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7 Jewish highlights from the new Museum of Broadway

(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers. 

That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.” 

Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”

If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows. 

(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)  

The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows. 

Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:

 

A whirligig of Rodgers and Hammerstein musicals

A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)

Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.

 

Jerome Robbins’ notes on “West Side Story”

Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)

Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.

 

Florence Klotz’s costume “bible”

Florence Klotz won six Tony Awards for her costume designs. (NYJW)

Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.

 

A shrine to “Company”

A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)

Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.

 

A tribute to Joseph Papp

Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)

Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.

 

Al Hirschfeld’s barber chair

A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)

The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).

 

A stage set from “The Producers”

An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)

You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.


The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.

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We’re losing the fight against antisemitism. Here’s how to turn the tide

Why are we failing to effectively fight antisemitism?

When New York Times columnist Bret Stephens sparked a furor by making the case, earlier this month, that it’s time for the Jewish community to stop prioritizing that fight — because we’ve invested so much in trying to educate people about antisemitism, yet there is still antisemitism — he got the fundamental issue wrong.

The question is not whether we should try to fight antisemitism. It’s how. What if we took Stephens’s premise — that these efforts aren’t working — and imagined what could?

Since Stephens’ speech, our communal reaction has been too focused on the smaller-scale issues he raised. Was his critique of the ADL reasonable? Was he right that Jews are hated because of our “virtues and successes,” and that antisemitism is too powerful for appeals to tolerance and education to work? By focusing on such questions, we risk missing the bigger picture. Antisemitism will never be fully eradicated. Still, if, as one study suggests, some 45% of Republicans under the age of 44 feel that Jews are a threat to the American way of life, the answer can’t be to shrug.

But the fact that we have yet to make meaningful 21st-century strides in reducing antisemitism — and that, per most polls and studies, we’re going in the opposite direction — means that we need to rethink how to combat it in 21st-century terms. Here are three ideas for how to begin.

Invest in media literacy

Given that we know that antisemitism and conspiracy theories work together to sow distrust and paranoia and induce nihilism, perhaps Jewish leaders should spend more time pushing for greater investment in media literacy — not only about antisemitism, but in general.

A 2022 Stanford study found that “high school students who received only six 50-minute lessons in digital literacy were twice as likely to spot questionable websites as they were before the instruction took place.” At first glance, media literacy isn’t “about” or “for” Jews. But a 2025 study from Chapman University found that young people, like the rest of us, are being pushed by social media into echo chambers. Increasingly, and relatedly, they believe all information is suspect, or at least equally agenda-driven — a reality that makes pushing back on conspiracy theories more difficult, particularly when research has also found that teenagers are likely to believe content if they see it over and over again.

A country in which more people are taught how to be on guard against conspiracy and untruths is one in which people are more prepared to identify and critically react to the antisemitism being sprinkled into their media diet.

Rethink how we teach about the Holocaust

In his address, Stephens also essentially said that Holocaust education hasn’t worked. After all, we tried it, and yet, per the Claims Conference, “nearly 20% of Millennials and Gen Z in New York feel the Jews caused the Holocaust.”

But is it that teaching about the Holocaust doesn’t work — or that we need to teach it differently?

Some studies suggest that learning about the Holocaust increases tolerance toward minorities and people with different viewpoints. They also suggest, however, that mandating Holocaust education as an isolated item — rather than as part of a broader education in history and bigotry — doesn’t do much to help improve students’ knowledge.

The lesson here is that how we are teaching and learning about the Holocaust matters. Some, like scholars Jennifer Rich and William L. Smith, have suggested moving from a “learn from” approach to a “learn about” approach. Rather than use the Holocaust to teach students why they shouldn’t be antisemitic, the thinking goes, we should use it to teach them about the societal conditions that allowed the Holocaust to happen, and what actually transpired during it.

In other words, if we are too focused on Holocaust as an overarching moral lesson, we may fail to teach its concrete takeaways — about how hatred builds in a society, and the devastation that can follow — effectively.

Map the full network of hate

Finally, maybe we can’t fight antisemitism if we think about it in isolation. Our identity — and the suffering that can accompany it — does not exist in a silo.

There are good reasons to think that it’s more effective to fight antisemitism in tandem with other hatreds. In a 2016 study, researchers Maureen A. Craig and Jennifer A. Richeson looked at what they called “stigma-based solidarity.” What they found is that certain social conditions can push stigmatized group members to turn against other stigmatized groups, while other conditions can encourage them to turn toward one another. Consider how some Jewish and Muslim students became suspicious of one another during the Gaza war — and also how, as the Forward recently reported, some have found deeper connections since.

