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A 1990s Israeli play is the feminist production NY needs right now

(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”

To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.

At the time, the play was a smash, winning the  Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.

Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.

“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.

“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”

The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.

As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.

“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”

“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.

One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?

This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.

From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)

In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.

In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.

Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.

“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff  will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”

In fact, the IAP team made no changes to the original text.

The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.

“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”

When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”

To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.

This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”


The post A 1990s Israeli play is the feminist production NY needs right now appeared first on Jewish Telegraphic Agency.

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Hundreds of Diaspora leaders call for action against ‘Jewish-extremist terror in the West Bank’

(JTA) — Over 1,000 Diaspora Jews are petitioning Israeli President Isaac Herzog to intervene against settler violence in the West Bank, saying that the settlers are threatening Israeli security.

“Mr. President, the terror, death and destruction inflicted by Jewish-Israeli extremists against innocent Palestinians across the West Bank is an abomination,” says an open letter published Thursday. “It is not only morally shameful but a strategic threat to the future of Israel. It damages world Jewry and the relationship of future generations with Israel.”

The letter continues, “Sadly, based on events and on the statements of the most extreme coalition partners it can be concluded that the violence now engulfing the West Bank is not only condoned by the government but is in fact policy.”

The letter was organized by the The London Initiative, a liberal Zionist network founded earlier last year to “strengthen Israeli democracy, advance a fairer shared future for all citizens of Israel, revive hope in the prospects of achieving secure peace, and improve relations between all Israelis and world Jewry.”

It comes as violence against Palestinians in the West Bank — often unpunished by Israeli authorities — has reached new heights, with settlers allegedly killing seven Palestinians in the last month, including one on Thursday, and driving others from their homes.

The situation has grown so extreme that the Israeli army this week took the unprecedented step of diverting soldiers from Lebanon, where Israel is battling Hezbollah, to the West Bank. Both the chief of staff of the Israeli Defense Forces and the Central Command chief have warned in recent days that conditions in the West Bank are contributing to a dire manpower shortage in the army.

The issue has also ignited concern from the United States, and from Israel’s U.S. ambassador, Rabbi Yechiel Leiter, who told Ynet that he believed the situation was deterring some in Washington from supporting Israel. He called on the rabbis of the West Bank to constrain their disciples.

“I’m so angry about the issue of Jewish riots in Judea and Samaria,” Leiter said. “It’s a handful of a few hundred people who are staining an entire enterprise — and everyone is silent.”

The new letter signed by Diaspora Jews calls on Herzog to advocate for change with Prime Minister Benjamin Netanyahu and his far-right ministers who have not interceded to stop the violence. The signatories include prominent philanthropists including Charles Bronfman; liberal rabbis from multiple countries; and former British and Canadian ambassadors to Israel.

“Mr. President, Pesach is upon us. As we have for millennia, Jews everywhere will reflect on the promise of freedom and responsibilities of power,” the letter says. “We call on you to use your position to implore the government to put an end to the abomination of Jewish-extremist terror and the era of impunity for its perpetrators.”

The post Hundreds of Diaspora leaders call for action against ‘Jewish-extremist terror in the West Bank’ appeared first on The Forward.

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NYC Council approves ‘buffer zone’ legislation insulating houses of worship from protests

(New York Jewish Week) — The New York City Council passed legislation on Thursday aimed at protecting synagogues from disruptive protests, marking a decisive victory following a months-long push by Jewish and local leaders to strengthen safeguards around houses of worship.

The “buffer zone” legislation for religious institutions, which was introduced by Council Speaker Julie Menin following a pro-Palestinian demonstration outside of Park East Synagogue in November, was passed with a vote of 44-5, reaching a super-majority that will make it immune from a potential veto by New York City Mayor Zohran Mamdani.

The bill, which was altered from its initial format to exclude any mention of distance following concerns from the NYPD, will require NYPD Commissioner Jessica Tisch to “establish a plan to address and contain the risk of physical obstruction, physical injury, intimidation and interference in places of religious worship, while preserving and protecting the rights to free speech, assembly and protest,” Menin said during the introduction of the legislation.

“The increase in hateful acts around the city is absolutely abhorrent, and we have to do something about it,” Menin said.

Another measure included in the package of legislation, which would establish buffer zones for protests outside of schools, was also passed with a majority of 30 to 19, making it subject to a potential veto from Mamdani.

Mamdani has not confirmed whether he will pass the legislation. Ahead of the vote, Dora Pekec, a City Hall spokesperson, told the Jewish Telegraphic Agency in a statement that the mayor “wants to ensure both the right to prayer and the right to protest are protected here in New York City.”

She continued, “The Mayor is keenly aware of the serious concerns regarding these bills’ limiting of New Yorkers’ constitutional rights, and he will keep these concerns in mind for any bills that land on his desk.”

