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4 decades later, new trial of alleged 1980 Paris synagogue bomber offers victims opportunity for closure
PARIS (JTA) — The courtroom was crowded but the defendant’s seat was empty on Monday as a landmark trial in French Jewish history got underway, nearly 43 years after the synagogue bombing that Hassan Diab stands accused of orchestrating.
An arrest warrant in the 1980 bombing that killed four people and wounded 46 was first issued for Diab, a Lebanese academic who lives in Canada, in 2008. Only now is a trial getting underway — and he has chosen not to attend, prompting criticism from both prosecutors and French Jews who are hoping for a sense of resolution after decades of trauma.
“Hassan Diab’s decision not to appear before your court is a great disgrace to your jurisdiction,” the attorney general said during the first day of the trial, during a discussion of whether an arrest warrant should be issued, a move that would require the trial to be dismissed.
“Which human would not make the same decision?” replied Diab’s lawyer, William Bourdon, about his client’s choice not to travel to France to stand trial. “This decision is humanly respectable. It is in no way a sign of cowardice.”
The Reform synagogue on Rue Copernic that was bombed is nested in the heart of a wealthy residential area, in Paris’ 16th arrondissement. A visitor today would not be able to tell that the ceiling had once been shattered into a million little pieces, that the floor had been spotted with blood. If not for the commemorative plaque at the entrance, nothing there would show the synagogue was once the scene of a deadly terrorist attack.
Yet the trial is freighted with the fear and anxiety that set in after what is now known as the Rue Copernic bombing on Oct. 3, 1980, understood to be the first fatal antisemitic attack in France since the Holocaust. Since then, a string of antisemitic attacks on communal targets and individuals have caused many French Jews to feel afraid, both about their personal vulnerability and about the state’s commitment to their safety.
But while the prosecution of some potentially antisemitic attacks has not always satisfied French Jews, the long ordeal to bring Diab to trial suggests great diligence on the part of many involved.
Bernard Cahen, an attorney for the synagogue and one of the victims, who is now in his 80s, promised he would see this case through until the end.
“Whatever the outcome, this has been going on for way too long,” he told the Jewish Telegraphic Agency in an interview, adding with a joke, “Everybody is surprised I’m still here to represent my clients.”
Cahen represents Monique Barbé, who lost her husband in the bombing when she was 37. Now nearly 80 and living in the South of France, Barbé won’t be coming to the trial.
“I don’t have the strength. But I can’t wait for all of this to end,” she told JTA.
About 300 worshippers were attending the Shabbat service and celebrating five bar mitzvahs that Friday evening when, at 6:35 p.m., a bomb exploded right outside the synagogue. The door was blown up, the glass ceiling collapsed on the worshippers; wooden benches were projected across the room.
Outside the synagogue the scene was even more gruesome. In his book about the case, the French journalist Jean Chichizola described “cars thrown on the road like children’s toys,” “flames licking the upper floors of adjacent buildings” and “shop windows blown up all along the street.”
In what looked like a war zone lay four bodies. Israeli TV journalist Aliza Shagrir, 44, was hit by the blast as she walked by. Philippe Boissou, 22, who was riding by on his motorcycle, also died on the spot. Driver Jean-Michel Barbé was found dead in his car, which was parked right outside the synagogue where he was awaiting clients attending the service. Nearby, a hotel worker named Hilario Lopes-Fernandez was seriously injured and died two days later.
Investigators quickly established that the bomb had been placed in the saddlebag of a Suzuki motorcycle parked in front of the synagogue. It was meant to go off precisely as the worshippers left the building, which would undoubtedly have killed many more people. But the ceremony had started a few minutes late.
At first, a man close to a neo-Nazi group claimed responsibility for the attack, misleading investigators for months before confessing he had nothing to do with it. The attack was ultimately attributed to an extremist group in the Middle East, the Popular Front for the Liberation of Palestine-Special Operations, and investigators alleged that Diab had planted the bomb. After an arrest warrant was issued in 2008, he was extradited from Canada in 2014, indicted in Paris and imprisoned.