“One way to bridge the category divide,” Craig and Richeson wrote, “is by making an explicit connection between the in-group and another stigmatized group.…Common experiences or challenges are also associated with more coalitional attitudes among stigmatized groups.”

That means that pointing out the ways in which, say antisemitism and racism can play off each other can build solidarity between the targets of those hatreds. It is true that antisemitism is in some ways exceptional: it often functions in ways that look different from other forms of bigotry. But stressing its exceptionality may be working directly against the solidarity other minority groups feel for us.

In addition to hopefully building solidarity, explicitly drawing the link between antisemitism and other hatreds — and between Jews and other members of society — would be more honest and accurate. Antisemitism doesn’t only have negative consequences for Jews. We are seeing across the country, for instance, how the great replacement theory villainizes Jews and immigrants alike. When we embolden those who push conspiracy theories and nihilism, they hurt Jews, but they do not hurt Jews alone.

The pain of many persecuted groups in this country are bound up together. Maybe our way forward is, too.

The post We’re losing the fight against antisemitism. Here’s how to turn the tide appeared first on The Forward.

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‘No Way’ to Disarm Hamas Without Israel Taking All of Gaza, Former General Says

Israeli military personnel operate on the Israeli side of the Israel-Gaza border, on the day the Israeli military said it had resumed enforcing the Gaza ceasefire agreement after a series of strikes across the Gaza Strip, in southern Israel, Oct. 29, 2025. Photo: REUTERS/Ammar Awad

Israel will need to take over all of Gaza to meet its war objectives, a senior reserve Israeli general said, as the United States moves ahead with plans to assemble a multinational stabilization force that is not expected to deploy in Hamas-controlled areas.

Brig. Gen. (res.) Amir Avivi, a former deputy commander of the Israel Defense Forces (IDF)’s Gaza Division, said the military aims of the war — including the disarmament of Hamas — cannot be achieved without moving into the remaining parts of the enclave still held by the Palestinian terrorist group. 

“There is no way to reach the goals of war without conquering Gaza,” Avivi told The Algemeiner

“Ninety-nine point nine percent, the IDF is going to be the [party] that will dismantle Hamas,” Avivi said, noting that the Trump administration’s International Stabilization Force is expected to deploy only in Israeli-held areas and avoid confronting Hamas directly.

A decisive campaign could be completed in a month or two, Avivi said, because the constraints that slowed earlier phases of the war — most notably the presence of Israeli hostages in Hamas-held areas — no longer apply. The IDF could expand from its current 53 percent control of Gaza to 75 percent in “as little as a week,” he said. 

With the Israeli security cabinet focused on Iran, no final decision has been taken yet on the next phase in Gaza, Avivi said. The government is likely to give Hamas “a month or two” to see if a confrontation with Iran materializes before moving to conclude the campaign in Gaza.

Avivi is the founder and chairman of the Israel Defense and Security Forum, known in Hebrew as Habitchonistim, a hawkish group of former senior officers and security officials that has consistently pushed for maximal military objectives in Gaza and opposed negotiated compromises with Hamas.

According to US and Israeli officials, the stabilization force is expected to begin deploying in southern Gaza, starting in Rafah, and expand gradually as conditions allow. The force is intended to help establish governance and security conditions in cleared areas, rather than conduct combat operations or forcibly disarm armed groups. Its commander, US Army Major General Jasper Jeffers, has said five countries — Indonesia, Morocco, Kazakhstan, Kosovo, and Albania — have committed personnel so far, with longer-term planning envisioning a significantly larger deployment of up to 20,000 troops and police focused on policing, security coordination and aid facilitation.

The Guardian reported last week that US contracting documents describe plans for a 350-acre military base in Gaza designed to support 5,000 people that will include watchtowers, bunkers, and training facilities. A US official declined to discuss the contract and reiterated that Washington does not plan to deploy US combat troops to the enclave.

The stabilization effort was formally launched in Washington on Thursday, when US President Donald Trump convened the inaugural meeting of his Board of Peace. Trump said participating countries had pledged roughly $7 billion as an initial down payment for Gaza reconstruction, while making clear that broader rebuilding would be conditioned on Hamas’s disarmament.

