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A 1990s Israeli play is the feminist production NY needs right now

(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”

To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.

At the time, the play was a smash, winning the  Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.

Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.

“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.

“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”

The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.

As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.

“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”

“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.

One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?

This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.

From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)

In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.

In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.

Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.

“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff  will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”

In fact, the IAP team made no changes to the original text.

The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.

“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”

When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”

To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.

This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”


The post A 1990s Israeli play is the feminist production NY needs right now appeared first on Jewish Telegraphic Agency.

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Poland Returns Jewish Religious Objects to Greece Stolen by Nazis During WWII

A Torah scroll. Photo: Wikimedia Commons.

Poland on Wednesday returned 91 Jewish religious objects to Greece that were stolen by the Nazis from Greek synagogues and Jewish families during World War II.

The handover took place at a ceremony in Warsaw and marked the first time that Poland has repatriated cultural items illegally taken from their country of origin. The returned items included Torah scrolls, hanging ornaments, and fabrics.

The objects were stolen by the Einsatzstab Reichsleiter Rosenberg, a Nazi organization that focused on looting Jewish cultural items throughout Nazi-occupied Europe. The items were discovered in Poland after the war, and in 1951, the Polish Ministry of Culture transferred the Greek-Jewish artifacts to the Jewish Historical Institute in Warsaw, where they were stored until this week.

“These relics, which were removed from synagogues throughout Greece during the Second World War, are today on their way back to their homeland,” said Greece’s Minister of Culture Lina Mendoni. “These relics do not only have historical or artistic value. They are part of the memory of my country and of the Jewish Greeks. They are intertwined with narratives passed down by parents and grandparents. They connected with the memory of relatives who never returned from the camps, victims of the Holocaust … Their emotional weight is great and the desire of all of us for their return has been particularly intense.”

“In order to demand the return of what rightfully belongs to one, one must be ready to return what rightfully belongs to others, when there is a clear legal and moral obligation,” Mendoni added.

The Greek government officially requested the restitution of the Greek-Jewish artifacts in December 2024, and the World Jewish Restitution Organization worked with Greek and Polish authorities to organize the return of the items. The objects will now be transferred to the Jewish Museum of Greece in Athens.

“We have been waiting for this moment for many years,” said Poland’s Minister of Culture Marta Cieńkowska. “Today, we are living a historic moment. Thanks to the close and determined cooperation of our two ministries, to the systematic engagement of experts and researchers, in less than two years, we can deliver today this remarkable piece of history.”

Before World War II, approximately 77,000 Jews lived in Greece, according to Yad Vashem, Israel’s national memorial to the Holocaust. After Nazi Germany and its allies occupied the country, Greek Jews were deported to Nazi extermination camps and a total of 60,000 of the country’s Jewish population died in the Holocaust.

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Trump Seeks Kurdish Allies Against Tehran, but Analysts Say Plan Is Risky, Could Take Years

Iranian Kurdish fighters from the Kurdistan Freedom Party (PAK) take part in a training session at a base on the outskirts of Erbil, Iraq, Feb. 12, 2026. Photo: REUTERS/Thaier Al-Sudani

The Trump administration, weighing whether the war with Iran could eventually require US troops on the ground, has begun reaching out to Kurdish opposition leaders in Iran with an offer of “extensive US aircover” as it looks for ways to destabilize the regime while the American-Israeli campaign intensifies, an idea one analyst told The Algemeiner would be very difficult to translate into action.

The outreach comes amid reports from Iran that it had preemptively attacked Kurdish forces in Iraqi Kurdistan, claiming the strikes caused heavy losses.

According to The Washington Post, which cited people familiar with the matter, US President Donald Trump held calls with Kurdish minority leaders in Iraq, including Masoud Barzani and Bafel Talabani, as well as anti-regime Iranian Kurdish groups about taking control of areas in western Iran.

A senior official from the Patriotic Union of Kurdistan said Washington asked Iraqi Kurdish authorities to “open the way and not obstruct” and to “provid[e] logistical support” to Iranian Kurdish groups mobilizing in Iraq.

“He told us the Kurds must choose a side in this battle — either with America and Israel or with Iran,” the anonymous official told the paper.

Trump himself on Thursday encouraged Iranian Kurdish forces to go on the offensive but did not indicate whether the US has been coordinating with them.

“I think it’s wonderful that they want to do that; I’d be all for it,” the president told Reuters in an interview.

When asked if the US would provide air cover, Trump responded, “I can’t tell you that,” but noted that the Kurds’ objective would be “to win.”

“If they’re going to do that, that’s good,” he added.

Iran’s intelligence ministry said it had information that “separatist groups” intended to breach its western borders for an attack.

“We targeted the headquarters of Kurdish groups opposed to the revolution in Iraqi Kurdistan with three missiles,” the ministry said, according to a statement published by the state-run IRNA news agency.