On the steps of city hall ahead of the vote, roughly three dozen protesters gathered as part of a demonstration organized by Jewish Voice for Peace NYC, Jews for Racial & Economic Justice and the New York Civil Liberties Union to object to the legislation.

Opponents of the legislation have said that it would have a chilling effect on First Amendment protections, including Donna Lieberman, the executive director of the New York Civil Liberties Union, who said during the demonstration that “this is no time for the political leaders of our city to be pressing for legislation that could put our right to protest in danger.”

“Let’s be clear, the rise of antisemitism is real, hate is real, and we must confront it,” Lieberman said. “But no speech zones, restricting speech and assembly are simply not the solution.”

Audrey Sasson, the executive director of Jews For Racial & Economic Justice, called on Mamdani to veto both pieces of legislation in a statement following the vote.

“We’re extremely disappointed that the City Council voted to pass Intros 001 and 175, bills that serve to generate headlines and convey concern, but not to materially make our city safer for all New Yorkers, including Jews,” Sasson said. “At best, the legislation changes little. At worst, it restricts New Yorkers’ free speech rights and empowers the NYPD to engage in discriminatory policing of protest outside houses of worship and educational facilities.”

But proponents of the bill have argued that it will offer an added layer of protection amid a rapidly escalating climate of antisemitism.

“The explosion of antisemitism in the past, let’s say four or five, six months, especially from Nick Fuentes becoming a major figure and Tucker Carlson going completely off on that has made the rhetoric so much more unstable that I think we just have to have a time where synagogues and all places of faith are protected,” Eitan Szteinbaum, a 25-year-old Jewish New York resident, said outside of City Hall.

Council Member Eric Dinowitz, who introduced the protest bill for educational sites, welcomed the outcome of the vote, saying, “I look forward to the conversation the mayor may want to have about how we protect our students’ safe access to schools.”

The passage of the bills was also welcomed by the Anti-Defamation League of New York and New Jersey, which wrote in a post on X that the measures were an “essential first step to keep Jews — and all New Yorkers — safe.”

“ADL’s most recent audit showed a record 976 antisemitic incidents in NYC, many of which targeted synagogues and Jewish institutions, demonstrating a clear threat to religious freedom,” the statement continued. ‘We are grateful to @SpeakerMenin not only for sponsoring this legislation, but for her entire five-point plan to combat antisemitism.”

Rabbi Marc Schneier, a vocal critic of Mamdani, also celebrated the vote in a statement.

“I am proud of NYC Council Speaker Julie Menin for taking action so quickly, especially as it was clear the mayor once again flip-flopped when it comes to protecting New York’s Jewish community, and New Yorkers of all faiths,” Schneier said. “No one should have to be worried about protesters harassing them when entering a house of worship.”

The post NYC Council approves ‘buffer zone’ legislation insulating houses of worship from protests appeared first on The Forward.

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Instagram Pushes Antisemitic Videos to Hundreds of Millions of Users, Report Finds

Silhouettes of mobile users are seen next to a screen projection of the Instagram logo in this picture illustration taken March 28, 2018. Photo: REUTERS/Dado Ruvic/Illustration

Instagram actively recommends bigoted content to its users, according to newly published research from a leading antisemitism watchdog group.

The revelation followed two high-profile losses this week in lawsuits that charged billionaire Mark Zuckerberg’s Meta, which owns Instagram, with failing to protect children on its social media platforms.

On Wednesday, the Combat Antisemitism Movement (CAM) published new findings from its Antisemitism Research Center (ARC). The report, “Engineered Exposure: How Antisemitic Content Is Pushed and Amplified to Millions Across Instagram,” focused on tracking 100 antisemitic posts during a 96-hour period which Instagram directly pushed into users’ accounts through its own recommendation system.

CAM’s researchers found that these posts provoked 5.3 million likes and 3.8 million shares, which analysts estimate reached as many as 280 million users.

“Among the most disturbing findings is that the ARC researchers identified AI-generated ‘rabbi’ personas that were fabricated to push antisemitic tropes while projecting false religious authority,” CAM said in a statement announcing the report.

One bogus rabbi account CAM uncovered had collected more than 1.4 million followers. The report described how an account called Rabbi Goldman “pushes antisemitic conspiracy theories, including allegations of Jewish control of the global financial system, to a large audience, with some videos getting more than five million views.”

ARC identified 11 other fake rabbis, bringing the total followers for such accounts up to 2.1 million. According to the researchers, “each presents a distinct persona and voice, yet all promote narratives portraying Jews as obsessed with money, playing to classical antisemitic stereotypes.”

