Uncategorized
4 decades later, new trial of alleged 1980 Paris synagogue bomber offers victims opportunity for closure
PARIS (JTA) — The courtroom was crowded but the defendant’s seat was empty on Monday as a landmark trial in French Jewish history got underway, nearly 43 years after the synagogue bombing that Hassan Diab stands accused of orchestrating.
An arrest warrant in the 1980 bombing that killed four people and wounded 46 was first issued for Diab, a Lebanese academic who lives in Canada, in 2008. Only now is a trial getting underway — and he has chosen not to attend, prompting criticism from both prosecutors and French Jews who are hoping for a sense of resolution after decades of trauma.
“Hassan Diab’s decision not to appear before your court is a great disgrace to your jurisdiction,” the attorney general said during the first day of the trial, during a discussion of whether an arrest warrant should be issued, a move that would require the trial to be dismissed.
“Which human would not make the same decision?” replied Diab’s lawyer, William Bourdon, about his client’s choice not to travel to France to stand trial. “This decision is humanly respectable. It is in no way a sign of cowardice.”
The Reform synagogue on Rue Copernic that was bombed is nested in the heart of a wealthy residential area, in Paris’ 16th arrondissement. A visitor today would not be able to tell that the ceiling had once been shattered into a million little pieces, that the floor had been spotted with blood. If not for the commemorative plaque at the entrance, nothing there would show the synagogue was once the scene of a deadly terrorist attack.
Yet the trial is freighted with the fear and anxiety that set in after what is now known as the Rue Copernic bombing on Oct. 3, 1980, understood to be the first fatal antisemitic attack in France since the Holocaust. Since then, a string of antisemitic attacks on communal targets and individuals have caused many French Jews to feel afraid, both about their personal vulnerability and about the state’s commitment to their safety.
But while the prosecution of some potentially antisemitic attacks has not always satisfied French Jews, the long ordeal to bring Diab to trial suggests great diligence on the part of many involved.
Bernard Cahen, an attorney for the synagogue and one of the victims, who is now in his 80s, promised he would see this case through until the end.
“Whatever the outcome, this has been going on for way too long,” he told the Jewish Telegraphic Agency in an interview, adding with a joke, “Everybody is surprised I’m still here to represent my clients.”
Cahen represents Monique Barbé, who lost her husband in the bombing when she was 37. Now nearly 80 and living in the South of France, Barbé won’t be coming to the trial.
“I don’t have the strength. But I can’t wait for all of this to end,” she told JTA.
About 300 worshippers were attending the Shabbat service and celebrating five bar mitzvahs that Friday evening when, at 6:35 p.m., a bomb exploded right outside the synagogue. The door was blown up, the glass ceiling collapsed on the worshippers; wooden benches were projected across the room.
Outside the synagogue the scene was even more gruesome. In his book about the case, the French journalist Jean Chichizola described “cars thrown on the road like children’s toys,” “flames licking the upper floors of adjacent buildings” and “shop windows blown up all along the street.”
In what looked like a war zone lay four bodies. Israeli TV journalist Aliza Shagrir, 44, was hit by the blast as she walked by. Philippe Boissou, 22, who was riding by on his motorcycle, also died on the spot. Driver Jean-Michel Barbé was found dead in his car, which was parked right outside the synagogue where he was awaiting clients attending the service. Nearby, a hotel worker named Hilario Lopes-Fernandez was seriously injured and died two days later.
Investigators quickly established that the bomb had been placed in the saddlebag of a Suzuki motorcycle parked in front of the synagogue. It was meant to go off precisely as the worshippers left the building, which would undoubtedly have killed many more people. But the ceremony had started a few minutes late.
At first, a man close to a neo-Nazi group claimed responsibility for the attack, misleading investigators for months before confessing he had nothing to do with it. The attack was ultimately attributed to an extremist group in the Middle East, the Popular Front for the Liberation of Palestine-Special Operations, and investigators alleged that Diab had planted the bomb. After an arrest warrant was issued in 2008, he was extradited from Canada in 2014, indicted in Paris and imprisoned.
But in a surprise to many, Diab’s case was dismissed in 2018, allowing him to return to Canada a free man. Prosecutors appealed, leading to another surprising turn of events in 2021 as the court upheld the earlier decision, directing Diab to stand trial after all.
