Uncategorized
7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
—
The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.
Uncategorized
Jewish New Yorkers rally outside Park East Synagogue, 2 weeks after anti-Israel protest there
(JTA) — Hundreds of New York City Jews and their allies braved the cold Thursday evening for a rally outside Park East Synagogue, where pro-Palestinian protesters had demonstrated two weeks prior shouting chants like “Globalize the Intifada” and “Death to the IDF.”
Thursday’s demonstrators carried signs distributed by organizers that read “Proud New Yorkers, Jews, Zionists.” Others brought signs from home with messages including “Proudly Park East” and “Anti-Zionism is Jew hate is not OK.” Messages from speakers focused mostly on the protesters’ rhetoric and embracing Israel as an important part of Jewish life.
“This evening we come together representing the scale, strength and diversity of our incredible New York Jewish community,” said Eric Goldstein, CEO of UJA-Federation of New York, which spearheaded the rally. “And we gather outside the sacred space that was so violently targeted a few weeks ago.”
In referring to “sacred space,” Goldstein was using the language that Mayor-elect Zohran Mamdani used when he responded to the protest in a way that many of his Jewish critics found disappointing. But if it was meant to be an allusion, Goldstein didn’t say. In fact, no one mentioned Mamdani directly from the speaker podium as a number of Jewish elected officials and community leaders addressed the crowd and denounced the rhetoric used by the protesters.
Joanna Samuels, CEO of the Marlene Meyerson JCC Manhattan, came the closest with comments that appeared to allude to criticisms of the incoming mayor, a longtime and staunch devotee to the pro-Palestinian cause.
“The great leaders of our city have sought to unite people of all backgrounds around broad common goals,” she said, adding that New York’s greatest leaders “have not been ideologues.”
“Our great leaders have had the maturity and discipline to get rid of divisive language and rhetoric in service of their love of our city and their love of New Yorkers,” Samuels said. “I invite all of our leaders and our future leaders to uphold these values, and to demand them from those who speak in your name and on your behalf.”
The rally, which also featured a performance by the musician Mastisyahu, drew both critics and allies of Mamdani in politics. It represents a show of force as Jewish leaders in the city ready themselves for Mamdani’s inauguration on Jan. 1, when the city will go from having a mayor who prides himself on being pro-Israel to having one who has called for its boycott.
Mamdani was asked about the pro-Israel solidarity rally at an unrelated event earlier on Thursday.
“On those who are rallying today, and on Jewish New Yorkers across the five boroughs, I look forward to being a mayor for each and every one of them, and each and every person who calls the city home,” Mamdani said. “And being that mayor means protecting those New Yorkers, it also means celebrating and cherishing those New Yorkers.”
A spokesperson for Mamdani said two weeks ago that he would continue to “discourage” the language used at the Park East protest. But speakers on Thursday called out the protesters in far more explicit terms, saying they used antisemitic rhetoric.
Those speakers included Mark Levine, the comptroller-elect who traded endorsements with the mayor-elect, and will be one of the most powerful officials in the city government alongside Mamdani.
“We are out here in the cold to denounce the hatred that was directed at our fellow Jewish New Yorkers outside of this synagogue,” Levine asserted. “It is never OK to call for the death of anyone, as these protesters did. It is not OK to obstruct and threaten people entering a house of worship, as these protesters did.”
Levine himself has been the subject of protests by left-wing groups such as Jewish Voice for Peace, which endorsed Mamdani and, like the mayor-elect, opposes Levine’s intention to invest city funds in Israel bonds.
Levine also defended attendees of the event inside Park East, which was organized by Nefesh B’Nefesh, a nonprofit that facilitates North Americans’ immigration to Israel, saying, “You can be interested in immigrating to a country even if you don’t agree with every policy of the government of that country.”
He added, “And in the case of Israel, one of the most common reasons people are interested in immigrating is to flee antisemitism, which is on the rise in New York and America — a fact perhaps lost on the protesters, who were busy trying to make the attendees feel unsafe.”
Jewish State Assembly member Micah Lasher, who is running for Congress in the 12th district which includes Park East, commended Levine on social media for his “powerful words.”
Lasher arrived at the event alongside Brad Hoylman-Sigal, the Jewish state senator and incoming Manhattan borough president who endorsed Lasher in October.
Both politicians had endorsed Mamdani in the general election, as did Assemblymember Alex Bores, one of Lasher’s opponents in the 12th district; Sen. Liz Krueger, who is Jewish; and City Council Member Gale Brewer, who were all present. Meanwhile, another notable attendee — Jonathan Greenblatt, CEO of the Anti-Defamation League — has had an antagonistic relationship with the mayor-elect, who is the subject of the ADL’s “Mamdani Monitor.”