But in a surprise to many, Diab’s case was dismissed in 2018, allowing him to return to Canada a free man. Prosecutors appealed, leading to another surprising turn of events in 2021 as the court upheld the earlier decision, directing Diab to stand trial after all.
“This is a gaping wound for the Jewish community and here in France people remember this horrible attack,” historian Marc Knobel told JTA. “Let us not forget how shocked and hurt we all were at the time.”
Indeed, outrage in the immediate aftermath of the bombing was fierce. France’s major trade unions called for a nationwide strike as a gesture of solidarity with Jews, while government ministers promised a speedy response and deployed police officers to other Jewish sites. Meanwhile, Jews marched in the streets, some vowing to take security into their own hands, in a demonstration that presaged longstanding tensions within French Jewry.
Over four decades later, Monique Barbé reflected on the tragedy that has changed her life forever.
“This has ruined my life. I was nervously wrecked for a very long time,” she said. “Imagine, I had to go identify my husband’s body. At the police station, they gave me back his half-burnt ID card and his damaged wedding ring. That’s all I was left with.”
But she questioned exactly how much the bombing and trial should register for people whose connection is more distant than her own.
“I do believe this is a necessary trial but except for those who lost their loved ones, I don’t see why anybody would still think about it today, it’s been so long,” Barbé said. “Plus there have been so many terrorist attacks since.”
Jean-François Bensahel, president of the Copernic synagogue, thinks this trial is actually of great importance even to those who were not born at the time of the attack.
“It’s engraved in our community’s history,” he said in an interview. “It’s difficult for us to understand why Hassan Diab has decided not to come to the trial but nothing is over yet. I want to trust justice will be served.”
The attack’s most lasting effects may not be in the trial but in the heavy security infrastructure that is now familiar to anyone engaging with French Jewish institutions, Bensahel said.
“Sadly, synagogues in France (and many other places) are all under protection, even though it’s completely counterintuitive to have security measures in a place of worship where you usually aspire to peace,” he said. “It shows something is not right with the world.”
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UK to ‘reset policy’ on West Bank settlements, Miliband tells parliament
(JTA) — The new British government plans to announce in the coming weeks a comprehensive package of economic sanctions and other measures designed to prevent the Israeli expansion of West Bank settlements.
Overall the U.K. needs “a comprehensive reset of our policy” when it comes to the West Bank, British Foreign Secretary Ed Miliband told the House of Commons on Tuesday. He spoke during his first question and answer session with lawmakers since he and the government he represents were sworn into office in July.
Miliband added that the new measures would include a ban on goods produced in the settlements and targeted sanctions on British institutions and individuals.
“We are looking, indeed, at our wider economic relationship with the occupied territories, and the different tools we have to tackle it,” Miliband explained. “We do not want British companies financing, constructing, or advertising new settlements. The work we are now undertaking is how we can stop that.”
Israel’s Foreign Minister Gideon Sa’ar warned Tuesday that if the U.K. acted against his country, the Jewish state would take retaliatory steps against Great Britain.
“We are prepared and I hope they will not make the mistake of doing this. If they do, there will be a reaction,” Sa’ar said in a podcast interview with the Hebrew news website Ynet.
Tensions between Israel and the U.K. have been escalating in light of Israeli military actions in Gaza and the West Bank following the Hamas-led October 7, 2023 attack.
The U.K.’s decision under the last government to recognize Palestinian statehood in 2025 inflamed the situation, which is expected to get worse should Prime Minister Benjamin Netanyahu win the October 27 election in Israel.
