand why, even if you oppose the Netanyahu government, you’re so prone to dismiss criticism from the outside world,” Emanuel wrote, underscoring that a “corrupt Palestinian leadership has never lived up to the Palestinian people’s legitimate aspirations for sovereignty and self-determination.”
Still, he wrote, Israel’s future can’t be “held hostage to a past defined exclusively by recriminations,” warning that such a stance will endanger its “historic alliance with the U.S.,” which is now “at a crossroads.” Israel must embark on a path that pairs military and diplomatic efforts, rather than relying solely on military prowess, he wrote.
“Israel will be alone if its leaders choose to attempt to annex the West Bank and pursue the fantasy of a greater Israel,” Emanuel plans to say.
“America will not and cannot be complicit or complacent in that endeavor,” he wrote, explaining that it has erred in the past by “blindly and silently” supporting Netanyahu’s government.
The speech calls for an end to the “American taxpayer’s subsidy of Israel’s defense budget,” maintaining that Israel should buy U.S. arms with the same financial terms and restrictions as every other ally “that abides by our laws.”
The speech laid out a broad-based policy with regard to a two-state resolution to the Israeli-Palestinian conflict that rejects extremist Israeli violence against Palestinian civilians and illegal West Bank settlement building but does not spell out prescriptions for divisive issues such as the future of Jerusalem or using the pre-1967 lines for determining the borders of a Palestinian state.
Emanuel does not mention the U.S.-based political advocacy group J Street in his speech, but the text picks up on the 23-state policy idea that J Street put forward last year, involving 21 Arab states, alongside Israeli and Palestinian ones, that would include recognition of Israel by the Arab League.
Such a regional integration would allow for Israel and the larger Middle East to become a technological and transit hub for trade between Europe and India, he plans to say.
To achieve this regional peace, Emanuel continues, the Arab states would have to support a Palestinian governing entity that would accept the Jewish historic connection to Israel, stop teaching its children to hate Israel and end the “heinous practice” of financially rewarding terrorists who kill Jews.
Israel, he wrote, would have to halt unilateral actions in the West Bank, stop nurturing harmful organizations and support “real partners in pursuit of peace.”
This scenario rests on a three-part U.S. policy in the region that would leverage the Arab world’s desire for stability, Israel’s need for security, and Palestinian demands for sovereignty.
“The political benefits for all parties would be far greater than a two-state solution could ever offer. But to get there, everyone would need to make good on their piece of the bargain,” he wrote in his speech.
The alternative path, he wrote, is one that has seen Israel isolated and turned it into a pariah state.
“Israel has failed to convert its military wins into strategic advantages,” Emanuel is expected to say, noting that the country has “lost Europe” and its support in the U.S. is plummeting. U.S. unconditional support for Israel without demands and consequences has been a mistake, he added in his speech, in which he blamed Israel’s poor global standing on Netanyahu’s policies.
A centrist Jewish Democrat embracing a policy promulgated by J Street, a group founded in 2008 to counter the influence of what was then the mainstream pro-Israel lobby AIPAC, illustrates the degree to which the American Israel Public Affairs Committee and its credo of creating a bipartisan consensus of support for Israel has eroded.
Emanuel plans to recall his own tensions with Netanyahu, who during his time as White House Chief of Staff labeled him a “self-loathing” Jew for opposing West Bank settlement construction.
Netanyahu, he wrote in his prepared remarks, “cannot fight indefinitely against a world that has stopped believing you have the right to fight. You must instead find a new sustainable path to peace, security, and prosperity.”
Alternatively, he wrote, the United States would stand “shoulder-to-shoulder” with Israel as it pursued peace and security.
The post Rahm Emanuel: Pursuit of Greater Israel as ‘fanatical’ as the chant ‘from the river to the sea’ appeared first on The Forward.
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US launches ‘powerful strikes’ against Iran
(JTA) — The U.S. military announced that it had launched strikes against Iran Tuesday evening, marking the latest exchange of blows between the countries amid a fragile ceasefire.
In a post on X, U.S. Central Command announced that American forces had begun launching a “series of powerful strikes against Iran to impose heavy costs for targeting and attacking commercial shipping crewed by innocent civilians in an international waterway.
“The U.S. strikes are in response to Iranian attacks on three commercial vessels that were transiting the Strait of Hormuz,” the post continued. “Iran’s demonstrated aggression was unwarranted, dangerous, and a clear violation of the ceasefire.”
The latest round of violence could further imperil U.S. negotiations over fully reopening the Strait of Hormuz and reviving talks over Iran’s nuclear program.
Israel has treated the U.S.-Iran negotiations warily, chafing especially at the proposed imposition of terms of engagement with Iran-backed Hezbollah in Lebanon.
Iran has not claimed responsibility for the attacks on commercial vessels. Qatar’s Foreign Ministry spokesperson Majed Al Ansari wrote in a post on X that the country held Iran “fully legally responsible” for an attack on the Qatari ship Al-Rekayyat in the strait.
“We demand that the Islamic Republic of Iran immediately cease all practices that undermine regional security or threaten the safety of international maritime navigation, & refrain from endangering global energy supplies & the resources of the countries of the region in pursuit of narrow interests,” Al Ansari wrote.
Saudi Arabia’s Foreign Affairs Ministry also condemned Iran’s alleged attack on a Saudi tanker, in a post on X shortly before the U.S. strikes were announced.
“The Kingdom affirms that these reprehensible attacks constitute an assault on the security and safety of international navigation and on the security of global energy supplies,” the post read.
The strikes come over a week since the last known round of U.S. strikes on the country late last month, which followed Iranian attacks on both Bahrain and Kuwait.
The post US launches ‘powerful strikes’ against Iran appeared first on The Forward.
