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A 1990s Israeli play is the feminist production NY needs right now
(New York Jewish Week) — When Anat Gov’s play “HaChaverot Hachi Tovot” (“Best Friends”) premiered in 1999, it was an anomaly among Israeli works of theater. In fact, Gov wrote it with anomalous intentions: In an interview before it opened, she called the piece a form of “compensation for the fact that there are no good roles for women.”
To remedy this, Gov wrote a play with no male roles — a 100-minute romp down memory lane which calls into question the very nature of friendship and whether or not the love between BFFs can stand the test of time.
At the time, the play was a smash, winning the Israel National Theater Award for best comedy of the year, and playing over 700 times during its initial run at the acclaimed Cameri Theatre in Tel Aviv. “Best Friends” was then rewritten as a TV miniseries for HOT, a popular Israeli TV network, and re-staged in 2013, after Gov’s death the previous year.
Today, the play is enjoying a new imagining here in New York: Through April 2, it’s being performed at the Rattlestick Theater in Manhattan, in alternating performances in both Hebrew and English, by the team at the Israeli Artists Project, a non-profit that presents Israeli theater, music and art in the greater New York area.
“Best Friends” is ostensibly about friendship but touches on broad themes of jealousy, fertility struggles, betrayal and much more. And yet, intentionally or not, its deep dive into the force and fury of the female experience comes at a time when the cause of women’s rights is seeing setbacks in Israel and the United States.
“There are so many facets to our work,” says Yoni Venridger, founder and producing artistic director of IAP. “But to put it simply, we want to be a home where people of any affiliation can come together, enjoy our common culture, and put politics aside. In a way, everything we do is inherently political. We are, after all, representing a country. That said, we’re interested in doing Israeli things, being Israeli people, without automatically politicizing our events.”
The play, which is both hilarious and heartbreaking, centers on three women — Leli, Sophie and Tirtza — who are at a breaking point in their lifelong friendship. In the opening scene, Leli calls her two ex-besties to gather; it’s a matter of life or death, she says, refusing to say which one it is. Despite an extended period of silence between the three and heightened tensions between Sophie and Tirtza, in particular, they come together, and begin to unpack every single piece of emotional baggage they have.
As is the case in actual lifelong friendships, there’s a lot to unpack here: high school crushes, first loves, heartbreak, professional successes and woes, births, marriages — no stone is left unturned. Shouting ensues, and laughter, and some awkward silences.
“We need more plays that give central roles to women,” said Vendriger. “It’s not necessarily about writing plays without any male roles, either. What’s critical is writing more lead roles for women, more well-rounded, rich roles for women.”
“Best Friends” is an extreme version of this, of course, by omitting all men from the cast, and it easily passes the Bechdel Test — that is to say, it includes at least two named female characters who discuss something other than a man — with flying colors. Leli, Sophie and Tirtza certainly talk about men, love and heartbreak, but the primary focus is on how they’ve let themselves, and each other, down.
One of the most effective choices Gov made was to have the drama play out in two decades simultaneously. There are two casts: a young version of the women, in the 1960s, and a middle-aged version, in the 1990s. Beyond the illustrative power of showing friendship instead of telling about it, Gov creates a fascinating dynamic between the two sets of women. At times, the two casts interact, holding one another, reminding one another of their various strengths and shortcomings. Who among us hasn’t wished to warn or encourage our younger selves, or that our younger selves could remind us of who we once were?
This revisited version of Gov’s classic was slated to run in New York in May 2020 — but the pandemic, of course, made that impossible. Instead, it arrives in time for Women’s History Month 2023. “The timing kind of just worked out for us,” explained Vendriger.
From left, Maia Karo, Adi Kozlovsky and Karin Hershkovitz Kochavi play a trio of BFFs in “Best Friends.” (Courtesy)
In Israel, a right-wing government is under siege by rivers of enraged citizens — primarily because of Prime Minister Benjamin Netanyahu’s proposed judicial overhaul, now on pause. But there is pushback among liberal Israelis for other reasons as well. Recently, Betzalel Smotrich, a far-right member of Knesset and the current minister of finance, made sure that Israel would not sign the UN’s International Violence Against Women Act. Prior to this, Smotrich had called himself a “proud homophobe;” he organized a “bestiality parade” as a counter-parade to the Jerusalem Pride march in 2006.
