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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
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Yemen’s Separatists Appear to Split, Reflecting Saudi-UAE Rift
Supporters of the UAE-backed separatist Southern Transitional Council (STC) hold a poster of Aidarous al-Zubaidi, the STC’s leader, who, according to the Saudi-backed coalition, fled to an unknown destination, in Aden, Yemen, Dec. 21, 2025. Photo: REUTERS/Fawaz Salman
Yemen’s main separatist group appeared split on Friday as some members announced it was disbanding, reflecting a feud between Gulf powers Saudi Arabia and the United Arab Emirates that was blown into the open by a separatist advance last month.
Saudi-backed fighters have largely retaken areas in southern and eastern Yemen seized by the UAE-backed Southern Transitional Council (STC) in December, and an STC delegation has traveled to the Saudi capital Riyadh for talks.
However, STC leader Aidarous al-Zubaidi fled Yemen on Wednesday instead of joining the talks, with the Saudi-led coalition in Yemen saying the UAE had helped spirit him away on a flight that was tracked to a military airport in Abu Dhabi.
One of the members who traveled to Riyadh for the talks said in a statement broadcast on Saudi state media on Friday that the group had decided to disband.
But the STC says it has had no communication with the delegation that initiated the talks under Saudi sponsorship.
A spokesperson who did not travel to Riyadh and is close to Zubaidi said any decision on the group’s fate can only be taken by the entire council, including its leader.
Any such decision would only be taken once the delegation in Riyadh “is released,” he said.
Saudi Arabia’s Defense Minister Khalid bin Salman welcomed the decision as a “brave” one. A conference would be held in Saudi Arabia to discuss southern Yemeni issues with all groups invited, he said.
Saudi Arabia and the UAE had previously worked together in a coalition battling the Iran-backed Houthis in Yemen’s civil war, a conflict which caused one of the world’s worst humanitarian crises.
But the two most powerful countries in the Gulf have had sharp differences over issues ranging from geopolitics to oil output. Their rivalry was exposed when the STC advanced to within reach of Yemen’s border with Saudi Arabia, which Riyadh declared a threat to its national security.
The STC on Friday called for mass protests in the southern cities of Aden and Mukalla, urging supporters to rally on Saturday in a show of “loyalty and steadfastness” amid the political crisis.
Authorities in Aden aligned with Yemen’s Saudi-backed government later ordered a ban on demonstrations in the southern city, citing security concerns, according to an official directive seen by Reuters.
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Gal Gadot to Produce, Potentially Star in Paramount Film Adaption of ‘Recovery Agent’ Book Series
Gal Gadot at the 82nd Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, California on Sunday, Jan. 5, 2025. Photo: Dan MacMedan-USA TODAY via Reuters Connect
Paramount Pictures has acquired the rights to the bestselling Recovery Agent book series by Janet Evanovich, and Israeli actress Gal Gadot will produce and potentially star in the feature film, Deadline reported.
The former “Wonder Woman” star and her husband and business partner Jaron Varsano will produce under their television and film production company Pilot Wave, with a screenplay written by Ellen Shanman (“Voltron”). Paramount will also develop and produce the film with Carol Mendelsohn and Julie Weitz from Carol Mendelsohn Productions, according to Deadline.
The Recovery Agent was published in 2022 and its sequel “The King’s Random” was published in November 2025, each by Atria Books. Both books have been New York Times bestsellers. The protagonist in Evanovich’s book series is Gabriela Rose, an international recovery agent who specializes in retrieving stolen or lost high-value items, often in dangerous missions. Her partner is her ex-husband Rafer Burke, and together they travel the world looking for valuable treasures.
Gadot’s most recent credits include Julian Schnabel’s “In the Hand of Dante,” which premiered at the 2025 Venice Film Festival, Kevin Macdonald’s action thriller “The Runner” for Amazon International, and the live-action remake of the Disney classic “Snow White.” Her past credits include the “Wonder Woman” films, the “Fast & Furious” franchise, “Heart of Stone,” and “Red Notice,” which is Netflix’s second most-popular film of all time.
Evanovich has written 46 New York Times bestsellers over the last 28 years and has sold over 200 million books worldwide, according to Deadline. She is also the author of the Stephanie Plum 31-book series and its most recent installment, Now or Never, debuted on top of the New York Times bestseller list.
