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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
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The post 2022 was a big year for Jews in the arts. Here’s what happened on screen and stage. appeared first on Jewish Telegraphic Agency.
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Massive fire breaks out at kosher supermarket in London’s Golders Green
(JTA) — A huge fire broke out Tuesday morning at the Kosher Kingdom supermarket in Golders Green, London’s heavily Orthodox Jewish neighborhood. Firefighters were still working to put out the blaze six hours later.
Metropolitan Police posted on X that officers were called to the scene on Golders Green Road around 7 a.m. by the London Fire Brigade. “Officers responded and are at the scene assisting firefighters with road closures and evacuations,” said police.
London Fire Brigade Assistant Commissioner Craig Carter provided an update on the scene at 12:30 p.m., saying that 15 engines and around 100 firefighters “have been tackling the fire at its height, which has affected a ground floor shop and a storage area to the rear, which has partially collapsed.”
He noted that the flats above were not affected but residents were evacuated as a precaution.
“Our specialist Fire Investigators, in conjunction with the Metropolitan Police Service, have worked at pace to establish that the circumstances of the fire are not believed to be suspicious and investigations on the cause and origin of the fire are ongoing,” Carter added.
The news that Kosher Kingdom did not appear to be deliberately targeted comes as a relief to Jewish residents, who have been on edge for months amid a string of attacks. The blaze broke out in the same area where four Hatzola ambulances were torched in March, two Jewish men were stabbed in April and a Jewish man said he was attacked for speaking Hebrew this month.
Rochel Cohen, who lives near the supermarket, is among those whose street has been cordoned off. Her first thought was the incident was another antisemitic attack, she told JTA in a phone interview.
Cohen said she looked out the window around 7 a.m. and saw “just huge plumes of black smoke and we heard all the sirens. And the police have roped off all our roads again.”
That “again,” Cohen said, was because it was the third time in two months that her family had witnessed “crime scenes in our neighborhood.”
“The ambulance fire was just on the next street from us and the stabbing situation was 100 meters down the road from us,” she said.
Prior to the fire department’s update, speculation spread on social media that the fire was electrical, potentially caused by faulty freezers. London has seen an unprecedented heatwave over the last several days, with temperatures soaring over 90 degrees.
Cohen said two of her family members previously worked at Kosher Kingdom. They believed from the outset that there was an electrical fire in the freezers “because it’s exactly from the roof footage that we saw where those freezers are located,” she said.
Nonetheless, another incident in the neighborhood has left her shaken. “It’s just a bit of a nightmare, really,” she said. “It’s all these incidents adding up, and it makes it quite scary, this climate of fear we’re currently in. It’s really oppressive.”
Cohen said she has been traveling to jury service the last several weeks about 10 miles from Golders Green in Wood Green, which has a higher than average crime rate.
“I actually felt safer there than I do walking the street here in Golders Green because I’m constantly turning around, checking what’s going on,” she said. “It’s not a nice feeling.”
This article originally appeared on JTA.org.
The post Massive fire breaks out at kosher supermarket in London’s Golders Green appeared first on The Forward.
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Reading a Pakistani author’s 30-year-old novel helped me understand my parents’ views on intermarriage
When I was a kid, I was haunted by the threat of my parents rejecting me if I married a non-Jew. Raised on Disney movies and song lyrics about soulmates, I spent almost every moment of high school anticipating the pain of falling in love with a non-Jew and having to choose between him and my family. If I chose him, the estrangement could bode poorly for married life. But if I married a Jewish man, I’d always worry that if he had not been Jewish, our love would not have overcome our religious differences, and therefore was not that strong to begin with.
The psychic burden began to lift only when I went to college at Hunter in New York City and made friends from other minority groups. I bonded with them over our parents’ desire that we marry someone from the same religion or ethnicity. I had always felt like my parents’ demand constituted bigotry against non-Jews, and I was surprised when my non-Jewish friends were more sympathetic to their stance than I was.
In college, I took a class on the history of modern India and learned about the Pakistani author Bapsi Sidhwa, but I didn’t read her until this year. Sidhwa, who died in 2024, grew up in Lahore’s Parsi community — a group of Zoroastrians who trace their roots to pre-Islamic Iran. Even though her books are mostly more than 30 years old, they still feel relevant, and they remind me of my own Iranian Jewish community.
