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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.
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Mamdani’s Wife Liked Posts Celebrating October 7. Why Didn’t the Media Ask Harder Questions?
Zohran Mamdani is sworn in as mayor of New York City at Old City Hall Station, New York, US, Jan. 1, 2026. Photo: Amir Hamja/Pool via REUTERS
A report by Jewish Insider has sparked political controversy in New York after revealing that Rama Duwaji, the wife of New York City Mayor Zohran Mamdani, liked several Instagram posts in the hours and days following Hamas’ October 7, 2023 massacre in Israel.
The reaction from the mayor and the muted response from parts of the media have raised questions about standards of scrutiny in news coverage.
Jewish Insider exposed that Duwaji liked posts on Instagram that celebrated the Hamas assault and framed it as “resistance.” One post showed individuals standing on what appeared to be a captured Israeli military vehicle with the caption “resisting apartheid since 1948.” Another featured an image of a bulldozer breaching the Gaza-Israel border fence with the caption “breaking the walls of apartheid and military occupation, October 7, 2023.”
The report also stated that Duwaji liked posts calling on supporters to back “Palestinian resistance” and attend a New York protest the day after the attack. Another post she engaged with contained the slogan “from the river to the sea, Palestine will be free.”

In response to the revelations, Mamdani did not directly address the substance of the posts. Nor did he condemn them or his wife’s conduct. Instead, he said that his wife is a private person who holds no official role in his administration or campaign.
The episode quickly gained traction on social media and in political circles. Commentators and journalists like The Free Press’ Olivia Reingold highlighted the posts and a far wider pattern of radical anti-Israel posts, suggesting that public figures should face scrutiny over the views and public activity of those close to them.
Guys that post was just the tip of the iceberg,
I found 70+ radical anti-Israel posts liked by Rama Duwaji, wife of Zohran Mamdani. One calls October 7 a “mass rape hoax.” https://t.co/ogwZfweh4v
— Olivia Reingold (@Olivia_Reingold) March 7, 2026
At the same time, the story has also sparked debate about media coverage and standards.
Observers noted that some major outlets that have previously examined the social media activity of pro-Israel officials or figures connected to Israel have not shown the same level of investigative attention to the Mamdani story.
A widely shared post by opinion writer Joel M. Petlin pointed out that The New York Times had previously reported critically on the pro-Israel social media activity of an official’s wife, but had not pursued comparable scrutiny in this case.
What’s infuriating about this story is not the fact that Mayor Mamdani’s wife supports the Oct 7th massacre. We obviously knew they both do.
What’s infuriating is that the NY Times revealed that Congressman Dan Goldman’s wife supports Israel, and he was forced to publicly… https://t.co/zzTadIRTwp pic.twitter.com/4SvOgMtARR
— Joel M. Petlin (@Joelmpetlin) March 6, 2026
The New York Times has also whitewashed the contents of the posts liked by Mamdani’s wife, by labeling them as “support for the Palestinian cause.” In reality, these posts called for and celebrated the murder of Jews.
The contrast has fueled accusations of a double standard in how politically sensitive issues related to Israel and Hamas are covered. When individuals connected to Israeli institutions express controversial views, major outlets often pursue the story aggressively. Yet when the controversy involves content appearing to praise Hamas’ October 7 attack, the same level of follow-up reporting can be harder to find.
As the story continues to circulate online, the key issues remain straightforward. When a public figure’s close family member publicly engages with posts celebrating a terrorist attack, it warrants deeper scrutiny. And that scrutiny should apply evenly across the political spectrum.
Meanwhile, Mamdani’s wife’s voice has not been heard. She did not apologize, and no media outlet questioned her silence.
As the political fallout in New York continues, the global media should be asking harder questions.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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In Israel’s missile war, some families run to shelters. Others have nowhere to go.
(JTA) — JERUSALEM — Walking with her children in Pisgat Zeev, a leafy neighborhood in Jerusalem, on Monday afternoon, Rivka recalled the missile that flew nearby the day before.
An impact could be felt as the family hunkered in their private “mamad” or safe room, required in all new homes in the Jewish neighborhood. Those who live in older homes or were far from their residence found their nearest public shelter.