“This is a gaping wound for the Jewish community and here in France people remember this horrible attack,” historian Marc Knobel told JTA. “Let us not forget how shocked and hurt we all were at the time.”
Indeed, outrage in the immediate aftermath of the bombing was fierce. France’s major trade unions called for a nationwide strike as a gesture of solidarity with Jews, while government ministers promised a speedy response and deployed police officers to other Jewish sites. Meanwhile, Jews marched in the streets, some vowing to take security into their own hands, in a demonstration that presaged longstanding tensions within French Jewry.
Over four decades later, Monique Barbé reflected on the tragedy that has changed her life forever.
“This has ruined my life. I was nervously wrecked for a very long time,” she said. “Imagine, I had to go identify my husband’s body. At the police station, they gave me back his half-burnt ID card and his damaged wedding ring. That’s all I was left with.”
But she questioned exactly how much the bombing and trial should register for people whose connection is more distant than her own.
“I do believe this is a necessary trial but except for those who lost their loved ones, I don’t see why anybody would still think about it today, it’s been so long,” Barbé said. “Plus there have been so many terrorist attacks since.”
Jean-François Bensahel, president of the Copernic synagogue, thinks this trial is actually of great importance even to those who were not born at the time of the attack.
“It’s engraved in our community’s history,” he said in an interview. “It’s difficult for us to understand why Hassan Diab has decided not to come to the trial but nothing is over yet. I want to trust justice will be served.”
The attack’s most lasting effects may not be in the trial but in the heavy security infrastructure that is now familiar to anyone engaging with French Jewish institutions, Bensahel said.
“Sadly, synagogues in France (and many other places) are all under protection, even though it’s completely counterintuitive to have security measures in a place of worship where you usually aspire to peace,” he said. “It shows something is not right with the world.”
—
The post 4 decades later, new trial of alleged 1980 Paris synagogue bomber offers victims opportunity for closure appeared first on Jewish Telegraphic Agency.
Uncategorized
Mamdani’s first Jewish Heritage event reveals a narrowed circle
The Jewish American Heritage Month reception at Gracie Mansion, the mayor’s official residence on the Upper East Side, on Monday evening felt unlike any before it. It was not simply because the host, Zohran Mamdani, is New York City’s first Muslim mayor or because the Shavuot-themed menu was dairy. It was that the annual gathering came amid one of the most strained relationships between a mayor and much of New York’s Jewish establishment in recent memory.
Even the setting reflected the changed atmosphere. Previous receptions under former mayors had spilled into a large tent in the mansion’s garden overlooking the East River, with buffet tables lined with kosher food, bars stocked with liquor and wine, live music and packed crowds of rabbis, communal leaders, elected officials and supporters mingling late into the evening. The longstanding traditional events became demonstrations of the close alliance with mainstream Jewish organizations and pro-Israel activists, who formed a key part of their political base.
This year’s gathering was different. The event was moved indoors to Gracie Mansion’s smaller blue reception room. The crowd of 150 people was served by waiters quietly circulating through the room with small dairy dishes in honor of Shavuot: miniature cheesecakes, halved cheese blintzes, cheese bourekas served with a touch of charif on the side, potato knishes, chocolate mousse, salad cups and cheese-ball skewers. The drink selection was limited to Herzog wine from California and water.
There was no music at all — not even a cappella — despite the easing of traditional restrictions during the final days of the Omer before Shavuot.
Mamdani’s Jewish commissioners, deputy mayors and aides circulated through the room, greeting attendees. But absent were prominent Jewish figures in city government and politics, including Police Commissioner Jessica Tisch, Comptroller Mark Levine, Manhattan Borough President Brad Hoylman-Sigal and most of the local elected officials. The only Jewish elected officials in attendance were Councilmembers Harvey Epstein and Lincoln Restler, and former comptroller and now congressional candidate Brad Lander.