In the United States, women’s rights are also threatened — including by the dismantling of Roe v. Wade, ensuring their right to an abortion.
Against this backdrop, the 1990s of “Best Friends” look downright progressive. To Vendriger, however, this play is about the timeless nature of friendship.
“Gov managed to write in a way that makes her work continuously relevant, regardless of the passage of time,” he said. “It’s the humanity of it. There are connections, power struggles, interpersonal attractions — that stuff will never change. Despite the fact that it’s originally from the ’90s, the meditation on the power and fragility of friendship, on the fact that we need to maintain and work on friendships, it all feels immediate and very appropriate for the present day.”
In fact, the IAP team made no changes to the original text.
The play works today, in 2023, because it leans on universal, wide-reaching themes. At the same time, there is a palpable Israeliness to the whole thing, whether it’s the prickly slang or the fact that one character, whose son is serving in the first Lebanon War, is jealous that her friend’s son has asthma, and therefore gets to stay home.
“‘Best Friends’ integrates the complexity of humanity, friendship and Israeli society, and brings them into the realm of humor,” said director Hamutal Posklinsky-Shehory. “It’s funny, but it’s also dramatic and very witty. [In this iteration] the whole staff is female. All the actresses are — six onstage and two understudies — plus the assistant director, play manager, lighting designer, and costume designer. I feel this is very appropriate for the age that we’re living in and really underlines the space we need to give for female identifying artists.”
When Posklinsky-Shehory isn’t directing, she’s a drama therapist at NYC Peace of Mind, a group psychotherapy practice that brings together drama therapists to support and enrich one another’s creative treatment approaches. Her work, she said, informed her directorial choices. “The relationships presented between the three friends are not the healthiest ones,” she said, “and we went through a process, truly trying to figure out and understand the motivations and [emotional landscapes] of the characters.”
To this end, the cast used therapeutic techniques alongside theatrical practices in order to deepen their connections and understanding. “We incorporated some writing activities, with the actors writing to their characters. Another time, we sought connections and differences between our actors and the characters that they play, as a group. In this way, we developed trust and deepened our bond with one another,” she said.
This is, in a sense, the bottom line of the play: the bonds that tie, and how they can unravel under the strains of a lifetime. “As humans, we’re complex,” said Posklinsky-Shehory. “Even in a play that’s all fantastic and sweet and nostalgic, there’s still the complexity and darkness [of life]. I’d like people to leave with an understanding that what we feel is perfect and complex, and that’s OK. We need to accept those parts of ourselves and our society.”
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Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’
(JTA) — Cameron Kasky, the 25-year-old Jewish activist and school shooting survivor, has entered the race to represent one of the United States’ most Jewish congressional districts — on a platform that includes stopping Israel’s “genocide” in Gaza.
“We need leaders who aren’t going to coddle their billionaire donors, who won’t support a genocide and who aren’t going to settle for flaccid incrementalism,” Kasky said in the launch video posted on Tuesday for his campaign to represent New York City’s 12th Congressional District.
The video’s caption includes the three main points of his campaign: “Medicare for all. Stop funding genocide. Abolish ICE.”
While Kasky’s anti-Trump positions are likely to go over well with the district’s largely liberal populace, his stance that Israel is committing a genocide — and the apparent centrality of that stance to his campaign — could be an issue for constituents. The district includes the Upper West and East Sides of Manhattan, where many voters sided with the pro-Israel Andrew Cuomo over Zohran Mamdani in the city’s recent mayoral election, as well as Midtown Manhattan.
Kasky’s messaging may, however, speak more to young voters in the district. A New York Times/Siena poll from September found that 66% of New York City voters ages 18 to 29 found that Mamdani, an anti-Zionist, “best addressed the Israeli-Palestinian conflict” among the mayoral candidates.
