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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.
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Democratic socialists scored big primary wins. But that’s not the whole story.
(JTA) — A string of U.S. House primary successes for democratic socialists, most of whom are sharp Israel critics, was hailed as a major shift in party politics over the course of the summer. But now that the primaries have concluded, a full picture of the results shows that the group’s victories were concentrated in House races in the deepest-blue districts, while few politicians have scored wins in Senate races.
During the primary season, candidates backed by the Democratic Socialists of America won seven out of the 25 U.S. House primaries in which they competed, securing two wins in Michigan, one in Colorado, three in New York and one in Pennsylvania, according to the DSA’s vote tracker. However, these wins have all occurred in Democratic strongholds: New York City, Detroit, Denver and Philadelphia.
“It’s a little bit dangerous to overinterpret a handful of elections compared to all the others,” Elaine Kamarck, a senior fellow in governance at the Brookings Institution, told the Jewish Telegraphic Agency. “Calling the DSA the new big kid on the block is a little bit premature.”
In addition to the seven DSA primary winners, another DSA candidate who ran in a California nonpartisan primary advanced to a U.S. House runoff against a Democratic incumbent in November. Two additional democratic socialists, from Kansas and New Hampshire, withdrew before their respective House primaries.
Of the DSA’s 18 House primary losses, seven occurred in deep-blue areas – demonstrating that even in the country’s most progressive pockets, democratic socialists often weren’t popular. These defeats notably included one in St. Louis, where incumbent Wesley Bell trounced DSA firebrand and anti-AIPAC crusader Cori Bush.
Granted, the DSA victories are still unprecedented in a country where socialism has long been anathema. The candidates might have only succeeded in deeply Democratic districts – but that means they are all but assured victory on Election Day. Taken together, they’ll constitute a larger contingent in Congress than ever before.
Many of the DSA candidates made Israel and its supporters central issues during their campaigns, and there’s little doubt that their presence will tilt the Democratic caucus in the Congress further away from Israel.
The DSA’s official stance on Israel includes an end to the country’s “colonization and occupation of all Arab lands,” the “self-determination of the Palestinian people” and the cessation of “U.S. complicity in Israel’s genocide and apartheid.” Although the DSA has won fewer races than it has lost, the victories would more than triple the group’s presence in the U.S. House, with five newcomers in addition to Reps. Rashida Tlaib of Michigan and Alexandria Ocasio-Cortez of New York.
Jeff Robbins, a Boston-based attorney and former Democratic Senate staffer, said that supporters of Israel should be concerned by the wins, even if they don’t constitute a wave.
Robbins, who also served as a delegate to the United Nations Commission on Human Rights under former president Bill Clinton, warned that if anti-Israel DSA politicians keep racking up wins, Democratic strategists will discourage candidates from supporting Israel’s response to Hamas after the Oct. 7 attacks.
Recommending any action to the contrary, he argued, will result in “the quickest campaign you’ve ever seen.”
“It will be over before you can say ‘the Golan Heights’,” Robbins quipped.
And yet, although the media spotlight has shone on the DSA’s standout victories, establishment candidates have secured more wins at the ballot box from a numerical perspective. In addition, democratic socialists have focused more on the House than the Senate, where they would need to appeal to broader statewide electorates to win seats.
One major exception to that rule is Florida DSA member Angie Nixon, who pulled off a stunning primary victory in a state that Trump won by about 13 percentage points in 2024. But she didn’t join the DSA until shortly before the election and she didn’t get its endorsement.
Another DSA Senate candidate, Gregory Levy of Ohio, will be running in the November general election as an Independent.
But the three other staunchly progressive Senate candidates who will be on the Democratic ballot in November – in Maine, Michigan and Minnesota – don’t define themselves as democratic socialists. While many are still highly critical of Israel, they have differences with DSA and are more interested in making sure they appeal to the more politically diverse populations they will face statewide. They face close races where swing voters who don’t identify strongly with either party are likely to make the difference.