Any government that Netanyahu forms is expected to be right-wing and to continue the policies of the existing government, just as the U.K. under Miliband and the new Labour prime minister, Andy Burnham, are more willing than their predecessors to go head-to-head with Israel on the issue
Miliband already floated the idea of targeted sanctions after Israel’s Lands Authority opened bids for 1,234 homes in the largely underdeveloped E1 section of the West Bank settlement of Ma’aleh Adumim in August, a move that he said would undermine any two-state solution to the Israel-Palestinian conflict.
Miliband went further on Tuesday when fielding a number of questions from lawmakers frustrated about the lack of U.K. response to Israeli actions in the West Bank, such as terror activity by Israelis against Palestinian civilians and continued settler building. This includes the opening of E1 bids last month.
The foreign secretary explained that his words reflected the policies Burnham had considered even before he entered Downing Street in July, such as a ban on trade for goods produced in the settlements. “We are obviously working across government and with our allies on these measures,” Miliband said.
Israel has said that it has a right to build settler homes in Area C of the West Bank, which is under Israeli military and civilian control and where all the settlements are located. Under the Oslo Accords, the West Bank was divided into three areas, with sections A and B, under the auspices of the Palestinian Authority.
The International Court of Justice in 2024 issued an advisory opinion explaining that such construction in Area C is illegal, affirming a long-held stance of the U.N. and many nations, including the U.K.
Concern has been particularly high with regard to the E1 project, which would add 3,400 homes to the municipal boundaries of the city of Ma’aleh Adumim by building on an underdeveloped hilltop. The Palestinian Authority and the international community, including past U.S. administrations, have warned that the project would block contiguous Palestinian development in that area and thus make a Palestinian state untenable.
Miliband referenced that viewpoint when speaking to the House of Commons on Tuesday, explaining that E1 development had long been considered a “red line,” because the project “cuts through the heart of the West Bank and risks making a Palestinian state unviable.”
He affirmed the U.K.’s commitment to a two-state resolution, explaining that his government would not stand idly by while that vision was being destroyed by Israeli actions on the ground in the West Bank.
In a harshly worded attack on the U.K. and Miliband in August, Sa’ar on X warned that UK’s statements on Israel were fueling antisemitism in Great Britain and emphasized that the Jewish people had a right to build anywhere in their ancestral homeland.
This article originally appeared on JTA.org.
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How the Yiddish project took root in the U.S. after the Holocaust
How did the YIVO Institute for Jewish Research find a new home in the United States after the Holocaust? Kalman Weiser (York University, Toronto) narrates this dramatic story in a new book, Yiddish Scholarship Comes to America.
Initially, YIVO’s success wasn’t a sure thing. It was “hardly clear to YIVO’s staff and supporters in the 1940s that an organization dedicated to serving the intellectual and cultural needs of a global, Yiddish-speaking Jewish nation could take root in the radically different circumstances of postwar America,” Weiser writes.
Before the war, YIVO already had an American branch in New York but its main goal was raising money for the institute in Vilna. Several YIVO activists also focused on researching Yiddish culture and history — but again, mainly in Eastern Europe.
The truth was, most American Jews had little interest in Yiddish and didn’t think highly of Jewish studies at all.
After the Holocaust, YIVO stood at a crossroads: It could either become an archive dedicated to Yiddish life destroyed in Eastern Europe, or it could further develop Yiddish scholarship to give Yiddish a new lease on life in America.
Weiser guides the reader through the fierce debates among YIVO’s associates over the direction the institute should take. Yudel Mark maintained that YIVO should focus primarily on Holocaust research, while former Bundists argued that it should study the conditions of the Jewish masses in America.
Max Weinreich, YIVO’s intellectual godfather, had an altogether different vision. He believed that American Jewry could actually play the leading role in the Jewish world after the Holocaust. At the same time, though, he didn’t think they were ready to assume this responsibility. They needed the Yiddish-speaking refugees and immigrants, such as himself and other East European intellectuals, to guide them.
According to Weinreich, YIVO should concern itself not only with visnshaft (scholarship), but with visn vos shaft (“knowledge that creates”). In other words, Yiddish scholarship needed to enable American Jews to preserve their Jewishness and secure the continuity of Yiddish.