Accounts diverged Wednesday night over whether an Iranian Kurdish ground invasion had begun. Fox News said Kurdish militias based in Iraq had crossed into Iran, but Tasnim, Iran’s semi-official outlet, reported via Reuters that its journalists in three border provinces found no evidence of an incursion. Israeli journalist Barak Ravid, who initially cited a US official as confirming the operation, later said reports were “conflicting,” adding that a senior official in one Iranian Kurdish faction also denied that any offensive was underway.

Peshawar Hawramani, a spokesperson for the government in the federated Kurdistan region of Iraq, known as the Kurdistan Region of Northern Iraq, has released a statement denying involvement in any incursions or armament. 

“[A]llegations claiming that we are part of a plan to arm and send Kurdish opposition parties into Iranian territory are completely unfounded,” Hawramani said, calling the reports “malicious.”

The London-based Asharq Al-Awsat outlet reported that Iranian Foreign Minister Abbas Araghchi and Ali Bagheri Kani, deputy secretary of Iran’s Supreme National Security Council, have pressed Iraqi officials for details about the phone calls between Trump, Barzani, and Talabani.

Iran also told Iraq’s federal authorities in Baghdad that it “must provide sufficient guarantees and take the necessary measures” to prevent Iraqi Kurdish groups from aiding Iranian opposition groups, the report said, citing unnamed sources. 

Iran’s Kurdish population — estimated at roughly 8 million to 12 million people — lives largely in mountainous western provinces along the Iraqi border, where several armed opposition factions have long operated and where some Iranian Kurdish groups maintain bases across the frontier in northern Iraq.

The country’s Kurdish minority has a long history of political activism based on decades of rebellion against central rule, a dynamic that predates the Islamic Republic. Kurdish forces briefly established their own state in northwestern Iran, the Republic of Mahabad in 1946, before it was crushed, and Kurdish groups have periodically clashed with successive governments in Tehran ever since.

A day earlier, CNN reported that the CIA has been working for months with Iranian Kurdish groups to foment an uprising.

US Defense Secretary Pete Hegseth told reporters Wednesday: “None of our objectives are premised on the support or the arming of any particular force. So, what other entities may be doing, we’re aware of, but our objectives aren’t centered on that.”

Northern Iraq’s Kurdistan region has long served as a rear base for Iranian Kurdish dissident groups, but only so long as local leaders kept them from launching attacks into Iran. That delicate arrangement could unravel if fighters mobilize across the border as part of the wider war effort, said Seth Frantzman, a regional analyst who has studied Kurdish militant groups.

If Iranian Kurdish factions begin operating from Iraqi territory and the broader US-Israeli campaign fails to decisively weaken Tehran, Kurdish authorities in Erbil and Sulaymaniyah could find themselves exposed to retaliation from Iran, Frantzman said. Leaders in Iraqi Kurdistan “have tried for years to keep the balance” hosting Iranian Kurdish opposition groups while maintaining a working relationship with Tehran, he said.

Even if Washington were prepared to support Kurdish factions, turning them into an effective anti-regime force would take far longer than the current conflict timeline suggests.

Frantzman said any outside backing would take time to put in place, requiring logistics channels and training. “These types of programs, advising and assisting groups, or arming them, takes time,” he said, pointing to past US experiences from Afghanistan to Syria as examples. 

Frantzman said Kurdish factions would be looking for assurances that outside support would last, wary of being pulled into an uprising only to be left exposed if backing fades and Tehran reasserts control.

“They would be very wary and skeptical of taking chances today, having already lost lives and lost territory,” he told The Algemeiner.

He pointed to several examples, most notably the US-backed Kurdish campaign against the Islamic State terrorist group in Syria, when Washington trained and equipped Kurdish fighters to form the backbone of the Syrian Democratic Forces in 2015. The campaign, which took more than four years, required sustained support and came at a heavy cost, with about 11,000 fighters killed.

Even that effort, he noted, which targeted a terrorist group in a limited area rather than an established state, took over four years to complete. Any comparable attempt inside Iran — a country of roughly 90 million people with a far larger military and security apparatus — would be far more difficult.

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Redeeming the Time, Rabbinically

Reading from a Torah scroll in accordance with Sephardi tradition. Photo: Sagie Maoz via Wikimedia Commons.

We live in a culture that is very good at avoiding ultimate questions. Death is kept offstage. Time is treated as infinite. The modern self is trained to strive, consume, showcase, curate, and distract, but not often to reckon. The deepest matters are postponed, not necessarily out of malice, but out of habit: there is always another headline, another obligation, another performance of busyness.

That is why Ben Sasse’s recent conversation with Peter Robinson at the Hoover Institution lands with unusual force. On its surface, it is an interview with a former senator and university president. In reality, it is something rarer in modern elite discourse: an unsparing confrontation with mortality.

