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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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The San Diego imam defended Oct. 7. His mosque still deserves our help
Jewish leaders and institutions like the ADL correctly expressed sympathy and support after Monday’s fatal shooting at the Islamic Center of San Diego.
That really upset some people.
“Just remember the people who attend this mosque want us all to be killed,” Laura Loomer posted to X.
Loomer is an extremist, and it would be easy to dismiss her words as the fringe. But she does advise the president of the United States, and hundreds of social media posts echoed her opinion.
Many of them pointed out that 13 days after the Oct. 7, 2023 Hamas attack on Israel, Islamic Center Imam Taha Hassane gave a talk in which he told his congregation, “When people are occupied, then the resistance is justified — it becomes a human right.”
“We cannot accuse someone who is fighting for his life to be a terrorist,” he added. “The terrorist is the one who started the occupation, not the one who is defending himself.”
In the same sermon, Hassane said that American minds were poisoned by media influenced by “Zionist sources” to hate Islam, and that “the Zionist propaganda machine” bore some responsibility for the 2023 murder of an 8-year-old Muslim boy in Chicago at the hands of a mentally unstable, Islamophobic, non-Jewish man.
Some of them also noted that two months later, Hassane’s wife, Lallia Allali, was asked to resign from the community advisory board of The San Diego Union-Tribune and resigned from a teaching position at the University of San Diego after it came to light that she had posted an image on her Facebook account of a Star of David decapitating five babies, with the caption, “The devil is killing.”
All of this is bad. None of it justifies or excuses yesterday’s violence.
Too many of us, it seems, find it hard to understand that justifying acts of violence against those who disagree with you gives them ample reason to do the same to you.
‘We don’t need to agree’
“We do not need to agree on everything to stand firmly against violence,” Rabbi Jason Navarez of Congregation Beth Israel of San Diego posted to Instagram following Monday’s attack. “The Jewish community knows all too well the vulnerability that comes when sacred space is violated. That experience should not harden our hearts, but deepen our capacity to stand with others.”
The fact is that Jewish and Muslim Americans, despite our political differences, both face the threat of political violence and hate crimes.
Jewish and Muslim houses of worship are both disproportionately targeted for violence. Jewish congregations make up just 3.2% of all congregations nationwide, but account for 22% of the attacks against houses of worship, according to a 2023 A-Mark Foundation study. (I was CEO of the A-Mark Foundation at the time of this research.) Just 0.6% of religious congregations nationwide are Muslim, yet attacks against mosques and Islamic centers account for 17% of the attacks.
Inside the vehicles of the two teenagers believed to have opened fire on the Islamic Center, killing three people before taking their own lives, authorities found gasoline cans decorated with Nazi insignia and hate literature. Muslims and Jews in this country face a common menace in the kind of hate that appears to have influenced these teens — and there are far more useful ways of fighting it than, as Loomer would have it, blaming each other.
Work to do together
First and foremost: Stop justifying violence, period. Stop glorifying terror. Stop demonizing groups other than your own. Whether from the pulpit or on social media accounts, religious leaders need to set an example.
I get the anger, fear and distrust over the imam’s statements following Oct. 7 — that’s human. But the Jewish leaders that condemned the shooting and offered support were right to do so in spite of his words — that’s humanity.
Part of me hopes that the connections made because of that solidarity, following this tragedy, will create a new opening for mutual respect. Maybe, maybe not. What should certainly come out of it is an awareness that we have a common enemy, and a common struggle.
Here’s where to start:
•Help the victims. Attacks on houses of worship are now terrifyingly common. The A-Mark report counted 59 attacks between 2012 and 2022 — and things have gotten worse since Hamas’ Oct. 7, 2023 attack on Israel, and the subsequent war in Gaza. Inevitably, society moves on. But even if there are no dead or wounded, the scars linger. “The aftermath is just devastating,” Rabbi Jen Lader of Temple Israel in West Bloomfield, Mich. — which recently weathered a ramming attack — told NPR. Muslims and Jews can work together to offer lasting support for victims of such violence: volunteering and donating to help rebuild damaged buildings and supporting congregants in their physical and emotional healing.
