Uncategorized
A 1990s Israeli play is the feminist production NY needs right now
(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”
To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.
At the time, the play was a smash, winning the Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.
Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.
“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.
“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”
The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.
As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.
“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”
“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.
One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?
This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.
From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)
In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.
In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.
Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.
“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”
In fact, the IAP team made no changes to the original text.
The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.
“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”
When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”
To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.
This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”
—
The post A 1990s Israeli play is the feminist production NY needs right now appeared first on Jewish Telegraphic Agency.
Uncategorized
Yemen’s Separatists Appear to Split, Reflecting Saudi-UAE Rift
Supporters of the UAE-backed separatist Southern Transitional Council (STC) hold a poster of Aidarous al-Zubaidi, the STC’s leader, who, according to the Saudi-backed coalition, fled to an unknown destination, in Aden, Yemen, Dec. 21, 2025. Photo: REUTERS/Fawaz Salman
Yemen’s main separatist group appeared split on Friday as some members announced it was disbanding, reflecting a feud between Gulf powers Saudi Arabia and the United Arab Emirates that was blown into the open by a separatist advance last month.
Saudi-backed fighters have largely retaken areas in southern and eastern Yemen seized by the UAE-backed Southern Transitional Council (STC) in December, and an STC delegation has traveled to the Saudi capital Riyadh for talks.
However, STC leader Aidarous al-Zubaidi fled Yemen on Wednesday instead of joining the talks, with the Saudi-led coalition in Yemen saying the UAE had helped spirit him away on a flight that was tracked to a military airport in Abu Dhabi.
One of the members who traveled to Riyadh for the talks said in a statement broadcast on Saudi state media on Friday that the group had decided to disband.
But the STC says it has had no communication with the delegation that initiated the talks under Saudi sponsorship.
A spokesperson who did not travel to Riyadh and is close to Zubaidi said any decision on the group’s fate can only be taken by the entire council, including its leader.
Any such decision would only be taken once the delegation in Riyadh “is released,” he said.
Saudi Arabia’s Defense Minister Khalid bin Salman welcomed the decision as a “brave” one. A conference would be held in Saudi Arabia to discuss southern Yemeni issues with all groups invited, he said.
Saudi Arabia and the UAE had previously worked together in a coalition battling the Iran-backed Houthis in Yemen’s civil war, a conflict which caused one of the world’s worst humanitarian crises.
But the two most powerful countries in the Gulf have had sharp differences over issues ranging from geopolitics to oil output. Their rivalry was exposed when the STC advanced to within reach of Yemen’s border with Saudi Arabia, which Riyadh declared a threat to its national security.
The STC on Friday called for mass protests in the southern cities of Aden and Mukalla, urging supporters to rally on Saturday in a show of “loyalty and steadfastness” amid the political crisis.
Authorities in Aden aligned with Yemen’s Saudi-backed government later ordered a ban on demonstrations in the southern city, citing security concerns, according to an official directive seen by Reuters.
Uncategorized
Gal Gadot to Produce, Potentially Star in Paramount Film Adaption of ‘Recovery Agent’ Book Series
Gal Gadot at the 82nd Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, California on Sunday, Jan. 5, 2025. Photo: Dan MacMedan-USA TODAY via Reuters Connect
Paramount Pictures has acquired the rights to the bestselling Recovery Agent book series by Janet Evanovich, and Israeli actress Gal Gadot will produce and potentially star in the feature film, Deadline reported.
The former “Wonder Woman” star and her husband and business partner Jaron Varsano will produce under their television and film production company Pilot Wave, with a screenplay written by Ellen Shanman (“Voltron”). Paramount will also develop and produce the film with Carol Mendelsohn and Julie Weitz from Carol Mendelsohn Productions, according to Deadline.
The Recovery Agent was published in 2022 and its sequel “The King’s Random” was published in November 2025, each by Atria Books. Both books have been New York Times bestsellers. The protagonist in Evanovich’s book series is Gabriela Rose, an international recovery agent who specializes in retrieving stolen or lost high-value items, often in dangerous missions. Her partner is her ex-husband Rafer Burke, and together they travel the world looking for valuable treasures.
Gadot’s most recent credits include Julian Schnabel’s “In the Hand of Dante,” which premiered at the 2025 Venice Film Festival, Kevin Macdonald’s action thriller “The Runner” for Amazon International, and the live-action remake of the Disney classic “Snow White.” Her past credits include the “Wonder Woman” films, the “Fast & Furious” franchise, “Heart of Stone,” and “Red Notice,” which is Netflix’s second most-popular film of all time.
Evanovich has written 46 New York Times bestsellers over the last 28 years and has sold over 200 million books worldwide, according to Deadline. She is also the author of the Stephanie Plum 31-book series and its most recent installment, Now or Never, debuted on top of the New York Times bestseller list.