The success of this monumental undertaking depended on the Yiddish language itself. Yiddish needed to serve as a bridge between generations of Jews, a spiritual and intellectual connection between the old country and the new.
For this reason, Weinreich held that the American Jewish intellectual leaders needed to be “de-assimilated,” and the prestige of Yiddish needed to be raised in American academia.
But despite Weinreich’s efforts, YIVO remained on the margins of the Jewish mainstream and received limited support from major Jewish philanthropic organizations. Relations between YIVO and the American Yiddish literati were also strained.
The normative, standard Yiddish that YIVO wanted to promote drew criticism from some American Yiddish writers and journalists. They argued that “YIVO Yiddish” differed considerably from the authentic, natural Yiddish they were raised with.
In his articles in the Forward, Isaac Bashevis Singer ridiculed neologisms as kadmen-yidish (proto-Yiddish) and breyshes-yidish (old Yiddish), linguistic concepts that Weinreich had invented to describe different historical phases in the development of the Yiddish language.
At the heart of the conflict between YIVO and Yiddish writers, Weiser explains, was the question: “To whom does Yiddish belong?” YIVO’s goal was to create a normative language that could be taught like other foreign languages. In this way, the future of Yiddish could be secured even if a living community of Yiddish speakers no longer existed.
The tensest chapters in YIVO’s history revolved around the struggle to recover the materials that formerly belonged to the institute in Vilna.
The Nazis sent some of the books and documents to Germany for the archives of the museum the Nazis were planning, “Institute for Research on the Jewish Question.” After the war these materials fell into the hands of the American military administration in Germany.
Recovering these materials was an incredible feat on the part of Weinreich and his colleagues, among them Lucy Schildkret (better known by her married name, Dawidowicz), who later made her name as a Holocaust scholar. Legally, the American military administration was obligated to return the plundered materials to Poland or the Soviet Union. The Hebrew University in Jerusalem was a claimant as well.
Weinreich worked his contacts among the American elite, and in 1947, YIVO recovered the archives. He also succeeded in presenting YIVO as the heir to other cultural institutions in Vilna. As a result, YIVO received the collections of the renowned Strashun Library and the S. Ansky Historical and Ethnographic Society.
The second chapter of YIVO’s history occurred after the collapse of the Soviet Union in the 1990s. A significant collection of YIVO materials was discovered in Lithuania, thanks to a Lithuanian librarian who had hidden it in the warehouse of the national book chamber.
This time, YIVO had to negotiate with the government of the Lithuanian Republic, which had recently become independent. Ultimately, a compromise was reached, and these materials can now be accessed digitally.
Weiser’s history of YIVO is an engaging, well-researched book. Max Weinreich was far from the only European Jewish refugee to find a new home in America and build a successful career there. But he may be the only one who single-handedly rebuilt an important European Jewish scholarly institute that remains active till the present day.
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A great Jewish sculptor gave a gift to America. The Trump administration is taking it away.
By the time Joel Shapiro’s Blue showed up in my morning feed Wednesday, it had already lost its legs. Shapiro’s 24-foot aluminum figure had spent seven years kicking at the sky outside the Kennedy Center in Washington. Now workers were taking it apart. In the photograph, the legs lay on the grass; the rest hung in straps, and a few guys in hard hats were standing underneath it, discussing something.
“Holy shit,” I said, then enlarged the picture, as if one of those men might explain what they were doing to the work of a man I had liked so much. Yes, I know they aren’t legs. That was Joel’s trick, to join a few rectangles and, without a face or a finger in sight, make you worry that some poor guy was about to fall.