The report also documented substantial linking of Jews with occult themes including references to demons, Satan, 666, Moloch, freemasonry, the Illuminati, and especially the ancient Canaanite storm god Baal. The slander against Jews as secretly worshipping a deity who demanded child sacrifice and rivaled the God of Israel in the Bible has manifested elsewhere on social media. Far-right podcaster Candace Owens has claimed that the Star of David has “ALWAYS [sic] been associated with Canaanite cults and Baal worship.”

An important component of this new research is that rather than investigators searching for hateful content, they relied solely on “the standard use of Instagram over four days, via content actively suggested by the platform’s recommendation systems.”

“This distinction demonstrates that exposure to these narratives does not require users to seek out extremist material,” the researchers explained. “Instead, the platform itself can act as a vector, introducing and amplifying such content through its own distribution mechanisms.”

Through providing examples of the content analyzed, the researchers showed how conspiracy theories transition into calls for violence. One video discussed in the report blamed “the Rothschilds” and central banks as guilty of causing all global crises including wars, diseases, and 9/11. The video then “escalates into explicit eliminationist rhetoric, calling for their eradication as a solution. It uses the Rothschild family as a proxy for Jews and frames them as a singular, malevolent force controlling world events.”

CAM CEO Sacha Roytman said the report provided evidence “of a broad systemic failure on the part of Instagram and Meta.”

“When a platform actively recommends content that dehumanizes Jews to mass audiences, we are no longer talking about a simple oversight or a mistake in the algorithmic design. We are talking about infrastructure that normalizes hatred at scale that must be addressed immediately,” he added.

Regarding potential motivations for what might have inspired Zuckerberg to allow for such a proliferation of hate, the report noted in its introduction that Meta had been “generating substantial advertising revenue from engagement with the content in question.”

In 2025, Meta’s revenue reached $200.966 billion, an increase of 22.17 percent from 2024, when revenue hit $164.501 billion, a 21.94 percent increase from 2023’s $134.9 billion, which in turn had grown 15.69 percent from 2022.

Bloomberg currently ranks Zuckerberg as the fifth wealthiest person on the planet, with an estimated net worth of $211 billion. Earlier this month, he purchased a $170 million mansion in South Florida’s Indian Creek, noted as the most expensive sale in Miami-Dade County and listed as “the largest residence ever created on Miami’s most exclusive island.”

On Wednesday, Meta laid off 700 employees, largely those affiliated with the failed Reality Labs division, which burned through $80 billion in pursuit of creating the virtual reality platform Horizon Worlds. The platform will shut down on June 15.

Roytman said that Meta “must take a hard look at how its algorithms are promoting antisemitic content and put real, transparent safeguards in place to stop it.”

Meta may have additional motivation now to level up the safety protocols on its platforms following back-to-back decisions in a pair of lawsuits this week which, legal analysts suspect, may have now opened the floodgates for thousands of similar cases around the country.

On Tuesday in Santa Fe, jurors found Meta liable and imposed a $375 million fine for failing to prevent minors’ exposure to harmful sexual content including online solicitations, human trafficking, and explicit imagery.

“Meta executives knew their products harmed children, disregarded warnings from their own employees, and lied to the public about what they knew,” New Mexico Attorney General Raúl Torrez said in a statement following the verdict. “Today the jury joined families, educators, and child safety experts in saying enough is enough.”

Torrez vowed to go after Meta for more money and force changes to the platforms.

“New Mexico is proud to be the first state to hold Meta accountable in court for misleading parents, enabling child exploitation, and harming kids,” Torrez said. “In the next phase of this legal proceeding, we will seek additional financial penalties and court-mandated changes to Meta’s platforms that offer stronger protections for children.”

On Wednesday in Los Angeles, jurors found Meta and Alphabet (parent company of YouTube) liable for the addictive qualities of their platforms exacerbating the mental health problems of a young woman and awarded her $3 million in damages with $3 million more in punitive damages.

Omri Ben-Shahar, a law professor at the University of Chicago, told the Wall Street Journal that “what is new is the addiction element.” He warned “that could create a very broad liability. The notion of addiction, there is something very abstract about it.”

Meta and Alphabet both plan to appeal the ruling. Alphabet spokesman José Castañeda sought to distance the company from Meta (which jurors found more heavily liable at a 70-30 penalty ratio), saying “this case misunderstands YouTube, which is a responsibly built streaming platform, not a social media site.”

Previous legal challenges to social media and online video companies for failing to prevent exposure to harmful content have usually failed due to longstanding legal interpretations of Section 230 of the 1996 Communications Decency Act, which states that “no provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.”

This statute has prevented plaintiffs from suing a website’s host the way they would an individual committing slander or a publisher engaged in libel. The legal innovation which allowed for success in these cases was lawyers’ decision to focus not on the content itself but on the design of the products which intended to hold users captivated, glued to their phones for hours.

“They knew,” said Mark Lanier, the lawyer for the 20-year-old plaintiff in the addiction case. “They targeted the children.”

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