While Mamdani was alluded to in Samuels’ remarks, some attendees said they felt that he should have been discussed explicitly.
Aaron Herman, a former New York City resident who commuted in from White Plains, in Westchester County north of the city, said he and his rabbi were discussing the subject.
“He brought up to me, like, ‘There’s one thing that was missing during this incredible rally: No one actually mentioned our mayor-elect, Mamdani,’” Herman said. “The mayor-elect said something wrong. It needs to be addressed.”
Herman shared a video he took at the rally of Rabbi Avi Weiss, the founder of the Hebrew Institute of Riverdale, in which Weiss noted that Mamdani had not been mentioned. “We’re 15 minutes into this rally and I’ve not heard the word Mamdani,” Weiss said. “He’s the problem. … I’m so proud of this rally and the people who planned it but don’t be afraid to stand up to the challenge that we face in the future — and that is the mayor elect, Mamdani.” He then sought to lead others in the crowd in chanting, “Mamdani, we are Israel.”
Still, Herman and other attendees said they appreciated the event altogether, which brought Jews from around the city to the Upper East Side. Buses were chartered from areas like Riverdale, a Bronx neighborhood with many Israeli and Orthodox Jewish residents.
“It was nice to see everyone come together,” said Allison Levy, who was also among the pro-Israel counter-protesters outside the Nefesh B’Nefesh event. “I wish we could do this more often because it seems like we’re really divided, so it was nice that people showed up — especially considering how cold it is.”
The rally included performances from Jewish musician Matisyahu, who has been a vocal supporter of Israel, and Park East Synagogue’s youth choir. Park East’s 95-year-old senior rabbi, Arthur Schneier, spoke, imploring lawmakers to implement a law prohibiting protests directly outside houses of worship.
Schneier’s son Marc, also a rabbi, has urged Mamdani to support such legislation, to which Mamdani’s team has expressed openness. Lasher co-introduced a bill banning protests within 25 feet of houses of worship on Wednesday.
Other speakers included Rabbis Joseph Potasnik and Sara Hurwitz of the New York Board of Rabbis, and 92NY’s David Ingber. Potasnik is one of five rabbis sitting on Mamdani’s transition committees.
Police blocked off the entire block of 68th Street between Lexington and Third avenues, accompanied by security from Hatzalah and the Community Security Service, Jewish security groups. Multiple speakers commended the NYPD, which had previously drawn criticism for not properly responding to the initial protest, leading commissioner Jessica Tisch to apologize at a Park East Shabbat service.
The post Jewish New Yorkers rally outside Park East Synagogue, 2 weeks after anti-Israel protest there appeared first on The Forward.
Uncategorized
JD Vance rejects claims that antisemitism is growing inside the GOP, breaking his silence on the topic
(JTA) — Vice President JD Vance said Thursday that he does not believe antisemitism is surging inside the Republican Party, pushing back on prominent conservatives who have raised alarms about hostility toward Jews among young right-wing activists.
“I do think it’s important to call this stuff out when I see it. I also, when I talk to young conservatives, I don’t see some simmering antisemitism that’s exploding,” Vance told NBC News in an interview marking his first year in office.
Vance said antisemitism is wrong, stating that “judging anybody based on their skin color or immutable characteristics, I think, is fundamentally anti-American and anti-Christian.” (Vance himself is a convert to Catholicism who recently said he hopes his Hindu wife chooses to become a Christian in the future.)
Vance added, “In any bunch of apples, you have bad people. But my attitude on this is we should be firm in saying antisemitism and racism is wrong. … I think it’s kind of slanderous to say that the Republican Party, the conservative movement, is extremely antisemitic.”
These remarks amount to Vance’s most direct response to Sen. Ted Cruz and other prominent figures on the right who have in recent weeks have warned of rising antisemitism among conservatives especially after Tucker Carlson, a Vance ally, hosted Holocaust denier Nick Fuentes on his podcast.
Vance’s comments land amid a larger, unresolved debate inside Republican circles over how seriously to treat the rise of explicitly antisemitic figures such as Fuentes, whose online “groyper” movement has attracted a following among young GOP staffers and activists. Jewish conservatives and other right-leaning commentators have expressed alarm at Fuentes’ influence, estimating that significant numbers of junior Republican staffers consume his content. Fuentes has described “organized Jewry” as a threat to American unity.