A democratic socialist, Kasky was a vocal supporter of Mamdani throughout the mayoral election — and an aggressive critic of fellow Democrats who objected to the mayoral candidate’s anti-Israel stances.
“‘Vote blue no matter who unless it’s a Muslim who criticizes Israel’s extremist far right nationalist government’ is not ‘vote blue no matter who,’” he wrote in one tweet.
In another, he wrote that Democrats who refused to endorse him after the primary should “go get a consulting gig and stop disrespecting your own voter base.”
Kasky had teased entering the crowded race for months, ever since Rep. Jerry Nadler, Congress’ most senior Jewish member, announced he would not be running for reelection.
In that time, Kasky has also weighed in on the viability of Micah Lasher, the Jewish state Assembly member and former Nadler aide who launched his own campaign for the seat earlier in the fall.
Lasher is unable to “fight fascism” because of his “genocide denial and free speech attacks on students,” Kasky wrote, with a screenshot of a Lasher tweet from Oct. 28, 2023, that criticized what Lasher called the “awful use of the word ‘genocide’ by some westerners to describe Israel’s actions.” (As the war in Gaza neared its two-year mark this summer, a poll found that half of Americans believed Israel had committed genocide, a claim that Israel and the United States both reject.)
Kasky also reposted a poll according to which Brad Lander, Mamdani’s most prominent Jewish ally, would beat the moderate congressman Dan Goldman, who is Jewish and withheld an endorsement due to “some of the rhetoric coming from Mamdani.”
“Needless to say, I am looking forward to working with Brad Lander,” Kasky wrote.
Kasky is the co-host of the “For You Podcast” with Tim Miller, which attempts to “break down the politics of the TikTok generation,” for The Bulwark, a center-right, anti-Trump media company.
One of Kasky’s podcast guests over the summer is now his opponent: Jack Schlossberg.
Schlossberg, who is the grandson of President John F. Kennedy and has said he is “at least 100% half Jewish,” announced his own candidacy for the 12th Congressional District last week.
Kasky remarked on their podcast that many women in his life have crushes on Schlossberg — and Schlossberg replied that the two men have a similar appeal.
“I always say, when you go unhinged politics Jew, it’s hard to go back,” Kasky said.
Kasky was thrust into the national spotlight as a survivor of the Marjory Stoneman Douglas High School shooting in Parkland, Florida, in 2018. Together with other survivors, he led a march in Washington and spurred a national movement that is seen as crucial to the 2022 passage of the most significant federal gun control legislation in decades.
Kasky, a junior at the time of the shooting, is credited with having selecting the name and hashtag #NeverAgain — which has long been linked to Holocaust commemoration — for the student-led gun control campaign. (Another co-founder of Never Again MSD is David Hogg, who recently stepped down as the youngest-ever vice chair of the Democratic National Committee.)
Before the shooting, Kasky said he played Motel in a school production of “Fiddler on the Roof.” The quality of his performance was proof, he joked, that he was not a paid actor in the protests, as some conspiracy theorists accused.
Kasky attended Hebrew school growing up, which he referenced when speaking on MSNBC about the “No Kings” protests against Trump.
“This kind of reminded me of my education growing up — when you go to Hebrew school, you learn about fascism a little bit younger than the other kids,” he said. “And you find yourself asking, in the face of authoritarianism, in the face of seeing a genocide happen before the entire world, what would I do? How would I react?”
He moved to New York City to attend Columbia University, where he later dropped out, and lives in the 12th Congressional District that’s been described as a “crown jewel” of New York politics.
Now, Kasky is running on a progressive agenda that emphasizes fighting Trump and stopping U.S. military aid for Israel, referring to the country’s actions in Gaza in no uncertain terms as a “genocide” — a response which he says has been informed in part by his Jewish identity.
“I am always surprised when people ask me why I focus so much on Palestine,” he wrote. “Beyond my Jewish identity making me strongly opposed to genocide, I’m a school shooting survivor-turned-activist. I started my adult life demanding an end to American-made weapons slaughtering children.”
The post Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’ appeared first on The Forward.
