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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Israeli Muay Thai Fighter Returns Home After Victory Over Anti-Israel Turkish Rival
Israeli Muay Thai fighter Ahavat Gordon. Photo: YouTube screenshot
Israeli Muay Thai fighter Ahavat Hashem Gordon returned home to Israel on Monday morning after winning a match in Lithuania on Saturday night against a Turkish rival who reportedly had posted on social media a series of threats against the Israeli athlete as well as anti-Israel messages before their fight.
The 19-year-old Israeli, who is nicknamed “Golden Boy,” defeated Turkish fighter Ali Koyuncu, 25, after just two rounds at the Lithuanian UTMA 17 held at the Zalgirio Arena in Kaunas. Gordon has no UTMA losses and put on an aggressive performance in the Muay Thai fight, where the fighters using MMA gloves. In the second round, Koyuncu injured his foot shortly before Gordon knocked him to the floor with a blow to the head. When the fighters were pulled apart, Koyuncu was seen heavily bleeding from the side of his head. The judges then made the call to end the fight and Gordon was named the winner.
At the pre-fight weigh-in on Friday, Gordon was draped in an Israeli flag and wore a kippah, tzitzit, and a Star of David necklace. Koyuncu tried to grab his Israeli opponent by the throat and as officials attempted to hold the two men back from each other, the Turkish fighter managed to kick Gordon in the stomach.
Koyuncu additionally raised his middle finger at Gordon and made antisemitic threats, which led to the Israeli Embassy in Lithuania requesting increased security around Gordon ahead of the fight, according to Israel Hayom. Before getting into the ring, Koyuncu also reportedly posted a video on social media that featured a message about the “bloodshed” he hoped Gordon would suffer.
“I always try to avoid bringing politics into sports. The moment he brought it in, there was no turning back,” Gordon added about his opponent. “I’m glad I showed the whole world that the people of Israel are strong. It’s incredible and it’s a privilege. I gave strength and showed that a Jewish Israeli can step into the ring wearing a kippah and tzitzit and not hide who he is … I asked him why he wrote what he wrote and told him not to do it again. I do respect him for stepping into the ring because that takes a lot, but beyond that I don’t respect him.”
Gordon thanked the public for their supportive messages, especially those he received from IDF troops. “Soldiers who watched the fight in Gaza, it moved me almost to tears,” he said. “Did I receive antisemitic responses about this fight? Yes, absolutely,” he admitted. “Not only me, but my family also did. I also heard about incidents in the crowd. We’re doing what we need to do, and we’re doing the right thing.”
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Israel Warns Lebanon of Strikes if Hezbollah Enters Any US-Iran War, Lebanese Officials Say
A man works on an electric pole next to a damaged building, in the aftermath of an Israeli strike on Friday, in Tamnine el Tahta, Bekaa valley, Lebanon, Feb. 21, 2026. Photo: REUTERS/Mohamed Azakir
Israel has warned Lebanon that it would strike the country hard, targeting civilian infrastructure including the airport, in the event that Hezbollah gets involved in any US-Iran war, two senior Lebanese officials said on Tuesday.
The Lebanese officials, speaking on condition of anonymity, said the Israeli message was delivered indirectly. The office of Israeli Prime Minister Benjamin Netanyahu and the Lebanese presidency did not immediately respond to requests for comment.
Iran and the US will hold a third round of nuclear talks on Thursday in Geneva, Oman’s Foreign Minister Badr Albusaidi said on Sunday, amid growing concerns about the risk of military conflict.
Lebanese Prime Minister Nawaf Salam, whose government has sought the disarmament of Iran-backed Hezbollah since taking office a year ago, urged the terrorist group not to take Lebanon into “another adventure,” speaking in a newspaper interview published on Tuesday.
Israel dealt heavy blows to Hezbollah during a war in 2024, killing its leader Hassan Nasrallah along with thousands of its fighters and destroying much of its arsenal.
Shi’ite Muslim Hezbollah was established by Iran‘s Revolutionary Guards in 1982.
Hezbollah‘s new leader Naim Qassem said in a televised address last month that the group was “not neutral” in the standoff between Washington and Tehran, and that it was “targeted by the potential aggression.”
“We are determined to defend ourselves. We will choose in due course how to act, whether to intervene or not,” Qassem said.
Hezbollah‘s last war with Israel began after it opened fire in solidarity with its Palestinian ally Hamas at the start of the Gaza conflict in 2023, prompting months of cross-border fighting before Israel mounted its devastating offensive.
PM SALAM WARNS HEZBOLLAH AGAINST ‘ANOTHER ADVENTURE’
“The Gaza adventure imposed a big cost on Lebanon. We hope that we will not be dragged into another adventure,” Salam told Nida al-Watan newspaper in the interview published on Tuesday.
The US State Department is pulling out non-essential government personnel and their eligible family members from the US embassy in Beirut, a senior State Department official said on Monday.
Since a US-backed ceasefire between Israel and Lebanon in 2024, Israel has carried out regular strikes against what it has identified as Hezbollah targets in Lebanon, accusing the group of seeking to rearm.
Israeli strikes have killed around 400 people in Lebanon since the ceasefire, according to a Lebanese toll.
