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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Xi Tells Trump That Mishandling of Taiwan Could Lead to ‘Dangerous’ Place
Chinese President Xi Jinping inspects an honor guard with US President Donald Trump during a welcome ceremony at the Great Hall of the People, in Beijing, China, May 14, 2026. Photo: REUTERS/Maxim Shemetov/Pool
China’s President Xi Jinping warned US President Donald Trump on Thursday that mishandling the countries’ disagreements over Taiwan could push China-US relations to a “dangerous place,” as the two leaders met for a closely watched summit.
Xi‘s remarks on Taiwan, the democratically governed island claimed by Beijing, came in a closed-door meeting of the leaders of the world’s two largest economies that ran more than two hours, China’s foreign ministry said.
They represented a stark – if not unprecedented – warning during a pomp-filled occasion that was otherwise friendly and relaxed, although the US summary of the talks made no mention of Taiwan.
According to Chinese state media Xinhua, Xi, referring to Taiwan, told Trump: “If handled poorly, the two countries could collide or even enter into conflict, pushing the entire China-US relationship into an extremely dangerous place.”
Taiwan has long been a flashpoint in the US-China relationship, with Beijing refusing to rule out the use of military force to gain control of the island and the United States bound by law to provide Taipei with the means to defend itself.
US Secretary of State Marco Rubio, who is with Trump in China, confirmed to NBC News that the issue of Taiwan was discussed, saying the Chinese “always raise it on their side, we always make clear our position and we move on to the other topics.”
The US summary of the talks focused on the leaders’ shared desire to reopen the key waterway of the Strait of Hormuz, effectively closed due to the Iran war, and Xi‘s apparent interest in buying American oil to reduce China’s dependence on Middle East supplies.
With Trump‘s approval ratings dented by a war with Iran that shows no signs of abating, the first visit by a US president to China in nearly a decade has taken on added significance as he searches for economic wins.
“There are those who say this may be the biggest summit ever,” Trump told Xi in brief opening remarks, after a ceremony that featured an honor guard and throngs of children waving flowers and flags at Beijing’s Great Hall of the People.
Xi told Trump that preparatory negotiations between US and Chinese economic and trade teams in South Korea on Wednesday had reached “balanced and positive outcomes,” China’s foreign ministry said in a summary.
The talks aimed to maintain a fragile trade truce struck when the leaders last met in October, where Trump suspended triple-digit tariffs on Chinese goods and Xi backed away from choking global supplies of vital rare earths.
Treasury Secretary Scott Bessent, who led Wednesday’s talks, said he expected progress on establishing mechanisms to support future bilateral trade and investment, and an announcement about large Chinese orders for Boeing aircraft.
CHINA’S RED LINES
Trump expected Xi to raise the thorny issue of US arms sales to Taiwan, he said earlier this week. With the status of a $14 billion package awaiting Trump‘s approval still unclear, China has reiterated its strong opposition to the sales.
“US policy on the issue of Taiwan is unchanged as of today,” Rubio told NBC.
Trump did not respond to a reporter’s shouted question whether the leaders had discussed Taiwan as he posed with Xi later for photos at the Temple of Heaven, a UNESCO World Heritage Site where emperors once prayed for good harvests.
Taipei said there was nothing surprising from the summit and that China’s military pressure is the real threat to peace.
Underscoring its outsized importance to the US economy, Taiwan, an island of 23 million people, is the United States’ fourth-largest trading partner, behind China, which has about 1.4 billion people.
LOBSTER SOUP AND BEIJING DUCK
At a lavish state banquet attended by senior officials and business executives, Xi told the audience that the China-US relationship was the most important in the world.
“We must make it work and never mess it up,” Xi said, before guests tucked into a 10-course dinner that included lobster soup, Beijing roast duck and tiramisu.
The leaders will take tea and lunch together on Friday before Trump departs.
Joining Trump on his visit are a group of CEOs looking to resolve issues with China, from Elon Musk, viewed in China as a visionary and occasional villain, to Nvidia CEO Jensen Huang, a late addition to the delegation.
The United States has cleared around 10 Chinese firms to buy Nvidia’s powerful H200 AI chip, but not a single delivery has been made so far, Reuters exclusively reported.
TRUMP INVITES XI TO WASHINGTON
Trump entered the talks with a weakened hand.
US courts have hemmed in his ability to levy tariffs at will on exports from China and other countries, while the Iran war has boosted inflation at home and elevated the risk that Trump‘s Republican Party will lose control of one or both legislative branches in November’s midterm elections.
Though the Chinese economy has faltered, Xi does not face comparable economic or political pressure inside China, where he rules an authoritarian regime that, unlike the US, has little tolerance for dissent.
As well as Boeing jets, Washington is looking to sell farm goods and energy to China to cut a trade deficit that has long irked Trump. Beijing, for its part, wants US curbs eased on exports of chip-making equipment and advanced semiconductors, officials involved in the planning said.