The crowd itself reflected the Jewish coalition emerging around Mamdani’s mayoralty: anti-Zionist activists aligned with groups such as Jews For Racial & Economic Justice and Jewish Voice for Peace; liberal Jewish leaders affiliated with New York Jewish Agenda, who have sharply criticized Mamdani on Israel and antisemitism issues while continuing to engage with the administration, and those aligned with pro-peace organizations; and Hasidic leaders from the Satmar community in Williamsburg, who religiously oppose Zionism and have long shaped their relationship with municipal government around local priorities such as housing, education and nonprofit funding.
Mamdani was introduced by Phylisa Wisdom, executive director of the Office to Combat Antisemitism, who also serves as the unofficial director for Jewish affairs. Rabbi Irwin Kula, president of the National Jewish Center for Learning and Leadership, delivered the invocation, and Jake Levin, manager of the Mayor’s Office of Mass Engagement, served as emcee.
The mayor offered some greetings, describing the preparations for Shavuot across the city, the teaching of Jewish values and his administration’s effort to combat rising antisemitism. “Jewish New Yorkers have worked to cultivate a city that is safe and open to all,” Mamdani said. “You should be accorded the same security and the same peace of mind.”
He then honored Ruth Messinger, the trailblazing Jewish political leader who in 1997 became the first and only woman to win the Democratic nomination for New York City mayor and went on to lead American Jewish World Service. Messinger backed Mamdani in the mayoral race last year. Guests were then privately ushered in to take photos with Mamdani.
Mamdani’s coalition
The reception came just days after Mamdani reignited tensions with many Jewish communities by posting a Nakba Day video produced by his City Hall media team commemorating the displacement of Palestinians during Israel’s founding in 1948. That was followed by what was perceived as a delayed and balanced response to pro-Palestinian protesters descending on a heavily Jewish Brooklyn neighborhood where a synagogue hosted a real estate sale that included West Bank properties.
The Nakba video angered many Jewish New Yorkers who already viewed Mamdani’s sharp criticism of Israel and embrace of Palestinian activism as dismissive of Jewish fears over rising antisemitism. Despite the backlash, there was little indication that Mamdani intends to moderate the political identity that brought him to power. Mamdani defended the video Monday morning when pressed about the civic purpose of using official city resources to mark Nakba Day, saying that acknowledging Palestinian suffering does not negate Jewish suffering or Israel’s history. He also declared that his “door is always open” to Jewish leaders despite the backlash.
But on Monday, a notable array of prominent Jewish leaders did not walk in — or were not invited.
Among those absent were leaders of the Jewish Community Relations Council, the Conference of Presidents, UJA Federation of New York, Board of Rabbis, Anti-Defamation League, American Jewish Committee, the Reform movement, Met Council, Orthodox Union, Agudath Israel of America and Chabad-Lubavitch. Devorah Halberstam and Yaacov Behrman, leaders affiliated with Lubavitch in Crown Heights who recently appeared with Mamdani, did attend.
Some Jewish communal leaders absent from the Gracie Mansion reception have embraced a strategy of total opposition to Mamdani, viewing engagement with him as legitimizing a mayor they see as hostile to Zionism. Other organizations that are dependent on city grants or ongoing access to the municipal government have continued engaging with City Hall even while publicly criticizing the mayor’s rhetoric on Israel and antisemitism.
But that has become increasingly harder for them. The UJA Federation of New York, which hosted Mamdani for a mayoral candidate forum last year, said its leadership did not attend because it was “being hosted by a mayor who denies a core pillar of our heritage — the State of Israel as the homeland of the Jewish people.”
Rabbi Joseph Potasnik, executive vice president of the New York Board of Rabbis, who was among 19 Jewish leaders on Mamdani’s transition team, told the New York Post he declined an invitation to join.
The reception suggested that Mamdani is continuing to cultivate a smaller alternative Jewish coalition, separate from the traditional pro-Israel communal establishment and rooted more in progressive activism and pragmatic community relationships. Mamdani recently appointed Rabbi Miriam Grossman, a JVP activist, as his faith liaison. To his critics, however, the evening underscored how narrow that coalition remains within the broader Jewish community of New York City.
The post Mamdani’s first Jewish Heritage event reveals a narrowed circle appeared first on The Forward.
