Uncategorized
A 1990s Israeli play is the feminist production NY needs right now
(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”
To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.
At the time, the play was a smash, winning the Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.
Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.
“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.
“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”
The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.
As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.
“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”
“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.
One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?
This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.
From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)
In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.
In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.
Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.
“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”
In fact, the IAP team made no changes to the original text.
The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.
“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”
When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”
To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.
This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”
—
The post A 1990s Israeli play is the feminist production NY needs right now appeared first on Jewish Telegraphic Agency.
Uncategorized
Car Torched in Antwerp in Suspected Antisemitic Attack, Says Belgian Official
A Jewish man rides past Belgian army personnel patrolling a street as part of a deployment of soldiers outside Jewish institutions in Antwerp and Brussels following attacks at Jewish sites in Belgium and other European countries, in Antwerp, Belgium, March 23, 2026. Photo: REUTERS/Yves Herman
The torching of a car overnight in Antwerp, for which two minors were arrested, is being treated as a suspected antisemitic attack, a Belgian official said on Tuesday.
European countries including Belgium, the Netherlands, and Britain have witnessed incidents targeting the Jewish community since the United States and Israel launched their war on Iran on Feb. 28.
Belgium on Monday deployed soldiers on the streets of its biggest cities to bolster security at Jewish sites including synagogues and schools.
A spokesperson for the Antwerp prosecutor said an investigation was under way, and that the two suspects had been arrested shortly before midnight on Monday, moments after the attack.
They said a video circulating on social media that purportedly showed the arson attack appeared authentic and was part of the investigation. Reuters did not independently verify the video.
Over the past two weeks, synagogues have been attacked in Liege, Belgium, and in the Dutch city of Rotterdam, as well as a Jewish school in Amsterdam. In Britain, counter-terrorism officers are leading an investigation into an attack on Jewish community ambulances.
“There must be a thorough investigation and decisive action to put an end to this climate of intimidation before it spirals further,” Israel’s ambassador to Belgium, Idit Rosenzweig-Abu, said on X.
The SITE Intelligence website said an Iran-aligned multinational militant collective called Islamic Movement of the People of the Right Hand had claimed responsibility for the attack near a synagogue in Golders Green, London.
It said the group had been behind the fires in Liege, Rotterdam, and Amsterdam.
Mark Rowley, London’s police chief, said the claim was one of the lines of inquiry being pursued.
Uncategorized
Iran Toughens Negotiating Stance Amid Mediation Efforts, Sources Say
Iranian Foreign Minister Abbas Araqchi speaks during a press conference following talks with Russian Foreign Minister Sergei Lavrov in Moscow, Russia, Dec. 17, 2025. Photo: REUTERS/Ramil Sitdikov/Pool
Iran’s negotiating posture has hardened sharply since the war began, with the Islamic Revolutionary Guard Corps (IRGC) exerting growing influence over decision-making, and it will demand significant concessions from the United States if mediation efforts lead to serious negotiations, three senior sources in Tehran said.
In any talks with the US, Iran would not only demand an end to the war but concessions that are likely red lines for US President Donald Trump – guarantees against future military action, compensation for wartime losses, and formal control of the Strait of Hormuz, the sources said.
Iran would also refuse to negotiate any limitations to its ballistic missile program, they said, an issue that had been a red line for Tehran during the talks that were taking place when the US and Israel launched their attack last month.
Trump said on Monday that Washington had already had “very, very strong talks” with Tehran more than three weeks into the war, but Iran has publicly denied this.
The three senior sources said Iran had only had preliminary discussions with Pakistan, Turkey, and Egypt over whether the groundwork existed for talks with the United States over ending the war.
A European official said on Monday that, while there had been no direct negotiations between Iran and the US, Egypt, Pakistan, and Gulf states were relaying messages. A Pakistani official and a second source also said on Monday that direct talks on ending the war could be held in Islamabad this week.
Pakistan‘s prime minister said on Tuesday he was willing to host talks between the US and Iran on ending the war in the Gulf, a day after Trump postponed threats to bomb Iranian power plants, saying there had been “productive” talks.
However, the US was expected to deploy thousands of troops from the elite 82nd Airborne Division to the Middle East, two people familiar with the matter told Reuters on Tuesday, adding to the massive military buildup in the region and fueling fears of a prolonged conflict.
In a post on X, Prime Minister Shehbaz Sharif said Pakistan welcomed and fully supported ongoing efforts to pursue dialogue to end the war.
“Subject to concurrence by the US and Iran, Pakistan stands ready and honored to be the host to facilitate meaningful and conclusive talks for a comprehensive settlement,” he said.
A Pakistani government source said discussions on a meeting were at an advanced stage and if it did happen, “a big ‘if,’” it would take place within a week. Pakistan has long-standing ties to neighboring Iran‘s Islamic Republic and has been building a relationship with Trump.
If any such talks were arranged, Iran would send Parliament Speaker Mohammad Baqer Qalibaf and Foreign Minister Abbas Araqchi to attend, the three Iranian sources said, cautioning that any decisions would ultimately lie with the hardline IRGC.
Iran’s use of ballistic missiles and its ability to effectively close the Strait of Hormuz, through which about a fifth of the world’s oil and liquefied natural gas usually flows, have been its most effective responses to the US-Israeli strikes.
It could not agree to give these up without leaving itself defenseless against further attacks, analysts say.