For instance, though many of Abdul El-Sayed’s positions are similar to DSA policies, last month he told The Wall Street Journal that he is “not technically or practically DSA” and that he doesn’t oppose capitalism. At the same time, he has earned the support of many democratic socialist politicians, including Vermont independent Sen. Bernie Sanders.
Kamarck observed that Michigan, which has a huge Arab-American population, remains the nerve center of the Democratic Party’s pro-Palestinian movement. Yet although polls forecast a landslide victory for El-Sayed, who sharply criticized Israel throughout his primary campaign, she termed his victory in early August as “a squeaker.”
“It was a one-point race,” she said. “What that says is that this is not finished.”
Haile Soifer, CEO of the Jewish Democratic Council of America, said in a statement at the time that although her group was disappointed in El-Sayed’s victory, his “razor-thin margin isn’t the resounding win for the far-left that was predicted.”
An Economist model issued shortly after El-Sayed’s victory predicted that the Democratic Party’s chances of winning in November fell to 48% following the primary. But a Marist poll published on Wednesday gave El-Sayed a seven-point lead over Republican Mike Rogers, with a 3.8% margin of error.
Meanwhile, post-primary predictions showed that Minnesota’s Peggy Flanagan would secure an easy victory in her blue state’s Senate race. However, a new KSTP/SurveyUSA poll found that her five-point lead over Republican Michele Tafoya had narrowed to a statistical tie. Like many party progressives, Flanagan has accused Israel of committing genocide in Gaza.
As for Maine’s Jackson, the progressive was trailing Republican Sen. Susan Collins, a five-term incumbent, by 3 points, with a 3.1% margin of error, according to an AARP poll released on Thursday.
Nixon in Florida was 11 points behind Republican Sen. Ashley Moody, with a 4% margin of error, a Stetson University from late last month poll found. On the other hand, St. Pete Polls placed the candidates in a dead heat just the week before, giving Moody just a 0.3-point edge, with a 3.2% margin of error.
In a testament to the growing power of the DSA – even in a red state – Moody reportedly told Fox News Radio this week that she is “seeing way-too-close-for comfort polls in many Republican Senate races.”
And in an email blast sent the same day, according to Florida Politics, Moody warned that “the polls have been all over the place.”
“Some have us up. Two have us tied,” she wrote. “We’re in the final stretch, where everything we do, and your support, really matters.”
This article originally appeared on JTA.org.
The post Democratic socialists scored big primary wins. But that’s not the whole story. appeared first on The Forward.
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The two ways to see Oct. 7 – and how they’ll influence the Israeli election
There are two ways to look at the Oct. 7 attacks, and which way you do will determine, to a large degree, whether you want to see Israeli Prime Minister Benjamin Netanyahu survive the next election.
The first view is that Oct. 7 proved the Israeli-Palestinian conflict cannot be solved. The second is that it proved the conflict cannot be allowed to remain unresolved.
These conclusions point in almost opposite directions, yet both begin with something Israelis learned, or thought they learned, from the same horrific day. One says there is no point trying to mollify the Palestinians, because hatred of Israel runs too deep. The other says that leaving millions of Palestinians indefinitely in their current condition will produce catastrophe again and again. The tragedy is that Oct. 7 supplied powerful evidence for both.
The first view is not without foundation. Even to Israelis (and people across the world) who have long sought a peaceful accommodation, it was shocking to see the sheer joy of the Hamas terrorists as they butchered families while filming their own barbarism, calling parents to brag, then dragging innocents into Gaza where crowds wildly cheered.
But the real shock was the support for this in the West Bank and Gaza – polls showed two-thirds to three-quarters of Palestinians approved – suggesting coexistence is impossible. Rarely have polls been more devastating. As a result, many Israelis lost sympathy for Palestinians and concluded that a cleansing inferno is required. The brutal war that followed certainly reflected that.