• Secure our institutions. As the attack was unfolding, leaders of Jewish Federations of North America were in Washington. D.C. seeking $1 billion in security funding for houses of worship of all faiths. This is lobbying Jews and Muslims can do together, including standing together against the administration’s conditioning of security funding on cooperation with Immigration and Custom Enforcement activities.
• Advocate for stronger gun laws. This may be the most Pollyanna-ish of all suggestions, but safe storage and gun lock laws are common in many countries, all of which have far fewer mass shootings than the U.S. It’s a cause Muslim and Jewish clergy can join in on pushing for.
• Finally, hold tech companies responsible for hate. More than half of all Americans have experienced harassment on social media, according to the ADL. Meta and TikTok’s own whistleblowers have said the companies promote hate to increase profits. Their algorithm “maximizes profits at the expense of their audience’s wellbeing,” they told the BBC. A Muslim-Jewish campaign to crack down on tech platforms that profit off hate groups and set their algorithms to push conflict could help make us all safer.
The teenagers who opened fire on the Islamic Center of San Diego didn’t care what the imam said about Gaza. They saw Muslims, and they wanted them dead — the same way the Pittsburgh and Poway shooters saw Jews. Our enemies are not making the distinctions we make about each other. Maybe it’s time we stopped making them too.
The post The San Diego imam defended Oct. 7. His mosque still deserves our help appeared first on The Forward.
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An op-ed compared an NBA team to Israel as underdog success stories. Then the threats poured in.
With the reigning champion Oklahoma City Thunder fighting to return to the NBA Finals, one bold writer dug deep for an analogy: The Thunder, he wrote, is like the state of Israel — a former underdog now despised for its success.
The Oklahoman, a daily newspaper, published the opinion column on its website Monday morning, hours before the Thunder began their semifinal series against the San Antonio Spurs. The story was accompanied by an image of a basketball with the Israeli flag painted on it.
It did not survive to the game’s opening tip; by then, The Oklahoman had taken the article down without comment, amid waves of online ridicule that came from well beyond Oklahoma, from readers who saw Israel as unworthy of the comparison.
Amid the uproar, The Oklahoman distanced itself from the piece. Its executive editor, Ray Rivera, said in a statement sent to the Forward that the column had been “mistakenly published because our approval policies were not followed.”
“After further review, our team determined the content did not align with our opinion standards,” the statement continued. “We’re strengthening our review process to prevent future errors and deeply regret any distress this may have caused.”
The writer, a freelance contributor named Eitan Reshef, had intended to flatter. Reshef wrote that he was both Jewish and Oklahoman, and couldn’t shake the similarities in his rooting interests.
When Israel was attacked on Oct. 7, 2023, the Thunder were coming off of a season in which the team had finished with a losing record. But they have grown into one of the league’s titans since then — during which time Israel has been at war virtually without pause.

Some fans have criticized Thunder players for their penchant for earning free throws, regarding the tactic as unsportsmanlike.
Reshef wrote that he was proud of both Israel and his favorite team for persisting over the din of their critics.
“The Thunder are not hated because they somehow gamed the system,” Reshef wrote. “They are hated because they mastered it. Israel is not obsessively scrutinized because it failed, but due to its success despite deeply-rooted envy and darker historical motives.”
Many were quick to point out other reasons Israel is hated, but they weren’t the ones Reshef had in mind. “My tally has Chet Holmgren guilty of zero baby murders,” wrote one critic on Bluesky. Jeopardy! host Ken Jennings piled on, joking on the same social media platform that Reshef had suggested that “it’s antisemitic to not root for the OKC Thunder.”
Reshef told the Forward he had expected to get some blowback for the piece. But he was not prepared for the deluge of personal attacks he received.
Reshef shared screenshots of messages he received on social media and via email, calling him various profanities. “I hope you feel shame,” one wrote in a direct message, adding that he should be institutionalized. An X user, tagging Reshef in a public post, wrote, “Don’t let me find you.” The same user previously posted that “now we know why Hitler killed Jews.”