Uncategorized
Iran Shuts Off Internet as Anti-Regime Protests Intensify Across Country
Protesters gather as vehicles burn, amid evolving anti-government unrest, in Tehran, Iran, in this screen grab obtained from a social media video released on Jan. 9, 2026. Photo: Social Media/via REUTERS
Iran was largely cut off from the outside world on Friday after authorities blacked out the internet to curb growing unrest, as video showed buildings aflame in anti-government protests raging in cities across the country.
Rights groups have already documented dozens of deaths of protesters in nearly two weeks and, with Iranian state TV showing clashes and fires, the semi-official Tasnim news agency reported that several police officers had been killed overnight.
In a televised address, Supreme Leader Ayatollah Ali Khamenei vowed not to back down, accusing demonstrators of acting on behalf of émigré opposition groups and the United States, and a public prosecutor threatened death sentences.
DOZENS KILLED IN TWO WEEKS OF PROTEST
The protests pose the biggest internal challenge in at least three years to Iran‘s clerical rulers, who look more vulnerable than during past bouts of unrest amid a dire economic situation and after last year’s war with Israel and the United States.
While the initial protests were focused on the economy, with the rial currency losing half its value against the dollar last year and inflation topping 40% in December, they have morphed to include slogans aimed directly at the authorities.
Iranian rights group HRANA said on Friday it had documented the deaths of at least 62 people including 14 security personnel and 48 protesters since demonstrations began on Dec. 28.
The internet blackout has sharply reduced the amount of information flowing out of the country. Phone calls into Iran were not getting through. At least 17 flights between Dubai and Iran were canceled, Dubai Airport’s website showed.
Images published by state television overnight showed what it said were burning buses, cars, and motorbikes as well as fires at underground railway stations and banks.
Videos verified by Reuters as having been taken in the capital Tehran showed hundreds of people marching. In one of the videos, a woman could be heard shouting “Death to Khamenei!”
Other chants included slogans in support of the monarchy.
Iranian rights group Hengaw reported that a protest march after Friday prayers in Zahedan, where the Baluch minority predominates, was met with gunfire that wounded several people.
Authorities have tried a dual approach – describing protests over the economy as legitimate while condemning what they call violent rioters and cracking down with security forces.
Last week President Masoud Pezeshkian urged authorities to take a “kind and responsible approach,” and the government offered modest financial incentives to help counter worsening impoverishment as inflation has soared.
But with unrest spreading and clashes appearing more violent, the Supreme Leader, the ultimate authority in Iran, above the elected president and parliament, used much tougher language on Friday.
“The Islamic Republic came to power through the blood of hundreds of thousands of honorable people. It will not back down in the face of vandals,” he said, accusing those involved in unrest of seeking to please US President Donald Trump.
Tehran’s public prosecutor said those committing sabotage, burning public property, or engaging in clashes with security forces would face the death penalty.
FRAGMENTED OPPOSITION
Iran‘s fragmented external opposition factions called for more protests, and demonstrators have chanted slogans including “Death to the dictator!” and praising the monarchy that was overthrown in 1979.
Reza Pahlavi, exiled son of the late shah, told Iranians in a social media post: “The eyes of the world are upon you. Take to the streets.”
However, the extent of support inside Iran for the monarchy or for the MKO, the most vocal of émigré opposition groups, is disputed. A spokesperson for the MKO said units with the group had taken part in the protests.
“The sense of hopelessness in Iranian society is something today that we haven’t seen before. I mean, that sense of anger has just deepened over the years and we are at record new levels in terms of how Iranian society is upset,” said Alex Vatanka of the Middle East Institute in Washington.
Trump, who bombed Iran last summer and warned Tehran last week that the US could come to the protesters’ aid, said on Friday he would not meet Pahlavi and was “not sure that it would be appropriate” to support him.
Despite the increased pressure, Iranian Foreign Minister Abbas Araqchi said on Friday the chance of foreign military intervention in Iran was “very low.” He said the foreign minister of Oman, which has often interceded in negotiations between Iran and the West, would visit on Saturday.
UN rights chief Volker Turk said he was “deeply disturbed by reports of violence” and by communications shutdowns.
The Islamic Republic has weathered repeated bouts of major nationwide unrest across the decades, including student protests in 1999, mass demonstrations over a disputed election outcome in 2009, demonstrations over economic hardships in 2019, and the Woman, Life, Freedom protests in 2022.
The 2022 protests, sparked by the killing of a young woman in the custody of Iran‘s Islamic morality police, drew a large variety of people onto the streets, with men and women, old and young, rich and poor.
They were ultimately suppressed, with hundreds of people reported killed and thousands imprisoned, but authorities also subsequently ceded some ground with women now routinely disobeying public dress codes.