The second way to see Oct. 7 is that the Palestinian issue cannot be ignored – that the situation of the Palestinians was so unacceptable that something terrible was bound to happen. Many Israelis have trouble accepting this, because it does not really explain Hamas, which would fight Israel in any case, even if it were led by a far-left government willing to hand over to it every inch of the West Bank and Gaza and divide Jerusalem. But it might explain why so many Palestinians – even ones not in denial about the facts – were prepared to support it.
This view also offers at least one reason why the propaganda war waged by Hamas and its supporters has been so successful. There are others – including antisemitism and an outright denial of Israel’s right to exist . But the fundamentally unacceptable situation of the Palestinians is a big one, to be sure.
The combination of these factors yielded stunning results and contributed to an unfair vilification of the country that continues to frustrate Israeli voters.
By Oct. 9, before Israel had even identified all its dead or invaded Gaza, accusations of “genocide” were already circulating online, then among activists, NGOs, academics and eventually governments. By Oct. 13, protests denouncing “genocide” took place in London. On Oct 17, the Qatar-based Arab Center for Research & Policy Studies held a symposium called “The War on Gaza: Palestinian Defiance and Resistance against Orchestrated Genocide and Expulsion.”
Within weeks, South Africa accused Israel of “genocide” at the International Court of Justice in The Hague, invoking the “crime of crimes,” a term most associated with the Holocaust, the Armenian Genocide and Rwanda. “This libel is powered by a relentless campaign of indictment that engraves a lie into collective memory,” says Adam Fisher, one of Israel’s top venture capitalists, who has researched the propaganda campaign in detail.
When Israel’s military entered Gaza, it faced an enemy that had deliberately embedded weapons caches, command centers and rocket launchers in homes and crowded neighborhoods, including hospitals, schools, mosques and UN sites. Hamas fighters vanished into tunnels beneath civilian areas, turning every dead child, collapsed building and grieving parent into material for a global indictment of Israel on social media. The strategy was clear: maximize civilian suffering, isolate Israel internationally, weaken American Jewish support and ultimately erode U.S. backing.
The implication is that Oct. 7 was a response to Palestinian suffering. The suffering is real, but Hamas was never defending Palestinians. The Iran-backed jihadist group has long sought to destroy Israel rather than establish a Palestinian state, and its campaign of terrorism after the 1993 Oslo Accords helped destroy the peace process by driving Israelis to the right.
Still, none of this makes the pre-Oct. 7 reality acceptable. In the West Bank, three million Palestinians live alongside some 500,000 Jewish settlers without equal rights, largely under military occupation, while extremist settlers have increasingly engaged in violence with the government and military often looking the other way. In Gaza, more than two million Palestinians endured a devastating Israeli-Egyptian blockade because Hamas ruled the Strip. It failed to prevent Hamas from arming itself while making civilian life miserable.
On Al Jazeera recently I was placed opposite a young Gazan named Ahmed Abo Askar, introduced as a humanitarian activist and engineering student. He said he had gone three days without eating, and looked like it. He hoped an aid flotilla might get through and then smuggle out his ailing father.
I tried to put things in perspective, explaining about Hamas and the need to be rid of it. Ahmed answered emotionally: “Israel, not Hamas, they are the ones who killed my sister, killed their children and their entire family on 6 November 2023. Not all of Palestinian people are Hamas. The goods, why it’s not entering? ‘It’s because of Hamas.’ We are not Hamas. We are human in the end.”
Everything I said was true – but he won the argument anyway, because he was a decent person suffering. No history lesson trumps that.
The insane situation has traumatized Palestinians and Israelis in parallel ways. The Palestinians – who are rooted in a conservative society disinclined to compromise – have been made, in large numbers, desperate enough to support a nihilistic movement like Hamas, which is truly genocidal against Jews.
As for Israelis, it has made huge numbers of them stop wanting to think seriously about Palestinians except through the lens of security and punishment. Some openly fantasize about expulsion. Empathy is viewed as naïve. Oct. 7 made Israelis a little crazy too – exactly per the plan of Hamas.