Inside Iran, domestic concerns are also constraining Tehran’s maneuvering room in negotiations, the senior Iranian sources said.
These concerns included the greater clout of the Revolutionary Guards, uncertainty at the top of the system, with the new Supreme Leader Mojtaba Khamenei having not yet appeared in photographs or video since his appointment, and a public narrative of resilience in the war.
Uncategorized
The JCPOA’s Sunset Has Arrived — and Iran Just Proved It
Deputy Secretary General of the European External Action Service (EEAS) Enrique Mora and Iran’s chief nuclear negotiator Ali Bagheri Kani and delegations wait for the start of a meeting of the JCPOA Joint Commission in Vienna, Austria December 17, 2021. EU Delegation in Vienna/EEAS. Photo: Handout via REUTERS
On the night of March 20-21, 2026, Iran launched two ballistic missiles at the joint US-UK base on Diego Garcia, an atoll in the Indian Ocean nearly 4,000 kilometers from Iranian territory. One failed in flight; the second was intercepted. Neither struck the base.
Iran’s Foreign Minister had stated weeks earlier that Tehran had deliberately capped its missile range at 2,000 kilometers. The gap between that claim and this week’s launch is not merely a military story. It is the story of the Iran nuclear deal (known as the Joint Comprehensive Plan of Action — JCPOA), and a direct answer to the question dividing Western foreign policy for a decade: what happens when the world tries to engage diplomatically with Iran?
On July 14, 2015, President Obama announced the JCPOA, and declared: “This deal is not built on trust. It is built on verification. We will be in a position to know if Iran is violating the deal.”
In 2026, that verification looks like a missile fired at a base 4,000 kilometers away, when Iran claimed its range limit was half that distance.
The Iran nuclear deal rested on a core assumption: that Tehran had come clean about its military history. The exposure of Iran’s nuclear archive by the Mossad, presented by Prime Minister Netanyahu in 2018, proved otherwise. Tehran had transferred its ambitions to a classified track, preserving its knowledge base intact and waiting for the restrictions to expire.
The JCPOA’s sunset clauses tell the story plainly. In October 2020, the UN arms embargo expired, allowing Iran to legally purchase tanks and aircraft from Russia and China. In October 2023, all restrictions on Iran’s ballistic missile and drone programs expired. In October 2025, the nuclear file was removed from the UN Security Council’s agenda.
Obama acknowledged this in an April 7, 2015 NPR interview with Steve Inskeep: in years 13 through 15, breakout times would shrink toward zero. The deal bought time. The question was always what that time would be used for.
The financial consequences were immediate. Iran gained access to over $100 billion in frozen assets. EU-Iran trade peaked at 20.7 billion euros in 2017. Airbus signed a $19 billion aircraft deal. TotalEnergies signed a $5 billion energy contract. Iran’s GDP grew 12.5 percent in 2016, per IMF data.
When asked in April 2016 whether this windfall would empower the Revolutionary Guard Corps, President Obama, speaking to Jeffrey Goldberg for The Atlantic’s “The Obama Doctrine,” argued that Iran’s infrastructure needs were too vast to leave room for IRGC expansion.
The evidence did not support that premise. The precision-guided munitions transferred to Hezbollah, the drones supplied to the Houthis, and the missile program that reached Diego Garcia were not funded by a government that ran short of money for domestic investment. The capital was fungible, and a revolutionary government proved capable of allocating it accordingly.
In that same interview, Obama called on Saudi Arabia and Iran to share the neighborhood, treating their rivalry as symmetrical rather than as a confrontation between a US partner and a state committed to violently reordering the region.
Within the administration, JCPOA preservation had become the flagship foreign policy achievement, generating a powerful institutional logic: any action risking Iranian withdrawal had to be weighed against losing the agreement. Governments in Jerusalem and Riyadh did not need to be told that escalation carried costs in Washington. Tehran read the architecture with precision. The years between 2015 and 2018 were among the most consequential in the construction of Iran’s regional proxy network.
The deal’s defenders argue, correctly, that it extended Iran’s nuclear breakout time from roughly two months to approximately one year, and that the 2018 withdrawal accelerated the nuclear advances it was meant to prevent. Iran today enriches uranium to 60 percent, a level prohibited under the agreement. These are factual claims.
The harder question is whether the framework was ever capable of a durable outcome. The sunset clauses suggest it was not designed to be. It was designed to buy time. In effect, it risked enabling Iran to reach a nuclear arsenal with international legitimacy. In such a scenario, the Middle East would face a new reality in which Iran possesses nuclear capability and reshapes the regional balance of deterrence. The missiles fired at Diego Garcia offer one answer.
Obama said in 2015 that the best outcome was to place Iran inside a box. The execution rested on assumptions that the nuclear archive, the proxy wars, and the Diego Garcia launch have each challenged in turn.
The next framework will need a different foundation: one that does not schedule its own obsolescence, does not assume capital flows moderate revolutionary ideology, and does not treat military responses to Iranian aggression as threats to diplomatic progress. Building it, before the current conflict forces the question under far worse conditions, is the most urgent task in Western foreign policy today.
Sagiv Steinberg is the CEO of the Jerusalem Center for Security and Foreign Affairs (JCFA), a leading Israeli research institute. He has an extensive background in senior leadership positions across the Israeli and global media landscape.