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Iran Shuts Off Internet as Anti-Regime Protests Intensify Across Country
Protesters gather as vehicles burn, amid evolving anti-government unrest, in Tehran, Iran, in this screen grab obtained from a social media video released on Jan. 9, 2026. Photo: Social Media/via REUTERS
Iran was largely cut off from the outside world on Friday after authorities blacked out the internet to curb growing unrest, as video showed buildings aflame in anti-government protests raging in cities across the country.
Rights groups have already documented dozens of deaths of protesters in nearly two weeks and, with Iranian state TV showing clashes and fires, the semi-official Tasnim news agency reported that several police officers had been killed overnight.
In a televised address, Supreme Leader Ayatollah Ali Khamenei vowed not to back down, accusing demonstrators of acting on behalf of émigré opposition groups and the United States, and a public prosecutor threatened death sentences.
DOZENS KILLED IN TWO WEEKS OF PROTEST
The protests pose the biggest internal challenge in at least three years to Iran‘s clerical rulers, who look more vulnerable than during past bouts of unrest amid a dire economic situation and after last year’s war with Israel and the United States.
While the initial protests were focused on the economy, with the rial currency losing half its value against the dollar last year and inflation topping 40% in December, they have morphed to include slogans aimed directly at the authorities.
Iranian rights group HRANA said on Friday it had documented the deaths of at least 62 people including 14 security personnel and 48 protesters since demonstrations began on Dec. 28.
The internet blackout has sharply reduced the amount of information flowing out of the country. Phone calls into Iran were not getting through. At least 17 flights between Dubai and Iran were canceled, Dubai Airport’s website showed.
Images published by state television overnight showed what it said were burning buses, cars, and motorbikes as well as fires at underground railway stations and banks.
Videos verified by Reuters as having been taken in the capital Tehran showed hundreds of people marching. In one of the videos, a woman could be heard shouting “Death to Khamenei!”
Other chants included slogans in support of the monarchy.
Iranian rights group Hengaw reported that a protest march after Friday prayers in Zahedan, where the Baluch minority predominates, was met with gunfire that wounded several people.
Authorities have tried a dual approach – describing protests over the economy as legitimate while condemning what they call violent rioters and cracking down with security forces.
Last week President Masoud Pezeshkian urged authorities to take a “kind and responsible approach,” and the government offered modest financial incentives to help counter worsening impoverishment as inflation has soared.
But with unrest spreading and clashes appearing more violent, the Supreme Leader, the ultimate authority in Iran, above the elected president and parliament, used much tougher language on Friday.
“The Islamic Republic came to power through the blood of hundreds of thousands of honorable people. It will not back down in the face of vandals,” he said, accusing those involved in unrest of seeking to please US President Donald Trump.
Tehran’s public prosecutor said those committing sabotage, burning public property, or engaging in clashes with security forces would face the death penalty.
FRAGMENTED OPPOSITION
Iran‘s fragmented external opposition factions called for more protests, and demonstrators have chanted slogans including “Death to the dictator!” and praising the monarchy that was overthrown in 1979.
Reza Pahlavi, exiled son of the late shah, told Iranians in a social media post: “The eyes of the world are upon you. Take to the streets.”
However, the extent of support inside Iran for the monarchy or for the MKO, the most vocal of émigré opposition groups, is disputed. A spokesperson for the MKO said units with the group had taken part in the protests.
“The sense of hopelessness in Iranian society is something today that we haven’t seen before. I mean, that sense of anger has just deepened over the years and we are at record new levels in terms of how Iranian society is upset,” said Alex Vatanka of the Middle East Institute in Washington.
Trump, who bombed Iran last summer and warned Tehran last week that the US could come to the protesters’ aid, said on Friday he would not meet Pahlavi and was “not sure that it would be appropriate” to support him.
Despite the increased pressure, Iranian Foreign Minister Abbas Araqchi said on Friday the chance of foreign military intervention in Iran was “very low.” He said the foreign minister of Oman, which has often interceded in negotiations between Iran and the West, would visit on Saturday.
UN rights chief Volker Turk said he was “deeply disturbed by reports of violence” and by communications shutdowns.
The Islamic Republic has weathered repeated bouts of major nationwide unrest across the decades, including student protests in 1999, mass demonstrations over a disputed election outcome in 2009, demonstrations over economic hardships in 2019, and the Woman, Life, Freedom protests in 2022.
The 2022 protests, sparked by the killing of a young woman in the custody of Iran‘s Islamic morality police, drew a large variety of people onto the streets, with men and women, old and young, rich and poor.
They were ultimately suppressed, with hundreds of people reported killed and thousands imprisoned, but authorities also subsequently ceded some ground with women now routinely disobeying public dress codes.