Sidhwa’s 1993 coming-of-age novel An American Brat centers on Feroza, a Parsi girl from Lahore. Feroza’s parents send her to the U.S. to expand her horizons because they think the local culture is making her too conservative. But they wind up being disappointed when her horizons expand too much.
Feroza’s whole extended family goes into a tailspin when she sends word home that she wants to marry a Jewish man named David. She met him when she responded to an ad he placed in the college newspaper about selling his car. The two bond over their families’ shared emphases on religion and education. David’s family’s Shabbat candles recall the significance of fire within Zoroastrianism. But if Feroza marries a non-Zoroastrian, she will be excommunicated from the Parsi community. As Feroza’s mom Zareen prepares to fly to America to intervene, extended family members urge her to stand her ground no matter how nice David is and no matter how big a “tantrum” Feroza throws — but they also advise her not be too harsh either, so as not to push Feroza away.
The reader never learns what objections, if any, David’s Reform Jewish parents might have to his interfaith marriage; over Shabbat dinner, prior to the proposal, they are reserved but polite. Meanwhile, Zareen’s good-cop bad-cop routine is familiar, quaint and pathetic. She lists eligible Parsi bachelors (the Zoroastrian equivalent of ‘nice Jewish boys’) with promising careers and “worthy mothers.” She tries killing with kindness: “You’re too precious. We’re not going to throw you away on the first riffraff that comes your way.” She even tells Feroza cautionary tales about women who married “nons” (Zoroastrian equivalent of goyim) and wound up feeling disconnected from their heritage. These methods all fail, and the book comes to a sobering end when Zareen calls David’s bluff and demands the couple have a huge traditional wedding, scaring him off and exposing the limits of his supposedly liberal values.
Zoroastrians, like Jews, are a small group. In 2022, an Associated Press article estimated the worldwide Zoroastrian population, which at its peak numbered in the millions, was now around 125,000. Lahore’s Parsi community had all of 11 members as of a 2023 Facebook post.
Reading literature from other cultures, just like having friends from other cultures, can teach us about our own. As I read Zareen’s efforts to talk Feroza out of the engagement, it was somehow easier for me to understand than if they were Jewish like me. The author’s empathy makes Zareen’s mom an especially interesting character, like a Zoroastrian Tevye, torn between family pressures and the feminist values that inspired her to send Feroza to the U.S. in the first place.
Students at Hunter have a reputation for being super liberal, but they also have surprising points of departure from what most people would consider liberal. When I told classmates that I struggled with my parents’ insistence that I marry a Jew, I sensed bad energy in the room, as if they were judging me for disrespecting my parents in front of them. Some seemed to think it’s only natural for a person to marry someone who belongs to the same religion or ethnicity. Part of me was disturbed to see that this brand of separatism was so fashionable — but I also felt relieved, like they’d given me permission to appease my parents.
Feroza heals from her breakup with David partly by remembering that no matter the religion of the person she marries, her religion will always be part of her. As for myself, I don’t know what my future holds. But whatever does happen, it will be something that also happened to countless women before me — not only Jewish women but people of all different races and creeds. It is comforting to remember that as your life is playing out, there are people all over the world and across time living out much the same story as you are.
The post Reading a Pakistani author’s 30-year-old novel helped me understand my parents’ views on intermarriage appeared first on The Forward.
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Newly discovered details about Soviet Jewry between 1945 and 1953
די יאָרן צװישן 1945 און 1953, פֿון דעם סוף פֿון דער צװײטער װעלט־מלחמה ביז יאָסיף סטאַלינס טױט, זײַנען געװען די צײַט פֿון נסיונות פֿאַר סאָװעטישע ייִדן. דער דאָזיקער תּקופֿה איז געװידמעט דאָס בוך „דאָס לעבן נאָך דער מלחמה: האָפֿענונגען און שרעק“ פֿון דער היסטאָריקערין אַנאַ שטערנשיס פֿונעם טאָראָנטער אוניװערסיטעט. דאָס איז דער פֿערטער באַנד אין דער אַכט־בענדיקן געשיכטע פֿון ייִדן אין סאָװעטן־פֿאַרבאַנד אונטער דער רעדאַקציע פֿון די היסטאָריקער גענאַדי עסטרײַך און דוד ענגעל פֿון ניו־יאָרקער אוניװערסיטעט.
