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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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‘Path to Normalization’: Lebanese President Turns on Hezbollah, Calls for Israel Talks
Lebanese President Joseph Aoun looks on during a meeting with Cyprus’ President Nikos Christodoulides at the Presidential Palace in Nicosia, Cyprus, July 9, 2025. Photo: Petros Karadjias/Pool via REUTERS
Lebanese President Joseph Aoun on Monday accused Hezbollah of dragging Lebanon toward becoming a “second Gaza” with its rocket attacks on Israel and called for negotiating a full ceasefire with Jerusalem, saying the launches served “the Iranian regime’s calculations” and risked “collapsing” the country.
Aoun’s remarks, among the most direct criticism of Iran-backed Hezbollah by a Lebanese president in years, accused the Islamist terror group of launching rockets as an “obvious trap” to lure his country back into a conflict with Israel.
“Whoever launched those rockets wanted to secure the fall of the Lebanese state, under aggression and chaos, even at the price of destroying dozens of our villages and the fall of tens of thousands of our people. For the sake of the Iranian regime’s calculations,” Aoun told European Commission President Ursula von der Leyen and European Council President António Costa in an online meeting.
Earlier this month, he added, the Lebanese government made “a clear and irrevocable decision” barring any military or security activity by Hezbollah.
An Israeli coalition of former diplomats, security experts, and business leaders called Aoun’s remarks a “courageous” and potentially “historic” opening by a Lebanese government seeking to disarm Hezbollah.
“Israel must seize the moment to create the necessary conditions for shaping a negotiated reality along the northern border — one that would constitute a significant strategic victory against Iran and further isolate it,” the Coalition for Regional Security said in a statement.
The group praised the “anti-Iranian Lebanese government” for seeking to disarm Hezbollah, but warned that “it is unable to accomplish this task alone.”
According to Lianne Pollak-David, the coalition’s founder, the current US-Israeli strikes on Iran were creating more space for Beirut to confront Hezbollah openly.
“The more Iran is weakened and isolated, the more the Lebanese government feels confident going directly and publicly against Hezbollah,” she told The Algemeiner.
But Pollak-David argued the Lebanese government could not disarm Hezbollah on its own and would need help from outside powers, including Israel. That, she said, would force Israel to walk a “very tricky fine line” to break Hezbollah on the one hand, without leaving Beirut to absorb the blowback by itself.
She called for “collaborating with the Lebanese government, leveraging all the regional coalition that has been formed around this war, and, under [US President Donald] Trump’s leadership, pushing for a new reality in Lebanon.”
Iran’s military and political incapacitation could even open the way to more regional peace agreements, she said.
“Everything is connected,” Pollak-David said. “The more Iran is isolated and the more its proxies are weakened, the more we’re seeing all the moderate forces in the region coordinating and collaborating,” increasing the chances of “Israel-Lebanese normalization and Israel-Arab normalization altogether.”
But Hezbollah expert Lieutenant Colonel (Res.) Sarit Zehavi offered a far more skeptical view, questioning whether Aoun’s remarks signaled any real change on the ground.
“I don’t see the difference between Aoun’s remarks now and his remarks when he was elected, except for the willingness to have direct negotiations with Israel,” she told The Algemeiner.
When Aoun took office in January of last year, he said Lebanon must eventually ensure weapons are held only by the state, but he also said repeatedly that this had to happen through dialogue, not confrontation.
“The biggest question at stake, which I don’t get an answer to, is whether Aoun’s army is willing to clash with Hezbollah, because that is what it will take to disarm it,” Zehavi said, noting Aoun’s fear that such a clash could lead to civil war.
She pointed to reports from Monday that Hezbollah operatives arrested while transporting weapons south were released almost immediately on token bail of $20, which she said showed how little appetite Beirut had demonstrated for a real confrontation with the terrorist group.
Zehavi, who founded the Alma Center — a research center that focuses on security challenges relating to Israel’s northern border — said Aoun would need to do far more than denounce Hezbollah or talk about state authority over weapons before Israel could treat his government as a real partner. The first step, she said, was for his government to formally outlaw Hezbollah and take concrete action against it.
“I will be much more convinced in Aoun’s good intentions if he designates Hezbollah as a terrorist entity,” she said. “Meanwhile, I don’t think we should negotiate with this Lebanese government.”
Until then, she said, Israel should keep up its attacks on Hezbollah, particularly south of the Litani River, located roughly 15 miles from the Israeli border.