Uncategorized
The Israeli song that almost won Eurovision was about far more than the breakup of a love affair
Noam Bettan, Israel’s Eurovision candidate who took second place in the competition, sang in three languages, and chose to start his performance in Hebrew. Meanwhile, the winner — from Bulgaria — sang entirely in English.
In all the news coverage of Eurovision, the tradition of Jewish multilingualism — and Bettan’s moving pride in his languages — was left out. But it’s an important part of Bettan’s family history, and it’s also a repeating theme of Jewish history.
Bettan’s parents immigrated to Israel from Grenoble, France, and before that, the Bettans lived in Algeria. Noam Bettan was born in Israel and grew up in Ra’anana, which is home to many English speakers.
As a child, he found it difficult to connect with members of his own family, because he was the only one who was born in Israel. He was also the only one who spoke Hebrew as a mother tongue, he told Israel’s Walla in 2021.
“Michelle,” the song Bettan sang in competition, is a rare trilingual song. It starts in Hebrew, the language in which Bettan feels most at home. Then it moves to French, the language of Bettan’s parents; his French is impeccable, and it was a nod to the importance of non-English languages in a contest that often favors English.
Last year’s winner, Austria’s JJ, performed “Wasted Love” entirely in English. When Israel won Eurovision in 2018 with Neta Barzilai’s “Toy,” the performance was also entirely in English.
When Bettan reached the third language of his song, English, which he likely heard in Ra’anana’s streets growing up, he mentioned walking through the Tel Aviv neighborhood of Florentin. His English was fine, but not as strong as his French.
He then moved back to Hebrew, and visibly moved at the end of his own performance, with tears in his eyes, ended with Am Yisrael Chai — “the people of Israel live.”
To what extent do Bettan’s language skills represent Israel?
More than 80% of Israelis speak more than one language; around 85% have some English proficiency, because English is mandatory in schools. Two percent of Israelis speak French as a mother tongue.
About 1 in 5 Israelis speak fluent Russian. Ten percent of Israeli Jews understand some Arabic but only 2.6% can read and understand Arabic-language media, according to a 2018 study by Sikkuy, an NGO which promotes equality between Israeli Jews and Arabs. Meanwhile, 53% of Israeli Arabs rated their Hebrew “good” or “very good,” according to Israel’s Central Bureau of Statistics. An estimated 250,000 Israelis speak Yiddish, and around 140,000 speak Amharic.
In the controversy over this year’s Eurovision, in which Spain, the Netherlands, Ireland, Slovenia and Iceland, all quit to protest Israel’s inclusion, some online commentators claimed that Bettan was singing about more than a breakup with a woman named “Michelle.” They thought he was singing to Europe, including the countries that walked out because he was on stage.
Mitpalel alayich, sh’tizki le’ehov—“I pray over you, that you will be privileged to love,” he sang. Bein dim’aa l’dimaa, yesh mi sh’yishma. “Between one tear and another tear, there will be someone who hears….”
Some believed that he was singing about the complex Jewish relationship with the European continent, the site of the greatest slaughter in Jewish history, now seeing a resurgence of antisemitism. He was singing, in French, telling Europe — nicknamed “Michelle” — that he was leaving.
But then, at the end, he sang in Hebrew that he hoped something good would happen to us.
That’s the mindset of many Jews right now, who no longer feel welcome in their prior homes — whether that’s a city, a country, or a profession. That pain may have morphed into an award-winning, trilingual song heard by millions, transliterated into English here, which might be about a girl — or, perhaps, about an entire people.
The post The Israeli song that almost won Eurovision was about far more than the breakup of a love affair appeared first on The Forward.
Uncategorized
A Yiddish chorus in Sao Paulo, Brazil finds its voice again
אין סאַאָ־פּאַולאָ, דער גרעסטער שטאָט אין בראַזיל, האָט דער אײנציקער כאָר אין לאַנד װאָס זינגט אױסשליסלעך אױף ייִדיש, אַרױסגעגעבן אַן אַלבאָם װאָס קלינגט סײַ טיף פֿאַרװאָרצלט אין טראַדיציע, סײַ באַנײַעריש. דער אַלבאָם הייסט „שמשׂ“ (אַרויסגערעדט „שאַמעס“).