העכער װי צװײ מיט אַ האַלב מיליאָן ייִדן זײַנען דערמאָרדעט געװאָרן אױפֿן שטח פֿונעם סאָװעטן־פֿאַרבאַנד אין די גרענעצן פֿון 1941, וואָס נעמט אויך אַרײַן די געגנטן פֿון פּױלן, ליטע, לעטלאַנד, עסטלאַנד און רומעניע, װאָס זײַנען אַנעקסירט געװאָרן אין 1939 און 1940.
בערך צװײ מיט אַ האַלב מיליאָן ייִדן האָבן איבערגעלעבט דעם חורבן אין סאָװעטן־פֿאַרבאַנד. זײ האָבן זיך געפֿונען מחוץ די אָקופּירטע טעריטאָריעס אָדער געדינט אין דער רױטער אַרמײ. אַרום 100,000 ייִדן זײַנען געבליבן לעבן אױף די אָקופּירטע שטחים, דער עיקר אין די געטאָס פֿון טראַנסניסטריע אין דרום־אוקראַיִנע און מאָלדאָװע, װאָס זײַנען געװען אונטער דער רומענישער אָקופּאַציע.
דער חורבן האָט שטאַרק געענדערט דעם קולטורעל־סאָציאַלן פּראָפֿיל פֿון סאָװעטישן ייִדנטום, שרײַבט שטערנשיס. די ייִנגערע, מער אַסימילירטע, געבילדעטע און מאָבילע מענטשן האָבן געהאַט בעסערע אױסזיכטן אױף אױסצומײַדן דעם טױט. די פּראָסטע שטעטלדיקע בעל־מלאכות, פּױערים און עלטערע ייִדן האָבן אָפֿט מאָל ניט געהאַט קײן מעגלעכקײטן צו אַנטלױפֿן פֿון די דײַטשן.
נאָך דער מלחמה האָבן אַ סך ייִדן ניט געװאָלט זיך אומקערן איז די שטעטלעך פֿון אוקראַיִנע און בעלאַרוס, װאָס האָבן זײ דערמאָנט אָן זײערע דערמאָרדעטע קרובֿים און שכנים. האָבן זיי זיך געפּרוּװט באַזעצן אין גרױסע שטעט, אַזעלכע װי קיִעװ, מינסק, מאָסקװע אָדער לענינגראַד.
כּדי צו האָבן אַ װױנרעכט אין אַ גרױסער שטאָט האָט מען געמוזט האָבן אַן אַרבעט און אַ דירה. דער מצבֿ אין קיִעװ איז געװען באַזונדערס שװער. די שטאָט איז געװען אין חורבֿות, און די געבליבענע װױנונגען זײַנען בעת דער דײַטשישער אָקופּאַציע פֿאַרנומען געװאָרן דורך אָרטיקע אוקראַיִנער.
זײ האָבן פֿײַנט געהאַט ייִדן, װאָס האָבן זיך אומגעקערט פֿון דער עװאַקואַציע אין סיביר אָדער צענטראַל־אַזיע און האָבן איצט געװאָלט צוריק באַקומען זײערע דירות מיט האָב־און־גוטס. דאָס האָט געשאַפֿן שפּאַנונג צװישן ייִדן און אוקראַיִנער און אַרויסגערופֿן אַנטיסעמיטישע געפֿילן.
דאָס רובֿ היסטאָרישע פֿאָרשונגען װעגן סאָװעטישע ייִדן פֿאָקוסירן זיך אױף דער פּאָליטיק און קולטור. שטערנשיס ברענגט אַרײַן נײַע היסטאָרישע מקורים, װאָס עד־היום זײַנען לרובֿ פֿאַרבליבן מחוץ דעם אַקאַדעמישן אינטערעס.
אין משך פֿון העכער װי 20 יאָר פֿאָרש-אַרבעט האָט זי אָנגעזאַמלט הונדערטער בעל־פּהיִקע גבֿית־עדותן װעגן דעם אַמאָליקן ייִדישן לעבן אין סאָװעטן־פֿאַרבאַנד. זײ לאָזן הערן שטימען פֿון מענער און פֿרױען פֿון פֿאַרשײדענע סאָציאַלע שיכטן, פֿון פּראָסטע אַרבעטער ביז הױך־אָנגעשטעלטע פֿיגורן.
