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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Indiana University Discloses Institutional Ties to Hamas-Linked Group
Indiana University campus on Dec. 2, 2025. Photo: USA TODAY NETWORK via Reuters Connect
Indiana University disclosed the results of an internal investigation this week into a controversial partnership with the Muslim Philanthropy Initiative, confirming reports that the organization maintains ties to the Palestinian terrorist group Hamas.
In a letter dated April 3 to Indiana state lawmakers, university officials said the inquiry was launched after concerns were raised about the organization’s coordination with the Lilly Family School of Philanthropy. The review focused on the Muslim Philanthropy Initiative’s connections with the nonprofit group United Mission Relief and Development as well as entities linked with Hayat Tahrir al-Sham (HTS), a militant group from northwest Syria.
Formerly an al-Qaeda affiliate, HTS was proscribed by the US government until last year, when it’s designation as a foreign terrorist group was revoked.
Indiana University’s Muslim Philanthropy Initiative (MPI) operates as part of the school’s philanthropy school. MPI focuses on research, education, and professional training related to Muslim philanthropic traditions, an area it describes as historically underexamined in academic and nonprofit sectors.
The initiative offers workshops on fundraising and philanthropic leadership, with an emphasis on Islamic and Muslim charitable practices. Since its founding, MPI says it has trained more than 3,500 nonprofit professionals across more than 30 countries, disseminating programming which includes webinars and an annual symposium dedicated to contemporary Muslim philanthropy and civil society. The initiative’s stated mission is to equip nonprofit leaders, organizations, and communities with research and practical tools to better understand and develop Muslim philanthropy.
According to the university’s findings, the Muslim Philanthropy Initiative worked in 2025 with United Mission for Relief and Development to organize training sessions in Istanbul and Indonesia. That organization recommended Hayat Yolu as a local partner. At the time, according to the university, staff relied on assurances that the group was legitimate and conducted its own limited vetting.
However, on March 12, the US Treasury Department designated Hayat Yolu, effectively barring Americans from engaging in transactions with the organization. The designation raised alarm about the university’s prior involvement, even though the trainings occurred months earlier. The department also issued a statement describing Hayat Yolu as one of three Turkish nonprofit organizations that “have provided significant material support to Hamas.”
According to the statement, overseas “sham charities” such as Hayat Yolu are a “key element” in how Hamas fundraises. The department added that the group provides banking and financial support for the Muslim Brotherhood, some of whose branches have been designated as terrorist groups.
Indiana University stressed that its Office of the General Counsel determined no state or federal laws were violated, noting that all activity predated the Treasury prohibiting American involvement with the group. The university also stated it immediately ceased any engagement once the designation was announced and suspended related programming.
Still, the findings highlight what critics may see as a troubling lapse in judgment at a time when US institutions face increasing scrutiny over indirect links to extremist networks. Pro-Israel advocates and national security analysts have long warned that charitable and educational partnerships can be exploited by actors connected to terrorism, particularly in regions where oversight is limited.
The university itself acknowledged shortcomings in its report. Investigators found that Indiana University relied too heavily on decentralized vetting processes and government lists, rather than conducting deeper, centralized due diligence on high-risk international partnerships.
In response, Indiana University outlined a series of reforms aimed at preventing similar situations. These include expanding the authority of its Research Security Office, implementing stricter review procedures for international partnerships, and requiring additional training for faculty and staff involved in global programs.
The university is also reviewing oversight of the Muslim Philanthropy Initiative specifically, including whether to integrate its activities more closely into other institutional structures to ensure tighter control.
Indiana state Rep. Andrew Ireland spearheaded the effort to probe MPI and expressed appreciation for the university taking steps to address the issue.
BIG UPDATE: After our letter demanding answers, Indiana University confirmed its Muslim Philanthropy Initiative partnered with and accepted travel benefits from a Hamas-linked “sham charity.”
Now IU is:
halting all training activities and new partnerships
— Andrew Ireland (@AndrewIrelandIN) April 6, 2026
The episode comes amid heightened sensitivity in the United States over any institutional ties to organizations operating in conflict zones or linked to extremist groups hostile to the US, Israel and their allies. While the university maintains it acted in good faith based on the information available at the time, the case underscores how quickly reputational and security risks can emerge.
Indiana University officials said they are committed to ensuring future partnerships “demonstrate transparency and integrity.”
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Zelenskyy Marks Passover With Jewish Leaders, Receives First Ukrainian-Language Torah
Ukrainian President Volodymyr Zelenskyy holds the first-ever Ukrainian-language Torah while meeting with rabbis and Jewish community leaders to celebrate Passover, honoring the resilience of Jewish communities amid the ongoing war. Photo: Screenshot
Ukrainian President Volodymyr Zelenskyy met with rabbis and other Jewish leaders from across the country to celebrate Passover, receiving the first-ever Ukrainian-language Torah and honoring the enduring strength of Jewish communities amid the ongoing conflict with Russia.
On Monday, Zelenskyy met with members of Ukraine’s Jewish community for the annual Passover celebration, the fifth held amid Russia’s ongoing invasion. He honored the holiday, which commemorates the Israelites’ liberation from Egypt, and praised the community’s courage and resilience in the face of war.
“Today, this is very important for Ukraine. Freedom is what we are fighting for as a nation, and we are grateful for your support — not only of your communities but of our people and our state. Your solidarity matters greatly,” Zelenskyy said.
