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A Bay Area billboard battle breaks out between Jews over branding of anti-Zionism
(JTA) — Within two weeks, a series of Bay Area billboards equating anti-Zionism with antisemitism were targeted by activists. In the first incident, an unknown group of culprits wrote “Free Palestine” on them, leading the billboards’ sponsor to replace them and call the graffiti “a hate crime.”
The second time they were targeted, a group of Jews took the credit.
On Tuesday night, a group of self-proclaimed “anti-Zionist Jews” papered over three billboards paid for by the New Jersey-based group JewBelong. It was a further escalation in a national debate over anti-Zionism, antisemitism and whether and how Jews and non-Jews alike should criticize Israel.
“We are part of a growing number of Jews across the United States who know that opposing Israeli apartheid and occupation has nothing to do with antisemitism, and that the biggest threat to Jews in this country comes not from those supporting Palestinian rights, but from white, Christian nationalists,” the collective, who identify themselves on the billboards as “Jews4FreePalestine,” told the Jewish Telegraphic Agency in a statement.
The original billboards read, “You don’t need to go to law school to know that anti-Zionism is antisemitism.” It was JewBelong’s tongue-in-cheek reference to a recent controversy at the University of California-Berkeley law school, in which some student groups signed a statement pledging not to invite “speakers that have expressed and continued to hold views … in support of Zionism, the apartheid state of Israel, and the occupation of Palestine.”
The bylaws attracted national attention after Ken Marcus, founder of the pro-Israel legal group Brandeis Center for Human Rights Under Law, declared that Berkeley was erecting “Jew-free zones.” Later, allegations against the law students prompted an investigation from the U.S. Department of Education. The episode caught the attention of a right-wing group, which drove trucks displaying Adolf Hitler through the Berkeley campus and intimidated some of the anti-Zionist petition signers at their homes out of state. Meanwhile, attempts by Berkeley students to pass a resolution condemning antisemitism failed to pass when some student senators did not show up for the vote.
Targeting the billboards, the anonymous group of self-proclaimed “anti-Zionist Jews” changed the word “antisemitism” to “anti-racism.” They added other messages: “Jews for a free Palestine” and “End Israeli apartheid.”
Declining to provide their names, the group said only that they are “organizing ad-hoc in response to the billboards from JewBelong” and that they numbered more than two dozen. Though spokesperson Joe Rivano Barros said the group was not responsible for the first tag, the group defended the anonymous first group against JewBelong’s hate-crime allegations, calling the labeling “dishonest.”
Online, the altered billboards were being promoted by the Jewish Voice for Peace anti-Zionist group, an editor of the anti-Zionist website Electronic Intifada and a Jewish former Google employee who has organized against some of the company’s business dealings with Israel.
The group also directly went after JewBelong — which it said “has long equated anti-Zionism with antisemitism in order to normalize Israeli apartheid” — and its co-founder, Archie Gottesman, whom they said “has an appalling history of making racist and genocidal statements.” Originally founded as a public relations movement to promote Jewish pride, JewBelong pivoted in 2021 to focus on combatting antisemitism, aligning itself with staunchly pro-Israel influencers.
Gottesman sits on the board of Democratic Majority for Israel, a lobbying group that pushes Democratic Party lawmakers to adapt more pro-Israel stances. She tweeted in 2018 that Gaza was “full of monsters” and that it was “time to burn the whole place,” statements for which she has since apologized.
“We stand by our billboards,” Gottesman told JTA in a statement in response. “The vast majority of American Jews are Zionists. The billboards appear to have been defaced by a fringe group trying to create a Jew vs Jew fight at a time when we should all be united against the larger issue, which is growing antisemitism in the US.”
While Berkeley Law’s own Jewish dean, Erwin Chemerinsky, has called the law students’ bylaws antisemitic, he has also criticized JewBelong’s billboards, saying they are not “contributing to useful discourse.” After they were graffitied over the first time, Chemerinsky said the culprits were infringing on JewBelong’s First Amendment rights.
Since the recent Israeli elections bringing to power the country’s most right-wing government in generations, a growing number of influential Jews around the world have increased their criticism of the government and stated that such criticism should not be conflated with antisemitism.
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The post A Bay Area billboard battle breaks out between Jews over branding of anti-Zionism appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