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Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing
(JTA) — On the eve of a long-delayed Senate confirmation hearing for President Donald Trump’s pick for antisemitism envoy, a group of House Democrats is urging senators to reject the nomination of Yehuda Kaploun, arguing that he lacks the judgment and moral authority the post requires.
In a letter obtained by the Jewish Telegraphic Agency and sent Tuesday to Sen. Jim Risch, the Idaho Republican who chairs the Senate Foreign Relations Committee, and Sen. Jeanne Shaheen, its top Democrat, the lawmakers call Kaploun’s nomination “partisan and controversial” and say his “comments and actions demonstrate a clear unfitness for this post.”
A total of 18 House Democrats signed the letter, including several Jewish lawmakers such as Jerrold Nadler, Jamie Raskin, Jan Schakowsky, Becca Balint and Steve Cohen.
The intervention is atypical: House members almost never publicly oppose sub-cabinet nominees, a category generally considered routine Senate business.
The committee is scheduled to hold a hearing on Kaploun’s nomination on Wednesday morning.
Trump tapped Kaploun in April to serve as the State Department’s Special Envoy to Monitor and Combat Antisemitism, an ambassador-level role focused on antisemitism abroad. The Senate did not move for months to schedule a hearing, leaving the position vacant even as administration officials warned about a spike in antisemitism.
Kaploun, a Hasidic rabbi, Miami-based businessman and longtime political operative close to Trump, would be the first Hasidic Jew to serve in the role if confirmed. In a May profile, JTA detailed how he rose from a Brooklyn yeshiva student and community activist affiliated with the Chabad movement to a prominent figure in Republican politics and a visible surrogate in Trump’s 2024 campaign.
The Democratic letter focuses first on Kaploun’s rhetoric about Trump’s political opponents. It cites a comment in which Kaploun said that after the Hamas attacks of Oct. 7, “Democrats refuse to even recognize the butchers of women and kidnappers of children as terrorists,” calling the statement “absurd, insulting, and malicious.” The lawmakers argue that the remark maligns Democratic members of the Foreign Relations Committee who condemned the attacks and raises questions about his ability to work across party lines.
In addition, the Democrats point to an event Kaploun organized during the 2024 campaign at which Trump said that if he were to lose the election, “the Jewish people would have a lot to do with a loss,” and spoke of a “Democrat curse” on Jews who vote for the party. The letter describes those remarks as antisemitic scapegoating and says Kaploun’s failure to publicly condemn them — or what the letter calls the administration’s hiring of “antisemites and Christian Nationalists” — should be a central topic of Wednesday’s hearing.
The lawmakers also cite JTA’s earlier reporting on dueling lawsuits in Miami-Dade County involving Kaploun and another member of his synagogue, which alleged threats and an extramarital affair. Court records show that judges issued restraining orders on both sides and that the case was settled in April, days before Trump announced the nomination. Kaploun has denied having an affair and has said, through an attorney, that he was drawn into a marital dispute that has now been resolved.
The letter closes by turning Kaploun’s own past standard for nominees back on him, quoting a 1993 submission he made to the Senate, in which he argued that nominees must be judged on “honor,” “fidelity to principle” and respect for civil rights. “By his own standards, Mr. Kaploun fails,” the lawmakers write, urging senators to vote no.
Their intervention comes as a broad coalition of Jewish organizations has pressed the Senate to move quickly to confirm an antisemitism envoy and a parallel ambassador-at-large for international religious freedom. In an August letter led by the Jewish Federations of North America, groups from across the Jewish communal spectrum urged Senate leaders to “swiftly” fill both roles, warning that “we dare not delay in filling these critical positions.”
Kaploun has previously said he is refraining from interviews until after his confirmation process, but he has publicly argued for the importance of rising above partisanship. In a May op-ed published by JTA and co-authored with the previous two antisemitism envoys, Elan Carr and Deborah Lipstadt, Kaploun wrote that “the fight against this terrible scourge… must be bipartisan and non-political.”
The post Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing appeared first on The Forward.