On the occasion of Passover, I met with rabbis from Ukrainian cities and representatives of Jewish communities.
Passover is about the triumph of freedom. This is exactly what all of Ukraine is fighting for today. I thanked the Jewish community for standing united with us in this… pic.twitter.com/eyAzmcRR1g
— Volodymyr Zelenskyy / Володимир Зеленський (@ZelenskyyUa) April 6, 2026
Despite the immense challenges facing Ukraine, Meier Stambler, head of the Federation of Jewish Communities of Ukraine (FJCU), emphasized that the country’s statehood and freedom remain intact and that the Jewish community will continue praying and working toward the nation’s ultimate victory.
“Freedom begins within each of us, and we are proud to live in Ukraine during this challenging time. It is an honor to be part of this country, having built our lives and families here, and we remain confident in a just peace and true victory,” Stambler said.
Chief Rabbi of Ukraine Moshe Asman also emphasized the nation’s resilience and hope, urging Ukrainians to stay united in the face of the ongoing war.
“The war will end, and there will be a victory for Ukraine. God bless us. All regimes must fall – and then the entire axis of evil will crumble,” Asman said.
On Passover, the FJCU, together with Chabad emissaries — religious representatives of the global Hasidic movement — provided matzah and holiday kits to over 50,000 Jewish households across Ukraine and organized dozens of large public Seders that drew large crowds.
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‘Antisemitism Is Repellent and Dangerous’: Catholic University of America Rejects Accusations of Anti-Jewish Bias
A general view of the Catholic University of America (CUA) campus in Washington, DC. Photo: Graeme Sloan/Sipa USA via Reuters Connect
The Catholic University of America in Washington, DC denied that recent conflicts with its Students Supporting Israel (SSI) chapter were indicative of institutional antisemitism in a recent statement to The Algemeiner which proclaimed its support for Israel and staunch opposition to rising anti-Jewish hatred in academia and across the Western world.
As previously reported, SSI’s leader, Felipe Avila, publicly accused the university of withholding approval to host events on combating antisemitism and defending Israeli security unless it agreed to feature “opposing viewpoints,” a stipulation that he said would require platforming antisemites or declining to hold events at all.
The cause was picked up by the Foundation for Individual Rights and Expression (FIRE), which sent the university a blistering demand letter accusing of it chilling free speech and violating its values.
Last week, the university told The Algemeiner that it was sensitive to the appearance created by the dispute and had never been antisemitic or anti-Israel. The school stressed that it would continue to provide robust support for Jewish student groups on campus while holding other events which raise awareness of antisemitism in a manner consistent with its tradition of civil dialogue.
“The Catholic University of America welcomes people of all faiths and stands firmly against antisemitism. We take seriously the safety and dignity of our Jewish students and every member of our community,” a chief communications official said. “Antisemitism is repellent and dangerous. We are committed to confronting it in ways consistent with our Catholic mission and belief in the dignity of every human person.”
The statement came weeks after Pope Leo XIV in January marked International Holocaust Remembrance Day with a statement reaffirming the Catholic Church’s “unwavering” opposition to antisemitism.
The university has held two major events on antisemitism this academic year, including a “Discussion on Campus Antisemitism” in March and “The Church and the Jewish Community in Our Age: A Conversation” in November, with the latter being attended by Catholic bishops, Jewish rabbis, and an official representing the American Jewish Committee (AJC). Its faculty have published commentaries on antisemitism and participated in litigating antisemitism lawsuits brought during encampments of the 2023-2024 academic year.
Meanwhile, the school’s president, Peter Kilpatrick, was one of the few higher education chief executives to condemn unequivocally Hamas’s “kidnapping and maiming of so many innocent people” during the Oct. 7, 2023, massacre across southern Israel.
“Hamas is a terrorist organization and seeks the annihilation of the state of Israel,” Kilpatrick wrote in a letter to the campus community on Oct. 12, 2023. “Its abhorrent acts of terrorism against Israel merit the strongest condemnation. There is no justification for the acts of violence against innocent civilians that we witnessed this week. As the Holy Father [Pope Francis at the time] noted Wednesday, Israel had a right to self-defense.”
A source familiar with the situation on campus told The Algemeiner that the university’s principal concern with SSI events is their tendency to cause shouting matches and confrontations which require the intervention of campus security, adding that its student leader — who once told Inside Higher Ed, “We haven’t been shy about embracing controversy” — is a keen activist. The source also noted that a communication suggesting that SSI would be forced to platform an anti-Zionist was made in error and not reflective of university policy.
However, the university has seen some strong expressions of anti-Zionism. In October, the student government considered a resolution, sponsored by Senator Joseph Ortiz, to ban pro-Israel organizations from campus on the grounds that they support a country “actively pursuing inexcusable evil, such as genocide or terrorism.” The resolution was ultimately tabled.
“We have invited Students Supporting Israel to submit a restructured proposal, and to work within University processes to host a thoughtful conversation,” the university spokesperson said of the recent controversy. “As a private, religious institution, Catholic University is well within its rights to approve or deny any speaker request. We are confident we’ll reach a resolution quickly through good faith dialogue.”
The university’s statements come at a time when some Catholic organizations in the US and outspoken Catholic commentators, such as Candace Owens and Nick Fuentes, have been promoting antisemitic conspiracy theories and using their faith as a reason to oppose Zionism.
Follow Dion J. Pierre @DionJPierre.