Trump is expected to encourage China to convince Iran to make a deal with Washington to end the conflict, as a fifth of global supplies of oil and natural gas travel through the Strait of Hormuz in normal times.
But analysts doubt Xi will be willing to push Tehran hard or end support for its military, given Iran’s value to Beijing as a strategic counterweight to the United States.
Rubio told Fox News that it was in China’s interest to help resolve the crisis as many of its ships are stuck in the Gulf and a slowdown in the global economy would hurt its exporters.
Iran’s Fars news agency reported on Thursday that an agreement had been reached to let some Chinese ships pass.
Trump on Thursday invited Xi for a reciprocal trip to the White House on Sept. 24, in what would be his first visit to Washington since 2015 and his first to the United States in the US president’s second term.
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US Senate Blocks Latest Bid to Rein in Trump Iran War Powers, Support Grows
An American flag flies outside the US Capitol building at sunset, on Capitol Hill in Washington, DC, US, Jan. 30, 2026. Photo: REUTERS/Kylie Cooper
US Senate Republicans on Wednesday blocked the latest Democratic-led effort to end the Iran war until it is authorized by Congress, but the measure edged closer to passage as a third Republican voted to advance the bill.
The Senate voted 50-49 not to advance the war powers resolution, nearly along party lines. Three Republicans joined every Democrat but one in backing the measure sponsored by Senator Jeff Merkley of Oregon.
It was the seventh time this year that President Donald Trump‘s fellow Republicans in the Senate had blocked similar resolutions.
Republicans Rand Paul of Kentucky, Susan Collins of Maine, and Lisa Murkowski of Alaska voted in favor of moving ahead, while Democrat John Fetterman of Pennsylvania voted with Republicans to block it.
The vote was the first in the Senate since the conflict hit a 60-day deadline on May 1 for Trump to come to Congress about the war. Trump declared then that a ceasefire had “terminated” hostilities against Iran.
Under a 1973 US war powers law passed in response to the Vietnam War, a US president can wage military action for only 60 days before ending it, asking Congress for authorization or seeking a 30-day extension due to “unavoidable military necessity regarding the safety of United States Armed Forces” while withdrawing forces.
Democrats disputed Trump‘s assertion that the deadline did not apply because of a ceasefire, saying the conflict is ongoing.
“There’s not a cessation of war hostilities,” Merkley told reporters before the vote, citing the US blockade of Iranian ports and strikes on Iranian ships and Iran‘s blockade of the Strait of Hormuz and attacks on US ships and tankers.
“Both sides are still engaged in hostilities, and so I don’t accept that the 60-day clock is suspended,” he said.
Merkley and other Senate Democrats said they planned to bring up another war powers resolution next week, and every week until the war ends or Trump comes to lawmakers for authorization.
Democrats in the House have also introduced war powers resolutions, also blocked by Republicans.
Democrats have called on Trump to come to Congress for authorization to use military force, noting that the US Constitution says that Congress, not the president, can declare war. They have warned that Trump may have pulled the country into a long conflict without setting out a clear strategy.
Republicans – and the White House – say Trump‘s actions are legal and within his rights as commander-in-chief to protect the US by ordering limited military operations.
Some congressional Republicans have accused Democrats of filing the war powers resolutions only because of their partisan opposition to Trump.
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King Charles Visits Jewish Area of London Hit by Antisemitic Attacks
Britain’s King Charles III greets residents in Golders Green in North London following the attack on Jewish residents, Britain, May 14, 2026. Photo: Richard Pohle/Pool via REUTERS
King Charles was greeted by cheering crowds on Thursday when he visited an area of London which has suffered a spate of antisemitic attacks in recent weeks, in a show of support for Britain’s fearful Jewish communities.
The monarch met two victims of a recent stabbing attack when he made the unannounced visit to Golders Green, which is home to a sizeable Jewish population and has borne the brunt of the recent antisemitic incidents across the British capital.
“Thank you, your majesty, for coming today to Golders Green to bring comfort and encouragement to our Jewish community!” Britain’s Chief Rabbi Ephraim Mirvis, who was there to greet the king, said on X.
Last month, two Jewish men were stabbed in the area in an attack being treated by police as terrorism, while in other incidents in Golders Green, four Jewish community ambulances were torched and a memorial wall targeted.
During his trip, Charles met the two stabbing victims at a Jewish Care charity center as well as other religious and civic leaders.
The visit was Charles‘ latest demonstration of backing for the Jewish community, after he visited a synagogue in northern England following an attack last year that left two worshippers dead and agreeing in March to become the patron of a charity that provides security for Britain’s estimated 290,000 Jews.
The recent attacks have led Mirvis to say the Jewish community was facing a sustained campaign of violence and intimidation.
The government has also raised its national terrorism threat level to “severe” from “substantial” with Prime Minister Keir Starmer saying Jewish people were living in fear.
The king‘s visit comes on the same day that an article written by his younger son Prince Harry was published in which he said a rise in antisemitism in Britain was deeply troubling, and that any anger over events in the Middle East should not spill over into hatred.