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A 1990s Israeli play is the feminist production NY needs right now
(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”
To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.
At the time, the play was a smash, winning the Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.
Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.
“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.
“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”
The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.
As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.
“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”
“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.
One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?
This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.
From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)
In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.
In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.
Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.
“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”
In fact, the IAP team made no changes to the original text.
The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.
“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”
When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”
To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.
This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”
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The post A 1990s Israeli play is the feminist production NY needs right now appeared first on Jewish Telegraphic Agency.
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What It’s Like in Israel — During ‘Operation Lion’s Roar’
An Israeli air defense system intercepts a ballistic missile barrage launched from Iran to central Israel during a missile attack. Photo: Eli Basri / SOPA Images via Reuters Connect
I haven’t been sleeping much.
It starts with an (intentionally) obnoxious screech on your phone that overrides all your “leave me alone” settings, and harangues you that a missile alarm has gone off. The radar and satellite tech behind this disruptive howl is almost magical, but in the moment, no one cares.
Then the promised air raid sirens sound all around: you have 90 seconds to reach a bomb shelter.
Fortunately, there’s a bomb shelter in my building. Some aren’t so lucky: they run down the block to public shelters, or to Tel Aviv’s new underground subway, which was built with this exact scenario in mind.
The attacks come in waves of an hour or two.
Imagine having a baby that wakes you up all day and night, except instead of a baby it’s a homicidal Islamist regime, and instead of wanting to be changed or fed, it wants to kill you.
Emergency notifications from the Israeli Home Front Command indicating the approach of Iranian missiles. Photo: Daniel Pomerantz.
Israel has the most advanced, multi-layered missile defense system in human history, but it’s only about 88% effective — and that remaining 12% takes out entire apartment buildings. Iran already claimed its first victims in Israel and across the region.
This war is horrible, but there are many reasons Israel needed to wage it:
1. Iran is developing nuclear weapons.
This isn’t some Iraq era claim of “WMDs” — we know this is true because (among other reasons) Iran essentially says so. The regime very publicly insists on enriching uranium up to levels that have no possible use other than making warheads, all while paradoxically claiming “peaceful purposes.”
And if all that weren’t enough, Iran hides its “peaceful” nuclear program hundreds of feet under a mountain. Make of that what you will.
2. Iran is also developing ICBMs (intercontinental ballistic missiles) capable of reaching the United States. We know this because (again) the regime says so. A lot. They brag about it. This is not a question mark.
3. Iran’s terror proxies have killed thousands of Americans, Israelis, Europeans, and Arabs, including the Beirut barracks bombing that took the lives of 220 US Marines, and the unimaginable October 7 Massacre in Israel. Claiming that the work of proxies isn’t “really” Iran’s doing this is like hiring a hitman and then claiming that you didn’t “personally” murder anyone.
4. Of course, the greatest victims are the Iranian people, 80% of whom want to overthrow the regime — after 47 years of unimaginable suffering. This regime murdered thousands of its own people just last month, most for protesting, some for using Star Link terminals.
We seem to forget that military might can be used appropriately and effectively.
For every nightmare of intervention, such as Iraq or Afghanistan, there are also success stories, such as Libya, Kosovo, and most recently, Venezuela. And this isn’t even “intervention,” this is self defense. The regime’s President Masoud Pezeshkian declared in December, “we are in a full-fledged war with America, Israel, and Europe,” as Iranian officials continued to scream “Death to America” in the halls of Parliament, and on the streets.
And Iran puts its money where its mouth is: backing up its homicidal rhetoric with actual homicide. Lots of it.
Iran is now spreading a distorted history, claiming that all of its problems can be traced to America. That isn’t true: it’s a psyop, designed to weaponize our democracy against us. One can debate whether America should have helped affect a coup in Iran in 1953, but the leadership America helped bring to power back then (the “Shah”) is the very same leadership whose return the Iranian people are now risking their very lives to demand. America and the Iranian people are completely aligned in this, and the death of Ayatollah Khamenei was met by cheers and celebrations.
Genocidal maniacs have a way of telling us exactly what they plan to do: we ignored Hitler in the run up to World War II, we ignored Al-Qaeda in the years before 9/11, and we now ignore Iran at our peril.
But we’re not ignoring Iran.
We must hope that the people of Iran are ready to take back their country, and institute a new, organized government. It is entirely possible that Iran, the Middle East, and the world at large are on the verge of greater peace and stability than we have seen, or even imagined, in any of our lifetimes.
But we aren’t there yet, and we need the united support of all our allies, and our entire democracy, in order to succeed.
Daniel Pomerantz is the CEO of RealityCheck, an organization dedicated to deepening public conversation through robust research studies and public speaking.
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Family of Former FBI Agent Robert Levinson Demands Iran Be Held ‘Accountable,’ Return His Remains
People walk near a mural featuring images of Iran’s Supreme Leader Ayatollah Ali Khamenei and leader of Iran’s 1979 Islamic Revolution Ayatollah Ruhollah Khomeini, on a street in Tehran, Iran, Feb. 17, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
The family of former FBI agent Robert Levinson, who disappeared in Iran in 2007 and is believed to have died while in Iranian custody, is calling on the Trump administration to make sure Tehran returns his remains and is held “accountable” for its actions following this weekend’s US-Israel airstrikes on the Islamic Republic.