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College Republicans Appoints Anti-Israel, Nick Fuentes Associate to Political Director Role
Kai Schwemmer speaks at pro-life rally. Photo: Screenshot
The largest Republican youth organization in the United States has named as its new political director a far-right social media personality and streamer with strong anti-Israel views and ties to antisemitic podcaster Nick Fuentes.
The move has fueled ongoing concerns that young Republicans are increasingly embracing antisemitic conspiracy theories and turning against Israel, the closest US ally in the Middle East.
College Republicans of America on Thursday announced that it tapped Kai Schwemmer to serve as the group’s next political director. The announcement was met with immediate backlash by many observers who have previously accused Schwemmer of advancing antisemitic and anti-Israel narratives.
We are proud to welcome @KaiSchwemmer as our new Political Director of CRA! pic.twitter.com/vvDJZgxm9e
— College Republicans of America (@uscollegegop) March 5, 2026
Despite the controversy, College Republicans of America President Martin Bertao defended the decision to hire the firebrand on X.
“Over the last day I have done a lot of reflecting on my decision to appoint Kai as CRA’s political director. And in that reflection I have came to the decision that I would like to apologize … to absolutely NOBODY, CRA will never back down to the WOKE mob!” he posted.
In the two and a half years following the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, Schwemmer has established a reputation online as a staunch critic of the US relationship with the Jewish state. Schwemmer has appeared in and hosted various online debates over the US-Israel alliance.
In January, Schwemmer appeared in a debate hosted by popular right-wing commentator Michael Knowles, in which he argued that the so-called Zionist wing of the Republican Party (GOP) is not “concerned with what’s best for America.” He argued that the pro-Israel coalition within the GOP advances policies which strangle free speech to suppress dissent around Israel.
During another January debate against pro-Israel commentator Cam Higby, Schwemmer cast more doubt over the US relationship with Israel, claiming that “Jewish” and “Zionist” defense contractors benefit from striking lucrative arms deals with the Jewish state.
“And so you see a kind of collection of, you know, the contracts going back to Zionists in America who no matter what are going to be supportive of, whether it’s just militarily or monetarily, they’re going to support US involvement and US support for Israel, and so I think there’s a problem in in you know coalescing all of that funding into the same interests,” Schwemmer said.
“Are you telling me that the Jewish CEOs of Boeing, Raytheon, and other defense contractors are not looking out for Israeli interests? And do you think that’s not a part of their calculus?” Schwemmer asked during the debate.
He has also provoked criticism over his connections with Fuentes, an avowed antisemite and Holocaust denier. Schwemmer has complimented Fuentes multiple times, claiming that he agrees with his views and calling the white supremacist and 27-year-old self-described virgin as “cool.”
This is Kai Schwemmer, the new political director for the College Republicans of America, with Nick Fuentes.
The Republican Party should be put on notice that real conservatives will not tolerate groypers from taking over our party. pic.twitter.com/CjbrvVZCfZ
— Justin (@JustinUSA) March 9, 2026
Schwemmer has been spotted wearing a blue baseball cap emblazoned with the slogan “America First.” The cap and slogan were created by members of Fuentes’ fanbase to signal support for the antisemitic “Groyper” movement. In 2022, Schwemmer appeared as a featured speaker at Fuentes’s white nationalist “America First PAC.”
His presence at a Turning Point USA debate regarding Israel, hosted at the University of Delaware, drew protests over his connection to Fuentes.
“Schwemmer is a disciple of Nick Fuentes, a Holocaust-denying white nationalist who was a key leader of both the deadly ‘Unite the Right’ rally in Charlottesville and the January 6 insurrection,” a flyer passed out at the event read.
In June 2025, Schwemmer criticized Israel’s strikes against Iran’s nuclear program and suggested that conservatives should sympathize with Tehran.
“There’s something extremely unsettling about all the conservative influencers saying things like ‘God Bless Israel today and in the coming days’ after seeing Israel’s preemptive strike on Iran. What should God be blessing them for? Starting a war?” he posted on X.
College Republicans, one of the oldest youth organizations affiliated with the Republican Party, plays an important role in the GOP ecosystem, serving primarily as a pipeline for future political staffers and campaign volunteers rather than a driver of party policy. The group helps recruit and mobilize young conservatives on college campuses and often supplies doorknockers and organizers to Republican campaigns coordinated with the Republican National Committee. Several prominent Republican figures, including former House Speaker Paul Ryan and longtime strategist Karl Rove, got their start in the organization, underscoring its role as a training ground for the party’s next generation of operatives.
