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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Austria Uncovers Hamas-Linked Weapons Cache Amid Surge in Anti-Jewish Incidents
A pro-Hamas demonstration in Vienna. Photo: Reuters/Andreas Stroh
Austrian authorities have uncovered a weapons cache linked to the Palestinian terrorist group Hamas intended for attacks on Jewish communities in Europe, amid a surge in antisemitic incidents and a government warning that anti-Jewish hate is on the rise.
On Wednesday, the Antisemitism Reporting Office of the Jewish Community of Vienna (IKG) released its new report on anti-Jewish outrages, recording 726 incidents in Austria in the first half of 2025.
The Jewish community in Austria has faced a troubling surge in antisemitic incidents and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Austrian Jewish leaders have consistently called on authorities to take swift action against the rising wave of targeted attacks and anti-Jewish hate crimes they continue to face.
According to the newly released report, antisemitic incidents peaked at 808 from the first six months of 2024, with this year’s first-half total slightly lower but on pace once again to far surpass pre-Oct. 7, 2023, figures if current trends continue.
In 2023, before the Oct. 7 atrocities, 311 cases were documented, with current figures having more than doubled since then.
Of the incidents reported this year, five involved physical assaults, eight were threats, 78 involved property damage, 203 were hate-related communications, and 432 involved offensive behavior. The vast majority of the incidents were classified as “Israel-related antisemitism,” with roughly half the total outrages involving either Holocaust denial/distortion or antisemitic “othering,” defined as treating Jews as outsiders.
In the face of a growing wave of anti-Jewish hatred and a hostile climate, the Austrian government is set to unveil its revised National Strategy to Combat Antisemitism next week.
“If we are to preserve Jewish life in Austria, it demands protection, solidarity, and a firm stance every single day,” Secretary of State Alexander Pröll said in a statement.
“We need to send a clear message – the current statistics are a wake-up call,” he continued. “Antisemitism is still deeply ingrained in Austria and is becoming more and more normalized.”
The new report also warns that the declining willingness to report antisemitic incidents, with those affected “increasingly suppressing their complaints,” suggests the actual extent of the issue may be far greater than what is currently documented.
“We need to confront violence, hatred, and incitement with greater resolve,” Austrian Foreign Minister Beate Meinl-Reisinger said in a statement.
“Antisemitism targets not only Jewish people but also the core values of our democracy,” she continued.
Meanwhile, Vienna authorities on Thursday uncovered a hidden arsenal linked to Hamas, reportedly intended for “potential terrorist attacks in Europe” targeting Jewish communities.
The Austrian government confirmed that the Directorate for State Security and Intelligence Service (DSN) has been conducting an internationally coordinated investigation into a global terrorist network with ties to Hamas.
During the investigation, Austrian authorities uncovered evidence suggesting that this group had brought weapons into the country for potential terrorist attacks in Europe, and identified a possible suspect.
Earlier this week, London police arrested a 39-year-old British citizen who allegedly has “close ties to the weapons cache,” the British Interior Ministry confirmed in a statement.
“According to the current state of the investigation, Israeli or Jewish institutions in Europe were likely to be the targets of these attacks,” the statement read.
Austrian Interior Minister Gerhard Karner praised the investigation, saying, “The mission is clear: zero tolerance for terrorists.”
“The current case shows once again that the Directorate for State Security and Intelligence has an excellent international network and takes consistent action against all forms of extremism,” he said.
Hamas issued a statement denying any connection to the criminal network, calling the allegations of its involvement “baseless.”
Last month, West Point’s Combating Terrorism Center released a study detailing how Hamas leaders in Lebanon have been directing operatives to establish “foreign operator” cells across Europe, collaborating with organized crime networks to acquire weapons and target Jewish communities abroad.
According to the report, the Palestinian terrorist group has expanded its operations beyond the Middle East, exploiting a long-established network of weapons caches, criminal alliances, and covert infrastructure that has been quietly built across Europe for years.
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Blood Spilled After Anti-Israel Mob Breaches IDF Event Near Toronto Metropolitan University
Anti-Israel mob moments before it shattered glass door to storm Jewish event featuring IDF soldiers near Toronto Metropolitan University. Photo: Provided by witness of incident
Members of Toronto Metropolitan University’s Students for Justice in Palestine chapter on Wednesday led a mob that spilled blood and caused the hospitalization of at least one Jewish student after forcibly breaching a venue in which the advocacy group Students Supporting Israel had convened for an event featuring veterans of the Israel Defense Forces (IDF).
The former soldiers agreed to meet Students Supporting Israel (SSI) to discuss their experiences at a “private space” on campus which had to be reserved because TMU denied the group a room reservation and, therefore, security personnel that would have been afforded to it. However, someone leaked the event location, leading to one of the most violent incidents of campus antisemitism since Hamas’s Oct. 7, 2023, massacre across southern Israel sparked a surge of anti-Jewish hostility in higher education.
By the time the attack ended, three people had been rushed to a local medical facility for treatment of injuries caused by a protester’s shattering the glazing of the venue’s door with a drill bit, a witness, TMU student Ethan Elharrar, told The Algemeiner during an interview.
Seconds after pro-Hamas agitator, captured from behind in this still, shattered a glass door with what students described as a drill bit. He was attempting to invade the event. Photo: Screenshot
“No one should have known where this event was, but they were setting up when a couple of girls with keffiyehs walked in yelling ‘baby killers!’ and ‘free Palestine!’” Elharrar said. “Then more started coming in, and then we closed the door trying to make sure no one could come in, and then these individuals in masks then began banging on the door and trying to open the door.”