דעם אַלבאָם האָט דער „טראַדיציע כאָר“ צוגעגרייט אין דער באָם־רעטיראָ געגנט, װאָס איז אױסגעפֿורעמט געװאָרן דורך נאָכאַנאַנדיקע כװאַליעס אימיגראַנטן פֿון פֿאַרשײדענע לענדער און קהילות. דער דיסק הײבט זיך אָן מיט גרױסע שלאַגערס פֿון ייִדישן רעפּערטואַר און ברײטערט זיך אױס אין אומגעװײנטלעכע ריכטונגען, בתוכם אימפּראָװיזירונג, עלעקטראָנישער מוזיק און באַגעגענישן מיט אַנדערע מוזיקאַלישע טראַדיציעס.
די פּרעמיערע פֿונעם אַלבאָם האָט מען אָפּגעהאַלטן דעם 22סטן אַפּריל אין „פֿאָלקסהױז“, אַ װיכטיקן ייִדישן קולטור־צענטער אין שטאָט, װאָס איז געגרינדעט געװאָרן אין 1946 אין אָנדענק פֿון די קרבנות פֿון חורבן. זינט יענער צײַט אָריענטירט זיך דאָס „פֿאָלקסהױז“ לױט די ייִדישיסטישע און אַנטיפֿאַשיסטישע פּרינציפּן פֿון איקו״ף (דעם „ייִדישן קולטור־פֿאַרבאַנד“), און פֿירט אָן, ביז הײַנט, מיט אַ ייִדישער ביבליאָטעק, קולטורעלע און פּעדאַגאָגישע אַקטיװיטעטן, און מיטן ייִדישן כאָר.
לױט די קוראַטאָרן פֿון אַלבאָם — קאַיאָ־מאָטל לעשער, לאַוראַ װיאַנאַ און זשוליאַ מאָרעלי — פֿונקציאָנירט זײַן טיטל װי אַ שליסל־מעטאַפֿער פֿאַר דעם גאַנצן פּראָיעקט. די 99־יאָריקע דיריגענטקע הוגעטאַ סענדאַטש איז די צענטראַלע פֿלאַם, װאָס װײַזט דעם װעג פֿון דער רײַכער ירושה פֿון דער ייִדישער שפּראַך צו די נײַע דורות זינגערס און ליבהאָבערס פֿון ייִדיש אינעם פֿאָלקסהױז. שוין צענדליקער יאָרן וואָס סענדאַטש פֿירט אָן מיטן כאָר.
דער אַלבאָם, װאָס איז שױן צוטריטלעך אױף „סאַונד־קלאַוד“, װעט סוף מײַ אָנקומען אין „ספּאָטיפֿײַ“, און װעט אױך אַרױסגעגעבן װערן װי אַ װיניל־פּלאַטע אין סעפּטעמבער. ער איז סטרוקטורירט װי אַ פּאַלינדראָם, פּונקט װי דאָס װאָרט „שמשׂ“ אַלײן, און קען װערן אָפּגעשפּילט אין צװײ ריכטונגען, װאָרעם די כּמעט־סימעטרישע זײַטן א׳ און ב׳ שאַפֿן אַ דיאַלאָג צװישן געדעכעניש און נײַע דערפֿינדונגען.
אױף דער ערשטער זײַט פֿונעם אַלבום, טרעט אױף דער כאָר ווי אַ טראַדיציאָנעלערער אַנסאַמבל, מיט נײַע אַראַנזשירונגען פֿון זשאָאַאָ באַריסבע און הוגעטאַ סענדאַטש. דער רעפּערטואַר נעמט אַרײַן סײַ קלאַסיקערס װי די פּאַרטיזאַנער־הימנע „זאָג ניט קײן מאָל“, סײַ פֿאָלקס־ניגונים. דער טרומײטער פֿראַנק לאָנדאָן, צוזאַמען מיטן קלאַרנעטיסט אַלעקס פּאַרק און דעם פּיאַניסט דניאל שאַפֿראַן, מישן צונויף דאָס כאָר־געזאַנג מיטן אינסטרומענטאַלן קלאַנג פֿון כּלי־זמר־מוזיק.