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Maduro Accuses Zionists of Trying to Deliver Venezuela to ‘Devils’ as US Threatens Terror Designation
Venezuelan President Nicolas Maduro speaks during a march amid the disputed presidential election, in Caracas, Venezuela, Aug. 3, 2024. Photo: REUTERS/Maxwell Briceno
Venezuelan President Nicolás Maduro accused Zionists of trying to hand his country over to “devils,” as the United States ramped up military pressure and opposition leaders continued to voice support for action against his regime.
“There are those who want to hand this country over to the devils – you know who, right? The far-right Zionists want to hand this country over to the devils,” Maduro said on Saturday during a speech to local pro-government grassroots organizations.
“Who will prevail? The people of [King] David, the people of God, the people of [Simón] Bolívar, or the imperialist demons?” he continued. “We are the people of David against the Goliaths that we have already defeated in history. If God wills it, we will face them.”
| Nicolás Maduro: “Algunos quieren entregar este país a los demonios; ya saben quiénes son: la facción sionista de ultraderecha”.
pic.twitter.com/i7IJ5W0kOs— Alerta News 24 (@AlertaNews24) November 16, 2025
The Venezuelan leader has a long history of blaming the Jewish state and Jewish communities for the country’s problems, even as opposition leaders continue to publicly voice support for Israel and denounce his regime.
Last year, Maduro blamed “international Zionism” for the large-scale anti-government protests that erupted across the country following the presidential elections, in which he claimed victory amid widespread claims of fraud.
He also called the Argentinian government “Nazi and Zionist” earlier this year, amid an ongoing dispute over the arrest of an Argentine military officer in Venezuela.
Maduro broke diplomatic relations with Argentina after President Javier Milei refused to recognize his reelection in July.
During his Saturday speech, the Venezuelan leader insisted that the country is a Christian nation and questioned why Americans would want to kill Christians, as he urged Washington to refrain from military escalation amid a US buildup in the Caribbean and strikes on alleged drug trafficking vessels.
“I place at the forefront of this battle our Lord Jesus Christ, to whom our homeland has been entrusted, the only king between heaven and Earth, Jesus of Nazareth, the young child and Palestinian martyr, Jesus of Nazareth,” Maduro said.
“I place Jesus of Nazareth as commander-in-chief of the battle for peace and the sovereignty of the Venezuelan people,” he continued.
He also tried to appeal to the American people, urging them to say “no” to war and “yes” to peace.
Maduro’s latest remarks came just before the Trump administration on Sunday announced the decision to designate the Cartel de los Soles, which the Trump administration has accused Maduro of leading, as a foreign terrorist organization. The designation could open the door to strikes on Maduro’s assets and infrastructure inside Venezuela.
“Based in Venezuela, the Cartel de los Soles is headed by Nicolás Maduro and other high-ranking individuals of the illegitimate Maduro regime who have corrupted Venezuela’s military, intelligence, legislature, and judiciary,” the US State Department said in a statement, noting the designation will take effect next week, on Nov. 24.
“Neither Maduro nor his cronies represent Venezuela’s legitimate government. Cartel de los Soles by and with other designated [foreign terrorist organizations] including Tren de Aragua and the Sinaloa Cartel are responsible for terrorist violence throughout our hemisphere as well as for trafficking drugs into the United States and Europe,” the statement continued. “The United States will continue using all available tools to protect our national security interests and deny funding and resources to narco-terrorists.”
Congress has seven days to review the decision after being notified, and “in the absence of congressional action to block the designation,” it will take effect, according to the State Department.
US President Donald Trump said on Sunday that, while he doesn’t believe the administration needs congressional authorization for potential military strikes inside Venezuela, he would like to keep lawmakers informed.
“We like to keep Congress involved. I mean, we’re stopping drug dealers and drugs from coming into our country,” he said. “We don’t have to get their approval. But I think letting them know is good.”
In recent weeks, Trump has ordered at least 21 strikes on boats believed to be carrying narcotics and has built up thousands of troops in the region.
Last month, US Defense Secretary Pete Hegseth announced the creation of a new counter-narcotics Joint Task Force, saying it was established “to crush the cartels, stop the poison, and keep America safe.”