So the Israeli opposition — people deeply hostile to Netanyahu and his extremist coalition — is mostly afraid to touch the Palestinian issue at all in the campaign ahead of the Oct. 27 election, preferring to focus on Netanyahu’s epic domestic failures. Politically, the calculation is correct.
That is where the two interpretations of Oct. 7 attach themselves to the choice Israelis face in this election. Netanyahu has spent much of his career arguing, in practice if not always explicitly, that the Palestinian problem can be managed rather than solved: Contain Gaza, maintain Israeli control of the West Bank, expand settlements, periodically use overwhelming force and resist international pressure for Palestinian statehood.
If the lesson of Oct. 7 is that Palestinian hostility is essentially immutable and territorial compromise merely brings the enemy closer, then Netanyahu’s basic worldview survives despite his catastrophic failure on Oct. 7. The answer is deterrence and permanent Israeli security control — not another attempt at political reconciliation.
Gadi Eisenkot, the main challenger on the center-left, is more complicated. He is hardly offering Israelis a new Oslo: He has explicitly rejected a Palestinian state in the near- or medium-term and says the old two-state formula is unrealistic after Oct. 7. But he has also opposed more West Bank settlements and other measures that would make eventual territorial separation impossible.And he has long warned against Israel sliding into a binational state.
The implication is less a peace plan than a direction: Preserve the possibility of separating Israelis and Palestinians, change the conditions that perpetuate the conflict, and leave open a political horizon even if nobody can presently say exactly when it nears and how it ends. In that sense, the choice is not between Netanyahu and a dove. It is between continuing to manage an apparently permanent conflict and a government that might at least begin trying to move toward a possible peace.
But if Israelis conclude that Palestinians only understand force – which, by the way, Hamas clearly doesn’t – we’re guaranteeing a death spiral. Such a problem left to fester, without any attempt to change the dynamic, will blow up again and again. So after the election, if Netanyahu and his destructive right wing coalition are mercifully gone, this will need to be addressed in new and creative ways.
Both views of Oct. 7 rest on a foundation of facts. The invasion and massacre – and the widespread support for it among Palestinians – simultaneously dismantled both the Israeli left’s confidence in Palestinian intentions, and the Israeli right’s belief that the Palestinian problem could be indefinitely managed.
But it also proved that distrust is not a policy. Israel can build fences, destroy armies, assassinate commanders and punish those who attack it. What it cannot do is make millions of Palestinians disappear. If there is no political answer to that reality, eventually there will be another violent one.
The post The two ways to see Oct. 7 – and how they’ll influence the Israeli election appeared first on The Forward.
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Country star Zach Bryan dons ‘Free Palestine’ shirt at Gillette Stadium
(JTA) — Zach Bryan, one of the world’s most popular country artists, appeared onstage wearing a shirt that read “Free Palestine” on Saturday night at Gillette Stadium outside Boston.
The venue was at the center of the dispute between stadium owner Robert Kraft and rapper Macklemore, who was blocked from performing there after Kraft objected to statements and imagery from an earlier stop on the tour and a “broader history” that Kraft characterized as antisemitic.
Representatives for Bryan and Kraft did not respond to requests for comment.
Bryan, whose biggest hits include “Something in the Orange” and his Kacey Musgraves duet, “I Remember Everything,” broke a stadium attendance record with 73,538 people on hand, the stadium said in an X post.
Kraft, the billionaire owner of the New England Patriots, helped lead an effort by stadium owners to block Macklemore from performing at their venues as Ed Sheeran’s opening act. Sheeran tried to distance himself from the venue owners’ actions, but his backup band and other acts subsequently withdrew from the tour.
This article originally appeared on JTA.org.
The post Country star Zach Bryan dons ‘Free Palestine’ shirt at Gillette Stadium appeared first on The Forward.