Schwemmer’s ascendance comes as the GOP continues to reckon with a perceived rise in antisemitism among its youngest cohorts.
Last month, for example, a survey by Irwin Mansdorf, a fellow at the Jerusalem Center for Security and Foreign Affairs, and Charles Jacobs, president of the Jewish Leadership Project, found that 45 percent of Republicans under the age of 44 said Jews pose a threat to the “American way of life.”
In December, the Manhattan Institute, a prominent US-based think tank, released a major poll showing that younger Republican voters are much less supportive of Israel and more likely to express antisemitic views than their older cohorts.
According to the data, 25 percent of Republicans under 50 openly express antisemitic views as opposed to just 4 percent over the age of 50.
Startlingly, a substantial amount, 37 percent, of GOP voters indicate belief in Holocaust denialism. These figures are more pronounced among young men under 50, with a majority, 54 percent, agreeing that the Holocaust “was greatly exaggerated or did not happen as historians describe.” Among men over 50, 41 percent agree with the sentiment.
Last week, the Miami Dade County Republican Party came under fire after leaked group chats revealed extensive racism and antisemitism throughout membership. The local GOP, Turning Point USA, and College Republicans casually said “ni—er,” denounced women as “whores,” and spoke rapturously about Adolf Hitler.
Ian Valdes, the president of Florida International University’s chapter of Turning Point USA, wrote, “I would def not marry a Jew lmao.” Other participants referred to Jews as “k—kes.”
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Antisemitism in Switzerland Hits Alarming Levels as Online Incidents Surge, Reports Warn
A pro-Hamas demonstration in Zurich, Switzerland, Oct. 28, 2023. Photo: IMAGO/dieBildmanufaktur via Reuters Connect
Antisemitism in Switzerland surged to alarming levels last year, with two reports released on Tuesday warning that hostility and violence targeting Jews are intensifying across the country amid the broader fallout from war involving Israel in the Middle East.
On Tuesday, the Intercommunity Coordination Against Antisemitism and Defamation (CICAD) released its 2025 annual report on hate crimes, documenting a 36 percent rise in antisemitic incidents against the local Jewish community in French-speaking Switzerland compared to 2024.
With a total of 2,438 antisemitic acts last year, CICAD’s latest report marks the highest level of such incidents since the organization began monitoring them in 2003.
Based on the latest data, the association warned of a worsening trend, with incidents classified as “grave and serious” rising 16 percent — from 109 cases in 2024 to 127 in 2025.
This week, the Swiss Federation of Jewish Communities (SIG), in collaboration with the Foundation Against Racism and Antisemitism (GRA), also released their annual report on antisemitic outrages in German-, Italian-, and Romansh-speaking Switzerland for the past year.
Their latest data also shows that antisemitism “remains at a persistently high level” across the country, with tensions further fueled by the ongoing war in the Middle East.
“Since Oct. 7, 2023, the war in the Middle East has been the main long-term trigger for antisemitic incidents in Switzerland,” the organizations wrote in their report, referring to the Hamas-led invasion of and massacre across southern Israel more than two years ago.
“This influence remained significant in 2025. No return to pre-Oct. 7 levels has been observed to date,” they continued.
SIG and GRA’s latest report found the biggest surge of antisemitic activity in online spaces, with 2,185 incidents recorded in 2025 — an increase of nearly 37 percent from 1,596 the previous year.
Most incidents took place on the Telegram messaging app, with online newspaper comments coming in second, and the bulk of the reported content centered on conspiracy theories.
With such figures, the report warned that antisemitism is no longer an isolated occurrence but a structural issue, cautioning against the normalization of antisemitic rhetoric.
Even though the study found that real-world antisemitic incidents fell to 177 in 2025 from 221 in 2024 — a decrease of roughly 20 percent — the number remains about three times higher than levels recorded before the Oct. 7 atrocities.
The GRA and SIG urged local authorities to ensure the sustainable protection of Jewish life in Switzerland, calling for long-term security measures, increased investment in prevention and education, and a stronger commitment to monitoring antisemitic threats.
“Effectively combating antisemitism is not a one-off task, but an ongoing responsibility of the state and society,” the report said.