Hezbollah says it has respected the ceasefire in southern Lebanon. In January, the US-backed Lebanese army said it had established operational control over the south, in line with the objective of establishing a monopoly on arms.
Israel said the effort was an encouraging beginning but far from sufficient.
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EU Memo Raises Security Concerns Over Mass Escape From Islamic State-Linked Syria Camp
Members of the Syrian government security forces stand guard as a group of female detainees gather at al-Hol camp after the government took control of it following the withdrawal of Syrian Democratic Forces (SDF), in Hasaka, Syria, Jan. 21, 2026. Photo: REUTERS/Khalil Ashawi
An EU internal memo has raised security concerns about the escape of thousands of people from a detention camp holding relatives of suspected Islamic State fighters in northeastern Syria, suggesting terrorist groups could recruit from them.
The memo, sent from the Cyprus presidency of the Council of the European Union to member states and dated Feb. 23, said the status of third-country nationals who had fled the camp at al-Hol remained unclear and that it was reported that a majority of them had escaped.
“This raises concerns about how terrorist groups might seek to capitalize on the current situation to increase recruitment efforts among escapees,” said the memo, which was reviewed by Reuters.
PRISONERS INCLUDED THOUSANDS OF FOREIGNERS
Al-Hol, near the Iraqi border, was one of the main detention camps for relatives of suspected Islamic State fighters who were detained during the US-backed campaign against the jihadist group in Syria.
Control of the camp changed hands in January, when Syrian government forces under President Ahmed al-Sharaa drove the Kurdish-led Syrian Democratic Forces from the area.
The SDF had guarded the facility for years.
The camp‘s population was 23,407 people the day before the government takeover, including 6,280 foreigners from more than 40 nationalities, Reuters reported last week, citing official data from the camp.
The US military said on Feb. 13 it had completed a mission to transfer 5,700 adult male Islamic State fighters from jails in Syria to Iraq. It had originally said up to 7,000 prisoners could eventually be transferred. The EU memo noted that the initial target was not met.
‘CHAOTIC TAKEOVER‘
In a section entitled “Security concerns stemming from the evolving situation in northeast Syria,” the EU memo said the “chaotic takeover led to the collapse of security and services in the al-Hol camp, triggering the escape of a significant portion of its population.”
The UN refugee agency in Syria and the Syrian government “have confirmed that an uncontrolled exodus has occurred over the past few weeks,” it added.
Damascus has accused the SDF of withdrawing from al-Hol on Jan. 20 without any coordination. The SDF has said its forces had been “compelled” to withdraw from the camp to areas surrounding cities which it said were under threat.
A Syrian government security source told Reuters last week that the security authorities, working in cooperation with international partners, had established a unit to “pursue those who are wanted.”
The SDF had guarded prisons holding thousands of Islamic State militants in northeast Syria, in addition to al-Hol and a second camp at Roj, which also holds relatives of suspected jihadists.
The EU memo said the capacity of Damascus “to manage these facilities is assessed as limited and facing significant operational challenges.” It noted that the government’s stated intent to gradually phase out al-Hol camp had “been overtaken by recent events, which raise grave security concerns.”
The EU memo said that al-Hol and Roj camps were hosting around 25,000 people, primarily women and children, “with many of these being highly radicalized and living in degrading humanitarian and security conditions.”
Roj camp remains under the control of the SDF for now.
Last week, the SDF released 34 Australian nationals from Roj, only for them to return later. The Australian government has ruled out helping families of IS terrorists return home. Roj is also home to British-born Shamima Begum.
The EU memo said there was “reason for concern regarding the possible escape of families” from Roj once the Syrian government takes control.
Syria‘s Information Ministry and the US Central Command did not immediately respond to requests for comment.
The memo came amid an uptick of Islamic State violence in Syria.
Islamic State terrorists killed four Syrian government security personnel in northern Syria on Monday, the Syrian state news agency reported, in what would be the group’s deadliest attack on government forces since the ouster of President Bashar al-Assad.
The assault on a checkpoint west of Raqqa city underlined an escalation in attacks by the jihadist group against President Ahmed al-Sharaa’s government, two days after the jihadist group declared “a new phase of operations” against it.
Islamic State issued no immediate claim of responsibility for Monday’s attack. On Saturday, the group claimed two attacks targeting Syrian army personnel in northern and eastern Syria, in which a Syrian soldier and a civilian were killed.
The Syrian state news agency said forces foiled Monday’s attack and killed one of the militants. It quoted a security source as saying Islamic State carried out the attack.
The terrorist group, however, only claimed responsibility on Tuesday for a separate attack on an army headquarters in the city of Mayadin in Deir al-Zor in eastern Syria that killed one soldier.
The group had carried out an attack in the same city days earlier.
The Syrian government joined the US-led coalition to combat Islamic State last year. In January, government forces seized control of Raqqa from the Kurdish-led Syrian Democratic Forces, along with much of the surrounding territory in northern and eastern Syria.
Meanwhile, US forces on Monday began withdrawing from their largest military base in the northeast, according to three Syrian military and security sources – part of a broader pullout of US troops who deployed to Syria a decade ago to fight Islamic State.