The first — and only — time I met Joel Shapiro in 2024, he was eating a Mallomar. Same surname, no relation, though the speed with which he opened my box raised questions. Mallomars are a reporter’s trick of mine: I bring them to interviews during their brief season because they are Kryptonite to Jewish men of a certain age; even if nobody bites, the box gets a laugh. My father, who made it to 99 without losing interest in either nurses or cookies, taught me their power. Later, Julian Schnabel arrived in an all-white jumpsuit and wanted one too. I considered the theory proved.
We were at Pace, two days before his solo show Out of the Blue opened, standing in front of ARK — almost 12 feet of painted wood that looked as if it had thrown out an arm to stop a fall.
“Let’s do something we shouldn’t,” Joel said. “Touch the work.”
The guard didn’t move, so I put my hand on a Joel Shapiro.
I never understood how he did it. You’re looking at a few rectangular forms joined at unlikely angles, and then there it is, a person in trouble with gravity. No face, no hands, and still I worried about the poor thing falling—somehow it was precarious without looking afraid. Nine months later, he was dead.
Joel made Blue for that lawn of the Kennedy Center. It wasn’t on loan, and it didn’t wander in from a warehouse; he built it for the opening of the REACH in 2019 and gave it to the Kennedy Center as a permanent installation, which is to say he gave it to us. On Wednesday, it took a crane and a six-in-the-morning closure of the northbound lanes of Rock Creek and Potomac Parkway to get it off the grass.
The Kennedy Center thanked him, saying it was “deeply grateful” for the years Blue spent “animating our campus” and “honored to have been stewards” of his “enduring legacy.” It added, by the way, that institutions deinstall donated work all the time. I read the statement twice, sure I’d missed the reason. There isn’t one.
Once I might have shrugged and called it housekeeping. Then Trump took the place over, cleared out the leadership and got himself elected chairman by a board of his own appointees, and I stopped being charitable about coincidences.
Josef Palermo, a curator there until he was laid off in March, told Artnet that on Sept. 5 of last year he was called into the office of Richard Grenell, who was running the center then, and told to get rid of all the outdoor art because the president wanted all-new art for the reopening — the one that’s supposed to come after the two-year closure the board sanctioned last month. Palermo says he “delayed and obfuscated” as long as he could. He bought Blue almost another year on that lawn.
Ivy Shapiro, Joel’s daughter, runs the foundation that will now decide where it goes. I met her at Pace that afternoon; she stopped in before the show opened and shared a Mallomar with her father. She has declined to comment.
Joel had no patience for meanings he hadn’t put in the work himself. When I told him Wikipedia connected his blue to Judaism, he laughed.
“I don’t know about that. People love talking about Yves Klein Blue. This is just blue — like the ocean, the sky. It’s not mine, but it’s definitely sublime.”
So I’m not going to tell you Blue came down because Joel was Jewish. There’s no evidence for it, and the suggestion would have irritated him. But his Jewish life is not incidental, and it is not the part of him anyone is going to put in a statement.
He was born in 1941 and spent his first years at Camp Wolters in Texas, where his father was chief of medical services and treated German prisoners of war. The family came back to New York in 1945, and Joel and the other kids played a game they called “Burn the House of Hitler.” Children do that. They take whatever horror the adults have left lying around and turn it into something you can win.
A mile and a half from Blue’s empty patch of ground is his Loss and Regeneration, at the United States Holocaust Memorial Museum: a small house tipped onto its roof and, some distance off, a figure that is also a tree. He made it for the murdered children. It imagines starting over.
Blue wasn’t about any of that and didn’t need to be. It was absurd and intimate and alive, out on the grass with its enormous kick — “a celebration of possibility,” he called it.
Near the end of the afternoon I asked why he was still working so hard when his legacy was long since safe.
“I’m still improving,” he said. Then he told me what he was after: “Work you cannot refute.”
If I could call him for a comment, I suspect he’d check the rigging before saying anything grand, and then say something that wouldn’t have occurred to me. The Kennedy Center thanked him for his enduring legacy after his sculpture’s legs were already on the ground. In the photograph, the straps are pulled tight around what my eyes still insist on calling its chest.
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