When her children started to cry, Rivka said, she reassured them that the walls of the shelter are strong enough to withstand anything Iran could send toward Israel. “We feel safe in our shelters,” she said.
Just a few miles south, in the east Jerusalem neighborhood of Sheikh Jarrah, father of three Abed Abu Sharif recalled how he was driving his taxi on Sunday when he heard the unmistakable sound of an air raid alert.
Israeli authorities advise anyone driving when a warning siren sounds to exit their vehicle and look for the nearest public shelter. Abu Sharif knew he would not find one.
“Where am I to go? What am I to do? There is no shelter for me near here,” he said. “I continue driving because I have to provide for my family.”
The disparate experiences point to longstanding gaps in shelter access that are being thrown into stark relief once again by war.
The access gaps exist both geographically — with residents of the country’s dense center more protected — and between Jewish and Arab Israelis.
A Knesset hearing on Monday took aim at the significant number of Israelis who do not have ready access to shelters near their home, with lawmakers expressing frustration over the lack of support for shelter construction despite the constant threat of war since Oct. 7, 2023.
“In my view, this situation is abandonment of human life. Nothing less,” Oded Forer of the Yisrael Beiteinu party said during the hearing. “And it is happening right now, as people try to run to safe rooms, but they don’t have them.”
The hearing only briefly discussed disparities between Jewish and Arab Israeli communities in shelter access, citing statistics from the Israel Defense Forces’ Home Front Command. The statistics — revealed publicly last week — show that only 37 of 11,775 public shelters in Israel, or roughly 0.3%, are located in Arab municipalities, even though Arabs make up about 15% of Israel’s population.
That information dates to January 2025, before last year’s war with Iran. While both the Home Front Command and Israel’s comptroller told the Jewish Telegraphic Agency that a newer accounting was not available, Ori Narov, who leads the legal department of the Israel Religious Action Center, said he had received government data showing that roughly a third of the 1,500 shelters installed last year in Israel’s north went to Arab municipalities — a development that he cited as a rare sign of progress in Jewish-Arab equity.
Still, there is only one public bomb shelter in east Jerusalem, according to Bimkom-Planners for Planning Rights, a group advocating for equitable built environments in Israel.
“This is an issue of equity,” said Bimkom’s Dafna Saporta. “We’re talking about the Arab population. They don’t have equality, and they don’t have justice in Israel. The state is taking care of the Jewish population but neglecting the Arabs. It’s not new. It’s a political decision.”
National civil defense standards are set by the Home Front Command, while planning approval rests with local planning authorities, and cities are typically responsible for maintaining public shelters.
“As per the Civil Defense Law, public shelter construction is the responsibility of local authorities, whereas personal protection is an individual responsibility,” Home Front Command said in a statement responding to a request for comment on disparities in shelter access between Arab and Jewish communities in Israel.
It added, “The Home Front Command also takes measures to provide individual protection and to renovate public shelters, based on guidance from the political echelon and government decisions.”
Oct. 7, the subsequent conflict with Hezbollah and last year’s 12-day war with Iran drew stark attention to disparities that had deepened over time. A missile landed in Rahat, an Arab city in the south, killing multiple residents, and another strike in Tamra, in the north, killed several members of the same family.
Some efforts are underway to close the gap. A government initiative called Northern Shield worked to install shelters last year in homes and schools within a buffer zone of the Lebanese border, where rockets from Hezbollah are again flying now.
Nonprofit groups have also stepped into the gap. The International Fellowship of Christians and Jews, meanwhile, says it has worked with the government to install 700 shelters since Oct. 7, including several this week and some in a Druze village and in Haifa, a mixed city with large populations of both Jews and Arabs.
And the Israeli organization Standing Together, which advocates coexistence between Arabs and Jewish Israelis, has launched a campaign to crowdfund shelters for vulnerable Arab communities in the Negev.
But advocates say the efforts are far outmatched by the need. “While these initiatives are well-intentioned and deeply appreciated, the scale of the need in the unrecognized villages far exceeds the capacity of civil society,” Huda Abu Obaid, CEO of the Negev Coexistence Forum, said about the crowdfunding campaigns.
The Negev Coexistence Forum joined a lawsuit filed by the Reform movement-affiliated IRAC at the Supreme Court of Israel in 2024, alleging that Israel’s failure to build public shelters in Arab communities was a violation of their civil rights.