US officials and regional partners acknowledge that demilitarization would likely be a long-term process and that reconstruction carries political risk. Some donor states have privately raised concerns about funding rebuilding efforts only for Israel to return to large-scale military operations. 

Avivi said Israel’s takeover of the enclave would be followed by a technically complex cleanup phase focused on dismantling tunnels and weapons stockpiles. “The whole area is full of tunnels and munitions,” he said. “Finding and destroying them is complicated. That part takes time.” 

A strategy gaining traction in the US framework would see Gaza divided into two zones, a Hamas-free “green zone,” where reconstruction and alternative civilian governance could begin, and a “red zone” comprising areas still held by Hamas. 

Former Israeli national security adviser Yaakov Amidror said that while he understands the logic behind the approach, it carries risks. Rebuilding Gaza first in IDF-controlled areas, he said, could allow Hamas to survive politically and militarily elsewhere in the enclave.

“If you build only where the IDF controls, you are effectively telling Hamas: you can stay in Gaza,” Amidror told The Algemeiner.

Avivi agreed that reconstruction would not begin “until they lay down their weapons,” warning that doing otherwise would amount to tolerating Hamas’s continued presence.

The Israeli general pointed to the period leading up to the October ceasefire, when Israeli forces advanced deep into Gaza City and took control of roughly half the city, as an example of how Hamas responds when the IDF enters its core terrain. He said Israel’s subsequent pullback to about 53 percent control of the Gaza Strip was driven by hostage negotiations rather than operational limits.

“It’s going to happen the nice way or the hard way,” Avivi said. “The hard way is the IDF. So, they either lay down the weapons and get out of Gaza or the IDF will go in and impose demilitarization.”

Amidror rejected arguments that Hamas is emerging from the war in a stronger position because of potential involvement by countries such as Qatar or Turkey, calling the claim disconnected from current military realities.

“It’s a stupid argument because Hamas is surrounded on all sides by the IDF — 300 degrees by land and 60 degrees by sea, which the IDF also controls,” Amidror told The Algemeiner. The terrorist group, he explained, cannot receive weapons because it has no land border with Egypt, cannot manufacture arms because Israel has destroyed its production infrastructure, and is surrounded on all sides by Israeli forces.

“The most it can do is fire a missile, probably once every six months,” Amidror said.

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Paris Kosher Restaurant Doused With Acid Amid Surge in Antisemitism Across France

Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect

A kosher restaurant in Paris has been vandalized with acid, damaging the facility and leading the prosecutor’s office to open an investigation into what authorities suspect was an antisemitism attack.

Employees at Kokoriko, an eatery located in the French capital’s 17th arrondissement, discovered on Friday morning that the acid had been sprayed overnight on the tables, walls, and floor, according to French media.

The crockery, cutlery, and glasses were rendered unusable. White dust was found on the tables from where the acid corroded the surfaces.

The Paris public prosecutor’s office immediately opened an investigation for “damage to the property of others by a means dangerous … committed because of race, ethnicity, nation, or religion.” The crime is punishable by a sentence of 15 years in prison and a fine of 150,000 euros.

Last week was not the first time that Kokoriko was targeted, according to French media. In October, the Kosher restaurant’s façade was sprayed with sulfuric acid. However, the investigation was closed, as authorities were unable to identify the perpetrators.

The most recent attack came one week after the French Interior Ministry released its annual report on anti-religious acts, revealing a troubling rise in antisemitic incidents documented in a joint dataset compiled with the Jewish Community Protection Service.

Antisemitism in France remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, as Jews and Israelis faced several targeted attacks amid a relentlessly hostile climate despite heightened security measures, according to the newly published data.

Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the newly released report warned that antisemitism remained “historically high,” with more than 3.5 attacks occurring every day.

Over the past 25 years, antisemitic acts “have never been as numerous as in the past three years,” the report said, noting a dramatic spike following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.

Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.

The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.

According to French officials, this latest report, which was based on documented cases and official complaints, still underestimated the true scope of the problem, largely due to widespread underreporting.

The rise in antisemitism appears to have carried into this year. Earlier this month, for example, a 13-year-old boy on his way to synagogue in Paris was brutally beaten by a knife-wielding assailant.

Days earlier, three Jewish men wearing kippahs were physically threatened with a knife and forced to flee after leaving their Shabbat services.

That incident came shortly after a Jewish primary school was vandalized, with windows smashed and security equipment damaged.

All three incidents took place in Paris.

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