עס איז כּדאַי דאָ אָפּצומערקן, אַז אײן װיכטיקער אַספּעקט פֿון דער סאָװעטישער ייִדישער דערפֿאַרונג פֿאַרבלײַבט נאָך אַלץ ניט דערפֿאָרשט. אַ היפּשע צאָל ייִדן זײַנען געװען פֿאַרטאָן אין דער אַזױ־גערופֿענער „שאָטן־װירטשאַפֿט“. זײ האָבן געפֿירט קלײנע געשעפֿטן, װאָס זײַנען פֿאָרמעל געװען מלוכישע אָבער פֿאַקטיש זײַנען זײ געװען פּריװאַטע.
פּריװאַטע אונטערנעמונגען זײַנען געװען פֿאַרװערט אין סאָװעטן־פֿאַרבאַנד, אָבער אין דער צײַט פֿון עקאָנאָמישע צרות האָט די מלוכה געקוקט אױף זײ דורך די פֿינגער. אַזאַ מין אַרבעט האָט געלאָזט פֿרומע ייִדן אָפּהיטן שבת און יום־טובֿים. דװקא זײ זײַנען געװען די הױפּט־שטיצער פֿון שילן און פּריװאַטע מנינים.
ספּעציעל אינטערעסאַנט אין שטערנשיסעס בוך זײַנען די באַריכטן װעגן פֿאַרשײדענע פֿאָלק־אַקטיװיטעטן װאָס ייִדן האָבן אָרגאַניזירט אָן קײן שום שטיצה מצד דער מלוכה. מען האָט געזאַמלט געלט צו בױען דענקמעלער אױף די ערטער פֿון מאַסנמאָרד און צו אָרגאַניזירן הזכּרה־צערעמאָניעס.
די ערשטע פּאָר יאָר נאָך דער צווייטער וועלט־מלחמה זײַנען געװען אַ צײַט פֿון גרױסע האָפֿענונגען. נאָכן נצחון איבער דײַטשלאַנד האָט מען געהאָפֿט, אַז די סאָװעטישע מאַכט װעט אָנערקענען די יסורים פֿון ייִדן און װעט זײ העלפֿן װידער אױפֿבױען דאָס ייִדישע לעבן.
די סאַמע אַקטיװסטע קהילות זײַנען געװען אין װילנע און טשערנאָװיץ, די ייִדישע צענטערס, װאָס זײַנען געװאָרן סאָװעטיש ערשט אין 1939 און 1940. אין װילנע האָט מען געשאַפֿן דעם ערשטן חורבן־מוזײ אין דער װעלט און טשערנאָװיץ איז געװאָרן אַ נײַע הײם פֿאַרן קיִעװער ייִדישן טעאַטער.
אָבער דער אױפֿלעב האָט געדױערט בלױז אַ פּאָר יאָר. אַ סך כּלל־טוער (צװישן זײ — דער דיכטער אַבֿרהם סוצקעװער), װאָס פֿאַר דער מלחמה זײַנען געװען פּױלישע אָדער רומענישע בירגער, האָבן באַקומען דערלױבעניש צו פֿאַרלאָזן דעם סאָװעטן־פֿאַרבאַנד אין 1945־1946.
אַרום 1947 האָבן זיך באַװיזן סימנים פֿון ענדערונגען אין דער פּאָליטיק לגבי ייִדן. אײניקע היסטאָריקער פֿאַרבינדן זײ מיטן אָנהײב פֿון דער קאַלטער מלחמה צװישן דעם סאָװעטן־פֿאַרבאַנד און די פֿאַראײניקטע שטאַטן און מיטן אױפֿקום פֿון מדינת־ישׂראל.
שטערנשיס איז מסכּים, אַז דאָס זײַנען געװען װיכטיקע סיבות. אָבער זי האַלט, אַז אַ היפּשע ראָלע האָבן אױך געשפּילט אַנטיסעמיטישע שטימונגען אין דער סאָװעטישער באַפֿעלקערונג. אַנטיסעמיטיזם איז געװען ספּעציעל שטאַרק אין די געגנטן, װאָס זײַנען געװען אונטער דער דײַטשישער אָקופּאַציע. די נאַציסטישע פּראָפּאַגאַנדע האָט געהאַט אַ שטאַרקע השפּעה אױפֿן פּראָסטן פֿאָלק.
אַנטיסעמיטיזם איז געװען פּאָפּולער אױך אין די „הױכע פֿענצטער“ פֿון דער קאָמוניסטישער פּאַרטײ. נאָך דער מלחמה האָט די רעגירונג געהאַט אַ סך שװערע סאָציאַלע און עקאָנאָמישע פּראָבלעמען און האָט זיך גענײטיקט אין דער שטיצע פֿון די מאַסן.