אױף דער צווייטער זײַט, װערן די זעלבע לידער דעמאָנטירט און באַשאַפֿן אױף ס׳נײַ דורך אײַנגעלאַדענע קינסטלערס, װי אַרטאָ לינדסײ, װאָס אימפּראָװיזירט אויפֿן סמך פֿון „זאָג ניט קײן מאָל“; קאַרלאַ באָרעגאַס, װאָס פֿאַרװאַנדלט אַ װיגליד אין אַן עטערישער (ethereal, בלע״ז), קלינגעװדיקער לאַנדשאַפֿט; פּאַולעטע לינדאַסעלװאַ, װאָס מאַכט איבער דאָס ליד „שאַ, שטיל” אין אַ פּולסירנדיקער עלעקטראָנישער שאַפֿונג; און אַװאַ ראָשאַ, װאָס גיט דעם חסידישן ניגון „בים־באַם“ אַ נײַע אינטערפּרעטאַציע.
אַנדערע דיאַספּאָרישע טראַדיציעס קומען אױך אַרײַן אין שפּיל. אַ כאָר פֿון קאָרעאַנער מאַמעס, װאָס איז טעטיק אין באָם־רעטיראָ, זינגט אַ טײל פֿונעם קאָרעאַניש פֿאָלקסליד „דאָס ליד פֿון מײַן מאַמען“, בשעת די אַפֿראָ־בראַזיליאַנער גרופּע פֿון פֿרױען־פּײַקלערס, „אילו אָבאַ דע מין“, באַגלייט דעם ייִדישן שלאַגער „שפּיל זשע מיר אַ לידל“. דער דאָזיקער נוסח פֿון ליד איז באַשאַפֿן געװאָרן אין צוזאַמענאַרבעט מיט דער ישׂראלדיקער קינסטלערין יעל ברתּנא פֿאַר דער פּיעסע „מיר זײַנען דאָ!“, װאָס איז פֿאָרגעשטעלט געװאָרן אין טאַיִב־טעאַטער.
דער פּראָיעקט נעמט אױך אַרײַן אַ נאָטנהעפֿט מיט װערטער אױף ייִדיש, סײַ מיט ייִדישע אותיות, סײַ טראַנסליטערירט, און אױך אױף פּאָרטוגעזיש. די איבערזעצונגען זײַנען געמאַכט געװאָרן דורך דעם סאַאָ־פּאַולער ייִדישיסטישן קאָלעקטיװ „ייִדישע טרופּע“ און דורך דער דיריגענטקע הוגעטאַ סענדאַטש אַלײן. דער מאַטעריאַל װערט באַגלײט אױך פֿון טעקסטן װעגן דעם רעפּערטואַר און דער טראַדיציע פֿון כאָר־געזאַנג אױף דער ייִדישער שפּראַך.
„שמשׂ“ װירקט װי אַ שטילער מאַניפֿעסט. דער טראַדיציע־כאָר, װאָס שטײט אין דער מסורה פֿון ייִדישע כאָרן אין סאַאָ־פּאַולאָ, מיט אַ העכער הונדערט־יאָריקער געשיכטע, װײַזט אױף אַן אַנדער פֿאָרעם פֿון המשכדיקײט, װאָס באַנײַט זיך אין אױסטױש מיט נײַע קאָנטעקסטן, ריטמען און פּאַרטנערס.
אין „פֿאָלקסהױז“ בלײַבט די ייִדישע קולטור אַזױ לעבעדיק, גראָד װײַל זי בײַט זיך כּסדר און שטײט אין ענגער פֿאַרבינדונג מיט אַנדערע שפּראַכן און מינהגים. אַזױ אַרום דינט דער טיטל פֿון אַלבאָם מער װי נאָר אַ מעטאַפֿער. ער באַשרײַבט דעם פּראָיעקט אַלײן׃ אַ פֿלאַם, װאָס טײלט זיך מיט איר פֿײַער מיט אַנדערע, אָן צו פֿאַרלירן דערבײַ איר אײגן ליכט.
[דער אַרטיקל איז רעדאַקטירט געוואָרן מיט דער הילף פֿון גוסטאַװאָ־גרשום עמאָס]
The post A Yiddish chorus in Sao Paulo, Brazil finds its voice again appeared first on The Forward.