Vance’s silence on antisemitism was a prominent topic of conversation at a recent confab for Jewish conservatives, where speakers questioned his close association with Carlson.
President Donald Trump recently defended Carlson after the podcast host interviewed Fuentes, saying, “You can’t tell him who to interview.” Carlson campaigned for Trump in 2024 and remains influential within the administration. Trump himself met with Fuentes and Ye, the rapper formerly known as Kanye West, at Mar-a-Lago in 2022, later claiming he did not know who Fuentes was.
Vance has taken a similarly restrained approach. He defended Carlson’s son, Buckley, from accusations of antisemitism without addressing Carlson’s interview with Fuentes. In October, he was criticized for responding to a college student’s question about Jews and Israel without acknowledging its antisemitic framing.
The post JD Vance rejects claims that antisemitism is growing inside the GOP, breaking his silence on the topic appeared first on The Forward.
Uncategorized
Ireland, Spain, Netherlands announce boycott of Eurovision following failed effort to oust Israel
(JTA) — Ireland, Spain, the Netherlands and Slovenia’s public broadcasters said they will boycott this year’s Eurovision Song Contest after a Thursday meeting of the European Broadcasting Union confirmed Israel’s participation.
The Thursday General Assembly meeting in Switzerland of the European Broadcasting Union, which organizes the annual song competition, was convened to discuss some members’ calls to have Israel ousted from the contest over the war in Gaza and allegations of voting interference.
But despite calls for a vote on Israel’s participation, the EBU instead said that its members approved new rules prohibiting voter interference from governments and third parties. (Several countries called for an audit of Eurovision’s public voting system after Israel’s Yuval Raphael took second place last year after being bolstered by the audience vote.)
While the EBU did not reference Israel in its press release following the meeting, it said that there would be “no need for a further vote on participation.”
“A large majority of Members agreed that there was no need for a further vote on participation and that the Eurovision Song Contest 2026 should proceed as planned, with the additional safeguards in place,” the EBU said in a statement Thursday.
Delphine Ernotte Cunci, the EBU’s president, praised the decision in a statement, saying that the result “demonstrates our members’ shared commitment to protecting transparency and trust in the Eurovision Song Contest.”
Israeli President Isaac Herzog wrote in a post on X that he was “pleased” that Israel will be included in this year’s competition, adding, “Israel deserves to be represented on every stage around the world, a cause to which I am fully and actively committed.”
And Golan Yochpaz, the CEO of Israeli broadcaster KAN, told EBU members during the meeting that “the attempt to remove KAN from the contest can only be understood as a cultural boycott.”
“A boycott may begin today with Israel, but no one knows where it will end or who else it may harm,” continued Yochpaz. “Are EBU members willing to be part of a step that harms freedom of creation and freedom of expression?”
But after the meeting, several public broadcasters that had previously stated their intention to boycott the competition if Israel was allowed to compete followed through on their promises.
The Netherlands’ public broadcaster AVROTROS said in a statement that it had finalized its decision to boycott the competition, citing the “severe humanitarian suffering in Gaza, the suppression of press freedom, and the political interference during the last Eurovision Song Contest.”
RTÉ, the public broadcaster of Ireland, also announced that it was pulling out of the song contest:
“RTÉ feels that Ireland’s participation remains unconscionable given the appalling loss of lives in Gaza and the humanitarian crisis there, which continues to put the lives of so many civilians at risk,” the broadcaster said in a statement. “RTÉ remains deeply concerned by the targeted killing of journalists in Gaza during the conflict and the continued denial of access to international journalists to the territory.”
The secretary general of RTVE, the public broadcaster in Spain, also criticized the EBU for declining some members’ requests to hold a vote on Israel’s participation in a press release announcing its withdrawal.
“We would like to express our serious doubts about the participation of Israeli broadcaster KAN in Eurovision 2026,” RTVE Secretary General Alfonso Morales said in an address at the meeting. “The situation in Gaza, despite the ceasefire and the approval of the peace process, and Israel’s use of the contest for political purposes, make it increasingly difficult to maintain Eurovision as a neutral cultural event.”
In her address to EBU members before the decision, the president of the board of Slovenia’s public broadcaster, Natalija Gorščak, said, “We are hostages of the political interests of the Israeli government.”
“For the third year in a row, the public has demanded that we say no to the participation of any country that attacks another country. We must follow European standards for peace and understanding,” said Gorščak. “Our message is: we will not participate in the ESC if Israel is there. On behalf of the 20,000 children who died in Gaza.”
The post Ireland, Spain, Netherlands announce boycott of Eurovision following failed effort to oust Israel appeared first on The Forward.