The government’s defense rested on high rates of illegal construction in Arab municipalities, which, in their view, absolved them of responsibility to ensure that mamads are installed in new homes. (Retrofitting mamads into older buildings is difficult and costly and not within the budget of any municipality, Arab or Jewish.)
The court sided with the government, ruling that the responsibility for building protective spaces rests with private homeowners and that the state is not obligated to build public shelters.
For Narov, the situation in the Negev is particularly galling because the extant planning process does not account for many Bedouin Arabs living there.
“They are not municipalities recognized by the government, so they can’t even build the shelters if they wanted to,” Narov said. He added, “This is the first responsibility of any state to its citizens: security to keep them safe from attacks, from the inside and definitely from the outside, as we’re experiencing right now.”
“If the law requires a protected room in every new building, but thousands of citizens are prevented from building legally or live in areas excluded from state planning frameworks, then the legal standard itself produces inequality,” Abu Obaid said. “Protection should not depend on municipal status, planning recognition or economic ability. It should be universal.”
The mandate that all new construction include a safe room in each unit or a basement shelter, first enacted in the 1990s, shifted Israel’s safeguards away from public shelters. That includes in east Jerusalem, which is administered by the the city of Jerusalem Municipality and hence the Israeli government, where no additional public shelters have been built in the last decade.
On March 2, an Iranian missile landed at the entrance to Ramat Shlomo, just a few kilometers from the neighborhood, injuring six Israelis.
Fatme, a doctor at a hospital in Jerusalem who was riding bus 218 toward the Qalandia checkpoint at the end of her workday on Monday, passed the crater on her way home. Still, she said, the debate was of little practical significance to her.
“There isn’t a single shelter in my neighborhood,” she said. “So when I hear the bombs, I just go on with my day.”
The post In Israel’s missile war, some families run to shelters. Others have nowhere to go. appeared first on The Forward.
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Trump says Iran war is ‘very complete, pretty much’ as US and Israel continue to pound Tehran
(JTA) — President Donald Trump gave mixed signals about the status of the U.S.-Israeli war on Iran on Monday, telling reporters that the war was “very complete, pretty much” even as he said that he would make a “mutual” decision with Israeli Prime Minister Benjamin Netanyahu about its end.
At the same time, he threatened Iran in a post on Truth Social, saying, “If Iran does anything that stops the flow of Oil within the Strait of Hormuz, they will be hit by the United States of America TWENTY TIMES HARDER than they have been hit thus far.”
Secretary of Defense Pete Hegseth said Tuesday would be “the most intense day” of strikes yet – while also noting that the pace of Iran’s missiles had slowed.
Three people have died from missile strikes in the last two days in Israel, as well as two Israeli soldiers killed when their tank was attacked while they fought Hezbollah forces in southern Lebanon. One of the soldiers killed was from Majdal Shams, a Druze town in Israel’s north where 12 children were killed by a Hezbollah rocket in 2024.
Trump’s comments come as oil prices surge amid disruption in the Middle East that has turned several U.S. allies in the region into Iranian targets. A leading pro-Israel senator has urged Israel to refrain from targeting Iranian oil depots, reflecting anxiety over sharply rising gas prices.
Trump told the Times of Israel that while Netanyahu would have input in the timing to end the war, he would make the final decision. He also declined to entertain the idea of Israel continuing to fight Iran after the United States exits, saying, “I don’t think it’s going to be necessary.”
Iranian officials, meanwhile, have vowed to continue fighting “as long as it takes” and are prepared for a long war.
And Netanyahu said on Tuesday morning that “more is to come” in the war.
The comments come as U.S. and Israeli forces continue to bomb targets in Iran in an attempt to end the country’s military ambitions, destroy its missile arsenal and potentially topple its Islamic Republic regime.
This week, the regime appointed Mojtaba Khamenei, the hard-line son of the assassinated supreme leader Ayatollah Ali Khamenei, as its new supreme leader in a show of defiance. Trump has said he is “not happy” with the choice and would like to see someone else installed.
The post Trump says Iran war is ‘very complete, pretty much’ as US and Israel continue to pound Tehran appeared first on The Forward.