And in the comments of the Oklahoman’s Facebook post, Reshef saw one person he knew from his childhood. “‘I grew up with the guy who wrote it. He’s a moron,’” Reshef said the comment read. “This is someone I haven’t spoken to in 25 years, and actually, I would have thought he was my friend. But I guess he’s not.”
Reshef, who works in marketing, had never written an article for publication before. But after coming up with the idea, he wrote the column and submitted it to the Oklahoman via email. He received a reply from an editor he declined to name, which said that the newspaper planned to run it online Monday and in print next week. Reshef was not paid for the piece.
The Oklahoman did not consult or inform him about taking down the piece, he said, and had not replied to his email seeking explanation. And he was not sure whether he was disappointed that the newspaper had removed it, considering that perhaps its editors had been looking out for his safety.
This isn’t the first time anti-Israel sentiment has resounded among basketball fans.
The league’s most prominent Israeli player, Deni Avdija, was frequently the target of anti-Israel and even antisemitic hate from basketball fans online amid his own recent playoff success. And the Thunder itself is known as an Israel-friendly team: star Chet Holmgren was once mockingly nicknamed “Chetanyahu” for practicing in a gym where an Israeli flag hung.
The Thunder are once again the underdog, having lost Monday’s game in double-overtime.
Whether on the team’s record or on Israel’s, Reshef he had no regrets about what he had written.
“We can disagree with each other — we should disagree with each other,” he said. “I treasure that value. I’m willing to step up to the plate, talk to anybody, just talk to me. But to make personal attacks on me, as if you know me, or make threats. It’s frightening that that’s the world that we live in right now.”
The post An op-ed compared an NBA team to Israel as underdog success stories. Then the threats poured in. appeared first on The Forward.
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Trump national Shabbat divides America’s Jews ahead of National Mall prayer rally
(JTA) — As part of a 250th anniversary celebration of the United States, President Donald Trump is calling on Americans to pray together in a nine-hour marathon on the National Mall Sunday featuring a host of Christian speakers — and one rabbi.
But first, Trump is calling on Jews to mark Shabbat, the Jewish day of rest from sundown Friday to nightfall Saturday, and encouraging other Americans to consider embracing the ritual as well.
“In special honor of 250 glorious years of American independence and on the weekend of Rededicate 250 — a national jubilee of prayer, praise, and thanksgiving — Jewish Americans are encouraged to observe a national Sabbath,” Trump said in his Jewish American Heritage Month proclamation on May 4.
“From sundown on May 15 to nightfall on May 16, friends, families, and communities of all backgrounds may come together in gratitude for our great Nation,” he continued. “This day will recognize the sacred Jewish tradition of setting aside time for rest, reflection, and gratitude to the Almighty.”
The call marked the first time that an American president has formally urged the celebration of Shabbat. Trump’s daughter Ivanka, who converted to Judaism before marrying Jared Kushner, now a prominent Trump advisor, reportedly observes Shabbat according to traditional interpretations of Jewish law.
Trump’s call echoes the legacy of conservative Christian activist Charlie Kirk, who was fatally shot in September. Kirk’s book detailing his own observance of a “Jewish Sabbath” every week was published posthumously.
The exhortation has received mixed reviews from the American Jewish community. Some Jews have said they appreciate the gesture and recognition of a central tradition to Judaism, and even are promoting their own Shabbat services as part of “Shabbat 250.”
Others say Trump is appropriating Judaism to promote conservative political goals and Christian nationalism, a movement backed by a portion of Trump’s base that scholars say could push the country in a direction that is less hospitable to Jews.
Support for the initiative has been strongest among Orthodox Jews, who tend to be more politically conservative. Rabbi Josh Joseph, executive vice president of the Orthodox Union, endorsed Trump’s call soon after it was made.
“This weekend, following President Trump’s encouragement, we will mark Shabbat 250,” he said in a statement earlier this week. “We will pause to acknowledge all the blessings that the Almighty has provided American Jews through the unique devotion to liberty embedded in this nation.”
Some Orthodox synagogues, including many affiliated with the Chabad Hasidic movement, have announced “Shabbat 250” programming, such as dinners and special speakers. The group Young Jewish Conservatives, meanwhile, doled out $180 grants to conservative Jews under 35 who committed to hosting at least five people for a Shabbat dinner in their homes.