Washington has maintained that Levinson, a retired FBI special agent, was taken by Iranian officials on March 9, 2007, while working as a private contractor for the CIA on the Iranian island of Kish, where he had traveled to meet a source. His family was never informed of what officially happened to the American citizen, but in 2020, the US government officially concluded he had died while in Iran’s custody. The details and circumstances surrounding his death remain unknown. Levinson was a father of seven children.
Levinson’s family issued a statement, shared on social media, following Saturday’s killing of Iranian Supreme Leader Ayatollah Ali Khamenei in the US-Israel airstrikes.
“For nearly 19 years, Iran has lied, obstructed, and refused to answer for the kidnapping, detention, and death of our father, Robert Levinson,” the family said in its statement. “Ayatollah Ali Khamenei led the regime responsible for these crimes. His death does not erase what Iran did to our father, and it does not end our fight for accountability. But it is a significant moment for our family and for every family that has suffered at the hands of this regime’s hostage-taking and wrongful detention.”
“Now Iran must do what it has refused to do for nearly two decades: provide full accountability for what happened to our father, return his remains to our family, and disclose the truth about his kidnapping, imprisonment, and death,” they added. “Our family will not stop demanding the truth. And we will not stop demanding justice.”
The family also expressed gratitude to US President Donald Trump and Secretary of State Marco Rubio “for using the power of the United States to confront Iran and to hold it accountable, including by recognizing and addressing Iran’s long-standing practice of wrongful detention.”
Levinson’s son, Dan Levinson, talked to “Fox & Friends” over the weekend about the need for the Trump administration to pressure Iran to take accountability.
“We’re just looking for answers. We still don’t know what exactly happened to him,” the younger Levinson said of his father. “There was no person more responsible for my father’s fate than Ayatollah Khamenei. At any time he could have waved his hand and had my dad released. He chose not to. We begged and pleaded. We sent so many letters. I went over there twice asking for a meeting and his people rebuffed us. Ignored us.”
Levinson said there is still a $25 million reward for information leading to the recovery and return of his father’s remains.
In March 2025, the United States imposed sanctions on three Iranian intelligence officers for their alleged involvement in Levinson’s disappearance.
In December 2020, the US Treasury Department’s Office of Foreign Assets Control sanctioned two other Iranian officials who are accused of authorizing Levinson’s 2007 abduction. The FBI released posters seeking information about them last year.
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The Jewish space lasers are real — well, kind of
Everyone made fun of Marjorie Taylor Greene when she said that Rothschild-funded space lasers had caused forest fires.
But, as it turns out, the space lasers are real. Well, sort of. They aren’t starting forest fires or causing major weather events, as Greene claimed in her post. Israel does, however, have a laser that shoots in the general direction of space. But that’s enough for some conspiracy theorists to feel vindicated.
“No longer a ‘Conspiracy Theory.’ Israel just used a Directed Energy Weapon (DEWs),” reads one viral tweet about the lasers. “During Biden’s term the media worked relentlessly to Fact Check these weapons as conspiracy theories.”
Indeed, as Israel and Iran exchanged missiles over the weekend, videos circulated online purporting to show Israel shooting down missiles using a laser. In the video, missiles launched by Hezbollah from southern Lebanon, near the border with Israel, appear to flame out moments after taking off. (Israel has yet to officially confirm that the rockets were shot down by lasers, and the videos aren’t definitive; the missiles could have been defective and burned out on launch.)
But it is true that Israel has been working on defensive lasers for years. In 2022, Prime Minister Naftali Bennett said, “We have successfully completed a series of tests on our new ‘Iron Beam’ laser air defense system. This may sound like science fiction, but it’s real.” The laser system was reportedly delivered and deployed across Israel in December.
“It has nothing to do with the ‘Jewish space laser’ conspiracy theory,” said Mike Rothschild, a researcher on extremism and author of Jewish Space Lasers: The Rothschilds and 200 Years of Conspiracy Theories. “Conspiracy theorists often take real or in-development technology and twist it around for their own purposes.”
The laser works by shooting a grouping of small beams toward the projectile it is attempting to destroy, explains a report on the system’s development in National Defense Magazine. When one hits its target, the beams concentrate on the target until it is incinerated.
The lasers are less effective than the existing Iron Dome system, which works by intercepting missiles with other missiles and exploding them before they hit the ground. The laser can only reach missiles within about a 10 kilometer range, and, like any beam of light, can be blocked by terrain or atmospheric conditions like haze or clouds. On the other hand, the lasers are cheap to use, since they don’t require a ballistic missile for each engagement, and, for the same reason, they cause less collateral damage from falling debris.
The existence of the laser and its first — or first public — deployment has plenty of people joking about Jewish space lasers being real, and apologizing to Greene, though the Iron Beam has little to do with Greene’s allegations of a laser used to start targeted forest fires for government profit.
Conspiracy theorists may be crowing about the supposedly huge secret they’ve uncovered. But the laser isn’t secret at all. The Iron Beam is a well-funded and well-publicized project that has been in development for years, funded by both the U.S. and Israel. The first model was unveiled in 2014 at the Singapore Air Show. Smaller versions have been used to shoot down drones at close range for the past several years.
The aura of secrecy is key to the world of conspiracy theories. If antisemites can frame anything done by Jews or Israel as an underground, hidden project, it gains an undertone of corruption and danger.
The Iron Beam, however, has its own Wikipedia page. It features 40 sources — which means there are at least 40 other articles, going back over a decade, about the laser defense device. If you think that’s a secret, you’re just not paying attention.
The post The Jewish space lasers are real — well, kind of appeared first on The Forward.