אַן אימאַזש פֿון אַ שׂונא װאָלט געהאָלפֿן אָפּצוציִען דעם אױפֿמערק פֿון די דאָזיקע פּראָבלעמען, פֿאַרסך־הכּלט שטערנשיס. דערצו נאָך האָבן אַ סך ייִדן אַרױסגעװיזן התלהבֿות לגבי מדינת־ישׂראל, און דאָס האָט אַרויסגערופֿט חשד בײַ סטאַלינען.
בײַ ס׳רובֿ ייִדן איז דער דאָזיקער קלאַפּ געקומען אומדערװאַרט. מער פֿון אַלעמען האָבן געליטן די ייִדישע כּלל־ און קולטור־טוער פֿונעם ייִדישן אַנטיפֿאַשיסטישן קאָמיטעט.
דער אַקטיאָר שלמה מיכאָעלס איז דערמאָרדעט געװאָרן אין אַן אינסצענירטן אױטאָ־אומגליק אין יאַנואַר פֿון 1948. די דיכטער איציק פֿעפֿער, דוד האָפֿשטײן, פּרץ מאַרקיש, לײב קװיטקאָ און דער שרײַבער דוד בערגעלסאָן זײַנען באַשולדיקט געװאָרן אין שפּיאָנאַזש, פֿאַרמישפּט געוואָרן צום טױט און דערשאָסן געוואָרן דעם 12טן אױגוסט 1952
אַרום אײן טױזנט ייִדן זײַנען אַרעסטירט געװאָרן פֿאַר „ייִדישן נאַציאָנאַליזם“ און געשיקט געוואָרן אין די תּפֿיסה־לאַגערן. טױזנטער מענטשן האָבן פֿאַרלױרן זײער אַרבעט־שטעלעס. אַלע ייִדישע אַנשטאַלטן זײַנען פֿאַרמאַכט געװאָרן.
די אַנטיסעמיטישע כװאַליע האָט דערגרײכט דעם שפּיץ אָנהײב 1953. אַ גרופּע חשובֿע דאָקטױרים, ס’רובֿ ייִדן, זײַנען באַשולדיקט געװאָרן אין אָפּסמען אָנפֿירער פֿון דער קאָמוניסטישער פּאַרטײ. אײנצײַטיק זײַנען אַרומגעגאַנגען קלאַנגען, אַז סטאַלין איז אױסן צו דעפּאָרטירן ייִדן קײן סיביר.
אַזאַ אַקציע װאָלט ניט געװען קײן יוצא־דופֿן אין סאָװעטן־פֿאַרבאַנד. צו יענער צײַט האָט סטאַלין שױן געהאַט דעפּאָרטירט עטלעכע עטנישע עדות: די טאָטערן פֿון קרים, די טשעטשענצעס און די אינגושן פֿון קאַװקאַז און נאָך אַנדערע. אָבער היסטאָריקער האָבן ניט געפֿונען קײן דאָקומענטאַלע ראַיות פֿון אַ פּלאַן צו דעפּאָרטירן ייִדן.
אַזױ אָדער אַנדערש זײַנען ייִדן געראַטעװעט געװאָרן פֿון סטאַלינס לעצטער גזירה װײַל ער איז געשטאָרבן דעם 5טן מאַרץ 1953, גלײַך נאָך פּורים. בהדרגה האָט מען אָפּגעשטעלט די אַנטיסעמיטישע פּראָפּאַגאַנדע און באַפֿרײַט די פֿאַרמישפּטע פֿונעם גולאַג. אָבער מען האָט פֿאָרט נישט אָנגעהױבן דרוקן ייִדישע ביכער אין סאָװעטן־פֿאַרבאַנד ביז 1959.
שטערנשיס האָט אָנגעשריבן אַ דראַמאַטישע געשיכטע פֿולגעפּאַקט מיט פּרטים, װאָס לאָזן דעם לײענער זיך אױסמאָלן דאָס טאָג־טעגלעכע לעבן פֿון ייִדן אין סאָװעטן־פֿאַרבאַנד. דערצו נאָך באַקומט דער לײענער אַ גוטן פֿאַרשטאַנד פֿון די ברײטערע פּאָליטישע, עקאָנאָמישע און סאָציאַלע טענדענצן, װאָס האָבן באַװירקט סײַ ייִדן סײַ די גאַנצע סאָװעטישע באַפֿעלקערונג.
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