More than 7,500 people have declared on a new website, Shabbat250.org, their intention to observe Shabbat. Some Orthodox commentators tied Trump’s proclamation to the week’s Torah portion, which describes how the Israelites, having been freed from Egypt, took a census of themselves in the desert as their new nation came into focus.
“Today we celebrate the numbers, the 250th anniversary, but like a census, this milestone must also be a springboard from which to consider where America is going,” wrote Jonathan Feldstein, president of the Genesis 123 Foundation, a nonprofit that aims to build ties between Jews and Christians, on his Substack.
On the other side, Rabbi Jonah Pesner of the Religious Action Center of Reform Judaism is among the faith leaders scheduled to participate in a virtual event Friday morning that organizers say will “explain why so many religious Americans of diverse faiths are alarmed and alienated by attempts to use America’s 250th birthday as an opportunity to frame the US as a ‘Christian nation’ and to misrepresent the approach to religious tolerance and freedom adopted by our founders and Constitution.”
The perspective is shared widely on the Jewish left, where many leaders say it is inappropriate and harmful for Trump to involve himself in Shabbat.
“When the state meddles in our sacred affairs, blurring the already fuzzy lines between church and state, it doesn’t elevate the Sabbath; it diminishes the democracy that 250 years of history were supposed to protect,” Rabbi Amichai Lau-Lavie of the progressive Lab/Shul wrote in a blog post Wednesday. “I suggest we each adapt this ‘National Shabbat’ in our own unique way – not because a leader commanded it, but because our humanity demands it.”
The debate comes ahead of the prayer rally planned for the National Mall on Sunday. The event, called Rededicate 250, is organized by a nonprofit called Freedom 250, which is advertising an event lineup featuring Christian music as well as “Freedom Trucks” that provide educational material provided by the conservative advocacy group PragerU and the Christian classical school Hillsdale College.
Organizers are also promoting performances by U.S. military bands as well as participation from several Trump administration officials, including Secretary of State Marco Rubio and Defense Secretary Pete Hegseth. Trump himself is set to appear by video, and House Speaker Mike Johnson, a Republican from Louisiana, will also take the stage.
Of the 33 prayer leaders set to appear, about half are of evangelical or non-denominational evangelical Christian practice. Baptist, Catholic and Seventh Day Adventist speakers will also speak.
The only non-Christian speaker on the lineup is Rabbi Meir Soloveichik, an Orthodox rabbi and senior scholar at the Tikvah Fund, a politically conservative Jewish think tank, who also sits on the Religious Liberty Commission that Trump created last year.
Rachel Laser, the Jewish CEO of Americans United for the Separation of Church and State, denounced the rally as part of a rising tide of Christian nationalism.
“If President Trump and his allies truly cared about America’s legacy of religious freedom, they would be celebrating church-state separation as the unique American invention that has allowed religious diversity to flourish in our country,” she said in a statement. “Instead, they continue to threaten this foundational principle by advancing a Christian Nationalist crusade to impose one narrow version of Christianity on all Americans.”
The rally comes as Americans are growing more appreciative of religion, even if they do not necessarily practice any themselves. A new Pew Research Center report out this week shows that an increasing minority of American adults say religion is “gaining influence in American life” and more than half of Americans say religion plays a positive role in society.
The proportion of Americans who believe Christianity should be declared the official religion of the United States has grown slightly in recent years and now stands at 17%, according to the survey. A much larger proportion of Americans, 43%, said they believe Christianity should not be an official religion but that the government should promote Christian moral values.
The White House will host a reception to mark the start of Shabbat 250 late Friday afternoon.
The attention to Shabbat jolted by Trump’s proclamation has spurred a wave of non-political attention to Shabbat, too. The writer Daniella Greenbaum Davis, for example, explained rabbinic teachings in a column in the Washington Post urging non-Jews to consider adopting Shabbat as a mindfulness practice.
“Shabbat is a Jewish tradition,” Davis wrote. “But the case for a weekly day of rest, taking a formal break from worldly concerns, is universal.”
This article originally appeared on JTA.org.
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