He added, “One of the individuals had a weapon he used, a drill bit. He used it to break and shatter the door … Two individuals were transported to the hospital because of this. One was really badly cut all his arms and legs, and he had to get stitches. Another is afraid to publicly disclose her injuries because she doesn’t want anything to happen to her.”
Five people have been arrested and charged with forcible entry, unlawful assembly, and obstruction of a peace officer, according to Toronto police. The suspects are reportedly expected to appear in court in early January 2026.
In a statement, the university said it was “deeply concerned” about what transpired.
“TMU condemns acts of aggression, intimidation, or violence,” it said. “The actions that took place on Wednesday are unacceptable and do not reflect the values of our community. Our thoughts are with any students who may have been injured during the incident.”
Aftermath of the breach. Photo: Screenshot.
Elharrar said Students for Justice in Palestine (SJP) was continuing a pattern of anti-Jewish intimidation and harassment, one to which the university had declined to respond with disciplinary measures because it is committed to dealing with the antisemitism crisis as a “political issue,” Elharrar said.
“Our universities don’t care, and it comes down to our government, which won’t do anything about it,” he continued. “They don’t want to support us. I’ve had maybe a dozen calls with the human rights division at the university, and they told me specifically that they won’t help with anything having to do with Israel.”
Injury sustained by event participant. Photo: Screenshot.
On Wednesday, Hillel Ontario director Jay Solomon, who serves Jewish TMU students, told The Algemeiner that his organization has been pushing for the school to be more proactive in defending the campus Jewish community, but to no avail.
“For quite some time Hillel Ontario has been calling on the administration take action to prevent antisemitism and ensure that Jewish students on campus are safe and able to learn, work, and study on a campus that is free from harassment, and unfortunately the actions of the administration have been inadequate,” Solomon said. “What happened is another illustration of the very challenges that we’ve been warning them about for some time now.”
Wednesday’s incident is not the first time an SJP group attempted to storm a Jewish event this academic year. It also happened last month, when masked pro-Hamas activists nearly raided an event held on the campus of Pomona College, based in Claremont, California, to commemorate the victims of the Oct. 7. massacre.
Footage of the act which circulated on social media showed the group attempting to force its way into the room while screaming expletives and pro-Hamas dogma. They ultimately failed due to the prompt response of the Claremont Colleges Jewish chaplain and other attendees who formed a barrier in front of the door to repel them, a defense they mounted on their own as campus security personnel did nothing to stop the disturbance.
Pomona College, working with its sister institutions in the Claremont consortium of liberal arts colleges in California (5C), later identified and disciplined some of the perpetuators.
“Given the gravity of the alleged offense — and the published statement that has raised significant concerns about similar disruptions in the future — I have initiated an interim campus ban for both individuals, pending further inquiries, and in line with our policy,” Pomona College president Gabrielle Starr said in a statement. “The alleged behavior here is serious, and to ensure an appropriate adjudication is reached, the college is committed to maintaining a fair process.”
She added, “I assure you that Pomona hopes for — and will advocate for — an outcome that ensures our campuses are free of the kind of targeted harassment we witnessed.”
Follow Dion J. Pierre @DionJPierre.
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Kanye meets with Orthodox celebrity rabbi, says he wants to ‘make amends’
After years of virulent antisemitic comments, the American rapper Ye, formerly known as Kanye West, told an Orthodox rabbi on Tuesday in New York that he was ready to “make amends” for his actions.
“I feel really blessed to be able to sit here with you today and just take accountability,” Ye told Rabbi Yoshiyahu Yosef Pinto in a video posted on social media.
Pinto is an Israeli rabbi who serves as the chief rabbi of Morocco. He has previously counseled celebrities including Lebron James and was jailed in Israel in 2016 for bribery.
Ye first appeared to distance himself from his antisemitic record, which included a song praising Hitler and several tirades on X that included a 2022 vow to “go death con 3 ON JEWISH PEOPLE,” in May when he declared on social media that he was “done with antisemitism.”
Since then, the incendiary rapper has been relatively quiet on social media. During his meeting with Pinto, he appeared to cast blame for his actions on his struggle with bipolar disorder.
“I was dealing with some various issues, dealing with bipolar also, so it would take the ideas I had and taking them to an extreme where I would forget about the protection of the people around me or and myself,” Ye said as the two men held hands.
Explaining his experience with bipolar disorder to the rabbi, Ye said it was like someone “left your kid at the house and your kid went and messed up the kitchen,” adding that it was his responsibility to “go clean up the kitchen.”
“It’s a big deal for me as a man to come and take accountability for all the things that I’ve said, and I really just appreciate you embracing me with open arms and allowing me to make amends,” Ye said. “And this is the beginning and the first steps, and the first brick by brick to build back the strong walls.”
Following Ye’s appeal, Pinto responded through a translator, who told Ye, “The Jews live on this way of if someone did something wrong, you can regret and fix it,” adding, “From now on, strong things and good things, you are a very good man.”
The two men then stood from their chairs and hugged.
“A person is not defined by his mistakes, but by the way he chooses to correct them. This is the true strength of man: The ability to return, to learn, and to build bridges of love and peace,” wrote Pinto in a post on Instagram of the interaction.
Two hours before Ye reposted the meeting with Pinto on his X account, he posted an advertisement for a planned concert this January in Mexico City. The post was his first since making an identical announcement in September.
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