Sasse has been diagnosed with stage-four pancreatic cancer. The question hovering over the exchange is not legislative strategy or partisan maneuvering, but what remains when the usual distractions and ambitions are stripped of their power. He speaks candidly about regret, forgiveness, prayer, and what he calls “redeeming the time”: learning, as life narrows, to hold ambition lightly and to love more deliberately.

It is a moving reflection. But it is also, in a deeper sense, an ancient one.

Judaism has long insisted that the awareness of death is not a morbid fixation but a form of moral clarity. Kohelet – the book of Ecclesiastes – offers the sober verdict that modern life works so hard to avoid: “Vanity of vanities; all is vanity.” Not because nothing matters, but because so much of what we chase is mist: acclaim, accumulation, the restless display of importance.

The rabbis sharpen the point further. “Repent one day before your death,” the Talmud teaches. The student, understandably, asks: But how can a person know the day of death? And the answer is the point: Precisely because no one knows, one must repent today.

In other words, the moral task is not postponed until the final crisis. The human condition is already one of finitude. The question is whether we live as if we remember it.

This is what the Jewish tradition calls cheshbon hanefesh — an accounting of the soul. Not an exercise in self-obsession, but in proportion. What matters? What endures? What have we mistaken for ultimate that is, in truth, only temporary?

Judaism’s most piercing liturgical moment, recited each year on Rosh Hashanah and Yom Kippur, makes the matter unavoidable: “Who shall live and who shall die … Who by water and who by fire…”

Unetaneh Tokef does not offer comfort through denial. It offers clarity through truth: life is fragile, time is borrowed, and our pretensions are thin.

What mortality does, what Sasse’s diagnosis forces into view, is the stripping away of the false absolutisms that so often govern modern life. Reputation becomes less urgent. The metrics of elite success begin to look strangely weightless. And what remains, if we are fortunate, is relationship: family, forgiveness, obligation, love, and the hope that one’s days have been oriented toward something beyond the self.

Sasse, in his own Christian idiom, is showcasing ideas that Judaism has long institutionalized: the urgency of finitude, the moral demand of time, the necessity of living now as if the horizon is real.

His reflections are poignant precisely because modern America is, in so many respects, a culture of evasion. We have constructed entire systems – technological, professional, political – designed to keep first things at bay. Attention is scattered. Status becomes performative. The self becomes a brand. Seriousness is treated as optional.

And nowhere is this evasion more concentrated than among the people who govern our institutions. Our ruling class speaks endlessly in the language of urgency – power, justice, crisis – while quietly building lives organized around careerism, self-protection, and distraction. We have created a secular priesthood of ambition that cannot speak honestly about death, judgment, or the limits of human control.

The rabbis would recognize the spiritual danger immediately. They were never sentimental about public striving. Honor, they warned, is intoxicating. Recognition is fleeting. The pursuit of status can become a kind of idolatry; not because achievement is evil, but because the modern temptation is to treat achievement as ultimate.

“It is not your duty to finish the work,” Pirkei Avot teaches, “but neither are you free to desist from it.” The line captures Judaism’s balance: responsibility without grandiosity, obligation without self-worship. The work matters, but the work is not God.

That balance is precisely what our age lacks. We live amid unprecedented technological abundance, yet also amid unprecedented distraction. The self is curated. Attention is monetized. Institutions are hollowed out not only by ideology, but by exhaustion and drift.

Nowhere is this more visible than in higher education itself. Our most credentialed institutions often train young people to speak endlessly about justice and power, while offering them remarkably little formation in humility, duty, or the permanent things. They produce graduates fluent in moral performance, yet increasingly incapable of moral seriousness.

Even politics, which once demanded sacrifice, is increasingly consumed as spectacle: another theater of resentment, branding, and noise.

And yet a republic cannot survive on noise. Democracies depend on citizens capable of restraint, gratitude, seriousness, and moral perspective. They require people who can locate politics within a larger horizon of obligation – family, faith, community, the inheritance of civilization itself. A nation that cannot distinguish the urgent from the ultimate will not remain healthy or free for long.

Sasse’s conversation is powerful not because it offers a novel insight, but because it forces an old truth back into view: time is not infinite, ambition is not redemption, and the ultimate questions cannot be deferred forever.

The High Holy Day liturgy does not ask whether we will die. It assumes it. It asks instead what we will do with the time we are given: “Who shall live and who shall die…”

Death is the one fact no algorithm can curate and no institution can evade. It strips away our distractions and reveals what is real. The question is not whether life is short. The question is whether we will go on pretending otherwise – until we no longer have the luxury.

“Teach us to number our days,” we regularly pray, “that we may gain a heart of wisdom.”

And wisdom begins when we stop confusing busyness for meaning, ambition for redemption, and noise for life.

Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.

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